Dichroic Contractionsfor voice, percussion, violoncello
- edward hamel -
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Copyright © June 2010 Chicago
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Voice
Percussion
Violoncello
n mf nethereal yet precise q = 40bpm
p ppp p (p) n
mf n mp n
ppp
f
p
p
mf
pp
n
n
ppp
f mf
p mf (mf)
(mf)
n
n
ff p
p mf (mf)
(p)
f (f)
mf
n
n
!! "!
!! "!
!! "!
!! "!
!! "!
!! "!
!! "!
!! "!
# $
3 cycles
!"! !#! !$!
No Bow- left hand only -
2nd cycle
3rd cycle
Bowed- normal -
1st cycle No Bow
- left hand
only -
Bowed
- normal -
Bowed
- normal -
No Bow
- left hand
only -
Bowed
- normal -
No Bow
- left hand
only -
Pitch
Air
Dichroic Contractions- edward hamel -
%&
(closed mouth)
senza vib.throughout
!%! !&! !'! !"! !#! !$!
%
Suspended Triangle(triangle beater)
l.v
-motor off/
Vibraphone
(soft mallet)P
tremolo as fast as possible with sporadic attacks of D4
throughout-
(slightly louder than voice and cello)
'
&legatissimo both hands-senza vib.throughout. "Left Hand" material should be hammered-on - (left hand pizz. for open strings)
(simile)
( ( ( ( () ( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(* $
(* $
(*
( ( ( ( () ( ( ( ( () ( ( ( ( ()$(*
( ( ( ( ()
'III &
IV
III
IV III II
&(l.v.)
III II
)+
)+
)+ +
) ) )+ + + +
3
35
3
35
3
35
3
35 3
35
3
35
3
35
3
35
#(echo)
(pronounced harmonics)
#(pronounced harmonics)
#(pronounced harmonics)
, , , , ,* -
, , , , , , , ,* - .
, %%%////) ####
%%%0000
.
$(* $
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, ,) , ,) ,, ,) , ,) ,
, ,) , ,) ,), ,) , ,) ,
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, ,) , ,)
!
"
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Vib.
n f3
p ppp p (p) n
mf
n p mf
f p
mp mf
(p) f
p
ff
ppp n
!! "! 1!
!! "! 1!
!! "! 1!
!! "! 1!
!! "! 1!
!! "! 1!
# $!"! !#! !$!
%
No Bow- left hand only -
Bowed- normal -
No Bow
- left hand
only -
Bowed
- normal -
Pitch
Air
%&
Voice
(closed mouth)
!%! !&! !'! !"! !#! !$!
%
Suspended Triangle(triangle beater)
l.v
Vibraphone(soft mallet)
tremolo as fast as possible with sporadic attacks of D4
(slightly louder than voice and cello)
#
'
(simile)
%$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( () .
'Vc.
)+
)+
)+ +
)+
)+
)+ +
33
53
35
3
35
3
35
3
35 3
35
3
35
3
35
#(pronounced harmonics)
, , , , ,
, , , , , , , ,* - .
, %%%////) ####
%%%//// ####
%%%////
,), ,) , ,) ,
, ,) , ,) ,, ,) , ,) ,
, ,) , ,) ,), ,) , ,) ,
, ,) , ,) ,, ,) , ,) ,
, ,) , ,)
2
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sfz p ff p mf p sffz sfz p ff p mf p sffz
with a feeling of uncontrollability q = 72bpm
5
sfz
(all dynamics from m.5 - m.19 are levels of sonority not attack)
sfz f pp sfz p
/f/
sfz p sfz f pp sfz p
/f/
sfz p sfz p sfz f ppp
n sffz n sffz n sffz
sfz p ff p mf p sffz sfz p sffzsfz p ff p mf p sffz
11
f n
/f/
sfz p sfz
/f/
p sfz p sfz pp sfz f pp sfz p sfz
/s!/
p sfz f pp sfz p sfz p sfz p sfz pp sfz p sfz f pp
n sffz n sffz n sffz
1! !! 2! !! 2! !! 1!1! !! 2! !! 2! !! 1!
1! !! 2! !! 2! !! 1!
1! !! 2! !! 2! !! 1!
1! !! "! !! 2!1! !! "! !! 2!
1! !! "! !! 2!
1! !! "! !! 2!
%Voice
$ $3
molto accel a tempo
3
molto accel
&
4 4 4
!"! &
a tempo
4 +3
35
33 5
Unvoiced
Large
Small
Pitch
Node
Node
Rim
Rim
, ,,)
%+4
$3!(!
&
4 4 4
!"! &!(!
(oo lips - airy)!)! !"!
435
33 5
5 5 5 5 5 5 5
#
(scrape with finger print)
Bongos(hands)6 +
$3
(simile)
molto accel
(oo lips - airy)!)!
+4
!*!
4 +
!"!
a tempo6 +3
molto accel
+4
!*!
a tempo4 + 4 6 +3
3 3 3 3 33 3 3
%Vc.
+4$3
molto accel a tempo+43
molto accel a tempo+4 3
%Voice
molto accel
&
4 64
!"! &
4 +a tempo
3
accel
&
a tempo
+ +43
molto accel
&
4 64
!"! &
+4 +a tempo
33
53
35 3
5
Unvoiced
Small
Large
Pitch
Node
Node
Rim
Rim
,,)
%(exhale audibly/open mouth/norm. lips)
3(oo lips - airy)
3
3
5 5 5 5 5 5
*
5 5 5 5 5 5 5
*
#
!(!
molto accel
(oo lips - airy)!)!
+4
!*! !"!
4 + 4 4 a tempo6 +3
!(!
accela tempo
+4 4 + 6 +3
molto accel
!(! !)!
+4 4 + 4
!*! !"!
4a tempo
4 6 +3
3 3 3 3 3 3 5 3 3
%Vc.
molto accel a tempo+43
accela tempo+4
3molto accel
$
a tempo
+4 3
. . . . , ,,) . . . .
,* - . . 5 5 5 5 5 5 5 5
$
5* , , , , , , , , ,
*-
$
5
*
,*
-,
, , -$
5* , , , , , , , , ,
*
- .$
5
*
,*
-$
5
* $
5
*,
, ,,
, , , , , , , , , ,*
- .
$
,
*,) ,,
*- . . . . $
,
*,) ,,
*- . . . . . $
,
*,) ,,
*- . . .
, , ,,) - . . . . , . . . . , , - . . . .
& & & . 5 . . . .
$
5
*
,
*-
$
5
*,
, ,,
, 5,,7
$
5* , , , , , , , , ,
*
- .$
5
* $
5*
,,,
, , , , , , , , ,*- .
$
5
*
,*
-
$
5
*
,, ,
,, 5
,,, ,
$
5*
5, , , , , , , , , ,
*- .
. . . $
,
*,) ,,
*- . . . . ,)
$
,
*
,,*
- . . . $
,
*,) ,,
*- . . .
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3
!
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sfz p sffz p mf p sfz p sfz p ff p mf p
16
sfz p
/f/
sfz p sfz p sfz f pp sfz p sfz f pp sfz p sfz p
/f/
sfz p sfz pp sfz sfz p
n sffz n sffz pp f sffz
2! !! "! !!2! !! "! !!
2! !! "! !!
2! !! "! !!
%Voice
molto accel
& !"!
+ +4
&
a tempo
3
accel
&
a tempo
+ +
3
molto accel
&
+
& !"! &
+
Unvoiced
Small
Large
Pitch
Node
Node
Rim
Rim
%!(!
(oo lips - airy)
64 +$
5
*
5 5 5 5
#
!(!
molto accel
+4
(oo lips - airy)
!)!
a tempo
4 4 6 +3
accel
!(!
+4a tempo
6 +3
molto accel
+4
!)!
4 + 4
%
4 453 3 3 3
3 5 6
%Vc.
molto accel a tempo+4 3accel a tempo+4
3molto accel+4
'+4
, ,,) . . . . , # . . . . , #
$
,
*
,,)
*
-
5 5
$
5
*
,*
-$
5
* $
5
*,
, ,,
, , , , , , , , , ,*
- .$
5
*
,*
-$
5* , , , , , , , , ,
*
- .$
5
*
,
*-
$
5
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, 5,
,, , 5
,,
5 , ,
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,
*
,,*
- . . . . ,)$
,
*
,,*
- . . . //) ## ,,*
,,)*
4
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Vib.
n mf nethereal yet precise q = 40bpm
20
p ppp p (p) n
mf n mp
f
ppp
p
p mf
pp
n
n
mf
f mf (mf)
f (f)
p
n
n
!! "!
!! "!
!! "!
!! "!
!! "!
!! "!
!! "!
%Voice
$
2 cycles
!"! !#! !$!
No Bow- left hand only -
Bowed- normal -
2nd cycle
1st cycle
No Bow
- left hand
only -
No Bow
- left hand
only -
Bowed
- normal -
Bowed
- normal -
Pitch
Air
%&
(closed mouth)
!%! !&! !'! !"! !#! !$!
%
Suspended Triangle(triangle beater)
l.v
-motor off/
Vibraphone
(soft mallet)tremolo as fast as possible with sporadic attacks of D4
P throughout-
(slightly louder than voice and cello)
'
&legatissimo both hands-senza vib.throughout. "Left Hand" material should be hammered-on - (left hand pizz. for open strings)
(simile)
( ( ( ( () ( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()
'Vc.
III &IV
III
IV III II
&(l.v.)
III II
)+
) )+
) )+
)+
)+
) )+
) )+
)+
3
35
3
35
3
35
3
35 3
35
3
35
3
35 3
35
#(echo)
(pronounced harmonics)
#(pronounced harmonics)
, , , , ,* -
, , , , , , , ,* - .
, %%%////) ####
%%%0000
.
$(* $
(*
.
,), ,) , ,) ,
, , , ,) ,, , , ,) ,
, , , ,) ,), ,) , ,) ,
, , , ,) ,, , , ,) ,
, , , ,)
5
!
"
!
"
Vib.
22
p
(f)
(f) n
"! 1!
"! 1!
"! 1!
"! 1!
"! 1!
"! 1!
% $n
!"! !#! !$!
f
No Bow- left hand only -
Bowed- normal -
No Bow
- left hand
only -
Bowed
- normal -
Pitch
Air
%&
Voice
(closed mouth)
p ppp
!%! !&! !'!
p
!"! !#! !$!
(p) n
#
%
Suspended Triangle(triangle beater)
mf
l.v
Vibraphone
n
(soft mallet)
tremolo as fast as possible with sporadic attacks of D4
(slightly louder than voice and cello)
p mf
#
'
(simile) (
(
-(over pressure- faint presence of pitch)
( ( ( ( ( ( ( ( ( ( ( '$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( () .
'Vc.
)+
) )+
) )+
)+
)+
) )+
) )+
)+
3
35
3
35
3
35
3
35
3
35 3
35
3
35 3
35
#(pronounced harmonics)
mf f
(p) f
(over pressure- faint presence of pitch)
fff n
, , , , ,
, , , , , , , ,* - .
, %%%////) ####
%%%//// ####
%%%////
,), ,) , ,) ,
, , , ,) ,, , , ,) ,
, , , ,) ,), ,) , ,) ,
, , , ,) ,, , , ,) ,
, , , ,)
6
!
"
!
"
Vib.
n mf nethereal yet precise q = 40bpm
42
p ppp p (p) n
n mp ppp
mf
mf
f
f (f)
(f)
n
n
!! "!
!! "!
!! "!
!! "!
!! "!
!! "!
% $!"! !#! !$!
3
No Bow- left hand only -
Bowed- normal -
No Bow
- left hand
only -
Bowed
- normal -
Pitch
Air
%&
Voice
(closed mouth)
!%! !&! !'! !"! !#! !$!
3
%-motor off/
Vibraphone
(soft mallet)P throughout-
tremolo as fast as possible with sporadic attacks of D4
(slightly louder than voice and cello)
(l.v.) until niente3
'
&
Vc.
legatissimo both hands-senza vib.throughout. "Left Hand" material should be hammered-on - (left hand pizz. for open strings)
(simile)
3$(*
( ( ( ( ()$(*
( ( ( ( () ( ( ( ( () ( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()$(*
( ( ( ( ()
'III &
IV
III
IV III II
&(l.v.)
III II
)+
) )+
) )+
)+
)+
) )+
) )+
)+
3
35
3
35
3
35 3
35 3
35
3
35 3
35 3
35
#(pronounced harmonics)
(echo)
, , , , ,* -
, , , , , , , ,* - .
%%%0000)
%%%0000 ,,,,
*-
$(* $
(*
.
,), ,) , ,) ,
, , , ,) ,, , , ,) ,
, , , ,) ,), ,) , ,) ,
, , , ,) ,, , , ,) ,
, , , ,)
11