Paul Jacob Bartsch
CONTENTSPage One / 1DESIGN STUDIO 1
Built ground comparison of Dubrovnik, Croatia Sydney, Australia
Page Two / 2DESIGN STUDIO 1
Detail of landscape 1x1 meter quadrant of hard-scape, soft-scape & combination
Page Three/ 3 HISTORY THEORY 1
Analysis of Seagram Building & Fransworth House by Ludwig Mies van der Rohe TWA Flight Centre & Dulles Terminal by Eero Saarinen
Page Four / 4 REPRESENTATION 1
Drawing Journal Hands
Page Five / 5 REPRESENTATION 1
Drawing Journal Text
Page Six / 6 REPRESENTATION 1
Drawing Journal Cubes
Page Seven / 7 REPRESENTATION 1
Assignment 1: Barr Smith Sketch
Page Eight / 8 REPRESENTATION 1
Assignment 2: Collage of Barr Smith Sketch
Page Nine / 9 REPRESENTATION 1
Assignment 3: Praline + Perspective Projection
CONTACT INFORMATIONEmail
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Paul Jacob Bartsch
Dubrovnik, Croatia Cityscape SketchesUnderstanding built form and the relationship between a cities buildings through high contrasting layout. Allowing fluent reading of the cities sectors (residential vs. commercial etc.) and in turn it’s character.
PAGE ONE
Sydn
ey, A
ustr
alia
“Cities were always like people, showing their varying per-sonalities to the traveller. Depending on the city and on the traveller, there might begin a mutual love, or dislike, friendship, or enmity. Where one city will rise a certain in-dividual to glory, it will destroy another who is not suited to its personality.”- Roman Payne
Detail understanding and representing different landscape forms and their materiality, environment and context.PAGE TWO
Hard
-sca
pe
Soft-
scap
e
Hybr
id
Analysis of historically significant buildings which are the first commercial examples of new materiality in, steel, aluminium and glass for Ludwig Mies van der Rohe’s rationalist Sea-gram Building & Fransworth House and the use of structural concrete in the expressionist TWA Flight Centre & Dulles Terminal by Eero Saarinen.
PAGE THREE
HANDS Essential technique.
PAGE FOUR
“Think of the line as a living thing, and the drawing as his legacy” -Paul Klee
HAND PRINTED TEXT Essential technique.
PAGE FIVE
CUBES Essential technique.
PAGE SIX
Mental unpacking of unknown forms, understanding 3-dimentinal objects and representing them in 2-dimentinal space.
Assignment 1: Barr Smith SketchPAGE SEVEN
Barr Smith
Paul BartSch
Assignment 2: Collage of Barr Smith SketchPAGE EIGHT
PAGE NINE
Assignment 3: Praline + Perspective Projection
Accurate & Compelling Drawings High Quality, precise drawing in graphite, with strong sheet composition line-weight and line-type consideration, crafting and understanding of each individual line on the heavy weight hot-pressed paper; and how each line if successfully drawn/placed can produce a aesthetically and theoretically engaging end product which can not only inform but please.
Assignment 3: Praline + Perspective ProjectionPAGE TEN
“Drawing makes you see things clearer, and clearer, and clearer still. The image is passing through you in a physiological way, into your brain, into your memory - where it stays - it’s transmitted by your hands.”- Martin Gayford
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