ITAL 30Il linguaggio figurativo nell’artesimbolo, metafora, e allegoria
martedì 8 novembre 2011
Aurélie TichouxVictoriya LevinaCarina LivotiEloise Horn
HarvardArt MuseumsHarvardArt Museums
Albrecht DürerGerman (1471 - 1528)Adam and Eve, 1504PrintEngravingsheet: 25.1
Andrea MantegnaThe Lamentation over the Dead Christ c. 1490Tempera on canvas
Maître de l'ÉchevinageReconstruction of the temple of Jerusalem from Guillaume de Tyr, Histoire d'OutremerManuscript illumination
Apollo Belvedere (copy) Roman copy (ca. 130 AD) probably of the original Apollo Patroos by Leochares (ac.370-320 BC)marble
Cornelis CortNetherlandish (1533 - 1578)Sight, 1561PrintEngraving
Cornelis CortNetherlandish (1533 - 1578)Hearing, 1561PrintEngraving
Cornelis CortNetherlandish (1533 - 1578)Touch, 1561PrintEngraving
Cornelis CortNetherlandish (1533 - 1578)Taste, 1561PrintEngraving
Cornelis CortNetherlandish (1533 - 1578)Smell, 1561PrintEngraving
Unknown Artist after Hendrick GoltziusNetherlandish (1558 - 1617)The Physician as Godfrom Allegory of the Medical Profession, 1587Engraving
Unknown Artist after Hendrick GoltziusNetherlandish (1558 - 1617)The Physician as an Angelfrom Allegory of the Medical Profession, 1587Engraving
Unknown Artist after Hendrick GoltziusNetherlandish (1558 - 1617)The Physician as Manfrom Allegory of the Medical Profession, 1587Engraving
Unknown Artist after Hendrick GoltziusNetherlandish (1558 - 1617)The Physician as the Devilfrom Allegory of the Medical Profession, 1587Engraving
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Piet MondrianDutch (1872 - 1944)Composition with Blue, Black,
Yellow, and Red, 1922PaintingOil on canvas