SCENARIO 1994 Fall Season
A Season of
Masterpieces MADAME
BUTTERFLY
THE DAUGHTER OF THE
REGIMENT
David DiChiera , General Director
Copyright 2010, Michigan Opera Theatre
A Message From Th~
General Director ~~----------------------------------------~~
It gives me great pleasure to welcome you to Michigan Opera Theatre's 24th season - aptly named a "Season of Masterpieces." MOTs productions of these masterpieces by master composers - Puccini, Donizetti, Mozart and Tchaikovsky - feature performances by some of the world's most talented, established and rising artists. During our 1994-95 season MOT is extremely pleased to present such a collection of musical genius, along with a caliber of artistic talent that is truly remarkable. .
The fall opera season commences with Puccini's Madame Butterfly, the inspiration for the current Broadway sensation Miss Saigon. Our tragic Cio-Cio-San is beautiful Karen Notare whose star has been rising quickly in the u.s. and Europe alternating with Chinese-born Guiping Deng. I'm pleased to present a company premiere of Donizetti's The Daughter of the Regiment, not seen by Detroit audiences for more than 22 years. This delightful comedy features one of the world's most sought after coloratura sopranos Tracy Dahl alternating with an exciting new artist, Anna Vikre.
Our spring season opens with Mozart's timeless favorite, Don Giovanni. This dramatic comedy will be greatly enhanced by a stellar cast including Metropolitan Opera stars Jeffrey Wells as the Don, bass-baritone Philip Cokorinos, as his side-kick Leporello, and exciting soprano Martile Rowland as Donna Anna. This opulent Goya-inspired production was premiered by Michigan Opera Theatre in 1989, deSigned by English theatre artist John Pascoe. Next, we present Tchaikovsky's beloved Swan Lake, arguably the most popular ballet of all time. Choreographed by Detroit's own Iacob Lascu, Swan Lake features National Ballet of
Canada prima ballerina Margaret Illman as the Swan Queen. Just as we open our season with a Puccini classic, so too will we conclude with one - the beloved Tasca. Russian Soprano Maria Guleghina has triumphed as Tosca in major opera houses around the world, including a recent Met broadcast.
Met bass-baritone and MOT veteran Richard Cowan will play the villianous Baron Scarpia. Cohen, along with Kevin Anderson (one of the Tonios from our fall season) is a product of MOT's Young Appren~ice Program.
I am sure all of you share with me a sense of excitement and anticipation for MOTs new home, the Detroit Opera House. The inaugural season in the opera house, the spring of 1996, will be the fulfillment of this company's long-term goal to control its own performance facility, one which allows us to serve the community fully, and which is comparable in function, size and aesthetics with opera houses around the world. Many corporations, foundations and individuals have generously
demonstrated their support toward this goal, to them we are most grateful. For a complete listing of these contributors, and for an update on the Detroit Opera House, please refer to pages 10 and 11 .
Finally, I would like to extend my deepest thanks to our corporate and foundation contributors, government agencies and private individuals who have supported the company's extensive activities throughout the year, and, of course, to you our audience.
It is truly in the spirit of celebration that we embark on this 1994-95 season. Enjoy "A Season of Masterpieces! "
Copyright 2010, Michigan Opera Theatre
~ THE MAGAZINE OF MICHIGAN OPERA TH EATRE · FALL 1994 VOLUME 2, NO. 1 · DAVID DICHIERA, GE ERAL DIRECTOR ~
SCENARIO DEPARTMENTS
General Director's Message .. ..... .. .... .. ..... ...... 1 Board of Directors and Trustees ... .... ...... ..... .5
Administration and Production Staff ...... .... . 6 Detroit Opera House ...... .... .. .. ..... .......... .... .lO 1994 Fall Season Artist Profiles ..... ........ .... 20 Young Artists Apprentice Program ............. 24 Orchestra and Chorus ... ........ ...... ... ..... ....... 24 Community Programs .. .... ....... ........... ....... . 26 Volunteer Association .......... .. ....... .. .... ....... 28 Contributors ....... ... .... ..... .... .... .... .... .... .. .... .30
This publication is a production of the MOT Marketing and Public Relations Departments
Steve Haviaras Direct6r of Marketing
Laura R. Wyss PubUc Relations Manager
Shelly Gillett-Behrens Assis!llnt Director of Marketing
Kathleen McNeill PubUc Relations Coordinator
CREDITS Editor
Laura R. Wyss
Art Direction and Production Andi Cormier, Karen Cameron. Barb Porter,
Kathleen Kasman Simons Michelson Zieve
Cover Design Andi Cormier of Simons Michelson Zieve
Printer The McKay Press, Inc.
Advertising Sales TPC - The Publications Company
The 1994-95 Michigan Opera Theatre Season is presented in cooperation with classical radio station
WQRS-FM 105. 1.
BaUlwin is the official piano of Michigan Opera Theatre. Pianos are provided and serviced by Evola Music Centers,
Main Office, Bloomfield Hills, MI.
Michigan Opera Theatre's 1994-95 subscript ion tickets have been graciously sponsored by Voice-Tel. Additionally, th is year's single tickets have been generously sponsored by
Harrison Luggage.
Michigan Opera Theatre is supported in part by grants fro m the National Endowment for the Arts and from the
State of Michigan through the Michigan Counci l for the Arts and Cultural Affairs.
~ ~~
Michigan Opera Theatre is an equal opportun ity employer. Michigan Opera Theatre is a member of OPERA America.
Mon 1990 production of Madame Butterfly.
FEATURES
Madame Butterfly SYNOPSIS
13
MADAMA BUTTERFLY & MI SS SAIGO By Pa ula Citron
14
The Daughter of the Regiment
SYNOPS IS 17
NOTES ON LA FILLE DU REGIME NT By Herbert Kupferberg
18
1995 SPRING GRAND OPERA SEASON
Don Giovanni April 22-30
Swan Lake May 5-7
Tosca May 13-21
TICKET SERVICE The Michigan Opera Theaoe &x Office is located at 65 19 Second Avenue, lRtroit, Michigan 48202, and is open from 10:00 a.m. to 5:30 p.m. weekday.;. Phone (J 13) 874-7464 from 10:00 a.m. to 6:00 p.m. Monday through Friday. Call for weekend times in season. 01 perfonnance day.; after 6:00 p.m., visit the theatres' box offices. lIckets may also be purchased at all lIcketMastet ouclets or by call ing (810) 645-{5666.
UNUSED TICKETS Su1:s::ribers unable to use cl,eir tickets may make a tax
deductible contribution to Michigan Opem Theaoe by returning them to the &x Office for resale at lea5t 48 hours priorto the perfonnance. Call (J13) 874-7464 for additional infonnation.
EXCHANGE POLICY Exchanges for Slll:s::ribers will be made only on a space available basis to any other perfonnance in the 1994-95 Su1:s::ription Sea,;on. Exchanges must be made at least 48 hours prior to the perfonnance time printed on the tickets being exchanged.
MOT OPERA BOUTIQUE The Mar Opera fuutique, featuring an amlY of gift items, is open before curtain time and during intennissions of each perfonnance at the Fisher and Masonic Temple Theatres.
FOOD SERVICE Fisher Theaoe: Concession stands are open when the theaoe doors open and during intennissions. Simuit:aneollsly, wine beer and soft drinks are available for sale in the Fisher Building lobby. Masonic Temple Theaoe: TI,e Fountain Ballroom on cl,e lower level is open before curtain time and during intennissions of all perfOm1anCes for refreshments. Patrons arriving before theaoe doors open should enter the outer main lobby and follow the signs.
ACCE SSIBILITY &th the Fisher and Masonic Temple Theatres have special area> for wheelchairs. Additionally, arrangements can be made for tha;e who are visually or hearing impaired. Please infonn the Mar &x Office of your needs at (313) 874-7464 when purchasing your tickets.
LOST AND FOUND See the Head Usher for 1= and found infonnation at cl,e Fisher and Masonic Temple Theatres.
PLEASE NOTE Cameras and other recording devices are not perrni tted in the theatres. Patrons are also reminded to check that their digital watch alarms are switched OFF before the perfonnance begins.
IMPORTANT PHONE NUMBERS SlIl:s::riber Hotline (313) 874-783 1 Administrative Office (3 13) 874-7850 &x Office (313) 874-7464 General Directors Cirde (313) 874-7850 Group Sales (3 13) 874-7894 Community Progrdlns lRpartment (3 13) 874-7894 Fax Line (313) 871- 7213
EMERGENCY NUMB ERS DURING PERFORMANCE S FisherTheaoe (313) 87Z-4ZZ 1 Masonic Temple Theaoe (3 13) 832- 5500 The Michigan Opem Theaoe Administrative Offices are located at 65 19 Second Avenue, lRtroit, Michigan 48202 in the New Center Area.
SCENARIO is published by Michigan Opera Theatre ' 6519 Second Avenue, Detroit MI 48202 · Telephone (313) 874·7850 · FAX (3 13) 87 1-72 13
Copyright 2010, Michigan Opera Theatre
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You DON'T HAVE TO I,EAVE EARLY TO
BEAT THE CROWD. When you have a Seville STS waiting in the wings, you can sit back,
relax and enjoy the show. Right up unti l the last curtain call. Because outside, you know you have another
special seat reserved for you. Along with the kind of performance that leaves the crowd behind.
CADILLAC CREATING A HIGHER STANDARD rM
lis Always wear safety belts. even with air bags. " 1994 GM Corp. All rights reselVed. CADILLAC. NORTHSTAR. SEVILLE. Copyright 2010, Michigan Opera Theatre
Directors and Trustees BOARD OF FOUNDING MEMBERS Mr. &: Mrs. Clarence G. Dr. &: Mrs. Nathaniel Mr. &: Mrs. James Pamel DIRECTORS Mr. &: Mrs. Lynn Townsend Catallo Holloway Dr. Robert E. L. Perkins
1993-1994 Founding Chairman Mr. &: Mrs. Frederick Clark Hon. &: Mrs. Joseph Mr. &: Mrs. Brock E. Plumb
Hon. &: Mrs. Avern L. Cohn Ms. Virginia Clementi Impastato Mrs. Ralph Polk Hon. &: Mrs. Avern L. Cohn Mr. &: Mrs. Verne Istock Mr. &: Mrs. David Pollack
Mr. Robert E. Dewar Mr. &: Mrs. John DeCarlo Mr. &: Mrs. Thomas Cohn Mrs. DavidJacknow Mr. &: Mrs. John Rakolta Dr. &: Mrs. David DiChiera Mr. Michael]. Connolly Mr. &: Mrs. LeonardJaques Mr. &: Mrs. Eugene Robelli Chairman Mr. &: Mrs. Aaron
Gershenson Mr. &: Mrs. Peter Cooper Mr. &: Mrs. Wesley R. Mr. &: Mrs. Hans Rogind
Mr. &: Mrs. Donald C. Graves Mr. &: Mrs. Rodkey Johnson Mr. &: Mrs. Irving Rose
Dr. David DiChiera Hon. &: Mrs. Wade Craighead Miss H. Barbara Johnston Mr. &: Mrs. Louis Ross
President McCree, Jr. Mr. &: Mrs. Richard Cregar Mrs. William E. Johnston Mr. &: Mrs. David Ruwart Julia Donovan Darlow Mr. &: Mrs. Arnold Joseff Mr. &: Mrs. Andrew M. Savel
Mr. Harry]. Nederlander &: John Corbett O'Meara Mr. &: Mrs. Maxwell Jospey Dr. &: Mrs. Norman Schakne Mr. E. Harwood Rydholm Mr. &: Mrs. Lawrence N. Mr. &: Mrs. Mitchell 1. Mr. &: Mrs. Fred
Mr. Cameron B. Duncan Mr. &: Mrs. Neil Snow David Kafarski Schneidewind Treasurer Mr. &: Mrs. Richard Mr. &: Mrs. John W Day Dr. &: Mrs. Charles Kessler Mr. &: Mrs. Arthur Schultz
Strichartz Mr. &: Mrs. Robert N. Mr. &: Mrs. Eugene L. Klein Mr. &: Mrs. Alan E. Schwartz Mr. &: Mrs. Robert C. Derderian Mr. &: Mrs. Robert Klein Mr. &:Mrs. Donald E.
Mr.-Thomas Toppin VanderKloot Mr. &: Mrs. Robert E. Dewar Mr. &: Mrs. Semon E. Schwendemann Mr. &: Mrs. Sam B. Williams Secretary Mr. &: Mrs. Theodore O.
Dr. David DiChiera Knudsen Mr. &: Mrs. Frank Shaler Karen VanderKloot DiChiera Ms. Reva Kogan Mr. &: Mrs. Roger E Sherman
Yntema Mr. &: Mrs. Ronald Dobbins Mr. &: Mrs. William Ku Mr. &: Mrs. Richard Sloan Mrs. David Aronow
DIRECTOR EMERITUS Mr. &: Mrs. David Dowling Mr. &: Mrs. Richard P. Kughn Mr. &: Mrs. S. Kinnie
Mrs. Robyn]. Arrington, Sr. Mr. &: Mrs. Cameron B. Dr. &: Mrs. Richard W Kulis Smith, Jr. Mrs. Donald C. Austin Mr. James Gram Duncan Mr. &: Mrs. Ronald C. Ms. Phyllis D. Snow Mr. J. Addison Bartush Lady Easton Lamparter Mr. Richard Sonenklar Mr. Philip E. Benton, Jr.
BOARD OF Mrs. Charles M. Endicott Dr. &: Mrs. Robert S. Levine Mr. &: Mrs. Richard
Mrs. Fredrick Clark Mrs. Hilda Ettenheimer Mr. &: Mrs. David B. Lewis Starkweather . Mrs. Peter Cooper TRUSTEES Mr. &: Mrs. Paul E. Ewing Mrs. Leonard T. Lewis Mr. Frank D. Stella Mrs. Richard Cregar 1993-1994 Mr. Stephen Ewing Mr. &: Mrs. Walton A. Lewis Mr. &: Mrs. George Strumbos Julia Donovan Darlow Mr. &: Mrs. Alfred]. Fisher,]r. Dr. &: Mrs. Kim K. Lie Mr. &: Mrs. Charles R. Taylor Mr. Lawrence N. David Mr. Robert E. Dewar Mr. &: Mrs. Alfred]. Mr. &: Mrs. Bud Liebler Mr. &: Mrs. C. Thomas Mr. Ronald Dobbins Chairman Fisher, III Dr. &: Mrs. Robert Lisak Toppin Carol Kiefer-Dowling Mr. &: Mrs. Charles T. Mr. &: Mrs. James H. LoPrete Mr. &: Mrs. Lynn A. Mrs. Charles M. Endicott Mr. &: Mrs. Edmund Ahee Fisher III Mr. &: Mrs. Alphonse S. Townsend Mrs. Lawrence Garberding Dr. &: Mrs. Roger M. Ajluni Mr. &: Mrs. Louis P. Fontana Lucarelli Mr. &: Mrs. James]. Mr. John C. Griffin Mr. &: Mrs. Robert A. Allesee Mr. &: Mrs. Nathan Forbes Mrs. Jessie B. Mann Trebilcott Mr. David B. Hermelin Dr. Lourdes V Andaya Mr. &: Mrs. Marvin A. Mr. &: Mrs. Harold M. Marko Mr. &: Mrs. Robert C. Mrs. Verne Istock Mr. &: Mrs. Thomas Angott Frenkel Mr. &: Mrs. Frank S. Marra VanderKloot Mr. Leonard C. Jaques Mr. &: Mrs. Robert L. Mrs. Roy Fruehauf Honorable Jack &: Mr. &: Mrs. George C. Mrs. William E. Johnston Anthony Mr. &: Mrs. Lawrence Dr. Bettye Vincent Mrs. Charles Kessler Dr. &: Mrs. Agustin Arbulu Garberding Arrington-Martin Mr. &: Mrs. Gary Wasserman Richard W Kulis D.D.s. Mrs. Robyn]. Arrington, Sr. Dr. &: Mrs. Robert A. Gerisch Mr. &: Mrs. William T. Mr. &: Mrs. Richard C. Webb Mr. Walton A. Lewis Mr. &: Mrs. David Aronow Mr. &: Mrs. Frank McConnick,]r. Mr. &: Mrs. Gary L. White Mr. Bud Liebler Mrs. Donald Atwood Germack,]r. Mrs. Wade H. McCree, Jr. Mr. &: Mrs. R. Jamison Mr. Alphonse Lucarelli Dr. &: Mrs. Donald Austin Mrs. Aaron H. Gershenson Mr. &: Mrs. Eugene Miller Williams Mr. Robert T. O'Connell Hon. &: Mrs. Edward Mr. &: Mrs. Yousif Ghafari Mr. &: Mrs. Milton]. Miller Dr. &: Mrs. Sam B. Williams Mr. Jules L. Pallone Avadenka Mr. &: Mrs. Vito P. Gioia Mr. &: Mrs. G.O. Herbert Mr. &: Mrs. Eric A. Wiltshire Mr. David Pollack Mrs. James Merriam Barnes Mr. &: Mrs. Alan L. Gornick Moorehead, Jr. Mr. &: Mrs. Donald Worsley Mr. Alan E. Schwartz Mr. &: Mrs.]. Addison Mr. &: Mrs. H. James Gram Mr. &: Mrs. E. Clarence Mr. &: Mrs. R. Alexander Mrs. Roger E Sherman Bartush Mrs. Katherine Gribbs Mularoni Wrigley Mr. S. Kinnie Smith, Jr. Mr. &: Mrs. Mark Alan Baun Mr. &: Mrs. John C. Griffin Mr. &: Mrs. Eddy Munson Mrs. Donald E. Young Mr. Frank Stella Mr. &: Mrs. W Victor Mrs. Berj H: Haidostian Mr. &: Mrs. E. Michael Honorable Joan E. Young Mr. Robert C. VanderKloot Benjamin Mrs. Robert M. Hamady Mutchler &: Mr. Thomas L. Mr. Gary Wasserman Mr. &: Mrs. Philip E. Dr. &: Mrs. Joseph Harris Mr. &: Mrs. Harry Schellenberg Mr. Richard C. Webb Benton,Jr. Mr. &: Mrs. Kenneth E. Hart Nederlander Mr. &: Mrs. Morton Zieve Mr. Gary L. White Mr. &: Mrs. Douglas Borden Mr. &: Mrs. E. Jan Hartmann Mr. &: Mrs. Robert T. Mrs. Paul Zuckerman Mrs. R. Alexander Wrigley Mr. &: Mrs. Donald]. Mr. &: Mrs. David B. O'Connell Ms. Lucia Zurkowski Mr. Morton Zieve Bortz, Jr. Hermelin Mr. &: Mrs. Julius L. Pallone Mr. Roy Zurkowski
Copyright 2010, Michigan Opera Theatre
Administration & Staff David DiChiera Kim Johnson John Leberg
Interim Managing Director General Director Managing Director, Detroit Opera House
Karen Vanderkloot DiChiera John A. Fredrickson Steve Haviaras Mitchell Krieger Director of Community Programs Chief Financial Officer Director of Marketing Director of Artistic Resources
David W Osborne Mary Parkhill Laura R. Wyss Director of Production Director of Development Public Relations Manager
ADMINISTRATION TICKET OFFICE Diane Bredesen Allan Grasso Kimberley Mogielski Orchestra Personnel Manager Administrative Assistant to the Ticket Services Manager David Wilson General Director Toni Wittenhagen
Repetiteur
Kimberly Burgess Ticket Services Assistant Dianne Lord Receptionist Lawrence Picard , PRODUCTION David Wilson COMMUNITY PROGRAMS ARTISTIC ADMINISTRATION Rehearsal Accompanists Dolores Tobis Dee Dorsey Office and Marketing Manager Production Coordinator STAGE MANAGEMENT Mark Vondrak
Judi Ammar John Kennelly The law firm of Interim Associate Director Artistic Services Coordinator Production Stage Manager
DEVELOPMENT John Grant Stokes Stacey Michael DICKINSON, WRIGHT, Rose Angelucci
J. Copeland Woodruff Stage Manager MOON, VAN DUSEN Linda DeMers Jane Hsing-Hui Fu Assistant Directors Dee Dorsey & FREEMAN Development Associates Nancy Krolikowski Beth Anne Sonne
Roberta Starkweather Transportation Coordinator Melinda Lane Teeter
Volunteer Coordinator Pat Lewellen Assistant Stage Managers
Jane Westley Audition Volunteer TECHNICAL STAFF applauds the Development Administrative
COSTUMES Brett Batterson
Assistant Ulla Hettinger
Technical Director
FINANCE/ Costume Supervisor Elizabeth Shapiro COMPUTER SERVICES
Mary Slider Assistant Lighting DeSigner
MICHIGAN OPERA William T. Schulz Controller Wardrobe Mistress Thomas Anderson THEATRE Lynn Jackson Geanie Palczynski Properties Coordinator
Systems Administrator Sticher John Kinsora
MARKETING/ Wardrobe Attendants- Master Carpenter
PUBLIC RELATIONS Local #786)ATSE Robert S. Mesinar Shelly Gillett-Behrens Master Electrician Detroit - Bloomfield - Lansing -
Assistant Director of Marketing MAKE-UP & HAIR Grand Rapids - Chicago - Washington -
Elsen Associates . John C. Johnson Warsaw Kathleen McNeill Make-up and Hair Design Production Electrician (313) 223-3500 Public Relations Coordinator
Dolores Tobis MUSIC DEPARTMENT Dianne Lord
Group Sales Dr. David DiChiera Surtitle Operator
Jerome Magid Music Director Jennifer Anderson Photographer Suzanne Acton
Production Assistant
~~~ ~~ Si~9.Rl M.L!$J( Dlrec:tor Stagfhands-Public Relations Volunteer Chorus M aster L oca "#':>~")~~
6 ~
Copyright 2010, Michigan Opera Theatre
For a brochure call 1-800-950-2438.
Tell the car pool you~re sorry.
It may be difficult to explain to your colleagues just why
you've chosen to take the long route to the office. Or why
you'll be doing all the driving from now on. But sitting
behind the wheel of the new Monte Carlo is a position
that's hard to surrender. That's because Monte Carlo is
designed for a very personal fit. It's a place where the
pleasures oj a fuel-injected V6 and the barely perceptible
shifts of an electronically controlled, 4-speed automatic
quickly replace the din of idle conversation. Where what
was once a long half-hour commute suddenly seems to be
almost too fleeting. Still, maybe you should think about
giving someone else a turn ... then again, maybe not.
The Nevv Monte Carlo
~ GENUINE CHEVROLET"
Copyright 2010, Michigan Opera Theatre
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" . . <, ,. - \ft. .. ... $ ,.
• ~:;..~ . "-. ,-.J
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HUDSON'S
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We believe the arts help
laces to live. That's
~ erce tage of every
vnI. <:II"nd at
s back into
ograms to . ~
• hel~'I!1~ke dance, music,
theater and art programs '- .... ... ':,
more available and more
affordable l!l families. ~
~ ,
HUDSON'S SALUTES
THE MICHIGAN
OPERA THEATRE
Copyright 2010, Michigan Opera Theatre
UAL111 mc OUTTI-IE
SONG AND DANCE.
T ake a look at Health Alliance Plan. No confusing lyrics. No tap dancing. Just a solid commitment to quality health care. That means offering you over 2,500 doctors to choose from, with hundreds in private practice. It means a growing health network that provides more nurses and other caring professionals than ever before. Find out how HAP can keep you in step with quality health care.
4;00 Health Alliance Plan
gENERATIONS AHEAD ..
For more information about HAP, our physicians , hospitals and locations, please call 1 · 313· 872·8100 or
1 ·800·4 22·4 641, Monday through Friday, 7AM ·7PM.
Copyright 2010, Michigan Opera Theatre
For you, our dedicated patrons, we have
attended to every detaJ to buJd and restore a
facJity that will provide the most exhilarating
opera-going experience anywllere. Welcome!
Let me show you around.
As yo.u approach our new
home, 3,750 square feet
of shimmering glass guide
,your way down Madison
Avenue to a grand
entrance through our new
"Opera Plaza." Step into
our new elevator tower for
easy access to each theatre
level. Once inside the
auditorium, your way is lit
by five restored historic chandeliers containing
55,531 pieces of Czechoslovakian crystal.
When you're ready to take your seat within
these grand surroundings, you will have 2700
seats to choose from. Every spacious seat
enjoys an unobstructed view and close
proximity to the stage that makes you feel
the performance is just for you.
And you won't want to miss a thing on our
incredible stage! More than twice the size of
any other stage in Detroit, it has 7,150 square
feet of performance space filled with the
grandeur of opera and the grace of ballet. In
front of the footlights you will find our new
orchestra pit filled to
capacity with almost 100
members of the MOT
Orchestra, creating every
note for your listening
pleasure.
Behind the scenes in
- our new stagehouse, there
are dressing rooms for
102 performers, 10,000
square feet of rehearsal space and ample wing
and fly space to ensure every scene change is
on time.
All of this and more make for a grand home for
grand opera. I look forward to having you join
me as we celebrate our 25th anniversary season
in The Detroit Opera House.
Copyright 2010, Michigan Opera Theatre
Detroit Opera House -71 Jlfajor Xme for a J(ajor Opera Cmpanr-
It has been 65 years since Detroit has had an opera house as part of its skyline. In 1996 the restored Grand Circus Theatre (to be renamed the "Detroit Opera House") will be the newest light in Detroit's Theatre District.
LEADERSHIP GIFTS $1,000,000+
Ameritech
MAJOR DONORS MAJOR GIFTS $250,000 - $999,999
Kresge Foundation Ford Motor Company
General Motors Corporation Skillman Foundation
Mr. & Mrs. Philip E. Benton,]r. Guardian Industries-Glass
Division
$75,000 - $249,999 ANR Pipeline Co.
Dr. & Mrs. Donald C. Austin Comerica, Inc.
DONORS $50,000 - $74,999
AlliedSignal Inc. Mr. &: Mrs. Samuel Frankel Mr. &: Mrs. John C. Griffin
Neiman Marcus Mr. &: Mrs. David C. Pollack Mr. &: Mrs. Alan E. Schwartz
Mr. &: Mrs. Donald E. Schwendemann Mr. Richard A. Sonenklar
Mr. &: Mrs. George C. Vincent Mr. &: Mrs. R. Jamison Williams Dr. &: Mrs. Samuel B. Williams
Mr. Maurice Cohen Dayton-Hudson Foundation
on behalf of Hudson's Mr. & Mrs. Robert E. Dewar Detroit Edison Foundation
Ghafari & Associates
Kmart Corporation Knight Foundation
NBD Bank Ralph L. & Winifred E. Polk
Charitable Annuity Trust Mr. & Mrs. George Strumbos
TRW Foundation
Mr. & Mrs. Louis R. Ross Mr. Raymond C. Smith
CONTRIBUTORS SUPPORTERS $25,000 - $49,999 Up to $24,999
Dr. &: Mrs. Agustin Arbulu Julia Donovan Darlow &:
John C. O'Meara Helen l. DeRoy Foundation
Mr. &: Mrs. Cameron B. Duncan Mrs. Charles M. Endicott Mrs. Aaron Gershenson
Mr. &: Mrs. Verne G. Istock Michigan National Bank
Mr. &: Mrs. Robert T. O'Connell Mr. &: Mrs. C. Thomas Toppin Mr. &: Mrs. Lynn A. Townsend
Mr. &: Mrs. Gary l. White Mrs. Paul Zuckerman
In Memory of Dr. Robyn]. Arrington, Sr.
Bal Polonais of Detroit Mr. &: Mrs. Alvin Balmes
Mr. &: Mrs. Frederick H. Clark Consumers Power Foundation
Mr. &: Mrs. Peter Cooper Ms. Mary Rita Cuddohy
Mr. &: Mrs. Marvin Danto David &: Karen DiChiera
Mr. Robert Dorn Eaton Corporation
Mr. Michael E. Fisher Mrs. Robert Hamilton
Mrs. William E. Johnston Mary Bartush Jones
11 ~
Dr. &: Mrs. Charles Kessler Mr. &: Mrs. Ronald C. Lamparter
Mr. &: Mrs. Walton A. Lewis Lewis &: Thompson Agency
Mr. &: Mrs. Arthur C. Liebler Mr. &: Mrs. Eugene Miller
In Memory of Richard Nagy Opus One
Mr. &: Mrs. Jules Pallone In Honor of Mrs. Joseph R. Papp Mr. &: Mrs. Ralph D. Schiller,Jr. Mr. &: Mrs. S. Kinnie Smith,Jr.
Mr. &: Mrs. Frank D. Stella Mr. &: Mrs. Robert C. VanderKloot
Mr. &: Mrs. William P Viti toe Mr. &: Mrs. Gary Wasserman
Westerman Foundation World Heritage Foundation
Copyright 2010, Michigan Opera Theatre
Music adds color
to the tapestry of
our lives.
Best wishes for a most successful season.
FORD CUSTOMER SERVICE DIVISION eM.
Copyright 2010, Michigan Opera Theatre
SYNOPSIS SETTING: NAGASAKI, 1900
ACT I On a flowering terrace above Nagasaki harbor, u.s. Navy lieutenant B.F Pinkerton inspects
the house he has leased from a marriage broker, Goro, who has procured him three servants and a geisha wife known as Madame Butterfly (Cio-Cio-San). To the American consul Sharpless, who arrives breathless from climbing the hill, Pinkerton describes his philosophy of a navy man roaming the world in search of pleasure Amore 0 grillo. For the moment, he is enchanted with the fragile Cio-Cio-San and intends to undergo a marriage ceremony with her - for ninety-nine years, but subject to monthly renewal. When Sharpless warns that the girl may not take her vows so lightly, the lieutenant brushes aside such scruples, adding that he will one day take a "real" American wife. At that moment Cio-Cio-San is heard in the distance joyously singing of her wedding day Spira sui mare.
After she has entered, surrounded by her friends , she tells Pinkerton how, when her family fell on hard times, she had to earn her living as a geisha. Soon her relatives arrive and noisily express their opinions on the marriage. In a quiet moment, Cio-Cio-San shows her bridegroom her few earthly treasures, telling him her intention of embracing his Christian faith. With pomp the Imperial Commissioner performs the wedding ceremony, after which the guests toast the couple. Suddenly Cio-Cio-San's uncle, a Buddhist priest, bursts upon the scene, cursing the girl for having renounced her ancestors' religion. Pinkerton angrily orders priest and family to leave. Alone with his bride, he dries her tears and reminds her that night is falling. Helped by her maid Suzuki into a pure-~hite nuptial kimono, Cio-Cio-San joins the ardent Pinkerton in the moonlit garden, where they sing of their love Viene la sera.
ACT II Three yea~s later, Cio-Cio-San still waits for her husband's return. As Suzuki prays to her
gods for aid E Izaghei ed Izanami, her mistress stands by the doorway, her eyes fixed on the harbor. The maid shows Cio-Cio-San how little money is left but is told to have faith: one fine day Pinkerton's ship will appear on the horizon Un bel di, vedremo.
Sharpless comes in with a letter from the lieutenant, but before he can read it to Cio-Cio-San, Goro, who has been lurking outside, brings in the latest of a long line of suitors for her hand. The girl dismisses both him and the wealthy Prince Yamadori, insisting that her American husband has not deserted her. When they are alone, Sharpless again starts to read her the letter and suggests as tactfully as he can that Pinkerton may never return Amico cercherete. Cio-Cio-San proudly carries forth their child, insisting that as soon as Pinkerton knows of his son he will surely come back Che tue madre dovra prenderti. Moved by her devotion and lacking the heart to tell her of the lieutenant's remarriage, Sharpless leaves. Cio-Cio-San, in the point of despair, hears a cannon report; seizing a spyglass, she discovers Pinkerton's ship entering the harbor. Delirious with joy, she orders Suzuki to help her strew the house with flower petals, which they gather in the garden. Then, as night falls , she begins her vigil.
ACT III As dawn breaks, Suzuki insists that Cio-Cio-San rest. Humming a lullaby to her child, she
carries him to another room Dormi amor mio. Before long, Sharpless, Pinkerton and then Kate, his new wife, enter. When Suzuki realizes who the American woman is, she collapses in despair; out of consideration for his mistress, however, she agrees to aid in breaking the news to her. Pinkerton, overcome with remorse, bids an angUished farewell to the scene of his former happiness Addio fiorito asil , then rushes away. No sooner is he gone than Cio-Cio-San comes forth , expecting to find him but finding Kate instead. She takes a moment to· guess the truth. Leaning on Suzuki for support, she agrees to give up her child if the father will return for him. Then, sending even Suzuki away, she takes forth the dagger with which her father committed suicide and bows before a statue of Buddha, choosing to die with honor rather than live in disgrace. Just as she raises the blade, Suzuki pushes the child into the room. Tearfully sobbing a farewell , Iu, piccolo Iddio! , Cio-Cio-San crouches behind a screen and stabs herself as Pinkerton is heard calling her name.
-Courtesy of OPERA NEWS
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Madama Butterfly & Miss Saigon EAST MEETS WEST IN A STUDY OF CONTRASTS (EXCERPTED) by Paula Citron
A flash point that triggers creative genius can happen when one is least expecting it. For Giacomo Puccini, inspiration for his opera Madama Butterfly began with a one-act play he saw in london in 1900. It was by the American writer David Belasco and was called Madama Butterfly. Belasco, a showman in the grand style, was better known for the scenic effects he created than for the pot-boiler melodramas he churned out. His Madama Butterfly, making the most of the state-of-the-art lighting of the time, contained an extended scene in which a young Japanese woman, Cio-Cio-San, with her young child, waits in vain from twilight to dawn for her wayward American lover to arrive.
Although Puccini did not speak one word of English, he could follow the sense of the action and was profoundly moved by the pathos of the play, most particularly the "waiting scene. " With tears still in his eyes, he rushed backstage after the curtain fell to ask Belasco for the performarce rights. He was already composing the music in his mind for the beautiful off-stage 'Humming Chorus' to underscore Cio-Cio-San's hopeless vigil for the lover who had abandoned her.
For Claude-Michel Schoenberg and Alain Boublil , the inspiration for their musical Miss Saigon came from a photo in a French magazine Schoenberg was idly perusing in 1985. Taken in Saigon, the heart-breaking picture shows a Vietnamese woman, her faced etched in stoic resignation, clasping the hand of her crying, bewildered child , who is about to board a plane to the United States to meet her unknown American father.
"I was so appalled by the image of this deliberate ripping apart that I had to sit down and catch my breath," Schoenberg has written. "Was that not the most moving, the most staggering example of 'The Ultimate Sacrifice' as undergone by Cio-Cio-San in Madama Butterfly, giving her life for her child? This photograph was for Alain and me the start of everything .... "
The opera Madama Butterfly, which premiered in 1904, and the musical Miss Saigon, which opened in 1989, contain many similar threads. Both are about star-crossed love affairs between American military men and Asian women, one Japanese, one Vietnamese. In each case, the woman is abandoned and, unbeknownst to the man , has a child. In the end each woman allows her child to join their American father and his American wife. Having lost their children , both women commit suicide.
As hard as it is to believe, Madama Butterfly, arguably Puccini's best-loved opera, was a failure at its La Scala premiere in 1904. In particular, the "overly exotic musical score filled with oriental influences" was not to Italian tastes.
Puccini, his faith in his work undiminished, extensively re-worked the opera, eliminating the more objectionable exotic vocal passages while keeping oriental harmonic and instrumental sounds. Three
months later the opera was heard again in Brescia, and this time it was a triumph.
Miss Saigon did not share its predecessor's faulty start. It was an instant hit, opening to the largest advance box-office sales ever in London's West End.
like the opera, the musical's score contains elements from the oriental tradition. One third of the orchestra pit is taken up with exotic percussion instruments, with wooden Asian flute speCialists being key members of the ensemble. In retrospect, it can be seen that for both Puccini and Schoenberg (and his orchestrator, William D. Brohn) , the story line necessitated that both Madama Butterfly and Miss Saigon be musical children of both East and West.
Parallels in the music can be drawn from both the opera and the musical. "I Still Believe" is a duet sung by Kim and Ellen, Chris's American wife. Ellen hopes Chris will forget his former love; Kim declares she will wait for Chris to come back to her. It is similar to Cio-Cio-San's famous aria "un bel di," in which the young geisha declares that her Pinkerton will return to her one fine day. The two first-act duets between Kim and Chris, "Sun And Moon" and " The Last Night Of The World ," can be equated to the extended love duet "Viene la sera" that Puccini wrote for his lovers to bring his first act to a close.
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Since the inspiration for Miss Saigon was a woman's sacrifice for her child, it is not surprising to learn that Kim's heartfelt ''I'll Give My Life For You," sung to her child, Tam, was the first song Boublil and Schoenberg composed for the musical.
"As long as you can have your chance I swear, I'll give my life for you.
The opera Madama Butterfly also contains a poignant aria, "Tu ,tu , piccolo Iddio! ," sung by a sorrowful mother to a child she is sending away. In translation the text says:
"Butterfly must die, so
that you can go beyond the sea ...
While there are similarities in the music,
:3 the historical back-drops ,.g
"-
While Cio-Cio-San has many offers of marriage during Pinkerton's three-year absence, including one from rich Prince Yamadori, Schoenberg and Boublil give Kim a suitor with dangerous political overtones. Thuy, Kim's cousin, joined the Viet Cong,
for the works are quite different.
_ Belasco based his play on
becoming a powerful communist official after the fall of Saigon. He was promised by Kim's father that they would one day be wed. The Engineer leads Thuy to Kim, with tragic results. Thuy threatens to kill her son because his father is an American. If Kim were to marry Thuy, the child would dishonor him. When Kim kills Thuy to save her son, forces are set in motion that ultimately place the young woman in the Engineer's snare.
Yoko Watanabe as Cio-Cio-San in MOPs 1990 production of Madame Butterfly.
Perhaps the most political element in Miss Saigon
concerns the Bui Doi or "Dust of Life" - the an 1898 short st<?ry by John Luther Long, who had based his work on an 1893 French novel by Pierre Loti called Madame Chrysantheme. Loti had been a naval officer for 42 years and had fallen in love with the mysteries.of the East. In fact , another of his novels, which became Leo Delibes' opera Lakme, was set in Colonial India and concerned the ill-fated romance between an English officer and a Hindu
priestess. Loti's novels are rife with political anger about magnificent
cultures that are tarnished by contact with the imperialist West. The love stories are metaphors for a collision of ideals that results, more often than not, with the West trampling over the sensibilities of the East.
Pinkerton belongs to this imperialist and colonial mentality. After all, he is part of the tradition that began when the American naval officer Commodore Matthew Perry sailed his fleet of ships into Tokyo harbor in 1853, forCing the Shogunate to open Japan to foreign interests. Even as the political elements of the story have been diluted to non-existence in Puccini's opera, Pinkerton must nonetheless be regarded as Perry's spiritual heir; imperialism and jingoism are subliminal factors in Cio-Cio-San's seduction and abandonment.
Schoenberg and Boublil, on the other hand, deliberately set out to place their star-crossed lovers against the backdrop of a wider political canvas-the horrors of the Vietnam war and its aftermath.
From the obsequious Goro, the marriage broker who is a minor character in Puccini's opera , Schoenberg and Boublil fashioned the pivotal role of The Engineer - a sleazy, half-French, halfVietnamese pimp and wheeler-dealer totally corrupted by his vision of the "American Dream." He even pretends to be related to Kim and her child to reinforce this "American" connection in order to obtain an American visa and begin inquiries into Chris' whereabouts.
thousands of Amerasian children who are outcasts in Vietnamese society or who have been
abandoned and gathered in camps in Thailand. Act II of the musical opens with an ex-GI , John, trying to interest his fellow Americans in the plight of these homeless waifs. Film footage of real children in camps is shown on a screen in a classic merging of reality and art. Chris and his wife innocently attend a conference on the children, only to learn from John that Chris has fathered a Bui Doi.
Ultimately, it is political elements, or lack of them, that determine the scope of Madama Butterfly and Miss Saigon. Divorced from its political landscape, Puccini's opera focuses on the steadfast love and courage of Cio-Cio-San. The setting of Madama Butterfly is confined to the pretty little house and garden in Nagasaki that begins as the love nest for Pinkerton and his geisha and ends as the young woman's tomb. In the far-reaching scope of Miss Saigon, Kim's tragic story is just one of many themes that the writers explore. The epic musical necessitates 12 permanent sets covering three countries, including the famous scene in which the frenzied mob tries hopelessly to escape from Saigon as the last u.s. helicopter pulls away from the American embassy.
In the final analysiS, for fans of Miss Saigon already familiar with the story of Kim and her American lover and accepting of its sung-through format, it would seem to be a short jump over to an appreciation of the story of Cio-Cio-San and Pinkerton, and Puccini's glorious operatic music. Whether it is in the genre of
Italian verismo opera or modern 20th-century musical, the appeal of a young woman making the ultimate sacrifice for her child
resonates throughout any age.
Canadian Paula Ci tron is host of Classical 96s Saturday Night at the Opera and a freelance arts journalist. This article was
reprinted with the permission of Canadian Opera Company.
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Copyright 2010, Michigan Opera Theatre
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SYNOPSIS ACT I
While a group of peasants prepare for a battle with the French, women pray for
protection; the Marquise of Berkenfield, who has come near the advancing army by
mistake, almost faints with terror. Her steward, Hortensius, urges her to control herself,
but the Marquise deplores the state of the world in which Napoleon's army ignores the
nobility ("Pour une femme de mon nom"). Sergeant Sulpice and his men appear from
behind the rocks. The voice of the French regiment'S drum majorette, Marie, heralds
her appearance, and she and Sulpice glory in their love of war and patriotism,
reminiscing over the stroke of luck that brought the orphaned Marie to the regiment
("Quel beau jour, quand la providence"). Since then, she has been like a daughter to all
the men, her singing and beauty enlivening their martial life. As Sulpice questions the
girl about a young Tyrolean she has been seen with, soldiers drag in Tonio, the youth in
question, who has been found near the camp. The soldiers want to kill him until Marie
relates how he saved her from falling off a precipice. Rejoicing in the men's acceptance
of Tonio , she sings the regimental song ("Chacun Ie sait"). The men are ordered to roll
call, taking Tonio with them, but he rushes back to declare his love to Marie. The two
fall into each other's arms and go off together. Sulpice, Hortensius and the Marquise
arrive, and the Marquise tells Sulpice that her late sister had a child by a Captain Robert
of Sulpice's regiment. Informed that Marie is that child, she insists on taking the girl
away to prepare her for her rightful station in life. Marie enters gaily, only to be told she
will soon depart with her newfound aunt. After the four leave, the soldiers usher in a
new recruit - Tonio, who hails the day that brought him the girl he loves ("Ah! mes
amis, que! jour de fete! "). The soldiers are jealous when they realize Tonio loves Marie,
but they accept fate graciously. Tonio's rhapsody on his delight ("Pour mon arne") is
ended abruptly by Sulpice's announcement of Marie's departure. Sadly, the girl resigns
herself to her new future (II faut partir"). Tonio, Sulpice and the soldiers bemoan their
loss as the Marquise drags Marie off, and Tonio vows to follow her.
ACT II
In a salon in her chateau the Marquise receives Sulpice, asking him to convince
Marie that the rich German prince she has found will be a good husband. When the
girl comes in, the Marquise asks her to sing an air she has learned as part of her
training in the social graces ("Le jour maissait dans Ie bacage"). Sulpice interjects
fragments of the regimental tune until Marie, after trying a few measures of both,
launches into the latter, with the Marquise and Sui pice singing along. Ho.rrified at
herself, the Marquise sweeps out, but she cannot help exclaiming at Marie's charm. As
Sulpice follows her out, Marie muses sadly upon her upcoming marriage. The strains of
a march inform her that the soldiers have arrived, and she salutes them ("Ah! salut ala
France! "). Tonio, Marie and Sulpice delight in their reunion ("Tous les trois reunis") ,
but the Marquise, interrupting, is unmoved by Tonio's expressions of devotion. The
lovers go off in opposite directions, and when the Marquise confides to Sulpice that
Marie is her own daughter and begs him to help her in the alliance she has set up, he
agrees. The Duchess of Krakentorp, mother of the prospective groom, arrives
unexpectedly with other wedding guests asking to meet Marie. Having learned the
Marquise's secret, the soldiers, led by Tonio, burst in and reveal Marie's rough-and
ready upbringing. Marie still is willing to proceed, but the Marquise tells her to take
the man she loves. All except the outraged Duchess praise Marie, Tonio and France.
- Courtesy OPERA NEWS
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Notes on La FilJe du Regiment by Herbert Kupferberg
"It is so merry, with so much of the real soldier's life in it. They call it bad, but it is surprising how easily one can become used to 'bad' music! "
Thus commented Felix Mendelssohn on Donizetti's La Fille du Regiment in 1847, seven years after its premiere in Paris. Mendelssohn was no friend to frivolity, in music or elsewhere, but he knew a gay, melodic, and . well-crafted opera when he heard one, and he admired the man who could write it. ~
~ Gaetano Donizetti 8
composed sixty-seven operas ~ in his fifty years, most of ~
them serious, dramatic and highly charged emotionally. Of these only one, Lucia di Lammermoor, can really be called part of the standard repertory, although the bel
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<U :; ·5
canto revival of recent E decades has restored , at least .g
~ to sporadic life, such works as Anna Bolena, Maria Stuarda, Roberto Devereuz, Linda di Chamounix and La Favorita. But scattered through his vast output are three comedies, rElisir d'Amore, La Fille du Regiment, and Don Pasquale, which have never dropped out of circulation and remain very much a part of opera's active repertory.
Among these three, La Fille has always held a special place. like Donizetti's other light works it has a hearty comic zest tempered by touches of pathos and sentiment. But it also offers an enchantment all its own simply because it is the closest that Donizetti, that archetype of Italian opera composers, ever came to writing an authentic French opera-comique.
Unlike his distinguished predecessor, Gioacchino Rossini, Donizetti never settled in Paris. But the French capital was the center of the musical world in those days, and several of his works received their first productions there while others were translated into French. Within two years of Donizetti's first trip to France in 1838 he had had four operas performed at different theaters, producing a state of mutiny among French composers. In fact, when La Fille du Regiment received its premiere at the Opera-Comique some of those composers seem to have organized a hostile reception which was soon overwhelmed by general public adulation.
Unlike other works of his (including Don Pasquale) written for Paris, La Fille du Regiment was thoroughly French from
the start. Its text was by two French librettists, Jules-Henri Vernoy de Saint-Georges and J ean-Francois-Alfred Bayard; it was cast in the traditional opera-comique form with spoken dialogues in French; and most important of all, it was a celebration in music of the
military glory of the Napoleonic era, which lay dear to the heart of every patriotic Frenchman. It may be remembered that 1840, the year of La Fille~ debut, was also the year in which Napoleon's remains were returned from their lonely grave on St. Helena for reinterment in the Invalides. louis-Philippe, the "Citizen-King," was on the throne, but louis-Napoleon was in the wings,
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Copyright 2010, Michigan Opera Theatre
preparing to restore the empire. It was a time when audiences were eager to respond to musical personification of military glory and glamour, particularly when they embellished a sentimentally romantic, if rather far-fetched , tale of mistaken identity and true love triumphant.
In his authoritative, if slightly misnamed, A Short History of Opera (which runs to 852 pages) Prof. Donald]. Grout remarks of Donizetti: "He had a Midas gift of turning everything into the kind of melody which people could
similar expressions. He also engages in a delightful duet with Marie which neatly contrasts the artifiCiality of a French salon song with a hearty military number. among the opera's most memorable numbers is the Act II trio for Marie, Tonio and Sulpice, "Tous Ie trois reunis," to which Donizetti miraculously gives an Offenbachian lilt - an effect that is considerably diminished when performed in its Italian equivalent as "Stretti insiem tutti tre."
Mostly, though, what one remembers from La Fille are those rousing military songs that seemed to Felix Mendelssohn to symbolize so well the lighter side of a soldier's life. Marie's song of the 21st Regiment, "Chacun Ie sait, chacun Ie dit:
remember and sing, or at least recognize when they heard it sung the next day in the streets. "
Trag Dahl as Marie in The Daughter of the Regiment
Le regiment par excellence," became a ~ Parisian street song soon after the opera's premiere, Such is the case, certainly, with La Fille du
Regiment.. Aside from the military ruffles and while Marie's concluding "Salut a la France" was almost an unofficial national anthem in France during the regime of Napoleon III. La Fille also helped establish the rataplan - a tune based on the beating of a drum - as an operatic staple, and it has turned up in a number of subsequent works including Verdi's La Forza del Destino.
flourIshes heard throughout, it abounds in tunes that are touched with Gallfc charm and ensembles that build up to heady climaxes. For all the unlikelihood of its story, the two leading figures are given Ilesh-and-blood dimensions by Donizetti's music. Marie, the daughter herself, is a vivandiere, a woman accompanying an army as a kind of informal supply sergeant. As such, she is an ancestress of Preziosilla in Verdi's La Forza del Destino. But Marie is a vivandiere with a difference, for she was adopted by the men of the 21st Grenadiers as a foundling and has traveled with them ever since. Obviously leaving them would be wrenching, whether it be for marriage or to enter a new life among the aristocracy, and Donizetti sympathetically depicts the girl's dilemma in such sensitive passages as her Act I song "If faut partir, mes bons amis d'armes" and a subsequent Act II aria in which, alone, she bemoans the loss of her real love. Similarly Tonio, the young peasant who enlists in the regiment so he can be near her, emerges as a young man of feeling as well as discrimination. While expressing his delight at becoming both a soldier and a husband in one day - 'j'ai sa flamme, et j'ai sa main!" he bursts into no fewer than eight high C's within two or three minutes, as convincing as demonstration of ardor as Italian opera can offer.
Sergeant Sulpice, the third of the protagonists of La Fille du Regiment, unfortunately has no aria of his own, and must establish his character through sheer swaggering and repeated exclamations of "Morbleu! ", "Sacre nom d'une pipe!" and
In view of its vigorous military quality, it's not surprising that La Fille du Regiment has been a particular wartime favorite in France; it attained its I,OOOth performance at the Opera-Comique in 1914.
Article courtesy of the Metropolitan Opera.
A scene from The Daughter of the Regiment
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Fall Season Artist Profiles ~
SUZANNE ACTON CONDUCTOR, CHORUS MASTER
(MICHIGAN) MOT Credits
Chorus Master/Assistant Music Director since 1981
1994 faIl Suson Conductor, The Daughter of the Regiment
Chorus Master, Madama Butterjly
Conductor, Michigan Opera Thealer, The Barber of Seville, The Music Man, The Pirates of Penza nee;
Dayton Opera, West Side Story, My Fair Lady, The Piratts of Penzanee; Coach, Opera Theater o[ 51. louis, San Diego Opera; Visiting Assistant Professor o[ Music,
Oakland University
THEODORE CARLSON BARITONE (M ICHIGAN)
MOT Del1ul
1994 fall Season Sharpless, Madama Buuerjly
National Theater o[ Mannheim, Pagliacci; Kre[eld, Germany, Zar und Zimmermann; Benelux, La Boheme,
Tosea, le Nozze di Figaro, lucia di Lammermoor, La Traviata, Die Tote Stadt, Don Giovanni , Gianni
Schicchi; Munich Biennial Festival [or WDR Television, The Mother of Three Sons; Schwetzinger Fiestval,
The Game of love and Chanee
GUlPING DENG SOPRANO (CHINA)
MOT Dwul
1994 fallSuson Madama Butterfly, Madama Buuerjly
Opera Theater o[ SI. louis, Madama BUUerjly, Don Giovanni; Houston Grand Opera, Madama BuUerjly;
Opera Delaware, Boston lyric Opera, los Angeles, La Boheme, Salisbury lyric Opera le nozze di Figaro; 0rra
New England, La Cenerentola; soloist [or Centra Broadcasting Company in China
KEVIN ANDE RSON TENOR (ILLINOIS)
MOT Credits Manin, The Tender Land
1994 fall Season Tonio, Daughter of the Regiment
New York City Opera, A liule Nighl Music broadcast on PBS "live [rom lincoln Center,' Sireel Scene, l1feu re Espagnole; lyric Opera o[ Chicago, Six Characters in
Search of an AUlhor; San Francisco Opera, lear, fAfricaine broadcast on PBS "Great Performances;" Chicago Opera Theater, The Merry Wives of Windsor; English National
Opera, Sireet Scene; Scottish National Opera, Cosi fan lutte; BBC broadcast o[ I'm a Stranger Here Myself: Kurt Weill in
America; PBS broadcast o[ an all-star salute to Stephen Sondheim [rom Carnegie Hall o[ "Great Performances"
KEN CAZAN DIRECTOR (OHIO)
MOT Credits Director, Faust 1994
1994 fall Season Director, Madama Buuerjly
Canadian Opera Company, Werther, Suor Angelica; Opera Pacific, Greater Miami Opera,
Fausl; Boston lyric Opera, Atlanta Opera, Carmen; Sante Fe Opera, Inlermezzo; Seattle Opera, Academy o[ Vocal Arts in Philadelphia, La Boheme; Opera Theater o[ SI. louis, Mitridate, II Turco in /talia, Seattle Opera;
Madama Buuerjly, Die Zauberjlote; Opera Hamilton broadcast on CBC, Fausl; Opera Omaha, Rigoleuo
LAWRENCE F. FORMOSA BARITONE (MICHIGAN)
MOT Credits Fiorello, The Barber of Seville 1993; Messenger, Aida
1992; Chorus, Candide 1991; Marullo, Rigoleuo 1990; Paris, Romeo el julieue 1990; Marquis, La Traviala 1990
1994 faIl Suson YarnadorilCommissioner, Madama Buuerjly
Dayton Opera, The Impresario, First The Music, Then The Words; Opera Omaha, Manon, Rigoleuo;
Santa Fe Opera,La Bohtme, Ariadne auf Nuxos, judith, La Calista, A Nighl At The Chinese Opera;
Huron Civic Theater, Evila
DENNIS BERGEVIN JEFFREY FRANK
CO-DIRECTORS ELSEN ASSOCIATES (NEW YORK)
MOT Credits Resident Hair and Make-Up Designers, since 19BB
1994 fall Season Resident Hair and Make-Up, Madama Buuerjly,
The Daughter of the Regimenl
New York Shakespeare Festival; Radio City Music Hall; Washington Opera; Philadelphia Opera; Greater Miami
Opera; Pittsburgh Opera; Dallas Opera; Spoleto Festival; USA, Italy, Australia; Edinburgh Festival;
Merchanl of Venice, Broadway; PBS and HBO
TRACY DAHL COLORATURA SOPRANO (CANADA)
MOT Credits Euridice, Orpheus in Ihe Underworld 1986
1994 fall Season Marie, The Daughter of the Regiment
Melropolitan Opera, Canadian Opera Company, Washington Concen Opera, Ariadne auf Naxos; Washington Concen Opera, Lahml; Wol[Trap, Manitoba Opera, le Nozze di
Figaro; Wol[ Trap, San Francisco, les Conies D' Hoffmann; Washington Opera, Cendrillon, Cosi fan Tuite, Die
Fledermaus; Canadian Opera Company, Die Fledermaus; los Angeles Music Center Opera, 01eo and Euridi((; los Angeles
Opera, Houston Grand Opera, Orpheus in the Underworld; San Francisco Opera, Houston Grand Opera, Un Ballo in Maschera; National Ans Center, Don Giovanni; Manitoba
Opera, The Doughier of Ihe Regiment
THOMAS HAMMONS BASS-BARITONE (OKLAHOMA)
MOT Credits BenoitiAlcindoro,La Boheme 1992
1994 fallSuson Sulpice, Daughter of the Regiment
New York City Opera, Martha; New York City National Company, La Boheme; San Francisco Opera, Brooklyn Academy, The Dealh of Klingho{{er; Austin lyric Opera, Don Giovann i, La CenerenlOla; Houston Grand Opera, Frankfun Opera, Paris, los Angeles
Music Center Opera, Nixon in China; Atlanta Opera, rElisir d'Amore; Teatro liceu, Atlanta Opera,
le Nozze di Figaro; Opera Pacific, Tosea
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ROBERT BRUBAKER TENOR (PENNSYLVANIA)
MOTDmul 1994 faIl Season
Pinkenon, Madama Buuerjly
Metropolitan Opera Entfuhrung aus dem Serai/, Die Meistersinger, Ariadne auf Nuxos; New York City Opera, La Bohtme, Lucia di Lammermoor, Madama Buuerjly, Die Fledermaus; Opera Orchestra o[ New York ,jenufa; New York City Opera Touring Company, La Traviala, Tasca;
Canadian Opera, ateI/o, La Rondine; [Opera de Montreal, Portrait of Manon; Greater Miami Opera,
Manon leseaul, Macbelh, The Passion oflonathan Wade
DOROTHY DANNER DIRECTOR/CHOREOGRAPHER
(M ISSOURI) MOT Credits
Director, The Merry Widow 1993; Director, Candide 1991; Director, Mikado 1982
1994 faIl Suson Director, The Daughla of Ihe Regimenl
Boston Pops Orthcstra, PBS broadcast of ' An Evening with Gilbert and Sullivan"; Chicago Opera Theater, La Traviata;
Manioba Opera, New Orleans Opera, Syracuse Opera, Orlando Opera, The Daughter o{the Regiment; Pennsylvania Opera
Theater, Tasca, La Granat DuchfSSl de Gemlstein; New York's ( emer for Contemporary Opera, Postcard from Morocco; Cunis
Institute, POSlcard from Morocco, Th , Tender Land; Opera Carolina, HMS Pinafort, Oil ZauiJerjlill'; The Minnesota Opera,
The Pira!es of Penzance; Glimmerglass Opera , The Mikwlo, Albert Herring; Central City Opera, The Student Prince; Opera Pacific, The Men)' Widow; Portland Opera, Man of La Mancha
PAUL HARTFIELD TENOR (MICHIGAN)
MOT Dwul
1994 faIl Suson Pinkenon, Madama Buuerjly
New York City Opera, La Boheme, Madama Butterjly, Rigoleuo, Anna Bolena, Lucia di Lammermoor, lyric Opera
o[ Chicago, La Boheme; San Diego Opera, Baltimore Opera, The Daughter of the Regiment; Cincinnati Opera, Rigoletto; Greater Mianti Opera, Seattle Opera, Cosi fan
tutte; Houston Grand Opera, Der Rosenkavalier, La Boheme, Madama Butterjly, Lucia di Lammermoor;
Theatre des Champs-Elysees, Der Rosenkavalier; Royal Opera de Wallonie, Rigoleuo
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Fall Season Artist Profiles ~
DONALD CONRAD HARTMANN
BASS-BARITONE (NORTH CAROLINA) MOTCret!its
Wagner, Faust 1994; Mandarin , Turandot 1994
1994 fall Season Bonze, Madama Butterfly
Opera Delaware, Aida, La Traviata, 51. Matthew Passion, Verdi's Requiem, Beethoven's Ninth
Symphony, Messiah; Staduheater Regensberg, Toledo Opera, Opera!Lenewee, Greensboro
Opera, Virginia Opera
JEFFREY LENTZ TENOR (PENNSYLVANIA)
MOT Credits Nanki-Poo, Mikado 1991
1994 fall Season Tonia, The Daughter of the Regiment
Toronto, Phantom of the Opera; Minnesota Opera, The Pirates of Penzance; Connecticut Grand Opera, Barbe Bleu; National Public Radio broadcast and recording with the Stamford Master Singers, The Flight of
Lindbergh; Pittsburgh Opera, Mefistofele, Contes d'Ho((mann, Sa lome; Muhlenberg Music
Festival , the Red Hill , HMS Pinafore, Kismet; Yale University, Don Giovanni
MARION PRATNICKI MEZZO SOPRANO (NEW YORK)
MOT Credits Marthe SchwiUen, Faust 1983; Annina,
La Traviata 1983; Zita, Gianni Schieci 1985
1994 fall Season Marquise, The Daughter of the Regiment
Cleveland Opera, The Barber of Seville, The Ballad of Baby Doe, The Sound of Music, Yeoman of the
Guard; Chautauqua Opera, Orlando Opera, The Daughter of the Regiment; Glimmerglass Opera, Turn of the Screw, Iolanthe; Kentucky
Opera, Turn of the Screw; Opera at Wildwood, Pirates of Penzance; Dallas Opera, }enufa,
La Traviata; Liule Rock, The Mikado
AARON HUNT TENOR (MICHIGAN)
MOT Credits PrilSChilSCh, The Merry Widow 1993; Chorus: Tosca, Ca rmen, Haunted Castle, Lucia di Lammermoor, The Marriage of Figaro, La Traviata , Die Zauberfl6te, The
Barber of Seville,Falstalf, La Boh/m,
1994 fall S£ason Hortensius, Daughter of the Regiment
Prince Street Players, Alice in Wonderland; Dayton Opera, Kismet; 1010 Players, H.M.5. Pinafore; Michigan Lyric Opera, Marriage of Figaro; Marquis Productions,
Annie; Nancy Gurwin Productions, Once Upon A Mattress; Theatre of the Ans, little Mary Sunshine, Godspell, Celebration, Luv, 1 Do! 1 Do!; Crossroads Productions, Fantasticks, Wi za rd of Oz, Hansel and
Gretel; Downriver Children's Theater, Aladdin
IRINA MISHURAmHTMAN MEZZO SOPRANO (RUSSIA)
MOT Deblll
1994 fall Season Suzuki, Madama Butterfly
Moldavian State Opera, Faust, 11 Trovatore, Un Ballo in Maschera, Don Ca rlo, Norma, La forza
del Destino, Marriage of Figaro, Barber of Sevi lle, Cavalleria Rusticana, Werther, Boris Godunov; Detroit Symphony Orchestra, Snow Maiden;
Toledo Opera, Faust
KENDALL SMITH LIGHTING DESIGNER (MICHIGAN)
MOT Credits Lighting Consultant 1989--94
1994 fall Season Lighting Designer, Madama Butterfly, The
Daughter of the Regiment
Opera Pacific, Tosca; Dayton Opera, Madama Butterfly; Malibu American Stage Festival,
Jesus Christ Superstar; MOT, Madama Butterfly, Ariadne auf Naxos, Candide, Mikado; Pioneer
Theatre, UT, A Penny for a Song; Attic Theatre, Teibele and Her Demon
MITCHELL KRIEGER CONDUCTOR (NEW YORK)
MOT Credits Conductor, The Barber of Sevi lle 1993;
Conductor, Candide 1991
1994 fall Season Conductor, Madama Butterfly
MOT Director of Artistic Resources, 1990 to present; Cleveland Opera, HMS Pinafore, My Fair
Lady, Madama Butterfly; Universty of Michigan Musical Theater, Lave Life; NYC Opera National
Tour; La Boh/me, Carmen, Conducting Staff, NYC Opera; Santa Fe Opera, Virginia Opera,
Des Moines Metro Opera, Opera Pacific
KAREN NOTARE SOPRANO (NEW JERSEY)
MOT Deblll
1994 fall Season Madama Butterlly, Madama Butterfly
New York City Opera National Company, Rockford Symphony Orchestra, Madama
Butterfly; Opera de Nice, La Boheme; Wexford International Opera Festival, Zaza, 11 Piccolo Marat; Hong Kong Opera Company, Otello;
Pittsburgh Symphony, "An Evening of Italian Opera"; Cincinnati Symphony, La Vida Breve;
Orquestra do Porto, Verdi's Requiem; Kalamazoo Symphon y, Tosca; Three-time winner of the Puccini Foundation Award; Winner of the Puccini International Vocal CompetiLion
DINA SORESI-WINTER MEZZO SOPRANO
(MICHIGAN) MOT Debut
1994 fall S£ason Duchess, The Daughter of the Regiment
Italy, Cavalleria Rusticana; Compagnia dell' Opera Italiana, Norma, Aida, Pagliacci; Teatro Donizeui di Bergamo, Maria Stuarda; Staats theater, Tosca
21 ~
DANA LENTINI SOPRANO (CALIFORNIA)
MOTCret!its Chorus, Samson et Delilah 1992;
Chorus, La Boh!:me 1993
1994 fall Season Kate Pinkerton, Madama Butterfly
Opera Theatre at Wildwood, Little R.R. Hood; Toledo Opera, !Elisir D'Amore, Sid and the
Serpent, Hansel and Gretel; Rochester Symphony Orchestra, Livonia Symphony Orchestra,
featured soloist; Grosse Pointe United Church, soloist; Detroit Concert Choir; Temple Israel,
soloist; Opera Theatre at Wildwood, Young Artist Apprentice
SCOTT PIPER TENOR (COSTA RICA)
MOTDeblll 1994 fall Season
Goro, Madama Butterfly
1995 Spring Season spofetta , Tosca
Rackham Society, Mozart's Requiem, Handel's Messiah; Detroit Oratorio Society, Part's Te Deum; University of Michigan, Die Za uberflote, Falstalf, Saint of Bleecker Street, Vanessa , Messe in d-dur,
Gabet; Ann Arbor Civic Theater, West Side Story; Northeastern Missouri University, Lincoronazione di Poppea, The Barber of Seville, Gianni Schicchi,
Cosi fan tuUe; University of Michigan Gilbert and Sullivan, Patience
ANNA VIKRE SOPRANO (SACRAMENTO)
MOTDeblil 1994 fall Season
Marie, Daughter of the Regiment
Palm Beach Opera, Aspen Music Festival , Greater Miami Opera, Die Zauberfl6te; Finalist in Metropolitan Opera National Council Auditions,
winner of Loren L. Zachary Society National Vocal Competition, The Boca Raton Vocal
Competition, and The Newberger Award in the Palm Beach Opera Competition
Copyright 2010, Michigan Opera Theatre
• • ee tn a nt ue
HOURS Monday-Friday
10 A.M. to 6 P.M. Saturday
10 A.M. to 5 P.M. SHOPS OF THE FISHER, GENERAL MOTORS &: NEW CENTER ONE BUILDINGS
Member FDIC
At Michigan National Bank. we appreciate a great performance. It takes dedication and commitment to pu~ on a great performance. The same kind of effort we put into everything we do at Michigan National Bank. We work hard every day to deliver the kind of full-service financial performance you'll want to applaud.
o r
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£ s Michigan National Bank People are the heart of it~
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The law finn of
Miller, Canfield, Paddock and Stone, P.L.C.
congratulates
The Michigan Opera Theatre
Miller, Canfield, Paddock and Stone, P.L.C. 150 WestJefferson, Suite 2500 Detroit, Michigan 48226-4415
313/ 963-6420
Ann Arbor Bloomfield Hills Detroit Grand Rapids Howell Kalamazoo Lansing Monroe Florida Washington, D.C. Poland
HATS OFF -TO-
MICHIGAN QpERAf
DETROIT ATHLETIC
CLUB
Copyright 2010, Michigan Opera Theatre
Young Artists Apprentice Program Michigan Opera Theatre's Young
Artists Apprentice Program is now in its 15th year of training aspiring young vocal artists and production apprentices for the rigors of the professional theatre world.
This fall , talented young singers recruited from across the country will take up residence with Michigan Opera Theatre for multiple-week sessions of masterclasses with the conductors, directors and singers from current productions;private coachings with MOTs professional music staff preparing their assigned comprimario roles for the season's productions; and many rehearsals
and performances, designed to assist them in making the transition from student to professional. Additionally during the 1994-95 season, the company will also train and utilize production apprentices in the areas of stage management, stage direction and costuming.
Since its inception, Michigan Opera Theatre has been committed to the development of young American talent, and regards with pride those who have gone on to establish careers in the field . Many singers as well as several company production and artistic staff have returned to MOT in full professional capacities
after apprenticeships with the company. Furthermore, the list of now
prominent artists who made their debuts or had early starts with MOT is impressive; Carmen Balthrop, Kathleen Battle, Rockwell Blake, Richard Cowen, Maria Ewing, Terese Fedea, Wilhelmenia Fernandez, Rebecca Luker, Catherine Malfitano, Leona Mitchell, David Parsons, Kathleen Segar, Neil Schicoff and Victoria Vergara, among others.
For further information on auditions and application requirements for the Apprentice Program, please dial the MOT Production Office at (313) 874-7850.
Or che s tra a n d Chor us ORCHESTRA VIOLIN I VIOLA FLUTE HORN PERCUSSION *Charlotte Merkerson *Jessica Nance *Pamela Hill *Susan Mutter *John F. Dorsey
Concertmaster Principal Principal Principal Principal *Theodore Schwartz *Janine Dennis *Laura Larson * Carrie Banfield *Randolph Margitza *Barbara Zmich HARP *Velda Kelly *Gina Calloway OBOE TRUMPET *Patricia Terry-Ross *Kathleen Brauer Charlet Givens *Rebecca Hammond *Brian Rood Principal Janet Olis Principal Principal James Kujawski VIOLINCELLO * Ann Augustin *Gordon Simmons Diane Bredesen Marla Smith *Nadine Deleury Personel Manager
VIOLIN II Principal
CLARINET TROMBONE *Diane Bredesen *Victoria Haltom *Minka Christoff *Brian Bowman *MauryOkun *=Member , Michigan
Principal John Iatzko Principal Principal Opera Theatre Orchestra *Brooke Hoplamazian *Jane Carl *Greg Near Detroit Federation of * Anna Weller CONTRABASS Musicians, Local #5, * Angelina Carcone *Derek Weller BASSOON TIMPANI American Federation of *Melody Wooten PrinCipal *Kirkland D. Ferris *Gregory White Musicians. Constance Markwick *Peter Guild Principal
CHORUS Christopher Bauder Michaella Patches Dionne Dana Lentini* Peggy O'Shaughnessey Jim Talpos Jill Helene Boes Alvis- Wayne Duncan David 1. Lindsey Michael Parr James R. Wells Cecilia Bohorquez- Vanessa Ferriole Robin Lounsbury Jan R. Phillips Jim Wilking
Courtois Louise A. Fisher Erin McFall Patricia Pierobon Ernest D. Willoughby Jeffrey P. Browne Yvonne M. Friday Cynthia Merritt Joseph Anthony Pokorski Anamaria Ylizaliturri Kristen Bryant Susan Friedman Kim Millard David Reilly Eugene Zweig Cheryl Bubar Rosalin Contrera Guastella Jeanine Head Miller Jolante Rode Fred Buchalter Leonard James Johnson James Mackey Moore Maria Schumacher The American Guild of Musical Diane Calhoun Rita Jury Robert L. Morency Kenneth R. Shepherd Artists is the official union of Patrick Jay Clampitt Kala Kumar Anthony Noto Jay Smith the Michigan Opera Theatre Ursula Davis James A. Lenn Jennifer L. Oliver Judith Szefi vocal performersa.
24 * = Young Artist Apprentice
~
Copyright 2010, Michigan Opera Theatre
Technological Craftsmanship
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Southfield • Birmingham • Grosse Pointe Woods Copyright 2010, Michigan Opera Theatre
Community Programs Not only does Michigan Opera Theatre perform its mainstage
season in Detroit, it champions the company name throughout
Michigan all year through. The Department of Community
Programs is currently celebrating its sixteenth anniversary.
education for all ages, the Department provides approximately 300
services a year and reaches almost 100,000 people through- out
Michigan, neighboring states and Canada, with full and one- act
operas and operettas, musical revues, and age-appropriate school
performances and classes. Founded in 1978, by Karen DiChiera, MOT's award- winning
Department is nationally known for its innovative and
comprehensive programming. Offering entertainment and
Residencies for your community can be created by combining
any of our season's offerings.
CREATE-AN-OPERA WITH ORCHARDS CHILDREN SERVICES
The squeals of relay race runners; jump rope chants; the sounds of xylophones, drums, tambourines and the sing-song of childrens voices greeted one when walking upstairs into the ope~ offices during the last three weeks of August The two large rehearsal rooms became elementary and middle school classrooms for twenty-five youngsters. Sponsored by the Orchards Childrens Services, a three week Create- an-Opera arts camp was directed by Karen VanderKloot DiChiera and the Depamnent of Community Programs.
Community Programs artists, and Depamnent Assistant Director, Mark Vondrak along with soprano Kristin Donahue, Kevin Cannon (Falah Salam) of the Bonstelle Theatre, and Rennell Rice, music teacher with the Detroit Public Schools worked daily with the children. Coordinating the program for Orchan:ls Childrens SeIVices was Community Planning Coordinator, Kimberly Bunon, whose son Alexis was also a camper.
The arts camp grew from meetings between Marilyn Wheaton, Director of Concerned Otizens for the Arts in Michigan;Jerry Levin, CEO of Orchards Childrens SeIVices; joan Binkow, of Orchards' Board of Directors; Marianne Endicott, of MOTs Board of Directors; and Bernie Quinlan of MOTs Volunteer Association.
Family, friends, and staff members of both MOT and Orchards Childrens Services enjoyed the joyful, standing-room-only closure perfonrtance in the opera rehearsal rooms on August 27th.
KARENVANDERKLOOT DICHIERA CHAIRS OPERA CONVENTION IN TORONTO:
November 8-12, 1994 is opera convention week in Toronto, Ontario, Canada.
Opera For Youth (OFY) is an international organization promoting operas for and by young people, perfonned by adults and/or children. The National Opera Association (NOA) is an international organization comprised of opera companies and colleges, universities, and conservatories which have opera depamnents and workshops.
These two organizations traditionally hold their annual conventions together.
Karen VanderKloot DiChiera is chair of the OFY proceedings, November 8-9. The OA portion, November 9-12 is being chaired by Steven Henrikson, Head of the Voice Area of the Music Depamnent of the University ofWmdsor, frequent MOT perfonner, and perfonner and vocal coach for the Toronto production of Phantom oj the Opera.
Some of the weeks offerings include presentations by the Canadian Opera Company and the Canadian Children:s Opera Chorus. Aeso~ Fables, the newly commissioned Community Programs childrens opera is one of only four new operas chosen for a live read-through. Donald Hartmann (Sacrastan in MOTs Tosca) brings his opera workshop students from Eastern Michigan University to perfonn. John Leberg is pan of an NOA panel and Dr. Jonathon Swift, host of MOT,s Time Out Jor Opera with Bloomfield Community TV participates in a panel on education and TV
AESOP'S FABLES The depamnentS newly commissioned a new childrens
opera, Aesops Fables by award-winning composer Uiwrence Singer and noted librettist Douglas Bravenrtan is currently being booked throughout Michigan and neighboring states.
Uiurie jensen--Russsell, teacher at Garfield Elementary School in The Flint Community School District, is creating the animal costumes. Ms. Russe\ls thin! grade class participated in a Create-an-Opera project for which she executed the costumes in spring of 1994.
Karl Schmidt, Mark Vondrak, Betsy
Bronson, Maria Cimarelli
REVUE A HIT! lnjuly 1994, the
Macomb Center for the Performing Arts (William Biddle, Executive Director; Uirry Carrico, Technical Director) sponsored twelve enthUSiastically received perfOnrtances of the Depamnents revue, From
Broodway to Hollywood. It was accompanied by Kevin Bylsma (musical
arranger) andjim Hohmeyer and choreographed by Annette Bergasse. Our thanks to all who made this possible!
26 ~
Irina Lekhtman & Jonathan Swift
TIME-OUT FOR OPERA The popular television series Time-Out Jor Opera, recently
nominated internationally for a cable award in the Arts Series Category, has taped thineen new programs with Bloomfield Community Television, Naydene Maynard, General Manager. Brainchild of Dr. Jonathan Swift, series host, it is co-hosted and produced by Karen VanderKloot DiChiera, directed by Tun Pamplin, and features many personalities well-known to MOT audiences including Dr. David DiChiera,John Leberg, Mitchell Krieger, Dr. Wallace Peace, and singers Frances Brockington, Candace De Uittre, Irina Lekhtrnan, Eamestine Nimmons, Donald Hartmann, Steve Henrikson, Scott Piper, Karl Schmidt and other artists of Community Programs.
The programs will air throughout the 1994-95 season to residents of Bloomfield Hills and Bloomfield Township on channelll.
HARRY Due to popular demand, the Depamnent will extend its
unique anti-5moking show, The Night Hany Stopped Smoking through 1995 in Michigan and neighboring states. "Harry," written by Ross Dabrusin and john Davies, promotes an antismoking message to young audiences. State perfOnrtances are sponsored by the American Lung Association of Michigan.
For infonnation on all of the DepamnentS activities, contact Dolores Tobis, Marketing Manager, (313)874-7894.
Copyright 2010, Michigan Opera Theatre
LET ThE SHOW
congratulates MOT on its
1994-95 season. We provide
natural gas transportation and
storage services for the homes,
businesses and industries of
Detroit and other Michigan
communities.
ANR Pipeline Company A SUBSIDIARY OF THE COASTAL CORPORATION The Energy People
Copyright 2010, Michigan Opera Theatre
Vo I u n tee r Ass 0 cia t ion Gloria A. Clark
Chairman Betty Bright
Publicity Bill Schultz
Finance Chairman Nancy Moore
Secretary
Robert E. Dewar, David DiChiera, Cameron B. Duncan, Sharon Gioia, Roberta Starkweather, Victoria Kulis, Jacque Mularoni, Lorraine Schultz, Marge Slezak, C. Thomas Toppin, Inge White
Committee Members
Our nearly quarter century of activity has only been possible through the efforts of many dedicated individuals contributing their time and resources in support of Michigan Opera Theatre's mission.
Volunteer Association Members Receive:
• BRAVO, MOT's informative news magazine
This dedicated support has been through a variety of forma and has encompassed individuals and corporations participating on the Board of Directors, operating the Opera Boutique, providing hospitality
• Volunteer Association Membership Card
• Inclusion in the Volunteer Association Invitation Directory
• Invitation to attend a Dress Rehearsal of a MOT production
to visiting artists, and hosting a cavalcade of social fundraising events.
The Board of Directors of Michigan opera Theatre has recognized the impact volunteer participation and leadership has on developing the company for our growth into the Detroit Opera House. On June 8, 1993
• Special Volunteer Events
the Board created a standing committee to revitalize and encourage volunteerism within the organization, combining innovative responses to our changing volunteer community with the success of the past.
Your $25 annual membership in the Volunteer Association helps to support the ongoing activities
and programs of Michigan Opera Theatre, and is fully tax-deductible as a contribution to a 50lCc)3 organization.
The Michigan Opera Theatre Volunteer Association is an exciting initiative whose purpose is to promote a solid base of volunteer support for Michigan Opera Theatre. To receive information on how you can participate as an MOT volunteer, please contact the MOT Volunteer Association Coordinator at 6519 Second Avenue, Detroit, MI 48202; or call (313) 874-7850 to receive a membership brochure.
This committee, the Volunteer Association Committee, has launched the Volunteer Association this season by identifying the common interests of volunteers and encouraging participation at all levels of the company. Under the leadership of Gloria A. Clark, a dedicated group of 27 enthusiastic individuals stepped forward to form a volunteer structure that can be responsive to all volunteers. We encourage you to join us and help to
continue to be the most vital part in the growth of Michigan Opera Theatre. We are always looking for new groups! If you have an idea for a new
group, please call us!
OFFICE VOLUNTEERS Jeanette Pawlaczyk, Chairman
Help with addressing mailings and the many day-to-day tasks that keep our wheels turning
OPERA BOUTIQUE Terry Shea, Chairman
Assist in the marketing and design of MOT related opera and ballet gift items
OPERA HOUSE AMBASSADORS Cliff Peters, Chairman
Learn the fascinating history of the Detroit Opera House and share your expertise with others
EDUCATION & OUTREACH Bernie Quinlan, Chairman
Help to create and promote programs that serve the entire state of Michigan
OPERA LEAGUE OF DETROIT Carol Larson Wendzel, Chairman
FRIENDS OF THE BALLET Joanne Danto Honhart, Chairman
VOLUNTEERS, ETC Dolores Sackett, Chairman
The core of Michigan Opera Theatre's involvement in the community, these fun
groups are important to bringing new people into the sqcial whirl of the opera world. Their events have all the glitter and glamour of grand opera and ballet;
they make a significant impact on providing financial support to Michigan
Opera Theatre. These friends gather throughout the year, drawn together by
common interests and goals.
28 ~
MOT MOVERS Nancy Krolokowski, Chairman
Assist in the "care and feeding" of MOT's visi ting artists and dignitaries
SUPERS CLUB James Walsh Ill , Chairman
Join the cast of thousands in MOT's spectacular productions
Copyright 2010, Michigan Opera Theatre
Peter & Laurie Psarianos
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FAX (313) 689-6162 Copyright 2010, Michigan Opera Theatre
Contributors Michigan Opera Theatre gratefully acknowledges its generous corporate, foundation and individual donors
whose contributions were made between July 1, 1993 and June 30, 1994. Their generosity plays an integral part in the Company's financial stability, necessary for producing quality grand opera, musical theatre and classical ballet. In addition to enjoying outstanding entertainment on the stage, MOT contributors are offered a number of opportunities which allow them to observe the many phases of opera production, meet the artists and experience other "behind the scenes" activities. For more information on becoming involved in these exclusive and exciting donor benefits and services, contact the Development Department (313) 874-7850.
Michigan Opera Theatre gratefully acknowledges the extraordinary generosity of the Chrysler Corporation Fund for their unrestricted gift of $400,000 this past spring.
This unanticipated contribution demonstrates Chrysler'S strong commitment to MOT and the people of southeastern Michigan. We are deeply appreciative and extend our
heartfelt gratitude to all of our friends at Chrysler for this wonderful donation.
Corporate ------------..,~
SIGNAL FELLOWS DONORS IBM Corporation
BENEFACTORS $10,000 - $14,999 $1,000 - $2,499 ].c. Penney Company, Inc.
$50,000+ JWK &: Associates, Inc.
AlliedSignal Automotive 3M1Detroit Sales Center Johnson Controls, Inc.
Ameritech ANR Pipeline Co. ABB Paint Finishing Kelly Services Inc.
Chrysler Corporation Fund Lear Seating Corporation Alcoa Fujikura, LTD. Kerry Steel, Inc.
Ford Motor Company Saks Fifth Avenue B.A.E. Lobdell-Emery
General Motors BASF Corp. Manufacturing Co.
Corporation SUSTAINERS
Bozell Worldwide, Inc. Magna International (America) (Detroit North) Metropolitan Life Foundation
$5,000 - $9,999 Chrysler &: Plymouth Michelin Tire Corp.
MAJOR Alcoa Foundation Dealers Advertising Michigan Plastic Products
BENEFACTORS Atoma International Cold Heading Company Monroe Auto Equipment Co.! Coopers &: Lybrand Tenneco Auto .
$25,000 - $49,999 Blue Cross-Blue Shield Douglas &: Lomason Company NYX Plymouth, Inc.
Hudson's Department of Michigan and Divisions Ogilvy &: Mather
Deloitte and Touche Dow Chemical Company Regan Productions Store Co. Target Durr Industries, Inc. Rockwell International Kmart Corporation Woodbridge Form Elsa Corporation Schlegel North American Corporation Ernst and Young Automotive Oper.
BENEFACTORS Findlay Industries, Inc. Shell Oil Company Foundation
$15,000 - $24,999 PATRONS GKN Automotive Inc. Inc. Gencorp Automotive Textron Inc.
Cadillac Motor Carl $2,500 - $4,999 General Electric Company Thyssen Steel Company
General Motors Corp. AAA Michigan General Tire, Inc. Tri-County D.A.NCrestwood
Comerica, Inc. Dickinson Wright Moon Goldman Sachs Money Dodge
Consumers Power VanDusen &: Freeman Markets, L.P. Trico Products Corporation
Foundation George P. Johnson Company Goodyear Tire &: Rubber Co. u.s. Manufacturing
Detroit Edison Foundation Masco Tech, Inc. Greater Detroit Jeep Eagle Corporation
Michigan National Corp. Michigan Consolidated Dealers Virtual Engineering
NBDBank Gas Company Handleman Charitable Wells, Rich, Greene, Inc. Foundation White General Contractors
Howell Industries, Inc. Yarema Die &: Engineering Copyright 2010, Michigan Opera Theatre
CONTRIBUTORS $500 - $999 Ambrose, Inc. American Fibrit, Inc. Arvin North American
Automotive Augat Wiring ~stems, Inc. Automotive In us trial Sales
Inc. Automotive Moulding Co. Barton-Malow Company CSX Transportation Compuware Corp. Daikin Clutch Corporation Davis Industries, Inc. Delta Dental Fund Donnelly Corporation Dura Mechanical Components,
Inc. Dykema Gossett E &. l Transport Co. Eaton Corp. Eaton Corp. - Engine
Components Division Fabricated Steel Products Failure Analysis Associates Foster, Swift, Collins and
Smith, Pc. Giddings and lewis, Inc. Golden Valley Dairy Harmony House Records
&. Tapes' Hawthorne Metal Products
Company ITW Deltar ITW Shakeproof J. Walter Thompson USA JKC USA Corporation Kawasaki Robotics (USA) , Inc. Kenmar CO~K Kenwal Pro ucts Corporation Lamb Technicon Corporation libralter Plastics , Inc. lintas: Campbell-Ewald loomis Sayles &. Co. Inc. Masland Industries M.5.!. Warren Stamping NGK -locke, Incorporated NGK Spark Plugs (USA) , Inc. Northern Engraving
Corhoration PVS C emicals Inc. Plunkett &. Cooney Pc. Prince Corporation Robert Bosch Corporation Siegel-Robert Inc. Simpson Industries Inc. The Budd Company The Standard Products Co. The Torrington Company Thompson-McCully Co. Toledo Stamping Toyo Seat USA Corp. Versacom, Inc. Weldmation Inc. ZF Industries, Inc. Zenith Industrial Corp.
SUPPORTERS $100 - $499 A &. E Communications
Corporation
A P Parts Manufacturing Co. Mattar Financial Corp. A.]. Etkin Construction Co. Me~er Inc. ASC Inc. Mu tifastener Corporation Airtech Corporation NTH Consultants, Ltd. Albert Kahn Assoc., Inc. Newcor, Inc. American Bumper &. Mfg.Co. North Brothers Ford, Inc. American Glass &. Metals Ogihara America Cor~oration Armstrong Buick-Isuzu PPG Industries Foun ation B &. W Cartage Compank Pepper, Hamilton &. Scheetz Barris, Sott, Denn &. Dri er Perini Building Company Becker Group, Inc. Plastomer Corporation Bierlein Companies Presto lite Wire Corp. Broad, Vogt &. Conant, Inc. Price Waterhouse C.A. Muer Corporation Robertson UDI C.j. Edwards Company Rochester Gear, Inc. CUNA Mutual Insurance Schreiber Corporation
Group Smith, Hinchman &. Grylls Car-Tee, Inc. Associates Inc. Cochrane Supply &. The Taubman ComEany Inc.
Enyineering, Inc. The Structured Sett ements Conk in Benham Ducey Company
listman &. Chuhran The W W Group, Inc. Conwal MacKenzie &. Tokico (USA) , Inc.
Dun eavy, Inc. Travel Unlimited, Inc. DeMaria Building Company Tuesday Musicale
Inc. Weir Manuel Synder &. Ranke Dearborn Federal Savings Bank Delaco Steel Corporation
1994 IN KIND DONORS Detroit Free Press Detroit Headin~ C'J. Inc. ANR Pipeline Company Dold, Spath an McKelvie, Pc. Campbell &. Company Dominion Tool &. Die Co. Inc. Chrysler Corporation Fund Dryden, MarrIes, Coopers &. lybrand, l.l.P
Schimanec , et aI. Deloitte &. Touche Duane Smelser Roofing Ford Motor Company
Company General Motors Corporation E.]. Bonner Hudson's Department Store Co Ferguson Electric Co. Parkhill &. Company First American Title Insurance The Ritz-Carlton
Company Saks Fifth Avenue Flavin Associates, Inc. The Somerset Collection Four Way Asphalt Paving, Inc. C. Thomas Toppin &. Geor~e W Auch Co. Associates Giffe s Associates, Inc. The Townsend Hotel Grunwell-Cashero Company United American Healthcare
Inc. Corp. Hall Engineering CO. WQRS-FM 105 Harley Ellington Pierce Yee The Westin Hotel
Assoc. Health Enrichment Center, Inc. Hi-Stat Manufacturing Co. Inc. 1224 OPERA BALL Hovinga Business Systems Inc. IN KIND DONORS Huntington Banks of Michigan Huron, Inc. Tracy Dahl Iafrate Construction Company Donald E. McNabb Carpet CO ].D.5. Piping, Inc. DuMouchelle Art Galleries Janet Varner Inc. JPRA Architects and Planners John E. Green Co. Michael Killian Kaul Glove &. Manufacturing Neiman-Marcus
Company Pegasus lighting Kazul &. Associates walbridge-Aldin~er Kelvyn Ventour Promotions Washington Clot iers
Inc. Kenneth Neumann/Joel Smith
&. Associates 1224 OPERA BALL Kela Plastics, Inc. . AUCTION DONORS La ayette Steel &. Processing leroy Industries Inc. DuMouchelle Art Galleries lou laRiche Chevrolet Geo Evola Music Centers MTD Products Inc. Ford Motor Company Maddin, Hauser, Wartell &. Greenstone's Jewelers
Roth Grunwell-Cashero Company, Masco Tech Sintered Inc.
Components, Inc. Opus One
JI ~
Foundation & Government Support GOVERNMENT Michigan Council for Arts &.
Cultural Affairs National Endowment for the Arts
SIGNAL BENEFACTORS $50,000+ The Skillman Foundation
MAIOR BENEFACTORS $25,000 - $49,999 Hudson-Webber Foundation
BENEFACTORS $15,000 - $24,999 DeRoy Testamentary Foundation Knight Foundation Matilda R. Wilson Fund McGregor Fund
FELLOWS $10,000 - $14,999 Ann and Gordon Getty Foundation James &. lynelle Holden Fund The Samuell. Westerman
Foundation David M. Whitney Fund
SUSTAINERS $5,000 - $9,999 Mary Thompson Foundation
PATRONS $2,500 - 4,999 Japanese Society of Detroit
Foundation
DONORS $1,000 - $2,499 Drusilla Farwell Foundation Young Woman's Home Association
CONTRIBUTORS $500 - $999 Alice Kales Hartwick Foundation Meyer and Anna Prentis Family
Fdn. Inc. The Clarence and Jack Himmel
Foundation Village Women's Club Foundation
Beginning with the 1993-94 season, Evola Music has graciously agreed to provide and service Baldwin pianos Jor Michigan Opera Theatre's rehearsal and perJormance needs.
We are grateJul to Ben Evola and his associates Jor their enthusiastic cooperation, and look
Jorward to greatly enhanced musical satisJaction with the addition oj these pianos
to the opera company's artistic process.
Copyright 2010, Michigan Opera Theatre
IMPRESARIO CIRCLE $10,000+ Mr. &: Mrs. Philip E. Benton,]r. Mr. &: Mrs. Robert E. Dewar Dr. &: Mrs. Sam B. Williams
MAJOR BENEFACTORS $5,000 - $9,999 Anonymous Mr. &: Mrs. ]. Addison Bartush Mr. &: Mrs. Donald]. Bortz,Jr. Estate of Allen B. Christman,
at the request of Katherine J. Gustafsson
Mr. &: Mrs. Irving Rose Mr. &: Mrs. George Strumbos Mr. &: Mrs. Lynn A. Townsend Mr. &: Mrs. R. Jamison
Williams, Sr. Mr. &: Mrs. R. Alexander
Wrigley
BENEFACTORS $2,500 - $4,999 Anonymous Mr. &: Mrs. Terence Adderley Dr. &: Mrs. Roger M. Ajluni Dr. &: Mrs. Agustin Arbulu Dr. &: Mrs. Donald C. Austin Mr. &: Mrs. Mark Alan Baun Mr. &: Mrs. W Victor Benjamin Mr. &: Mrs. Gerald Bright Mrs. Martin L. Butzel The Honorable Dominick R.
Carnovale Mr. Thomas Cohn Mr. &: Mrs. Cameron B. Duncan Mr. &: Mrs. Max M. Fisher Mr. &: Mrs. Samuel Frankel Mrs. Aaron H. Gershenson Mr. &: Mrs. Preston B. Happel Mr. &: Mrs. Kenneth E. Hart Mr. &: Mrs. David B. Herrnelin Mr. &: Mrs. Verne G. Istock Dr. &: Mrs. Richard W Kulis Mrs. Ruth Mott Mr. &: Mrs. Kenneth A. Pickl, Jr. Mr. &: Mrs. David P Ruwart Mr. &: Mrs. Donald E.
Schwendemann Mr. &: Mrs. S. Kinnie Smith,]r. Mr. Richard A. Sonenklar Mr. &: Mrs. James]. Trebilcott Mrs. Richard Van Dusen Mr. &: Mrs. George C. Vincent Mr. &: Mrs. Richard C. Webb Mrs. Beryl Winkelman
FELLOWS $1,500 - $2,499 Dr. Lourdes V Andaya Mrs. Robyn J. Arrington, Sr. Drs. John and Marilyn
Belamaric Mr. Charles A. Bishop Mr. David Chivas The Honorable &:
Mrs. Avern L. Cohn Mr. &: Mrs. Rodkey Craighead Mr. &: Mrs. Richard E. Cregar Mr. &: Mrs. Ernest S. Curtis Julia Donovan Darlow and
John O'Meara Lady Jane Easton Mrs. Charles M. Endicott Mrs. Benson Ford,]r. Mrs. Barbara Frankel Mr. &: Mrs. Edward P Frohlich Mr. &: Mrs. Larry Garberding Mr. &: Mrs. John C. Griffin Mrs. Robert M. Hamady Mr. &: Mrs. E. J. Hartmann Mrs. Roger W Hull Mr. &: Mrs. MaxwellJospey Mr. &: Mrs. Thomas G. Kirby Mr. &: Mrs. Eugene L. Klein Th.: Honorable Jack Martin and
Dr. Bettye Arrington-Martin Mr. &: Mrs. William 1.
McCormick,Jr. Mr. &: Mrs. Daniel Medow Mr. &: Mrs. Morkus Mitrius Mr. Edwin Lee Morrell Mr. &: Mrs. Marco Nobili Mr. &: Mrs. Eino Nurme Dr. &: Mrs. Moon]. Pak Mr. &: Mrs. Jules Pallone Mr. John E. Perry Mr. &: Mrs. John B. Renick Mr. &: Mrs. Louis R. Ross Mr. &: Mrs. Fred C.
Schneidewind Mr. &: Mrs. Alan E. Schwartz Mr. &: Mrs. Frank C. Shaler Mr. &: Mrs. William H. Smith Mrs. Mark Stevens Dr. &: Mrs. L. Murray Thomas Mr. &: Mrs. C. Thomas Toppin Mr. &: Mrs. Robert C.
VanderKloot Mr. &: Mrs. Walter Wilkie Dr. Marilyn L. Williamson Mr. &: Mrs. Morton Zieve
SUSTAINERS $1,000 - $1,499
Anonymous Mrs. Judson B. Alford Mr. &: Mrs. Robert A. Allesee Mr. &: Mrs. David Aronow Mr. &: Mrs. Donald]. Atwood The Honorable &: Mrs. Edward
Avadenka Mr. &: Mrs. Mandell L. Berman Dr. &: Mrs. John G. Bielawski Dr. &: Mrs. David Bloom Mr. &: Mrs. Douglas Borden Dr. Mark I. Burnstein Dr. Barbara D. Chapman and
Mr. Frank Andrews Mr. &: Mrs. Frederick H. Clark Mr. Michael]. Connolly Dr. Mary Carol Conroy Mr. &: Mrs. Peter Cooper Mr. and Mrs. Lawerence David Mr. &: Mrs. Lawrence H.
Dickelmann, Jr. Ms. Hilda R. Ettenheimer Mr. &: Mrs. Paul E. Ewing Mr. &: Mrs. Lloyd C. Fell Mr. &: Mrs. Charles 1. Fisher, III Mr. &: Mrs. Louis P Fontana Mr. Brian Fossee Mr. and Mrs. David M. Fried Mrs. Roy Fruehauf Mr. &: Mrs. Frank A.
Gerrnack, Jr. Mr. &: Mrs. Keith E. Gifford Mr. &: Mrs. Alan L. Gornick In memory of
Dr. Berj H. Haidostian - Mrs. Alice Berberian Haidostian
Dr. &: Mrs. Joel I. Hamburger Mr. &: Mrs. Frederic H. Hayes Mr. &: Mrs. David H. Hill Ms. Mary Ann Hollars Mr. and Mrs. Keith Honhart Miss H. Barbara Johnston Mrs. William E. Johnston Mr. Martin and Ms. Geneva
Maisel Kellman Dr. &: Mrs. Charles Kessler
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Mr. and Mrs. Robert Klein Dr. &: Mrs. Alfred M. Kreindler Mr. &: Mrs. David W Krupp Mr. and Mrs. William Ku Mr. and Mrs. Gary W Laehn Mrs. Leonard 1. Lewis Dr. &: Mrs. Kim K. Lie Dr. &: Mrs. Robert P Lisak Mr. &: Mrs. Harry A. Lomason Louise Mr. &: Mrs. Alphonse S.
Lucarelli Dr. &: Mrs. Henry W Maicki Mrs. Wade H. McCree, Jr. Mr. &: Mrs. Eugene Miller Mr. &: Mrs. Carl Mitseff Mr. &: Mrs. Fred Morganroth Mr. &: Mrs. E. Clarence
Mularoni Mr. &: Mrs. E. Michael Mutchler Mr. &: Mrs. James Pamel Dr. Robert E. L. Perkins Mr. &: Mrs. Brock E. Plumb Mr. and Mrs. David Pollack Mr. &: Mrs. Robert R. Reilly Mr. &: Mrs. Richard H. Rogel Mr. &: Mrs. Hans Rogind Dr. &: Mrs. Norman R. Schakne The Honorable Joan Young and
Mr. Thomas Schellenberg Dr. &: Mrs. Arthur H. Schultz Mr. Joseph Schwartz Mr. &: Mrs. Roger E Sherman Mr. &: Mrs. Richard Sloan Mr. &: Mrs. Norman Sloman Mr. &: Mrs. Richard D.
Starkweather Mr. &: Mrs. A. Alfred Taubman Dr. &: Mrs. Lawrence Usher Mrs. C. Theron Van Dusen Dr. Estelle P Wachtel-Torres Mr. &: Mrs. Gary L. Wasserman Mr. &: Mrs. Gary L. White Mr. &: Mrs. James E. Wilkes Mr. &: Mrs. Eric A. Wiltshire Dr. Kathryn]. Wimbish Dr. &: Mrs. Clyde Wu Ms. Lucia Zurkowski
Copyright 2010, Michigan Opera Theatre
ORCHESTRA CIRCLE $500 - $999 Ms. Louise Hodgson Dr. Harold Mitchell Arrington Dr. RobynJ . Arrington,Jr. Dr. Joseph L. Cahalan Mr. & Mrs. Steve Djelebian Mr. & Mrs. Robert Fair,Jr. Mr. Albert Febbo Mr. & Mrs. Mitchell B. Foster Dr. & Mrs. Byron P. Georgeson Ms. Gloria D. Green Mr. & Mrs. Joseph Gualtieri Ms. Mary C. Harms Miss Mary A. Hester Mrs. Joyce Ann Kelley Mr. Dennis M. King Mr. & Mrs. John A. Kirlin Mr. & Mrs. Harvey Kline Mr. & Mrs. Lee E. Landes Dr. Barbara Lockard-Zimmerman Dr. & Mrs. Robert E. Mack Mr. Norman Mackie Mr. & Mrs. Joseph Maniscalco Dr. & Mrs. Anthony B. Michaels Mr. Ralph Miller Mrs. Helen M. Muzleski Mr. Michael W. Pease Dr. & Mrs. Peter J. Polidori Mr. & Mrs. John R. Rake Dr. & Mrs. David B. Rorabacher Mr. Hugh C. Ross Mr. Wayne J. Ruchgy
. Mr. & Mrs. Mark Schmidt Mr. William E. Scollard Mr. & Mrs. Stephen M. Sweeney Mrs. Ludwik Szczesny David Kinsella and Joyce Urba Dr. Joseph Valentin, DDS · Mr. & Mrs. Melvin C. Vander Brug Mr. & Mrs. Dante Vannelli Mr. & ~rs. David Weinberg Mr. J. Ernest Wilde Mr. & Mrs. Lawrence E. Witkowski Mr. & Mrs. Walter and Elizabeth Work
LUMINARY $250 - $499 Mr. & Mrs. WilliamJ. Adams Mrs. Emilia Arnold Mr. & Mrs. Jay N. Baker Dr. Reuven Bar-Levav Anthony & Patricia Barclae Dr. & Mrs. Hugh Beckman Mr. Dean Bedford, Jr. Mr. Robert J. Benett Mr. & Mrs. Jeff Bickerstaff Dr. & Mrs. Eric Billes Mrs. Norman Bird Mr. John Bisha Dr. & Mrs. Sander J. Breiner Ms. Mary C. Caggegi Mr. & Mrs. Roy E. Calcagno Mr. & Mrs. Robert G. Campbell Mr. William E Canever Miss Helen H. Cannon Dr. John E Casey Miss Lola Cesina Mr. Kenneth Channell Dr. Susan D. Charlamb Ms. Judie L. Cochill Mr. & Mrs. James W. Collier Mr. & Mrs. George A. Cooke Mr. & Mrs. Claude H. Cooper Mrs. Ellen R. Cooper Dr. Warren W. Cowan Mrs. Mary Rita Cuddohy Dr. & Mrs. ViCtor Curatolo Mr. & Mrs. Edward P. Czapor Mr. & Mrs. Ronald K. Dalby Mr. Robert Daniels Mr. & Mrs. Keith D. Danielson Mr. & Mrs. WilliamJ. Davis Mr. Thomas Day Mr. & Mrs. William A. Day
Mr. & Mrs. Richard DeBear Mr. Richard A. Dearment Ms. Constance Dehosse Mrs. Louise W. Deutch Mr. James P. Diamond Mrs. Bonnie Dickens Mr. & Mrs. Harry M. Dreffs Mr. & Mrs. George P. DuenSing Drs. Paula and Michael Duffy Mr. & Mrs. Peter P. Dusina,Jr. Ms. Anne Edsall Mr. Mervin W. Eisen Honorable & Mrs. S. J. Elden Mr. & Mrs. Laurence Elliott Dr. & Mrs. Edwin S. English Mr. & Mrs. John C. Fitch Mr. Roger Loeb and Mr. Mark Flanders Mr. & Mrs. Harry S. Ford,Jr. Mr. & Mrs. Justin K. Ford Mr. & Mrs. Anthony C. Fortunski Mr. Earl A. Foucher Mr. & Mrs. Ivan Frankel Mr.JosephJ. Franzem Mr. & Mrs. Roger Fridholm Mr. & Mrs. David M. Fried Mr. & Mrs. George E. Frost Dr. & Mrs. William R. Fulgenzi Ms. Mary Ann Fulton Mr. Albert E Gelhausen Mr. Hugh Gill Dr. & Mrs. Leslie M. Green Mr. Henry M. Grix Dr. & Mrs. Charles M. Hamilton Mr. & Mrs. Leslie R. Hare Mr. & Mrs. Craig Hartrick Mr. & Mrs. James G. Hartrick Mr. & Mrs. J. Theodore Heney Mr. & Mrs. Charles L. Henritzy Dr. & Mrs. Jack H. Hertzler Mr. & Mrs. Bruce A. Hillman Dr. & Mrs. Leon Hochman Mr. & Mrs. Jacob Hurwitz Ms. Elsa Jakob Mr. & Mrs. Zoltan J. Janosi Ms. Rosemary Joliat Mr. Sterling C. Jones, Jr. Dr. & Mrs. Howard C. Joondeph Mr. & Mrs. Donald W. Keirn Mr. & Mrs. Donald A. Knapp Mr. & Mrs. Semon E. Knudsen Ms. Selma and Ms. Phyllis Korn Mr. James E Korzenowski Rev. Ralph E. Kowalski Mr. & Mrs. William Kropog Mr. Marc Lakin Mr. & Mrs. Ken Lawrence Mr. Raymond A. Lehtinen Mr. & Mrs. Albert A. Loffreda Mrs. Elizabeth A. Long Mrs. Robert Lucas Mr. Earle D. Lyon Dr. & Mrs. Saul Z. Margules Mrs. Florine Mark Mr. & Mrs. Stanley C. McDonald Dr. Thomas G. McDonald Mr. & Mrs. Angus J. McMillan Mr. & Mrs. Harold A. Meininger Mr. & Mrs. MiltonJ. Miller Dr. & Mrs. Orlando J. Miller Mr. & Mrs. Stanley Millman Dr. & Mrs. Harvey Minkin Dr. & Mrs. Van C. Momon,Jr. Mr. & Mrs. Charles R. Moon Mr. MichaelJ. Morrison Mr. Ronald K. Morrison Mr. & Mrs. Earl A. Mossner Mr. & Mrs. Germano L. Mularoni Mr. & Mrs. Adolph J. Neeme Ms. Corinne Opiteck Rev. Thaddeus J. Ozog Mr. & Mrs. Joseph R. Papp Miss V Beverly Payne Ms. Mari L. Penna Dr. & Mrs. P.c. Pesaros Dr. & Mrs. Thomas Petinga, Jr. Dr. Luba Petrusha Ms. Irene & Gloria Piccone Dr. & Mrs. Kenneth E. Pitts
Mr. & Mrs. Richard A. Place Mr. Abraham L. Raimi Mr. & Mrs. Robert R. Reilly Mr. & Mrs.JohnJ. Riccardo Mr. & Mrs. Eugene C. Robelli Dr. & Mrs. Roger Robinson Mr. & Mrs. HoraceJ. Rodgers Ms. Alice L. Rodriguez Mr. Peter Ronan Mr. & Mrs. Theodore Rudner Mr. & Mrs. DavidJ. Runyon Mr. & Mrs. Luigi Ruscillo Dr. & Mrs. William H. SalOL Dr. & Mrs. Hershel Sandberg Mr. & Mrs. John W. Sanders Mr. & Mrs. John Schmidt Drs. Theodore & Michelle Schreiber Dr. & Mrs. M. U. Scott Mr. & Mrs. Kingsley Sears Ms. Ellen Sharp Mr. & Mrs. Robert W. Siegel Mr. & Mrs. Peter Silveri Mrs. Rosemary Skupny Ms. Irene R. Snider Ms. Phyllis Funk Snow Mr. & Mrs. Newton Sobel Dr. & Mrs. Robert J. Sokol Drs. William P. & Frances L.
Sosnowsky Dr. & Mrs. Sheldon and Jessie Stem Mr. & Mrs. Gerald H. Stollman Dr. & Mrs. Komol Surakomol Mr. & Mrs. NormanJ. Tabor,Jr. Mrs. Elaine Taro Mrs. Edward D. Thomson Mrs. Dorothy Alice Tomei Mr. Emmet E. Tracy,Jr. Mr. & Mrs. Sheldon Turley Mrs. Marcia Valenstein Mr. & Mrs. Elliott H. Valentine Ms. Helen Wainio Mr. Clune Walsh Miss Evelyn A. Warren Mr. & Mrs. W. N. Warren Mr. & Mrs. Seymour Weissman Ms. Hildegard Wintergerst Ms. Anne C. Wolf Mrs. Minoru Yamasaki Mr. Matthew Zelenak Mr. Matthew Zelenak Mr. & Mrs. David Zimmerman
SUPPORTERS $120 - $249 Miss Mary M. Abbott Mr. & Mrs. John H. Adams Mr. & Mrs. Richard D. Adams Mr. & Mrs. Thomas B. Adams Mr. David A. Agius Mr. & Mrs. Richard Alder,J r. Mr. & Mrs. Wickham Allen Mr. Augustine Amaru Mr. & Mrs. Raymond P. Amelotte Mr. James Anderson Ms. Margaret Angus Mr. Charlie Antal Ms. Elizabeth Aprahamian Mr. Carl Arko Mrs. Marvin V Arnett Ms. Lillian L. Arnold Mr. & Mrs. Harold Arnoldi Mr. & Mrs. Morris Arnowitz Ms. Niara Arpaci Dr. Maria Arrubla Mr. & Mrs. John A. Ashton Ms. Winifred K. Avery Mrs. Simon S. Baer Mrs. Doris I Bailo Mrs. Mary T. Baker Mrs. Anna Bakonyi Mr. & Mrs. Eugene Balda Mr. Jack B. Baldwin Ms. Katherine Balfour Ms. Patricia Ball Mr. John Baltic Mrs. Irene M. Barbour Mr. & Mrs. C. Robert Barnard
JJ ~
Mr. Robert A. Barnhart Mr. & Mrs. Lee Barthel Mr. Eliezer Basse Mr. Percy Bates Mr. & Mrs. William Beach Mr. Alan Beale Mr. Theodore Beard,Jr. Dr. & Mrs. Jacques Beaudoin Mr. Donald Becker Mrs. Jack Beckwith Mr. Carlos Bedrossian M r. Mark Beltaire Dr. & Mrs. David Benjamins Mr. & Mrs. Ilio Benvenuti Ms. Sharon Bergo Mr. & Mrs. A. H. Berker Ms. Sondra L. Berlin Mr. Roland L. Bessette Mr. & Mrs. William Betz Mr. Norman Beznos Mr. Francis Bialy Mr. David Bilson Mr. & Mrs. Maurice S. Binkow Ms. Janice Birkenshaw Mr. & Mrs. A. Victor Bizer Mr. Svein Bjorkly Mr. & Mrs. R. Drummond Black Ms. Pat Blackard Ms. Isabel D. Blanchard Ms. Beverly Blaney Mr. & Mrs. Jerry M. Blaz Mr. & Mrs. Paul and Leah Blizman Mr. Kenneth Bloomfield Dr. Edwin C. Blumberg Mr. & Mrs. Norman Bodine Mrs. Dawn Boesen Ms. Saundra Y. Bohanon Mr. & Mrs. Alvin E. Bohms Mr. & Mrs. Robert Bois Ms. Patricia Bolan Mrs. Gertrude D. Bonk Mr. Michael Boyle Ms. Ruth Bozian Mr. & Mrs. Jack Bradford Mr. & Mrs. Thomas Bradley Ms. Linda C. Brakke Mr. & Mrs. Gerald Bricka Mr. & Mrs. William C. Brimmer Mrs. Lorraine Broomham Mrs. Claire P. Brown Mrs. Geraldine L. Brown Mr. & Mrs. Leon Brown Ms. Susan L. Brown Mr. & Mrs. Wesley M. Brown Dr. Elkins L. Bruce Mr. Barth Bucciarelli Mrs. Doreen Bull Mr. Harvey Burley Mr. & Mrs. David and Gail Burnett Mr. & Mrs. Lester Burton Mr. & Mrs. Siegfried Buschmann Mr. Richard Bush Mrs. Georga G. Callahan Ms. Joy Callen Ms. Jean Calmen Dr. Gabriel Camero Mr. & Mrs. Robert M. Campbell Mr. PaulO. Canvasser Mrs. Walter Carlton Mr. Richard Carncross Mr. & Mrs. JohnJ. Carrick, III Mrs. Mary Carroll Mr. & Mrs. Samuel A. Cascade Mr. James Case Mr. Clifton G. Casey Mr. Fidell Cashero Mr. & Mrs. Timothy Caughlin Mr. & Mrs. Grant C. Chave Mr. Patrick W. Chester Mr. & Mrs. Donald H. Chmura Mrs. Eleanor A. Christie Mr. & Mrs. Jim Chute Mr. Thomas P. Cieslik Ms. Heather Clark Ms. Jamie Clark Mrs. Maxine W. Clark-Andreae Mr. Jinks W. Clary Dr. & Mrs. Volna Clermont Copyright 2010, Michigan Opera Theatre
Mr. & Mrs. Robert Closson Mrs. Laverne Coan Mr. & Mrs. Chet Coccia Mrs. Adelina C. Colby Mrs. Prudence Cole Mr. & Mrs. Charles F. Colman Ms. Jane Colsher Mr. & Mrs. James M. Colville Mr. & Mrs. Henry C. Conerway, Sr. Barbara & Gerald S. Cook Mrs. Jewel C. Cooke Mr. Patrick J. Cooke Mrs. Robert Cosey Ms. Nancy & Evelyn A. Cotter Mr. Walter Cottignies Mrs. Joyce Counts Ms. Mary Cecilia Cox Mrs. Margaret Cross Mr. & Mrs. Joseph S. Cummins Mr. & Mrs. WilliamJ. Cushing Mrs. Amy Cutler Mr. & Mrs. Douglas E. Cutler Mr. Chuck D'Haenens Mrs. Zenia S. Danysh Mr. Mark O. Davis Mr. Samuel L. Davis Mr. & Mrs. Bob Dawson Mr. & Mrs. Joseph DeCaminada Mr. & Mrs. Anthony DeTomaso Mr. & Mrs. Max Dean Mr. & Mrs. LeonardJ. Decker Mr. George W. Declark Mr. Loren A. Deer Mrs. Sarah Delaney Mr. Howard T. Dene Mr. James Denson Mr. Edwin A. Desmond,]r.
- Dr. & Mrs. Fernando Diaz Mrs. David Dickmeyer Mr. M. F. Dipzinski Mr. Jeffrey W. Doan Dr. & Mrs. Herbert H. Dobbs Honorable & Mrs. Martin Doctoroff Mr. Keith Dodsworth Mrs. Coleen Dolan-Green, III Mr. & Mrs. Harold Doremus Mr. & Mrs. Frank Dronsejko Mr. & Mrs. Lawrence F. DuMouchelle Mr. & Mrs. Andrej. Dubos Mr. Marvin Dubrinsky Ms. Harold Duchan Dr. Harold Duchan Dr. & Mrs. Charles H. Duncan Mrs. Saul H. Dunitz Mr. & Mrs. William A. Dunning Dr. Howard J. Dworkin Mr. & Mrs. Irv Dworkin Dr. & Mrs. C. Rupert L. Edwards Dr. & Mrs. Rupert L. Edwards Ms. Ingrid Eidnes Ms. Eileen Prinsen & Carol Ligienz Dr. & Mrs. Myron Emerick Ms. Jean Emrick Mr. & Mrs. Richard C. Ensign Mr. & Mrs. Alex Erdeljan Dr. Fern R. Espino Ms. Elizabeth N. Evans Ms. Patricia Evans Mr. & Mrs. Alger L. Faber Dr. & Mrs. Jalil Farah Mr. & Mrs. Otto Fauth Mr. George Fee Dr. & Mrs. Charles H. Feinman Mr. & Mrs. Joel Feldman Dr. & Mrs. Herbert Feldstein Ms. Catherine P Ferenc Mrs. Judith E. Fettman Ms. Judith Fietz Mr. & Mrs. Martin Figlen Dr. & Mrs. Lionel Finkelstein Mr. William G. Finlayson Mr. & Mrs. Leonard G. Finnman Mr. Mark J. Firestone Dr. & Mrs. Paul Firnschild Mr. & Mrs. AlfredJ. Fisher,]r. Mrs. Margaret B. Fisher Mrs. Lillian Fishtahler Mr. Richard Fleck Mr. John Fleming Ms. Jacqueline Forish Mr. Brian Fossee Ms. Phyllis Foster
Mr. Philip Fox Miss Lucetta V Franco Mr. & Mrs. Harold L. Frank Mr. & Mrs. Helmut Franz Ms. Pennylyn Franz Miss Marjorie R. Frazier Mr. Randall French Mr. Harold S. Friedman Ms. Audrey M. Frost Mrs. Ann Fusco Mr. & Mrs. Earl Gabriel Mr. Spencer R. Gaither Ms. Lucile Gajec Dr. James P Gallagher Ms. Lucia Gambatesa Dr. Juan Ganum Ms. Barbara Garbutt Mr. Julio Garcia Dr. T. E. Garcia Mr. Carl Gardecki Ms. Kathy Garfield Ms. Dasha Gariety Mr. & Mrs. Brian Garves Mr. Wayne Geik Mr. & Mrs. John Gelder Dr. & Mrs. James W Gell Mr. Paul Genis Mr. & Mrs. Richard Gerisch Mr. Michael Gerstenberger Mrs. Tamara S. Gilbert Mr. Tod L. Gilbert Mrs. Doris Gilchrist Ms. Kathleen Gilmore Mr. & Mrs. Steven Gittler Mr. Herbert N. Glass Mr. & Mrs. Michael M. Glusac Mr. & Mrs. Wayne Godwin Mrs. Dorothy Goeddeke Dr. & Mrs. Joel Goldberg Dr. & Mrs. Paul Goodman Mr. Conrad Gordon Ms. Jane Adele Graf Mr. & Mrs. Robert S. Graham Ms. Elizabeth Gray Mr. & Mrs. WilfredJ. Gray Ms. Marilyn Green Mr. Raymond Greenspan Mr. LawrenceJ. Griffin , Sr. Mrs. Mary F. Griffin Mr. & Mrs. John Griffith Mr. & Mrs. Grove Grimes Miss Hedi A. Groenewold Mrs. Claire L. Grosberg Mr. & Mrs. Harold A. Grossman Mr. & Mrs. Charles D. Groves Mr. & Mrs. Carson C. Grunewald Mr. Alan Gruskin Mr. John Guleserian Dr. & Mrs. Mark Haimann Mr. Lawrence Hale Mr. Nizami Halim Mr. & Mrs. John A. Hall Mrs. Robert Hamilton Mr. & Mrs. John Handloser Mr. Sanford l. Hansell Ms. Sherry Harfst Mr. & Mrs. Stephen G. Harper MissJanice Harris Mr. Larry T. Harrison Mr. & Mrs. Murray Hauptman Mr. William Havenstein Ms. Anne H. Helfman Mr. Jerry Helfman Ms. Susan Heller Mrs. Judy Heneka Dr. & Mrs . Alan T. Hennessey Dr. & Mrs. Michael Hepner Dr. & Mrs. Robert Herrera Mr. Russell Herschler Mrs. Phyllis Hill Ms. Peggy Hoblack Mrs. Frances J. Hocking Mr. Edward L. Hodges Mr. & Mrs. Edward Hoelscher Ms. Deborah Hoff Mr. & Mrs. William Hoffman Dr. Richard Lee Hogan Dr. & Mrs. Nathaniel Holloway,]r. Mr. Samuel Holt M r. Robert Hopson Mr. & Mrs. Ronald]. Horbes Dr. Linda S. Hotchkiss
Mr. Norman Howe Mr. Richard Hoyt Mr. Frederick G. L. Huetwell Mr. Jack R. Hufford Mr. & Mrs. William C. Hufford Ms. Janet Humann Mr. & Mrs. Laurence E. Huntington Ms. Elizabeth Ingraham Mr. DanielJ. Irons Mr. & Mrs. Alan Israel Mr. & Mrs. Craig E. Jackman Ms. Maureen Jackson Mrs. Elizabeth Jacobites Mr. Brent Jacobsen Dr. Donald Janower Mr. & Mrs. James L. Jocks Ms. Amanda R. Johnson Dr. & Mrs. Arthur J. Johnson Dr. & Mrs. Gage Johnson Mr. Michael R. Johnson Mrs. Ollie Johnson Ms. EleanoraJones Ms. Marie M. Jones Mr. Jefferson L. Jordan Mr. & Mrs. Raymond H. Jordan Mr. Scott Jorgensen Mr. Joseph Julvezan Mr. & Mrs. Richard Ka!cec Ms. Barbara Kandarian Mrs. Susan Kapagian Mr. & Mrs. Herman Kaplan Mr. Joseph H. Karshner Mr. & Mrs. Norman D. Katz Mr. Robert Kay Ms. Geraldine B. Keller Mr. & Mrs. James H. Keller Dr. Annetta R. Kelly Ms. Susan L. Kelly Mr. & Mrs. Arley Kerpen Mrs. Helen A. Keyde Mr. & Mrs. Norman L. Kilgus Mrs. Effie M. Killebrew Ms. Ida King Ms. Lillian R. King Mr. Edward Kingins Mr. & Mrs. Richard M. Kippen Mr. Leslie Klauka Mr. & Mrs. Charles F. Kleber Mr. & Mrs. Thomas Klein Mr. Justin G. Klimko Mrs. Sidonie D. Knighton Mr. Joseph Knollenberg Dr. & Mrs. Lester J. Kobylak Ms. Maryann Koenig Drs. Bruce & Linda Kole Mr. Daniel B. Kolton Mr. Zigmund D. Konapski Dr. Slyvia M. Kosciolek Dr. & Mrs. Vlado]. Kozul Mr. & Mrs. Karl A. Kreft Drs. Norman and Teresa Krieger Mr. & Mrs. Tayarikondo Kuanda Mr. & Mrs. Phillip Kunce Mr. Henry J. La Motte Ms. Peggy laRose Dr. & Mrs. James Labes Ms. Mary E. Laduc Dr. James W. Landers Ms. Dolores Lavins Mr. Robert Lee Dr. Sang H. Lee Mrs. Herbert Leidecker Mr. & Mrs. Robert Leidholdt Mr. & Mrs. Bruno Leonelli Ms. Rita Leonelli Mrs. Saraetta]. Leonetti Mr. & Mrs. Keith Lepard Dr. & Mrs. Leonard Lerner Dr. & Mrs. John M. Lesesne Mr. William Leslie Mr. Lawson Letzring Mr. Morris Leverson Dr. & Mrs. Murray B. Levin Mr. & Mrs. Yale Levin Mr. & Mrs. William H. Lichty Dr. & Mrs. Joseph A. Liioi Mr. Joseph Lile Dr. & Mrs. John H. Lillie Mr. & Mrs. John R. Lindstrom Dr. & Mrs. Floyd H. Lippa Mr. William Lippman Mr. Michael S. Litt
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Ms. Beverly Lopatin Ms. Elaine Lovitt Mr. & Mrs. Grady Lowry Mr. Ivan Ludington, Jr. Mrs. Irmgard Luelsdorf Mrs. A.F. Lunder Mr. & Mrs. Curtis Lundy Mrs. Alice Lungerhausen Mr. David Lustgarten Ms. Susan M. MacFarland Mr. & Mrs. Louis A. MacKenzie Ms. Lorelei Madden Archbishop Adam J. Maida Mr. & Mrs. Edward Maier Mr. & Mrs. George Mallos Mrs. Jessie B. Mann Mr. Kenneth G. Manuel Dr. Marvin Margolis Mr. & Mrs. Rollin P Marquis Ms. Janet R. Marsh Mr. & Mrs. Anthony R. Mart Dr. & Mrs. Peter A. Martin Mr. Alan Marx Mrs. Lynne Beth Master Ms. Lida H. Mattman Mr. Benjamin Maxon Mr. Rocco C. May Mr. & Mrs. John L. Mayer Ms. Mary C. Mazure Ms. Zetti McCants Ms. Katherine McCullough Mr. Donald E. McIntosh Ms. Patricia McKanna Mr. John McMullin Mr. David McNab Mrs. Susan K. McNish Mr. Brian Mcgookey Mr. Charles Means Mr. Otto Mehringer Mr. & Mrs. James D. Merritt Mr. & Mrs. Kenneth B. Meskin Ms. Nancy Metropolis Mr. & Mrs. Lawrence Michelini Mr. Carl Mickens Dr. David Milburn Mr. Myron L. Milgrom Ms. Anita L. Miller Ms. Casimera W. Miller Mrs. Joan E. Miller Mr. & Mrs. Joseph R. Miller Mrs. Paul S. Mirabito Ms. Beverly Mitchell Mr. William H. Moeller Ms. Mary Elaine Moix Dr. Arturo Mojares Dr. Eliezer Monge Mrs. Trudi Monroe Ms. Betty Montgomery Honorable Marion Moore Dr. & Mrs. Richard A. Moore Mr. & Mrs. E. Alan Moorhouse Ms. Rose Morandini Mr. Robert L. Morency Mrs. Irene]. Morgan Mr. & Mrs. Emil Moro Mr. & Mrs. Joel Morris Mr. & Mrs. Cyril Moscow Mr. & Mrs. John C. Mouradian Mr. Carl Mueller Mr. Richard Kneale Mulvey Mr. James R. Murphy Dr. John W. Murphy Mr.John D. Murray Mrs. Pamela Joyce Murray Mr. James Nadeau, Sr. Ms. Lisa Nagro Ms. Lorraine Needham Mr. James A. Neeland Mr. & Mrs. Robert L. Nelson Mrs. Kathleen M. Nesi Dr. & Mrs. Michael A. Nigro Ms. Judith Nix Ms. Ruth H. Nix Mrs. George W. Nouhan Drs. John and Janet Novak Mr. & Mrs. Stanley Nowakowski Mrs. Frances C. Nyquist Ms. Sharon D. O'Brien Mr. & Mrs. James W. O'Connor Ms. A. Maxine O'Keefe Dr. Marilyn Oberst Mr. & Mrs. William E. Odom
Copyright 2010, Michigan Opera Theatre
Mr. & Mrs. Theodore Oelkers Mrs. Joan Opiela Mr. & Mrs. Anthony Opipari Mr. James R. Otto Mr. & Mrs. S. R. Ovshinsky Mrs. Margaret L. Pagnucco Mrs. Mary L. Paige Mr. & Mrs. Jeff Palms Dr. Ned Papania Dr. Linda Paradiso Dr. Linda J. Paradiso Ms. Chan Kee Park Mr. & Mrs. James A. Park Ms. Beatrice Parsons Mrs. Jeanette V Pawlaczyk Mr. & Mrs. Edward Pawlak Dr. & Mrs. Wallace O. Peace Mrs. Samuel Pearlstein Ms. Betty M. Pecsenye Ms. Marjorie Peebles Meyers, MD Mr. & Mrs. Frank Pellerito Ms. Barbara A. Peraine Mr. Paul J. Perieira Mrs. Jane C. Perrin Mr. & Mrs. Phillip Pharmer Mr. William T. Phillips Mr. Robert Piazza Mr. & Mrs. Anthony Pietrowski Mrs. Ann Piken Mrs. Bernice Pinsky Honorable Frances Pitts Mr. Stan Pniewski Ms. Carol Pochron Mr. & Mrs. Edward L. Pokornowski Ms. Stephanie Polny Dr. & Mrs. Michael Popoff Mr. & Mrs. Richard Popp Mr. & Mrs. David W. Porter Mr. & Mrs. Hughes'L. Potiker Mrs. Terry Povlich Dr. & Mrs. Constantin Predeteanu Mr. Richard Prosper Mr. & Mrs. W. James Prowse Mrs. Joan S. Pugh Mr. & Mrs .. Glenn T. Purdy Mr. Michael Putnam Ms. Isabelle Putz Mr. & Mrs. H. D. Quarrier,Jr. Mr. Jack Quen Mr. & Mrs. Jeff Raben Mr. & Mrs. William Rachwal Mr. Joseph Radanovich Ms. Mary Ragland Mr. Richard M. Raisin Mr. Daniel P. Rakinic Mr. & Mrs. Gary L. Ran Mr. & Mrs. Ward Randol,Jr. Mr. & Mrs. Jack c. Ransome Mr. & Mrs. John H. Redfield Ms. Kathryn Reed Mr. & Mrs. Truman H. Reed,Jr. Mr. Dennis C. Regan Dr. & Mrs. Carl E. Reichert.Jr. Enrique Reiners Ms. Barbara Rex Mr. Clarence A. Rice Rev. Clifford H. Rice Mr. George Richmond Mr. & Mrs. Ernest Riddle Mr. Otto K. Riegger Mr. Ernest Riley Ms. Diane Rink Mr. & Mrs. Thomas o. Robbins Mrs. Marie I. Roberts Mrs. Alvin Rockhey Mr. Peter J. Roddy Mr. James E. Rodgers Mr. Russell Rogers Mr. Ronald A. Roguz Mr. MitchellJ. Romanowski Ms. Joanne B. Rooney Ms. Dolores M. Rosenberg Drs. Albert and Rhoda Rosenthal M r. Aaron R. Ross Dr. & Mrs. Alexander Rota Mr. & Mrs. Joseph Rotole Mr. & Mrs. Casimir B. Rozycki Ms. Arlene Ruark Mrs. Barbara Rubinson Mr. & Mrs. Robin Rund Mr. Richard O. Ruppel Mr. Dana E. Rushin
Miss Joanne Mary Ruzza Mr. & Mrs. Prentice Ryan Mr. William Ryder Mr. Henry W. Saad Dr. & Mrs. Leonard and Linda Sahn Mr. & Mrs. Paul L. Sak Mr. Thomas Salapatek Ms. Elizabeth C. Sandelin Mr. & Mrs. William Sandy Mr. & Mrs. Alvin Saperstein Mr. & Mrs. Thomas W. Saull Mr. & Mrs. Philip and Justine Savage Dr. Karen L. Saxton Mr. & Mrs. Claus E Schaefer Mrs. Elizabeth Schaldenbrand Mrs. Emma L Schaver Mr. & Mrs. Herbert Schelberg Mrs. Sally Schiff Mr. Lewis D. Schlanbusch Ms. Peggy M. Schley Mr. Clinton Schloop Mr. Frank E. Schober Mr. & Mrs. Richard Schott Mrs. Trudi Schreiber Mr. & Mrs. Karl E Schroeder Mr. Andrew J. Seefried,Jr. Mr. Lloyd Semple Mr. & Mrs. Mark Shaevsky Ms. Jeanne O. Shapira Dr. & Mrs. Howard S. Shapiro Dr. Elias A. Shaptini Dr. & Mrs. John E. Sheard Ms. Marguerite R. Shearer Mrs. J. Michael Shedd Mr. Hyun C. Shin Mrs. Corinne Shoop Mr. & Mrs. Jack H. Shuler Dr. & Mrs. Douglas B. Siders Mr. & Mrs. Lewis and Beverly Siegel Ms. Virginia Siewert Mr. & Mrs. Erwin S. Simon Mr. Michael Simon Mrs. Helen Slater, Jr. Mr. Lee William Siazinski Mrs. Carita Sledge Mr. Jody Slike Dr. Robert E Sly Ms. Angeline J. Smith Mrs. Cynthia L. Smith Mr. Joseph Smith Mr. Martin Smith Mrs. Roberta Smith Mr. & Mrs. Thomas W. Smith Mr. Eric Snell Mrs. Alma J. Snider Mrs. Cyvia Snyder Mr. Chester Snyr, J r. Mr. & Mrs. Nathan D. Soberman Mrs. Kathleen Sock Dr. & Mrs. Lincoln E. Solberg Ms. Anne L. Solomon Mr. Jack Somma Mr. Richard Songerath Mr. & Mrs. Yoram Sorokin Mr. G. Sparbeck Mr. Arthur Spears Ms. Anna M. Speck Mrs. Howard P. Spokes Ms. Marilynn Spoon Ms. Donna Sprague Dr. Kevin Sprague Ms. Audrey Stafford Ms. Denise Stalzer Mr. David P. Stanislaw Mr. Robert Stankewitz Mr. & Mrs. Walter M. Stark Ms. Eugenia Staszewski Miss Wanda Staszewski Mrs. Sharon Stencel Mr. Lowell Stevenson Mr. & Mrs. Carlton Stewart Mr. & Mrs. Douglas Stindt Dr. & Mrs. Charles Stocking Mr. & Mrs. Lawrence Stockier Mr. & Mrs. Bernard Stollman Ms. Angela Stone Ms. Charlotte Stonestreet Mr. Norman Stong Ms. Carolyn Stubbs Mrs. Frances Sturle), Mr. & Mrs.John M. Sullivan Mrs. James M. Surbrook
Mr. & Mrs. Earl B. Sutton Mr. Padrie Sweeney Mr. & Mrs. Robert and Mary Sweeten Mr. David Swoish Ms. Magdalena Szecsei Ms. Melissa Flones Tapp Miss Mary Ellen Tappan Mr. & Mrs. Burt E. Taylor,Jr. Ms. Cassandra Taylor Mrs. Cynthia Taylor Mrs. William A. Ternes Mr. Louis Testa Judge Sharon Tevis Finch Dr. Anil Thomas Mr. & Mrs. Merrill D. Thomas Mr. William Thomas Mrs. Nona E. Thompson Mr. & Mrs. Donald M. D. Thurber Mr. John P. Tierney Mrs. Robert Toal Mr. Robert J. Toje Mr. Andrew D. Tomashch Ms. Cynthia A. Toupin Mr. Kurt Traub Mr. Mike A. Travis Dr. Nancy A Treece Ms. Victoria L. Trenne Mr. & Mrs. R.S. Trotter Dr. & Mrs. Dimitry M. Turin Ms. Patricia C. Turski Ms. Rosemary Tyler Mr. & Mrs. Stephen J. Ulanski II Ms. Barbara Unruh Mr. & Mrs. Nasut Uzman Ms. Theresa Vaitkunas Mrs. Heidi Vanbecelaere Ms. Rebecca Vansant Mr. & Mrs. Michael Varga Miss Lisa M. Varnier Mr. & Mrs. Kelvyn Ventour Mr. & Mrs. Steven I. Victor Dr. Lad J. Vidergar Mr. Carlos M. Villafane Mr. & Mrs. Patrick Villani Ms. Mary R. Villavaso Mr. & Mrs. Thomas Violante Mrs. Silverio Vitello Mr. Michael Vogel Ms. Marion L. Voog Ms. Mary Joyce Waite Mr. Howard Waldrop Mr. Thomas Waligorski Dr. & Mrs. Richard H. Walker Mr. Richard H. Walker Mrs. Carson M. Wallace Mr. & Mrs. George R. Walrod Mr. & Mrs. Robert C. Walter Mrs. Mary Ward Mr. & Mrs. William A. Warner Mrs. Kathryn N. Warren Mr. & Mrs. Cyrus H. Warshaw Ms. Cary J. Watkins Mr. & Mrs. Daniel W. Webb Dr. & Mrs. Lawrence M. Weiner Mr. Herman Weinreich Ms. Kathryn M. Weir Mr. & Mrs. Paul S. Wemhoff Mr. Donald A. Wesierski Dr. & Mrs. Edwin J. Westfall Mr. & Mrs. John D. Wheeler Mr. & Mrs. Robert Wilbert Mr. Joseph V Wilcox Ms. Patricia G. Wiliford Mr. & Mrs. Dennis Williams Mr. & Mrs. Earl K. Williams Mr. Lawrence Williams Mr. & Mrs. R.Jamison Williams,Jr. Mr. Mike Williamson Mrs. Barbara Willis Mr. & Mrs. Cleonis Wilson Mr. & Mrs. Roy Wilson, Sr. Mr. & Mrs. Stanley L. Wilson,Jr. Mr. Theodore Wilson Mr. Thomas Wilson Mr. & Mrs. Larry Winget Mrs. Beryl Winkelman Mr. & Mrs. Eric Winkelman Mr. & Mrs. Edward D. Winstead Rev. Robert Witkowski Mrs. Nancy Wittl Mr. Tom Woelfel Dr. & Mrs. Robert R. Wolfe
J6 ~
Mr. David D. Woodard Dr. Ruth A. Worthington Mr. & Mrs. T. Wallace Wrathall Mr. Larry D. Wright Mr. William Wright Mr. & Mrs. George A. Wrigley Mr. & Mrs. Thomas V Yates M r. Lawrence Youhanaian Mr. Karl Laval Young Mr. & Mrs. William Young Mr. & Mrs. Joseph Zainea Mr. & Mrs. Matthew John Zak Mr. & Mrs. Joseph R. Zanetti Dr. Gregory A. Zemenick Ms. Stephanie Zikakis Dr. Satish Zyas
The Spring 94 production of CINDERELlA was made possible by the generous sponsorship of Margo and Maurice Cohen. Additional support was provided by members of the ON POINTE CLUB listed below.
THE PRODUCER'S CIRCLE· $1,000 & ABOVE Mr. Eric Cohen Mr. Jeffrey Cohen Mr. and Mrs. David Johnson Dr. Marvin Klein, Kate and David Klein
THE CHOREOGRAPHER'S ENSEMBLE • $500 - $999 Mr. Ross Ainley Mr. and Mrs. Donald Benyas Mr. and Mrs. Thomas Celani Mr. and Mrs. David Goldburg Mr. and Mrs. Gerald Knechtel Mr. and Mrs. Michael Kramer Mr. and Mrs. Robert Pollack Dr. and Mrs. Samuel Ursu
THE PAS DE DEUX· $250 - $499 Mr. and Mrs. Maurice Binkow Mr. and Mrs. Francois Castaing Mr. and Mrs. Max Dubrinsky Mr. and Mrs. Charles Forbes Mr. Stanley Frankel Mrs. Bernice Gershenson Mr. and Mrs. Stephen Grand Mr. and Mrs. Timothy Hill Mr. and Mrs. Larry Nemer Mr. and Mrs. Milford Nemer Mr. and Mrs. Robert Pollack The Ritz Carlton Dr. and Mrs. Alexander Sackeyfio Mrs. Ann Woolf Mr. and Mrs. George York,Jr.
CONTRIBUTIONS· UP TO $249 Dr. and Mrs. Elroy Woolf
MEMORIAL GIFTS In Memory of Mr. Don Atwood
by Mr. and Mrs. Robert Klein
In Memory of Helen Good by Dr. and Mrs. R. Elliott
In Memory of Lara Irving by Dr. and Mrs. R. Elliott
In Memory of Richard Nagy by Mr. & Mrs. Richard C. Oswant
In Memory of Mrs. Ruth Schmerin by Mr. & Mrs. William DeVault
In Memory of Dr. A. J. Snow by Dr. and Mrs. R. Elliott
In Memory of Mrs. Frank Stella by Mr. & Mrs. Roger Ajluni
In Memory of Patricia Sturn by Douglas and Barbara Cross
In Memory of Natalie Varner by Dr. and Mrs. R. Elliott Copyright 2010, Michigan Opera Theatre
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TOWN APARTMENT TOWER Downtown
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Choose from unfurnished studio and one-bedroom
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We have all kinds ,ofg9Od ___ ~mstore
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One look at the grocer's meat case, and you'll see
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~ 121/2 Mile (810) 398-8422
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WEST BLOOMFIELD "
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njoy those great performances with a fine quality, high resolution oudio system designed by Sound Quest Audio.
Whether you're starting from scratch or upgrading an existing system, we con help you achieve the ultimate in musical realism.
(ome audition your favorite recordings in a relaxed home environment. Once you experience music our way, you may find getting any closer requires reserved seating.
White Chapel MEMORIAL CEMETERY
" Until The Dawn" an original bronze sculpture. White Chapel is the exact opposite of the old fashioned idea of a cemetery. White Chapel is a place of life and hope and beauty. It is designed for the living ... and with in its green and growing borders, families and friends of loved ones have found solace and understanding. For information call (810) 362-7693.
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Back then, automobile seats were metal, cloth and horsehair. Now, vehicle seating is more important than horsepower.
For nearly eight decades, we 've been an innovative creator of safe, comfortable seats and components for our customers around the world .
We've led the high-tech growth of seating by introducing fully powered , highly articulated , SureBond® seats manufactured just-in-time.
As a world leader in automotive seating, we can 't wait to show you our products for the future.
SINCE 1917 LEAR HAS PROVIDED
THE WORLD WITH A
COMFORTABLE PLACE TO SIT
I .;11f!!11 .... ".... SEating Corporation
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INTRODUCING THE ALL-NEW FORD WINDSTAR.
IT HOLDS SEVEN PASSENGERS AND NINE BIG SURPRISES.
Copyright 2010, Michigan Opera Theatre
,,[
TROUBLE: Nicole Bisson
SUPERNUMERARIES: Yamadori Man: Alan Payne
Yamadori Man: James A. Walsh III Cook Al Wisnieski
Houseboy: Robert Yost
ADDmONAL PRODUcnON STAFF Georgi Eberhard
Kathy Waszkelewicz Makeup and Hair Design
Patricia Keresztes Wig and Makeup Coordinator
Robert Martin Assistant Electrician
Stacey Hoffer Wardrobe Assistant
ADDmONAL ADMINISTRATIVE STAFF Marci Schramm
Membership Manager Eina Buckner Accountant Hank Pucher
Marketing Intern
Lobby flowers are gractously provided by Excel Designs, located tn the Ftsher Butldlng
Harmony House Classtcal of Royal Oak, has generou/sy donated CD's and vtdeo cassettes of the 1994/95 season to MOT.
Please visit the MOT Boutique, located In the lobby, before the curtain goes up and during Intermissions. The Boutique features the latest and finest recordings of operas, production t-shlrts and MOT memorabilia.
Copyright 2010, Michigan Opera Theatre
THE DAUGHTER OF THE REGIMENT
CAST: Corporal: John Riley
Peasant. David Reilly Notary. John Stokes
Duke of Krackentborpe. ). Copeland Woodruff
ADDmONAL PRODUcnON STAFF Kimberly Coates
Cindy Ludwig Makeup and Hair Design
Patricia Keresztes Wig and Makeup Coordinator
Robert Martin Assistant Electrician
Stacey Hoffer Lori Schoenenberger Wardrobe Assistant
ADDmONAL ADMINISTRATIVE STAFF Marci Schramm
Membership Manager Eina Buckner Accountant
larmony House Classtcal of Royal Oak, bas generously donated CD's and 'ideo cassettes of the 1994/95 season to MOT. .
I special tbanks to Trlzec Properties, Inc. for use of Ftsber Butldtng lobby.
)/ease visit the MOT Boutique, located in the lobby, before the curtain oes up and during intermissions. The Boutique features the latest !nd finest recordings of operas, production t-shirts and MOT 'lemorabilia.
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A Season of Masterpieces Continues at the Masonic Temple Theatre
:
; DON GIOVANNI I by Wolfgang Amadeus Mozart
April 22-30, 1995
SWANIAKE by Peter Ilyich Tchaikovsky
May 5-7, 1995
TOSCA by Giacomo Puccini
May 13-21, 1995
Subscribe for as little as $18 and have the opportunity to "Pick Your Own Seat" at the new Detroit Opera House.
Call now for best available seating!
(313) 874-SING
Copyright 2010, Michigan Opera Theatre
SYNOPSIS ACT I
While a group of peasants prepare for a battle with the French, women pray for protection; the
Marquise of Berkenfield, who has come near the advancing army by mistake, almost faints with terror.
Her steward, Hortensius, urges her to control herself, but the Marquise deplores the state of the world in
which Napoleon's army ignores the nobility (Upour une femme de mon nom"). Sergeant Sulpice and his
men appear from behind the rocks . The voice of the French regiment's drum majorette, Marie, heralds her
appearance, and she and Sui pice glory in their love of war and patriotism, reminiscing over the stroke of
luck that brought the orphaned Marie to the regiment (uQuel beau jour, quand la providence") . Since
then, she has been like a daughter to all the men, her singing and beauty enlivening their martial life. As
Sulpice questions the girl about a young Tyrolean she has been seen with, soldiers drag in Tonio, the
youth in question, who has been found near the camp. The soldiers want to kill him until Marie relates
how he saved her from falling off a precipice. Rejoicing in the men's acceptance of Tonio, she sings the
regimental song (UChacun Ie sait"). The men are ordered to roll call, taking Tonio with them , but he
rushes back to declare his love to Marie. The two fall into each other's arms and go off together. Sulpice,
Hortensius and the Marquise arrive, and the Marquise tells Sui pice that her late sister had a child by a
Captain Robert of Sulpice's regiment. Informed that Marie is that child, she insists on taking the girl away
to prepare her for her rightful station in life. Marie enters gaily, only to be told she will soon depart with
her newfound aunt. After the four leave, the soldiers usher in a new recruit - Tonio, who hails the day
that brought him the girl he loves (UAh! mes amis, quel jour de fete! "). The soldiers are jealous when
they realize Tonio loves Marie , but they accept fate graciously. Tonio's rhapsody on his delight (Upour mon
ame") is ended abruptly by Sulpice's announcement of Marie's departure. Sadly, the girl resigns herself to
her new future (ll faut partir") . Tonio, Sulpice and the soldiers bemoan their loss as the Marquise drags
Marie off, and Tonio vows to follow her.
ACT II
In a salon in her chateau the Marquise receives Sui pice , asking him to convince Marie that the rich
German prince she has found will be a good husband. When the girl comes in, the Marquise asks her to
sing an air she has learned as part of her training in the social graces (ULe jour maissait dans Ie bacage").
Sulpice interjects fragments of the regimental tune until Marie, after trying a few measures of both,
launches into the latter, with the Marquise and Sulpice singing along. Horrified at herself, the Marquise
sweeps out, but she cannot help exclaiming at Marie's charm. As Sulpice follows her out, Marie muses
sadly upon her upcoming marriage. The strains of a march inform her that the soldiers have arrived, and
she salutes them (UAh! salut a la France! "). Tonio, Marie and Sulpice delight in their reunion (UTous les
trois reunis"), but the Marquise, interrupting, is unmoved by Tonio's expressions of devotion. The lovers
go off in opposite directions, and when the Marquise confides to Sulpice that Marie is her own daughter
and begs him to help her in the alliance she has set up, he agrees. The Duchess of Krakentorp , mother of
the prospective groom, arrives unexpectedly with other wedding guests asking to meet Marie. Having
learned the Marquise's secret, the soldiers, led by Topio, burst in and reveal Marie's rough- and- ready
upbringing. Marie still is willing to proceed, but the Marquise tells her to take the man she loves. All
except the outraged Duchess praise Marie, Tonio and France.
- Courtesy OPERA NEWS
-------------~-----------Copyright 2010, Michigan Opera Theatre
<"Ihe &.Michigan Opera f'£heatre Volunteer 3lssociation with
<"Ihe Westin ~tel and WQ<:RS-3&.M cordially invite you to attend
<The Second J2lnnual
<J.\Iew ~ear' s Eve Opera
Join us for an e.nt lllack <tie Evening
of 1>ining and ~ncing
Cocktails at 7:00 <JlM 1>inner at 8:00 <JlM
3011owed by
~t 00 of Johann Strauss' 1lie Jledermaus starring
~on~aines
of the CDS ~ytime 1)rama <the 8uiding Light
aor more information and to mab reservations. caLL (313) 567-9627.
'Iidu!ts for the ew.ntng 8Wa are $llS.oo per prrsorL
'to carry the celebration on tI\nn.uil the rnorniIIg. 'lhe 'WuUn 'ltoW1 ts offering a room for tlllO, CDRtinental brlIaItfast and t1llO tick&ts to the ew.ntng,9ala. ~ nate that a portion of each tick&t sold IIIill be dasipted as a donation to the ~ Opera 'lheatre.
Copyright 2010, Michigan Opera Theatre
At the Fisher Theatre
MADAME BUT T E R F LY*
By Giacomo Puccini
Karen Notare/Cui·Ping Deng, Irina Lekhtman, Robert Brubaker, Theodore Rulfs Carlson;
Mitchell Krieger, Ken Cazan
THE DAUGHTER OF TN ERE G I MEN T
By Gaetano Donizett i
Tracy Dahl/Anna Vikre, Kevin AndersonlJeffrey Lentz, Thomas Hammons, Marion Pratnicky;
Suzanne Acton, Dorothy Danner
••••••••••••••••••••••••••••••••••••••••••••••••••••••••• At the Masonic Temple
DON GIOVAN NI* SWAN LAKE By Wolfgang Amadeus Mozart
Jeffrey Wells, Martile Rowland,Cui·Ping Deng, Philip Cokorinos; Mark Cibson, Ken Cazan
By Peter tlyich Tchaikovsky
Margaret lllmann; lacob Lascu
To S C A* By Giacomo Puccini
Maria Culeghina, Richard Di Renzi, Richard Cowan; Steven
Mercurio, Harry Silverstein ••••••••••••••••••••••••••••••••••••••••• •••••• ••••••••••
FRI /SAT MAT FRI /SAT MAT 1) Inner Circle $63 $49 5) Loge $33 $29 2) Mezzanine $45 $42 6) Balcony $24 $20 3) Orchestra $45 $42 7) Upper Balcony $13 $11 4) Main Floor $33 $29 8) Rear Ma in Floor $24 $20
Kids sit with parents for S10! Box Office Hours: 10-6 Mon.-Fri ., 10-5 Sat., 12-5 Sun.
Call 645-6666 or visit any TicketMaster outlet. All programs and artists subject to change. Masonic Temple surcharge $1.50 per ticket. ' In Italian with English surtitles .
••••••• •• • •••••••• ••••• • • •• •••••• • •••••• • ••••••••• ••••••• Open ing night performances are presented in cooperation with WQRS-FM 105.1
1'1 #'ij'" 1'1".,./'oQJr i?t"'"Q e'''I'Q",
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