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Page 1: Modern & Contemporary Art

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Modern & Contemporary ArtMay 1, 2016

www.freemansauction.com1808 Chestnut Street Philadelphia Pennsylvania 19103T 215.563.9275 | F 215.563.8236

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Modern & Contemporary ArtAuction

Catalogue

Exhibitions

Sale 1542Sunday, May 1, 2016 at 2:00pm 1808 Chestnut Street, Philadelphia PA 19103

By appointment only on the morning of the sale

$35 in the gallery$41 domestic mail$47 international mail

Visit www.freemansauction.com/catalogue-subscriptions or call 267.414.1256 to purchase a catalogue. Complimentary digital catalogues may be viewed online along with color images of every lot in the auction.

10:00am-5:00pm 10:00am-5:00pm 10:00am-5:00pm 12:00pm-5:00pm

Wednesday, April 27 Thursday, April 28 Friday, April 29 Saturday, April 30

Cover Image: Lot 14

Inside Front Cover: Lot 27

Inside Back Cover: Lot 43

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v2.2016

Bethany MobbsShipping & [email protected] 267.414.1242

Mary Maguire Director | Client [email protected] 267.414.1236

Client Services

Cara BishoffClient [email protected] 267.414.1207

Important Information for Buyers

On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. PaymentPayment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of PurchasesDeliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

Endangered SpeciesLots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.

RegistrationAll potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s PremiumA Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter.

Sales TaxAll items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue DescriptionsAll item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

BiddingAt the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale.

In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit.

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Sincerely,

Timothy Malyk, Vice President | Head of Department

Anne Henry Vice President | Senior [email protected] 267.414.1220

Dunham Townend Associate Specialist [email protected] 267.414.1221

Shannon JeffersCataloguer | Department Administrator [email protected] 267.414.1231

Timothy MalykVice President | Head of [email protected] 646.943.4447

Modern & Contemporary Art Department

Freeman’s is pleased to present its Spring Auction of Modern

and Contemporary Art. Having the distinction of being in

operation for over 200 years, Freeman’s has become a trusted

and time tested auction institution. Our commitment to offering

quality examples of works by art history’s most influential

artists is evident in the lists offered in the sale.

This sale installment offers a selection of works that span

the globe: from the United States to Cuba, Italy to Australia

to South East Asia. At the forefront of our sale is a marvelous

unique ceramic object by Lucio Fontana. Created between

1960 and 1963, Fontana’s life-long exploration of materials and

their relationships with space and time are evident in the work

we are offering. Another standout lot within the sale is Edna

Andrade’s “Cross,” executed in 1963. Born in Virginia but choosing

Pennsylvania as her home, Andrade broke ground as a

female artist in her time. With influences ranging from the

Bauhaus movement, Constructivism, Futurism, Dadaism to

Post Impressionism, her influence and impact on the

art world still resonates.

The underlying theme throughout the sale is the universality of

art and how it has impacted artists regardless of their geographic

location. Whether the work was created in Cuba, Italy, Poland,

the Southern United States or in Pennsylvania, similarities and

comparisons can be drawn between the artists and the works

they are creating. Art has become the great equalizer and unifier

whether it be across regional borders, oceans or even across

time. We are pleased to present this selection of works to you.

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Modern & Contemporary Art lots 1-146

Lot 30 (detail)

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1 160195/4JOAN MIRÓ(spanish, 1893-1983)“EL MERMA”1978, pencil signed and numbered HC X/XXV (anhors commerce proof, aside from the regular editionof 75 in Arabic numerals, there were also 20 artist’sproofs in Arabic numerals), with wide margins,Galería Maeght, Barcelona, publisher. Color lithographon Arches.sheet: 37 13/16 x 29 3/8 in. (96 x 74.6cm)[Mourlot, 1170]$4,000-6,000

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2 160195/3JOAN MIRÓ(spanish, 1893-1983)“ALDEBARAN”1978, pencil signed and numbered HC XII/XIII(an hors commerce proof, aside from theregular edition of 50), the full sheet, Propyläen,Berlin, publisher. Etching and aquatint onArches.sheet: 25 3/4 x 19 1/2 in. (65.4 x 49.5cm)[Dupin, 1008]$3,000-5,000

3 160195/2PABLO PICASSO(spanish, 1881-1973)“VISAGE”1969, numbered 500/500, inscribed ‘EDITIONPICASSO’ and ‘MADOURA’ and ‘R145’ on theunderside and also with the ‘MADOURA PLEINFEU’ and ‘EDITION PICASSO’ stamps on theunderside, dated 9.1.69 on the reverse, whiteearthenware clay, decoration in engobesengraved by knife under partial brushed glaze,grey patina.height: 12 3/8 in. (31.4cm)[Ramie, 611]$5,000-8,000

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4 160309/1MARC CHAGALL(french/russian, 1887-1985)“CIRQUE”plate 141967, pencil signed and numbered 11/24(from the additional suite, the regularunsigned book edition without margins was250), with wide margins, Tériade, Paris,publisher. Color lithograph on Arches.image: 16 3/4 x 12 7/8 in. (42.5 x 32.7cm)sheet: 20 7/16 x 14 11/16 in. (51.9 x 37.3cm)[Mourlot, 504; see Cramer books, 68]$20,000-30,000

5 160104/4MARC CHAGALL(french/russian, 1887-1985)“CIRQUE”plate 271967, from the unsigned edition of 250(there was also a signed and numberededition of 24 with margins), the full sheetand with the usual central vertical fold (asissued), Tériade, Paris, publisher. Colorlithograph on wove paper.sheet: 16 5/8 x 25 1/2 in. (42.2 x 64.8cm)[Mourlot, 517; see Cramer books, 68]$3,000-5,000

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6 160199/2JIM DINE(american, b. 1935)“DOUBLE VENUS IN THE SKY AT NIGHT”1984, pencil signed and dated, numbered 6/50(there were also 6 artist’s proofs), with widemargins, Pace Editions, Inc., New York,publisher and with their label on the supportverso. Color lithograph and screenprint onWilliam Morris Nonesuch.image: 39 1/8 x 28 1/4 in. (99.4 x 71.8cm)sheet: 41 1/16 x 30 1/4 in. (104.3 x 76.8cm)[D’Oench & Feinberg, 166]$6,000-8,000

7 160283/1JIM DINE(american, b. 1935)“SPRAY PAINTED ROBE”1977, signed and dated, numbered 9/27 inwhite pencil (there were also 6 artist’sproofs), Pace Editions, Inc., New York,publisher. Color offset lithograph withetching and drypoint on wove paper.sheet: 41 3/8 x 29 1/4 in. (105.1 x 74.3cm)[D’Oench & Feinberg, 6]$3,000-5,000

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8 160211/6JIRI GEORG DOKOUPIL(czech, b. 1954)UNTITLEDOil, silver metallic paint, velvet, chalkand wood panel construction collage onburlap.39 3/4 x 147 3/4 in. (101 x 375.3cm)Unframedprovenance:The Linde Family Collection,Washington, D.C.$10,000-15,000

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9 160199/1LOUISE NEVELSON(american, 1899-1998)“FULL MOON”1980, incised with the artist’s signature, titleand date, numbered 48/125 on publisher’smetal plate verso, Pace Editions, Inc., NewYork, publisher. Polyester resin cast multiple.18 3/8 x 18 3/8 in. (46.7 x 46.7cm)$3,000-5,000

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10 160128/15HARRY BERTOIA(american, 1915-1978)UNTITLED (SONAMBIENT)Beryllium copper and brass.Executed circa 1975.height: 12 in. (30.5cm)width: 9 in. (22.9cm)depth: 1 5/16 in. (3.3cm)provenance:The Estate of Maxine Kravitz Eisman.note:We are grateful to Val Bertoia of theBertoiaStudio for confirming the authenticityof this work.$8,000-12,000

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11 152223/18ARNALDO POMODORO(italian, b. 1926)“DOPPIO RADAR”Signed and dated 65, numbered 02/p.a. on base(the only artist’s proof, aside from the edition of 2),polished bronze.sculpture: 12 1/4 x 12 x 5 5/8 in.(31.1 x 30.5 x 14.3cm)with base: 13 1/4 x 12 x 11 1/2 in.(33.7 x 30.5 x 29.2cm)provenance:Marlborough-Gerson Gallery, New York, New York.Benjamin Gallery, Chicago, Illinois.

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The Dr. and Mrs. Harold J. Joseph Collection.Christie’s, New York, “Contemporary Art (Part II),”November 4, 1987, lot 171.Corporate Collection, Philadelphia, Pennsylvania.exhibited:“Arnaldo Pomodoro,” Marlborough-GersonGallery, New York, New York, October 1965,exhibition catalogue no. 23.literature:F. Gualdoni, (ed.), Arnaldo Pomodoro: Catalogoragionato della scultura, Tomo II, Milan, 2007, no. 365 (illustrated p. 512).

F. Gualdoni, Pomodoro lo turbo e ‘l chiaro, Milan,1998.C. Doeleman, “Pomodoro ingrepen in een creatiefproces,” in Nieuwe Rotterdamse Courant, June 7,1969.A. Pomodoro, Arnaldo Pomodoro. Een overzicht vanziju werk 1959-1969, waarin opgenomen de catalogusvan de tentoonstelling, Rotterdam: MuseumBoymans-van Beuningen, 1969. note:This work is registered in the Archivio ArnaldoPomodoro, Milan under no. AP 239.$30,000-50,000

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12 160303/2HENRY MOORE(british, 1898-1986)“STANDING GIRL”1981, signed and stamp numbered 9/9 verso, and with the foundry mark‘Noack Berlin’, bronze with brown patina.height: 8 1/2 in. (21.6cm)width: 2 1/4 in. (5.7cm)depth: 3 5/8 in. (9.2cm)provenance:Marlborough Fine Art Ltd., London, United Kingdom.Private Collection (acquired directly from the above in 1987).Christie’s, New York, “Impressionist and Modern Art,” March 1, 2006, lot135.Private Collection, Philadelphia, Pennsylvania (acquired directly from theabove).literature:A. Bowness, (ed.), Henry Moore, Complete Sculpture 1980-1986, Vol. VI,London: Lund Humphries, 1988, no. 845 (another cast illustrated p. 46).$20,000-30,000

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13 160303/3HENRY MOORE(british, 1898-1986)“RECLINING FIGURE: HOLES”1982, signed and stamp numbered 6/9 on base, and with the foundry mark‘Noack Berlin’, bronze with brown patina.height: 2 5/8 in. (6.7cm)width: 5 in. (12.7cm)depth: 2 3/16 in. (5.6cm)provenance:Marlborough Fine Art Ltd., London, United Kingdom.Private Collection (acquired directly from the above in 1987).Christie’s, New York, “Impressionist and Modern Art,” March 1, 2006, lot136.Private Collection, Philadelphia, Pennsylvania (acquired directly from theabove).literature:A. Bowness, (ed.), Henry Moore, Complete Sculpture 1980-1986, Vol. VI,London: Lund Humphries, 1988, no. 857 (another cast illustrated p. 48).$20,000-30,000

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14 151741/2LUCIO FONTANA(italian, 1899-1968)“CONCETTO SPAZIALE”Signed upper right, painted terracotta with holes.Executed 1960-1963.diameter: 19 1/2 in. (49.7cm)provenance:Martha Jackson Gallery, New York, New York.David Anderson Gallery, New York, New York.The Estate of Jerome and Elaine Kurtz, New York, New York (acquireddirectly from the above in 1981).note:This work is registered in the Archivio Lucio Fontana, Milan under no.3983/1 and is accompanied by a photo-certificate of authenticity issued bythe Fondazione Lucio Fontana.$60,000-100,000

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Although perhaps best known for his punctured and slashed canvases of the1950’s, Lucio Fontana also worked extensively with organic materials liketerracotta and clay from his earliest days as an artist.  Indeed, his father wasa sculptor, and the younger Fontana apprenticed in his father’s studio as achild, later opening a studio of his own. His earliest exhibitions of the 1930’s,in fact, were mostly of three dimensional, sculpted works.

After attending art school in Milan, Fontana spent time in Argentina wherehe founded the Altamira Academy and developed the first foundations of“Spazialismo”, or “Spatialist” movement, which was formally founded uponhis return to Milan in 1947. In his various writings defining this newmovement, Fontana and others called for an art that embraced science andtechnology. During this period Fontana worked with neon paint and light,and black light creating spatial environments that can be seen now as someof the earliest examples of installation art.  Ever interested in evolving,Fontana soon honed in on concepts of space and matter, and began topierce and puncture the canvas surface so as to create actual dimensions ofspace:

“Now in space there is no longer any measurement…Now you see infinity....inthe Milky Way, now there are billions and billions ....The sense of measurementand of time no longer exists. Before it could be like that...but today it is certain,because man speaks of billions of years, of thousands and thousands of billions

of years to reach, and so, here is the void, man is reduced to nothing...Whenman realises ....that he is nothing, nothing, that he is pure spirit he will nolonger have materialistic ambitions... man will become like God, he will becomespirit. This is the end of the world and the liberation of matter, of man ...manwill become a simple being like a flower, a plant will only live through hisintelligence, through the beauty of nature he will purify himself with blood,because he constantly lives with blood...And my art too is all based on thispurity on this philosophy of nothing, which is not a destructive nothing, but acreative nothing.... And the slash, and the holes, the first holes, were not thedestruction of the painting...it was a dimension beyond the painting, thefreedom to conceive art through any means, through any form.” 

(L. Fontana, quoted in Lucio Fontana, exh. cat. Palazzo delle Espsizioni, Rome, 1998, p. 246).

Almost immediately, the artist brought this interest in a third dimension tohis ceramic work. The present work, one from the simply titled, ‘ConcettoSpaziale’ series, is heavy and substantial asserting its earthly physicality andweight. At the same time, it is also ethereal and delicate with amonochromatic, soft charcoal paint and delicately incised lines andsignature. There is no sense of gravity in this work, no top and no bottom.And yet, three central punctures add depth and dimension with their darkvoids.

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15 160128/16HARRY BERTOIA(american, 1915-1978)UNTITLED (SONAMBIENT)Beryllium copper and brass with monel metal cattails.Executed circa 1975.height: 19 3/8 in. (49.2cm)width: 8 in. (20.3cm)depth: 2 5/8 in. (6.7cm)provenance:The Estate of Maxine Kravitz Eisman. note:We are grateful to Val Bertoia of the BertoiaStudio forconfirming the authenticity of this work.$10,000-15,000

16 160281/1HENRY MOORE(british, 1898-1986)“RECLINING NUDE”the complete set of one signed and numbered etching, one signed facsimilesketchbook, and one catalogue1983, pencil signed and numbered 8/75 (there were also 10 artist’s proofs), withwide margins, Raymond Spencer Company for The Henry Moore Foundation,Much Hadham, publisher. The complete set of one etching and aquatint on wovepaper, accompanied by a facsimile sketchbook pencil signed and numberedB8/75 on the justification, and an illustrated catalogue by Ann Garrould with theoriginal Solander box covered with Richard de Bas hand-made paper.image: 7 1/4 x 9 1/4 in. (18.4 x 23.5cm)sheet: 14 13/16 x 11 3/4 in. (37.6 x 29.8cm)album: 16 1/8 x 12 3/4 in. (41 x 32.4cm)[Cramer, 670]$2,000-3,000

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17 160096/27CY TWOMBLY(american, 1928-2011)“UNTITLED”1983, pencil signed and numbered XL/L (therewas also an edition of 150 in Arabic numerals and12 artist’s proofs), with full margins, Visconti ArtSpectrum, Vienna, publisher. Color lithograph withetching and aquatint on heavy wove paper.image: 29 9/16 x 21 7/16 in. (75.1 x 54.5cm)sheet: 36 13/16 x 27 1/8 in. (93.5 x 68.9cm)[Bastian, 76]$8,000-10,000

18 152223/10ROBERT RAUSCHENBERG(american, 1925-2008)“APRIL’S FOOL V”Signed, titled and dated 86 upper left, solvent transferon paper.13 11/16 x 10 in. (34.8 x 25.4cm)provenance:The Artist.Private Collection, Sanibel, Florida (gifted directly fromthe above).Private Collection, Tampa, Florida.Sotheby’s, New York, “Contemporary Art Part II,” May3, 1989, lot 316.Christie’s, New York, “Contemporary Art Part II,” May6, 1992, lot 316.Martin Lawrence Limited Editions, Inc., Los Angeles,California.Corporate Collection, Philadelphia, Pennsylvania.$10,000-15,000

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19 160283/2ROBERT MOTHERWELL(american, 1915-1991)“HARVEST IN SCOTLAND”from “summer light series”1973, pencil signed and numbered AP IX (one of 12artist’s proofs, the regular edition was 69 in Arabicnumerals), with wide margins, Gemini, G.E.L., LosAngeles, publisher and with their blindstamp and theartist’s blindstamp. Color lithograph and collage onwove paper.image: 35 7/8 x 17 15/16 in. (91.1 x 45.6cm)sheet: 41 7/8 x 24 in. (106.4 x 61cm)[Engberg & Banach, 144; Belknap, 129]$2,500-4,000

20 160300/2two works on paperJIMMY LUEDERS(american, 1927-1994)UNTITLED (ABSTRACTIONS)Both signed bottom left, acrylic on paper.both: 28 7/16 x 22 1/2 in. (72.2 x 57.2cm)(2)provenance:The Artist.Private Collection, Philadelphia, Pennsylvania(acquired directly from the above).$1,000-2,000

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21 160291/1JOHN HOYLAND(british, 1934-2011)“THE 8TH STREET SERIES #23”Signed and dated 78 bottom right,acrylic on paper.29 7/8 x 22 in. (75.9 x 55.9cm)provenance:Bernard Jacobson Gallery, New York,New York.The Estate of Melvin Bernhardt,New York, New York (acquired fromthe above in 1979).exhibited:“John Hoyland: New Works onPaper,” Bernard Jacobson Gallery,New York, New York, February 3-24,1979.$10,000-15,000

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22 158144/8MATSUMI KANEMITSU(american, b. 1922)KANSASSigned twice (once in Japanese)upper left, watercolor and ink onthick paper board.Executed in 1969.30 x 40 in. (76.2 x 101.6cm)provenance:Jules Horelick, Baltimore, Maryland.By family descent.Patricia and Allan Horelick, Atlanta,Georgia.$800-1,200

23 158144/9MATSUMI KANEMITSU(american, b. 1922)UNTITLEDSigned bottom left, oil on canvas.32 x 24 in. (81.3 x 61cm)provenance:Jules Horelick, Baltimore, Maryland.By family descent.Patricia and Allan Horelick, Atlanta,Georgia.$1,200-1,800

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24 152223/13NATHAN OLIVEIRA(american, 1928-2010)“MASK II”Signed and dated 65 bottom right and inscribed with the title anddate on stretcher verso, acrylic and collage elements on canvas.50 x 50 in. (127 x 127cm)provenance:Alan Gallery, New York, New York.Sotheby’s, New York, “Contemporary Art,” February 20, 1987, lot 27.Christie’s, New York, “Contemporary Art,” February 14, 1991, lot 18.Corporate Collection, Philadelphia, Pennsylvania.$25,000-40,000

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25 160359/1FRANK STELLA(american, b. 1936)“KAY BEARMAN”from “purple series”1972, pencil signed and dated,numbered 44/100 (there were also 9artist’s proofs), with full margins,Gemini G.E.L., Ltd., Los Angeles,publisher and with their blindstamps.Color lithograph on wove paper.image: 9 1/2 x 10 in. (24.1 x 25.3cm)sheet: 16 x 22 in. (40.6 x 55.8cm)[Axsom, 64]Unframed$1,000-2,000

26 160359/2FRANK STELLA(american, b. 1936)“JASPER’S DILEMMA”from “jasper’s dilemma”1972, pencil signed and dated 73, numbered19/100 (there were also 20 artist’s proofs),with wide margins, Petersburg Press, London,publisher. Color lithograph on J. Green mould-made paper.image: 8 1/2 x 17 in. (21.6 x 43.2cm)sheet: 15 1/8 x 21 13/16 in. (38.4 x 55.4cm)[Axsom, 82]$1,000-2,000

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27 160303/1EDNA ANDRADE(american, 1917-2008)“CROSS”Signed with initials bottom left and inscribed with the artist’s name,titled and dated 63 verso, oil on canvas.50 x 50 in. (127 x 127cm)provenance:Locks Gallery, Philadelphia, Pennsylvania.Private Collection, Philadelphia, Pennsylvania (acquired directly fromthe above).exhibited:“Cool Waves and Hot Blocks: The Art of Edna Andrade,” ThePennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania,September 17, 1993 - January 20, 1994, exhibition catalogue no. 2(illustrated).$15,000-25,000

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28 160333/2WOJCIECH FANGOR(polish/american, 1922-2015)“M-62”Signed, titled and dated 1966 verso, oil on canvas.66 x 66 in. (167.6 x 167.6cm)Unframedprovenance:Galerie Chalette, New York, New York.The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania(acquired from the above in April 1970).Freeman’s, Philadelphia, “Modern and Contemporary Art,”November 6, 2011, lot 55.Private Collection, Philadelphia, Pennsylvania (acquireddirectly from the above sale).$60,000-100,000

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29 160334/1AFTER ALEXANDER CALDER(american, 1898-1976)UNTITLED (FIGURE OF A WOMAN)1975, embroidered with the artist’s initialsand date, bears numbering 17/100, C.A.C.Publications, New York, publisher. Wovenmaguey jute fiber tapestry.85 x 56 3/8 in. (215.9 x 143.2cm)provenance:Private Collection, Moorestown, NewJersey.$4,000-6,000

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30 152400/1ALEXANDER CALDER(american, 1898-1976)UNTITLED (DRAWINGS OF MOTORIZED PANELS)Signed and dated 74 bottom right, gouache and ink on paper.23 x 31 in. (58.4 x 78.7cm)provenance:The Artist.Mr. Edward A. Duckett, Bowling Green, Kentucky (gifted directly from theabove in 1974).Private Collection, Nashville, Tennessee (acquired directly from the above).By family descent.Private Collection, Bettendorf, Iowa.note:This work is registered in the archives of the Calder Foundation under theidentification no. A27695.$25,000-40,000

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31 160105/6WAYNE THIEBAUD(american, b. 1920)“CHOCOLATE CAKE”from “seven still lifes and a rabbit”1971, pencil signed and dated, numbered 18/50 (there were also10 artist’s proofs), with full margins, Parasol Press, New York,publisher. Lithograph in brown on wove paper.image: 17 5/8 x 13 1/2 in. (44.8 x 34.3cm)sheet: 30 x 22 1/4 in. (76.2 x 56.5cm)$4,000-6,000

32 160105/5WAYNE THIEBAUD(american, b. 1920)“HALF CAKES”from “seven still lifes and a silver landscape”1971, pencil signed and dated, numbered 47/50 (there were also10 artist’s proofs), with full margins, Parasol Press, New York,publisher. Screenprint on Arches.image: 17 7/8 x 16 1/4 in. (45.4 x 41.3cm)sheet: 30 x 22 1/4 in. (76.2 x 56.5cm)$3,000-5,000

33 160105/4WAYNE THIEBAUD(american, b. 1920)“NINE CANDIED APPLES”1964, pencil signed and dated, numbered 19/25 (there were also10 artist’s proofs), with full margins, Crown Point Press, SanFrancisco, publisher. Etching and aquatint on wove paper.image: 5 x 5 3/4 in. (12.7 x 14.6cm)sheet: 14 7/8 x 11 in. (37.8 x 27.9cm)$4,000-6,000

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34 160105/3CHUCK CLOSE(american, b. 1940)“GEORGIA/FINGERPRINT II”1985, pencil signed, dated and inscribed“For Bob on his birthday, love Chuck,”annotated T.P. (a trial proof, aside from theregular edition of 35, there were also 10artist’s proofs), with full margins, PaceEditions, Inc., New York and Graphicstudio,University of South Florida, Tampa, co-publishers. Etching on BFK Rives.image: 22 3/4 x 17 1/2 in. (57.8 x 44.5cm)sheet: 30 x 22 1/8 in. (76.2 x 56.2cm)[Butler Institute, 39]$3,000-5,000

35 160105/2CHUCK CLOSE(american, b. 1940)“SELF-PORTRAIT”1988, pencil signed and dated, annotatedT.P. (a trial proof, aside from the regularedition of 50, there were also 6 artist’sproofs), with wide margins, Pace Editions,Inc., New York, publisher. Etching andaquatint on wove paper.image: 13 1/2 x 9 1/2 in. (34.3 x 24.1cm)sheet: 19 3/8 x 15 7/8 in. (49.2 x 40.3cm)[Butler Institute, 51]$3,000-5,000

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36 160412/1PAUL JENKINS(american, 1923-2012)“PHENOMENA WIND CHAMBERS/ ANATOMY OF A CLOUD”Signed lower right, signed again, titled and dated 1978 in black marker onstretcher verso. Acrylic on canvas.76 x 104 in. (193 x 264.2cm)provenance:Private Collection, Florida.$30,000-50,000

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37 160096/18JOHN BALDESSARI(american, b. 1931)“PALM TREES AND BUILDINGS (WITHVIKINGS)”from “the overlap series”2001, pencil signed and dated, numbered4/75 (there were also 10 artist’s proofs), withwide margins, Hamilton Press, Venice,publisher. Iris print on heavy wove paper.image: 14 7/8 x 14 3/4 in. (37.8 x 37.5cm)sheet: 18 7/8 x 18 7/8 in. (47.9 x 47.9cm)Unframed$4,000-6,000

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38 160048/5CLAES OLDENBURG(american, b. 1929)“BROKEN BUTTON”1981, pencil signed and dated, numbered 19/100(there were also 14 artist’s proofs), Multiples, Inc.,New York, publisher, for the patrons of TheInstitute of Contemporary Art, Philadelphia. Dyedand cast paper, color screenprint, mat board andwood multiple in Plexiglas box.dimensions (including box):16 1/4 x 14 1/4 x 6 3/8 in. (41.3 x 36.2 x 16.5cm)[Axsom/Platzker, 175]$4,000-6,000

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39 160096/17ED RUSCHA(american, b. 1937)“SPONGE PUDDLE”2015, pencil signed and dated, numbered 40/60(there were also 12 artist’s proofs), with fullmargins, Hamilton Press, Venice, publisher andwith their blindstamp. Color lithograph on BFKRives.image: 23 15/16 x 23 15/16 in. (60.8 x 60.8cm)sheet: 29 x 28 in. (73.7 x 71.1cm)Unframed$20,000-30,000

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40 160378/2DANA SCHUTZ(american, b. 1976)TAPESTRY2005, from the edition of 100. Dyed wool.96 1/2 x 83 3/4 in. (245 x 212.5cm)provenance:Lorinda Ash Fine Art, New York, New York.Private Collection.$4,000-6,000

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41 160378/10RYAN MCGINLEY(american, b. 1977)UNTITLED (MORRISSEY 15)2006. Cibachrome print.39 x 28 1/2 in. (99 x 72.4cm)provenance:Team Gallery, New York, New York.Private Collection.exhibited:“Out of Focus: Photography,” SaatchiGallery, London, United Kingdom,September 27- November 4, 2012(illustrated in exhibition catalogue).$7,000-9,000

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42 160195/1ROY LICHTENSTEIN(american, 1923-1997)“BRUSHSTROKE CONTEST”1989, pencil signed and numbered 31/36 (there were also 12 artist’s proofs),with wide margins, Tyler Graphics Ltd., Mount Kisco, New York, publisherand with their blindstamp. Color lithograph on BFK Rives.image: 47 1/2 x 37 7/8 in. (120.7 x 96.2cm)sheet: 49 7/8 x 39 7/8 in. (126.7 x 101.3cm)[Corlett, 235]note:The image was initially designed for use on a poster for the 24th Olympiad,but it was never used for that purpose. The brushstrokes form the Chinesecharacters for “contest”.$12,000-18,000

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43 160300/1ROY LICHTENSTEIN(american, 1923-1997)“SHIPBOARD GIRL”1965, pencil signed, from the editon of unknown size,with margins, Leo Castelli Gallery, New York, publisher.Color offset lithograph on wove paper.image: 26 x 19 1/8 in. (66 x 48.6cm)sheet: 27 1/8 x 20 3/16 in. (68.9 x 51.3cm)[Corlett, II.6]provenance:Leo Castelli Gallery, New York, New York.Private Collection, Philadelphia, Pennsylvania (acquireddirectly from the above circa 1975).$20,000-30,000

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44 160099/1ANDY WARHOL(american, 1928-1987)“MAO (WALLPAPER)”1974, printed in 1989, from the edition of unknown size (there wasalso a signed edition of 100 printed in 1979), published by theMuseum of Modern Art, New York as a poster for the 1989 Warholretrospective and with their stamps, also with the Estate of AndyWarhol copyright stamp. Color screenprint on wove paper.sheet: 33 1/2 x 29 1/2 in. (85.1 x 74.9cm)[see Feldman & Schellmann, III.125a]$1,200-1,800

45 160359/3KEITH HARING(american, 1958-1990)“FIGHT AIDS WORLDWIDE”1990, pencil numbered 499/1,000, with full margins, WorldFederation of the United Nations Associations, New York,publisher and with the artist’s estate stamp verso; also with theKeith Haring Estate certificate of authenticity with pencil signatureby Julia Gruen verso. Color lithograph on wove paper.sheet: 11 x 8 5/8 in. (27.8 x 21.9cm)[Littman, 168]Unframed$1,500-2,500

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46 160333/1SUNDAY B. MORNING (AFTER ANDY WARHOL)“MARILYN PORTFOLIO”the complete set of 10 color screenprintsFrom the editions of unknown sizes, Sunday B. Morning, publisher andwith their blue ink-stamp verso. Color screenprints on museum board.each sheet: 35 3/4 x 35 13/16 in. (90.8 x 91cm)(10)$3,000-5,000

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47 160096/28DAMIEN HIRST(british, b. 1965)“3-METHYLTHYMIDINE”2014, pencil signed and numbered 94/100verso, the full sheet, Other Criteria, Londonand New York, publisher. Color screenprintwith glaze and diamond dust on heavy wovepaper.sheet: 32 7/8 x 26 7/8 in. (83.5 x 68.3cm).Unframed$10,000-15,000

48 160096/29DAMIEN HIRST(british, b. 1965)“METHYLAMINE - 13C”2014, pencil signed and numbered 94/100verso, the full sheet, Other Criteria, Londonand New York, publisher. Color screenprintwith glaze and diamond dust on heavy wovepaper.sheet: 32 7/8 x 26 7/8 in. (83.5 x 68.3cm)Unframed$10,000-15,000

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49 160096/26YOSHITOMO NARA(japanese, b. 1959)“BACKWARDS FORWARDS”2012, pencil signed and dated, numbered 32/50 (there were also 12 artist’sproofs), the full sheet, Pace Editions, Inc. and Tomio Koyama Gallery, NewYork and Tokyo, co-publishers. Ukiyo-e style color woodcut on Japan.sheet: 16 1/2 x 11 7/16 in. (41.9 x 29.1cm)$10,000-15,000

50 160096/25YOSHITOMO NARA(japanese, b. 1959)“DON’T WANNA CRY”2010, pencil signed and dated, numbered 1/50 (there were also 12 artist’sproofs), the full sheet, Pace Editions, Inc., New York, publisher. Ukiyo-e stylecolor woodcut on Japan.sheet: 16 1/2 x 11 1/2 in. (41.9 x 29.2cm)$10,000-15,000

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51 152223/4DONALD BAECHLER(american, b. 1956)“PALM”Signed with initials and dated 92 bottom left, gesso, gouache,collage and coffee on paper.52 3/8 x 40 1/2 in. (133 x 102.8cm)provenance:Paul Kasmin Gallery, New York, New York.Corporate Collection, Philadelphia, Pennsylvania.exhibited:“43rd Biennial Exhibition of Contemporary American Painting,” TheCorcoran Gallery of Art, Washington, D.C., October 30, 1993 -January 2, 1994.$8,000-12,000

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52 160096/1YOSHITOMO NARA(japanese, b. 1959)UNTITLEDSigned and dated 97 bottom left, penciland crayon on paper.11 5/8 x 8 1/4 in. (29.5 x 21cm)provenance:Private Collection, New York, New York.$40,000-60,000

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53 160096/3HENRY CODAXUNTITLED (PINK)Acrylic on canvas.Executed in 2014.84 x 42 1/2 in. (213.4 x 108cm)Unframedprovenance:Private Collection, New York, New York.$7,000-9,000

54 160096/5LEIF RITCHEY(american, b. 1975)“RIVER BED”Signed, titled and dated 2014 verso,acrylic on canvas.73 1/2 x 58 1/2 in. (186.7 x 148.6cm)Unframedprovenance:Private Collection, New York, New York.$6,000-8,000

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55 160096/4RETNA(american, b. 1979)“COLOR BALANCES”Signed, titled and dated 2015 verso,acrylic on canvas.40 x 60 in. (101.6 x 152.4cm)Unframedprovenance:Private Collection, New York, New York.$30,000-50,000

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56 160378/5GEDI SIBONY(american, b. 1973)UNTITLEDCarpet and tape.Executed in 2008.120 x 42 1/8 in. (305 x 107cm)provenance:Green Naftali Gallery, New York, New York.Private Collection.exhibited:“Abstract American: New Painting and Sculpture,” Saatchi Gallery,London, United Kingdom, May 29, 2009- January 17, 2010.$5,000-7,000

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57 160378/3TERENCE KOH(canadian/chinese, b. 1977)UNTITLED (MEDUSA)Wood, paint, plaster, urinal, steel, porcelain, mirror,glue, bonding paste, ashes, oil, burnt wood, wiringand light sculpture.Executed in 2006.92 1/2 x 42 1/8 x 42 1/8 in. (235 x 107 x 107cm)

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provenance:Peres Projects, Berlin, Germany.Private Collection.exhibited:“USA Today: New American Art from the SaatchiGallery,” Royal Academy of the Arts, London,United Kingdom, October 6- November 4, 2006(illustrated in the exhibition catalogue).$12,000-18,000

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58 160378/13SARA VANDERBEEK(american, b. 1976)“CALDER AND JULIA”2006, from the edition of 3 (there were also 2 artist’sproofs). Digital Cibachrome print.16 x 20 in. (40.6 x 50.8cm)provenance:D’Amelio Terras, New York, New York.Private Collection.exhibited:“Out of Focus: Photography,” Saatchi Gallery, London,United Kingdom, September 27- November 4, 2012(illustrated in exhibition catalogue).$5,000-7,000

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59 160378/11SARA VANDERBEEK(american, b. 1976)“THE FIELD-GLASS”2006, from the edition of 3 (there were also 2 artist’s proofs).Digital Cibachrome print.16 x 20 in. (40.6 x 50.8cm)provenance:D’Amelio Terras, New York, New York.Private Collection.exhibited:“Out of Focus: Photography,” Saatchi Gallery, London, UnitedKingdom, September 27- November 4, 2012 (illustrated inexhibition catalogue).$5,000-7,000

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60 160378/4ELIZABETH NEEL(american, b. 1975)“SUCKED UP”Oil on canvas.Executed in 2005.46 x 58 in. (116.8 x 147.3cm)provenance:Sikkema Jenkins & Co, New York, New York.Private Collection.literature:Saatchi Gallery, Abstract America, London:Jonathan Cape, 2009, p. 112-113 (illustrated).$5,000-7,000

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61 160378/7IAN DAVIS(american, b. 1972)“AUDIENCE”Acrylic on canvas.Executed in 2007.55 x 60 in. (139.7 x 152.4cm)provenance:Leslie Tonkonow, New York, New York.Private Collection.$2,000-3,000

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The work of Ian Davis explores therelationship of man and the worldaround him. Davis experiments withscale and setting force the viewer toquestion the nature of reality itself.In the present lot, he has painted aseries of men dressed in identicalgarb congregated around a groupof trees growing inside of a vacuousinterior space. A larger congregationof figures can be glimpsed throughthe windows in the background. Thescene itself elicits a number ofquestions. Is the gathering ofonlookers, dressed in somber formalattire, depicting a funeral of sorts -

the slow death of the arboreal giantsthat have been kept in captivity onlyto have reached the end of their life-cycle? Their detached and life-lessbranches lying in the innocuousinterior space is the focal point of thegathering. Alternatively, is the groupawaiting the first bloom to sproutfrom the bare appendages; tocelebrate their vernal rebirth?

Davis’ efficacy of creating paintingsthat force the viewer to bothappreciate their aesthetic beauty andquestion the subject matter is whatkeeps us engaged and wanting more.

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62 152223/2JACK PIERSON(american, b. 1960)NARCISSISMSigned and dated 1991 verso at upper right, printedcut paper collage in a Plexiglas box.collage: 32 1/8 x 27 3/4 in. (81.6 x 70.5cm)Plexiglas box: 42 1/4 x 38 in. (107.3 x 96.5cm)provenance:Lorence Monk Gallery, New York, New York.Corporate Collection, Philadelphia, Pennsylvania(acquired directly from the above in 1991).$4,000-6,000

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63 152223/23DALE CHIHULY(american, b. 1941)SEAFORM SINGLE (SEA)Signed and dated 1984 on the underside, blown glass.11 1/4 x 12 x 8 1/2 in. (28.6 x 30.5 x 21.6cm)provenance:Corporate Collection, Philadelphia, Pennsylvania.$2,500-4,000

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64 160096/23MEL BOCHNER(american, b. 1940)“IT DOESN’T GET ANY BETTER THAN THIS”2014, pencil signed and dated, numbered 5/30(there were also 8 artist’s proofs), the fullsheet, Two Palms, New York, publisher. Colorscreenprint on heavy wove paper. sheet: 44 1/2 x 54 in. (113 x 137.2cm)Unframed$20,000-30,000

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65 160378/12STEPHEN RHODES(american, b. 1977)“DUALISM #2”2006, from the edition of 15 (there were also2 artist’s proofs). Digital Cibachrome print.20 1/4 x 13 1/4 in. (51.4 x 33.7cm)provenance:Bellwether Gallery, New York, New York.Private Collection.$3,000-5,000

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66 160378/8MATTHEW BRANNON(american, b. 1971)“HOW IT ALL ENDS”Unique color screenprint on paper.29 7/8 x 23 in. (75.9 x 58.5cm)provenance:Jan Winkelmann Galerie, Berlin,Germany.Private Collection.exhibited:“USA Today: New American Artfrom the Saatchi Gallery,” RoyalAcademy of the Arts, London,United Kingdom, October 6-November 4, 2006 (illustrated inthe exhibition catalogue).$2,000-3,000

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67 160378/9PAUL LEE(british, b. 1974)UNTITLED (CAN SCULPTURE)Soda cans, magnifying glass, string, paint, xerox,socks, coal and light bulb construction.Executed in 2007.12 5/8 x 4 3/4 x 7 1/2 in. (32.1 x 12.1 x 19cm)provenance:Peres Projects, Berlin, Germany.Private Collection.exhibited:“Abstract American: New Painting and Sculpture,”Saatchi Gallery, London, United Kingdom, May 29,2009- January 17, 2010.literature:Saatchi Gallery, Shape of Things to Come: NewSculpture, London: Jonathan Cape, 2009, p. 426(illustrated).$2,000-3,000

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Three views of the present lot

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68 160378/6JOHN FINNERAN(american, b. 1979)“OVERPASS REFLECTIONS ONE (3NOSES, 3 MOUTHS)”Oil and enamel on aluminum withrivets.Executed in 2008.88 x 72 in. (223.5 x 182.9cm)provenance:Upstairs Gallery, Berlin, Germany.Private Collection.$6,000-8,000

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69 160362/4RASHAAD NEWSOME(american, b. 1979)ROMAN’S REVENGEPrinted collage on paper.Executed in 2011.30 x 22 in. (76.2 x 55.8cm)provenance:Marlborough Gallery, New York, New York.Private Collection.$5,000-7,000

70 152449/6IDA RITTENBERG KOHLMEYER(american, 1912-1997)ANOMALY DRAWING #1Signed and dated 1981 bottom right, acrylic on paper.16 7/8 x 19 1/4 in. (42.9 x 48.9cm)provenance:Private Collection, California.$3,000-5,000

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71 160362/8BENJAMIN EDWARDS(american, b. 1970)ETHER STUDY (HAVE YOU MET UP WITH MY SISTER HEENA BEFORE?)Signed and dated 2007 bottom right, unique digital inkjet drawing on paper. 23 15/16 x 31 3/8 in. (60.8 x 79.7cm)provenance:Greenberg van Doren Gallery, New York, New York.Private Collection (acquired from the above in 2008).$1,000-3,000

72 160300/3MERLE SPANDORFER(american, b. 1934)“ALGOL TRANSLATOR”1970, pencil signed and titled, numbered 18/20, with full margins.Lithograph on Arches.image: 22 3/4 x 23 1/8 in. (57.8 x 58.7cm)sheet: 28 3/8 x 28 1/8 in. (72.1 x 71.4cm)Unframedexhibited:“Silkscreen: History of a Medium,” Philadelphia Museum of Art, December17, 1971-February 27, 1972.$400-600

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73 160379/1MONDU(american)“QUANTUM FOAM AT ONE PLANCK LENGTH”Mixed media on unstretched canvas.Executed in 2015.68 x 83 1/4 in. (172.7 x 211.5cm)Unframedprovenance:The Artist.Private Collection (acquired directly from the above).$5,000-7,000

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74 160244/3NORMAN LEWIS(american, 1909-1979)UNTITLED (THREE FIGURES)Signed and dated 10-24-61 bottomright, watercolor, pastel and ink onpaper.19 3/4 x 23 15/16 in. (50.2 x 60.8cm)Unframedprovenance:The Estate of the Artist.Private Collection, New York, New York.Swann Galleries, New York, “AfricanAmerican Fine Art,” February 17, 2009,lot 50.Private Collection, New York, New York.$6,000-10,000

75 160338/1SAM GILLIAM(american, b. 1933)“LIGHT SHADE”Watercolor and acrylic on fiberglass paper.Executed in 1967.23 1/2 x 18 in. (59.7 x 45.7cm)provenance:Collection of a New HampshireGentleman.note:We are grateful to The Gilliam Studio forconfirming the authenticity of this work.$2,000-3,000

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76 160216/1SAM GILLIAM(american, b. 1933)UNTITLEDSigned and dated 69 on the support bottomright, watercolor, acrylic and aluminumpowder on tissue-thin Japanese paper.24 x 37 1/4 in. (61 x 94.6cm)provenance:Property of a Boston Collector.note:We are grateful to The Gilliam Studio forconfirming the authenticity of this work.$5,000-8,000

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77 152223/1WILLIAM L. HAWKINS(american, 1895-1990)“CREAM OF LOVE”Signed along bottom and titledcenter right, enamel on masonite.Executed in 1985.36 x 48 in. (91.4 x 121.9cm)Unframedprovenance:Janet Fleisher Gallery, Philadelphia,Pennsylvania.Ricco Johnson Gallery, New York,New York.Corporate Collection, Philadelphia,Pennsylvania.exhibited:“Out of Ohio: Two Visions,” JanetFleisher Gallery, Philadelphia,Pennsylvania, 1985.$6,000-10,000

78 152223/12WILLIAM L. HAWKINS(american, 1895-1990)RHINOCEROS (WHITE RHINO)Signed along bottom, enamel on board.Executed in 1985.40 x 48 in. (101.6 x 121.9cm)Unframedprovenance:Roger R. Ricco American Art, New York,New York.Corporate Collection, Philadelphia,Pennsylvania.$12,000-18,000

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79 160378/1BAKER OVERSTREET(american, b. 1981)“HOT MIC”Acrylic on canvas.Executed 2006-2007.47 x 40 in. (119.4 x 101.6cm)provenance:Fredericks Freiser Gallery, New York,New York.Private Collection.exhibited:“Abstract American: New Paintingand Sculpture,” Saatchi Gallery,London, United Kingdom, May 29,2009- January 17, 2010.literature:Saatchi Gallery, Abstract America,London: Jonathan Cape, 2009, p.272-273 (illustrated).$4,000-6,000

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80 152223/16THORNTON DIAL(american, 1928-2016)“A LITTLE JUNGLE PICTURE (THE BABY TIGER DIDN’T KNOWABOUT THE WORLD BUT HE’S GOING TO FIND OUT)”Acrylic and metal elements on panel.Executed in 1989.11 3/4 x 24 in. (29.8 x 61cm)provenance:Ricco Maresca Gallery, New York, New York.Corporate Collection, Philadelphia, Pennsylvania.$3,000-5,000

81 152223/5PURVIS YOUNG(american, 1943-2010)THE ANGELS OVER THEMPaint on paper, found wooden elements, masonite,metal and formica with screws and nails as collageelements.Executed circa 1990.70 1/2 x 46 in. (179.1 x 116.8cm)provenance:Janet Fleisher Gallery, Philadelphia, Pennsylvania.Corporate Collection, Philadelphia, Pennsylvania.$1,000-2,000

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82 152223/14LLYN FOULKES(american, b. 1934)“THAT’S MY BOY”Signed, titled and dated 1977 verso, acrylic on panel withphoto and metal collage elements.18 1/4 x 17 1/2 in. (46.4 x 44.5cm)provenance:Gruenebaum Gallery, Ltd., New York, New York.Sotheby’s, New York, “Modern and Contemporary Paintings,Drawings and Sculpture,” October 6, 1987, lot 292.Christie’s, New York, “Contemporary Drawings, Watercolorsand Collages,” May 8, 1990, lot 174.Corporate Collection, Philadelphia, Pennsylvania.exhibited:“Llyn Foulkes: New Works 1976-1977,” Gruenebaum GalleryLtd., New York, New York, 1977 (illustrated in exhibitioncatalogue).$6,000-10,000

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83 160244/4ROMARE BEARDEN(american, 1911-1988)“THE TRAIN”1974, pencil signed and numbered II/XXV (one of 25uniquely hand-colored impressions, the regular editionwithout hand-coloring was 125 in Arabic numerals), withwide margins, Transworld Art, New York, publisher and withtheir blindstamp. Color etching and aquatint with hand-coloring on Fabriano.image: 17 3/4 x 22 7/8 in. (45.1 x 58.1cm)sheet: 22 x 30 1/8 in. (55.9 x 76.5cm)[Gelburd & Rosenberg, 3]Unframed$6,000-10,000

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84 160244/10ROMARE BEARDEN(american, 1911-1988)“PINAL POINT”Signed in ink at right vertical edge and titled in pencilverso, presumably the full sheet, unique color monoprinton wove paper.sheet: 29 7/16 x 40 1/2 in. (74.8 x 102.9cm)Unframedprovenance:Private Collection, New York, New York.$3,000-5,000

85 160244/7ROMARE BEARDEN(american, 1911-1988)“CONJUNCTION”1979, pencil signed and numbered HC 9/25 (anhors commerce proof, aside from the regularedition of 300), with wide margins, TransworldArt Inc., New York, publisher and with theirblindstamp. Color lithograph on Arches.image: 18 3/4 x 15 1/8 in. (47.6 x 38.4cm)sheet: 27 13/16 x 20 7/8 in. (70.6 x 53cm)[Gelburd & Rosenberg, 10]$1,500-2,500

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86 160244/8ROMARE BEARDEN(american, 1911-1988)“TENOR SERMON”from “jazz”1979, pencil signed and numbered 160/175 (therewere also 30 artist’s proofs), London Arts Inc.,Detroit, publisher. Color lithograph on wove paper.sheet: 24 11/16 x 34 9/16 in. (62.7 x 87.8cm)[Gelburd & Rosenberg, 27]$1,500-2,500

87 160244/1ROMARE BEARDEN(american, 1911-1988)“SLAVE SHIP”1977, pencil signed and numbered 10/144, withwide margins. Color screenprint on wove paper.image: 28 1/4 x 18 in. (71.8 x 45.7cm)sheet: 34 3/4 x 23 15/16 in. (88.3 x 60.8cm)[Gelburd & Rosenberg, 52]$2,000-3,000

88 160244/6ROMARE BEARDEN(american, 1911-1988)“FIREBIRDS”1979, pencil signed and numbered 74/300, withwide margins,Transworld Art, Inc., New York,publisher and with their blindstamp. Colorlithograph on Arches.image: 21 9/16 x 15 in. (75.1 x 38.1cm)sheet: 28 1/16 x 20 7/8 in. (71.3 x 53cm)[Gelburd & Rosenberg, 11]Unframed$2,000-3,000

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89 160244/9ROMARE BEARDEN(american, 1911-1988)“CONVERSATIONS”1979, pencil signed and titled, numbered AP28/30 (an artist’s proof, aside from the regularedition of 175), with wide margins. Colorlithograph on Somerset.image: 17 7/8 x 24 15/16 in. (45.4 x 63.3cm)sheet: 21 3/8 x 28 1/8 in. (54.3 x 71.4cm)[Gelburd & Rosenberg, 86]$3,000-5,000

90 160244/11ROMARE BEARDEN(american, 1911-1988)“MORNING (CAROLINA MORNING)”1979, pencil signed and numbered 25/30 AP(an artist’s proof, aside from the regular editionof 175), with wide margins. Color lithograph onSomerset.image: 19 3/16 x 24 3/4 in. (48.7 x 62.9cm)sheet: 21 3/4 x 27 3/4 in. (55.2 x 70.5cm)[Gelburd & Rosenberg, 62]$2,500-4,000

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91 160244/12WALTER H. WILLIAMS(american, 1920-died after 1998)“HARVEST”1963, pencil signed, titled, dated and inscribed “imp,”numbered 174/210. Color woodcut on thin wove paper.image: 11 1/2 x 23 7/8 in. (29.2 x 60.6cm)sheet: 15 1/16 x 27 7/8 in. (38.3 x 70.8cm)$1,500-2,500

92 160244/13JAMES DENMARK(american, b. 1936)THE POET AND HIS WOMANSigned bottom left, collage ofprinted papers and fabric onmasonite.Executed circa 1985.7 x 10 3/4 in. (17.8 x 27.3cm)provenance:Swann Galleries, New York, “AfricanAmerican Art,” February 17, 2009,lot 137.Private Collection, New York, NewYork.$1,200-1,800

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93 160244/5JOHN THOMAS BIGGERS(american, 1924-2001)“THE UPPER ROOM”1984, pencil signed and inscribed ‘CTP’ (acolor trial proof aside from the regularedition of 75), Hand Graphics, Sante Fe,printer and with their blindstamp. Colorlithograph on Arches.image: 38 x 26 in. (96.5 x 66cm)sheet: 41 3/4 x 29 1/2 in. (106 x 74.9cm)Unframed$6,000-10,000

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94 141097/59SALLY MICHEL AVERY(american, 1902-2003)“FANCY CHICK”Signed and dated 1981 bottom rightand signed, titled and dated againverso, oil on artist’s board.14 x 10 in. (35.6 x 25.4cm)provenance:The Artist.Private Collection.$1,500-2,500

95 141097/64SALLY MICHEL AVERY(american, 1902-2003)RIVER’S EDGESigned and dated 1987 bottom right,watercolor and crayon on paper.18 x 24 in. (45.7 x 61cm)provenance:The Artist.Private Collection.$2,000-3,000

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96 158144/1HERMAN MARIL(american, 1908-1986)ROAD TO THE DUNESSigned and dated 59 bottom right, oilon canvas.32 1/8 x 24 in. (81.6 x 61cm)provenance:The Artist.Jules Horelick, Baltimore, Maryland.By family descent.Patricia and Allan Horelick, Atlanta,Georgia.$1,000-1,500

97 158144/2HERMAN MARIL(american, 1908-1986)CONSTRUCTION STATIONSigned and dated 82 bottom right,oil on canvas.30 x 40 in. (76.2 x 101.6cm)provenance:The Artist.Jules Horelick, Baltimore, Maryland.By family descent.Patricia and Allan Horelick, Atlanta,Georgia.$1,500-2,000

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98 160163/2HARRY SEFARBI(american, 1917-2009)UNTITLED (ABSTRACT FIGURES)Signed bottom right, signed anddated 90 verso, oil on panel.48 x 36 in. (121.9 x 91.4cm)provenance:The Artist.Private Collection, Lafayette Hill,Pennsylvania (acquired directly fromthe above).$1,200-1,800

99 160163/1HARRY SEFARBI(american, 1917-2009)ALONE IN THE PARKSigned bottom right, signed anddated 1971 verso, oil on panel.18 x 24 in. (45.7 x 61cm)provenance:The Artist.Private Collection, Lafayette Hill,Pennsylvania (acquired directly fromthe above).$1,000-2,000

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100 160108/1VU CAO DAM(french, 1908-2000)“LES MUSICIENS”Signed and dated 74 bottom right andsigned twice (once in Vietnamese), titled,and dated verso, oil on canvas.32 x 25 3/4 in. (81.3 x 65.4cm)provenance:Private Collection, South Georgia.$18,000-25,000

101 152493/1VU CAO DAM(french, 1908-2000)“JEUNES ÉPOUX”Signed and dated 64 bottom left and signedtwice (once in Vietnamese), titled and datedverso, oil on canvas.16 x 12 in. (40.6 x 30.5cm)provenance:Wally Findlay Galleries, New York, New York.Private Collection.By family descent.Private Collection, Salem, Massachusetts.$7,000-9,000

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102 160169/1MADHVI PAREKH(indian, b. 1942)“SEA GOD”Signed and titled verso, oil oncanvas.48 x 72 1/4 in. (121.9 x 183.5cm)provenance:Lalit Kala Akademi, New Delhi,India.Private Collection, Florida (acquiredfrom the above in 1975).$5,000-7,000

103 158130/2TJUNGURRAYI YALA YALA GIBBS(aborigine, circa 1928-1998)UNTITLEDPolymer paint on linen.35 5/8 x 47 5/8 in. (90.5 x 121cm)provenance:Private Collection, New York, NewYork (acquired in 1990).$4,000-6,000

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104 160104/1four paintingsPHAM AN HAI(vietnamese, b. 1967)THE FOUR SEASONS (“SPRING,” “SUMMER,” “AUTUMN,”“WINTER”)Each signed and dated 04 bottom left (“Summer” at bottomright), each signed, titled and dated verso, oil on canvas.each 10 x 10 in. (25.4 x 25.4cm)(4)provenance:Private Collection, Connecticut.$5,000-8,000

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105 160362/2LUIS GONZÁLEZ PALMA(guatemalan, b. 1957)“MI CAJA DE MUSICA (MY MUSIC BOX)”1995, pencil signed, titled and dated, numbered 2/7.Gelatin silver prints, asphaltum and music sheetassemblage.9 3/4 x 57 5/8 in. (24.8 x 146.4cm)provenance:Sette Gallery, Scottsdale, Arizona.Private Collection.$5,000-7,000

106 160362/10MIGUEL RIO BRANCO(spanish, b. 1946)UNTITLED (AMAU)1983/1988, signed and dated in ink verso.Cibachrome print.image: 15 1/4 x 23 in. (38.7 x 58.4cm)sheet: 17 3/4 x 23 1/2 in. (45.1 x 59.7cm)provenance:Ursula Gropper, San Francisco, California.Private Collection.$4,000-6,000

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107 160362/9FREDERIC WEBER(american, b. 1956)“UNTITLED #51”from “memento mori”1994, dated and numbered 1/10 verso. Ilfochrome(Cibachrome Glossy) print.image: 34 9/16 x 28 in. (86.4 x 71.1cm)sheet: 35 1/4 x 28 9/16 in. (89.5 x 72.6cm)provenance:Yancey Richardson Gallery, New York, New York.Private Collection.exhibited:“Memento Mori,” Yancey Richardson Gallery, New York,New York, 1996.$1,000-2,000

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108 152650/1FRANCISCO ZÚÑIGA(mexican, 1912-1998)“MUJER Y NINO”Signed and dated 1963 bottom right, pasteland charcoal on paper.25 1/2 x 19 11/16 in. (64.8 x 50cm)provenance:Galeria Bryna, Mexico City, Mexico.Private Collection, Massachusetts.note:We are grateful to Mr. Ariel Zúñiga for hisassistance in confirming the authenticity ofthis work, which is to be included in theforthcoming Volume V of the Artist’sCatalogue Raisonné.$3,000-5,000

109 160280/1DAMIÁN GONZÁLEZ(cuban, b. 1967)“AFLUENTE EN LA TARDE”Signed and dated 2011 bottom right and signed, titled anddated verso, oil on canvas.39 x 58 in. (99 x 147.3cm)provenance:The Artist.Private Collection, Florida (acquired directly from the above).$10,000-15,000

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110 158144/3PAUL JENKINS(american, 1923-2012)“PHENOMENA RICH CONTENDER”Signed bottom center and signed again and inscribed with title and ‘NewYork 1964’ verso, watercolor and gouache on Arches.30 3/8 x 22 1/2 in. (77.2 x 57.2cm)provenance:The Artist.Jules Horelick, Baltimore, Maryland.By family descent.Patricia and Allan Horelick, Atlanta, Georgia.$4,000-6,000

112 158144/4PAUL JENKINS(american, 1923-2012)BIRDSigned and illegibly dated bottom left, watercolor onpaper.17 3/8 x 23 1/4 in. (44.1 x 59.1cm)provenance:The Artist.Jules Horelick, Baltimore, Maryland.By family descent.Patricia and Allan Horelick, Atlanta, Georgia.$1,000-2,000

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111 160005/2RALPH HUMPHREY(american, 1932-1990)“ESTARDY”Inscribed with the artist’s name, title and date on stretcher verso, acrylic oncanvas.Executed in 1969.60 x 60 in. (152.4 x 152.4cm)Unframedprovenance:Private Collection, Marblehead, Massachusetts.$6,000-10,000

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113 152223/21SAUL STEINBERG(romanian/american, 1914-1999)“WATERCOLOR PYRAMID”Signed and dated 1972 bottom right and inscribed with the title and dateverso, watercolor, graphite, ink, rubber stamp and gold embossing on paper.19 7/8 x 29 3/4 in. (50.5 x 75.6cm)provenance:Sidney Janis Gallery, New York, New York.Sotheby’s, New York, “Contemporary Art Part II,” May 3, 1989, lot 211.Galerie Maeght, New York, New York.Private Collection, Beverly Hills, California.Margo Leavin Gallery, Los Angeles, California.Martin Lawrence Galleries, New York, New York.Christie’s, New York, “Contemporary Art Part II,” May 6, 1992, lot 318.Corporate Collection, Philadelphia, Pennsylvania.exhibited:“Saul Steinberg,” The Whitney Museum of American Art, New York, NewYork; Hirshorn Museum and Sculpture Garden, Smithsonian Institute,Washington, D.C.; Serpentine Gallery, London, United Kindom; FoundationMaeght, Saint-Paul-de-Vence, France, April 1978-April 1979.$6,000-10,000

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114 168008/2WOLF KAHN(american/german, b. 1927)“FARM AT TWILIGHT”Signed bottom right and dated 1984 verso, oil on canvas.22 x 44 in. (55.9 x 111.8cm)

115 168008/1WOLF KAHN(american/german, b. 1927)“EARLY SPRING, TENDER LIGHT”Signed bottom right, pastel on paper. Executed in 1997.8 15/16 x 11 15/16 in. (22.7 x 30.3cm)provenance:Reynolds Gallery, Richmond, Virginia.Private Collection, Charlottesville, Virginia (acquired from theabove in 1999).$3,000-5,000

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116 160085/4WOLF KAHN(american/german, b. 1927)MEADOW NEAR MIDDLETOWN CONNECTICUTSigned bottom left, pastel on paper.Executed in 1982.14 7/8 x 20 in. (37.8 x 50.8cm)provenance:The Collection of Helen Yaker, Lexington, Massachusetts.By family descent.Private Collection, Massachusetts.$3,000-5,000

provenance:Jerald Melberg Gallery, Inc., Charlotte, North Carolina.Reynolds/Minor Gallery, Richmond, Virginia.Private Collection, Charlottesville, Virginia (acquiredfrom the above in 1986).$12,000-18,000

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117 160085/1WOLF KAHN(american/german, b. 1927)“UNQUIET SUMMER” Signed bottom left, oil on canvas.Executed in 1982.52 x 66 in. (132.1 x 167.6cm)provenance:The Collection of Helen Yaker,Lexington, Massachusetts.By family descent.Private Collection, Massachusetts.$20,000-30,000

118 160085/3WOLF KAHN(american/german, b. 1927)“GROUND FOG”Signed bottom right, oil on canvas.Executed in 1982.30 x 53 in. (76.2 x 134.6cm)provenance:The Collection of Helen Yaker, Lexington,Massachusetts.By family descent.Private Collection, Massachusetts.$15,000-20,000

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119 152223/20BO BARTLETT(american, b. 1955)“A GOOD SUMMER”Signed with the artist’s ‘IGN’inscription bottom right, oil oncanvas.Executed circa 1984.46 x 60 in. (116.8 x 152.4cm)provenance:Corporate Collection, Philadelphia,Pennsylvania.$6,000-10,000

120 152223/11JOHN MEYER(american/south african, b. 1942)CAROLSigned bottom left, oil on canvas.36 x 42 in. (91.4 x 106.7cm)provenance:Corporate Collection, Philadelphia,Pennsylvania.$8,000-12,000

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121 160045/1BO BARTLETT(american, b. 1955)SELF-PORTRAIT - WINTER 1987Oil on panel.Executed in 1987.13 x 12 in. (33 x 30.5cm)provenance:Private Collection, Philadelphia, Pennsylvania.$2,500-4,000

122 152223/17JOSEPH HIRSCH(american, 1910-1981)PORTRAIT OF JOHN DOBBSSigned bottom left, oil on canvas.Executed in 1969.36 x 16 in. (91.4 x 40.6cm)provenance:Sid Deutsch Gallery, New York, NewYork.Forum Gallery, New York, New York.Corporate Collection, Philadelphia,Pennsylvania.$1,500-2,500

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123 152223/6IDA LORENTZEN(american, b. 1951)“INTERLUDIUM (GIRL WITH FLUTE)”Signed with initials and dated 83 bottomright, oil on canvas.51 1/4 x 59 in. (130.2 x 149.9cm)provenance:Tibor de Nagy Gallery, New York, New York(acquired in 1984).Dumont-Landis Fine Art, New Brunswick,New Jersey.Corporate Collection, Philadelphia,Pennsylvania.exhibited:“Ida Lorentzen,” Kunstnerforbundet Gallery,Oslo, Norway, 1984.$6,000-10,000

124 152223/9BENNY ANDREWS(american, 1930-2006)“MISS EMMA”Signed and dated 88 bottom right and signed,titled and dated again verso, oil and collage ontwo joined canvases (stretched separately,collage overlaps the connecting edges).79 1/2 x 32 in. (200.7 x 81.3cm)provenance:Gross McCleaf Gallery, Philadelphia,Pennsylvania.Corporate Collection, Philadelphia, Pennsylvania(acquired directly from the above in 1989).exhibited:Gross McCleaf Gallery, Philadelphia,Pennsylvania, January 25 - February 18, 1989.$6,000-10,000

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125 151908/2STUART SHILS(american, b. 1954)RIVERSIDE VIEWSigned and dated 84 bottom rightand inscribed with the artist’s nameand dated ‘March 1984’ verso, oil onmasonite.15 x 13 1/2 in. (38.1 x 34.3cm)provenance:The Artist.Dr. Benjamin Hammond, Villanova,Pennsylvania (acquired directly fromthe above circa 1983).$1,500-2,000

126 152367/24PAUL EMILE PISSARRO(french, 1884-1972)BOUQUETSigned bottom left and signed againverso, oil on canvas.18 1/4 x 15 1/4 in. (46.4 x 38.7cm)provenance:The Estates of Edward C. Fogg, IIIand Lisbeth A. Fogg.note:We are grateful to Lelia Pissarro forconfirming the authenticity of thiswork. A certificate may be obtainedfrom her by the successful bidder.$1,200-1,800

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127 148106/4MARK TOBEY(american, 1890-1976)UNTITLED (PORTRAIT OF AWOMAN)Oil on canvas.17 5/8 x 15 3/4 in. (44.8 x 40cm)Unframedprovenance:Private Collection, New York, NewYork.Private Collection (purchased fromthe above circa 1970).$1,200-1,800

128 148106/10MARK TOBEY(american, 1890-1976)UNTITLED (SELF-PORTRAIT)Oil on canvas.23 3/4 x 17 1/2 in. (60.3 x 44.5cm)Unframedprovenance:Private Collection, New York, NewYork.Private Collection (purchased fromthe above circa 1970).$1,500-2,000

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129 148106/8MARK TOBEY(american, 1890-1976)UNTITLED (SELF-PORTRAIT)Oil on canvas.23 3/4 x 18 in. (60.3 x 45.7cm)Unframedprovenance:Private Collection, New York, NewYork.Private Collection (purchased fromthe above circa 1970).$1,500-2,000

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130 152223/15WADE SCHUMAN(american, b. 1962)“THE SEPARATE MAN”Signed, titled and dated (twice) 87verso, oil on shaped linen.62 x 68 1/2 in. (157.5 x 174cm)provenance:Corporate Collection, Philadelphia,Pennsylvania.$2,500-4,000

131 152223/3LOUISA MATTHIASDOTTIR(american, 1917-2000)SELF-PORTRAITSigned bottom left, oil on canvas.Executed in 1991.52 x 40 in. (132.1 x 101.6cm)provenance:Robert Schoelkopf Gallery, NewYork, New York.Corporate Collection, Philadelphia,Pennsylvania (acquired directly fromthe above in 1991).$5,000-8,000

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132 152223/8BILLY SULLIVAN(american, b. 1942)LACROIX, ISigned and dated 88 verso, oil on canvas.52 x 68 1/2 in. (132.1 x 174cm)provenance:Fischbach Gallery, New York, New York.Corporate Collection, Philadelphia, Pennsylvania.exhibited:“Billy Sullivan,” Fischbach Gallery, New York, NewYork, June 1 - June 28, 1989.$6,000-10,000

133 160362/1CATHERINE HOWE(american, b. 1959)STIRSigned and dated 2007 twice verso, oil on canvas.42 x 58 in. (106.7 x 147.3cm)Unframedprovenance:Claire Oliver, New York, New York.Acquired from the above by the present owner.$5,000-7,000

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134 160362/3FERDINANDO SPINA(canadian, b. 1949)FISHERMAN AND THE TWO NYMPHSSigned and dated 88 bottom left, oil oncanvas.16 x 16 in. (40.6 x 40.6cm)provenance:Vorpal Gallery, New York, New York.Private Collection.$1,000-2,000

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135 152223/22RICHARD BOSMAN(american, b. 1944)POISONSigned verso, oil on canvas.Executed in 1982.54 x 42 in. (132.1 x 106.7cm)provenance:Brooke Alexander, Inc., New York,New York.Sotheby’s, New York,“Contemporary Art, Part II,” May 7,1992, lot 215.Corporate Collection, Philadelphia,Pennsylvania.$1,000-2,000

136 168024/1ROBERT FAWSETT(american, 1903-1967)FACTORYSigned with initials bottom left, oilon canvas.16 1/4 x 20 in. (41.3 x 50.8cm)provenance:Private Collection, Virginia.$1,500-2,500

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137 160362/14TOM HUNTER(british, b. 1965)“THE GLASS OF WINE”1997, 6 from the edition of 10. Cibachrome printmounted on plastic support.image: 23 3/8 x 19 1/2 in. (59.4 x 49.5cm)sheet: 23 7/8 x 19 7/8 in. (60.6 x 50.5cm)provenance:Yancey Richardson Gallery, New York, New York.Private Collection.$1,000-3,000

138 160362/16TOM HUNTER(british, b. 1965)UNTITLEDThree Cibachrome prints on aluminum panels(triptych).each panel: 22 5/8 x 18 3/16 in. (57.5 x 43.2cm)overall: 22 5/8 x 54 9/16 in. (57.5 x 138.6cm)Unframed(3)provenance:Yancey Richardson Gallery, New York, New York.Private Collection.$5,000-7,000

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139 160096/10NOBUYOSHI ARAKI(japanese, b. 1940)“FLOWER, YAMORINSKI AND BONDAGED WOMAN”2006/2014, signed in ink verso, from the edition of 10.Cibachrome print.sheet: 55 x 41 1/2 in. (139.7x 105.4cm)Unframedprovenance:Private Collection, New York, New York.$15,000-20,000

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140 160362/12LINDA MCCARTNEY(british, 1942-1998)BOY WITH MASK1986, signed in red ink. Salted paper print on Fabrianoimage: 10 1/4 x 14 1/2 in. (26 x 36.8cm)sheet: 11 3/8 x 15 1/4 in. (28.9 x 38.7cm)provenance:Bonni Benrubi Gallery, New York, New York.Private Collection.$4,000-6,000

141 160362/15YOLANDA ANDRADE(mexican, b. 1950)“EL CABALLITO”1988, pencil signed, titled and dated verso. Gelatin silver print.image: 18 13/16 x 12 1/6 in. (47.8 x 30.6cm)sheet: 19 7/8 x 15 13/16 in. (50.5 x 40.2cm)provenance:Peter Fetterman Gallery, Santa Monica, California.Private Collection.$1,000-1,500

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142 160362/6WILLIAM CLAXTON(american, 1927-2008)“HALIMA AND CHET BAKER, REDONDO BEACH, 1955”1955/1992, pencil signed, titled and dated in photographer’s copyrightstamp verso. Gelatin silver print.image: 12 13/16 x 10 3/8 in. (32.5 x 26.4cm)sheet: 13 7/8 x 10 7/8 in. (35.2 x x 27.6cm)provenance:Private Collection.$2,000-3,000

143 160362/7WILLIAM CLAXTON(american, 1927-2008)“CHET BAKER AND LILI, HOLLYWOOD 1955”1955/1992, pencil signed, titled and dated in photographer’s copyright stampverso. Gelatin silver print.image: 10 15/16 x 10 3/8 in. (27.8 x 26.4cm)sheet: 13 7/8 x 10 13/16 in. (35.2 x 27.5cm)provenance:Private Collection.$2,000-3,000

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144 160362/13CECIL BEATON(british, 1904-1980)PORTRAIT OF NANCY CUNARDCirca 1927, printed later, signed in orange crayon bottom right on mountrecto, with his “Cecil Beaton Photograph” hand-stamp on mount verso.Bromide printsheet: 17 3/8 x 13 1/2 in. (44.1 x 34.3cm)provenance:Peter Fetterman Gallery, Santa Monica, California.Private Collection.$4,000-6,000

145 160362/11MARCUS LEATHERDALE(canadian, b. 1952)“SONUNDA - NEW DELHI”from the “bharat tasvir” series1922, signed, titled and dated, numered 5/10 in pencil, with photographer’sstamp on verso. Gelatin silver print.image: 12 7/16 x 11 11/16 in. (31.6 x 29.7cm)sheet: 18 11/16 x 15 3/4 in. (47.5 x 40cm)provenance:Greenhouse Gallery, New York, New York.Private Collection.$1,000-2,000

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146 160362/5ANDRÉ KERTÉSZ(american/hungarian, 1894-1985)“SATYRIC DANCER”1926/1981, signed in pencil bottom right on mountrecto, numbered 28/50. Gelatin silver contact print.sheet: 3 3/4 x 3 in. (9.5 x 7.6cm)provenance:Yancey Richardson Gallery, New York, New York.Private Collection.$5,000-7,000

END OF SALE

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names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary

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IndexAndrade, E., 27Andrade, Y., 141Andrews, B., 124Araki, N., 139Avery, S., 94, 95

Baechler, D., 51Baldessari, J., 37Bartlett, B., 119, 121Bearden, R., 83-90Beaton, C., 144Bertoia, H., 10, 15Biggers, J. T., 93Bochner, M., 64Bosman, R., 135Branco, M. R., 106Brannon, M., 66

Calder, A., 29, 30Chagall, M., 4, 5Chihuly, D., 63Claxton, W., 142, 143Close, C., 34, 35Codax, H., 53

Damn, V. C., 100-101Davis, I., 61Denmark, J., 92Dial, T., 80Dine, J., 6, 7Dokoupil, J. G., 8

Edwards, B., 71

Fangor, W., 28Fawsett, R., 136Finneran, J., 68Fontana, L., 14Foulkes, L., 82

Gibbs, T. Y. Y., 103Gilliam, S., 75, 76Gonzalez, D., 109

Hai, P., 104Haring, K., 45Hawkins, W., 77, 78Hirsch, J., 122

Hirst, D., 47, 48Howe, C., 133Hoyland, J., 21Humphrey, R., 111Hunter, T., 137, 138

Jenkins, P., 36, 110, 112

Kahn, W., 114-118Kanemitsu, M., 22, 23Kertesz, A., 146Koh, T., 57Kohlmeyer, I., 70

Leatherdale, M., 145Lee, P., 67Leuders, J., 20Lewis, N., 74Lichtenstein, R., 42, 43Lorentzen, I., 123

Maril, H., 96, 97Matthiasdottir, L., 131McCartney, L., 140McGinley, R., 41Meyer, J., 120Miro, J., 1, 2Mondu 73Moore, H., 12, 13, 16Morning, S. B., 46Motherwell, R., 19

Nara, Y., 49, 50, 52Neel, E., 60Nevelson, L., 9Newsome, R., 69

Oldenburg, C., 38Oliveira, N., 24Overstreet, B., 79

Palma, L. G., 105Parekh, M., 102Picasso, P., 3Pierson, J., 62Pissarro, P. E., 126Pomodoro, A., 11

Rauschenberg, R., 18Retna 55Rhodes, S., 65Ritchey, L., 54Ruscha, E., 39

Schuman, W., 130Schutz, D., 40Sefarbi, H., 98- 99Shils, S., 125Sibony, G., 56Spandorfer, M., 72Spina, F., 134Steinberg, S., 113Stella, F., 25, 26Sullivan, B., 132

Thiebaud, W., 31-33Tobey, M., 127-129Twombly, C., 17

Vanderbeek, S., 58, 59

Warhol, A., 44Weber, F., 107Williams, W., 91

Young, P., 81

Zuniga, F., 108

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To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email [email protected] to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property.

Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Art In TransitNick Clarke314 North 12th StreetPhiladelphia, PA [email protected]

Atelier Art Services ‡

Lynn Smith1330 North 30th StreetPhiladelphia, PA 19144215.235.0402 | Fax: [email protected]

Aiston Fine Art Service ‡

Mark AistonP.O. Box 3434Grand Central StationNew York, NY 10163212.715.0629 | Fax: [email protected]

Cadogan Tate Fine Art ‡

Stacey FergusonCadogan House41-20 39th StreetSunnyside, NY 11104718.706.7999 | Fax: [email protected]

Crozier Fine ArtsJennifer Norton525 W 20th Street New York, NY 10011 212.741.2024 [email protected]

Mr. C’sCharles Cohen1615 North 10th StreetPhiladelphia, PA [email protected]

Malca Amit ‡

Christine Duke153-66 Rockaway BlvdNew York, NY 11434718.525.6100 | Fax: [email protected]

A. Mastrocco Jr. Moving & StorageRoseanne Gebler1060 Louis DriveWarminster, PA 18991215.491.0346 | Fax: [email protected]

The Packaging Store ‡

Duane Freed2333 Welsh RoadLansdale, PA 19446215.361.6940 | Fax: [email protected]

UPS Store ‡

John Bohach51 North 3rd StreetPhiladelphia, PA 19106215.629.4990 | Fax: [email protected]

U.S. Art ‡

Jessica Pierce37-11 48th AvenueLong Island City, NY 11101800.472.5784 | Fax:[email protected]

VG Packaging LLC ‡

Gordon G Murray II12 Salem RoadSchwenksville, PA 19473484.552.8741 | Fax: [email protected]

FURNITURE & LARGE ITEMSFor larger pieces when delivery time is not a rush, we suggest:www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com

‡ Shippers that can fulfill international deliveries

Purchase removal, shipping and offsite storage information

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All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

13A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’sPremium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter.

14Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

in the original purchase price andwill also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11No “buy” bids shall be accepted at any time for any purpose.

12Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

8Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiency

1Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

Terms & Conditions

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bidding & registration form

sale no bidder no client no

name business name

address

city state country

zip code e-mail

phone (primary) phone (secondary) fax

resale / tax identification state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of hammer price of each lot, 20% on

the hammer from $200,001 through $3,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no description maximum bid

please adhereto the bidding increments

$10until $200 is reached

$25until $500 is reached

$50until $1,000 is reached

$100until $3,000 is reached

$250until $5,000 is reached

$500until $10,000 is reached

$1,000until $30,000 is reached

$2,500until $50,000 is reached

$5,000until $100,000 is reached

over $100,000auctioneer’s discretion

bank reference

bank name account no

contact name telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed q id confirmed(signature required to execute your bids)

1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected]

www.freemansauction.com

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Specialist Departments

20th Century DesignTim Andreadis [email protected] American Art & Pennsylvania ImpressionistsAlasdair Nichol [email protected]

American Furniture, Folk & Decorative ArtsLynda Cain [email protected]

American SilverSamuel M. Freeman II [email protected]

Asian ArtsRichard A. Cervantes [email protected]

Books, Maps & Manuscripts Benjamin Truesdale [email protected]

English & Continental Furniture & Decorative ArtsNicholas B. A. Nicholson [email protected]

European Art & Old MastersDavid M. Weiss [email protected]

Jewelry & WatchesMichael Larsen, GIA GG [email protected] Virginia B. Salem, GIA [email protected]

Modern & Contemporary ArtTimothy Malyk [email protected]

Musical InstrumentsFrederick [email protected]

Oriental Rugs & CarpetsRichard A. Cervantes [email protected]

PrintsAnne Henry [email protected]

Silver & Objets de VertuSarah Blattner [email protected]

Representatives

New EnglandKelly Wright [email protected]

Mid-AtlanticMatthew Wilcox [email protected]

Southeast Colin Clarke [email protected]

West CoastMichael Larsen [email protected]

Main LineThomas McCabe [email protected]

Directory | 215.563.9275 | www.freemansauction.com

Officers

Samuel M. Freeman IIChairman

Alasdair NicholVice Chairman

Margaret D. FreemanVice Chairman

Paul S. RobertsPresident

Hanna DougherChief Operating Officer

Departments

AppraisalsAmy Parenti [email protected]

Business DevelopmentThomas B. McCabe IV [email protected]

Client ServicesMary Maguire Carroll [email protected]

FinanceMark Beckerman [email protected]

Marketing & CommunicationsTara Theune Davis [email protected]

Museum ServicesThomas B. McCabe IV [email protected]

PhotographyThomas Clark [email protected]

Press & MediaMelissa Geller [email protected]

Shipping & ReceivingBethany Mobbs [email protected]

Trust & EstatesSamuel T. Freeman III [email protected]

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Jewelry & WatchesAuction 5/02/16

Schlumberger for Tiffany and Co. enamel bangle bracelets, $20,000-30,000

www.freemansauction.com

Department Head

Michael Larsen | 818.205.3608 [email protected]

International Specialist

Virginia Salem | 267.414.1233 [email protected]

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Modern & Contemporary ArtMay 1, 2016

www.freemansauction.com1808 Chestnut Street Philadelphia Pennsylvania 19103T 215.563.9275 | F 215.563.8236