Transcript
Page 1: Fine Prints & Photography | Skinner Auction 2560B

American & European Works of ArtFine Prints & PhotographySale 2560B September 9, 2011 Boston

SKINNER

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specialists in charge

Robin S. R. StarrDepartment Director 508.970.3259

Kathy Wong508.970.3297

Elizabeth C. Haff508.970.3258

American & European Works of ArtFine Prints & Photography

American & European Paintings & Prints Department - 508.970.3206

General Inquiries: [email protected]

auction 2560B

preview

Wednesday, September 7, 2011 12 to 5 p.m. Thursday, September 8, 2011 12 to 8 p.m. Friday, September 9, 2011 9 to 10:30 a.m.

Friday, September 9, 2011 at 12 noonLots 1-242, followed by Fine Paintings & Sculpture at 4 p.m.

63 Park PlazaBoston, Massachusetts

absentee bidding

Tel: 617.874.4318Fax: 617.350.5429

Online: www.skinnerinc.com

general inquiries

617.350.5400

cover: 172 (detail); frontispiece: 129, 130; inside back cover: 241; back cover: 194

View all lots online at www.skinnerinc.com

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table of contents

1 Auction & Specialist Information

2 Web Site & Online Bidding

4-5 Event Announcements

7 Lots 1-242

131 Glossary of Terms

132 Artist Index

136 Conditions of Sale

137 Absentee Bid Form

138 Company Directors & Specialty Departments

139 Administrative Staff & Client Services

140 Map & Driving Directions

141 Parking & Accommodations

142 Dining

143 Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 136 of this catalogue for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2011

All rights reserved

MA/Lic. #2304

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SKINNER presents a

Fine Art Gallery Walk

Presented by Robin Starr, Director of Skinner’s Paintings & Prints Department

Thursday, September 8, 2011

5:30 p.m. Reception/6:00 p.m. Gallery Walk

63 Park PlazaBoston, MA

R.S.V.P. 617.350.5400Reservations are Limited

Gallery Walk held in conjunction with a preview of Skinner’s September 9th auctions of Fine Paintings & Prints

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Upcoming Auction

Fine Prints & PhotographyFebruary 3th, 2012 Boston, MA

Jasper Johns (American, b. 1930) Target with Plaster Casts, 1980, pre-sale estimate $20,000-25,000

Consignment Deadline: November 4th, 2011

For more information please contact our Fine Prints & Photography department at 508.970.3206 or email [email protected]

www.skinnerinc.com

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1.John Taylor Arms (American, 1887-1953)

The Dean’s Office, Princeton, 1925, edition of 84 (Fletcher, 158). Unsigned, identified on a label affixed to the backing. Etching on paper, plate size 4 1/2 x 6 7/8 in. (11.4 x 17.4 cm), framed.Condition: Not examined out of frame. $150-200

2.John Taylor Arms (American, 1887-1953)

Aspiration, La Madeleine, Verneuil-Sur-Avre, alternatively titled Fraternité, Egalité, Liberté, 1939, proof impression of the fifth/final state (Fletcher, 329). Signed and dated “John Taylor Arms 1939” in pencil l.r., numbered and titled “V...” in pencil l.l., dedicated l.c. Etching on laid paper, plate size 15 5/8 x 10 1/8 in. (39.5 x 25.5 cm), matted, unframed.Condition: Margins over 1 1/4 inches with deckled edges, gently light stained, soiling to margins. $400-600

3.John Taylor Arms (American, 1887-1953)

French Lace, alternatively titled The West Portal of the Church of Notre Dame, Villefranche-en-Rouerque, Aveyron, 1949, final state of two, edition of 306 (Fletcher, 415). Signed and dated “John Taylor Arms 1949” in pencil l.r., annotated “II” in pencil l.l., identified on a label affixed to the backing. Etching on paper, plate size 7 7/8 x 4 5/8 in. (19.8 x 11.6 cm), framed.Condition: Not examined out of frame. $200-250

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4.Eric Avery (American, b. 1948)

Lot of Four Prints: Valentine, photo-screenprint over a manufactured flocked and printed valentine; Hands of Celebrated Gougers, 1992, edition of 15, woodcut; Middle Age, color woodcut; and Dr. Anderson’s Run, 1984, edition of 40, woodcut. All but the first pencil signed. Sizes to 13 3/8 x 20 in. (33.8 x 50.7 cm), all but the last unframed.Condition: Good.

Provenance: A private Massachusetts collection. $600-800

5.William H. Bailey (American, b. 1930)

Lot of Two Portrait Busts, 1985, editions of 15. Both signed and dated “Bailey 1987” in pencil l.r. and numbered “2/15” in pencil l.l. Etchings on chine collé, plate size 13 3/4 x 10 3/4 in. (34.8 x 27.2 cm), matted, unframed.Condition: Wide margins with deckled edges. $500-700

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6.Leonard Baskin (American, 1922-2000)

Lot of Four Animal Subjects: Crows, 1951, edition of 50 (Fern & O’Sullivan, 103); Still Life (New Year’s Greeting), 1953 (Fern & O’Sullivan, 227); Boar, 1957 (Fern & O’Sullivan, 304); and Stagg, 1957 (Fern & O’Sullivan, 306). Each signed “Baskin” in pencil l.r. Wood engravings on paper, image sizes to 4 1/8 x 5 in. (10.4 x 12.5 cm), matted, unframed.Condition: Wide margins with some deckled edges. $600-800

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7.Leonard Baskin (American, 1922-2000)

Lot of Two Portraits: William Morris, 1960, printed in 1969, wood engraving (Fern & O’Sullivan, 416) and Jean Duvet, c. 1962, etching. Both signed “Baskin” in pencil l.r. Image sizes to 9 x 7 1/4 in. (22.8 x 18.4 cm), matted, unframed.Condition: Wide margins with some deckled edges. $400-600

8.Leonard Baskin (American, 1922-2000)

Hidatsa Medicine Man, 1972, edition of 160 (Fern & O’Sullivan, 610). Signed “Baskin” in pencil l.r., inscribed “AP” in pencil l.l., signed, dated, and titled within the matrix, dry stamp l.l. Lithograph on cream paper, image size 32 1/2 x 22 in. (82.5 x 55.8 cm), unmatted, unframed.Condition: Wide margins, subtle handling marks/creases. $600-800

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9.Leonard Baskin (American, 1922-2000)

Little Bird Arapahoe, 1973, edition of 100 (Fern & O’Sullivan, 622). Signed “Baskin” in pencil l.r., numbered “68/100” in pencil l.l., signed, dated, and titled within the matrix. Color lithograph on paper, image size 33 3/8 x 24 1/8 in. (84.6 x 61.2 cm), unmatted, unframed.Condition: Wide margins with deckled edges, subtle handling marks/creases. $800-1,200

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10.Leonard Baskin (American, 1922-2000)

Short Bull Sioux, 1972-73, edition of 85 (Fern & O’Sullivan, 623). Signed “Baskin” in pencil l.r., numbered “61/85” in pencil l.l., monogrammed, dated, and titled within the matrix, dry stamp l.l. Color lithograph on cream Arches paper with watermark, image size 23 x 20 1/2 in. (58.4 x 52.0 cm), matted, unframed.Condition: Wide margins with deckled edges. $800-1,200

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11.Leonard Baskin (American, 1922-2000)

Indian Faces, 1974, edition of 100 (Fern & O’Sullivan, 642). Signed “Baskin” in pencil l.r., inscribed “AP” in pencil l.l., signed and dated within the matrix, dry stamp l.l. Color lithograph on cream paper, image size 25 1/2 x 34 3/8 in. (64.7 x 87.2 cm), unmatted, unframed.Condition: Wide margins with deckled edges, subtle handling marks/creases. $800-1,200

12.Leonard Baskin (American, 1922-2000)

A Cheyenne Woman in the Robes of a Secret Society, 1974, edition of 100 (Fern & O’Sullivan, 638). Signed “Baskin” in pencil l.r., numbered “60/100” in pencil l.l., signed and dated within the matrix, dry stamp l.l. Color lithograph on cream paper, image size 25 1/4 x 34 3/4 in. (64.0 x 88.0 cm), matted, unframed.Condition: Wide margins with deckled edges. $1,000-1,500

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13.George Beline (American, b. 1887)

Mending the Nets, edition of 10. Signed “George Beline” in pencil l.r., titled and numbered “...1/10” in pencil l.l. Lithograph on Basingwerk Parchment paper with watermark, image size 10 7/8 x 14 7/8 in. (27.5 x 37.7 cm), unmatted, unframed.Condition: Margins 1 inch or more with deckled right edge, toning, pale mat burn, areas of tape/residue to edges. $150-250

14.Frank Weston Benson (American, 1862-1951)

Fish Hawk, 1913, edition of 13 (Paff, 18). Signed “FrankWBenson.” in pencil l.l., initialed within the plate. Etching on laid paper with Medici crest watermark, plate size 11 3/4 x 9 3/4 in. (29.8 x 24.7 cm), unmatted, unframed.Condition: Margins over 1 inch with deckled edges to three sides, lower margin folded under 2 1/2 inches below the image, pale mat burn and soiling. $4,000-6,000

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15.Frank Weston Benson (American, 1862-1951)

Eider Drake, 1918, published state, edition of 31 (Paff, 136). Signed “FrankWBenson.” in pencil l.l., numbered “11” in pencil l.r., identified on a label from the Gage Gallery, Cleveland, affixed to the backing. Drypoint on paper, plate size 6 x 7 1/8 in. (15.2 x 18.3 cm), framed.Condition: Unobtrusive toning and mat burn, subtle cockling/handling creases, two pinpoint-size indentations into the image near the lower edge, not examined out of frame. $300-500

16.Frank Weston Benson (American, 1862-1951)

Ducks at Play, 1923, published state, edition of 150 (Paff, 217). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate, identified on a handwritten label affixed to the backing. Drypoint on paper, plate size 10 7/8 x 13 3/4 in. (27.5 x 34.8 cm), framed.Condition: Toning, gentle rippling, not examined out of frame. $400-600

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17.Thomas Hart Benton (American, 1889-1975)

Prodigal Son, 1939, edition of 250, published by Associated American Artists (Fath, 29). Signed “Benton” in pencil l.r., signed within the matrix, identified on a label from AAA affixed to the backing. Lithograph on paper, image size 10 1/8 x 13 1/4 in. (25.5 x 33.5 cm), framed.Condition: Toning, foxing, rippling, not examined out of frame. $1,000-1,500

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18.Thomas Hart Benton (American, 1889-1975)

The Race, alternatively titled Homeward Bound, 1942, edition of 250, published by Associated American Artists (Fath, 56). Signed “Benton” in pencil l.r., signed within the matrix, and identified on a label from AAA affixed to the backing. Lithograph on paper, image size 8 7/8 x 13 1/4 in. (22.5 x 33.5 cm), framed.Condition: Mat burn, unobtrusive toning, scattered pale fox marks, rippling, not examined out of frame. $1,000-1,500

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19.Albert Besnard (French, 1849-1934)

La joueuse de luth, 1922, second state of four, edition of 10 (Delteil, 192ii/iv). Signed “ABesnard” in pencil l.r., inscribed and numbered “2c etat 9 ep/10” in pencil l.l. Etching and aquatint on laid paper, plate size 8 1/4 x 10 1/2 in. (20.9 x 26.5 cm), matted, unframed.Condition: Margins approximately 1 inch with deckled edges, minor soiling. $300-500

20.Lot of Two Norton Christmas Projects:

Sanford Biggers (American, b. 1970), Norton Christmas Project (Bright Smile), 2008, and Nina Katchadourian (American, b. 1968), Norton Christmas Project (Salt and Pepper Shakers), 2007. Both identified in text accompanying the lot. Mixed-media multiples, heights to 3 3/4 in. (9.4 cm).Condition: Good, batteries for Bright Smile not included.

Provenance: A private Massachusetts collection. $200-300

21.Aaron Bohrod (American, 1907-1992)

Rampart Street, New Orleans, alternatively titled New Orleans Street, 1938, edition of 250, published by Associated American Artists (Czestochowski, 40; AAA/Czestochowski, 1938.010). Signed “Aaron Bohrod” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 9 x 12 in. (22.7 x 30.4 cm), framed.Condition: Not examined out of frame. $200-250

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22.Pierre Bonnard (French, 1867-1947)

Etude de nu, c. 1925, second state of two, edition of 25 (Bouvet, 97). Signed “P Bonnard” in pencil l.r., dry stamp from the Galerie des Peintures-Gravures, Paris, l.r., unidentified collector’s marks l.l. Lithograph on paper, image size 11 1/4 x 6 3/4 in. (28.5 x 17.0 cm), matted, unframed.Condition: Wide margins with deckled edges, gently light toned, several pale fox marks. $800-1,200

23.Mortimer Borne (American, b. 1902)

Lot of Three Middle Eastern Views: Arab Digger, 1935, edition of about 35; Shimon Hadzadik - Jerusalem, 1935, edition of about 35; and Under the Olives, 1935, edition of about 35 (Biran, p. 160-161). Each signed “Mortimer Borne...Imp” in pencil l.r. Drypoint on various papers, plate sizes approximately 7 x 10 in. (17.5 x 25.5 cm), matted, unframed.Condition: Margins of 1 inch, minor soiling to margins.

N.B. Borne had a one-man show at the Gallery Hachadasha in Jerusalem in 1935. It featured some of his etchings, and stimulated by the city and his recent success there, he remained in Jerusalem for several months, creating a series of etchings. $300-500

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24.Richard Bosman (American, b. 1944)

Untitled (Cigarette and Ashtray)/A Diptych, c. 1993. Unsigned. Woodcuts on paper towels, each image 10 3/8 x 10 5/8 in. (26.2 x 26.8 cm), framed.Condition: Not examined out of frame.

Provenance: A private Massachusetts collection. $300-500

25.Georges Braque (French, 1882-1963)

Frontispiece from LA NUIT LA FAIM, 1960, total edition of 163, published by Adrien Maeght, Paris (Vallier, 154). Signed “G. Braque” in pencil l.r., inscribed “H.C.” in pencil l.l. Color lithograph on paper, image size 9 3/8 x 6 1/8 in. (23.7 x 15.5 cm), framed.Condition: Toning, not examined out of frame. $800-1,200

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26.After Georges Braque (French, 1882-1963)

Poissons, edition of 300 (Maeght, 1001). Signed “G Braque” in pencil l.r., numbered “158/300” in pencil l.l., signed within the plate. Color etching with aquatint on paper, plate size 13 5/8 x 17 7/8 in. (34.5 x 45.3 cm), framed.Condition: Not examined out of frame.

Provenance: A private New England collection. $1,000-1,500

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27.Félix Bracquemond (French, 1833-1914)

Portrait of Zacharie Astruc (1835-1907), c. 1865, an early impression before the reduction of the plate. Signed within the plate. Etching on laid tissue, plate size 12 1/4 x 9 1/2 in. (31.0 x 24.0 cm), matted, unframed.Condition: Pale staining and foxing, thin spot to sheet within the margins. $600-800

28.George Elbert Burr (American, 1859-1939)

The Sentinel Pine (Seeber, 135). Signed “George Elbert Burr” in pencil l.l., inscribed “Del. et Imp-” in pencil l.r., monogrammed within the plate. Etching printed in teal on paper, plate size 9 3/4 x 7 in. (24.6 x 17.7 cm), framed.Condition: Several pale fox marks, not examined out of frame. $250-300

29.George Elbert Burr (American, 1859-1939)

Road to Apache Reservation - Arizona (Seeber, 295). Signed “George Elbert Burr” in pencil l.l., titled in pencil l.r., monogrammed within the plate. Etching on paper, plate size 9 3/4 x 7 3/4 in. (24.6 x 19.5 cm), framed.Condition: Not examined out of frame. $500-700

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30.Pol Bury (Belgian, 1922-2005)

Washington Bridge, c. 1968, edition of 75. Signed “Pol Bury” in pencil l.r., numbered “28/75” in pencil l.l. Color lithograph on paper, image size 22 7/8 x 18 7/8 in. (58.0 x 47.8 cm), framed.Condition: Margins 1 inch or more, not examined out of frame.

Provenance: Estate of an arts benefactor, New York. $150-200

31.Alexander Calder (American, 1898-1976)

Untitled (Spiral), edition of 125. Signed “Calder” in pencil l.r., numbered “17/125” in pencil l.l. Color lithograph on paper, sight size 24 3/4 x 19 in. (62.7 x 48.0 cm), framed.Condition: Pale foxing, not examined out of frame. $800-1,200

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32.David Young Cameron (Scottish, 1865-1945)

Doges Palace, 1902, second state of two (Rinder, 326). Signed “D.Y. Cameron.” in pencil l.r., signed within the plate, identified on a label from M. Knoedler & Co., Inc., New York, accompanying the lot. Etching with drypoint on paper, plate size 9 7/8 x 15 3/4 in. (25.0 x 40.0 cm), hinged to a backing mat, unframed.Condition: Margins approximately 1/4 inch with nicks and tears, toning, unobtrusive staining. $350-550

33.David Young Cameron (Scottish, 1865-1945)

Stonehenge, 1928, from the second state of two, probably an impression after the steel facing of the plate (Rinder, 479). Signed “D.Y. Cameron” in pencil l.r. and within the plate. Etching on paper, plate size 5 x 7 7/8 in. (12.5 x 20.0 cm), framed.Condition: Staining, not examined out of frame. $150-200

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34.Rafael Canogar (Spanish, b. 1935), Martin Chirino (Spanish, b. 1925), Manolo Millares (Spanish, 1926-1972), Manuel Rivera (Spanish, 1927-1994), Antonio Saura (Spanish, 1930-1998), and Manuel Viola (Spanish, 1919-1987)

EL PASO/A Portfolio of Six Images, 1960, edition of 50. Each image signed in pencil l.r., numbered “2/50” in pencil l.l., and identified on the colophon. Lithographs on Fabriano paper with watermark, sheet sizes 27 3/4 x 19 3/4 in. (70.4 x 50.2 cm), unmatted, unframed.Condition: Toning to sheets (especially at edges and verso), minor nicks and tears to paper folders. $700-900

35.Samuel V. Chamberlain (American, 1895-1975)

Lot of Two Views: Semur-en-Auxois, 1925, edition of 35 plus proofs (Chamberlain & Kingsland, 13); and Early Morning Market, Senlis, 1939, edition of 300 plus proofs (Chamberlain & Kingsland, 273). Both signed “Samuel Chamberlain” in pencil l.r. Etchings on paper, plate sizes to 9 x 6 5/8 in. (22.9 x 16.8 cm), framed.Condition: Toning, mat burn, not examined out of frames. $150-250

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36.Samuel V. Chamberlain (American, 1895-1975)

Lot of Three Views of French Towers: Verneuil, first state i/i (Chamberlain & Kingsland, 88); Le Charité-sur-Loire, first state i/ii (Chamberlain & Kingsland, 89); and Market Day in Lillebonne, first state i/i (Chamberlain & Kingsland, 90). Each signed “Samuel Chamberlain” in pencil l.r., each inscribed with state in pencil l.l. Etchings on paper, plate sizes to 13 7/8 x 9 1/4 in. (35.2 x 23.5 cm), matted, unframed.Condition: Margins over 1 inch with most edges deckled, scattered fox marks and pale staining to margins.

Provenance: Through the family of the artist. $200-300

37.Samuel V. Chamberlain (American, 1895-1975)

Lot of Three Different States of Slums of Rouen, first state i/ii, third state 3/17, and fourth state 11/18 (Chamberlain & Kingsland, 102). Each signed “Samuel Chamberlain” in pencil l.r., each inscribed with state in pencil l.l. Etchings on paper, plate sizes 9 1/2 x 6 3/4 in. (24.0 x 17.0 cm), matted, unframed.Condition: Margins over 1 inch with most edges deckled, several fox marks and staining to edges of sheets.

Provenance: Through the family of the artist. $200-300

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38.Samuel V. Chamberlain (American, 1895-1975)

Manhattan Twilight, 1935, sixth state of nine (Chamberlain & Kingsland, 111). Signed “Samuel Chamberlain” in pencil l.r., inscribed “Sixth State 2/2” in pencil l.l. Drypoint on paper with a partial BFK Rives watermark, plate size 13 1/4 x 9 1/2 in. (33.4 x 24.3 cm), unmatted, unframed.Condition: Margins 1 1/4 inches or more with deckled edges, annotations to lower margin, minute nicks/tears to edges.

Provenance: Through the family of the artist. $300-500

39.Samuel V. Chamberlain (American, 1895-1975)

Lot of Three Williamsburg Proof Impressions: Saint George Tucker House, Williamsburg, 1940, artist’s proof iii/v (Chamberlain & Kingsland, 140); The Wren Building, Williamsburg, c. 1947, fifth state i/ii (Chamberlain & Kingsland, 142); and The Churchyard, Williamsburg, 1948, fourth state i/i (Chamberlain & Kingsland, 143). Two signed “Samuel Chamberlain” in pencil l.r., each inscribed with state in pencil l.l. Etchings on paper, plate sizes to 8 1/2 x 12 7/8 in. (21.5 x 32.5 cm), matted, unframed.Condition: Margins over 1 inch.

Provenance: Through the family of the artist. $200-300

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40.Marc Chagall (French/Russian, 1887-1985)

Lot of Three Plates from BIBLE: Ange du paradis, Ruth glaneuse, and Booz se réveille et voit Ruth à ses Pieds, from the edition of 6500, published by Editions de la Revue VERVE, Paris (Mourlot, 121, 246, and 249). Unsigned. Color lithographs on paper, sight sizes 13 3/4 x 10 in. (34.8 x 25.4 cm), framed.Condition: Not examined out of frames.

Provenance: Estate of an arts benefactor, New York. $600-800

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41.After Marc Chagall (French/Russian, 1887-1985)

Le Bouquet, 1955, edition of 300, published by Editions Galerie Maeght, Paris (Mourlot, CS 8). Signed “Marc Chagall” in pencil l.r., numbered “269/300” in pencil l.l. Color lithograph on paper, image size 25 1/4 x 19 3/4 in. (64.0 x 50.0 cm), framed.Condition: Not examined out of frame. $1,500-2,500

42.After Marc Chagall (French/Russian, 1887-1985)

Lot of Two Images from TWELVE MAQUETTES FOR STAINED GLASS WINDOWS FOR JERUSALEM: The Tribe of Zabulon and The Tribe of Simeon, 1963-64. Unsigned. Color lithographs on paper, image sizes 11 5/8 x 8 5/8 in. (29.4 x 21.8 cm), framed.Condition: Not examined out of frames. $400-600

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43.Asa Cheffetz (American, 1897-1965)

Lot of Two New England Views: Bridge over Mad River (Vermont), 1946, edition of 250, published in 1948 by Associated American Artists; and Winter in Southampton (Mass.), 1949, edition of 250, published by Associated American Artists (Springfield 88; AAA/Czestochowski, 1949.012). Both signed “Asa Cheffetz-” in pencil l.r., the former accompanied by a label from AAA. Wood engravings on paper, image sizes to 4 7/8 x 10 in. (12.3 x 25.4 cm), matted, unframed.Condition: Margins over 1 1/4 inches, paper hinges to upper corners. $300-500

44.Lot of Two Norton Christmas Projects:

Peter Coffin (American, b. 1972), Norton Christmas Project (Rainbow), 2006, and Anna Gaskell (American, b. 1969), Norton Christmas Project (Peep Book), 2001. Both identified in text accompanying the lot. Paper constructions, heights to 4 in. (10.0 cm).Condition: Good.

Provenance: A private Massachusetts collection. $350-550

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45.Lovis Corinth (German, 1858-1925)

Bäume mit Sonne (Winter im Tiergarten), 1920-21, edition of 100 (Müller, 478). Signed “Lovis Corinth” in pencil l.r., inscribed “probedruck zustand No. 1” in pencil l.l., annotated and dated “...1921” in pencil l.c. Drypoint on heavy paper, plate size 9 3/4 x 11 5/8 in. (24.6 x 29.4 cm), matted, unframed.Condition: Margins 1 inch or more with deckled edges. $500-700

31online bidding at www.skinnerinc.com

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46

47

46.Lovis Corinth (German, 1858-1925)

Burg am See, from SCHWEIZER LANDSCHAFTEN, 1923, edition of 100 (Müller, 793). Signed “Lovis Corinth” in pencil l.r., identified on a label affixed to the mat. Lithograph on cream laid paper, image size 5 1/4 x 7 in. (13.3 x 17.7 cm), matted, unframed.Condition: Margins 2 1/4 inches or more with deckled edges, cockling near right edge. $500-700

47.Lovis Corinth (German, 1858-1925)

Alphütte, from SCHWEIZER LANDSCHAFTEN, 1923, edition of 100 (Müller, 794). Signed “Lovis Corinth” in pencil l.r., identified on a label affixed to the mat. Lithograph on cream laid paper, image size 6 x 7 in. (15.2 x 17.7 cm), matted, unframed.Condition: Margins 2 1/4 inches or more with deckled edges. $500-700

32 additional information and photos at www.skinnerinc.com

Page 35: Fine Prints & Photography | Skinner Auction 2560B

48

48.Joseph Cornell (American, 1903-1972)

Untitled (Derby Hat), 1972, edition of 150, published by Brooke Alexander Editions, New York. Signed with the artist’s estate stamp l.r., numbered “120/125” in pencil l.l., identified on a label from the Kristina Wasserman Gallery, Providence, on the reverse. Color heliogravure on paper, plate size 13 1/4 x 10 1/4 in. (33.5 x 26.0 cm), framed.Condition: Margins 2 1/4 inches or more with deckled edges, not examined out of frame. $800-1,200

33online bidding at www.skinnerinc.com

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49

49.Gene Davis (American, 1920-1985)

Jack-in-the-Box, from SERIES 1, 1969, edition of 150, published by the Petersburg Press, London. Signed “Gene Davis” in felt tip pen or similar on the reverse, numbered “87/150” in ink on the reverse, stamped on the reverse. Color screenprint on mounted fabric, image/sheet size 30 1/8 x 20 1/8 in. (76.4 x 51.0 cm), framed.Condition: Subtle rubs to surface, creasing to corners (primarily l.l.).

Provenance: Estate of an arts benefactor, New York. $300-500

50.Adolf Arthur Dehn (American, 1895-1968)

Four Caribs, 1960, edition of 30 (Lumsdaine & O’Sullivan, 548). Signed “Adolf Dehn” in pencil l.r., titled in pencil l.c., numbered “5/30” in pencil l.l., identified on a label from AAA affixed to the backing. Color lithograph on paper, image size 19 1/2 x 15 in. (49.4 x 38.1 cm), framed.Condition: Subtle toning, unobtrusive mat burn, not examined out of frame. $400-600

51.Werner Drewes (American/German, 1899-1985)

Lot of Two Prints: Our Farm (The Catskills), 1936, edition of 5 (Jentsch, II.7); and Nude Couple - Amo Te, 1939, edition of 10 (Jentsch, II.13). The former monogrammed and dated within the matrix, the latter signed and dated “Drewes - 39-” in pencil l.r. Lithographs on paper, image sizes to 7 1/8 x 11 3/8 in. (18.0 x 28.8 cm), both with back mat, unframed.Condition: Subtle toning. $400-600

34 additional information and photos at www.skinnerinc.com

51

50

Page 37: Fine Prints & Photography | Skinner Auction 2560B

52.Raoul Dufy (French, 1877-1953)

Lot of Two Impressions: Petite baigneuse aux papillons. Both signed within the plate. Etching (one with aquatint in colors) on paper, plate sizes 8 5/8 x 12 1/4 in. (21.8 x 31.0 cm), presented together in a single frame. Condition: Subtle toning and rippling, not examined out of frame. $400-600

53.Mabel Dwight (American, 1876-1955)

Guignolette (New York), 1927, edition of 75 (Robinson & Pirog, 17). Signed, inscribed, and dated “Mabel Dwight - Paris 1927” in pencil l.r. Color lithograph on chine collé, image size 8 3/4 x 12 in. (22.0 x 30.4 cm), framed.Condition: Not examined out of frame. $400-600

35online bidding at www.skinnerinc.com

52

53

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54

54.Max Ernst (German, 1891-1976)

Plate VI, from LES CHIENS ONT SOIF, 1964, edition of 50 (Leppien, A9vi). Signed “max ernst” in pencil l.r., numbered “7/50” in pencil l.l. Color lithograph on paper, image size 16 x 10 in. (40.5 x 25.4 cm), framed.Condition: Not examined out of frame.

Provenance: Estate of an arts benefactor, New York. $300-500

36 additional information and photos at www.skinnerinc.com

Page 39: Fine Prints & Photography | Skinner Auction 2560B

55

55.Sam Francis (American, 1923-1994)

Untitled, 1988, edition of 114, printed and published by La Paloma, Tujunga, California (Lembark, S19). Signed “Sam Francis” in pencil l.r., numbered “55/114” in pencil l.l., publisher’s dry stamp l.r. Color screenprint on paper, image/sheet size 30 x 22 in. (76.0 x 55.8 cm), unmatted, unframed.Condition: Good. $1,500-2,000

37online bidding at www.skinnerinc.com

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57

56

56.French School, 20th Century

Untitled, edition of 300. Indistinctly signed and numbered “...237/300” in pencil l.r. Color lithograph on Arches paper with watermark, image size 23 3/4 x 16 1/2 in. (60.2 x 41.8 cm), framed.Condition: Deckled edges, pale fox marks, annotation to the reverse.

Provenance: Estate of an arts benefactor, New York. $200-250

57.French School, 20th Century

Untitled, 1982, edition of 50. Indistinctly signed in pencil l.r., numbered and dated “48/50/1982” in pencil l.l. Etching with soft ground and carborundum on Arches paper with watermark, plate size 8 3/8 x 11 1/2 in. (21.2 x 29.0 cm), framed.Condition: Deckled edges to three sides, masking tape and/or residue to edges on the reverse. $100-200

38 additional information and photos at www.skinnerinc.com

Page 41: Fine Prints & Photography | Skinner Auction 2560B

58.Johnny Friedlaender (German, 1912-1992)

Untitled, edition of 95. Signed “Friedlaender” in pencil l.r., numbered “74/95” in pencil l.l. Color etching with aquatint on paper, plate size 30 1/2 x 23 1/8 in. (77.4 x 58.5 cm), framed.Condition: Margins over 3/4 inches, not examined out of frame. $400-600

39online bidding at www.skinnerinc.com

58

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59

60

59.Eliza Draper Gardiner (American, 1871-1955)

Honey Suckle, c. 1920s. Monogrammed within the block. Color linocut on Japan paper, image size 8 1/4 x 7 1/2 in. (20.9 x 19.0 cm), matted, unframed.Condition: Subtle soiling to margins, minor nicks and old hinges to edges.

Provenance: Through the artist’s estate. $200-300

60.Michiel Gloeckner (American, 1915-1989)

Lot of Two Abstract Compositions, 1974. Both signed and dated “Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil l.l., one with a dry stamp from Michel Cassé, Paris, l.l. Color screenprints on paper, image sizes approximately 20 1/2 x 16 1/2 in. (52.0 x 42.0 cm), unmatted, unframed.Condition: Margins over 1 inch. $300-500

40 additional information and photos at www.skinnerinc.com

Page 43: Fine Prints & Photography | Skinner Auction 2560B

62

61

61.Peter Gourfain (American, b. 1934)

Mamarojo, 1994, proof edition. Initialed and dated “PG 1994” in pencil l.r., titled and inscribed “...A.P.” in pencil l.l. Woodcut on cream Japan paper, image size 19 1/4 x 14 5/8 in. (48.8 x 37.0 cm), matted, unframed.Condition: Margins over 2 inches, creasing to edges. $200-300

62.Walter Gramatté (German, 1897-1929)

Lot of Twelve Figural Studies, 1918. Each signed and dated “Gramatté 18” in pencil l.r. Lithographs on paper, sheet sizes 9 1/2 x 6 5/8 in. (24.0 x 16.7 cm), unmatted, unframed.Condition: Some with toning. $1,000-1,500

41online bidding at www.skinnerinc.com

Page 44: Fine Prints & Photography | Skinner Auction 2560B

63

63.Walter Gramatté (German, 1897-1929)

Die Grosse Angst, 1918 (Eckhardt, 118). Signed and dated “Walter Gramatté 18” in pencil l.r., dated within the plate, dry stamp from Die Schaffenden l.l. Etching on paper, plate size 11 3/4 x 9 1/2 in. (29.8 x 24.0 cm), matted, unframed.Condition: Margins 3/4 inches or more with deckled lower edge, unobtrusive toning. $600-800

64.Walter Gramatté (German, 1897-1929)

Frau Hella, 1920, trial proof (Eckhardt, 143). Signed and dated “Walter Gramatté 20” in pencil l.r., titled l.l., monogrammed and dated within the plate. Etching on paper, plate size 12 3/4 x 9 1/2 in. (32.3 x 24.1 cm), matted, unframed.Condition: Margins 1 inch or more, unobtrusive toning. $600-800

65.Walter Gramatté (German, 1897-1929)

Männliches Gesicht, 1922 (Eckhardt, 153). Signed and dated “Walter Gramatté 22” in pencil l.r. Etching on paper, plate size 9 1/8 x 6 1/2 in. (23.1 x 16.4 cm), matted, unframed.Condition: Margins over 3 1/2 inches with deckled edges, unobtrusive toning, annotations to lower margin, creases to lower edge, several areas of tape and hinge residue to the reverse. $600-800

42 additional information and photos at www.skinnerinc.com

65

64

Page 45: Fine Prints & Photography | Skinner Auction 2560B

66.Walter Gramatté (German, 1897-1929)

Müdes Mädchen, 1923, proof impression (Eckhardt, 167). Signed and dated “Walter Gramatté 23” in pencil l.r., inscribed “Probedruck...” in pencil l.l. Etching in black and blue on paper, plate size 9 1/8 x 6 1/2 in. (23.1 x 16.4 cm), matted, unframed.Condition: Margins over 3 1/2 inches with deckled edges, unobtrusive toning, annotations to lower margin, creases to lower edge. $600-800

67.Walter Gramatté (German, 1897-1929)

Plate from FRAU, 1924 (Eckhardt, 179). Signed and dated “Walter 24” in pencil l.r., number “31” in pencil l.l. Etching printed in umber on cream paper, plate size 12 5/8 x 10 5/8 in. (32.0 x 27.0 cm), matted, unframed.Condition: Margins 1 1/2 inches or more with deckled edges. $600-800

43online bidding at www.skinnerinc.com

66

67

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68.James Lee Hansen (American, 1925-1997)

Lot of Three Compositions: XXXI, XXXII, and XXXIII, each an edition of 25. Each signed “James Hansen” in pencil l.r., titled and numbered “...14/25” in pencil l.l., and with dry stamp l.l. Aquatints with hand-coloring on paper, plate sizes 7 5/8 x 4 5/8 in. (19.3 x 11.7 cm), framed.Condition: Deckled edges, subtle rippling, XXXIII with pale staining, not examined out of frames. $700-900

69.James Lee Hansen (American, 1925-1997)

Lot of Four Compositions: XXVI, XXVII, XXVIII, and XXIX, each an edition of 25. Each signed “James Hansen” in pencil l.r., titled and numbered “...14/25” in pencil l.l., and with dry stamp l.l. Aquatints with hand-coloring on paper, plate sizes 7 5/8 x 4 5/8 in. (19.3 x 11.7 cm), framed.Condition: Deckled edges, subtle rippling, not examined out of frames. $800-1,200

44 additional information and photos at www.skinnerinc.com

68

69

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70

70.George Overbury “Pop” Hart (American, 1868-1933)

Poultry Man (Large Plate), 1926 (Cahill, 43). Signed “Pop Hart” (and with monogram) in pencil l.r. Etching and aquatint on paper, plate size 10 5/8 x 12 3/8 in. (26.8 x 31.3 cm), matted, unframed.Condition: Margins of 1 inch or more, toning, soiling/staining to margins, annotations along the lower edge. $500-700

71.Frederick Childe Hassam (American, 1859-1935)

Bowling on the Green, from the TWENTY MASTERPIECES IN ETCHING: LIFE OF GEORGE WASHINGTON Portfolio, 1932 (Cortissoz, 377). Monogrammed in pencil l.r., monogrammed, inscribed, and dated in the plate. Etching on paper, plate size 8 1/4 x 13 1/4 in. (21.0 x 33.7 cm), framed.Condition: Subtle toning, not examined out of frame. $600-800

72.Irwin D. Hoffman (American, 1901-1989)

The Stoker, 1935, edition of 10. Signed “Irwin Hoffman Imp.” in pencil l.r., titled and inscribed “...10 prints” in pencil l.l. Etching printed in brown/black on paper, plate size 8 7/8 x 5 7/8 in. (22.4 x 14.8 cm), framed.Condition: Margins 1/2 inch or more, subtle toning, not examined out of frame. $600-800

45online bidding at www.skinnerinc.com

7271

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74

73.Ludwig Hohlwein (German, 1874-1949)

Direct China Cotton Importers Wonalancet Company Nashua NH, 1909. Identified in the matrix. Color lithographic poster on paper, sheet size 32 1/2 x 23 1/4 in. (82.4 x 59.0 cm), shrink-wrapped.Condition: Subtle toning, minor handling creases, creases and minute nicks to corners, not examined out of wrap. $1,500-2,500

74.Louis Icart (French, 1888-1950)

Spanish Comb, 1922 (Holland et al., 140). Signed “Louis Icart” in pencil l.r., dated and with publisher within the plate, artist’s printing press and a second dry stamp l.l. Etching and aquatint with stencil coloring on paper, plate size 18 1/8 x 14 3/4 in. (46.0 x 37.4 cm), framed.Condition: Foxing, not examined out of frame. $400-600

46 additional information and photos at www.skinnerinc.com

73

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76

75.Louis Icart (French, 1888-1950)

My Secret Love, 1927 (Holland et al., 307). Signed “Louis Icart” in pencil l.r., dated and with publisher within the plate, inscribed “Ep: d’artiste” in pencil l.l., artist’s printing press dry stamp l.l. Etching and aquatint with stencil coloring on paper, oval format, plate size 18 1/2 x 14 3/4 in. (46.8 x 37.2 cm), framed.Condition: Toning, not examined out of frame. $400-600

76.Louis Icart (French, 1888-1950)

Boudeuse, 1930 (Holland et al., 395). Signed “Louis Icart” in pencil l.r., dated and with publisher within the plate, numbered “A/15” in pencil l.l., artist’s printing press dry stamp l.l. Etching and aquatint with stencil coloring on paper, plate size 12 x 17 1/4 in. (30.4 x 43.7 cm), framed.Condition: Toning, not examined out of frame. $400-600

77.Louis Icart (French, 1888-1950)

Pur-Sang, 1938 (Holland et al., 472). Signed “Louis Icart” in pencil l.r., dated and with publisher within the plate, numbered “181” in pencil l.l., artist’s printing press dry stamp l.l. Etching and aquatint with stencil coloring on paper, plate size 18 5/8 x 35 1/4 in. (47.2 x 89.5 cm), framed.Condition: Handling creases, not examined out of frame. $400-600

47online bidding at www.skinnerinc.com

77

75

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78

78.Alain Jacquet (French, 1939-2008)

Balance and Fruit, c. 1968, edition of 100. Signed “Alain Jacquet” in pencil l.r., numbered “35/100” in pencil l.l. Color screenprint on paper, image size 15 x 22 3/4 in. (38.1 x 57.7 cm), framed.Condition: Margins over 3 inches, scattered foxing, not examined out of frame.

Provenance: Estate of an arts benefactor, New York. $250-300

79.Marcel Janco (Israeli, 1895-1984)

Don Quichotte, proof impression. Signed “Marcel Janco” in pencil l.r., titled in pencil l.l., inscribed “Epreuve d’artiste” in pencil l.c. Color lithograph on paper, image size 13 7/8 x 19 5/8 in. (35.2 x 49.7 cm), framed.Condition: Margins 2 1/2 inches or more, fox marks (primarily to the left margin), not examined out of frame. $300-500

48 additional information and photos at www.skinnerinc.com

79

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80

80.Jasper Johns (American, b. 1930)

Untitled (Duck), from the HARVEY GANTT PORTFOLIO, 1990, edition of 250, published by Gemini G.E.L., Los Angeles (Gemini, 1456). Signed and dated “J Johns 1990” in pencil l.r., numbered “142/250” in pencil l.l., publisher’s and copyright dry stamps l.r., identified on a label from the Kristina Wasserman Gallery, Providence, on the reverse. Color lithograph on paper, image size 6 x 4 7/8 in. (15.2 x 12.3 cm), framed.Condition: Margins over 1 1/2 inches with deckled edges, not examined out of frame. $2,000-3,000

49online bidding at www.skinnerinc.com

Page 52: Fine Prints & Photography | Skinner Auction 2560B

81.Lester F. Johnson (American, 1919-2010)

Classical Figure #2, second state, edition of 10. Signed “Lester Johnson” in pencil l.r., titled and identified in an inscription l.l., numbered “10/10” in pencil l.c. Etching with soft ground on paper, plate size 17 3/4 x 14 5/8 in. (45.0 x 37.0 cm), framed.Condition: Margins 2 inches or more, foxing, not examined out of frame.

Provenance: A private Massachusetts collection. $300-500

82.Philip Kappel (American, 1901-1981)

The Mill at the Falls. Signed “Philip Kappel” in pencil l.r. and within the plate. Etching with drypoint on paper, plate size 9 7/8 x 7 7/8 in. (25.0 x 19.8 cm), framed.Condition: Not examined out of frame. $100-125

83.Leo Katz (Austrian/American, 1887-1982)

Year One A.B., 1946, edition of 50. Dated and signed “1946 Leo Katz” in pencil l.r., titled in pencil l.c., numbered “9/50” in pencil l.l. Etching with soft ground and embossing on paper, plate size 23 5/8 x 14 7/8 in. (64.3 x 37.7 cm), unmatted, unframed.Condition: Toning, brown paper tape to upper edge, creases to edges. $200-300

50 additional information and photos at www.skinnerinc.com

82

83

81

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84

84.Rockwell Kent (American, 1882-1971)

Big Baby, alternatively titled Greenland Mother, 1933, edition of 150 (Burne Jones, 101). Signed “Rockwell Kent” in pencil l.r., titled in pencil l.l. Wood engraving on paper, image size 4 1/2 x 5 7/8 in. (11.4 x 14.7 cm), framed.Condition: Subtle toning, not examined out of frame. $700-900

85.William Kent (British, 20th Century)

Women Dig It, 1964, edition of 20. Signed and dated “William Kent, 1964” in pencil l.r., numbered “1/20” in pencil l.l. Color woodcut on paper, image size 20 x 20 in. (50.6 x 50.6 cm), framed.Condition: Minor creasing and rippling, not examined out of frame.

Provenance: A private New England collection. $300-500

51online bidding at www.skinnerinc.com

85

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86

86.Robert Kipniss (American, b. 1931)

Suspension II, 1985, edition of 120. Signed “Kipniss” in pencil l.r., numbered “59/120” in pencil l.l. Color lithograph on paper, image size 10 x 13 1/2 in. (25.4 x 34.3 cm), framed.Condition: Not examined out of frame. $400-600

87.Robert Kipniss (American, b. 1931)

Green Porches, 1988, edition of 120. Signed “Kipniss” in pencil l.r., numbered “58/120” in pencil l.l. Color lithograph on paper, image size 11 1/4 x 14 3/4 in. (28.5 x 37.3 cm), framed.Condition: Not examined out of frame. $400-600

52 additional information and photos at www.skinnerinc.com

87

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89

88

88.Robert Kipniss (American, b. 1931)

Interior with Side Chair, edition of 150. Signed “Kipniss” in pencil l.r., numbered “132/150” in pencil l.l. Color lithograph on paper, image size 13 1/2 x 9 in. (34.3 x 22.8 cm), framed.Condition: Not examined out of frame. $400-600

89.Robert Kipniss (American, b. 1931)

Yards and Saplings, edition of 120. Signed “Kipniss” in pencil l.r., numbered “111/120” in pencil l.l. Color lithograph on paper, image size 11 x 10 in. (27.8 x 25.4 cm), framed.Condition: Not examined out of frame. $300-500

53online bidding at www.skinnerinc.com

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90

90.Hans Kleiber (German/American, 1887-1967)

Disturbed Pintails, 1948, edition of 250, published by Associated American Artists (Czestochowski/AAA, 1948.039). Signed “Hans Kleiber” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 6 3/8 x 8 7/8 in. (16.2 x 22.4 cm), matted, unframed.Condition: Margins over 1 inch with a deckled lower edge, pale fox marks, toning (primarily to verso). $200-300

91.Charles Wing Krafft (American, 20th/21st Century)

Lot of Two Ceramic Pieces: Nun with Axe Plate, 1999, and Anthrax Canister, 2001. Both signed, dated, and inscribed “Charles Krafft...VILLA DELIRIUM DELFT WORKS” on the underside. Painted and transfer decorated ceramic, heights to 10 1/2 in. (26.5 cm), Canister presented on a wooden stand.Condition: Good.

Provenance: A private Massachusetts collection. $200-300

54 additional information and photos at www.skinnerinc.com

91

Page 57: Fine Prints & Photography | Skinner Auction 2560B

92.Robert Kulicke (American, 1924-2007)

Lot of Four Fruit Still Lifes, 1978, each an edition of 40. Each numbered, signed, and dated “23/40 Kulicke 78” in pencil l.r. Soft ground etchings printed in white and umber on colored papers, plate sizes to 6 x 4 in. (15.2 x 10.1 cm), framed.Condition: Not examined out of frames.

N.B. Made to accompany the exhibition Robert Kulicke: Painter, Designer, Craftsman at the Museum of Art, Pennsylvania State University, 1978. $800-1,200

93.Lawrence Kupferman (American, 1909-1982)

Victorian Carriage House. Signed “Lawrence Kupferman” in pencil l.r., titled in pencil l.l. Etching on laid paper, plate size 9 7/8 x 12 1/2 in. (25.0 x 31.6 cm), unmatted, unframed.Condition: Deckled edges, subtle toning, tape residue to edge of upper margin. $100-150

55online bidding at www.skinnerinc.com

92

93

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94

95

94.Robert Kushner (American, b. 1949)

Viva Flamenco, 1981, proof impression. Signed “Robert Kushner” in pencil l.r., titled in pencil l.l., inscribed “AP 1B” in pencil l.c., identified on a label affixed to the backing. Color screenprint on paper, image size 15 3/4 x 15 3/4 in. (40.0 x 40.0 cm), framed.Condition: Not examined out of frame. $600-800

95.Edward August Landon (American, 1911-1984)

Deadlock, 1947-48, edition of 30. Signed “E Landon” in ink (within the image) l.r., titled and identified within the matrix, identified on a label affixed to the mat. Color screenprint on paper, sheet size 13 1/4 x 18 in. (33.5 x 45.7 cm), matted, unframed.Condition: Margins over 1 1/4 inches with a deckled upper edge, minor tears/losses to lower corners of margins. $400-600

95A.Robert Lazzarini (American, b. 1965)

Norton Christmas Project/Teacup, 2003. Identified on underside of the cup and saucer, and in the accompanying text. Porcelain cup and saucer with metal spoon, height 3 1/2 in. (8.8 cm).Condition: Good (the chip to the rim of the cup is an intentional part of the design).

Provenance: A private Massachusetts collection. $200-300

56 additional information and photos at www.skinnerinc.com

95A

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97

96

96.Le Corbusier (French/Swiss, 1887-1965)

Still Life, from the PETIT CONFIDENCES, 1957, edition of 125, published by Mourlot, Paris (Weber, p. 44-47). Initialed and dated within the matrix. Rhodoid gravure on paper, image size 17 1/8 x 21 in. (43.5 x 53.3 cm), framed.Condition: Staining to margins, subtle rippling, not examined out of frame.

Provenance: Through the family of Eleanor Kanegis Levin, co-owner of Kanegis Gallery in Boston from 1953 to 1961, and the Retina Gallery in Cambridge from 1968 to 1971. $400-600

97.Roy Lichtenstein (American, 1923-1997)

As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, identified in the matrix, each sheet stamped in the lower corners on the reverse. Offset color lithographs on paper, each sheet measures 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed.Condition: Very minor handling marks and creases, subtle toning. $700-900

57online bidding at www.skinnerinc.com

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98

98.Max Liebermann (German, 1847-1935)

Simson und Delila, 1906 (Schiefler, 55). Signed “MLiebermann” in pencil l.r. Etching and drypoint on paper, plate size 8 1/2 x 11 1/8 in. (21.5 x 28.2 cm), matted, unframed.Condition: Margins approximately 2 inches, minute nicks to edges, annotations to verso. $500-700

99.Alan Magee (American, b. 1947)

Pear and Block, 1983, edition of 100. Signed “Alan Magee” in pencil l.r., numbered “14/100” in pencil l.l., identified on a certificate from Magnolia Editions, Oakland, California, on the backing paper. Color lithograph on paper, image size 5 1/4 x 6 in. (13.3 x 15.2 cm), framed.Condition: Not examined out of frame. $250-350

100.Alan Magee (American, b. 1947)

Ano Nuevo Stone, edition of 100. Signed “Alan Magee” in pencil l.r., numbered “71/100” in pencil l.l., identified on a certificate from Magnolia Editions, Oakland, California, on the backing paper. Color lithograph on paper, image size 3 3/8 x 4 3/4 in. (8.5 x 12.0 cm), framed.Condition: Not examined out of frame. $150-200

58 additional information and photos at www.skinnerinc.com

99 100

Page 61: Fine Prints & Photography | Skinner Auction 2560B

101

101.René Magritte (Belgian, 1898-1967)

La Comtesse de Monte Cristo, plate 1 from AUBE À L’ANTIPODE, 1966, edition of 77 (Kaplan/Baum, 6A). Signed “Magritte” in pencil l.r., numbered “34/77” in pencil l.l. Etching on cream wove paper with a Richard de Bas watermark, plate size 8 1/8 x 6 1/4 in. (20.5 x 15.8 cm), unmatted, unframed.Condition: Margins 2 1/2 inches or more, handling creases, old hinges to right edge. $400-600

102.Philip Makanna (American, b. 1940)

Tanquito, 1960, edition of 10. Signed and dated “Philip Makanna ‘60” in pencil l.r., titled in pencil l.c., numbered “10/10” in pencil l.l. Color woodcut on paper, image size 11 3/4 x 19 1/2 in. (29.8 x 49.4 cm), framed.Condition: Subtle toning, not examined out of frame.

Provenance: Purchased from the artist, 1960. $200-300

59online bidding at www.skinnerinc.com

102

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103

103.Gerhard Marcks (German, 1889-1981)

Der arme Heinrich, 1944, possibly a later edition (Lammek, H157). Signed and dated “G Marcks 1944” in pencil l.r. Woodcut on paper, image size 6 1/4 x 14 in. (15.8 x 35.5 cm), framed.Condition: Mat burn, deckled edges, masking tape to upper edge on the reverse. $600-800

104.Christian Marclay (American, b. 1955)

Norton Christmas Project/Music and Box, 2005. Identified on underside of the box and in the accompanying text. Wooden box with music box innards, height 2 3/4 in. (6.8 cm).Condition: Good.

Provenance: A private Massachusetts collection. $300-500

60 additional information and photos at www.skinnerinc.com

104

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106105

105.Jennifer McRae (British, 20th/21st Century)

Swimmer, 1999, edition of 24, published by the Edinburgh Printmakers Workshop. Signed “McRae” in pencil l.l., titled in pencil l.c., numbered “11/24” in pencil l.r., publisher’s dry stamp l.r. Color lithograph on paper, image size 17 7/8 x 13 1/2 in. (45.3 x 34.2 cm), framed.Condition: Wide margins with deckled edges, gentle rippling, not examined out of frame.

Provenance: A private Massachusetts collection. $200-250

106.Joseph John Paul Meert (American/Belgian, 1905-1989)

Buy War Bonds, c. 1942, edition of 15. Signed “JOSEPH MEERT” in pencil l.r., titled in pencil l.c., numbered “8/15” in pencil l.l., identified on a label affixed to the mat. Color screenprint on paper, image size 14 1/2 x 11 in. (36.7 x 27.8 cm), matted, unframed.Condition: Subtle horizontal striations from printing within the image, toning to edges of margins. $250-300

107.William Meyerowitz (American, 1887-1981)

The Accordionist. Signed “Wm. Meyerowitz” in pencil l.r. and within the plate. Etching on paper, plate size 9 7/8 x 8 in. (25.0 x 20.3 cm), framed.Condition: Subtle toning, not examined out of frame.

N.B. The mat may have been hand-painted by the artist. $100-150

61online bidding at www.skinnerinc.com

107

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108

108.Robert S. Moskowitz (American, b. 1935)

Cadillac Chopsticks, 1985-86, edition of 60, published by Vermillion Editions Limited, Minneapolis. Numbered, initialed, and dated “16/60 RM 85-86” in pencil (within the image) l.r. Color lithograph on paper, image/sheet size 36 x 30 in. (91.3 x 76.0 cm), framed.Condition: Not examined out of frame.

Provenance: From a private Massachusetts collection. $600-800

109.Reuben Nakian (American, 1897-1986)

Leda and the Swan, c. 1975. Signed “-Nakian-” in pencil l.r. Etching on chine collé, plate size 19 3/4 x 31 1/2 in. (50.0 x 80.0 cm), framed.Condition: Not examined out of frame.

N.B. The lot is accompanied by a copy of Frank O’Hara’s Nakian (The Metropolitan Museum of Art: New York, 1966). $800-1,200

62 additional information and photos at www.skinnerinc.com

109

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111

110

110.Dale Nichols (American, 1904-1995)

The Golden Harvest, 1948, edition of 250, published by Associated American Artists (AAA/Czestochowski, 1948.064.01). Signed “Dale Nichols” in pencil l.r., identified on a label from AAA affixed to the mat. Lithograph on paper, image size 7 7/8 x 11 1/2 in. (19.8 x 29.0 cm), matted, unframed.Condition: Margins over 1 inch with deckled edges, subtle toning to image, paper tape to upper corners. $800-1,200

111.Dale Nichols (American, 1904-1995)

Company for Supper, c. 1948. Signed “Dale Nichols” in pencil l.r. Lithograph on paper, image size 9 1/2 x 13 1/2 in. (24.1 x 34.3 cm), matted, unframed.Condition: Margins over 1 inch with all but the upper edge deckled, subtle toning, pale staining to upper margin, paper tape to upper corners. $800-1,200

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112

113

112.Mayumi Oda (Japanese, b. 1941)

Rain in May, edition of 35. Signed “Mayumi” and with Japanese characters in pencil l.r., titled and with Japanese characters in pencil l.l., numbered “32/35” in pencil l.c. Color woodcut on paper, image size 28 1/2 x 21 1/2 in. (72.3 x 54.5 cm), framed.Condition: Rippling, not examined out of frame.

Provenance: A private New England collection. $250-350

113.Pablo Esteban O’Higgins (Mexican/American, 1904-1983)

Mercado en Cuautla, 1946, edition of 250, published by Associated American Artists (Prignitz, 611; AAA/Czestochowski, 1946.086.12). Signed “Pablo O’Higgins” in pencil l.r. Color lithograph on paper, image size 11 3/8 x 14 1/4 in. (28.8 x 36.0 cm), framed.Condition: Unobtrusive toning, not examined out of frame. $300-500

64 additional information and photos at www.skinnerinc.com

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115

114

114.Joseph Pennell (American, 1860-1926)

Portland, Longport, 1909, edition of about 40 (Wuerth, 546). Signed and inscribed “JoPennell imp” in pencil l.r., annotated “Five Towns” in pencil l.l., identified on a label affixed to the mat. Etching on fine laid paper, plate size 8 1/2 x 11 in. (21.5 x 28.0 cm), matted, unframed.Condition: Minor unpressed creases to margins, subtle toning. $200-250

115.Gabor F. Peterdi (Hungarian/American, 1915-2001)

The Black Horse, 1952, edition of 35. Signed and dated “Peterdi 52” in pencil l.r., titled in pencil l.c., numbered “6 - 35” in pencil l.l. Etching on paper, plate size 23 3/4 x 19 7/8 in. (60.2 x 50.3 cm), framed.Condition: Subtle rippling, not examined out of frame.

Provenance: Through the family of Eleanor Kanegis Levin, co-owner of Kanegis Gallery in Boston from 1953 to 1961, and the Retina Gallery in Cambridge from 1968 to 1971. $400-600

116.Gabor F. Peterdi (Hungarian/American, 1915-2001)

Plant Forms, 1954, edition of 35. Signed and dated “Peterdi 54” in pencil l.r., numbered “12 - 35” in pencil l.l. Etching with aquatint printed in black and rust on paper, plate size 17 7/8 x 24 in. (45.3 x 60.8 cm), framed.Condition: Subtle mat burn, several pale fox marks, not examined out of frame.

Provenance: Through the family of Eleanor Kanegis Levin (see lot 115). $400-600

65online bidding at www.skinnerinc.com

116

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117

118

117.Gabor F. Peterdi (Hungarian/American, 1915-2001)

Dark Landscape, 1958, edition of 30. Signed and dated “Peterdi 1958” in pencil l.r., titled in pencil l.c., numbered “26 - 30” in pencil l.l., identified on a label from the Retina Gallery, Cambridge, affixed to the backing. Etching with aquatint and stencil color on paper, plate size 19 3/4 x 23 7/8 in. (50.0 x 60.5 cm), framed.Condition: Subtle rippling, not examined out of frame.

Provenance: Through the family of Eleanor Kanegis Levin (see lot 115). $400-600

118.Gabor F. Peterdi (Hungarian/American, 1915-2001)

Triumph of Weed, 1959, edition of 250, published by American Associated Artists. Signed and dated “Peterdi 59” in pencil l.r., identified on a label from AAA affixed to the backing. Etching printed in teal on paper, plate size 17 5/8 x 23 3/8 in. (44.6 x 59.3 cm), framed.Condition: Subtle mat burn, not examined out of frame. $100-150

66 additional information and photos at www.skinnerinc.com

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120

119.Gabor F. Peterdi (Hungarian/American, 1915-2001)

The Flower of the Gray Rock, 1966. Signed and dated “Peterdi ‘66” in pencil l.r., titled in pencil l.l., identified on a label from the Kanegis Gallery, Boston, on the backing. Color intaglio monotype on paper, plate size 32 3/8 x 22 5/8 in. (82.0 x 57.4 cm), framed.Condition: Subtle toning, not examined out of frame.

Provenance: A private New England collection. $300-500

120.Gabor F. Peterdi (Hungarian/American, 1915-2001)

In the Stoneworks, 1966. Signed and dated “Peterdi ‘66” in pencil l.r., numbered “XII-2” in pencil l.l., identified on a label affixed to the backing. Etching with aquatint and stencil coloring on paper, plate size 13 3/4 x 10 7/8 in. (34.8 x 27.5 cm), framed.Condition: Subtle rippling, several stains to edge of image and margins, not examined out of frame.

Provenance: Through the family of Eleanor Kanegis Levin (see lot 115). $300-500

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119

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121

122

121.Pablo Picasso (Spanish, 1881-1973)

Lot of Eight Cancelled Images from LES MÉTAMORPHOSES D’OVIDE, 1930-31 (Bloch, 103, 107, 109, 114, 119, 121, 125, and 126). Unsigned, each with remarque (also cancelled). Etchings on paper, sight sizes to 12 3/8 x 9 in. (31.3 x 23.0 cm), framed.Condition: Gentle toning, several with foxing, gentle rippling, not examined out of frames. $3,000-5,000

122.Pablo Picasso (Spanish, 1881-1973)

Plate from ÉLÉGIE D’IHPÉTONGA, 1949, edition of 200 (Bloch, 608). Unsigned, dated within the matrix, inscribed “épreuve d’artiste” in pencil l.r. Lithograph on paper, image size 12 1/4 x 9 7/8 x in. (31.0 x 25.2 cm), framed.Condition: Toning, mat burn, not examined out of frame. $300-500

123.Pablo Picasso (Spanish, 1881-1973)

L’age de soleil (pour Roby), 1950 (Bloch, 680). Signed and inscribed in the plate, inscribed in pencil on the mat. Etching on paper, plate size 9 1/8 x 7 in. (23.2 x 17.7 cm), framed.Condition: Not examined out of frame. $300-500

68 additional information and photos at www.skinnerinc.com

123

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125

124

124.Pablo Picasso (Spanish, 1881-1973)

Le Vieux Roi, 1959, edition of 1,000 (Bloch, 869). Stamped signature in red, dated within the matrix, pencil annotations to lower edge. Lithograph on paper, image size 25 1/2 x 19 1/2 in. (64.6 x 49.9 cm), framed.Condition: Unobtrusive toning, not examined out of frame. $700-900

125.Pablo Picasso (Spanish, 1881-1973)

L’ecuyère, 1960, edition of 1,000 (Bloch, 999). Signed and dated within the matrix. Lithograph on paper, image size 20 1/4 x 25 1/4 in. (51.3 x 64.0 cm), framed.Condition: Toning, mat burn, not examined out of frame. $700-900

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126.After Pablo Picasso (Spanish, 1881-1973)

Le Banquet, from GRÂCE ET MOUVEMENT, 1943, from the numbered edition of 300, printed by Wolfensberger, Zurich, published by Haefli & Cie Arts Graphiques, Switzerland. Signed within the plate, numbered “40/300” in pencil l.l. Heliogravure on paper, plate size 11 1/8 x 8 in. (28.1 x 20.3 cm), framed.Condition: Not examined out of frame. $500-700

127.After Pablo Picasso (Spanish, 1881-1973)

Colombe au soleil, 1962, published by the Congrès Mondial pour le Désarmement Général et la Paix. Signed and dated within the matrix. Color lithograph on paper, image size 20 3/4 x 23 1/4 in. (52.6 x 59.0 cm), framed.Condition: Possible fading, not examined out of frame. $700-900

128.Pierre-Auguste Renoir (French, 1841-1919)

Baigneuse debout, mi-jambes, c. 1910, possibly a later impression (Stella, 23). Unsigned. Etching on paper, plate size 6 1/2 x 4 1/4 in. (16.2 x 10.7 cm), framed.Condition: Margins over 1 1/4 inches, not examined out of frame. $300-500

70 additional information and photos at www.skinnerinc.com

128

126

127

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129

129.Rembrandt van Rijn (Dutch, 1606-1669)

Old Man with Beard, Fur Cap, and Velvet Cloak, c. 1632, second state of three, a 17th century impression (Bartsch/Hollstein, 262, ii/iii; Hind, 92). Monogrammed in the plate, collectors’ stamps (see below) to the reverse. Etching on laid paper, plate size 5 7/8 x 5 1/8 in. (14.8 x 12.8 cm), framed.Condition: Trimmed nearly to or just within the plate mark, thin spots to sheet, pencil and ink annotations verso.

Provenance: An unidentified collector of early Dutch prints (Lugt, 2169) through to the Mary Jane Sexton Morgan Collection (Lugt, 1879), No. 2104, March 15, 1886 sale, NYC, American Art Galleries, to the estate of Helene K. Sargeant, Wellesley, Massachusetts.

N.B. Mary Jane Sexton Morgan was the mother of J. Pierpont Morgan. The sale of her extensive collections of prints, paintings, silver, and decorative arts was highly publicized, and according to a New York Times article published March 16th, 1886, the entire sale brought $1,205,090.42, an extraordinary sum for the sale of an art collection in the 19th century. $6,000-8,000

71online bidding at www.skinnerinc.com

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130

131

130.Rembrandt van Rijn (Dutch, 1606-1669)

The Circumcision in the Stable, 1654, an 18th century impression (Bartsch/Hollstein, 47 ii/ii; Hind, 274). Signed and dated within the plate. Etching on laid paper, plate size 3 3/4 x 5 3/4 in. (9.4 x 14.5 cm), unmatted, unframed.Condition: Trimmed just to the plate mark, minute losses to edges, thin spots to sheet. $400-600

131.Bridget Riley (British, b. 1931)

Sylvan, 2000, edition of 75. Signed and dated “Bridget Riley ‘00” in pencil l.r., titled and numbered “...22/75.” in pencil l.l. Color screenprint on paper, image size 28 1/4 x 18 in. (71.5 x 45.7 cm), framed.Condition: Not examined out of frame. $2,000-3,000

72 additional information and photos at www.skinnerinc.com

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133

132

132.David Thomas Robertson (British, b. 1880)

Lot of Two Venetian Views: Santa Maria Maggiore, Venice, 1926, edition of 75; and The Doge’s Palace, 1926, edition of 75. Both signed “David Robertson” in pencil l.r., initialed and dated within the plate, and numbered in pencil l.l. Etchings on paper, plate sizes to 9 3/4 x 14 3/4 in. (24.7 x 37.5 cm), framed.Condition: Several very pale fox marks, not examined out of frames. $300-500

133.Salvator Rosa (Italian, 1615-1673)

St. William of Maleval (Wallace, 99 ii/ii). Signed within the plate. Etching on laid paper with grapes and fleur-de-lis watermarks, plate size 13 1/2 x 9 in. (34.2 x 22.7 cm), matted, unframed.Condition: Thread margins, gentle soiling and toning. $600-800

134.Ernest David Roth (American, 1879-1964)

Ca’D’Oro, Venice, 1913. Signed and dated “Ernest D Roth 1913” in pencil l.c., signed, inscribed, and dated within the plate. Etching on paper, plate size 9 1/8 x 11 7/8 in. (22.8 x 30.2 cm), framed.Condition: Subtle rippling, several pale fox marks, not examined out of frame. $250-350

73online bidding at www.skinnerinc.com

134

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135 137

135.Ernest David Roth (American, 1879-1964)

The Little Bridge, Chartres, 1944. Signed and dated “Ernest D. Roth N.A. 1944” in pencil l.r., signed, dated, and titled within the plate. Etching on paper, plate size 10 x 9 3/8 in. (25.3 x 23.7 cm), framed.Condition: Subtle toning, not examined out of frame. $150-200

136.Sir Henry George Rushbury (British, 1889-1968)

Lot of Two Italian Views: Porta Maggiore, Orvieto and Walls of Siena. Both signed “Henry Rushbury-” in pencil l.r. Etchings on paper, plate sizes to 7 3/4 x 9 3/8 in. (19.5 x 23.7 cm), framed.Condition: Not examined out of frames. $200-250

137.Phillip Sage (American, b. 1942)

Watermelon Man, edition of 100. Signed “Sage” in pencil l.r., titled in pencil l.c., numbered “71/100” in pencil l.l., signed within the plate. Etching with aquatint on paper, plate size 17 5/8 x 14 7/8 in. (44.6 x 37.7 cm), framed.Condition: Mat burn, not examined out of frame. $150-200

74 additional information and photos at www.skinnerinc.com

136

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139

138

138.Ben Schonzeit (American, b. 1942)

Tangerine Sugar, 1972, edition of 300, published by Shorewood Press, printed by Bank Street Atelier, New York. Signed “Schonzeit” in pencil l.r., numbered “289/300” in pencil l.l., printer’s dry stamp l.r. Color offset lithograph on paper, image size 21 5/8 x 32 1/8 in. (54.9 x 81.4 cm), framed.Condition: Margins 1 inch or more with deckled edges, staining to left edge, not examined out of frame.

Provenance: Estate of an arts benefactor, New York. $250-300

139.Yinka Shonibare (British, b. 1962)

Norton Christmas Project/Doll House, 2002. Identified on the side of the house and in the accompanying text. Mixed media, height 11 3/4 in. (29.8 cm).Condition: Good.

Provenance: A private Massachusetts collection. $600-800

75online bidding at www.skinnerinc.com

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140

141

140.Frank Short (British, 1857-1945)

Het Brouwerij Haarlem, 1892 (Strange, 165). Signed “FrankShort” in pencil l.r., monogrammed, titled, and dated within the plate. Etching printed in sepia on paper, plate size 6 x 7 7/8 in. (15.1 x 20.0 cm), framed.Condition: Pale foxing and toning, not examined out of frame. $150-200

141.Frank Short (British, 1857-1945)

Hobb’s Hawth, 1923. Signed “FrankShort” in pencil l.r., monogrammed, titled, and dated within the plate. Etching with drypoint on paper, plate size 9 7/8 x 13 7/8 in. (25.0 x 35.2 cm), framed.Condition: not examined out of frame. $150-200

142.Nicola Simbari (Italian, b. 1927)

On the Sea Wall, 1980, edition of 300. Signed “Simbari” in pencil l.r., numbered “227/300” in pencil l.l. Color screenprint on paper, image size 27 3/4 x 32 3/4 in. (70.8 x 83.83 cm), framed. Condition: Gentle rippling, not examined out of frame. $400-600

76 additional information and photos at www.skinnerinc.com

142

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144

143

143.John French Sloan (American, 1871-1951)

Connoisseurs of Prints, from the NEW YORK CITY LIFE Set, 1905, edition of 100 (Morse, 127). Signed “John Sloan” in pencil l.r., titled in pencil l.c., inscribed “100 proofs” in pencil l.l. Etching on paper, plate size 5 x 7 in. (12.6 x 17.6 cm), framed.Condition: Toning, mat burn, rippling, not examined out of frame. $300-350

144.Don Smith (American, 20th/21st Century)

The Press. Signed and dated “DSmith 87” in pencil l.r., titled in pencil l.l. Monotype printed in umber on paper, plate size 12 x 14 1/2 in. (30.4 x 36.8 cm), matted, unframed.Condition: Margins approximately 1/2 inch with deckled edges.

N.B. Donald Smith was born in Dexter, Missouri. He was trained in Missouri, and began his teaching career there as well. In 1964 he took a teaching post at Rhode Island College in Providence. $300-500

145.Raphael Soyer (American, 1899-1987)

Pensive Girl, alternatively tiled Girl and Cot, c. 1963, edition of 300. Signed “Raphael Soyer” in pencil l.r., numbered “296/300” in pencil l.l. Lithograph on paper, image size 17 7/8 x 14 7/8 in. (45.3 x 37.6 cm), framed.Condition: Margins 1 1/4 inches or more, not examined out of frame. $400-600

77online bidding at www.skinnerinc.com

145

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148

146.Raphael Soyer (American, 1899-1987)

Mother and Child, from the MEMORIES Portfolio, 1967, edition of 150 (Gettings, 102). Signed “Raphael Soyer” in pencil l.r., numbered “73/150” in pencil l.l. Color lithograph on paper, image size 16 7/8 x 10 5/8 in. (17.3 x 27.0 cm), framed.Condition: Margins over 4 inches, not examined out of frame. $500-700

147.Walter Spitzer (Polish, b. 1927)

Lot of Twenty Images from L’OEUVRE ROMANESQUE, by Jean-Paul Sartre, published by Lidis Editions, Paris, 1965. Each signed “SPITZER” in pencil along the lower edge and identified in an inscription on the reverse. Color lithographs on paper, sheet sizes 11 x 8 1/2 in. (28.0 x 21.5 cm), unmatted, unframed.Condition: Subtle toning. $300-500

148.Théophile Alexandre Steinlen (French/Swiss, 1859-1923)

Lot of Two World War I Images: Waiting at the Mile Marker and Two Soldiers, both 1915, editions of 100. Both signed “Steinlen” and numbered “32/100” in pencil beneath the image, signed and dated within the matrix, and with remarque l.r. Lithographs on chine collé, image sizes to 17 3/4 x 14 in. (45.0 x 35.5 cm), framed.Condition: Unobtrusive toning, not examined out of frames. $400-600

78 additional information and photos at www.skinnerinc.com

147

146

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149

149.Frank Stella (American, b. 1936)

Swan Engraving VII, alternatively titled Swan Engraving Square III, from the SWAN ENGRAVINGS Series, 1982, edition of 20, published by Tyler Graphics, Ltd., New York (Axsom, 159). Numbered, signed, and dated “9/20 F. Stella ‘82” in pencil (within the image) l.c., identified on a label from Tyler Graphics affixed to the backing. Etching on handmade paper, image/sheet size 51 1/2 x 54 in. (130.6 x 137.0 cm), framed.Condition: Deckled edges, gentle rippling, not examined out of frame. $7,000-9,000

79online bidding at www.skinnerinc.com

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150

150.Harry Sternberg (American, 1904-2002)

Enough (Bound Man), 1947, edition of about 100, published by American Associated Artists (Moore, 191). Signed “Harry Sternberg” in pencil l.r., identified on a label from AAA affixed to the mat. Aquatint on paper, plate size 14 7/8 x 11 5/8 in. (37.7 x 29.4 cm), matted, unframed.Condition: Margins approximately 1 inch, subtle toning. $400-600

151.Do-Ho Suh (Korean/American, b. 1962)

Norton Christmas Project (Bowl with Hands), 2004. Identified in the accompanying text. Glass vessel, height 6 3/4 in. (17.0 cm).Condition: Good.

Provenance: A private Massachusetts collection. $250-350

80 additional information and photos at www.skinnerinc.com

151

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152

152.David Sullivan (American, b. 1941)

Ten Hills, edition of 70. Signed “David Sullivan” in pencil l.r., titled in pencil l.l., numbered “13/70” in pencil l.c. Color screenprint on paper, image size 20 x 30 in. (50.6 x 76.2 cm), framed.Condition: Subtle toning, not examined out of frame. $500-700

153.Altoon Sultan (American, b. 1948)

Sheep Farm, Yorkshire, England, 1986, edition of 30. Signed and dated “Sultan 86” in pencil l.r., titled in pencil l.c., numbered “22/30” in pencil l.l. Etching on paper, plate size 6 1/4 x 16 in. (15.8 x 40.6 cm), unmatted, unframed.Condition: Wide margins with deckled edges. $100-150

153

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154.Antoni Tàpies (Spanish, b. 1923)

Papier Kraft, 1971, edition of 75, published and printed by Maeght Editeur, Paris (Galfetti 273). Signed “Tàpies” in pencil l.r., numbered “52/75” in pencil l.l. Color etching on paper, sheet size 25 5/8 x 35 1/4 in. (65.0 x 89.5 cm), framed.Condition: Not examined out of frame. $800-1,200

155.Mark Tobey (American, 1890-1976)

Untitled, 1967, edition of 150. Signed and dated “Tobey 1967” in pencil l.r., numbered “78/150” in pencil l.l. Lithograph with coloring on paper, image size 6 5/8 x 4 3/4 in. (16.7 x 12.0 cm), framed.Condition: Margins 2 1/2 inches or more with deckled edges, not examined out of frame. $400-600

82 additional information and photos at www.skinnerinc.com

154

155

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157

156.Ömer Uluç (Turkish, 1931-2010)

Untitled, edition of 400. Monogrammed in pencil l.r., numbered “369/400” in pencil l.l., identified in text in the accompanying folder. Color lithograph on paper, image size 15 7/8 x 12 in. (40.3 x 30.4 cm), unmatted, unframed, presented in the original folder.Condition: Good. $300-500

157.Leon Underwood (British, 1890-1975)

Seated Figure. Signed within the block. Wood engraving on paper, image size 4 7/8 x 2 7/8 in. (12.4 x 7.2 cm), matted, unframed.Condition: Losses to upper margin. $500-700

158.Keiji Usami (Japanese, b. 1940)

Untitled, 1968. Signed and dated “USAMI ‘68” in pencil (within the image) l.r., numbered “49/50” in pencil (within the image) l.l. Color screenprint on paper, image size 28 3/4 x 20 3/4 in. (73.0 x 52.6 cm), framed.Condition: Subtle rippling, not examined out of frame.

Provenance: A private New England collection. $150-200

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158

156

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159

159.Meyer Vaisman (Venezuelan, b. 1960)

Untitled, from THE SUMMER SUITE, 1989, edition of 75. Initialed and dated “MV 89” in pencil l.r., numbered “29/75” in pencil l.l. Color screenprint on paper, image size 40 x 25 7/8 in. (101.5 x 65.5 cm), framed.Condition: Wide margins with deckled edges, subtle rippling, not examined out of frame. $600-800

84 additional information and photos at www.skinnerinc.com

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160

160.Victor Vasarely (French/Hungarian, 1906-1997)

Untitled, proof edition of 25. Signed “Vasarely-” in pencil l.r., numbered “EA 5/25.” in pencil l.l. Color screenprint on cream paper, image size 25 5/8 x 25 5/8 in. (65.0 x 65.0 cm), framed.Condition: Not examined out of frame. $500-700

161.Victor Vasarely (French/Hungarian, 1906-1997)

Planetary Folklore, 1964, edition of 125. Signed “Vasarely-” in pencil (within the image) l.r. Color screenprint on paper, image size 24 3/4 x 23 5/8 in. (62.8 x 60.0 cm), framed.Condition: Staining (primarily to upper margin), not examined out of frame.

Provenance: A private New England collection. $300-500

85online bidding at www.skinnerinc.com

161

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162

162.Jacques Villon (French, 1875-1963)

Croquis de plage, mère et enfant, 1907, second state of two, edition of 15 (Ginestet & Pouillon, E.179). Signed “Jacques Villon” in pencil l.r. and signed in the plate. Etching with aquatint on laid paper, plate size 7 7/8 x 5 7/8 in. (20.0 x 14.7 cm), matted, unframed.Condition: Margins 3/4 inches or more with deckled edges, subtle soiling. $700-900

163.Jacques Villon (French, 1875-1963)

Fillette agenouillée, alternatively titled Appuyée à une console and Petit nu, 1908, edition of 50 (Ginestet & Pouillon, E.230). Signed “Jacques Villon” in pencil l.r., inscribed “Essai” in pencil l.l. Drypoint on paper with a partial watermark, plate size 5 7/8 x 7 7/8 in. (14.6 x 20.0 cm), matted, unframed.Condition: Margins approximately 1 inch with deckled edges, soiling. $700-900

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163

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164

164.Jacques Villon (French, 1875-1963)

La petite mulâtresse, 1911, edition of 30 (Ginestet & Pouillon, E.263). Signed “Jacques Villon” in pencil l.r. Etching on laid paper, plate size 9 x 7 3/8 in. (22.8 x 18.5 cm), matted, unframed.Condition: Margins 1/4 inch or more, light toned. $2,000-3,000

165.Jacques Villon (French, 1875-1963), After Pablo Picasso (Spanish, 1881-1973)

Maternité, 1930, edition of 200 (Ginestet & Pouillon, 670). Unsigned, identified within the plate, Musée du Louvre Chalcographie dry stamp l.c. Color etching with aquatint on paper, plate size 25 5/8 x 16 3/4 in. (65.0 x 42.5 cm), framed.Condition: Not examined out of frame. $700-900

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166.Jacques Villon (French, 1875-1963)

La Signature (Self Portrait), 1951, edition of 50 (Ginestet & Pouillon, E.524ii). Signed “Jacques Villon” in pencil l.r., numbered “13/50” in pencil l.l. Etching on laid paper, plate size 8 1/4 x 6 3/8 in. (20.8 x 16.0 cm), matted, unframed.Condition: Margins over 1 1/2 inches with deckled edges, gently light toned. $700-900

167.Jacques Villon (French, 1875-1963)

Maternité, 1952, fourth state of four, edition of 75 plus proofs (Ginestet & Pouillon, E.534). Signed “Jacques Villon” in pencil l.r., signed within the plate, numbered “24/75” in pencil l.l. Etching on paper, plate size 11 x 7 1/2 in. (27.8 x 19.0 cm), framed.Condition: Gentle rippling, not examined out of frame.

Provenance: A private New England collection. $600-800

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167

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169

168

168.John Walker (British, b. 1939)

621-HA-I, 1994, edition of 25. Signed and dated “Walker 94” in pencil l.r., titled in pencil l.c., numbered “13/25” in pencil l.l. Aquatint on paper, plate size 23 3/4 x 18 in. (60.2 x 45.7 cm), framed.Condition: Wide margins with deckled edges, gentle rippling, not examined out of frame. $400-600

169.Kara Elizabeth Walker (American, b. 1969)

Norton Christmas Project/Freedom: A Fable, 1997, edition of 4,000. Identified on the title page and in the accompanying text. Pop-up silhouette book, 9 1/4 x 8 1/2 in. (23.4 x 21.5 cm).Condition: Good.

Provenance: A private Massachusetts collection. $800-1,200

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170.Andy Warhol (American, 1928-1987)

Speed Skater, 1983, from the deluxe edition of 50 plus proofs, published by Visconti Art Spectrum, Vienna (Feldman & Schellmann, II.303). Numbered and signed “35/50 Andy Warhol” in pencil l.l., dry stamp l.r., stamped “© ANDY WARHOL 1983” in red on the reverse. Color screenprint on paperboard, image/sheet size 33 1/2 x 24 1/8 in. (85.0 x 61.2 cm), framed.Condition: Subtle soiling, areas of masking tape or residue to verso at edges. $5,000-7,000

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171.Andy Warhol (American, 1928-1987)

Plains Indians Shield, from COWBOYS AND INDIANS, 1986, edition of 250 plus proofs, published by Gaultney Klineman Art, Inc., New York (Feldman & Schellmann, II.382). Numbered and signed “148/250 Andy Warhol” in pencil l.l., dry stamp l.r. Color screenprint on paperboard, sheet size 36 x 36 in. (91.4 x 91.4 cm), framed.Condition: Subtle rippling, minute soiling to right edge, unhinged, not examined out of frame. $8,000-12,000

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172.Andy Warhol (American, 1928-1987)

Geronimo, from COWBOYS AND INDIANS, 1986, edition of 250 plus proofs, published by Gaultney Klineman Art, Inc., New York (Feldman & Schellmann, II.384). Numbered and signed “148/250 Andy Warhol” in pencil l.l., dry stamp l.r. Color screenprint on paperboard, sheet size 36 x 36 in. (91.4 x 91.4 cm), framed.Condition: Subtle rippling, minute creases to corner u.r., not examined out of frame. $15,000-25,000

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173

173.Geoffrey Heath Wedgwood (British, b. 1900)

Before the Villa, 1930. Signed and dated “Geoffrey H. Wedgwood/30” in pencil l.r. Etching on paper, plate size 10 x 8 3/8 in. (25.4 x 21.3 cm), framed.Condition: Subtle rippling, not examined out of frame. $100-150

174.Stow Wengenroth (American, 1906-1978)

Brooklyn City, 1932, edition of 25 (Stuckey, 24). Signed “Stow Wengenroth” in pencil l.r., identified on a label from Stow Wengenroth Studio, Rockport, Massachusetts, affixed to the backing paper. Lithograph on paper, image size 10 7/8 x 16 5/8 in. (27.5 x 42.1 cm), framed.Condition: Gentle rippling, fox marks (primarily to margins), not examined out of frame.

Provenance: Mary Ryan Gallery, Stow Wengenroth, Prints, Drawings, Watercolors, October 19 - November 14, 1982. $1,000-1,500

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176

175.Stow Wengenroth (American, 1906-1978)

Wood Duck (Greenport, New York), 1958, edition of 60 (Stuckey, 246). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/60” in pencil l.l. Lithograph on paper, image size 11 x 15 7/8 in. (27.9 x 40.2 cm), framed.Condition: Toning, not examined out of frame. $200-300

176.Stow Wengenroth (American, 1906-1978)

Jacob Wendell House (Portsmouth, New Hampshire), 1959, edition of 50 (Stuckey, 251). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/50” in pencil l.l. Lithograph on paper, image size 8 3/8 x 15 5/8 in. (21.2 x 39.5 cm), framed.Condition: Toning, mat burn, not examined out of frame. $200-300

177.Stow Wengenroth (American, 1906-1978)

Sunlight, Wiscasset (Maine), 1967, edition of 75 (Stuckey, 311). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/75” in pencil l.l. Lithograph on paper, image size 10 x 15 3/4 in. (25.4 x 40.0 cm), framed.Condition: Subtle mat burn, not examined out of frame. $400-600

94 additional information and photos at www.skinnerinc.com

177

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178.Stow Wengenroth (American, 1906-1978)

Bufflehead, 1967, edition of 50 (Stuckey, 312). Signed “Stow Wengenroth” in pencil l.r., numbered “Ed/50” in pencil l.l. Lithograph on paper, image size 9 3/4 x 15 7/8 in. (24.7 x 40.2 cm), framed.Condition: Gentle rippling, not examined out of frame. $250-350

179.Levon West (American, 1900-1968)

Skier, 1933. Signed “Levon West imp-” in pencil l.r., numbered “47” in pencil l.l., annotated along the lower margin. Etching on laid paper with watermark, plate size 8 5/8 x 14 1/4 in. (21.8 x 36.0 cm), matted, unframed.Condition: Margins 1 inch or more with deckled edges, pale mat burn and foxing, tape and residue to the edges on the reverse. $200-300

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179

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180.James Abbott McNeill Whistler (American, 1834-1903)

La Mère gérard, final state of four (Kennedy, 11). Signed and with publisher’s information within the plate. Etching on paper, plate size 5 x 3 1/2 in. (12.6 x 8.8 cm), framed.Condition: Subtle toning, not examined out of frame. $500-700

181.James Abbott McNeill Whistler (American, 1834-1903)

Lot of Two Thames Views: Thames Warehouses, 1959, second state of two (Kennedy, 38); and Old Westminster Bridge, 1859, probably the second state of two (Kennedy, 39). Both signed and dated within the plate. Etchings on paper, plate sizes approximately 3 x 8 in. (7.5 x 20.3 cm), framed.Condition: Margins over 1 inch, toning and foxing (primarily to Bridge), not examined out of frames.

N.B. Both of these images were included in Whistler’s Sixteen Etchings of the Scenes on the Thames, published in 1871. $800-1,200

96 additional information and photos at www.skinnerinc.com

181

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182.James Abbott McNeill Whistler (American, 1834-1903)

Billingsgate, 1859, final state of eight (Kennedy, 47). Signed and dated within the plate, identified on labels, including one from Arthur H. Hahlo & Co., New York, affixed to the backing. Etching on paper, plate size 6 x 9 in. (15.2 x 22.7 cm), framed.Condition: Margins 1/2 inch or more, subtle toning, pale staining to right margin, not examined out of frame. $1,000-1,500

183.James Abbott McNeill Whistler (American, 1834-1903)

The Forge, 1861, final state of four (Kennedy, 68). Signed and dated within the plate. Etching and drypoint on laid paper, plate size 7 5/8 x 12 1/2 in. (19.3 x 31.6 cm), framed.Condition: Laid down, toning, deckled edges to three sides.

N.B. This image was included in Whistler’s Sixteen Etchings of the Scenes on the Thames, published in 1871. $250-350

97online bidding at www.skinnerinc.com

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184.Grant Wood (American, 1891-1942)

Honorary Degree, 1938, edition of approximately 260, published by Associated American Artists (Czestochowski, W-7). Signed “Grant Wood” in pencil l.r. Lithograph on paper, image size 12 x 7 in. (30.4 x 17.6 cm), framed.Condition: Pale foxing, mat burn, not examined out of frame. $1,000-1,500

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185

185.Zao Wou-Ki (Chinese, b. 1921)

Untitled, 1956, edition of 60 plus proofs (Ågerup, 103). Signed and dated “...56” (in Chinese characters) in pencil l.r., numbered “29/60” in pencil l.l. Color lithograph on BFK Rives paper with partial watermark, image size 15 x 25 1/8 in. (38.0 x 63.5 cm), framed.Condition: Subtle mat burn, not examined out of frame.

Provenance: A private Massachusetts collection. $1,000-1,500

186.Zao Wou-Ki (Chinese, b. 1921)

Untitled, 1960, edition of 95 plus proofs (Ågerup, 128). Signed and dated “...60” (in Chinese characters) in pencil l.r., inscribed “èpreuve d’artiste” in pencil l.l. Color lithograph on paper, image size 18 5/8 x 17 7/8 in. (47.2 x 45.2 cm), framed.Condition: Mat burn, rippling, not examined out of frame. $800-1,200

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187.Paul Wunderlich (German, 1927-2010)

Lot of Two Images: Der Stuhl, 1967 (Riediger, 290); and On a Rainy Afternoon, 1967 (Riediger, 304). Signed “Wunderlich” and numbered in pencil l.r. and l.l., respectively. Color lithographs on paper, image sizes approximately 17 x 23 1/4 in. (43.0 x 59.0 cm), framed.Condition: Subtle toning, not examined out of frames.

Provenance: Purchased from Peter Deitsch, New York, 1968. $300-500

188.Anders Zorn (Swedish, 1860-1920)

Rosita Mauri, 1889, fourth state of five, edition of 1,525, published by the Gazette des Beaux-Arts, Paris (Asplund, 34). Signed, dated, and with publication text within the plate. Etching on paper, plate size 9 1/4 x 6 in. (23.4 x 15.2 cm), framed.Condition: Toning, not examined out of frame. $300-500

100 additional information and photos at www.skinnerinc.com

188

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189.Anders Zorn (Swedish, 1860-1920)

Paul Verlaine II, 1895, third state of three (Asplund, 94). Signed and dated within the plate. Etching on paper, plate size 9 1/2 x 6 3/8 in. (24.0 x 16.0 cm), framed.Condition: Unobtrusive toning, not examined out of frame. $800-1,200

190.Anders Zorn (Swedish, 1860-1920)

Ols Maria, 1919 (Asplund, 286). Signed “Zorn” in pencil l.r., signed and dated within the plate. Etching on laid paper, plate size 7 3/4 x 11 3/8 in. (19.5 x 28.8 cm), unmatted, unframed.Condition: Gentle toning and staining, annotated l.l., brown paper tape to the edges on the reverse. $200-300

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189

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191.Anders Zorn (Swedish, 1860-1920)

Water-Nymphs, 1918 (Asplund, 282). Signed “Zorn” in pencil l.r., signed and dated within the plate. Etching printed on laid paper, plate size 6 1/4 x 9 3/8 in. (15.8 x 23.7 cm), framed.Condition: Toning, not examined out of frame. $1,000-1,500

192.Anders Zorn (Swedish, 1860-1920)

Balance, 1919 (Asplund, 287). Signed “Zorn” in pencil l.r., signed and dated within the plate. Etching printed on laid paper, plate size 6 1/2 x 4 1/2 in. (16.4 x 11.3 cm), framed.Condition: Toning, not examined out of frame. $700-900

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192

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Photography

193.Ansel Adams (American, 1902-1984)

Graduation Dress Yosemite Valley, California 1948, printed in 1974 for PORTFOLIO SIX. Signed “Ansel Adams” in pencil (on the mount) l.r., numbered “VI-5 66/110” in pencil (on the mount) l.l., artist’s stamp on the reverse. Gelatin silver print, image/sheet size 19 5/8 x 15 3/8 in. (49.7 x 39.0 cm), matted, unframed.Condition: Toning to mount.

Provenance: Estate of an arts benefactor, New York. $3,000-5,000

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194.Ansel Adams (American, 1902-1984)

Ranch House near Canyon City Nevada. Signed “Ansel Adams” in pencil (on the mount) l.r., artist’s stamp on the reverse, titled and dated “...CA 1960 From a Polaroid Land Type 55/PN negative” in ink on the reverse of the mount. Gelatin silver print, image/sheet size 17 5/8 x 13 1/8 in. (44.5 x 33.2 cm), matted, unframed.Condition: Toning to mount.

Provenance: Estate of an arts benefactor, New York. $3,000-5,000

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195.Frances Stebbins Allen (American, 1854-1941) and Mary Electra Allen (American, 1858-1941), called The Allen Sisters

Lot of Two Panoramas: Running Water Ranch Brewster, Co. and Rock Bluffs Head of Monroe Creek. Unsigned, both titled on the reverse. Platinum prints, image sizes 3 1/4 x 11 3/8 in. (8.2 x 28.8 cm), matted, unframed.Condition: Nicks and creases to edges, toning to edges, crease to Ranch near left edge.

Provenance: From the collection of Austin Lamont, by family descent. $150-200

196.American School, 20th Century

Andy Warhol Before Ingrid Bergmans, c. 1984. Signed “Andy” in marker c.r. Gelatin silver print, image size 9 1/2 x 6 3/8 in. (24.0 x 16.0 cm), framed.Condition: Thin spots to the reverse, minor wear to edges (primarily at corners).

N.B. The lot is accompanied by a Gordon’s Gin print. $500-700

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197.Lot of Nine Photographic Images:

American School, 20th Century, Train Station and Portrait of a Gentleman; James P. Dunn (American, 20th Century), The Crossover; P.J. Magill (American, 20th Century), Lincoln Memorial; William H. Pridham (American, fl. 1920s), A Reason for Stopping at Atlantic City, 1929; W.N. Seibold (American, 20th Century), Pittsburgh and The Night Flyer; Alvin Zachary (American, fl. circa 1929), Curves vs. Angles and In Camden Yard. Most identified in inscriptions on the mount and/or on a label from the Photo-Club, Baltimore, affixed to the reverse. Bromide prints, image sizes to 10 1/2 x 13 1/2 in. (26.7 x 34.2 cm), mounted, unmatted, unframed.Condition: Toning, some with minor rubs. $2,000-3,000

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198.Bert Beaver (American, fl. 1967-1994)

Money Plant Seeds, 1968. Signed and dated “Bert Beaver/68” in ink on the mat. Gelatin silver print, circular format, diameter 10 5/8 in. (26.9 cm), framed.Condition: Not examined out of frame.

Provenance: Purchased from the artist.

N.B. Beaver taught photography at the Rhode Island School of Design for almost three decades. $300-350

199.Bert Beaver (American, fl. 1967-1994)

Lot of Five Compositions: Untitled (Cables in Snow). Signed “Bert Beaver” in felt tip pen or similar on the mat. Gelatin silver prints, sight sizes 4 3/4 x 7 1/8 in. (12.0 x 18.0 cm), presented together in a single frame.Condition: Each with several fox marks, not examined out of frame. $500-700

107online bidding at www.skinnerinc.com

199

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200.Felix Bonfils (French, 1831-1885)

1m Cataracte. Les Rapides/Egypte, c. 1880. Identified within the negative. Albumen print, image sheet size 8 1/2 x 10 3/4 in. (21.3 x 27.3 cm), matted, unframed.Condition: Mounted, soiling to image u.r., minor indentation into sheet within image l.l. $300-500

201.Samuel Bourne (British, 1834-1912)

Lot of Three Mountain Vistas: Simla Spa, c. 1865; Mountain Valley; and Road and Ranges. Unsigned. Albumen prints, image sizes approximately 9 1/4 x 11 5/8 in. (23.4 x 29.5 cm), unmatted, unframed.Condition: Toning, fading, rippling, two mounted.

Provenance: From the collection of Austin Lamont, by family descent. $200-250

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202

202.Manuel Alvarez Bravo (Mexican, 1902-2002)

Tumba Reciente, 1933, printed in 1974, edition of 75. Signed “M.Alvarez Bravo.” in pencil (on the mount) l.r., numbered “72/75” in pencil (on the mount) l.l. Gelatin silver print, image/sheet size 6 5/8 x 9 5/8 in. (16.8 x 24.5 cm), framed.Condition: Not examined out of frame. $1,500-2,500

203.Rudy Burckhardt (American, 1914-1999)

Birds Eye, 1945, edition of 7. Titled, dated, numbered, and signed “...1945 2/VII Rudy Burckhardt” in ink beneath the image. Gelatin silver print, image size 11 x 9 in. (28.0 x 23.0 cm), matted, unframed.Condition: Margins 1 inch or more, unmounted. $700-900

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204.Paul Caponigro (American, b. 1932)

Clouds, 2004. Signed “Paul Caponigro” on the mount and on the facing mat. Gelatin silver print, image size 9 1/4 x 12 in. (23.4 x 30.4 cm), matted, unframed.Condition: Good.

Provenance: Directly from the artist to the present owner. $800-1,200

205.Paul Caponigro (American, b. 1932)

Mt. St. Michelle [sic], Altar, France. Unsigned, titled on the reverse. Gelatin silver print, image size 13 7/8 x 19 1/4 in. (35.2 x 48.8 cm), matted, unframed.Condition: Unmounted, minor wear to corners of sheet.

Provenance: Directly from the artist to the present owner. $700-900

110 additional information and photos at www.skinnerinc.com

205

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206.Henri Cartier-Bresson (French, 1908-2004)

Untitled. Stamped “HENRI CARTIER-BRESSON Mention obligatoire Prière de reproduire cette photo intégralement sans modifier le cadrage” on the reverse. Gelatin silver print, image size 9 3/8 x 6 1/4 in. (23.6 x 15.8 cm), framed.Condition: Unmounted, faint surface scratches, minor crease to left margin. $200-300

207.No lot.

208.Linda Connor (American, b. 1944)

On the Music of the Spheres, 1996, poems by Charles Simic, total edition of 350, published The Artists and Writers Series of the Library Fellows of the Whitney Museum of American Art, including fifteen tipt-in half-tones. Signed and numbered “Charles Simic Linda Connor no. 251” in pencil on the colophon page. Photographs with sheet sizes to 8 5/8 x 10 5/8 in. (21.8 x 27.0 cm), cloth bound.Condition: Good. $300-500

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209.Gordon H. Coster (American, 1906-1988)

Lot of Six Train-Related Images: Speeding Up; The Romance of a Locomotive; Along the Patapsco River; The Entrance - Mount Royal Station; Coming Through!; and Impression at the Camden Yards - Baltimore. Most identified in inscriptions on the mount and/or on a label from the Photo-Club, Baltimore, affixed to the reverse. Bromide prints, image sizes to 13 1/2 x 10 1/2 in. (34.2 x 26.7 cm), mounted, unmatted, unframed.Condition: Toning, some with minor rubs. $2,000-3,000

210.Peter De Lory (American, b. 1948)

Long Island, RR, NY, Summer, 1972. Signed, titled, and dated “Peter DeLory...1972” in pencil on the reverse. Gelatin silver print, image size 7 1/2 x 11 3/8 in. (19.0 x 28.7 cm), matted, unframed.Condition: Margins over 1 inch, unmounted, minute soiling marks to upper margin. $600-800

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210

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211

211.Harold Eugene Edgerton (American, 1903-1990)

Lot of Three Images of Balls: Football Kick, Iron and Golf Ball, and Baseball and Bat. The first two with the artist’s stamp on the reverse. Gelatin silver prints, image sizes to 10 1/2 x 8 1/4 in. (26.5 x 20.8 cm), unmatted, unframed.Condition: Extremely subtle surface imperfection (possibly cause by moisture), minor handling creases to Iron. $1,000-1,500

212.Harold Eugene Edgerton (American, 1903-1990)

Fencing. Signed “HAROLD EDGERTON” in pencil on the reverse. Gelatin silver print, image size 11 1/4 x 9 3/4 in. (28.5 x 24.5 cm), unmatted, unframed.Condition: Very minor wear to edges, annotations to the reverse. $1,000-1,500

113online bidding at www.skinnerinc.com

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214

213.Harold Eugene Edgerton (American, 1903-1990)

Swinging the Driver. Signed “HAROLD EDGERTON” in ink on the reverse, artist’s stamp in red on the reverse. Gelatin silver print, image size 10 7/8 x 13 3/4 in. (27.6 x 34.8 cm), unmatted, unframed.Condition: Handling and other creases to image. $2,000-3,000

214.Harold Eugene Edgerton (American, 1903-1990)

Leaping Skater. Signed “HAROLD EDGERTON” in felt tip pen or similar on the reverse. Chromogenic print, image size 10 x 10 1/2 in. (25.4 x 26.5 cm), unmatted, unframed.Condition: Unmounted. $1,000-1,500

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215

215.Grancel Fitz (American, 1894-1963)

The Starlet. Stamped “GRANCEL FITZ STUDIOS...” on the reverse. Gelatin silver print, image/sheet size 9 1/4 x 8 1/4 in. (23.4 x 20.9 cm), unmatted, unframed.Condition: Minor wear to edges, minute indentation into sheet l.l. $300-500

216.Arnold Genthe (American, 1869-1942)

Portrait of a Woman. Signed “Arnold Genthe N.Y.” in ink (on the mount) l.l., dedicated “To Edmund and Beveridge from Ethel” in pencil (on the mount) l.r. Gelatin silver print, image/sheet size 10 1/2 x 12 1/8 in. (26.5 x 30.6 cm), unmatted, unframed.Condition: Toning, wear to edges, affixed to mount at upper edge, subtle surface rubs or discoloration. $700-900

217.Valeriy Gerlovin (American, b. 1945), Rimma Gerlovina (American, b. 1951), and Mark Berghash (American, b. 1935)

Still a Life, 1988, edition of 60. Signed and dated “Gerlovina/Berghash/Gerlovin 88” in felt tip pen l.r., numbered “50/60” in felt tip pen l.l. Chromogenic print, image size 5 5/8 x 22 3/4 in. (14.5 x 57.7 cm), matted, unframed.Condition: Good. $2,500-3,500

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218.Milton H. Greene (American, 1922-1985)

Marilyn Monroe, from the BLACK SITTING, 1960, printed 1978. Signed and dated “Milton H. Greene...1978” in ballpoint pen and stamped on the reverse. Gelatin silver print, image/sheet size 16 x 20 in. (40.5 x 50.6 cm), framed.Condition: Minor wear to edges, minute indentation to image l.r., minor handling creases. $400-600

219.Milton H. Greene (American, 1922-1985)

Marilyn Monroe, from the BLACK SITTING, 1960, printed 1978. Signed and dated “Milton H. Greene...1978” in ballpoint pen and stamped on the reverse. Gelatin silver print, image/sheet size 16 x 20 in. (40.5 x 50.6 cm), framed.Condition: Wear to edges, minor handling creases. $400-600

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220.Franklin Jay Haynes (American, 1853-1921)

Old Faithful Geyser. Inscribed “F. JAY HAYNES, FARGO, D” within the matrix l.r., “No. 3115 OLD FAITHFUL GEYSER” within the matrix l.l., and “OLD FAITHFUL GEYSER./YELLOWSTONE NATIONAL PARK./COMPLIMENTS NORTHERN PACIFIC RAILROAD.” on a label affixed to the mat. Albumen print, sheet size 21 9/16 x 17 7/16 in. (54.8 x 44.3 cm), framed.Condition: Mounted to mat board, toning, acid burn, craquelure/flaking to emulsion, minor surface grime. $250-350

221.John K. Hillers (American, 1843-1925)

Reflected Tower Rio Virgen Utah. Identified within the image. Albumen print mounted onto card, image/sheet size 13 1/8 x 9 7/8 in. (33.3 x 24.9 cm), matted, unframed.Condition: Staining, toning, foxing, creasing, surface rubs, losses and water staining to mount. $700-900

222.John K. Hillers (American, 1843-1925)

Stone Dwellings, possibly Wolpi, c. 1880. Unsigned. Albumen print mounted onto card, image/sheet size 7 1/7 x 9 1/8 in. (18.2 x 22.8 cm), matted, unframed.Condition: Staining, toning, loss to image l.r., losses to mount. $700-900

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222

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223.Bernard Shea Horne (American, 1867-1933)

A Winter Morning. Signed “Horne” in ink (on the mount) l.r., titled in ink (on the mount) l.l. Gelatin silver print, image/sheet size 9 5/8 x 7 5/8 in. (24.3 x 19.3 cm), unmatted, unframed.Condition: Subtle toning, partially detached from mount. $800-1,200

224.George Hurrell (American, 1904-1992)

Jane Russell (from THE OUTLAW), 1946, printed 1979-82, edition of 190. Signed “Hurrell/” in ink l.r., numbered “158/190” in ink l.l. Gelatin silver print, image size 19 1/8 x 23 1/4 in. (48.5 x 59.0 cm), unmatted, unframed.Condition: Unobtrusive handling creases. $400-600

118 additional information and photos at www.skinnerinc.com

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225

225.Paul Ickovic (Czech, b. 1944)

Lipstick. Signed and numbered “Ick... 1/1” in pencil l.r. Gelatin silver print on Arches paper with watermark hand-brushed with photo-emulsion, sheet size 30 x 22 1/2 in. (76.0 x 57.0 cm), hinged to a backing mat, unframed.Condition: Deckled edges, gentle cockling. $600-800

226.Paul Ickovic (Czech, b. 1944)

Bathroom Mirror. Signed and numbered “Ick... 1/1” in pencil l.r. Gelatin silver print on Arches paper with watermark hand-brushed with photo-emulsion, sheet size 22 1/2 x 30 x in. (57.0 x 76.0 cm), hinged to a backing mat, unframed.Condition: Deckled edges, gentle cockling. $600-800

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227.Paul Ickovic (Czech, b. 1944)

Tango Dancers, Buenos Aires, 1980. Signed and numbered “Ick... 1/1” in pencil l.r. Gelatin silver print on Arches paper with watermark hand-brushed with photo-emulsion, sheet size 30 x 22 1/2 in. (76.0 x 57.0 cm), unmatted, unframed.Condition: Deckled edges (with minute creases), gentle cockling. $600-800

228.Paul Ickovic (Czech, b. 1944)

Tango. Signed and numbered “Ick... 1/1” in pencil l.r. Gelatin silver print on Arches paper with watermark hand-brushed with photo-emulsion, sheet size 22 1/2 x 30 in. (57.0 x 76.0 cm), hinged to a backing mat, unframed.Condition: Deckled edges, gentle cockling. $600-800

120 additional information and photos at www.skinnerinc.com

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229.Yousuf Karsh (Canadian, 1908-2002)

John F. Kennedy, c. 1960. Signed “J Karsh.” in ink l.l., artist’s copyright stamp on the reverse, inscribed “No:6” in pencil on the reverse. Gelatin silver print, image size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), unmatted, unframed, presented in the original Karsh folder.Condition: Unobtrusive handling creases. $1,000-1,500

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230.Rodger Paul Kingston (American, b. 1941)

Ranchos de Taos, 1985. Titled and signed “...RP Kingston” on the reverse. Cibachrome print, sheet size 5 15/16 x 4 15/16 in. (15.1 x 12.5 cm), matted, unframed.Condition: Tape hinged to backing mat.

Provenance: From the collection of Austin Lamont, by family descent.

N.B. The present work is a unique print, and we wish to thank the artist for his assistance with cataloging the lot. $250-350

231.Rodger Paul Kingston (American, b. 1941)

Lot of Six Images: NYC, 1978; Ranchos de Taos, 1983; One Man’s Marilyn, Washington DC, 1986; Cia with Stars, Albuquerque, NM, 1983; Mora, NM, 1993; and Cincinnati, OH, 1994. Each signed in pencil on the mount or in felt tip pen on the reverse, most dedicated to Austin. Chromogenic prints, image sizes to 12 3/4 x 19 in. (32.2 x 48.2 cm), unmatted, unframed.Condition: Good.

Provenance: From the collection of Austin Lamont, by family descent. $200-300

122 additional information and photos at www.skinnerinc.com

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232.Jill Krementz (American, b. 1940)

Andy Warhol and Alfred Hitchcock. Signed “JILL KREMENTZ” in ink on the mat l.r., titled in ink on the mat l.l., artist’s stamp on the reverse. Gelatin silver print, image size 11 x 7 1/2 in. (27.8 x 18.8 cm), matted, unframed.Condition: Pinholes with creases and losses to corners, staining to left and lower margins, annotations to the reverse. $1,000-1,500

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234

233.Joel Meyerowitz (American, b. 1938)

Hartwig House Truro Cape Cod, 1976-82, printed 1981-82. Titled, dated, signed, and inscribed “...Joel Meyerowitz 1981 JM©82 AP” in ink on the reverse, identified on a label from the Harcus Krakow Gallery, Boston, on the backing. Chromogenic print, image size 7 5/8 x 9 5/8 in. (19.3 x 24.3 cm), framed.Condition: Image slightly light struck. $2,000-2,500

234.Hans Namuth (American, 1915-1990)

Louise Nevelson, 1981. Signed and dated “Hans Namuth.81” in felt tip pen or similar (within the image) l.r. Chromogenic print, image size 23 1/2 x 18 1/2 in. (59.5 x 46.8 cm), framed.Condition: Foxing, not examined out of frame.

Provenance: Estate of an arts benefactor, New York. $1,000-1,500

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235

235.Catherine Opie (American, b. 1961)

Curators at the Norton Home, Santa Monica, 1997, edition of 22. Signed, numbered, and dated “Catherine Opie 17/22 1997 PRINTED 5/3/97” in pencil on the reverse, artist’s stamp on the reverse. Gelatin silver print, image size 7 x 17 in. (17.7 x 43.0 cm), matted, unframed.Condition: Good.

Provenance: A private Massachusetts collection. $150-200

236.Olivia Parker (American, b. 1941)

Rivergrass, Stanley, Idaho, 1981, printed 1982. Titled, dated, signed, and numbered “...Print 1982 Olivia Parker © 1981 #6” in pencil on the reverse. Gelatin silver print, image size 14 1/4 x 18 in. (36.0 x 45.7 cm), unmatted, unframed.Condition: Subtle rippling, nick/deformation to lower edge. $400-600

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237.Aaron Siskind (American, 1903-1991)

Untitled. Signed “Aaron Siskind” in pencil on the reverse. Gelatin silver print, image size 18 x 13 in. (45.7 x 33.0 cm), unmatted, unframed.Condition: Unmounted, minute wear to corners. $1,500-2,000

238.Aaron Siskind (American, 1903-1991)

Maine 1, 1949. Signed “Aaron Siskind” in ball point pen and titled and dated in pencil on the reverse. Gelatin silver print, image size 13 7/8 x 19 1/2 in. (35.2 x 49.5 cm), unmatted, unframed.Condition: Unmounted, creases near corners effecting the image, especially l.r. $1,500-2,000

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239.Aaron Siskind (American, 1903-1991)

Bronx 1, 1950. Signed “Aaron Siskind” in felt tip pen or similar, titled and dated “...1950” in felt tip pen or similar l.l. and in pencil on the reverse. Gelatin silver print, image size 12 5/8 x 18 3/8 in. (32.0 x 46.0 cm), unmatted, unframed.Condition: Unmounted, wear/creases to corners. $1,500-2,000

240.Aaron Siskind (American, 1903-1991)

Galena 6, 1957. Signed, titled, dated, and numbered “Aaron Siskind ...1957 3/3” in pencil on the reverse. Gelatin silver print, image size 7 1/4 x 9 1/2 in. (18.3 x 24.0 cm), unmatted, unframed.Condition: Printing flaw (possibly from lint on the negative) u.r. $1,000-1,500

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241.Aaron Siskind (American, 1903-1991)

Rome: Arch of Constantine 4, 1967. Signed “Aaron Siskind” in pencil (on the mount) l.r., titled and dated in pencil (on the mount) l.l. Gelatin silver print, image size 17 1/2 x 13 in. (44.4 x 33.0 cm), framed.Condition: Several minute rubs/imperfections to edges, not examined out of frame. $3,000-5,000

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242

242.Ralph Steiner (American, 1899-1986)

Park Avenue Garage, 1965, printed in 1980. Signed and dated “Ralph Steiner neg 1965/print 1980” in pencil on the reverse. Gelatin silver print, image size 8 3/8 x 7 3/4 in. (21.3 x 19.5 cm), matted, unframed.Condition: Surface inconsistencies from moisture or similar l.r. and l.l., subtle cockling throughout sheet. $800-1,200

END OF FINE PRINTS & PHOTOGRAPHY

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All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways:

John Joseph Enneking. - In our judgment, the work is by the artist.

Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist.

American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms:

Bears Signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Glossary of Terms

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Artist Index

Adams, Ansel .................................................................193, 194Allen, Frances Stebbins ..........................................................195Allen, Mary Electra ................................................................195American School, 20th Century ......................................196, 197Arms, John Taylor ..................................................................1-3Avery, Eric .................................................................................4

Bailey, William H. .....................................................................5Baskin, Leonard ....................................................................6-12Beaver, Bert ...................................................................198, 199Beline, George .........................................................................13Benson, Frank Weston ........................................................14-16Benton, Thomas Hart ........................................................17, 18Berghash, Mark .....................................................................217Besnard, Albert ........................................................................19Biggers, Sanford ......................................................................20Bohrod, Aaron ........................................................................21Bonfils, Felix .........................................................................200Bonnard, Pierre .......................................................................22Borne, Mortimer .....................................................................23Bosman, Richard .....................................................................24Bourne, Samuel .....................................................................201Bracquemond, Félix .................................................................27Braque, Georges ................................................................25, 26Bravo, Manuel Alvarez ...........................................................202Burckhardt, Rudy ..................................................................203Burr, George Elbert ...........................................................28, 29Bury, Pol .................................................................................30

Calder, Alexander ....................................................................31Cameron, David Young .....................................................32, 33Canogar, Rafael .......................................................................34Caponigro, Paul ............................................................204, 205Cartier-Bresson, Henri ...........................................................206Chagall, Marc .....................................................................40-42Chamberlain, Samuel V. .....................................................35-39Cheffetz, Asa ...........................................................................43Chirino, Martin .......................................................................34Coffin, Peter ............................................................................44Connor, Linda .......................................................................208Le Corbusier ............................................................................96Corinth, Lovis ....................................................................45-47Cornell, Joseph ........................................................................48Coster, Gordon H. ................................................................209

Davis, Gene .............................................................................49Dehn, Adolf Arthur .................................................................50De Lory, Peter .......................................................................210Drewes, Werner .......................................................................51Dufy, Raoul .............................................................................52Dunn, James P. .....................................................................197Dwight, Mabel ........................................................................53

Edgerton, Harold Eugene ..............................................211-214Ernst, Max ..............................................................................54

Fitz, Grancel ..........................................................................215Francis, Sam ............................................................................55

French School, 20th Century ..............................................56, 57Friedlaender, Johnny ...............................................................58

Gardiner, Eliza Draper .............................................................59Gaskell, Anna ..........................................................................44Genthe, Arnold .....................................................................216Gerlovin, Valeriy ....................................................................217Gerlovina, Rimma ..................................................................217Gloeckner, Michiel ..................................................................60Gourfain, Peter ........................................................................61Gramatté, Walter ................................................................62-67Greene, Milton H. .........................................................218, 219

Hansen, James Lee ............................................................68, 69Hart, George Overbury “Pop” ................................................70Hassam, Frederick Childe ........................................................71Haynes, Franklin Jay ..............................................................220Hillers, John K. .............................................................221, 222Hoffman, Irwin D. ..................................................................72Hohlwein, Ludwig ..................................................................73Horne, Bernard Shea .............................................................223Hurrell, George .....................................................................224

Icart, Louis .........................................................................74-77Ickovic, Paul ...................................................................225-228

Jacquet, Alain ..........................................................................78Janco, Marcel ..........................................................................79Johns, Jasper ...........................................................................80Johnson, Lester F. ...................................................................81

Kappel, Philip ..........................................................................82Karsh, Yousuf ........................................................................229Katchadourian, Nina ................................................................20Katz, Leo ................................................................................83Kent, Rockwell ........................................................................84Kent, William ..........................................................................85Kingston, Rodger Paul ..................................................230, 231Kipniss, Robert ...................................................................86-89Kleiber, Hans ..........................................................................90Krafft, Charles Wing ................................................................91Krementz, Jill ........................................................................232Kulicke, Robert .......................................................................92Kupferman, Lawrence ..............................................................93Kushner, Robert ......................................................................94

Landon, Edward August ..........................................................95Lazzarini, Robert .................................................................. 95ALichtenstein, Roy ....................................................................97Liebermann, Max ....................................................................98

Magee, Alan ....................................................................99, 100Magill, P.J. ............................................................................197Magritte, René ......................................................................101Makanna, Philip .....................................................................102Marcks, Gerhard ....................................................................103Marclay, Christian .................................................................104McRae, Jennifer .....................................................................105

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Meert, Joseph John Paul ........................................................106Meyerowitz, Joel ...................................................................233Meyerowitz, William ..............................................................107Millares, Manolo .....................................................................34Moskowitz, Robert S. ............................................................108

Nakian, Reuben .....................................................................109Namuth, Hans .......................................................................234Nichols, Dale .................................................................110, 111

O’Higgins, Pablo Esteban .....................................................113Oda, Mayumi ........................................................................112Opie, Catherine .....................................................................235

Parker, Olivia .........................................................................236Pennell, Joseph ......................................................................114Peterdi, Gabor F. ............................................................115-120Picasso, Pablo ........................................................ 121-127, 165Pridham, William H. ..............................................................197

Renoir, Pierre-Auguste ..........................................................128van Rijn, Rembrandt .....................................................129, 130Riley, Bridget ........................................................................131Rivera, Manuel ........................................................................34Robertson, David Thomas .....................................................132Rosa, Salvator ........................................................................133Roth, Ernest David ........................................................134, 135Rushbury, Sir Henry George .................................................136

Sage, Phillip ...........................................................................137Saura, Antonio ........................................................................34Schonzeit, Ben ......................................................................138Seibold, W.N. ........................................................................197Shonibare, Yinka ....................................................................139Short, Frank ..................................................................140, 141Simbari, Nicola ......................................................................142Siskind, Aaron ................................................................237-241Sloan, John French ................................................................143Smith, Don ...........................................................................144Soyer, Raphael ...............................................................145, 146Spitzer, Walter .......................................................................147Steiner, Ralph ........................................................................242Steinlen, Théophile Alexandre ...............................................148Stella, Frank ..........................................................................149Sternberg, Harry ....................................................................150Suh, Do-Ho ..........................................................................151Sullivan, David ......................................................................152Sultan, Altoon .......................................................................153

Tàpies, Antoni .......................................................................154Tobey, Mark ..........................................................................155

Uluç, Ömer ...........................................................................156Underwood, Leon .................................................................157Usami, Keiji ...........................................................................158

Vaisman, Meyer .....................................................................159Vasarely, Victor .............................................................160, 161Villon, Jacques ................................................................162-167Viola, Manuel ..........................................................................34

Walker, John .........................................................................168Walker, Kara Elizabeth ..........................................................169Warhol, Andy .................................................................170-172Wedgwood, Geoffrey Heath ..................................................173Wengenroth, Stow ..........................................................174-178West, Levon ..........................................................................179Whistler, James Abbott McNeill .....................................180-183Wood, Grant .........................................................................184Wunderlich, Paul ...................................................................187

Zachary, Alvin .......................................................................197Zao, Wou-Ki ................................................................185, 186Zorn, Anders ..................................................................188-192

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Upcoming Auction

Fine Paintings & SculptureFebruary 3th, 2012 Boston, MA

Peter Lanyon (British, 1918-1964), Deep Blue Coast, sold for $201,450, sale #2547B.

Consignment Deadline: November 4th, 2011

For more information please contact our American & European Paintings department at 508.970.3206 or email [email protected]

www.skinnerinc.com

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1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000.

11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Skinner, Inc. - Conditions of Sale

Revised September 29, 2009

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Name (Please Print) Business Name

Address check if change in address

City State Zip Code

Phone # Alternate # e-mail

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

63 Park P laza , Bo s t on , MA 02116 Te l : 617 .350 .5400 Fax : 617 .350 .5429274 Cedar Hi l l S t re e t , Mar lborough , MA 01752 Te l : 508 .970 .3000 Fax : 508 .970 .3100

www. sk inner inc . c om

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 274 Cedar Hill Street, Marlborough, MA 01752 Tel: 508.970.3100

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

The Heritage On The Garden, 63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 • 357 Main Street, Bolton, MA 01740 Tel: 508.779.6241

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

The Heritage On The Garden, 63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 357 Main Street, Bolton, MA 01740 Tel: 508.779.6241

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are

executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.

Absentee Bid Form

Marlborough Boston Phone Fax Mail Person Employee:

FOR OFFICE USE

Lot # Description Bid Price

Signature (Required) Date

Sale Title Sale Date

First Time Bidder? YES NO Customer #

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Board of Directors

Administration

Expert Departments

SKINNER, INC.Auctioneers andAppraisers of Antiquesand Fine Art

63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429

274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100

www.skinnerinc.com

Chairman of the Board - Nancy R. SkinnerRichard AlbrightJohn DeightonBarnet FainStephen L. FletcherKaren M. Keane

President/Chief Executive Officer - Karen M. KeaneChief Financial Officer - Don KellyExecutive Vice President - Stephen L. FletcherVice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Stuart P. Whitehurst

American & European Paintings & Prints - Robin S.R. StarrAssistants: Kathy Wong, Elizabeth C. HaffAmerican Furniture & Decorative Arts - Stephen L. FletcherAssistants: LaGina Austin, Karen Langberg, Chris BarberAmerican Indian & Ethnographic Art - Douglas DeihlAsian Works of Art - James F. CallahanAssistant: Carol TranBooks & Manuscripts - Stuart P. WhitehurstDeputy Director: Sara C. WishartBottles, Flasks & Early Glass - Stephen L. FletcherCeramics - Stuart G. SlavidClassic Automobiles & Motorcycles - Jane D. PrentissCouture - Kerry ShrivesDiscovery Sales - Kerry ShrivesAssistants: Garrett J. Sheahan, Melissa RiebeEuropean Furniture & Decorative Arts - Stuart G. Slavid;Assistants: Sara C. Wishart, Leah SkowronFine Wines - Marie KeepAssistant: Laura V. SweeneyJewelry - Victoria BratbergAssistants: John Colasacco, Julie KhouriJudaica - Kerry ShrivesModernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture - Jane D. PrentissMusical Instruments - David BonseyOriental Rugs & Carpets - Gary RichardsScience, Technology & Clocks - Robert C. CheneyAssistant: Chris BarberSilver - Sara C. WishartToys & Dolls - Kerry ShrivesAuctioneers - LaGina Austin, David Bonsey, Robert C. Cheney,Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney, Stuart P. Whitehurst

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Marlborough: Warehouse Manager - Jonathan Dowling, 508.970.3280 Property Manager - Samuel Combs, 508.970.3262

Boston: Kerryn Murphy, 617.874.4329

Property Distribution Manager - Jessica R. Lincoln, 617.874.4308

Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable - Kathleen Hayes, 508.970.3268 Credit Supervisor - Joe Monteyro, 508.970.3266

Marlborough: 508.970.3240

Appraisal & Auction Services - LaGina Austin, Shannon M. Ames, Hadley BridgmanAdvertising Production - Pamela Van de HoutenBoston Gallery Director - Laura V. SweeneyAssistant Gallery Director: Paige LewellynGallery Assistant: Jessica TurnerCatalogue Production - Pamela Van de Houten, Kristina HarrisonConsignment Services - Patricia Walker King, Megan J. Blomgren, Carol ZeiglerCustomer Relations - Carol McCaffreyInstitutional Relations - L. Emerson TuttleHuman Resources - Carol McCaffreyInformation Technology & Internet Auctions - Kerry ShrivesAssistants: Timothy Shaughnessey, Melissa RiebeManaging Director - Marie C. KeepMarketing & Public Relations - Kate de Bethune, Kathryn GargolinskiPhotographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John CorneliusStaff Portraits - Cheryl Richards Photography Transportation - Eric JonesAssistant: Mark McCaffrey

Service Departments

Exhibitions & Property Distribution

Finance Department

Subscriptions

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Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA Telephone: 617-350-5400

From the West:

Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.

The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.

Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto

Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South

via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

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The Back Bay Hotel (formerly Jurys)350 Stuart StreetBoston, MA 02116Tel: 617-532-3800

Beacon Hill Hotel & Bistro25 Charles StreetBoston, MA 02114Tel: 617-723-1133

The Colonnade120 Huntington AvenueBoston, MA 02116Tel: 617-424-7000Fax: 617-424-0968

Eliot Hotel370 Commonwealth Ave. Boston, MA 02215Tel: 617-267-1607

The Park Plaza64 Arlington StreetBoston, MA 02116Tel: 617-457-7488Fax: 617-426-2000

INDOOR PARKING GARAGES

City Place Parking GarageTransportation Building12 Charles StreetLocated at the end of Park PlazaUnderground multi-level garage All day–closes at 2:30amFirst hr/$5, after 2 hrs/$14

AllRight ParkingBoston Common GarageLocated on Charles Street, on the Common, two blocks from Skinner1 hr/$6, up to 24 hrs/$25, Evenings (4pm-10am)/$10

The Four Seaons Hotel Parking Garage200 Boylston StreetAdjacent to Skinner, valet drop-off and pick-up, up to 24 hrs/$30

The Taj Hotel Parking Garage2 Newbury Street Located three blocks from Skinner, valet drop-off and pick-upUp to 24 hrs/$42

Back Bay Garage222 Berkeley Street (entrance off St. James)One block from SkinnerAll day/$35, evening (5pm-7am)/$10

Radisson Hotel Parking GarageStuart Street (near intersection of Charles)Two blocks from Skinner 1-2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$18, 12-24 hrs/$31

Motor Mart Garage26 Park Plaza(Same building as Legal Sea Food)Up to 1 hr/$8, 1 to 2 hrs/$12,2-3 hrs/$16, 3-12 hrs/$20, 12-24 hrs/$31, weekends up to 3 hrs/$8

OUTDOOR PARKING LOTS(recommended for trucks)

Pin Stripe ParkingArlington Street617-338-7984All day/$14, after 6pm and weekends/$10, overnight/$15

Billy’s Parking222 Stuart Street617-423-77818am-5pm/$18, after 5pm/$20

141

BOSTON HOTELS WITH SKINNER CORPORATE RATES

PARKING

BOSTON HOTELS

Boston Harbor Hotel70 Rowe’s WharfBoston, MA 02110Tel: 800-654-2000Fax: 617-345-6799

Fairmont Copley Plaza138 St. James AvenueBoston, MA 02116Tel: 617-267-5300Fax: 617-375-9648

Four Seasons200 Boylston StreetBoston, MA 02116Tel: 617-351-2036

The Liberty Hotel215 Charles St.Boston, MA 02114617-224-4000

Marriott Copley Place110 Huntington AvenueBoston, MA 02116Tel: 800-228-9290Fax: 617-236-5885

Nine Zero Hotel90 Tremont St.Boston, MA 02108617-772-5800

Radisson Hotel200 Stuart StreetBoston, MA 01740Tel: 617-482-1800 Fax: 617-451-2750

The Ritz-Carlton, Boston Common10 Avery Street Boston, MA 02111Tel: 617-912-3315 Fax: 617-912-3375

Taj Boston15 Arlington St.Boston, MA 02116617-536-5700

Westin-Copley Plaza10 Huntington AvenueBoston, MA 02116Tel: 800-228-3000Fax: 617-424-7483

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RESTAURANTS

FINE DINING

Aujourd’huiFour Seasons Hotel, 200 Boylston Street (between Arlington & Charles Streets)617-351-2071New American.

DanteRoyal Sonesta Hotel5 Cambridge Parkway617-806-4200Mediterranean restaurant with great views of the Charles River and Boston skyline.

Davio’s75 Arlington St.617-357-4810Northern Italian steak house.

Grill 23 & Bar161 Berkley Street (Stuart Street)617-542-2255Great steak, seafood, wine list, and service.

L’Espalier774 Boylston St.617-262-3023French dining in an elegant townhouse with a wonderful prix-fixe menu.

No. 9 Park9 Park St.617-742-9991Barbara Lynch’s bistro showcases inspired French and Italian influenced food and wine on Beacon Hill.

Radius85 High St.617-426-1234Features a modern French menu focusing on seasonal ingredients accompanied by a thoughtful wine list.

ScampoThe Liberty Hotel215 Charles St.617-536-2100Lydia Shire’s latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel.

Troquet 140 Boylston St.617-695-9463French restaurant and wine bar perched at the edge of the Boston Common and the theatre district.

Via Matta79 Park Plaza617-422-0008Elegant Italian fare and beautiful wines in a vibrant dining room - the best of Italy in Boston’s Back Bay creates an unforgettable experience.

MODERATE

Aquitaine569 Tremont Street617-424-8577Parisian bistro style fare.

The Bristol Lounge at Four Seasons Hotel200 Boylston St.617-338-4400Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden.

East Ocean City25-29 Beach St.617-542-2504Outstanding Chinese food restaurant highlighting seafood dishes with a full-service bar.

Lala Rokh on Beacon Hill97 Mt. Vernon Street617-720-5511Authentic regional Persian cuisine, hand-selected wine list, knowledgeable waitstaff.

McCormick and Schmick’s Seafood Restaurant36 Columbus Ave617-482-3999Fresh seafood offerings that change daily.

Summer Shack50 Dalton St.617-867-9955Jasper White serves well-executed seaside favorites in a casual Back Bay setting.

INEXPENSIVE

Au Bon Pain26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street)617-338-8948Casual café offers quick service.

Davio’s To Go10 St. James Galleria Atrium617-357-4810Casual Italian take-out lunch spot with daily special pastas, soups, and salads.

Flash’s310 Stuart St.617-574-8888American comfort food served with classic cocktails in a casual setting.

Parish Café361 Boylston St.617-247-4777American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs.

Piattini226 Newbury Street617-536-2020Italian wine bar with an eclectic menu; specializes in Italian-style tapas.

The Upper Crust20 Charles Street617-723-9600Gourmet thin crust pizza.

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Name __________________________________________ Business Name

Mailing Address ____________________________________________________

City ______________________________ State _______ Zip______________

email address ____________________________________ __________ Tel: ( ) _____________________________

Quarterly Brochure No charge No charge

Included with catalogue subscription

American Furniture & Decorative Arts $120 $143

European Furniture & Decorative Arts $120 $143

American & European Paintings & Prints $120 $143

Fine Jewelry $120 $143

20th Century Furniture & Decorative Arts $60 $73

Asian Works of Art $60 $73

Fine Oriental Rugs & Carpets $18 $25

American Indian & Ethnographic Art $60 $73

Fine Books & Manuscripts $30 $36

Fine Ceramics $60 $73

Fine Musical Instruments $60 $73

Science, Technology & Clocks $60 $73

Fine Wines $60 $73

All Above Departments $750 $915

subtotal

ma residents 6.25% sales tax

total

PLEASE ENCLOSE PAyMENT WITH SUBSCRIPTION FORM AND MAIL OR FAX TO:

Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100

please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)

SKINNER catalogue subscription formPRICES EFFECTIVE JULy 1, 2010. Catalogue subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

MasterCard/VISA # Exp. Date

Signature Check enclosed

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SKINNERAuctioneers and Appraisers of Antiques and Fine Art

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

SKINNERAuctioneers and Appraisersof Antiques and Fine Art

SKINNERJanuary/February 1995 Auction Schedule

SKINNERJanuary/February 1995 Auction Schedule

SKINNERAuctioneers and Appraisersof Antiques and Fine Art