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COPYRIGHT & CREATIVITY: GETTING BALANCE BACK

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HOW DO COPYRIGHT POLICIES INHIBIT

THE GROWTH

OF DIGITAL

CULTURE?

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“Standing on the shoulders of

giants.”

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Collapse of business models (incumbents’ problem)

Copyright imbalance (emergent users’ problem)

TWO CHALLENGES:

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BUSINESS MODELS COLLAPSING P2P, Piracy, Downloading, Etc.

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NEW YORK, FRIDAY, DECEMBER 4, 2012

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THE IMBALANCE PROBLEM

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•  It’s hard to license

•  It’s hard to find out who owns it

• We’re locked out and punished if we break the locks

• We’re not sure what the balancing features of our laws are

WHEN WE TRY TO USE EXISTING CULTURE TO MAKE NEW CULTURE:

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LICENSING • Usually time-limited • Too many layers • Too many regions

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SOLUTION:

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WAIT…

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+

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BUILD AN ARTIFICIAL PUBLIC DOMAIN BY TWEAKING LICENSES •  GPL (free software license) &

Creative Commons licenses …enabling new pools of content

•  Open source software

•  Open CourseWare

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“ORPHAN WORKS”

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TECH/LEGAL PRE-EMPTION OF BALANCING RIGHTS • DMCA (US)

• EU Copyright Directive

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PATCHES: • Citizen participation in legislation (NZ; France)

• Press on exemptions (U.S.)

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BALANCING RIGHTS USING

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THE LIST APPROACH

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AMERICAN UNIVERSITY’S FAIR USE PROJECT centerforsocialmedia.org/fairuse

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Fair Use Project

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JUDGES LOVE FAIR USE

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INDIVIDUALS FEAR… • Will I get it wrong?

• Will I get sued? $125K+ per infringement!!)

• Will my boss/librarian/client get angry?

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BEST PRACTICES

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• Knowledge of the law

• Awareness of problem

• Define interpretation of fair use

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•  Documentary filmmakers

•  Film scholars

•  Media literacy teachers

•  More

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DOCUMENTARY FILMMAKERS

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RESULTS • Broadcasters program films • Cablecasters program films •  Filmmakers develop new

kinds of projects • Television/web companies

expand their plans • All insurers of errors and

omissions insurance now accept fair use claims

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ENGLISH TEACHERS

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MEDIA LITERACY CATEGORIES

•  Teaching with copyrighted material

•  Using copyrighted material in curriculum materials

•  Circulating curriculum materials with copyrighted material in them

•  Student use of copyrighted materials in their work

•  Circulating student work

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ONLINE VIDEO

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ONLINE VIDEO CODE •  Comment/critique

•  Illustration/example

•  Accidentally/incidentally

•  Preserve/recall

•  Discuss

•  Collage

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U.S. MOVEMENT • Film scholars • Archivists • Open Courseware •  Int’l Communication Ass’n • Business (“we wouldn’t

even be talking if…”)

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FIRST STEPS OF INTERNATIONAL MOVEMENT TO USE EXEMPTIONS

• Canadian filmmakers • Mexican filmmakers • EU filmmakers • South African filmmakers

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TO JOIN THE MOVEMENT • Document the problem • Research the reality • Define the opportunity

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Please feel free to share this presentation in its entirety. For excerpting, kindly employ the principles of fair use.

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CONTACT INFO Pat Aufderheide Center for Social Media School of Communication American University Washington, DC [email protected] 202-885-2069