7/29/2019 1973 Opera Newspaper Clippings
http://slidepdf.com/reader/full/1973-opera-newspaper-clippings 1/7
Delightful Opera ProgramPlanned At Brevard Center
By BOB BROWN
Spartanburg's Henry Janiecand John McQ-ae have workedup a most delightful group ofoperas for the Brevard MusicCenter this Swnmer. They haveplanned a season of all-timefavorites _ nothing too heavyand nothing not liked by regular
opera entOOsiasti.The opening piece is "Trial by
Jury" - a perfect one.,act gem.
n pokes fun at the courts in anextremely clever way. Gilbert'snbretto is the tale of a breach ttlpromise suit, sparkling withexquisite Wit and rhyme andresulting in a surprise ending.Sullivan's music is apt ani:Isingable throughout.
" Trial by Jury" is scheduledfor July 7.
"HaD$e1 aad Gretel" will besuag July U. While lbe .otry IIthe cbildrt .•• clall le, tile m1ll1c01 tbe opera" f.r from juftlllle.I t II adult opera IIlat aU may
enjoy without priorpreparation.
Englebert Humperdinck, thereal one, the composer, not thepop singer, is the creator of the
Hansel and Gretel opera."Tala of Hoffmann" is the
choice for July 20. Two years
ago this writer suggested to Dr.Janiec, director of the Center,that he consider producing the"Tales" with Producer Mc-Crae, who is considered bymany an operatlc producUongenius: •
" I think it would be good if wecan figure out some way to
eEplaln the story to the people,"Janlec answered.
I promised to do everythingpossible to explain the story. Itmay not be too difficulti it is thestory of four loves, told by apoet whose mind is clouded with-.t s Offenbach's masterpiece.The music ill total enjoymentfrom beginning to end, and thiswriter urges parenb to bringthe children. let them sit
through the first act (and theprelude, of course) then takethem borne. That lleat act.,revolving around Hoffmann'slove affair with a mechanicaldoll, is one of the mostbeautifully creations of aU_.
"Oklahoma" is schedled forAug . 3. 'Ibl.t is one of the aU·time favorite musicals of both
stage and screen."canneD" wUh:ome Alii 18.
Thill is Olle of the great favorites
of graad opera. Tbe st.ory baseverything: actloa, .uapeose,love, hate, tragedy, death - allIn a sdUDg of some of the mostbeautiful mU llc of aU time.
"carmen" is a good grandopera for young people whothink they might not like grand
opera. But they should read thelibretto beforehand, by al l
means. Then it will Jr0vethroughly enjoyable. TheBrevard people produced it afew years a80, and did aremarkably fine job of it.
"The Merry Widow", Lehar'slilting I1ght opera, wtll clole theseason on August 18. Thisshould be even more popularthan was "The Student Prince."last season, which is saying it
will play. to a sold-out howe .Each year the operas draw
more and more people, as theirexcellence is learned ofthroughout the United Stalesand canada. They represent agold mine of pleasure In. thedoorways of the people of No rthand South Carolina. I t is tragicthat more people 01 the
Carolinas do not enjoy their
share of the gold. All it takes toenjoy opera is learning about i t
7/29/2019 1973 Opera Newspaper Clippings
http://slidepdf.com/reader/full/1973-opera-newspaper-clippings 2/7
Large Crowd. Expected
Opera Friday Opens Second
Weekend Of Music FestivalThe stcand Festival week
c nd 01 the summer season at
Ure\'3rd Music Cen ter be
gins Friday night with the011l'r3 Hallsel and Gretel. to
bo followed Saturd ay by aIlc rformanrc by th e Transvl·va nia S)'mphony Orchestra
allli Sundar the l\lusic ( ' rR t r t
Orrhest ra a.nd Choru s "HI
IlrtSf'nt lI an ders Mess iah Undf'r th e dil'ection of n oher tShaw.
The Brevard Music ('cnlcr
tenm of lIenry JanieI' and .lotJnRichards McCrae will combinetheir superb ta len ts fo r the
production of Hanse l and Gretel. Mr. JanieI' will conduct the
l'olusic Center Orchesh'a whileMr. McCrne directs th e operacomp:lny. Members of the Opera
Workshop at the Center willappear in roles in Hansel and
Grelnl.
Conductor Em il Rub dr opshis baton Saturday eveningon the season's opening performance by the Transy lva niaSyml,hony Orchestra. Featur ·,," seh'rllons will be Schubert's Eighth Symphony, Ber·lioz's Hungarian l\h rch, andDcbussy's Nllagee Feles.
Sunday at 2:30 guest conduc-tor Robert Shaw will con·c1ude an in.depth study, ofHandel's Messiah with a performance or the entire work.Mr. Shaw has beell conductinga week·long study of the Han·del masterpiece at the Center.
1'Jr. Shaw is the founder
and conductor of the famedRobert Shaw Chorale and
became music dil'eclor andcondudol' of the AtlantaSvmphony Orcbestra in tile
of 1967. In six years hehas expanded the Atlanta
' l I I l l h o Orchestra 's scopeto include ballet, oralorio,eilambt' r music, educationalcOllcerts and special tcle·
_Turn to Page Five
Opera Friday Opens SecondWeekend Of Music Festival
(Conhnued from Page One)
casts. This is the second sea·son Mr. Shaw has conducteda workshOl1 at the Center con·cilHling with a concert .
Next Monday night will feature the second in a series of
concerts dubbed the Connois
seur Series. Featured will be
the artist - faculty of the Cen
te r in concert with chambermusic. Bozza's Suite for BrassQuintet, Brahams' Piano Quar·tet in G Minor, and Rousdl'sSerenade will be performed in
an intimate candlelight atmos
phere. The concert will be held
in the Straus Student Center at
th e Brevard Music Center.
Ticket and concert informa·tion is ava ilable from the Brevard Music Center, Brevard.
At Brevard Music Center"The ~ l e r r y Widow", last in the
Brevard Music Center opera seriesfor the season, will be sung at 8: 15p. m. Saturday. This most successfulof the seasons of Brevard opera included "Trial by Jury", "Hansel andGretel", "Tales of Hoffmann", "Okla·homa !", and "Carmen". Principals in
"The i\'Jerry Widow" are, (L-R) : David Rae Smith as the Prince, JaniceJanice as the widow, Perry Daniels asPopoff, and Beverly Culbreath as Natalie. John Richards McCrae is produc·er·director, and Henry Janiec is con·ductor.
7/29/2019 1973 Opera Newspaper Clippings
http://slidepdf.com/reader/full/1973-opera-newspaper-clippings 3/7
Opera Opens 2ndWeekend,
Of Brevard Center SeasonBREVARD-The sec 0 n d Symphony, Berlioz's Hungarian timate candlelight atmosphere.
festival weekend of the summer March and Debussy's Nuages, The roncerl will be held in theseason at Brevard Music Center Fetes. Straus Student Center a t
hegins Friday night with lite Sunday at 2:30 p.m. guest Brevard Music Center.
opera Hansel and Gretel. conductor Robert Shaw will T i c k ~ t ~ n d c.o nee r t in·A perfomance by th e present an in-depth study of 1orn:tahon IS available by con-
Transylvania Symphony is Handel's Messiah with a tactml!' the center.
slated Saturday and Sunday the performance of the entire work.
Music Center Or.:::hestra and Shaw has been condllCting aC h o r ~ s will present .Han,del's week-long study of the HandelMeSSiah under the directIOn masterpiece at the center.
Robert Shaw. Shaw is the founde r and cen-
The Brevard Music Center ductor of the famed Rohertteam of Henry Janiec and John Shaw Chorale and became musicRichards McCrae will combine director and conductor of thetheir talents for the Hansel and Atlanta Symphony Orchestra inGretel production. Janiec will the fall of 1967. In six years.conduct the Music C en t e r Shaw has expanded the Atlanta
Orchestra while McCrae directs Symphony Orchestra's scope tothe opera company. Members include ballet, 0 r a t 0 r io ,
of the center Operal Workshop chamber m u s i c , educationalwill appear in roles the opera. concerts and special tclecasts.
Conductor Emil Raab will be This is the second season Shawon the podium Saturday evening has conducted a workshop at
for the season's 0 pen i n g the center concluding with ape r f o rmanc e by th e conccrt.
T ran s y I van i a S y m p ~ n y Monday night will feature theOrchestra. Featured selechons second in a series of concerts
will be Schubert's i g h t h dub bed the "ConnoisseurSeries." Featured will be theartist-faculty of the center inconcert with chamber ml1sic.Bozza's Suite for Brass Quintet.Brahms' Piano Quartet in GMinor and Rouse\l's Serenadewill be rformed in an in-
7/29/2019 1973 Opera Newspaper Clippings
http://slidepdf.com/reader/full/1973-opera-newspaper-clippings 4/7
August 10: To
Brevard for th e Music
Center Resident Opera
Company production
o f Bize t ' s "Carmen,"
John Richards McCraedirector and Henry
Janiec conductor.
For th is per for
mance Mr. McCrae re
turned to th e original idea of the
work as opera- comique, musical episodes
joined by spoken
dialogue, rather than
using th e rec i tat ives
provided by Guiraud,
to which most of us
are so accustomed
from repeated hear
ings ("Carmen" i s
on e o f th e two orthree most popular
operas in th e world)
that we have to be
reminded they were
not in th e original
score.Further f idel i ty
to the original ver sion was th e absence
o f the colorful bal
l e t sequences usual
ly so vivid a part
o f the fourth act
in the publ i c square
before th e bull ring
in Sevil le . Indeed,
we never saw th is
squar e - -and hence
no "water sel lers ,
others with oranges ,fans, and other art i c les • •• Chorus •• .Ballet • .• Festival
procession" (I quote
from Kobh6' s ol dclassic) and no t r i
umphant entrance ofCarmen on her newest
lover ' s bright ly de corated arm .
What we did see
when the f i na l curtain
opened was the torea
do r ' s dressing roomin Bart Alderman 's
fancifu l recrea t i on ,
with suggestive re l igious touches, po sters announcing th e
hero's appearance ,
and- - very much domin
ating the scene- - th epassageway to th e
arena, through which,
af ter exchanging re newed protestations
of love with the gypsy,
Escamillo goes to hisglory while Carmen ,
defiant o f the fateher friends Mercedes
and Frasquita have
warneq her o f , re mains behind to face
Don Jose 's frenzied
appeals and th e ul t i
mate dagger stroke.What we los t was
spectacle , display;
what we gained was a
THE NATIVE STONE, THURSDAY, AUGUST 16, 1973, ASHEVILLE, NORTH CARULINA
t ight ly integrated
dramatic action, in tensi ty o f focus.
Both versions make
superb l yr ic theatre,and certainly Mr.McCrae's (which of
course i s currently
fashionable in on e or
two other opera houses)
was exci t ing and per
suasive.
As fo r th e matter
o f th e spoken dialogue:
it too, I think , ha s
i t s merits and i t s
defects. Immediacy o f
dramatic impact, ce r
ta inly , and th e kind
o f s implic i ty inher
ent in th e story and
th e characters: these
on th e plus side. Bu t
not a l l singers, not
even a ll good singers,
are trained in th e
highly s tyl ized de
l ivery o f operatic
spoken l ines; sk i l l
i s required to gofrom th e "sung" char
acter to th e "speak
ing" character wi thout marring the stage
identi ty--especially
true when th e worki s in Engl.ish (a s
was th is "Carmen,")
and some o f th e nat
ive singers s t i l l
reta i n in t hei r spoken
dialogue regi onal in f lections they have
lea rne d to avoid whensinging . Admittedly,
t her e was not agreat deal o f th is
k i nd of s i nging inth e Brevard "Carmen , "
bu t t here was enough- -and n ~ t a l l of it
among th e less pr o
min ent char acters - -
to make on e moment
ari ly uneasy .I had some un
ea si ness, too, with
th e usually admir able
Brev ar d orchestra ,which did not seem
to me to r ise to anumber o f desired
heights - -or was this
again a matter o f
r etaining th e leanprof i le prevai l ing
in the staging and
th e sets? I f so, it
was a mistake, a t
least in the Prelude
to th e First Act,which so marvelously
contains a l l the
drama "in petto"-: th e sunshine o f th e
holiday plaza, th e
buoyancy o f th e fes
t ive bull - f ight thr ong; the "Toreador
Song, " with i t s pr ovocat ive v i r i l i t y ,
fo l lowed by business
i n th e s tr ings to
evoke Carmen's dangerou s feminine allure
- -and then the a l
most brutal introduct ion of th e "Fate
Motif"-- this wonder
ful music demandsthat an orchestra
give i t s emotional
a l l , while retaining,of course, i t s cont rol of accuracy,
which th e Brevard
players would do in
an y case.
Friday evening Ith ought they seemed
a l i t t l e t i red. Alder
man's dressing fo r
Act One and Two was
ordinary but service
able , with nice tou
ches o f color. His
opening shot fo rAct Three ("A Moun
tain Pass") was
beaut i ful ly poetic ized by th e l ighting
or Archie Stevens:
a mysterious shade
o f Dlue, gradually
growing brighter; asingle tree catching
t racer ies o f s ta r
l ight; and a radi -ant pattern of stars
r i n g . (We re
member those s tars
from other Brevard
operas, but so what?
They ' re al ways we l
come- -ev en with gypsy
smugglers lurking
beneath . )Choral matters
were kept to a mini mum and were at trac t
ively managed; a good
guard detai l , cigaret
te - factory gir ls thatmayor may not have
belonged to th e union,
(their "Smoke" chorus
was lovely), and
gypsies not t oo ob viously dressed for
th e touris t trade.
We have come to ex
pect good s i nging
and act ing from th e
Brevard ensembl es ,
and th e "Carmen"
crew met these expe ct ations .
Therewas
anes pecially appealing
. children ' s chorus to
take care of the
id io t ic mock dri l l
in Act One, th e young
sters carefullygraded in size downto two l i t t l e pea
nuts , who pretended
to forget to leave
th e stage when a l l
th e others marched
o f f , then suddenly
realized their s i tu
ation, and f led - - togreat applause. Formy book , a l i t t l e
cute, but th e audience
All th e secondary
roles were entrusted
to students o f th e
Brevard Opera Work
shop, who uniforntiy
showed courage and
talent . Michael Aus
t in (Dancairo) and
David Berndt (Remendado) joined Laura
Robinson (Frasquita)
and Martha Leipsic
(Mercedes) in a verys ty l i sh "tromperic"
quinte t-- o f course,with Carmen's help
(but more o f her
la ter) . The ladies
named were excellent
in th e tr icky card
t r io as well , and
dramatically e f fec t
ive in the fourth
act. Both Scot t
George (Moralea)
and wayne Baughman
(Zuniga) convinced
me they were real
soldiers , and George
was amusing in his
drunk scene.
As Micaela, with
some o f th e lovel ies t
music in "Carmen" to
s ing, Martha Shei l
pleased visual lyand vocally. She sang
her celebrated aria
gently and, for the
most part , purely,
and projected re markably fo r a no vice the character
of th e vi l lage maiden .She sensibly avoided
th e high note introduced by some famousMicaelas to show o f f
the ir range more thanthe ir taste in s tyle .Her "Mother" duets
with Don · Jose were
fee l i ngly but simply
acted and sung , and
she deserved th e
warm applause th e
overflow audience
gave her .
Davi d Rae Smith
waS' Escamillo,. bett er
dramaticallY' , Ithought, than vocally ,at least i"n hL s big
number , which he sangLn splendi-d s tyle
and with wonderful
gestures, but par t s
of which sounded uncomfortable. His
voice was pure bl ack
velvet , though, inth e " I f you love me "passage with Carmen
in th e f inal act ,and he ha s th e in gredient o f magnet
is m without which no
Escamdllo can succeed.
His rival fo r th egypsy's favor, Don
Jose, was a t once
strong and pathetiCI
Page 5
TheA.hev.iUe Booi1-6wlT.e
788 MelT.lT.<mon Ave.253-1692
as sketched by Robert
Moulson. His acting
in a ll th e shenanigans before Carmenfs
escape was about par
fo r th e role , and hedid not seem too embarrassed at th e tex t
given him
enquiries
mother in
when making
about h is
th e duetswith Micaela. Drama
t ical ly he had an
Othello-like in tens i ty in his fourth
act , where emotion,
Singing, and gesture
were powerfully in tegrated. As with
Smith (to judge from
the only other timeI have heard Moulson, in the recent
excellent "Hoffman")
I did not think he
was in his best voice:
some of th e productio n was t ight , and
once or twice he in dulged in Mario del
Monaco yelling. But
his building of th e
l ine in th e "Flower
Song" was art is t ical
ly done, and his high
x, or whatever th enote i s , at th e c l i max was thr i l l ing
and operatic in th e
grand tradi t ion. ,
The cause o f a l l
th is ra p t ur e and
rage was seduct ivel y
interpr eted by th e
mezzo soprano Doroth y Krebil l , fo r
whom the part might
well have been written. She ha s develop
ed many personal
bi ts o f characteri zation i n th e role ,and while her singing lacked th e sumpt
uous qual i ty o f manyremembered Carmens,
no on e could faul tth e accuracy o f her
delivery of th e
"Habanera," th e
"Seguidil la, " th e
"Chanson boh3me"(especial ly fascin
ating) , and the Card
Scene. She wore beau
t i fu l costumes, sh emoved l ike a t igress,and sh e radiated
sexual danger fromth e moment sh e sl id
across that bridge
and worked her waythrough her rope
tricks with her dra goon. A fascinating
portrayal , on e with
many l ights andshades to it , a tr i bute to Miss Krebi l l ' s
art is try and to th e
cooperation o f Mr.McCrae and his t i re
less and talentedOp!!'ra COlIll2iWY.'_•_____
7/29/2019 1973 Opera Newspaper Clippings
http://slidepdf.com/reader/full/1973-opera-newspaper-clippings 5/7
Director McCrae Weaves Magic Spell Over Breyard Mountains
Audience Bewitched By 'Tales Of Hoffman'By DEBBIE DALHOUSE
Stalf WriterA grisly story of magic and
mutilation, romance andrejection, stirred in the best
cigar Allen Poe stY,e andper formed to the hauntingstrains of the special BrevardOpera Company Orchestra ,spread Ita magic over the Northcarolina hills Friday night inJohn McCrae's interpretationof the French opera "Tales ofHoffmann" by Jacques Of·fenbach.
Each act of the tragicomedyis set in a different locale,opening willi a prologue in aNu remberg tavern whereRobert Moulaon as Hoffmannthe poet Is greeted by student
followers and asked for a song.In the process of the comicrendition of Kleln-Zach thedwarf, Hofbnann strays intoreminiscences of past loveaffairs and promises to relatethe tales.
Mary Ann Bushing is thesprightly Nlckiausse. Hoffmann's ever-ready muse indisguise who vig:ilantly watchesover him and intervenes in hisbehalf during scrapes.9le _naturally accompanies
him on his love escapades, the
first in Paris at the house ofscientist-inventor Spalanzani(Marshall Thomas).
Spalanzani has created awalking, ta lk ing, danCing ,dnging automaton which h e ~ paS!ll!S off as his daughter. Sheappears to Hoffmann as the
nost beauti£u1 crea ture on~ , a s he is WKl.er the spell ofI magic p8h- of spectacles in-r e ~ by $palaruanl's rival,
Coppelius (SCott George) andpurchased for him by trustyNicklausse .
His conquest is 'complete afterthe doll Olympia, convincinglyautomated by Gianna Rolandi,sings the enchanting aria "The
Birds In The Bushes." So, too,was the audience's raptureQ'>mplete. The whole bousecbuckled their way through thelight piece, then applauded it inthe grand manner that theexcellence of the perfonnancedemanded.
This first affair ends abtupUywith Olympia's destruction byCoppelius, her creator's rival.But not before Hofbnann hasthe opportunity to waltz with therobot and Is literally swept off
his feet In her mad whirling. .Hoffmann 's dismay at theruination of the lovely doll ispitiable, but not long-lasting , aswe next find him in the villa ofthe elegant courtesan Giulietta,on the Grand Canal in Venice.
In this second act, Jane Hicksas Giulietta captured theaudience with her opening aria"Beaulious Night, 0 Hlght ofLove " intende<fto put her partyguests at their ease.
Again, deceit rears Its uglyhead, this time in the person of aprofessed magician, Dappertutto, evilly portrayed bymaestro Perry Daniels. 'Thewicked scorcerer bribesGiulietta to procure him Hoff-mann 's reflection with thepowerful solo "SparkJe ,Diamond".
The impact of this scene isenhanced by artistic use atfJourescent light played onDaniels eerie white-washed
face and on the magic diamondthat glows wlerdly against the
sinister backdrop of hisbillowing black cape.
Und er Glulietta's spell,Hoffmann murders her formerlover (James Boyles) in a duelfor the key to her room; butloses his reflection and the girlas she escapes In a gondola withher hunch-backed court jesterplayed by camper RustyKeesler.As the police approach, Mary
Ann Bushing as Nickla\1!.Sepersuades the desolate Hoffmann to flee and we next en counter the Intrepid pair inMunich at the hom e of Hoff-mann 's old fl ame Antonia(Martha Toney).
The lovely Antonia, daughterof Gennany's most belovedsoprano, Is forbidden to followher mother 's career for fearthat she, too, will come underthe evil hand of the magicianDoctor Miracle. sWIg by DavidRae Smith.
Miracle, however, proctreSan audience with the young girl,causes her mother 's ghost(Marvis Martin) to appear andj.nduces the daughter to join infrenzied song with the supernatW'al voice and its sinister
instigator. .The exertion is too much for
the frail Antonia. and shecollapses dying before thescorcerer, leaving him aJone tocomplete the song In wickedtriwnph.
Again, the eerie glow offlourescent lights is played onthe magician's symbolic blackcape and the presence of evilfills the stage, embodied In
David Rae Smith's sardoruclaugh.
Hoffmann is heartbroken,having lost three loves and hisreflection In a brief span oftime.
McCrae's Interpretation
omits the epilogue whichreturns lIS to the tavern inNuremberg as the students drifthomeward after the evening'sentertainment and leave Hoffmann face-down in his drink,exhausted by his rendition. Inthe originaJ production. whilehe is in this stupefied conditionhis present love enters, findshim Inetriated and leaves withthe poet's arch rival, throwingHo(fmann a flower from herbouquet as they exit.
The perfonnance at Ik'evardwas perhaps not so ironic asOffenbach intended with theepilogue; but left the audienceon a much stronger dramaticnote, barely over the raggededge of the most tragic of thetales.
An ensemble of thirty-fiveBrevard Music Center campersbacked up the prinCiple singersin the t w e n t y ~ e m b e r castfeaturing Robert Moulson
Gianna Rolandi, Jane Hicks:Perry Daniels, Martah Toney,David Rae Smith and MarvisMartin.
The music was supez-b, as isexpected of any BMCproduction; and the scenarios,professional all the way. in thetrue Ik'evard tradition. Result.another triumph for thecrusaders of culture in theCarolinas.
7/29/2019 1973 Opera Newspaper Clippings
http://slidepdf.com/reader/full/1973-opera-newspaper-clippings 6/7
JEANNIl'.'E A'L'I\\IEYER
BREVARD - The th i rd Opera Workshop. The native pleat baritone" and "a musi- Iwrmalion is available from the
weekend of the 37th summer South Carolinian is in his ninth cian's singer." center.season at Brevard Music Centt:r season at the music center. Sunday at 3:30 p.m. soprano
features the opera "Tales of Emil Raab's T r a n s y l v a n i 3 ~ e a n n i n e Altmeyer ,,!il1 a p p e a ~ Hoffmann" baritone Benjami.'l Symphony will a p ~ a r in con- Inc 0 n c r t Wit h t h
. ' . cert Saturday mght wit h Brevard MUSIC Center O r c h e s t r ~ Middaugh and soprano Jeannme baritone guest artist Bcnjamin lundcr conductor Henry Janiec,
Altmeyer, Middaugh. Raab's young group Miss Altmeyer made h eThe Opera Workshop under of musicians is said by many Metropolitan Opera debut as th
the direction of John Richards to be the best group to appear celestial voice in Verdi's opera,McCrae highlights the Friday with the S}'mphony in years, "Oon ~ a r l ~ . " She is a nat!v
night performance 0 f Of· Middaugh is a native of Texas of C a h f o r m ~ and has stUdiedfen bach's "Tales of Hoffmann" and received his bachelor of at the, MUSIC Academy of thwith Ward Woodbury conducting music and master of music West In S a ~ t a Barbara and athe orchestra. McCrae has degrees from North Texas State Mozarteum In Salzburg.rewritten parts of the dialogue and Michigan State University. This ,weekend ~ h e Nation.asequences for this performance. In 1968 he earned the doctor FederatIon of MUSIC .Clubs wIIOpera is a consistent highlight of music degree at Florida hold Its annual meetmg at theduring the seaSCln and McCrae State University. Critics havc lcenter.has drawn wide acclaim for his touted Middaugh as "the com- Ticket and con c e r t In-
7/29/2019 1973 Opera Newspaper Clippings
http://slidepdf.com/reader/full/1973-opera-newspaper-clippings 7/7