Transcript
Page 1: Fine Prints & Photography | Skinner Auction 2581B

American & European Works of ArtFine Prints & PhotographySale 2581B February 3, 2012 Boston

SKINNER

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specialists in charge

Robin S. R. StarrDepartment Director 508.970.3259

Kathy Wong508.970.3297

Elizabeth C. Haff508.970.3258

American & European Works of ArtFine Prints & Photography

American & European Works of Art Department - 508.970.3206

General Inquiries: [email protected]

auction 2581B

preview

Wednesday, February 1, 2012 12 to 5 p.m. Thursday, February 2, 2012 12 to 8 p.m. Friday, February 3, 2012 9 to 10:30 a.m.

Friday, February 3, 2012 at 12 noonLots 1–241, followed by Fine Paintings & Sculpture at 4 p.m.

63 Park PlazaBoston, Massachusetts

absentee bidding

Tel: 617.874.4318Fax: 617.350.5429

Online: www.skinnerinc.com

general inquiries

617.350.5400

cover: 75 (detail); frontispiece: 91; inside back cover: 137-141; back cover: 227, 241

View all lots online at www.skinnerinc.com

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table of contents

1 Auction & Specialist Information

2 Web Site & Online Bidding

4-5 Event Announcements

7 Lots 1–241

145 Glossary of Terms

146 Artist Index

152 Conditions of Sale

153 Absentee Bid Form

154 Company Directors & Specialty Departments

155 Administrative Staff & Client Services

156 Map & Driving Directions

157 Parking & Accommodations

158 Dining

159 Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 152 of this catalogue for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2012

All rights reserved

MA/Lic. #2304

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SKINNER presents a

Fine Art Gallery Walk

Presented by Robin Starr, Director of Skinner’s American & European

Works of Art Department

Thursday, February 2, 2012

5:30 p.m. Reception/6:00 p.m. Gallery Walk

63 Park PlazaBoston, MA

R.S.V.P. 617.350.5400Reservations are Limited

Gallery Walk held in conjunction with a preview of Skinner’s February 3rd auctions of Fine Prints & Photography and

Fine Paintings & Sculpture

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Upcoming Auction

Fine Prints & Photography

May 18, 2012 Boston, MA

Roy Lichtenstein (American, 1923-1997) Imperfect Diptych, 1988.

Consignment Deadline: February 24, 2012

For more information please contact our American & European Works of Art department at 508.970.3206 or e-mail [email protected]

www.skinnerinc.com

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1.Karel Appel (Dutch, 1921-2006)

Image for ONE CENT LIFE, 1964, edition of 2000, published by E.W. Kornfeld. Signed within the matrix. Color lithograph on paper, image/sheet size 15 1/4 x 10 3/4 in. (38.5 x 27.2 cm), framed.Condition: Unobtrusive soiling, not examined out of frame.

N.B. Sold to benefit the AIDS Action Committee, Boston, Massachusetts. $300-500

2.Ernst Barlach (German, 1870-1938)

Gestörter Aufbruch, 1917-19 (Schult, 126). Signed “EBarlach” in pencil l.r. Lithograph with hand-coloring on paper, image size 10 7/8 x 13 1/2 in. (27.5 x 34.3 cm), framed.Condition: Toning, not examined out of frame.

Provenance: Through a New England estate. $800-1,200

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3.Jennifer Bartlett (American, b. 1941)

American Dance Festival, 1978, edition of 175. Signed “J. Bartlett” in pencil l.r., identified within the matrix. Color lithograph on paper, image size 28 3/8 x 20 1/4 in. (72.0 x 51.4 cm), framed.Condition: Not examined out of frame. $300-500

4.Leonard Baskin (American, 1922-2000)

Five Animal Subjects: Armadillo, 1951, edition of 50 plus proofs, linocut (Fern & O’Sullivan, 96); Dragon Fly, 1951, edition of 50 plus proofs, linocut (Fern & O’Sullivan, 104); Still Life - New Years Greeting, 1953, wood engraving (Fern & O’Sullivan, 227); Boar, 1957, wood engraving (Fern & O’Sullivan, 304); and Stag, 1957, wood engraving (Fern & O’Sullivan, 306). Each signed “Baskin” in pencil l.r. Sheet sizes to 10 5/8 x 14 in. (26.8 x 35.5 cm), unmatted, unframed.Condition: Some with deckled edges, some with creases near edges. $500-700

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5.Leonard Baskin (American, 1922-2000)

Man of Peace, 1952 (Fern & O’Sullivan, 180). Signed “Baskin” in pencil l.r., titled in pencil l.l. Woodcut on paper, image size 60 x 30 3/4 in. (152.4 x 78.1 cm), framed.Condition: Cockling, staining near upper edge, not examined out of frame. $500-600

6.Leonard Baskin (American, 1922-2000)

Leonard Baskin Aet 42, 1962, edition of 100 (Fern & O’Sullivan, 420). Signed “Baskin” in pencil l.r., numbered “80/100” in pencil l.l., identified on a label from Graphics Gallery, Philadelphia, affixed to the backing. Woodcut in black and chartreuse on paper, image size 32 x 23 1/4 in. (81.2 x 59.0 cm), framed.Condition: Subtle toning, not examined out of frame. $200-300

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7.Leonard Baskin (American, 1922-2000)

Three Artist Portraits: Hercules Seghers, Dutch 1585-1645, 1962, edition of 50, color etching and aquatint (Fern & O’Sullivan, 432); Jacques Callot, French, 1592-1635, 1964, edition of 50, etching (Fern & O’Sullivan, 470); and D., H., and J. Hopfer, About 1530, 1964, edition of 50, etching (Fern & O’Sullivan, 473). Each signed “Baskin” in pencil l.r. and titled and inscribed or numbered in pencil l.l. Plate sizes approximately 17 1/2 x 14 1/2 in. (44.4 x 36.7 cm), matted, unframed.Condition: Deckled edges, subtle toning, Hopfer with gentle staining to image. $500-700

8.Leonard Baskin (American, 1922-2000)

Two Images: Chief Wets It - Assinnboine [sic], 1972, edition of 160 (Fern & O’Sullivan, 609); and White Horse, 1972, edition of 160 (Fern & O’Sullivan, 616). Both signed “Baskin” in pencil l.r., signed, titled, and dated within the matrix, and numbered in pencil l.l. Lithographs on paper, sheet sizes 35 x 25 in. (88.8 x 63.4 cm), unmatted, unframed.Condition: Minor handling creases, 1/4-inch tear to lower edge of Wets It. $500-700

9.Leonard Baskin (American, 1922-2000)

Hidatsa Medicine Man, 1972, edition of 160 (Fern & O’Sullivan, 610). Signed “Baskin” in pencil l.r., inscribed “AP” in pencil l.l., signed, dated, and titled within the matrix, dry stamp l.l. Lithograph on cream paper, image size 32 1/2 x 22 in. (82.5 x 55.8 cm), unmatted, unframed.Condition: Wide margins, subtle handling marks/creases. $300-500

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10.Leonard Baskin (American, 1922-2000)

Pea-Tuy Tuck - Sac and Fox, 1973, edition of 100 (Fern & O’Sullivan, 634). Signed “Baskin” in pencil l.r., signed, titled, and dated within the matrix, inscribed “Artist’s Proof” in pencil l.l. Color lithograph on paper, image size 34 1/4 x 23 3/4 in. (86.9 x 60.3 cm), unmatted, unframed.Condition: Deckled edges, gentle toning, handling creases (primarily to upper and lower margins). $500-700

11.Leonard Baskin (American, 1922-2000)

Quanah Parker Comanche, 1974, edition of 100 (Fern & O’Sullivan, 643). Signed “Baskin” in pencil l.r., signed, titled, and dated within the matrix, numbered “34/100” in pencil l.l. Lithograph in black and red on cream paper, image size 35 x 22 in. (88.8 x 55.8 cm), unmatted, unframed.Condition: Minor handling creases. $400-600

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12.Leonard Baskin (American, 1922-2000)

Scout - Man on Horse, 1975, edition of 100 (Fern & O’Sullivan, 654). Signed “Baskin” in pencil l.r., numbered “97/100” in pencil l.l. Color lithograph on paper, image size 28 1/2 x 35 in. (72.3 x 89.1 cm), unmatted, unframed.Condition: Deckled edges, gentle toning, handling creases (primarily to margins). $500-700

13.Leonard Baskin (American, 1922-2000)

Fast Bear - Sioux, 1993, edition of 50. Signed “Baskin” in pencil l.r., numbered “7/50” in pencil l.l., titled, signed, and dated within the matrix. Color lithograph on paper, image size 15 3/8 x 6 in. (39.0 x 15.0 cm), framed.Condition: Not examined out of frame. $800-1,200

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14.After Jean-Michel Basquiat (American, 1960-1988)

The Offs/A Record Album Cover, 1984, edition of 2,500. Identified on the cover. Offset lithograph on folded paperboard, 12 1/4 x 12 1/4 in. (31.0 x 31.0 cm), unframed.Condition: Minor soiling and handling creases, wear to spine.

N.B. The record has not been played to confirm there are no skips. $500-700

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15.Gustave Baumann (American/German, 1881-1971)

The Ridge Road, edition of 100. Signed “Gustave Baumann” in pencil and with hand-in-heart chop l.r., numbered “NO 96/100” in pencil l.c., titled in pencil l.l. Color woodcut on laid oatmeal paper with partial figural watermark, image size 11 x 9 7/8 in. (27.9 x 25.0 cm), framed.Condition: Margins approximately 1/2 inch with staining to edges.

N.B. The view depicts one of the byways of Brown County, Indiana. Baumann moved here in 1910, and remained for the next eight years. This is also when he began using the hand-in-heart chop mark. $3,000-5,000

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16.Romare Bearden (American, 1911-1988)

Conjunction, 1979, edition of 300. Signed “RomareBearden” in pencil l.r., numbered “293/300” in pencil l.l., identified on a label from the Jo Aarons Gallery, Rhinebeck, New York, on the reverse. Color lithograph on paper, image size 18 3/4 x 15 1/8 in. (47.5 x 38.5 cm), framed.Condition: Not examined out of frame.

Provenance: The estate of Jonas Aarons, New York. $1,500-2,000

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17.Frank Weston Benson (American, 1862-1951)

Pair of Ducks, 1916, total edition of 277 (Paff, 102). Signed “FrankWBenson.” in pencil l.l. Etching on Shogun paper with partial watermark, plate size 4 7/8 x 3 7/8 in. (12.3 x 9.9 cm), unmatted, unframed.Condition: Deckled edges to two sides, affixed to the page from the book along the right edge.

N.B. This plate was steel faced after two impressions, and printed as the frontispiece for volume one of Adam E. M. Paff and Arthur W. Heintzelman’s Etchings and Drypoints by Frank W. Benson. $400-600

18.Frank Weston Benson (American, 1862-1951)

Bunch of Bluebills, 1931, published state, edition of 300 (Paff, 312). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 3 3/4 x 4 7/8 in. (9.4 x 12.3 cm), framed.Condition: Several pale fox marks, not examined out of frame. $300-500

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19.Richard Evett Bishop (American, 1887-1975)

Two Waterfowl Subjects: Geese, 1938; and Twilight, 1939. Both signed “RichardEBishop” in ink and pencil, respectively, both titled l.l., and signed and dated within the plate. Etchings (the latter with aquatint) on paper, plate sizes approximately 7 5/8 x 5 3/8 in. (19.3 x 13.5 cm), framed.Condition: Unobtrusive toning, staining to Geese, not examined out of frames. $500-700

20.William Blake (British, 1757-1827)

There were not found Women fair as the Daughters of Job..., plate XX from THE BOOK OF JOB, 1825, final state of four (Binyon, 125). Identified within the plate and on a label from Harlow, Keppel & Co., Inc., New York, affixed to the backing. Etching on paper, sight size 8 1/4 x 6 1/8 in. (20.8 x 15.5 cm), framed.Condition: Not examined out of frame.

Provenance: A Massachusetts collecting institution. $1,200-1,800

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21.Edward Borein (American, 1872-1945)

Two Bronco Busting Scenes: Who Wins? (Galvin, 63) and Little Bucking Horse (Galvin, 64). Both signed “Edward Borein” in pencil l.r., with pencil remarque of a horseman l.l., and signed within the plate. Etchings on paper, plate sizes 4 7/8 x 4 in. (12.4 x 9.9 cm), framed.Condition: Margins 1 inch or more, foxing (prevalent to Wins), creasing to Horse, not examined out of frames. $800-1,200

22.After Georges Braque (French, 1882-1963)

Bouquet fleurs à l’aquarelle (Maeght, 1025). Signed “G Braque” in pencil l.r. and within the matrix, numbered “276/300” in pencil l.l. Color lithograph on Arches paper with watermark, image size 15 7/8 x 12 1/4 in. (40.0 x 31.0 cm), matted, unframed.Condition: Deckled edges to two sides, toning, light struck, corrugation staining to verso. $800-1,200

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23.Félix Hilaire Buhot (French, 1847-1898)

Nine Diminutive Images: Ma petite village, 1er planche (Après la pluie), 1872 (Bourcard & Goodfriend, 27); Le Puits de la Butte-aux-Cailles (B&G, 41); L’Étang de la Bièvre, an impression from the cancelled plate (B&G, 43); La Promenade (B&G, 44); Montmartre, 1874-1875 (B&G, 47); Le Réveillon, an impression from a cancelled plate, (B&G, 67); Pluie et parapluie (B&G, 68); Les Noctanbales (B&G, 69); and L’Angélus, an impression from the fourth (cancelled) state (B&G, 72). One signed in pencil, five with the artist’s red owl stamp, most monogrammed and/or inscribed within the plate, many annotated in the lower margin. Etchings on paper, plate sizes to 6 x 4 1/4 in. (15.2 x 10.9 cm), unmatted, unframed.Condition: Most gently toned and with hinges to verso, several are light-struck. $1,500-2,000

24.Félix Hilaire Buhot (French, 1847-1898)

Le Curé de Cucugnan, fourth state of six (Bourcard & Goodfriend, 112). Monogrammed and identified within the plate, artist’s stamp l.c. Etching and aquatint on paper, plate size 6 7/8 x 4 1/2 in. (17.3 x 11.3 cm), framed.Condition: Not examined out of frame. $600-800

25.Harrison Cady (American, 1877-1970)

Two Views: Sailing the Lagoon and The Mule on the Bridge, both editions of 100. Both signed “Harrison Cady” in pencil l.r. and numbered “imp/100” in pencil l.l. Etchings on paper, plate sizes to 8 3/4 x 13 3/8 in. (22.2 x 34.0 cm), framed.Condition: Mat burn to Lagoon, toning to Mule, not examined out of frames. $400-600

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26.Alexander Calder (American, 1898-1976)

Untitled (Elephant and Big Cats). Signed “Calder” in pencil l.r., inscribed “E.A.” in pencil l.l. Color lithograph on Arches paper with watermark, image size 21 1/4 x 28 1/8 in. (54.0 x 71.3 cm), unmatted, unframed.Condition: Deckled edges to two sides, unobtrusive toning, staining to edges, hinged to the backing. $400-600

27.Leonetto Cappiello (French, 1875-1942)

Le thermogène engendre la chaler..., published by Dehon & Cie., Paris. Signed and identified within the matrix. Color lithographic poster on paper, image size 45 x 29 3/8 in. (114.2 x 74.5 cm), framed.Condition: Subtle toning, gentle rippling, not examined out of frame. $600-800

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28.Antoine (Anto) Carte (Belgian, 1886-1954)

Organ Grinder. Signed “Anto. Carte” in pencil l.r. Lithograph on laid paper with partial watermark, image size 17 x 12 1/4 in. (43.0 x 31.0 cm), framed.Condition: Toning, mat burn, staining, rippling, and creases (most of the pressed creases to the margins). $150-200

29.Jean-Pierre Cassigneul (French, b. 1935)

Le Manteau de fourrure, 1967, edition of 150. Signed “Cassigneul” in pencil l.r., numbered “134/150” in pencil l.l. Color lithograph on paper, image size 21 1/2 x 16 1/2 in. (54.5 x 41.8 cm), framed.Condition: Subtle rippling, not examined out of frame. $250-300

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30.Marc Chagall (French/Russian, 1887-1985)

La grenouille qui veut fair aussi grosse que le boeuf, plate 2 from FABLES by La Fontaine, published 1952, edition of 100 (Cramer, 22). Signed within the plate. Etching with hand-coloring on BFK Rives paper with watermark, plate size 11 5/8 x 9 1/4 in. (29.3 x 23.4 cm), unmatted, unframed.Condition: Margins over 1 inch with two deckled edges, subtle toning, annotations to lower margin, hinges to upper edge on verso. $500-700

31.Marc Chagall (French/Russian, 1887-1985)

Two Images from the DESSINS POUR LA BIBLE Series, text by Gaston Bachelard: Adam et Eve chassés du Paradis terrestre and Rachel dérobe les Idoles de son Père, 1960, published by Verve, volume X, numbers 37-38 (Mourlot, 237 & 242; Cramer 42). Unsigned, both with lithographs on verso. Color lithographs on paper, sight sizes 13 1/2 x 10 in. (34.2 x 25.4 cm), framed.Condition: Possible subtle toning, not examined out of frames. $500-700

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32.Christo (American, b. 1935) and Jeanne-Claude (American, 1935-2009)

Two Images: Plates 1 and 7 from WRAPPED MONUMENT TO VITTORIO EMANUELE, 1975, edition of 75 (Hovdenakk, 43). The former numbered and signed “59/75 Christo” in pencil within the image c.r., both identified on labels from the Obelisk Gallery, Boston, affixed to the backing. Offset lithographs on paper, sheet sizes 28 x 21 3/8 in. (71.1 x 54.4 cm), framed.Condition: Not examined out of frames. $600-800

33.Roland Clark (American, 1874-1957)

Two Scenes with Waterfowl: After the Blow, 1922, edition of 75; and Ragged Island, 1923, edition of 80. Both signed “Roland Clark” in pencil l.r. and identified on labels on the reverse. Etchings on paper, plate sizes to 9 x 14 3/8 in. (22.8 x 36.4 cm), framed.Condition: Unobtrusive toning, minor scattered fox marks, not examined out of frames. $300-500

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34.Charles Nicolas Cochin the Younger (French, 1715-1790) and Jacques Philippe Le Bas (French, 1707-1783), After Claude Joseph Vernet (French, 1714-1789)

Vue de la Ville et du Port de Bayonne, 1764. Identified within the plate. Engraving on paper, plate size 20 7/8 x 29 1/4 in. (53.0 x 74.0 cm), framed.Condition: Minor soiling, gentle rippling, not examined out of frame. $250-300

35.Arthur Morris Cohen (American, b. 1928)

Brooklyn Bridge, 1982, proof impression. Signed “ArthurCohen” in pencil l.r., titled in pencil l.c., inscribed and dated “7 4 state 2 prints Mar 17 82” in pencil l.l. Etching and aquatint with hand-coloring on paper, plate size 7 3/4 x 10 in. (19.7 x 25.4 cm), framed.Condition: Pale staining, not examined out of frame. $200-250

36.Lovis Corinth (German, 1858-1925)

Dame im Gartenstuhl, 1911 (Schwarz, 76). Signed “Lovis Corinth” in red crayon l.r., inscribed “probedruck” in red crayon l.l., annotated beneath the plate mark l.l. Etching and drypoint on paper, plate size 7 7/8 x 12 in. (20.0 x 30.4 cm), matted, unframed.Condition: Margins over 3 inches with deckled edges, subtle toning, breaks to paper surface along plate mark, minor staining to margins. $400-600

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37.Lovis Corinth (German, 1858-1925)

Baumlandschaft, c. 1920. Signed “Lovis Corinth” in pencil l.r., inscribed “pr” in pencil l.l. Lithograph on paper, image size 12 3/8 x 9 7/8 in. (31.3 x 25.0 cm), matted, unframed.Condition: Margins approximately 1 inch, subtle toning and staining. $300-500

38.Allan D’Arcangelo (American, 1930-1998)

Landscape, 1969, edition of 120. Signed and dated “D’Arcangelo 1969” in pencil (within the image) l.r., identified on a label from the Albright-Knox Art Gallery, Buffalo, New York, on the backing. Screenprint on paper, image/sheet size 25 1/2 x 25 1/2 in. (64.7 x 64.7 cm), framed.Condition: Not examined out of frame. $250-300

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39.Morgan Dennis (American, 1892-1960)

Rapt Attention. Signed “Morgan Dennis” in pencil l.r., signed within the plate. Etching on paper, plate size approximately 3 5/8 x 4 7/8 in. (9.2 x 12.4 cm), framed.Condition: Subtle toning, pale stain to image u.r., not examined out of frame. $300-500

40.César Domela (Dutch, 1900-1992)

Composition, 1950, edition of 175. Signed “Domela” in pencil (within the image) l.r., numbered “130/175” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 24 5/8 x 18 1/2 in. (62.5 x 46.8 cm), unmatted, unframed.Condition: Minor wear and soiling to corners, subtle handling creases, foxing to verso. $200-250

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41.Kees van Dongen (Dutch, 1877-1968)

Young Girl, from FEMMES, 1927, edition of 100 plus 20 proofs (Juffermans, 12). Signed within the matrix, numbered “66/120” in pencil l.r. Color lithograph on paper, image size 14 x 9 in. (35.5 x 22.7 cm), framed.Condition: Pale mat burn, not examined out of frame. $500-700

42.Jimmy Ernst (American/German, 1920-1984)

Untitled, 1971. Inscribed, dedicated, signed, and dated “Artist’s Proof For Rufus and Al...Happy Anniversary...1971 Jimmy and Dallin Jimmy Ernst 71” in pencil beneath the image. Color screenprint on paper, image size 34 x 24 1/4 in. (86.2 x 61.5 cm), framed.Condition: Minor soiling to margins, subtle rippling, not examined out of frame. $200-300

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43.M.C. Escher (Dutch, 1898-1972)

Encounter, 1944, edition of 50 (Bool et al., 331). Signed and numbered “MCEscher No 14/50 IV” in pencil l.l., initialed and dated within the matrix. Lithograph on paper with partial “Holland” and figural watermarks, image size 13 3/8 x 18 1/4 in. (33.8 x 46.3 cm), framed.Condition: Margins over 1 1/2 inches, gently light struck, minor creasing near corner u.l., four 1-inch pieces of Scotch or similar tape to edges, white cloth hinges near upper corners on the reverse. $15,000-20,000

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44.M.C. Escher (Dutch, 1898-1972)

Two Impressions: The Two Blocks for Circle Limit IV (Heaven and Hell), 1960 (see Bool et al., 436). Both monogrammed and dated within the block. Woodcuts, one in ochre, the other in black, image sizes approximately 8 1/2 x 13 in. (21.5 x 33.0 cm), presented in a single frame.Condition: Not examined out of frame.

N.B. The two images, laid black over ochre, and aligned and printed three times each would create the circular composition with a diameter of 16 3/8 inches. $1,500-2,500

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45.Richard Estes (American, b. 1932)

Movies, from URBAN LANDSCAPES NO. 3, 1981, edition of 250 plus proofs (Arthur, page 123). Signed “Richard Estes” in pencil l.r., numbered “16/250” in pencil l.l. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.6 cm), framed.Condition: Not examined out of frame.

N.B. The mural visible through the window is by Alex Katz. $1,000-1,500

46.Philip Evergood (American, 1901-1973)

Artist’s Wife, 1965. Signed “Philip Evergood” in pencil l.r., initialed and dated within the matrix, inscribed “Artist’s Proof 5” in pencil l.l., identified on a label from the Jo Aarons Gallery, Rhinebeck, New York, affixed to the backing. Color lithograph on paper, image size 20 1/4 x 17 1/2 in. (51.4 x 44.4 cm), framed (without glass).Condition: Creases (including some to image), tears to left margin (one just into image), minor staining.

Provenance: Estate of Jonas Aarons, New York. $300-500

30 additional information and photos at www.skinnerinc.com

46

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47.Shepard Fairey (American, b. 1970)

Three Posters: OBEY: Never Trust Your Own Eyes..., OBEY (Andre the Giant), and Mayday, 2010. Each signed and dated in pencil l.r. Offset lithographic posters, sheet sizes to 36 x 24 in. (91.4 x 60.9 cm), unmatted, unframed.Condition: Very minor handling creases. $400-600

48.Henri Fantin-Latour (French, 1836-1904)

Prélude de Lohengrin (second plate), 1898 (Hédiard, 146). Signed and dated within the matrix. Lithograph on paper, image size 20 x 14 in. (50.8 x 35.3 cm), framedCondition: Gentle rippling, not examined out of frame. $250-300

31online bidding at www.skinnerinc.com

4847

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49

49.Sam Francis (American, 1923-1994)

Untitled, 1988, edition of 50 plus proofs, published by The Litho Shop, Inc., Santa Monica (Lembark, L280). Signed “Sam Francis” in pencil (within the image) l.l., numbered “AP 2/11” in pencil (within the image) l.r. Color lithograph on paper, image/sheet size 45 x 29 in. (114.2 x 73.5 cm), framed.Condition: Minor handling crease to edge near corner u.r. and l.r., not examined out of frame. $2,000-3,000

32 additional information and photos at www.skinnerinc.com

Page 35: Fine Prints & Photography | Skinner Auction 2581B

51

50.Hans Frank (Austrian, 1884-1948)

Plowing, 1934. Signed and dated “Hans Frank 34” in pencil l.r. Color woodcut on paper, 13 1/8 x 12 1/2 in. (33.3 x 31.5 cm), framed.Condition: Margins over 1/2 inch, subtle toning, pale fox marks, staining to margins, cockling, not examined out of frame. $300-500

51.Antonio Frasconi (Argentine, b. 1919)

Portrait of Dylan Thomas, 1958, edition of 50. Signed and dated “frasconi 58” in pencil l.r., numbered and titled “TD 30/50...” in pencil l.l. Woodcut on paper, image size 30 x 14 3/4 in. (76.2 x 37.4 cm), framed.Condition: Rippling, handling creases, not examined out of frame. $300-500

33online bidding at www.skinnerinc.com

50

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52

52.Sears Gallagher (American, 1869-1955)

Two Images: The Putt and Hauling Traps. Both signed “Sears Gallagher” in pencil l.l. and monogrammed within the plate. Etchings on paper, plate sizes to 8 3/4 x 12 3/4 in. (22.2 x 32.3 cm), matted, unframed.Condition: Subtle toning. $350-550

53.Hendrik Goltzius (Dutch, 1558-1617)

Pietà, 1596. Monogrammed and dated within the plate. Engraving on paper, image size 6 7/8 x 4 7/8 in. (17.5 x 12.4 cm), framed.Condition: Trimmed just outside of the border (missing the blank space beneath the image), fox mark or stain to image u.r., gentle rippling, not examined out of frame.

Provenance: A Massachusetts collecting institution. $800-1,200

34 additional information and photos at www.skinnerinc.com

53

Page 37: Fine Prints & Photography | Skinner Auction 2581B

54.R.C. (Rudolph Carl) Gorman (American, 1932-2005)

Hana, 1982, edition of 250. Signed and dated “R.C. Gorman 1982” in pencil (within the image) l.l., numbered “148/250” in pencil (within the image) l.r., dry stamped with cowboy boot l.l. and “HOUSTON” l.r. Color lithograph on paper, image/sheet size 22 x 30 in. (56.0 x 76.0 cm), framed.Condition: Not examined out of frame. $700-900

55.R.C. (Rudolph Carl) Gorman (American, 1932-2005)

Wild Flowers, 1990, edition of 224. Signed and dated “R.C. Gorman 1990” in pencil within the image l.l., numbered “99/224” in pencil within the image l.r. Color lithograph on paper, sight size 27 1/4 x 35 1/2 in. (69.0 x 90.0 cm), framed.Condition: Not examined out of frame. $1,000-1,500

35online bidding at www.skinnerinc.com

54

55

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56

56.R.C. (Rudolph Carl) Gorman (American, 1932-2005)

Saguaro, 1990, edition of 224. Signed and dated “R.C. Gorman 1990” in pencil within the image l.l., numbered “67/224” in pencil within the image l.r. Color lithograph on paper, sight size 29 1/2 x 37 1/4 in. (74.8 x 94.5 cm), framed.Condition: Not examined out of frame. $1,000-1,500

36 additional information and photos at www.skinnerinc.com

Page 39: Fine Prints & Photography | Skinner Auction 2581B

57

57.R.C. (Rudolph Carl) Gorman (American, 1932-2005)

Atole, 1990, edition of 225. Signed and dated “R.C. Gorman 1990” in pencil within the image l.l., numbered “52/225” in pencil within the image l.r. Color lithograph on paper, image/sheet size 36 x 29 1/2 in. (91.4 x 74.8 cm), framed.Condition: Deckled edges, not examined out of frame. $1,000-1,500

37online bidding at www.skinnerinc.com

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59

58

58.Francisco José De Goya y Lucientes (Spanish, 1746-1828)

Los Moros Establecidos en España, plate three from LA TAUROMAQUIA, from the first edition, published 1816 (Harris, 206.III). Plate number within the plate u.r. Etching with aquatint on laid paper with “MORANO” watermark, plate size 9 5/8 x 14 in. (24.3 x 35.3 cm), matted, unframed.Condition: Creasing to margins, gentle cockling, pale staining to verso. $700-900

59.Francisco José De Goya y Lucientes (Spanish, 1746-1828)

El Mismo Ceballos Montado Sobre Otro Toro, plate twenty-four from LA TAUROMAQUIA, from the first edition, published 1816 (Harris, 227.III). Plate number within the plate u.r. Etching with aquatint on laid paper, plate size 9 5/8 x 14 in. (24.3 x 35.3 cm), matted, unframed.Condition: Gentle cockling, pale staining. $700-900

38 additional information and photos at www.skinnerinc.com

Page 41: Fine Prints & Photography | Skinner Auction 2581B

60.Red Grooms (American, b. 1937)

Franklin’s Reception at the Court of France, 1982, edition of 125 (Knestrick, 93). Signed and dated “Red Grooms ‘82” in pencil l.r., numbered “114/125” in pencil l.l., dry stamp l.r. Color screenprint on paper, image size 42 x 29 1/4 in. (106.5 x 74.2 cm), framed.Condition: Not examined out of frame.

Provenance: Estate of Jonas Aarons, New York. $1,000-1,500

39online bidding at www.skinnerinc.com

60

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61

61.Laura Grosch (American, b. 1945)

Iris on Bokhara, 1975. Signed and dated “Grosch 1975” in pencil (within the image) l.r., inscribed “Impressions Workshop Proof I” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 22 1/4 x 30 1/4 in. (56.4 x 76.7 cm), matted, unframed.Condition: Margins 1 inch or more with deckled edges, subtle toning to edges.

N.B. Property sold for the benefit of the Brooklyn Museum. $200-250

62.Sir Francis Seymour Haden (British, 1818-1910)

Breaking up of the Agamemnon, 1870, state ix or later of xi (Schneiderman, 133). Signed and dated within the plate. Etching with drypoint on paper, plate size 7 1/2 x 16 1/4 in. (19.0 x 41.2 cm), framed.Condition: Not examined out of frame. $250-350

40 additional information and photos at www.skinnerinc.com

62

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63

63.Richard C. Harden (American, b. 1956)

Brooklyn Bridge, 1984, edition of 35. Signed “Richard C. Harden” in pencil l.r., numbered “17/35” in pencil l.l. Mezzotint with drypoint on paper, plate size 35 1/8 x 23 3/4 in. (89.2 x 60.3 cm), framed.Condition: Not examined out of frame. $2,500-3,000

41online bidding at www.skinnerinc.com

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64

64.Keith Haring (American, 1958-1990)

Chocolate Buddha 2, 1989, edition of 90 plus proofs, published by F.B. Editions, Paris. Numbered, signed, and dated “40/90 K. Haring ‘89...” in pencil l.r. Lithograph in orange and brown on paper, image size 19 3/8 x 25 1/8 in. (49.2 x 63.8 cm), framed.Condition: Gentle rippling, not examined out of frame. $2,000-3,000

65.Hans Hartung (German, 1904-1989)

L 120, 1963, edition of 75, published by Erker-Presse, St. Gallen (Schmücking, 183). Signed “Hartung” in pencil l.r., numbered “26/75” in pencil l.l., titled on the reverse, publisher’s dry stamp l.l. Lithograph on BFK Rives paper with watermark, image size 24 1/4 x 17 1/2 in. (61.5 x 44.5 cm), matted, unframed.Condition: Deckled edges, gently light struck, water or similar staining to lower and right edges. $300-500

42 additional information and photos at www.skinnerinc.com

65

Page 45: Fine Prints & Photography | Skinner Auction 2581B

66.Paul César Helleu (French, 1859-1927)

Two Portraits: Femme au chapeau and Buste de jeune femme. Signed “Helleu” in pencil l.l. and l.r., respectively. Etchings with drypoint on paper, plate sizes to 22 1/4 x 13 3/4 in. (56.4 x 34.8 cm), framed.Condition: Toning, pale staining to Chapeau, water or similar staining and surface rubs and abrasions into the paper within the image of Buste, not examined out of frames. $800-1,200

67.Paul César Helleu (French, 1859-1927)

The Fur Collar. Signed and inscribed “Helleu 6” in pencil l.l. Etching with drypoint on paper, plate sizes 23 3/8 x 13 3/4 in. (59.3 x 34.8 cm), framed.Condition: Pale foxing, creasing to image u.r. (into the figure’s forehead), not examined out of frame. $800-1,200

43online bidding at www.skinnerinc.com

66

67

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68.Dame Barbara Hepworth (British, 1903-1975)

Fragment, from the AEGEAN Suite, 1971, proof edition of 30, published by Marlborough Fine Art, London, printed by Curwen Press and Studios, London/Cambridgeshire. Signed “Barbara Hepworth” in pencil l.l., numbered “x3/30” in pencil l.l., printer’s dry stamp l.l. Color lithograph with embossing on paper, image size 30 1/2 x 20 in. (77.4 x 50.7 cm), framed.Condition: Margins 3/4 inches or more with deckled edges, not examined out of frame. $700-900

69.Ferdinand Hodler (Swiss, 1853-1918)

Rückzug von Marignano, 1897-98. Signed within the plate. Soft ground etching on Van Gelder Zonen laid paper with watermark, plate size 11 3/8 x 7 3/8 in. (29.0 x 18.5 cm), unmatted, unframed.Condition: Margins over 2 1/2 inches with deckled edges, staining (primarily to lower margin), annotations to lower edge. $300-500

44 additional information and photos at www.skinnerinc.com

68 69

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70

70.Marion Huse (American, 1896-1967)

In Taos Pueblo, 1937. Signed and dated “Marion Huse ‘37” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 6 1/8 x 7 7/8 in. (15.4 x 20.0 cm), matted, unframed.Condition: Margins approximately 1 inch with deckled edges (except near u.l. corner), subtly light struck, several pale fox marks, brown paper tape/reside to edges on the reverse.

Provenance: By descent in the artist’s family to the Fuller Museum of Art (Gift of the artist’s husband, Dr. Robert Barstow), Brockton, Massachusetts, to the New Britain Museum of American Art.

Exhibitions: Marion Huse: An Artist’s Evolution, Brockton Art Museum/Fuller Memorial, Brockton, Massachusetts, June 2–August 25, 1985, number 34 (illustrated in the catalogue for the exhibition, p. 50). $200-300

71.Alfred Heber Hutty (American, 1877-1954)

Deep South, c. 1934. Signed “Alfred Hutty...” in pencil l.r. Etching and drypoint on paper, plate size 8 7/8 x 10 1/8 in. (22.5 x 25.6 cm), framed.Condition: Not examined out of frame. $1,000-1,500

45online bidding at www.skinnerinc.com

71

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73

72.Louis Icart (French, 1888-1950)

Des Grieux, 1930 (Holland et al., 393). Signed “Louis Icart” in pencil l.r., inscribed “Epr d’etat” in pencil l.r. Color etching with stencil and hand-coloring on paper, plate size 21 1/4 x 14 1/4 in. (53.8 x 36.0 cm), framed.Condition: Subtle toning, pale foxing, not examined out of frame. $600-800

73.Paul Jacoulet (French, 1902-1960)

Two Images from the RAINBOW SERIES (SEVEN CHAMORRO WOMEN OF GUAM): Green and Violet. Both signed and dated within the block, the latter with a Baren seal. Color woodcuts on paper, sight sizes 13 3/4 x 10 1/2 in. (34.8 x 26.5 cm), framed.Condition: Fading, not examined out of frames. $600-800

46 additional information and photos at www.skinnerinc.com

72

Page 49: Fine Prints & Photography | Skinner Auction 2581B

74.Jasper Johns (American, b. 1930)

Untitled, 1977, edition of 130 plus proofs, published by Simka Print Artists, Tokyo (ULAE, 186; Field, 260). Numbered, signed, and dated “21/130 J Johns ‘77” in pencil l.r., dry stamp l.r. Color screenprint on cream paper, image size 10 x 9 1/2 in. (25.4 x 24.0 cm), framed.Condition: Margins over 4 1/2 inches with deckled edges, gentle rippling, subtle stains just visible near edges in the lower margin, not examined out of frame. $8,000-12,000

47online bidding at www.skinnerinc.com

74

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75

75.Jasper Johns (American, b. 1930)

Target with Plaster Casts, 1980, edition of 88 plus proofs, published by Petersburg Press, New York and London (ULAE, 208). Signed and dated “J Johns ‘80” in pencil l.r., numbered “73/88” in pencil l.l. Etching with aquatint in colors on paper, plate size 23 1/2 x 17 3/4 in. (59.5 x 45.0 cm), framed.Condition: Margins 2 1/4 inches or more with deckled edges, gentle rippling, minor handling crease to upper margin, not examined out of frame. $20,000-25,000

48 additional information and photos at www.skinnerinc.com

Page 51: Fine Prints & Photography | Skinner Auction 2581B

76

76.Lester F. Johnson (American, 1919-2010)

Men in Street #2, 1973, edition of 35 plus proofs. Signed “Lester Johnson” in pencil l.r., titled in pencil l.c., inscribed “Artist’s proof” in pencil l.l. Color aquatint on BFK Rives paper with watermark, plate size 19 1/2 x 25 1/8 in. (49.4 x 63.5 cm), unmatted, unframed.Condition: Margins over 2 inches with deckled edges, minor handling creases.

N.B. The lot is accompanied by the original mailing tube used by the artist to ship the work to the buyer. $300-500

77.Lester F. Johnson (American, 1919-2010)

Bathers with Columns, 1980, edition of 40. Signed “Lester Johnson” in pencil l.r., titled and numbered “...28/40” in pencil l.l. Lithograph on paper, image size 19 3/4 x 23 in. (50.0 x 58.4 cm), framed.Condition: Deckled edges, not examined out of frame. $300-500

78.Joe Jones (American, 1909-1963)

Missouri Wheat Farmers, 1938, edition of 250, published by Associated American Artists (AAA/Czestochowski, 1938.039). Signed “Joe Jones” in pencil l.r. Lithograph on paper, image size 10 x 8 in. (25.4 x 20.3 cm), framed.Condition: Toning, not examined out of frame. $300-500

49online bidding at www.skinnerinc.com

77

78

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79.Robert Kipniss (American, b. 1931)

Weather Moving Through. Signed “Kipniss” in pencil l.r., dedicated “for Beverly” in pencil l.l. Color lithograph on paper, image size 13 x 10 in. (33.0 x 25.4 cm), framed.Condition: Margins 1 inch or more, not examined out of frame. $200-250

80.Marguerite Kirmse (American, 1885-1954)

Him and Me. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 8 7/8 x 11 1/2 in. (22.4 x 29.0 cm), framed.Condition: Unobtrusive toning, not examined out of frame. $300-500

81.Fumio Kitaoka (Japanese, b. 1918)

Village by the Shore. Signed “Fumio Kitaoka” in pencil l.r. Color woodcut on paper, image size 10 7/8 x 14 3/4 in. (27.4 x 37.4 cm), framed.Condition: Minor rippling and soiling to margins, not examined out of frame. $200-250

50 additional information and photos at www.skinnerinc.com

80

81

79

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82

82.Hans Kleiber (American/German, 1887-1967)

A Flock of Honkers, 1931. Signed “Hans Kleiber” in pencil l.r., titled in pencil l.l., titled and dated within the plate, and identified on a label from Goodspeed’s Book Shop, Boston, affixed to the backing. Etching with drypoint on paper, plate size 7 3/4 x 9 7/8 in. (19.5 x 25.0 cm), framed.Condition: Unobtrusive mat burn, subtle toning, not examined out of frame. $200-250

83.After Gustav Klimt (Austrian, 1862-1918)

Portrait of Baroness Wittgenstein, plate 4 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collé, image size 12 3/8 x 6 1/8 in. (31.5 x 15.5 cm), in a period-style frame.Condition: Gentle rippling to supporting sheet, not examined out of frame. $800-1,200

51online bidding at www.skinnerinc.com

83

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84

84.After Gustav Klimt (Austrian, 1862-1918)

Portrait of Frau Serena Lederer, plate 6 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collé, image size 12 1/2 x 5 5/8 in. (31.6 x 14.2 cm), in a period-style frame.Condition: Gentle rippling to supporting sheet, not examined out of frame. $800-1,200

85.After Gustav Klimt (Austrian, 1862-1918)

Unterach on Lake Atter, plate 8 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collé, image size 11 7/8 x 12 in. (30.0 x 30.4 cm), in a period-style frame.Condition: Gentle rippling to supporting sheet, not examined out of frame. $800-1,200

52 additional information and photos at www.skinnerinc.com

85

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87

86

86.After Gustav Klimt (Austrian, 1862-1918)

Gastein, plate 21 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collé, image size 11 3/4 x 11 7/8 in. (29.7 x 30.0 cm), in a period-style frame.Condition: Gentle rippling to supporting sheet, not examined out of frame. $800-1,200

87.After Gustav Klimt (Austrian, 1862-1918)

Italian Landscape, plate 23 from EINE NACHLESE (AN AFTERMATH), 1931, Max Eisler, editor, printed by the Austrian State Printing Office, edition of 500. Plate number on the supporting sheet. Collotype on chine collé, image size 12 1/4 x 12 1/8 in. (31.0 x 30.6 cm), in a period-style frame.Condition: Gentle rippling to supporting sheet, not examined out of frame. $800-1,200

53online bidding at www.skinnerinc.com

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88

88.Seiichiro Konishi (Japanese, b. 1919)

Sleep. Signed within the matrix and on the reverse. Color woodcut on paper, image size 13 7/8 x 18 3/4 in. (35.2 x 47.5 cm), framed.Condition: Narrow margins, not examined out of frame. $200-250

89.Walt Kuhn (American, 1877-1949)

Cornelia, 1929, edition of 50. Signed “WaltKuhn” in pencil l.r. Lithograph on paper, image size 12 x 9 1/4 in. (30.5 x 23.4 cm), framed.Condition: Pale fox marks, not examined out of frame. $300-500

90.Dorothy Pulis Lathrop (American, b. 1891)

Two Animal Subjects: Treed and Top o’ the Morning, both editions of 50. Both signed “Dorothy P. Lathrop-” in pencil l.r., numbered “Ed. 50” in pencil l.c., and titled in pencil l.l. Wood engravings on fine paper, image sizes to 7 7/8 x 5 in. (20.0 x 12.5 cm), matted, unframed.Condition: Foxing, latter with minor creasing. $300-350

54 additional information and photos at www.skinnerinc.com

89

90

Page 57: Fine Prints & Photography | Skinner Auction 2581B

91.Blanche Lazzell (American, 1878-1956)

Amaryllis, 1931. Signed and dated “Blanche Lazzell-1931” in pencil l.r. Color monotype on paper, image size 13 3/4 x 9 7/8 in. (34.9 x 25.0 cm), framed.Condition: Not examined out of frame.

Provenance: Purchased through a member of the artist’s family in the Midwest, c. 1990. $3,000-5,000

55online bidding at www.skinnerinc.com

91

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92

92.Blanche Lazzell (American, 1878-1956)

White Petunias. Signed “Blanche Lazzell-” in ink (within the image) l.r., inscribed and titled “M94...” in ink (within the image) l.l., inscribed on a former backing accompanying the lot. Color monotype on paper, image size 6 1/2 x 8 3/8 in. (16.4 x 21.3 cm), framed.Condition: Unobtrusive stain to upper margin, not examined out of frame.

Provenance: Purchased through a member of the artist’s family in the Midwest, c. 1990. $3,000-5,000

56 additional information and photos at www.skinnerinc.com

Page 59: Fine Prints & Photography | Skinner Auction 2581B

94

93

93.Clare Veronica Hope Leighton (Anglo/American, 1901-1989)

Two Cape Cod Views: Clam Diggers, Cape Cod, 1946, proof outside of the edition of 250 (BPL, 599); and Oyster Houses, Wellfleet, 1948-53, edition of 200 (BPL, 710). Both signed “Clare Leighton” in pencil l.r. and numbered and titled in pencil l.l. Wood engravings on paper, image sizes to 8 1/8 x 9 7/8 in. (20.5 x 25.0 cm), matted, the latter framed.Condition: Unobtrusive toning, foxing to Diggers, Wellfleet not examined out of frame. $800-1,200

94.William Auerbach Levy (Russian/American, 1889-1964)

Torah, alternatively titled The Law, 1915. Signed “William A. Levy” in pencil l.r., signed and dated within the plate, and identified on a label from Arthur Ackermann & Son, Inc., Chicago, affixed to the backing. Etching on paper, plate size 8 x 6 in. (20.3 x 15.2 cm), framed.Condition: Subtle toning, not examined out of frame. $300-500

57online bidding at www.skinnerinc.com

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95

95.Roy Lichtenstein (American, 1923-1997)

As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, identified in the matrix, each sheet stamped in the lower corners on the reverse. Offset color lithographs on paper, each sheet 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed.Condition: Subtle toning, very minor handling marks and creases. $700-900

96.Richard Lindner (American/German, 1901-1978)

The Mask, 1971, edition of 100. Signed “R. Lindner” in pencil l.r., numbered and dated “71/100 1971” in pencil l.l. Color lithograph on paper, image size 38 1/2 x 27 1/4 in. (97.7 x 69.1 cm), framed.Condition: Subtle toning, not examined out of frame. $600-800

58 additional information and photos at www.skinnerinc.com

96

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97

97.Liuba, also known as Liuba Boyadjeva (Bulgarian/Brazilian, 1923-2005)

Relevos, edition of 50, featuring six bas-reliefs and a pamphlet with a poem by Lelia Coelho Frota, all mounted to linen-covered panels, published by Julio Pacello, Sao Paulo, Brazil. Relief panels signed and numbered “LIUBA 41/50” on the reverse. Cast metal alloy, sizes to 9 3/8 x 8 5/8 x 3/8 in. (24.0 x 22.0 x 1.0 cm), panel size 12 1/4 in. square (31.0 cm square), presented in the original slipcase.Condition: Slipcase with soiling and fading and with areas of fraying and wear to fabric; pamphlet with handling creases to the cover.

Provenance: A New York estate.

N.B. The lot is accompanied by two exhibition catalogues and other ephemera related to the artist. $1,000-1,500

59online bidding at www.skinnerinc.com

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98

98.After René Magritte (Belgian, 1898-1967)

L’oeil, 1968, edition of 150 (Kaplan-Baum, 17). Stamped signature l.r., numbered “130/150” in pencil l.l. Color aquatint on Japan paper, plate size 7 x 5 3/4 in. (17.7 x 14.5 cm), framed.Condition: Margins 1/2 inch or more, not examined out of frame. $400-600

99.Gerhard Marcks (German, 1889-1981)

Die Eule, 1921 (Lammek, H 28). Signed and dated “Gerhard Marcks 1921” in pencil l.r. Woodcut on fine paper, image size 11 x 9 3/8 in. (27.8 x 23.7 cm), unmatted, unframed.Condition: Margins 1 inch or more with deckled edges, creasing to margins.

Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $2,000-3,000

60 additional information and photos at www.skinnerinc.com

99

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100

100.Gerhard Marcks (German, 1889-1981)

Man with Shovel, 1975. Signed and dated “Prosit 1975: Gerhard und Maria Marcks” in blue pencil l.r. Woodcut on laid paper, image size 6 1/8 x 2 3/8 in. (15.4 x 5.8 cm), unmatted, unframed.Condition: Margins 1 inch or more with two deckled edges, subtle toning.

Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $400-600

101.John Marin (American, 1870-1953)

Sailboat, 1932, edition of 200 printed for the American Artist’s Group, 1936 (Zigrosser, 155). Signed and dated within the plate, stamp from AAG on the reverse. Etching on paper, plate size 7 x 9 1/4 in. (17.7 x 23.4 cm), matted, unframed.Condition: Margins 2 3/4 inches or more, toning, staining, masking tape to upper corners. $300-500

61online bidding at www.skinnerinc.com

101

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102

102.Marino Marini (Italian, 1901-1980)

Il Sogno del Cavaliere, plate XI from L’ALBUM No I, 1960, edition of 50 (Guastalla A61). Signed “MARINO” in pencil l.r., numbered “34/50” in pencil l.l. Etching on paper, plate size 13 7/8 x 11 5/8 in. (35.1 x 29.5 cm), framed.Condition: Margins over 1/2 inch, not examined out of frame. $200-250

103.Reginald Marsh (American, 1898-1954)

Drum Majorette, 1940, published state, edition of 300, 1947 (Sasowsky, 204). Initialed and dated within the plate. Etching and engraving on paper, plate size 11 3/4 x 5 7/8 in. (29.8 x 14.8 cm), framed.Condition: Margins over 1 inch, subtle rippling, not examined out of frame. $300-350

104.André Masson (French, 1896-1987)

Man and Woman, c. 1969, edition of 125. Signed “André Masson” in pencil l.r., numbered “18/125” in pencil l.l. Color lithograph on paper, image size 19 5/8 x 13 5/8 in. (49.7 x 34.5 cm), framed.Condition: Margins over 2 inches with two deckled edges, subtle toning, not examined out of frame.

N.B. Sold to benefit the AIDS Action Committee, Boston, Massachusetts. $300-500

62 additional information and photos at www.skinnerinc.com

103

104

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105

105.Henri Matisse (French, 1869-1954)

F7 (Femme reposante), 1941, from THEMES ET VARIATIONS, published 1943, edition of 950 (Duthuit books, 9). Stamped with title, signature, and date l.r., identified on a label affixed to the reverse. Lithograph on paper, image size 7 1/2 x 11 1/2 in. (18.9 x 29.0 cm), framed.Condition: Not examined out of frame. $400-600

63online bidding at www.skinnerinc.com

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106

107

106.Michael Mazur (American, 1935-2009)

THE ARTIST AND THE MODEL/A Portfolio of Twelve Works, 1968, edition of 50 (Hansen, 157-168). Each signed “Mazur” in pencil l.r., numbered “6/50” in pencil l.c., titled in pencil l.l., and identified on the colophon page. Etchings on heavy paper, sheet sizes 25 x 38 in. (63.4 x 96.3 cm), presented in the original clamshell portfolio box.Condition: Minor soiling (primarily to edges of sheets).

Provenance: Estate of Jonas Aarons, New York. $800-1,200

107.Michael Mazur (American, 1935-2009)

The Dragon’s Rockery I, 1997-98, edition of 10 plus proofs (Hansen, 320). Signed “Mazur” in pencil l.r., titled in pencil l.l., numbered “9/10” in pencil l.c. Etching and aquatint on paper, plate size 24 x 29 3/4 in. (60.9 x 75.5 cm), framed.Condition: Not examined out of frame. $500-700

108.No lot.

64 additional information and photos at www.skinnerinc.com

Page 67: Fine Prints & Photography | Skinner Auction 2581B

110

109

109.Joan Miró (Spanish, 1893-1983)

Tête étoile, from DERRIERE LE MIROIR, 1961 (Mourlot, 235). Unsigned. Color lithograph on paper, sight size 14 3/8 x 32 1/2 in. (36.5 x 82.5 cm), framed.Condition: Two vertical folds to image, subtle toning, not examined out of frame. $500-700

110.Joan Miró (Spanish, 1893-1983)

La Chouette et l’escargot/The Face of a Greeting Card from Aimé Maeght, 1964 (Dupin, 388). Unsigned, identified in text on the reverse. Drypoint with color aquatint on BFK Rives paper with partial watermark, plate size 6 5/8 x 4 1/2 in. (16.7 x 11.3 cm), unmatted, unframed.Condition: Toning, unobtrusive soiling.

Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $500-700

65online bidding at www.skinnerinc.com

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111.Joan Miró (Spanish, 1893-1983)

Image from Miró Lithographe I, 1972 (Mourlot, 857). Signed “Miró” in pencil l.r., inscribed “HC” in pencil l.l. Color lithograph on Arches paper with watermark, image size 12 3/4 x 10 in. (32.3 x 25.4 cm), framed.Condition: Pale staining, not examined out of frame. $1,000-1,500

112.Joan Miró (Spanish, 1893-1983)

Two Images from MIRÓ SCULPTURES, 1974, from the edition of 100 outside of the book edition (Mourlot, 948 & 949). Both signed “Miró” in pencil l.r., and numbered “7/100” in pencil l.l. Color lithographs on paper, image sizes 11 1/4 x 22 1/2 in. (28.5 x 57.0 cm), framed.Condition: Possible subtle fading, not examined out of frames. $1,500-2,500

66 additional information and photos at www.skinnerinc.com

112

111

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113.Joan Miró (Spanish, 1893-1983)

Sculptures, 1974, edition size unknown (Mourlot, 950). Signed within the matrix. Color lithograph on paper, image size 16 1/2 x 23 1/2 in. (41.8 x 59.5 cm), framed.Condition: Toning, pale foxing, gentle rippling, not examined out of frame. $400-600

114.Joan Miró (Spanish, 1893-1983)

Gaudí XIII, 1979, edition of 50 plus proofs, published by Maeght, Barcelona (Dupin, 1072). Signed “Miró” in pencil (within the image) l.r., numbered “39/50” in pencil (within the image) l.l. Color etching and aquatint on paper, image/sheet size 9 5/8 x 14 1/8 in. (24.3 x 35.9 cm), framed.Condition: Deckled edges, rippling, not examined out of frame. $2,500-3,500

115.No lot.

67online bidding at www.skinnerinc.com

113

114

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116

117

116.Philippe Mohlitz (American, b. 1941)

Le grand désordre, 1974-75, edition of 100. Signed “Mohlitz” in pencil l.r., signed within the plate, numbered “50/100” in pencil l.l. Engraving on paper, plate size 13 3/4 x 11 5/8 in. (34.8 x 29.3 cm), framed.Condition: Not examined out of frame. $600-800

117.Henry Moore (British, 1898-1986)

Reclining Figure II, 1970-72, edition of 50 plus proofs (Cramer et al., 193). Signed “Moore” in pencil l.r., numbered “28/50” in pencil l.l., identified on a label from Graphics 1 and Graphics 2, Boston, on the backing. Etching with aquatint on paper with a Henry Moore figure watermark, plate size 4 1/4 x 9 3/4 in. (10.6 x 24.8 cm), framed.Condition: Margins 3 inches or more with deckled right and lower edges, not examined out of frame. $600-800

68 additional information and photos at www.skinnerinc.com

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118

118.Henry Moore (British, 1898-1986)

HELMET HEAD LITHOGRAPHS/A Suite of Five Images, 1974-75, edition of 50 plus proofs (Cramer et al., 356-360). Each signed “Moore” in pencil l.r. and numbered “PL...27/50” in pencil l.l. Color lithographs on paper, image sizes approximately 13 x 13 5/8 in. (33.0 x 34.5 cm), framed.Condition: Margins over 2 1/2 inches, most with deckled edges, not examined out of frames. $5,000-7,000

69online bidding at www.skinnerinc.com

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119.Henry Moore (British, 1898-1986)

Figures in Snow, 1976, edition of 75 plus proofs (Cramer et al., 428). Signed “Moore” in pencil l.r., numbered “20/75” in pencil l.l. Lithograph in black and grays on paper, image size 13 1/2 x 10 in. (34.3 x 25.4 cm), framed.Condition: Not examined out of frame. $1,200-1,800

70 additional information and photos at www.skinnerinc.com

119

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120

120.Henry Moore (British, 1898-1986)

Mary and Martha, 1981, edition of 50 plus proofs (Cramer et al., 622). Signed “Moore” in pencil l.r., numbered “46/50” in pencil l.l. Color lithograph on paper, image size 8 7/8 x 10 in. (22.5 x 25.3 cm), framed.Condition: Margins 2 inches or more, not examined out of frame. $800-1,200

121.Henry Moore (British, 1898-1986)

Two Heads, 1981, edition of 50 plus proofs (Cramer et al., 628). Signed “Moore” in pencil l.r., numbered “46/50” in pencil l.l. Color lithograph on paper, image size 8 7/8 x 10 in. (22.5 x 25.3 cm), framed.Condition: Margins 2 inches or more, not examined out of frame. $800-1,200

122.No lot.

71online bidding at www.skinnerinc.com

121

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123.Louise Nevelson (American, 1899-1988)

Nightscape, 1975, edition of 75 published by Pace Editions, New York. Signed and dated “Louise Nevelson - 75” in pencil l.r., numbered “41/75” in pencil l.r., identified on a label from Pace Editions on the backing. Cast paper relief, sheet size 28 x 31 in. (71.0 x 78.7 cm), framed.Condition: Deckled edges, not examined out of frame. $1,500-2,500

72 additional information and photos at www.skinnerinc.com

123

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124A

124

124.Joseph Pennell (American, 1860-1926)

St. John’s Gate, Clerkenwell, 1903, edition probably of 75 (Wuerth, 273). Signed “Jos Pennell imp” in pencil l.c., signed within the plate, annotated along the lower edge. Etching on paper, plate size 8 1/4 x 11 1/8 in. (20.8 x 28.2 cm), unmatted, unframed.Condition: Deckled edges, pale mat burn, soiling to margins, crease to left margin and just into image (possibly from printing). $200-250

124A.Joseph Pennell (American, 1860-1926)

The Choir (Washington Cathedral), 1923, original edition of 30 (Wuerth, 821). Signed and dedicated “Jos Pennell imp To Ralph Nicholson” in pencil l.r., signed and dated within the plate, and identified on a label from Wunderly Brothers, Pittsburgh, accompanying the lot. Etching on laid paper, plate size 11 7/8 x 9 3/4 in. (30.0 x 24.6 cm), matted, unframed.Condition: Margins 1/4 inch or more with two deckled edges. $300-500

125.Joseph Pennell (American, 1860-1926)

Two Brooklyn Views: Perrepont Place (Montague Terrace), 1924, original edition of 75 (Wuerth, 839); and Grace Church and Court, 1924, original edition of 75 (Wuerth, 843). Both signed “Jos Pennell imp” in pencil l.c. and annotated along the lower edge. Etchings on paper, plate sizes to 6 7/8 x 9 7/8 in. (17.4 x 25.0 cm), unmatted, unframed.Condition: Some edges deckled, toning, mat burn. $250-300

73online bidding at www.skinnerinc.com

125

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126.Joseph Pennell (American, 1860-1926)

Orange St. (Brooklyn), 1924 (Wuerth, 847). Signed “Jos Pennell imp” in pencil l.c., signed and dated within the plate, annotated along the lower edge. Etching on laid paper, plate size 9 7/8 x 6 7/8 in. (25.1 x 17.5 cm), unmatted, unframed.Condition: Deckled left edge, nicks to top of sheet (outside of the plate mark), mat burn, foxing. $150-200

127.Beverly Pepper (American, b. 1922)

Untitled, 1987, edition of 175. Signed and dated “Beverly Pepper 87” in pencil l.r., numbered “125/175” in pencil l.l. Color etching with carborundum on paper, plate size 22 x 16 1/4 in. (55.8 x 41.2 cm), framed.Condition: Margins over 1 1/4 inches, subtle rippling, not examined out of frame. $300-350

74 additional information and photos at www.skinnerinc.com

126

127

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129

128

128.Gabor F. Peterdi (American, 1915-2001)

Andes III, 1966. Signed and dated “Peterdi 1966” in pencil l.r., titled in pencil l.l., identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color multi-plate intaglio with monotype on paper, plate size 29 5/8 x 21 3/4 in. (75.2 x 55.0 cm), framed.Condition: Margins over 1 1/2 inches with several pinpoint fox marks, not examined out of frame. $250-300

129.Walter Joseph Phillips (Canadian, 1884-1963)

Moonlight, Lake of the Woods, 1927, edition of 250. Signed “W Phillips” in pencil l.r., numbered “182” in pencil l.l., monogrammed within the block. Color woodcut on paper, image size 7 3/8 x 6 in. (18.5 x 15.2 cm), in a Foster Brothers frame.Condition: Not examined out of frame. $300-500

75online bidding at www.skinnerinc.com

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130

130.Pablo Picasso (Spanish, 1881-1973)

Sculpteur, modéle couché et sculpture, 1933, plate 37 from LA SUITE VOLLARD, published 1939, edition of 260 plus proofs (Bloch, 147). Signed “Picasso” in pencil l.r., identified on a label from the FAR Gallery, New York, affixed to the backing. Etching on paper, plate size 10 1/2 x 7 5/8 in. (26.5 x 19.3 cm), framed.Condition: Margins 2 inches or more, subtle rippling, not examined out of frame. $8,000-12,000

76 additional information and photos at www.skinnerinc.com

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131

131.Pablo Picasso (Spanish, 1881-1973)

Famille de saltimbanques, 1933, from LA SUITE VOLLARD, published 1939, edition of 250 (Bloch, 163). Signed “Picasso” in pencil l.r., signed and dated within the plate, stamped “PARIS/EXPOSITIONS/DOUANES” on verso. Etching on laid paper with “Vollard” watermark, plate size 7 5/8 x 10 1/2 in. (19.4 x 26.5 cm), framed.Condition: Margins 2 1/4 inches or more with deckled edges, unobtrusive mat burn and light staining, minor soiling and annotations to margins, hinged near upper corners with white cloth tape. $10,000-15,000

77online bidding at www.skinnerinc.com

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132.Pablo Picasso (Spanish, 1881-1973)

L’age de soleil (pour Roby), 1950 (Bloch, 680). Signed and inscribed in the plate. Etching on paper, plate size 9 1/8 x 7 in. (23.2 x 17.7 cm), framed.Condition: Margins 2 inches or more with deckled edges, pale foxing, not examined out of frame. $300-500

133.Pablo Picasso (Spanish, 1881-1973)

Danseuse, from LE BALLET, 1954, edition of 10,000 (Bloch, 767). Signed within the matrix, identified on a label affixed to the backing. Color lithograph on paper, image size 11 x 7 1/4 in. (27.8 x 18.3 cm), framed.Condition: Not examined out of frame. $600-800

78 additional information and photos at www.skinnerinc.com

132 133

Page 81: Fine Prints & Photography | Skinner Auction 2581B

134

134.Pablo Picasso (Spanish, 1881-1973)

Fleur, 1961, edition of 150. Signed “Picasso” in pencil l.r., signed and dated within the matrix, numbered “87/150” in pencil l.l. Color lithograph on cream paper, image size 15 1/2 x 11 3/4 in. (41.7 x 29.8 cm), framed.Condition: Minor handling creases, not examined out of frame. $1,000-1,500

79online bidding at www.skinnerinc.com

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135

135.Pablo Picasso (Spanish, 1881-1973)

Petit buste de femme, 1962, edition of 50 (Bloch, 1082). Signed “Picasso” in pencil l.r., numbered “12/50” in pencil l.l. Color linocut on paper, image size 13 3/4 x 10 5/8 in. (34.8 x 26.9 cm), framed.Condition: Margins 1/2 inch or more, unobtrusive toning, not examined out of frame. $8,000-12,000

80 additional information and photos at www.skinnerinc.com

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136

136.After Pablo Picasso (Spanish, 1881-1973)

Compotier, partition, bouteille et guitare devant une fenêtre, 1919, edition probably of 100. Signed “Picasso” in pencil l.r. Color pochoir on paper, image size 10 1/2 x 8 5/8 in. (26.5 x 21.7 cm), framed.Condition: Not examined out of frame. $3,000-5,000

81online bidding at www.skinnerinc.com

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137.Pablo Picasso (Spanish, 1881-1973)

Flower Women, 1948, edition of 175 (Ramie, 50). Inscribed and numbered “R-152 EDITION PICASSO 89/175 MADOURA” on the underside, stamped “EDITION PICASSO” and “MADOURA” on the underside. Glazed turned white earthenware pitcher, height 13 1/4 in. (33.5 cm).Condition: Subtle soiling.

Provenance: A gift from Georges Ramie to the artist Jack Amoroso; purchased from Amoroso by a family member of the present owner in the early 1980s. $4,000-6,000

82 additional information and photos at www.skinnerinc.com

137

Page 85: Fine Prints & Photography | Skinner Auction 2581B

138.Pablo Picasso (Spanish, 1881-1973)

Bull, 1957, edition of 250 (Ramie, 392). Inscribed and numbered “N 107 EDITION PICASSO 120/250 MADOURA” on the underside, stamped “EDITION PICASSO” and “MADOURA” on the underside. Partially painted and glazed turned earthenware dish, diameter 14 1/2 in. (36.8 cm).Condition: Small (5 mm) chip near rim, subtle soiling.

Provenance: A gift from Georges Ramie to the artist Jack Amoroso; purchased from Amoroso by a family member of the present owner in the early 1980s. $3,000-5,000

139.Pablo Picasso (Spanish, 1881-1973)

Face no. 202, 1963, edition of 500 (Ramie, 495). Inscribed and numbered “No 202 EDITION PICASSO 328/500 MADOURA” on the underside. Glazed turned white earthenware dish, diameter 10 in. (25.2 cm).Condition: Small glazing imperfection to underside.

Provenance: A gift from Georges Ramie to the artist Jack Amoroso; purchased from Amoroso by a family member of the present owner in the early 1980s. $3,000-5,000

83online bidding at www.skinnerinc.com

138

139

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140

140.Pablo Picasso (Spanish, 1881-1973)

Laughing-eyed Face, 1969, edition of 350 (Ramie, 608). Inscribed and numbered “R. 137 EDITION PICASSO 260/350 MADOURA” on the underside, stamped “EDITION PICASSO” and “MADOURA” on the underside. Partially glazed turned white earthenware pitcher, height 12 3/4 in. (32.4 cm).Condition: Subtle soiling.

Provenance: A gift from Georges Ramie to the artist Jack Amoroso; purchased from Amoroso by a family member of the present owner in the early 1980s. $10,000-15,000

84 additional information and photos at www.skinnerinc.com

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141

141.Pablo Picasso (Spanish, 1881-1973)

Face with Points, 1969, edition of 350 (Ramie, 610). Dated “9.1.69” near the handle, inscribed and numbered “R. 139 EDITION PICASSO 246/350 MADOURA” on the underside, stamped “EDITION PICASSO” and “MADOURA” on the underside. Partially glazed turned white earthenware pitcher, height 10 3/4 in. (27.5 cm).Condition: Subtle soiling.

Provenance: A gift from Georges Ramie to the artist Jack Amoroso; purchased from Amoroso by a family member of the present owner in the early 1980s. $4,000-6,000

85online bidding at www.skinnerinc.com

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142

142.Giovanni Battista Piranesi (Italian, 1720-1778)

Veduta del Tempio di Giove Tonante, 1756 (Focillon, 819; Hind, 44 II/VI). Identified within the plate. Etching and engraving on paper, plate size 15 3/4 x 23 5/8 in. (39.9 x 59.9 cm), framed.Condition: Pale foxing and staining within the image, gentle rippling, not examined out of frame. $300-500

143.Enrico Prampolini (Italian, 1894-1956)

Figürliches Motiv, plate 10 from BAUHAUS DRUCKE, NEUE EUROPÄISCHE GRAPHIK, 4TE MAPPE, ITALIENISCHE UND RUSSICHE KÜNSTLER, published 1921, edition of 110 (Peters & Wingler, IV/10). Inscribed and signed “123/Enrico Prampolini” in blue ink l.r., signed, inscribed, and dated within the matrix, Bauhaus dry stamp l.l. Lithograph on paper, image size 9 5/8 x 5 in. (24.4 x 12.5 cm), unmatted, unframed.Condition: Staining near upper edge, creasing to margins near corners.

Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $400-600

86 additional information and photos at www.skinnerinc.com

143

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144

144.Jean François Raffaëlli (French, 1850-1924)

La gare du Champ-de-Mars, 1911, final state of three, edition of about 1,500, published in the Gazette des Beaux-Arts (Delteil v16, 90). Signed and identified within the plate. Etching and aquatint on paper, plate size 8 x 5 1/2 in. (20.3 x 13.9 cm), matted, unframed.Condition: Margins 1/2 inch or more, minor soiling to margins. $300-500

87online bidding at www.skinnerinc.com

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145.Robert Rauschenberg (American, 1925-2008)

Artist’s Rights Today, 1981, edition of 200, published by Styria Studios. Signed, numbered, and dated “RAUSCHENBERG 3/200 81” in pencil (within the image) l.c., titled within the matrix, publisher’s dry stamp l.l. Color offset lithograph with collage on paper, sight size 39 1/4 x 26 3/4 in. (99.5 x 67.8 cm), framed.Condition: Possible subtle fading, not examined out of frame. $600-800

146.Robert Rauschenberg (American, 1925-2008)

Gluts, 1986. Signed and identified within the matrix. Color offset lithographic poster on translucent paper, image/sheet size 22 5/8 x 28 1/2 in. (57.3 x 72.3 cm), unmatted, unframed.Condition: Minor handling creases. $400-600

88 additional information and photos at www.skinnerinc.com

146

145

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147

147.Odilon Redon (French, 1840-1916)

Il y eut peut-être une vision première essayée dans la fleur, from LES ORIGINES, 1883, edition of 25, printed by Lemercier & Cie., Paris (Mellerio, 46). Signed within the matrix, identified in text printed on the supporting sheet. Lithograph on chine collé, image size 8 7/8 x 7 1/8 in. (22.4 x 17.9 cm), framed.Condition: Not examined out of frame. $6,000-8,000

89online bidding at www.skinnerinc.com

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148.Odilon Redon (French, 1840-1916)

La Chimère regarda avec effroi toutes choses, from LA NUIT, 1886, edition of 50 (Mellerio, 65). Signed within the matrix, identified in text printed on the supporting sheet. Lithograph on chine collé, image size 9 3/4 x 7 1/4 in. (24.6 x 18.3 cm), framed.Condition: Unobtrusive toning, not examined out of frame. $2,000-3,000

149.Odilon Redon (French, 1840-1916)

Les Débacles (Frontispice), 1889, edition of 52 (Mellerio, 101). Signed within the matrix. Lithograph on paper, image size 5 1/2 x 3 3/4 in. (14.0 x 9.5 cm), framed.Condition: Unobtrusive toning, not examined out of frame. $800-1,200

90 additional information and photos at www.skinnerinc.com

149

148

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150.Frederick Charles Richards (British, 1878-1932)

Two Italian Views: Siena (Small Plate), 1912, and The City of Dreams, c. 1927. Signed “F...Richards...” in pencil l.l. and l.r., respectively, and titled in pencil in the lower margin, the former inscribed “First proof pulled by Sir Frank Short” in pencil l.r. Etchings on paper, plate sizes to 7 1/2 x 9 3/4 in. (19.0 x 24.6 cm), framed.Condition: Minor creases, not examined out of frames. $300-500

151.Manuel Robbe (French, 1872-1936)

Les Coups de mer. Signed “Manuel Robbe” in pencil l.r., numbered and titled “No. 97...” in pencil l.l. Color etching with aquatint on paper with “TOUCHON - LEPAGE & CIE PARIS SPF” watermark, plate size 17 7/8 x 25 in. (45.3 x 63.5 cm), unmatted, unframed.Condition: Margins approximately 2 inches, toning, scattered staining, several minor nicks/tears to edges, unobtrusive handling creases to sheet. $500-700

91online bidding at www.skinnerinc.com

151

150

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152

152.Susan Rothenberg (American, b. 1945)

Untitled (May #2), 1979, edition of 45. Signed, numbered, and dated “S. Rothenberg 36/45 May #2,1979” in pencil u.l. Etching with soft ground and aquatint on paper, plate size 11 3/4 x 13 3/4 in. (29.8 x 34.8 cm), matted, unframed.Condition: Wide margins with deckled edges, staining to left margin.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $1,000-1,500

92 additional information and photos at www.skinnerinc.com

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153

154

153.Georges Rouault (French, 1871-1958)

Se réfugie en ton coeur, va-nu-pieds de malheur, 1922 from MISERERE, published 1948, edition of 425 plus proofs (Wofsy, 111). Monogrammed and dated within the plate. Etching with aquatint on paper, plate size 19 1/8 x 14 5/8 in. (48.4 x 37.0 cm), framed.Condition: Gentle soiling to margins, rippling, not examined out of frame. $300-500

154.Georges Rouault (French, 1871-1958)

Clown assis, 1930 from CIRQUE, unpublished, edition of 270 (Wofsy, 208). Dated and monogrammed within the plate. Color aquatint on heavy laid paper, plate size 12 7/8 x 9 in. (32.5 x 22.7 cm), matted, unframed.Condition: Deckled edges, mat burn, toning and soiling to margins, registration pinhole to image near left side. $800-1,200

93online bidding at www.skinnerinc.com

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155

155.Theodore Roussel (French, 1914-1989)

Three States of The Snow, My Front Garden, March 2nd, 1909, probably the first, second, and fourth (final) states (Hansberg, 85). The final state signed “Theodore Roussel...” in pencil l.c. and signed in the plate. Soft ground etchings with aquatint, plate sizes 9 x 7 in. (22.8 x 17.7 cm), one matted, all unframed.Condition: Soiling and annotations to margins, pale staining to final state. $1,000-1,500

94 additional information and photos at www.skinnerinc.com

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156

156.Ludwig Sander (American, 1906-1975)

Arapahoe, 1969, edition of 100, published by Pace Editions, Inc., New York. Signed and dated “Sander ‘69” in pencil l.r., titled in pencil l.c., and numbered “2/100” in pencil l.l. Color screenprint on paper, image size 15 1/4 x 17 1/4 in. (38.6 x 43.7 cm), framed.Condition: Not examined out of frame. $400-600

157.Fritz Scholder (American, 1937-2005)

Red Indian, edition of 100. Signed “Scholder” in pencil within the image l.r., numbered “71-100” in pencil within the image l.l. Lithograph on paper, image/sheet size 34 x 22 1/4 in. (86.2 x 56.5 cm), unmatted, unframed (shrink-wrapped).Condition: Not examined out of wrap. $300-400

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157

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158

158.Joan Snyder (American, b. 1940)

Field of Moons, 1993. Signed “Joan Snyder” in pencil within the image l.r., numbered “II/V” in pencil within the image l.l. Color monoprint with additional coloring on paper, image/sheet size 22 5/8 x 29 1/2 in. (57.4 x 74.8 cm), framed.Condition: Deckled edges, gentle rippling, not examined out of frame.

N.B. This work was made for the Fine Arts Work Center, Provincetown, Massachusetts. We wish to thank the artist for her assistance cataloguing this lot. $400-600

159.Raphael Soyer (American, 1899-1987)

Two Young Women, edition of 95, published by Associated American Artists. Signed “Raphael Soyer” in pencil l.r. and within the matrix, numbered “87/95” in pencil l.l., identified on labels from AAA that accompany the lot. Lithograph on Rives paper with watermark, image size 18 x 13 1/2 in. (45.7 x 34.3 cm), matted, unframed.Condition: Deckled edges, toning, thin spots and hinging residue to verso. $300-500

96 additional information and photos at www.skinnerinc.com

159

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160.Jacob Steinhardt (German, 1887-1968)

Cain, 1950, edition of 30 (Kolb, 305). Signed and dated “Jacob Steinhardt 1950” in pencil l.r., numbered “13/30” in pencil l.l. Color woodcut with additional coloring on gray paper, image size 9 3/8 x 13 3/4 in. (23.7 x 34.8 cm), framed.Condition: Gentle rippling, not examined out of frame. $500-700

161.Jacob Steinhardt (German, 1887-1968)

Two Old Testament Subjects: Job, 1957, edition of 15 (Kolb, 432); and Isaiah, 1957, edition of 15 (Kolb, 440). Both signed and dated “Jacob Steinhardt 1957” in pencil l.r., and numbered in pencil l.c. Color woodcuts on paper, image sizes to 27 3/4 x 19 1/2 in. (70.4 x 49.4 cm), framed.Condition: Gentle rippling, not examined out of frames. $400-600

97online bidding at www.skinnerinc.com

160

161

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162

162.Pat Steir (American, b. 1938)

Self as Madame Matisse #2, 1985, published by Crown Point Press, Oakland. Titled, dated, and initialed “...12/85 PS” in pencil beneath the image, publisher’s dry stamp l.r., annotated “#33” in corner l.l., and identified on labels from Crown Point Press, New York, and The Harcus Gallery, Boston, affixed to the backing. Color monoprint on cream Rives paper with watermark, image size 9 7/8 x 10 in. (25.0 x 25.2 cm), framed.Condition: Margins 5 inches or more with deckled edges, not examined out of frame. $1,200-1,800

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163

163.Franz von Stuck (German, 1863-1928)

Forellenweiher, 1890. Signed “Franz v Stuck” in pencil l.r., signed and titled within the plate, identified in text affixed to the backing. Etching on paper, plate size 10 1/2 x 8 7/8 in. (26.5 x 22.5 cm), framed.Condition: Pale toning and mat burn, not examined out of frame. $250-350

164.Carol Summers (American, b. 1925)

Shrines, 1981, edition of 150 (Summers, 171). Numbered, titled, and signed “37/150...Carol Summers” in pencil within the image l.c. Color woodcut on paper, image/sheet size 22 1/4 x 29 5/8 in. (56.4 x 75.0 cm), framed.Condition: Not examined out of frame.

Provenance: From the artist to the Merryman Collection, Stanford, California, to the family of the present owner. $300-500

99online bidding at www.skinnerinc.com

164

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165

165.Antoni Tàpies (Spanish, b. 1923)

Pied et collage, 1976, edition of 50 plus proofs (Galfetti, 567). Signed and inscribed “...Tàpies” in pencil l.r., numbered “30/50” in pencil l.l., identified on a label from Galerie Adrien Maeght, Paris, on the backing. Etching with aquatint and collage on paper, image size 5 x 7 1/2 in. (12.5 x 19.0 cm), framed.Condition: Rippling, not examined out of frame. $2,000-3,000

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166.Antoni Tàpies (Spanish, b. 1923)

Double croix, 1976, edition of 50 plus proofs (Galfetti, 569). Signed and inscribed “...Tàpies” in pencil l.r., numbered “8/50” in pencil l.l., identified on a label from Galerie Adrien Maeght, Paris, on the backing. Color etching with aquatint on paper, plate size 6 x 15 3/8 in. (15.2 x 41.5 cm), framed.Condition: Gentle rippling, not examined out of frame. $2,000-3,000

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166

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167

167.Dr. Robert John Thornton, publisher (British, c. 1768-1837), After Philipp Reinagle (British, 1749-1833)

Frontispiece, from the TEMPLE OF FLORA, 1805. Identified within the plate. Color etching with stippling on paper, 19 7/8 x 16 3/4 in. (50.4 x 42.5 cm), framed.Condition: Minor soiling, gentle rippling, not examined out of frame. $1,500-2,500

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168

168.Henri de Toulouse-Lautrec (French, 1864-1901)

Yvette Guilbert, a Ménilmontant, de Bruant, 1898, published 1964 by La Société des Amis du Musée Toulouse-Lautrec, edition of 250 (Adriani, 254). Monogrammed within the matrix. Lithograph on paper, image size 11 1/2 x 9 5/8 in. (29.0 x 24.4 cm), framed.Condition: Not examined out of frame. $500-700

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169

169.Victor Vasarely (French/Hungarian, 1908-1997)

Untitled (Sphere in Purple and Gold), edition of 250. Signed “Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 19 5/8 in. (49.8 x 49.8 cm), framed.Condition: Not examined out of frame.

Provenance: Estate of an arts benefactor, New York. $300-500

170.Victor Vasarely (French/Hungarian, 1908-1997)

Untitled (Two Spheres in Green and Rose), edition of 250. Signed “Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color screenprint on paper, image size 19 7/8 x 19 in. (50.4 x 48.1 cm), framed.Condition: Not examined out of frame.

Provenance: Estate of an arts benefactor, New York. $300-500

104 additional information and photos at www.skinnerinc.com

170

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171

171.Victor Vasarely (French/Hungarian, 1908-1997)

Untitled (Multicolored Sphere with Polka Dots), edition of 250. Signed “Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 19 5/8 in. (49.8 x 49.8 cm), framed.Condition: Foxing, not examined out of frame.

Provenance: Estate of an arts benefactor, New York. $300-500

172.Victor Vasarely (French/Hungarian, 1908-1997)

Untitled (Spheres in Blue-gray and Maroon), edition of 250. Signed “Vasarely-” in pencil l.r., numbered “1/250” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 19 5/8 in. (49.8 x 49.8 cm), framed.Condition: Mat burn, not examined out of frame.

Provenance: Estate of an arts benefactor, New York. $300-500

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172

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173.Jacques Villon (French, 1875-1963)

Adresse Sagot, alternatively titled La Dame au Chien, 1906, published state (Ginestet & Pouillon, E156). Signed, dated, and identified within the matrix. Etching in sepia on paper, oval plate size 9 3/8 x 8 3/8 in. (23.7 x 21.2 cm), framed.Condition: Margins 1/2 inch or more with deckled edges, subtle soiling to margins, not examined out of frame.

N.B. Edmund Sagot was an influential Parisian print dealer. $500-700

174.Jacques Villon (French, 1875-1963)

Minne étendue dans un rocking-chair, le repos, 1907 (Ginestet & Pouillon, E186). Signed “Jacques Villon” in pencil l.r., inscribed “epreuve d’artiste” in pencil l.l., annotations to lower margin and verso. Etching with aquatint on fine paper, plate size 6 5/8 x 9 5/8 in. (16.7 x 24.3 cm), matted, unframed.Condition: Subtle toning and soiling. $700-900

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174

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175.Jacques Villon (French, 1875-1963)

Nu a genoux (Ginestet & Pouillon, E328). Signed “Jacques Villon” in pencil l.r., numbered “17/50” in pencil l.l., annotations to lower margin. Etching with drypoint on laid paper, plate size 8 7/8 x 6 1/2 in. (22.4 x 16.4 cm), matted, unframed.Condition: Margins over 2 inches with deckled edges, subtle soiling. $400-600

176.Jacques Villon (French, 1875-1963)

Le peintre, 1931, final state of three, edition of 50 (Ginestet & Pouillon, E343). Signed “Jacques Villon” in pencil l.r., annotations to margin. Etching with aquatint on paper, plate size 7 1/4 x 5 5/8 in. (18.3 x 14.2 cm), matted, unframed.Condition: Margins 2 inches or more with two deckled edges, subtle soiling. $400-600

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175

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177

177.Jacques Villon (French, 1875-1963), After Henri Matisse (French, 1869-1954)

L’Espagnole, c. 1925, edition of 200, published by Bernheim-Jeune, Paris (Ginestet & Pouillon, E645). Signed “Henri - Matisse” in pencil l.r., numbered “89/200” in pencil l.l., identified and with date and publisher within the plate. Color aquatint on paper, plate size 15 5/8 x 11 in. (39.5 x 27.6 cm), framed.Condition: Margins 2 1/4 inches or more, laid down, glue/residue to margins, mat burn, toning, scattered fox marks, two losses to edges.

N.B. Although Villon had his own very distinct style as a printmaker, essentially being one of the first graphic artists to use a Cubist vocabulary, he was also skilled at capturing the styles of other artists’ work as intaglio prints. He copied compositions not only by Matisse, but Signac, Renoir, Duchamp, Utrillo, and Cezanne, among others. $6,000-8,000

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178

179

178.Jacques Villon (French, 1875-1963), After Marcel Duchamp (French, 1887-1968)

La Mariée, 1934, edition of 200 plus proofs, published by Galerie-Bernheim Jeune, Paris (Ginestet & Pouillon, E672). Signed Jacques Villon” in pencil l.l. and “Marcel Duchamp” in pencil l.r., numbered “39/200” in pencil l.c. Color aquatint on cream Arches paper with watermark, plate size 19 5/8 x 12 3/8 in. (49.7 x 31.3 cm), matted, unframed.Condition: Margins 2 3/4 inches or more with deckled upper edge, even toning indentation to margin surface u.r., two registration pinholes within image.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $1,500-2,000

179.Jacques Villon (French, 1875-1963)

Untitled. Signed “Jacques Villon” in pencil l.l., numbered “1/50” in pencil l.r., dry stamp from Pierre de Tartas, Paris, l.r. Etching on paper, plate size 10 1/8 x 7 5/8 in. (25.5 x 19.3 cm), framed.Condition: Subtle toning and rippling, not examined out of frame. $200-250

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180

180.Maurice de Vlaminck (French, 1876-1958)

La Mairie, plate iii from VISAGE DES MAISONS, 1927 (Walterskirchen, 125). Signed “Vlaminck” in pencil l.r., inscribed “57.” in pencil l.l. Etching and drypoint on paper, plate size 4 x 6 1/2 in. (10.0 x 16.4 cm), framed.Condition: Not examined out of frame. $200-300

181.Maurice de Vlaminck (French, 1876-1958)

La Rue de la Glacière, from TABLEAUX DE PARIS, 1937, from the published edition of 500 (Walterskirchen, 146b). Signed within the plate. Etching on paper, plate size 13 1/8 x 10 in. (33.5 x 25.5 cm), framed.Condition: Pale mat burn, not examined out of frame. $400-600

182.No lot.

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181

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183.Andy Warhol (American, 1928-1987)

Cow, 1966 (Feldman & Schellmann, II.11). Signed in the matrix. Color screenprint on wallpaper, image size 46 x 28 1/8 in. (116.5 x 71.3 cm), unmatted, unframed. Condition: Minor handling marks and creases, tear to upper edge. $1,500-2,000

184.After Andy Warhol (American, 1928-1987)

Three Skate Decks from the Alien Workshop. Identified within the matrix, and authorized by The Andy Warhol Foundation for the Visual Arts, Inc. Color screenprints on curved laminated boards, length 32 in. (81.2 cm), in original shrink wrap, containing original stickers.Condition: Not examined out of wrap. $1,000-1,500

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184183

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185.Geoffrey Heath Wedgwood (British, 1900-1977)

Two Views: Old Aldgate, 1926, and Roman Festa, 1927. Both signed and dated “Geoffrey H Wedgwood/...” in pencil l.r., the latter titled l.l. Etchings on paper, plate sizes to 6 1/4 x 8 5/8 in. (15.8 x 21.8 cm), presented in a single frame.Condition: Not examined out of frame. $200-250

186.Neil Welliver (American, 1929-2005)

Brigg’s Meadow, 1973-74, edition of 144 plus proofs. Signed “Welliver” in pencil l.r., numbered “136/144” in pencil l.l., identified on a label from the Harcus Krakow Gallery, Boston, accompanying the lot. Color screenprint on paper, image size 35 3/4 x 35 3/4 in. (90.8 x 90.8 cm), framed.Condition: Rippling, not examined out of frame. $2,500-3,500

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185

186

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188

187

187.Stow Wengenroth (American, 1906-1978)

Milliken’s House (Eastport, Maine), 1931, edition of 50 (Stuckey, 23). Signed “Stow Wengenroth” in pencil l.r. Lithograph on paper, image size 10 1/2 x 15 1/8 in. (26.6 x 38.3 cm), framed.Condition: Subtle staining, not examined out of frame. $700-900

188.Stow Wengenroth (American, 1906-1978)

Foundry Interior (Rockport, Massachusetts), 1934, edition of 15 (Stuckey, 47). Signed “Stow Wengenroth” in pencil l.r., inscribed “Geo. C. Miller (Printed) S.W. del. ed.15” in pencil l.l., Edith Wengenroth’s stamp l.l. Lithograph on paper, image size 10 1/4 x 13 1/4 in. (26.0 x 33.5 cm), matted, unframed.Condition: Margins over 1 inch with deckled edges and annotation to lower margin. $800-1,200

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189

189.Stow Wengenroth (American, 1906-1978)

Hudson River (Nyack), 1939, edition of 20 (Stuckey, 90). Signed “Stow Wengenroth” in pencil l.r. Lithograph on paper, image size 10 1/4 x 13 3/4 in. (26.1 x 34.8 cm), matted, unframed.Condition: Margins over 1/2 inch with deckled edges and annotations along lower edge. $500-700

190.Stow Wengenroth (American, 1906-1978)

From the Weather Bureau (New York, New York), 1940, edition of 40 (Stuckey, 106). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/40” in pencil l.l. Lithograph on paper, image size 10 1/4 x 17 in. (26.0 x 43.1 cm), framed.Condition: Not examined out of frame. $1,500-2,500

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190

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192

191

191.Stow Wengenroth (American, 1906-1978)

The Church (Wiscasset, Maine), 1947, edition of 60 (Stuckey, 170). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/60” in pencil l.l. Lithograph on paper, image size 15 1/2 x 11 1/4 in. (39.3 x 28.5 cm), framed.Condition: Subtle staining, unobtrusive toning, not examined out of frame. $400-600

192.Stow Wengenroth (American, 1906-1978)

December Snow (Greenport, New York), 1951, edition of 50 (Stuckey, 198). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/50” in pencil l.l. Lithograph on paper, image size 10 1/4 x 15 7/8 in. (26.0 x 40.3 cm), framed.Condition: Unobtrusive toning, not examined out of frame. $300-500

193.Stow Wengenroth (American, 1906-1978)

Three of a Kind, 1967, edition of 75 (Stuckey, 310). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/75” in pencil l.l., annotated along the lower margin. Lithograph on paper, image size 8 7/8 x 14 7/8 in. (22.5 x 37.7 cm), matted, unframed.Condition: Margins over 1 inch with deckled edges, gently light-struck, pale fox marks and soiling to margins. $300-500

115online bidding at www.skinnerinc.com

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194.James Abbott McNeill Whistler (American, 1834-1903)

Eagle Wharf, 1859 (Kennedy, 41). Signed and dated within the plate, identified on a label from Frederick Keppel & Co., New York, on the backing. Etching on paper, plate size 5 3/8 x 8 1/2 in. (13.5 x 21.5 cm), framed.Condition: Subtle toning, gently light-struck, minute stain to image u.r., not examined out of frame. $1,000-1,500

195.James Abbott McNeill Whistler (American, 1834-1903)

Stéphane Mallarmé, 1892-93, edition of 2,450 (Spink, Stratis, & Tedeschi, 60). Monogrammed within the matrix. Transfer lithograph on chine collé, image size 3 7/8 x 2 3/4 in. (9.8 x 6.9 cm), framed.Condition: Not examined out of frame. $600-800

116 additional information and photos at www.skinnerinc.com

195

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196.Andrew Wyeth (American, 1917-2009)

The Reefer. Signed and numbered “Andrew Wyeth AP 19/20” in pencil l.r. Color collotype on paper, image size 25 3/4 x 25 3/4 in. (65.3 x 65.3 cm), framed.Condition: Not examined out of frame. $1,000-1,500

117online bidding at www.skinnerinc.com

196

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197

197.Jack Youngerman (American, b. 1926)

Changes #8, 1970, edition of 175. Initialed and dated “JY 70” in pencil l.r., numbered “46/175” in pencil l.l. Color screenprint on paper, image size 35 x 26 in. (88.8 x 66.0 cm), framed.Condition: Margins over 1 1/2 inches, toning to margins, not examined out of frame. $300-500

198.Zao Wou-Ki (Chinese, b. 1921)

Untitled, 1960, edition of 95 plus proofs (Ågerup, 124). Signed and dated “...60” (in Chinese characters) in pencil l.r., inscribed “epreuve d’artiste” in pencil l.l. Color lithograph on paper, image size 22 3/4 x 14 1/8 in. (57.6 x 35.8 cm), framed.Condition: Subtle toning, not examined out of frame. $800-1,200

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198

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200

199

199.Henry Ziegler (American, b. 1889)

Bronco Busting, edition of 30. Signed “Henry Ziegler” in pencil l.r., numbered “#8” in pencil l.l., stamped and inscribed “30 impressions” in pencil l.l. Etching on paper, plate size 8 3/4 x 7 3/4 in. (22.2 x 19.5 cm), framed.Condition: Margins 1 1/4 inches or more with very minor soiling, not examined out of frame. $200-250

200.Marguerite Thompson Zorach (American, 1887-1968)

Autumn Still Life. Signed within the matrix. Color screenprint on paper, image size 16 1/2 x 12 1/2 in. (41.8 x 31.7 cm), framed.Condition: Margins approximately 3/8 inches, unobtrusive toning, not examined out of frame. $250-350

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202

201.Francisco Zúñiga (Mexican, 1912-1998)

Ritual, 1984, edition of 250 plus proofs, published by Brewster Editions, New York (Brewster, 97). Signed and dated “Zga 84” in pencil l.r., numbered “125/250” in pencil l.l. Lithograph in blacks on paper, image size 11 1/4 x 10 1/8 in. (28.5 x 25.5 cm), framed.Condition: Not examined out of frame. $500-700

202.Francisco Zúñiga (Mexican, 1912-1998)

Hombres con Barca I, 1984, second state of two, edition of 50 plus proofs, published by Brewster Editions, New York (Brewster, 99). Signed and dated “Zga 84” in pencil l.r., numbered “8/50” in pencil l.l., dry stamp l.l. Lithograph in blacks on gray paper, image size 17 5/8 x 30 1/2 in. (44.7 x 77.4 cm), framed.Condition: Deckled edges, released from hinges, not examined out of frame. $600-800

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201

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202A

Photography

202A.Three Polaroid Proof Portraits:

American School, 20th Century, The Brunette; Attributed to Wingate Paine (American, 1915-1987), The V-Neck Sweater; and Peter Whyte (American, 20th Century), Clown. Each inscribed on the reverse. Black-and-white Polaroids, image sizes 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed.Condition: Very subtle soiling to margins and versos.

Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. $300-500

203.Peter Beard (American, b. 1938)

Truman Capote at San Quentin Prison, 1971. Unsigned. Gelatin silver print, sight size 11 x 14 in. (27.9 x 35.6 cm), framed.Condition: Good, not examined out of frame.

Provenance: Joseph E. Seagram & Sons, Inc., New York. $500-700

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204.Mathew B. Brady (American, 1823-1896)

Portrait of William Pitt Fessenden, 1868. Signed or inscribed “W.P. Fessenden” in ink on the mount, identified in text published on the mount. Albumen print, 7 7/8 x 6 in. (20.0 x 15.2 cm), unmatted, unframed.Condition: Unobtrusive toning and fading, minor soiling, staining to the reverse of the mount.

N.B. William Pitt Fessenden (1806-1869) was the 26th United States Secretary of the Treasury, under Abraham Lincoln. $800-1,200

205.Will Connell (American, 1898-1961)

Golden Gate Bridge, 1937. Signed and dated “Will Connell 37” in pencil (on the mount) l.r., titled in pencil (on the mount) l.l., identified in an inscription on the reverse, and with nine various camera club exhibition labels on the reverse. Gelatin silver print, image/sheet size 10 3/8 x 13 3/8 in. (26.3 x 33.8 cm), unmatted, unframed.Condition: Minor surface rubs and abrasions, soiling to mount. $300-500

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205

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206.Linda Connor (American, b. 1944)

Two Images of Geological Formations: Seven Sacred Pools, Maui, Hawaii, 1978; and Rock Believed to Hold All Evil, Cochiti, New Mexico, 1990. Both titled, dated, and signed “...Linda S. Connor” in pencil on the reverse. Gelatin silver prints, sheet/image sizes 8 x 10 in. (20.3 x 25.4 cm), unmatted, unframed.Condition: Good.

Provenance: From the collection of Austin Lamont, by family descent. $200-250

207.John W. Doscher (American, fl. circa 1940-1955)

Evening Mist - 5th Avenue, c. 1943. Signed “John-Doscher” in pencil (on the mount) l.r., titled in pencil (on the mount) l.l. Gelatin silver print, image/sheet size 19 1/2 x 15 5/8 in. (49.4 x 39.5 cm), unmatted, unframed.Condition: Unobtrusive toning, bloom/clouding to image along edges. $300-500

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208.Charles and Ray Eames (American, 20th Century)

Seventeen Polaroid Images: Various Subjects, c. 1972. Each inscribed or stamped “EAMES” on the reverse. Polaroid SX-70 prints, image sizes 3 1/8 x 3 1/8 in. (7.8 x 7.8 cm), unmatted, unframed.Condition: Subtle toning.

Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist.

N.B. These images were shot and some were used in the 11-minute Eames SX-70 film produced in 1972 by Charles and Ray Eames. $1,200-1,800

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209

209.Harold Eugene Edgerton (American, 1903-1990)

Watertap. Signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 18 5/8 x 12 3/8 in. (47.4 x 31.3 cm), unmatted, unframed.Condition: Unmounted. $1,000-1,500

210.Harold Eugene Edgerton (American, 1903-1990)

Football Kick, 1938, possibly a later printing. Signed “Harold Edgerton” in pencil on the reverse. Chromogenic print, image size 16 3/4 x 14 1/8 in. (42.4 x 35.7 cm), unmatted, unframed.Condition: Unmounted.

N.B. This is one of the earliest color strobe images ever shot. $600-800

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211.Harold Eugene Edgerton (American, 1903-1990)

Bullet Through Plexiglas, 1962. Signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 21 1/4 x 17 7/8 in. (53.8 x 45.4 cm), unmatted, unframed.Condition: Very minor wear to edges. $1,500-2,000

212.Harold Eugene Edgerton (American, 1903-1990)

Pigeon in Flight, 1965. Signed “HAROLD EDGERTON” in pencil on the reverse. Chromogenic print, image size 14 1/2 x 17 7/8 in. (36.7 x 45.3 cm), unmatted, unframed.Condition: Unmounted, soiling to right margin. $1,200-1,800

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213.Harold Eugene Edgerton (American, 1903-1990)

Milk-drop. Signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 18 1/8 x 14 3/8 in. (45.9 x 36.4 cm), unmatted, unframed.Condition: Unmounted, lint on negative visible within the print. $800-1,200

214.Walker Evans (American, 1903-1975)

Stamped Tin Relic, New York City, 1930, from WALKER EVANS: SELECTED IMAGES, printed 1974, edition of 75 plus proofs. Signed “Walker Evans” in pencil on the mount l.r., inscribed “P” in pencil on the mount l.l. Gelatin silver print, image/sheet size 8 x 10 1/4 in. (20.3 x 26.0 cm), unmatted, unframed.Condition: Good. $800-1,200

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215.Walker Evans (American, 1903-1975)

Maine Pump (Kennebunk, Maine), 1933, from WALKER EVANS: SELECTED IMAGES, printed 1974, edition of 75 plus proofs. Signed “Walker Evans” in pencil on the mount l.r., numbered “5/75” in pencil on the mount l.l. Gelatin silver print, image/sheet size 11 1/8 x 8 1/2 in. (28.2 x 21.4 cm), unmatted, unframed.Condition: Good. $800-1,200

216.Albert Fenn (American, b. 1912)

JFK Announcing Birth of JFK Jr., 1960, published in LIFE Magazine, December 5, 1960. Stamped on the reverse, identified on a label from Holden Luntz Gallery, Palm Beach, affixed to the backing. Gelatin silver print, sight size 12 3/4 x 8 3/4 in. (32.3 x 22.2 cm), framed.Condition: Surface creases to image, not examined out of frame.

Provenance: From the Time Life Archives through to the present owner, 2005. $800-1,200

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217.Grancel Fitz (American, 1894-1963)

Model and Apple Blossoms, c. 1938. Stamped on the reverse. Dye transfer print, image size 15 7/8 x 12 1/4 in. (40.2 x 31.0 cm), unmatted, unframed.Condition: Unmounted, creases to image, crazing to surface, rub to image u.l. $300-500

218.Rowena Fruth (American, 1896-1983)

Iris III, c. 1940. Signed, inscribed, and titled “Rowena Fruth...” on the reverse of the mount, 1943 exhibition label from the Camera Club of Fitchburg, Massachusetts, on the reverse. Gelatin silver print, image/sheet size 19 3/8 x 15 5/8 in. (49.1 x 39.6 cm), unmatted, unframed.Condition: Minute surface losses (primarily u.l.), bloom/clouding to image near edges, wear and losses to mount. $300-500

219.Peter Gowland (American, b. 1920)

Two Images of Models and Chairs. Both with artist’s stamp beneath image. Black and white Polaroid proofs, image sizes 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed.Condition: Minor soiling.

Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist.

N.B. The lot is accompanied by the negatives for both images. $500-700

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219

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220.Milton H. Greene (American, 1922-1985)

Marilyn Monroe, from the BLACK SITTING, 1956, published 1978. Signed and dated “Milton H. Greene...6-23-78” in ballpoint pen on the reverse, artist’s stamps on the reverse. Gelatin silver print, image/sheet size 16 x 19 7/8 in. (40.5 x 50.4 cm), unmatted, unframed.Condition: Unmounted, with handling ripples, nicks, creases, and rubs along edges. $2,500-3,500

221.Milton H. Greene (American, 1922-1985)

Marilyn Monroe, from THE BLACK SITTING, 1956, later edition of 300. Signed “Milton H. Greene” in pencil l.r., numbered “112/300” in pencil l.l. Photo-lithograph on paper, image size 40 x 30 in. (101.4 x 76.2 cm), framed.Condition: Mat burn, not examined out of frame. $250-350

130 additional information and photos at www.skinnerinc.com

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222.Philippe Halsman (American, 1906-1979)

Three Polaroid Portraits: Ursula Andress, Rosanna Schiaffino, and Robert Stack. Each with artist’s stamp and titled on the reverse. Black-and-white Polaroid proofs, images sizes 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed.Condition: Minor soiling.

Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. $1,000-1,500

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223.William Henry Jackson (American, 1843-1942)

Two Images: Pike’s Peak from the Garden of the Gods and Castle Gate Price Canon, Utah. Both identified within the negative. Albumen prints (the former hand-tinted), sheet sizes to 20 5/8 x 17 1/4 in. (52.3 x 43.7 cm), unmatted, unframed.Condition: Mounted, staining, toning, surface grime, minute losses to images. $800-1,200

224.Wes Kemp (American, 20th Century)

Ernest Hemingway. Inscribed on the reverse. Black-and-white Polaroid proof, images size 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed.Condition: Minor soiling.

Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist.

N.B. The lot is accompanied by the negative for the image. $500-700

132 additional information and photos at www.skinnerinc.com

224

223

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225.Rodger Paul Kingston (American, b. 1941)

Ranchos de Taos, NM, 1983. Signed “RP Kingston” in ink on the reverse, titled in ink on the reverse. Color photograph on paper, sheet size 19 7/8 x 15 3/4 in. (50.4 x 40.0 cm), framed.Condition: Scattered craquelure, staining to the reverse.

Provenance: From the collection of Austin Lamont, by family descent. $200-250

226.Mark Markov-Grinberg (Russian, 1907-2003)

Public Letter to a Slacker from a Record-Breaking Collective Farm, Stalingrad Region, 1933, a later printing. Titled, signed (in Cyrillic), and dated in pencil on the reverse. Gelatin silver print, image size 15 x 22 in. (38.0 x 55.8 cm), matted, unframed.Condition: Minor handling rippling and creases, subtle surface abrasions.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $800-1,200

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227.Jim Marshall (American, 1936-2010)

Dylan - Seventh Ave. N.Y.C., 1963. Signed and dated “Jim Marshall -63-” in felt tip pen or similar l.r., titled in felt-tip pen or similar l.l. Gelatin silver print, image size 8 3/8 x 12 1/4 in. (21.2 x 31.0 cm), framed.Condition: Subtle toning, not examined out of frame. $1,800-2,200

228.Jim Marshall (American, 1936-2010)

Rolling Stones Tour, 1972, 1972. Signed and dated “Jim Marshall -72-” in felt tip pen or similar l.r., titled in felt-tip pen or similar l.l. Gelatin silver print, image size 8 3/8 x 12 5/8 in. (21.2 x 32.0 cm), framed.Condition: Subtle toning, not examined out of frame. $1,200-1,800

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228

227

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229.Jim Marshall (American, 1936-2010)

Waylon Jennings, 1978. Signed and dated “Jim Marshall -78-” in felt-tip pen or similar on the mount l.r., dated and stamped on the reverse. Gelatin silver print, image/sheet size 6 3/8 x 9 5/8 in. (16.2 x 24.2 cm), framed.Condition: Not examined out of frame. $1,200-1,800

230.Georg Muche (German, 1895-1987)

Stilleben aus Glas, 1921-22, a later printing. Stamped “Original im Bauhaus-Archiv, Berlin...” on the reverse. Gelatin silver print, image size 6 5/8 x 9 in. (16.7 x 22.7 cm), matted, unframed.Condition: Extremely subtle rubs to surface, unmounted.

Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $800-1,200

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229

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231.Eliot Porter (American, 1901-1990)

White Flowers in Black Ash Cliff Breidhidalur, 1972, from PORTFOLIO II - ICELAND, 1975. Stamped on the reverse of the mount, identified on a label from the Harcus Krakow Rosen Sonnabend Gallery, Boston, accompanying the lot. Dye transfer print, sheet size 10 3/8 x 8 1/8 in. (27.0 x 20.5 cm), matted, frame accompanies the lot.Condition: Good. $600-800

232.Herbert Schürmann (German, 1908-1982)

Compositionsstudic aus den Unterricht Peterhans, Dessau, 1932, printed in 1997. Stamped “Original im Bauhaus-Archiv, Berlin...” on the reverse. Gelatin silver print, image size 8 1/2 x 6 1/4 in. (21.5 x 15.7 cm), matted, unframed.Condition: Gentle rippling, unmounted.

Provenance: Through the collection of Ati Gropius Johansen, Massachusetts. $500-700

136 additional information and photos at www.skinnerinc.com

232

231

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233.Aaron Siskind (American, 1903-1991)

Seaweed 2, 1943. Titled, dated, and signed “...Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 16 x 12 in. (40.5 x 30.4 cm), unmatted, unframed.Condition: Unmounted, minute wear to corners, very subtle handling creases. $600-800

234.Aaron Siskind (American, 1903-1991)

Chicago, 1952. Titled, dated, and signed “...Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 17 3/8 x 22 1/2 in. (44.0 x 57.0 cm), unmatted, unframed.Condition: Unmounted, minute wear to corners, subtle handling creases. $2,000-3,000

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235.Aaron Siskind (American, 1903-1991)

Morocco 328, 1982. Titled, dated, and signed “...Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 13 7/8 x 14 in. (35.0 x 35.5 cm), unmatted, unframed.Condition: Unmounted, minute wear to corners, very subtle handling creases. $1,200-1,800

236.Aaron Siskind (American, 1903-1991)

Shutters. Signed “Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 14 x 18 in. (35.5 x 45.7 cm), unmatted, unframed.Condition: Unmounted, minute wear to corners. $1,200-1,800

138 additional information and photos at www.skinnerinc.com

236

235

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236A.Jack Smith (American, 1932-1989)

The Beautiful Book, containing 17 of the 19 original images, 1962. Identified on cover. Gelatin silver prints mounted to book pages, 9 x 7 1/2 in. (22.7 x 19.0 cm).Condition: Staining to cover and interior. $15,000-20,000

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237.Bert Stern (American, b. 1929)

Two Portraits: Louis Armstrong, c. 1958, and Grandma Moses. Both inscribed on the reverse. Black-and-white Polaroid proofs, images sizes 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed.Condition: Minor soiling, imperfection (possibly a fingerprint) to Armstrong.

Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. $1,000-1,500

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238.Jane Tuckerman (American, 20th/21st Century)

Difunta Correa Shrine, Argentina. Signed “Jane Tuckerman” in pencil l.r., titled in pencil l.l. Photogravure with hand-coloring on paper, image size 18 1/2 x 25 3/4 in. (46.9 x 65.4 cm), framed.Condition: Deckled edges, pinholes to corners, gentle rippling, not examined out of frame.

N.B. Tuckerman is a professor of photography at the Art Institute of Boston. $250-300

239.Pete Turner (American, b. 1934)

Three Images: Swamp, Blue Nudes, and Lena Bunina Moscow. Each signed “Pete Turner” in felt-tip pen or similar on the reverse. SX70 Polaroids, image sizes 3 1/8 x 3 1/8 in. (7.8 x 7.8 cm), unmatted, unframed.Condition: Subtle toning.

Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. $250-350

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240.Bradford Washburn (American, 1910-2007)

Three Mountain Views Including: Mounts Foraker and Crosson and Kahiltna Dome Over Kahiltna Peaks on the South Buttress of Mt. McKinley, Alaska, 1977. Each signed “Bradford Washburn” in pencil on the reverse. Gelatin silver prints, sheet sizes 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted, each with printing flaws (white spots and visible abrasions in the negatives). $800-1,200

142 additional information and photos at www.skinnerinc.com

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241.Minor White (American, 1908-1976)

Side Gate Taos Church, N.M. July 1973. Inscribed and signed “...Minor White” on the reverse. Black-and-white Polaroid, image size 4 1/2 x 3 1/2 in. (11.4 x 8.8 cm), unmatted, unframed.Condition: Minor soiling.

Provenance: Collection of a former Polaroid Corporation photographer and technical film specialist. $400-600

END OF FINE PRINTS & PHOTOGRAPHY

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All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways:

John Joseph Enneking. - In our judgment, the work is by the artist.

Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist.

American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms:

Bears Signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Glossary of Terms

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Artist Index

Appel, Karel ..........................................................................................1

Barlach, Ernst .......................................................................................2Bartlett, Jennifer ..................................................................................3Baskin, Leonard .............................................................................. 4-13Basquiat, Jean-Michel (After) ..........................................................14Baumann, Gustave ............................................................................15Beard, Peter .......................................................................................203Bearden, Romare ................................................................................16Benson, Frank Weston ...............................................................17, 18Bishop, Richard Evett ........................................................................19Blake, William ...................................................................................20Borein, Edward ..................................................................................21Boyadjeva, Liuba ...............................................................................97Brady, Mathew B. ............................................................................204Braque, After Georges .......................................................................22Buhot, Félix Hilaire .....................................................................23, 24

Cady, Harrison ..................................................................................25Calder, Alexander ..............................................................................26Cappiello, Leonetto ............................................................................27Carte, Antoine (Anto) .......................................................................28Cassigneul, Jean-Pierre .....................................................................29Chagall, Marc ................................................................................30, 31Christo .................................................................................................32Clark, Roland ......................................................................................33Cochin, Charles Nicolas, the Younger ...........................................34Cohen, Arthur Morris ......................................................................35Connell, Will .....................................................................................205Connor, Linda ..................................................................................206Corinth, Lovis ..............................................................................36, 37

D’Arcangelo, Allan ...........................................................................38Dennis, Morgan .................................................................................39Domela, César .....................................................................................40van Dongen, Kees .............................................................................41Doscher, John W. ............................................................................207

Eames, Charles ................................................................................208Eames, Ray ........................................................................................208Edgerton, Harold Eugene ......................................................209-213Ernst, Jimmy .......................................................................................42Escher, M.C. ..................................................................................43, 44Estes, Richard ....................................................................................45Evans, Walker .......................................................................... 214, 215Evergood, Philip ................................................................................46

Fairey, Shepard ...................................................................................47Fantin-Latour, Henri ........................................................................48Fenn, Albert ......................................................................................216Fitz, Grancel ......................................................................................217Francis, Sam ........................................................................................49Frank, Hans ........................................................................................50Frasconi, Antonio ..............................................................................51Fruth, Rowena ..................................................................................218

Gallagher, Sears .................................................................................52Goltzius, Hendrik ...............................................................................53Gorman, R.C. (Rudolph Carl) ................................................... 54-57

Gowland, Peter ................................................................................219De Goya y Lucientes, Francisco José .........................................58, 59Greene, Milton H. ................................................................... 220, 221Grooms, Red ......................................................................................60Grosch, Laura .....................................................................................61

Haden, Sir Francis Seymour .............................................................62Halsman, Philippe ............................................................................222Harden, Richard C. ...........................................................................63Haring, Keith ......................................................................................64Hartung, Hans ....................................................................................65Helleu, Paul César .......................................................................66, 67Hepworth, Dame Barbara .................................................................68Hodler, Ferdinand ..............................................................................69Huse, Marion ......................................................................................70Hutty, Alfred Heber ...........................................................................71

Icart, Louis...........................................................................................72

Jackson, William Henry ..................................................................223Jacoulet, Paul .....................................................................................73Jeanne-Claude .....................................................................................32Johns, Jasper ..................................................................................74, 75Johnson, Lester F. ........................................................................76, 77Jones, Joe .............................................................................................78

Kemp, Wes .......................................................................................224Kingston, Rodger Paul.....................................................................225Kipniss, Robert ...................................................................................79Kirmse, Marguerite ...........................................................................80Kitaoka, Fumio ..................................................................................81Kleiber, Hans ......................................................................................82Klimt, Gustav (After) ................................................................... 83-87Konishi, Seiichiro ..............................................................................88Kuhn, Walt ..........................................................................................89

Lathrop, Dorothy Pulis......................................................................90Lazzell, Blanche ...........................................................................91, 92Le Bas, Jacques Philippe ....................................................................34Leighton, Clare Veronica Hope ......................................................93Levy, William Auerbach....................................................................94Lichtenstein, Roy ................................................................................95Lindner, Richard ...............................................................................96Liuba, also known as Liuba Boyadjeva ..........................................97

Magritte, René (After) .......................................................................98Marcks, Gerhard........................................................................ 99, 100Marin, John ......................................................................................101Marini, Marino ................................................................................102Markov-Grinberg, Mark .................................................................226Marsh, Reginald ...............................................................................103Marshall, Jim .............................................................................227-229Masson, André..................................................................................104Matisse, Henri ..................................................................................105Mazur, Michael ....................................................................... 106, 107Miró, Joan..................................................................................109-114Mohlitz, Philippe ..............................................................................116Moore, Henry ...........................................................................117-121Muche, Georg ...................................................................................230

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Nevelson, Louise .............................................................................123

Pennell, Joseph .........................................................................124-126Pepper, Beverly .................................................................................127Peterdi, Gabor F. ..............................................................................128Phillips, Walter Joseph ...................................................................129Picasso, Pablo ...........................................................................130-141Piranesi, Giovanni Battista ............................................................142Polaroid .........................................................................................202APorter, Eliot .......................................................................................231Prampolini, Enrico ..........................................................................143

Raffaëlli, Jean François ....................................................................144Rauschenberg, Robert ............................................................ 145, 146Redon, Odilon ..........................................................................147-149Reinagle, Philipp ..............................................................................167Richards, Frederick Charles ..........................................................150Robbe, Manuel ..................................................................................151Rothenberg, Susan ...........................................................................152Rouault, Georges .................................................................... 153, 154Roussel, Theodore ............................................................................155

Sander, Ludwig ................................................................................156Scholder, Fritz ...................................................................................157Schürmann, Herbert .......................................................................232Siskind, Aaron .........................................................................233-236Smith, Jack ....................................................................................236ASnyder, Joan ......................................................................................158Soyer, Raphael .................................................................................159Steinhardt, Jacob ..................................................................... 160, 161Steir, Pat .............................................................................................162Stern, Bert .........................................................................................237von Stuck, Franz ..............................................................................163Summers, Carol ...............................................................................164

Tápies, Antoni ......................................................................... 165, 166Thornton, Dr. Robert John (publisher) (After) ..........................167de Toulouse-Lautrec, Henri ...........................................................168Tuckerman, Jane ..............................................................................238Turner, Pete ......................................................................................239

Vasarely, Victor .......................................................................169-172Vernet, Claude Joseph (After) .........................................................34Villon, Jacques ..........................................................................173-179de Vlaminck, Maurice ............................................................ 180, 181

Warhol, Andy .......................................................................... 183, 184Washburn, Bradford .......................................................................240Wedgwood, Geoffrey Heath ...........................................................185Welliver, Neil ...................................................................................186Wengenroth, Stow ..................................................................187-193Whistler, James Abbott McNeill ........................................... 194, 195White, Minor ....................................................................................241Wou-Ki, Zao ....................................................................................198Wyeth, Andrew ................................................................................196

Youngerman, Jack ...........................................................................197

Ziegler, Henry ..................................................................................199

Zorach, Marguerite Thompson .....................................................200Zúñiga, Francisco .................................................................... 201, 202

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Upcoming Auction

Fine Paintings & SculptureMay 18, 2012 Boston, MA

Norman Rockwell (American, 1894-1978), The Gossips/A Study

Consignment Deadline: February 24, 2012

For more information please contact our American & European Works of Art department at 508.970.3206 or e-mail [email protected]

www.skinnerinc.com

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1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

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Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

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10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000.

11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Skinner, Inc. - Conditions of Sale

Revised September 6, 2011

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Name (Please Print) Business Name

Address check if change in address

City State Zip Code

Phone # Alternate # e-mail

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

63 Park P laza , Bo s t on , MA 02116 Te l : 617 .350 .5400 Fax : 617 .350 .5429274 Cedar Hi l l S t re e t , Mar lborough , MA 01752 Te l : 508 .970 .3000 Fax : 508 .970 .3100

www. sk inner inc . c om

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 274 Cedar Hill Street, Marlborough, MA 01752 Tel: 508.970.3100

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

The Heritage On The Garden, 63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 • 357 Main Street, Bolton, MA 01740 Tel: 508.779.6241

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

The Heritage On The Garden, 63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 357 Main Street, Bolton, MA 01740 Tel: 508.779.6241

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are

executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.

Absentee Bid Form

Marlborough Boston Phone Fax Mail Person Employee:

FOR OFFICE USE

Lot # Description Bid Price

Signature (Required) Date

Sale Title Sale Date

First Time Bidder? YES NO Customer #

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154

Board of Directors

Administration

Expert Departments

SKINNER, INC.Auctioneers andAppraisers of Antiquesand Fine Art

63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429

274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100

www.skinnerinc.com

Chairman of the Board - Nancy R. SkinnerRichard AlbrightJohn DeightonBarnet FainStephen L. FletcherKaren M. Keane

President/Chief Executive Officer - Karen M. KeaneChief Financial Officer - Don KellyExecutive Vice President - Stephen L. FletcherVice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

20th Century Design - Jane D. PrentissAmerican & European Paintings & Prints - Robin S.R. StarrAssistants: Kathy Wong, Elizabeth C. HaffAmerican Furniture & Decorative Arts - Stephen L. FletcherDeputy Director: Chris Barber; Assistant: Karen LangbergAmerican Indian & Ethnographic Art - Douglas DeihlAsian Works of Art - Interim Director - Stuart G. SlavidAssistants: Biying Zhang, Carol TranBooks & Manuscripts - Kerry ShrivesBottles, Flasks & Early Glass - Stephen L. FletcherCeramics - Stuart G. SlavidClassic Automobiles & Motorcycles - Jane D. PrentissCouture - Cara ElmslieDiscovery Auctions - Cara ElmslieAssistants: Garrett J. Sheahan, Melissa RiebeEuropean Furniture & Decorative Arts - Stuart G. SlavidAssistant: Leah KingmanFine Wines - Marie KeepAssistant: Laura V. SweeneyJewelry - Victoria BratbergAssistants: John Colasacco, Julie KhouriJudaica - Kerry ShrivesMusical Instruments - David BonseyOriental Rugs & Carpets - Gary RichardsScience, Technology & Clocks - Robert C. CheneyAssistant: Jonathan DowlingSilver - Stuart G. SlavidToys & Dolls - Kerry ShrivesAuctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,Robin S.R. Starr, Laura V. Sweeney

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Marlborough: Warehouse Manager - Fred Trottier; 508.970.3280 Property Manager - Samuel Combs, 508.970.3262

Boston: Benjamin Evans, 617.874.4329

Property Distribution Manager - Jessica R. Lincoln, 617.874.4308

Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable - Kathleen Hayes, 508.970.3268 Credit Supervisor - Joe Monteyro, 508.970.3266

Marlborough: Heather Retzke, 508.970.3240

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Shannon M. Ames, Hadley BridgmanAdvertising Production - Pamela Van de HoutenBoston Gallery Director - Laura V. SweeneyAssistant Gallery Director: Paige LewellynGallery Assistant: Jessica TurnerCatalogue Production - Pamela Van de Houten, Kristina HarrisonConsignment Services - Patricia Walker King, Megan J. Blomgren, Carol ZeiglerCustomer Relations - Carol McCaffreyInstitutional Relations - L. Emerson TuttleHuman Resources - Carol McCaffreyInformation Technology & Internet Auctions - Kerry ShrivesAssistants: Timothy Shaughnessey, Melissa RiebeManaging Director - Marie C. KeepMarketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather RetzkePhotographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John CorneliusReceptionists - Marlborough: Jessica BedenbaughBoston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric JonesAssistant: Mark McCaffrey

Service Departments

Exhibitions & Property Distribution

Finance Department

Subscriptions

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Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA Telephone: 617-350-5400

From the West:

Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.

The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.

Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto

Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South

via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

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The Back Bay Hotel (formerly Jurys)350 Stuart StreetBoston, MA 02116Tel: 617-532-3800

Beacon Hill Hotel & Bistro25 Charles StreetBoston, MA 02114Tel: 617-723-1133

The Colonnade120 Huntington AvenueBoston, MA 02116Tel: 617-424-7000Fax: 617-424-0968

Eliot Hotel370 Commonwealth Ave. Boston, MA 02215Tel: 617-267-1607

The Park Plaza64 Arlington StreetBoston, MA 02116Tel: 617-457-7488Fax: 617-426-2000

INDOOR PARKING GARAGES

City Place Parking GarageTransportation Building12 Charles StreetLocated at the end of Park PlazaUnderground multi-level garage All day–closes at 2:30amFirst hr/$5, after 2 hrs/$14

AllRight ParkingBoston Common GarageLocated on Charles Street, on the Common, two blocks from Skinner1 hr/$6, up to 24 hrs/$25, Evenings (4pm-10am)/$10

The Four Seaons Hotel Parking Garage200 Boylston StreetAdjacent to Skinner, valet drop-off and pick-up, up to 24 hrs/$30

The Taj Hotel Parking Garage2 Newbury Street Located three blocks from Skinner, valet drop-off and pick-upUp to 24 hrs/$42

Back Bay Garage222 Berkeley Street (entrance off St. James)One block from SkinnerAll day/$35, evening (5pm-7am)/$10

Radisson Hotel Parking GarageStuart Street (near intersection of Charles)Two blocks from Skinner 1-2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$18, 12-24 hrs/$31

Motor Mart Garage26 Park Plaza(Same building as Legal Sea Food)Up to 1 hr/$8, 1 to 2 hrs/$12,2-3 hrs/$16, 3-12 hrs/$20, 12-24 hrs/$31, weekends up to 3 hrs/$8

OUTDOOR PARKING LOTS(recommended for trucks)

Pin Stripe ParkingArlington Street617-338-7984All day/$14, after 6pm and weekends/$10, overnight/$15

Billy’s Parking222 Stuart Street617-423-77818am-5pm/$18, after 5pm/$20

157

BOSTON HOTELS WITH SKINNER CORPORATE RATES

PARKING

BOSTON HOTELS

Boston Harbor Hotel70 Rowe’s WharfBoston, MA 02110Tel: 800-654-2000Fax: 617-345-6799

Fairmont Copley Plaza138 St. James AvenueBoston, MA 02116Tel: 617-267-5300Fax: 617-375-9648

Four Seasons200 Boylston StreetBoston, MA 02116Tel: 617-351-2036

The Liberty Hotel215 Charles St.Boston, MA 02114617-224-4000

Marriott Copley Place110 Huntington AvenueBoston, MA 02116Tel: 800-228-9290Fax: 617-236-5885

Nine Zero Hotel90 Tremont St.Boston, MA 02108617-772-5800

Radisson Hotel200 Stuart StreetBoston, MA 01740Tel: 617-482-1800 Fax: 617-451-2750

The Ritz-Carlton, Boston Common10 Avery Street Boston, MA 02111Tel: 617-912-3315 Fax: 617-912-3375

Taj Boston15 Arlington St.Boston, MA 02116617-536-5700

Westin-Copley Plaza10 Huntington AvenueBoston, MA 02116Tel: 800-228-3000Fax: 617-424-7483

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RESTAURANTS

FINE DINING

Aujourd’huiFour Seasons Hotel, 200 Boylston Street (between Arlington & Charles Streets)617-351-2071New American.

DanteRoyal Sonesta Hotel5 Cambridge Parkway617-806-4200Mediterranean restaurant with great views of the Charles River and Boston skyline.

Davio’s75 Arlington St.617-357-4810Northern Italian steak house.

Grill 23 & Bar161 Berkley Street (Stuart Street)617-542-2255Great steak, seafood, wine list, and service.

L’Espalier774 Boylston St.617-262-3023French dining in an elegant townhouse with a wonderful prix-fixe menu.

No. 9 Park9 Park St.617-742-9991Barbara Lynch’s bistro showcases inspired French and Italian influenced food and wine on Beacon Hill.

Radius85 High St.617-426-1234Features a modern French menu focusing on seasonal ingredients accompanied by a thoughtful wine list.

ScampoThe Liberty Hotel215 Charles St.617-536-2100Lydia Shire’s latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel.

Troquet 140 Boylston St.617-695-9463French restaurant and wine bar perched at the edge of the Boston Common and the theatre district.

Via Matta79 Park Plaza617-422-0008Elegant Italian fare and beautiful wines in a vibrant dining room - the best of Italy in Boston’s Back Bay creates an unforgettable experience.

MODERATE

Aquitaine569 Tremont Street617-424-8577Parisian bistro style fare.

The Bristol Lounge at Four Seasons Hotel200 Boylston St.617-338-4400Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden.

East Ocean City25-29 Beach St.617-542-2504Outstanding Chinese food restaurant highlighting seafood dishes with a full-service bar.

Lala Rokh on Beacon Hill97 Mt. Vernon Street617-720-5511Authentic regional Persian cuisine, hand-selected wine list, knowledgeable waitstaff.

McCormick and Schmick’s Seafood Restaurant36 Columbus Ave617-482-3999Fresh seafood offerings that change daily.

Summer Shack50 Dalton St.617-867-9955Jasper White serves well-executed seaside favorites in a casual Back Bay setting.

INEXPENSIVE

Au Bon Pain26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street)617-338-8948Casual café offers quick service.

Davio’s To Go10 St. James Galleria Atrium617-357-4810Casual Italian take-out lunch spot with daily special pastas, soups, and salads.

Flash’s310 Stuart St.617-574-8888American comfort food served with classic cocktails in a casual setting.

Parish Café361 Boylston St.617-247-4777American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs.

Piattini226 Newbury Street617-536-2020Italian wine bar with an eclectic menu; specializes in Italian-style tapas.

The Upper Crust20 Charles Street617-723-9600Gourmet thin crust pizza.

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Name __________________________________________ Business Name

Mailing Address ____________________________________________________

City ______________________________ State _______ Zip______________

email address ____________________________________ __________ Tel: ( ) _____________________________

Quarterly Brochure No charge No charge

Included with catalogue subscription

American Furniture & Decorative Arts $120 $143

European Furniture & Decorative Arts $120 $143

American & European Paintings & Prints $120 $143

Fine Jewelry $120 $143

20th Century Furniture & Decorative Arts $60 $73

Asian Works of Art $60 $73

Fine Oriental Rugs & Carpets $18 $25

American Indian & Ethnographic Art $60 $73

Fine Books & Manuscripts $30 $36

Fine Ceramics $60 $73

Fine Musical Instruments $60 $73

Science, Technology & Clocks $60 $73

Fine Wines $60 $73

All Above Departments $750 $915

subtotal

ma residents 6.25% sales tax

total

PLEASE ENCLOSE PAyMENT WITH SUBSCRIPTION FORM AND MAIL OR FAX TO:

Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100

please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)

SKINNER catalogue subscription formPRICES EFFECTIVE JULy 1, 2010. Catalogue subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

MasterCard/VISA # Exp. Date

Signature Check enclosed

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SKINNERAuctioneers and Appraisers of Antiques and Fine Art

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

SKINNERAuctioneers and Appraisersof Antiques and Fine Art

SKINNERJanuary/February 1995 Auction Schedule

SKINNERJanuary/February 1995 Auction Schedule

SKINNERAuctioneers and Appraisersof Antiques and Fine Art