ZLebanon Circle - Compendium of Bizarre Magic

7/23/2019 ZLebanon Circle - Compendium of Bizarre Magic

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TheLebanon Circle

Compendiumof

Bizarre Magic

Vol.1

http://www.lebanoncircle.co.uk



Lebanon Circle 2004 ©

2

Welcome

Over the past few years I have spent many a sleepless night devising effects. Some ofthese ideas made it to the drawing board, some I actually built and marketed, some arestill locked away in the depths of my imagination awaiting their turn to be realized.

This effects compendium should have been titled ‘Lebanon Circle – the early years’. It isa collection of my discontinued effects including everything from the much sought after‘Ghost in the Machine’ to a short paper on faking spirit photography. Included here arethe plans to build your own effects to the same specification, details where to purchasethe components and where to save money on buying certain magic items. I no longercustom build the effects covered in this book but it seems a shame not to share the theory,routines and construction details with other budding magicians who are not scared to get

their hands dirty.

The effects included are –

Ghost in the Machine – the first custom built Lebanon Circle effect and hugelycollectable. An original unit can fetch up to £1000 on EBay. All the originaldocumentation is included along with all the construction details you need to build yourown.

Pseudo Psycho – 12 PK routines that originally came with Ghost in the Machine. Somegood, some basic, some to inspire, there’s something for everyone here (well everyone

who owns a magnet anyway!)

Psychometry – The original and best method favored by the Victorian charlatans andused by many mentalists over the past century.

The Spirit Cell – Conduct long range ESP and demonstrate EVP. A satisfying projectfor any magician who owns a soldering iron and an old cell phone.

*Also included is The Midnight Caller, details on how to use the Spirit Cell to protect your home or vehicle. Devices similar to this will cost you in excess of£500; learn how to build one for virtually nothing.

A Guide to Fake Spirit Photography – Create orbs, vortices and ectoplasm usingnothing more than a digital camera and a few household items. Fools the ghost huntersevery time!

So there you go, I hope you enjoy the book and please do not distribute this electronicallyfor profit (that’s my job!)




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Greener Magic…

With heightened tension in the media regarding carbon footprints, the rapid depletion ofnatural resources and the general poor state of the planet I have decided to make a step inthe right direction. Rather than print reams of paper and burn hundreds of CDs allLebanon Circle Magic documentation will be sent electronically to the recipient.

This has an environmental benefit and allows you to own a copy without the worry ofspilling coffee on it, wrestling it off the family dog or losing it. Your purchase will have been recorded and you are welcome to request another copy from me at any point, free ofcharge.

You may want to print your documentation and I can’t stop you doing this but in theimmortal words of Dr Seuss’s Lorax “I speak for the trees for the trees have no voice”.

This tree hugging moral lecture is over; enjoy the rest of this publication!




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GhostIn the

MachineA machine to communicate

with the dead




5

Disclaimer

This effect uses the myth of Edison’s legendary machine purely to enhance theexperience. As the original device has never been seen I have not infringed any patentlaws.

The machine is a magical effect, mediumistic stunt, illusion, call it what you will. It isnot designed for use in real séances. However, this does not mean that it will not work ina real séance.

My design is solely for the purpose of the magician. I cannot be held responsible for any paranormal consequences due to the misuse of this machine or information divulgedwithin this document.

Lebanon Circle




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Forward

Mediums, spiritualism and séances have until recently resided in the realms of occulttaboo. Its association with old ladies sat around a table asking to speak to their deceasedUncle Arthur had also tainted it with a certain amount of skeptical ridicule.

It is only of late that the subject of ghosts and spirits has stirred the public imaginationonce again and taken on a more open minded investigative stance. The huge success of programs like ‘Most Haunted’, ‘Ghost Hunters’ and ‘Dead Famous’ is due to the viewersfascination with the unknown, something we all posses somewhere in our psyche.Derren Brown’s live séance proved only too well that ordinary members of the public, believers and skeptics alike, were willing to take part in trying to contact the dead.

Like the Derren Brown experiment, this effect takes ideas developed by Victoriancharlatans who claimed to be mediums and gives these concepts a more believable,modern twist. From a psychological perspective we all like to be scared otherwise horrorfilms would never pack out cinemas and no one would ever ride the ghost train. Whenwe consent to the feeling of fear it gives us a buzz that we enjoy and then laugh aboutafterwards. It is this theory that makes this effect unforgettable and the amount of fear orlaughter you generate is totally in your control.

You may think that parading as a medium and deceiving people has certain ethical issues;well it does if used incorrectly. First of all never tell anyone you are a medium, theaudience will assume this for themselves. Do not touch any personal issues; if you know

a member of the sitting has just lost a relative do not exploit this fact. This effect is allabout having fun. Your sitting will be naturally apprehensive at the thought ofconversing with the dead but you are the ring master, you control the fear and the humourso use this power wisely and most of all enjoy it!




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History

To make something believable you need facts, facts that people can go and reference andthis basic feature gives this effect an element of truth. The patter you use can make or break an effect before you even perform it, which is a problem with so many tricksavailable today. The mechanics of the trick are excellent but the patter is limited or sounbelievable that your audience finds it hard to accept before they’ve even seen it.

I read a while back of Thomas Edison’s ‘Machine to communicate with the dead’ andthis naturally sparked my imagination and the result was this routine. Before we start it isonly right that you read about the myth behind this machine, as it will help to make your performance more believable.

Shortly after World War I the Spiritualist faith had begun its revival and communicationwith spirits became an obsession with the millions of people who had lost loved ones.

This also became a fascination for one of the greatest scientists of all time, ThomasEdison, also known as ‘The Wizard of Menlo Park’, inventor of the light bulb.

Edison was a self-taught genius who believed that he could build anything if he had theright components to do it. In an interview for Scientific American magazine in 1920 heclaimed “that it is possible to construct an apparatus which will be so delicate that if thereare personalities in another existence who wish to get in touch with us... this apparatus

will at least give them a better opportunity”.

Edison was indeed attempting to communicate with the dead and according to his journals he began working on the apparatus. Joseph Dunniger, the famous magician,claimed to have seen a prototype of the machine, but few others say they ever saw it.

Edison continued working on the machine until his death in 1931. The plans for theapparatus could not be located. Many have searched extensively for the components, the prototype and the plans but they have never been found…

Until now!!!




8

The Effect

To grab your audiences’ attention it is best to give a précised account of the previousstory. This is the way I perform the routine and the build up can be as influential on thefinale as the trick itself. By the way, the results I’ve had from this trick are phenomenalif done correctly!

You describe how the plans for the machine were finally discovered in the mid seventies.The plans had not been hidden or lost, just disregarded due to their simplicity. Fordecades scientists and researchers scoured Edison’s papers for this mysterious machine,assuming it was a large, complicated piece of apparatus. Little did they know that theschematic for this machine was scribbled down on one page in his diary. A simple

diagram demonstrated its construction beside a few notes:

“For years I have been searching for the answer to construct mymachine that will aid me to converse with spirits and for years Ihave searched in the wrong place. The tools of the medium aresimple, the ouija board, the spirit bell, the tambourine. No lavishequipment is required, just a simple method of interaction and aninvitation. The spirit may find it difficult enough to communicatewithout having to negotiate a cumbersome item of machinery.

These factors have led me to this final design, so simple that I fearI may be mocked and my reputation fouled. Therefore it shallremain on paper although I know it works…..”

On discovery, the plans were published in a science magazine. At a time when interest inspiritualism was at an all time low and skepticism was rife the article was soon forgotten.You explain that you acquired a copy of this article on the Internet and thus builtEdison’s simple machine.

You produce a wooden box that is sealed with a padlock. Upon opening the box youreveal a small electronic circuit. The box and circuit are passed around and inspected.Positioned on a small board are a battery, a buzzer and two metal plates about 2cm apart.You explain that the buzzer will only operate if an electrical connection is made acrossthe two plates and you demonstrate this with a key. You proceed to tell the sitting thatthe presence of a spirit will cause fluctuations in the electromagnetic energy in the room.It is this energy that the spirit will use to communicate through the machine.




9

A spectator places the circuit in the box; the box is padlocked and positioned in the centreof the table.

At no point do you touch the box or circuit.

The lights are dimmed, a candle is lit, all those present join hands and the séance begins.

“Our beloved spirit, we ask that you commune with us and move among us”

Nothing happens, you wait……

“If you are with us please make yourself known”

Again silence, but then suddenly a buzz emanates from the box, then stops…….

“We thank you for joining us, will you answer our questions? One buzz for yes, two

buzzes for no?”

A single buzz sounds from the box, the séance begins………..

In turn, those present begin to ask questions:

“When did you die?”

Buzz

“One”

Buzz, Buzz, Buzz, Buzz, Buzz, Buzz, Buzz

“Seven”

Buzz, Buzz

“Two”

Buzz

“One”

“1721?”

Buzz




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A few random objects are also on the table. After further questioning the spirit moves awooden pencil towards the box, it slowly slides with an unnatural movement and comesto rest.

Hand in hand you feel the perspiration on the palms of your audience, someone breaks

the circle, and the spirit departs.

As light once more fills the room, someone unlocks the box and inspects it further to findnothing, everything was as it was left.




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Gimmick 1

How does it work?...The best tricks are always the simplest! On inspecting the circuit it can be seen that the buzzer will only sound if an electrical connection is made across the two contacts. Sohow can a connection be made in a locked box with no one physically touching it?Hidden within the circuit board is a small reed switch. A reed switch consists of two

magnetic contacts in a glass tube filled with a protective gas. When a magnet comes intoclose vicinity of the reed switch the two contacts touch and thus allow an electricalcurrent to pass through. When the magnet is moved away the contacts disconnect.Although delicate reed switches are very reliable and will last as long as 3 billionoperations!

A magnet is passed beneath the box during the séance. Once close enough the reedswitch will close, the buzzer will sound and hey presto our spirit has joined the sitting!As the switch is hidden the machine can even be operated in full view of the audience.The box is purely used to add to the element of mystery. For those over curious membersof your séance the operation of the device can only be determined if it is dismantled andthus destroyed. Even then the person discovering the reed switch would still requiresome electrical knowledge to actually know what they are looking at.

The fact the machine contains a very delicate mechanism led me to include a part in thedisclaimer regarding its use in real séances. I do believe in an after life and I’m awarethat interference with electrical devices and changes in the electromagnetic field arelinked to the presence of ghosts and spirits. This fact may cause the machine to operatewithout the aid of intentional interference with a magnet. I have never tried this, nor do Iintend to but if you do and get a result please feel free to e-mail me with your story.




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ConstructionOnce you have gathered the small amount of components required it would take you nolonger than 30 minutes to build. I have even included a component list so that you can gointo your local Maplin store and they can do the gathering for you.

You will need:

• 1x 6V Buzzer (stock number: FL39, £1.49)

• 1x mini reed switch (stock number: N30AN, £0.79)

• 1x Battery clip for a 9V battery (stock number: CK65V, £0.65)

• 1x 9V battery• 2x steel nails or hooks (only use right angle hooks as in picture below)

• 5mm thick Balsa wood, thick card or hardboard (A5 size sheets)

• Glue (Hot glue gun or PVA)

Tools:

• Craft knife

• Soldering iron and solder

• Wire strippers

Extras you might like to consider:

• Wood stain

• Clear varnish

• Felt for the base




13

1. Copy the templates on page 12. If you print this page ensure the measurements on the printed copy coincide with the stated dimensions. In my experience it is best to drawyour own templates as print sizes are rarely exact.

2. Use the templates to cut out all three sections. Sections A and B are constructed from

balsa or hardboard while the base (section C) is card.

3. On section A mark the two cross points where the two nails or hooks will be fixed.These points are marked on the template directly below the buzzer and battery position.This is easily done by placing the template on top of section A and pushing a pinthrough the cross points thus marking the wood beneath.

4. Remove the hatched rectangle area from section B carefully with a craft knife. Thiswill be the recess in which the reed switch will sit.

5. Attach the two nails or hooks to Section A. A couple of notes to bear in mind:

• Ensure the nails or hooks are conductive i.e. they allow electricity to flowthrough them; otherwise the apparatus will not work.

• If you use hooks that have a thread, make sure the length of the thread is just a millimeter or so shorter than the combined thickness of sections Aand B. This is so that the base is fixed flush and also a small amount ofthread is available in the recess for soldering the reed switch to. Eachhook can be trimmed down to size using a small hacksaw.

6. Glue sections A and B together using PVA or a hot glue gun for speed.




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7. Once dry turn upside down so that you can see the protruding hook thread/nails in therecess.

8. Take your reed switch and carefully trim the ends so that it is short enough to sit

diagonally in the recess with each end touching a hook thread/nail as in the diagramabove.* make sure the two contacts in the glass tube of the reed switch are parallel to the base.This will make certain that the contacts close when the magnet is passed underneath.

9. Solder the points where the reed switch leads and hook threads touch. Be sure that agood clean join is made as when the base is fitted you’ll be unable to access the recessagain.

10. Glue the buzzer and battery clip to the upper side of section A in accordance with the picture below.

11. Both the battery clip and buzzer will have enough wire already attached without theneed for extra. Take the red (+) lead on the battery clip and strip about 2cm of the

Solder

Solder

Screw

Reed switch




16

insulation from the end to expose the wire. Wrap the exposed wire around the base ofthe left hook/nail and solder it securely in place. Do the same with the red lead on the buzzer.

The remaining black leads can be joined to complete the circuit. For neatness I cut the black (-) lead on the battery clip and soldered the negative lead from the buzzer directlyto the negative battery terminal. The lead was passed under the battery clip and the clipwas then secured with glue. This hides the majority of the black lead (see photo on previous page).

12. The circuit is now ready to be tested. Connect your 9V battery and place a conductivemetal object across the two hooks/nails thus completing the circuit. The buzzer shouldsound. If not consult the troubleshooting section at the end of this chapter. If you aresuccessful, which I anticipate you will be due to the simplicity of the circuit, the reedswitch operation can be tested. Place a magnet underneath the base below the reedswitch, again the buzzer should sound.

13. Once you have successfully completed your tests the base (section B) can be glued in place to cover the reed switch and recess.

14. A wood stain and varnished can now be applied to make the apparatus look moreauthentic. Be careful not to get any stain or varnish on the hooks/nails as this will actas an insulator and no electricity will pass across when you join them with a metalobject during your demonstration. I also glued the small label (below) to the‘machine’. I aged some paper prior to printing using coffee to distress it. Once dry I printed the label and applied it with glue.

Battery clip Buzzer

Contacts




17

Aesthetics

Once constructed the wooden base can be stained and varnished, all this adds to theauthenticity of the device. A well-built gimmick will detract the audience from the factthat it could be a trick. As we all know some gimmicks can be poorly produced and thisusually gives the secret away if you have an over curious spectator. A good old armedforces term to remember is the three ‘B’s; bullshit baffles brains! If your gimmick looksthe part you’ve already got your audience convinced that it is a genuine item.

To achieve maximum theatrical effect I housed my circuit in an old wooden box. Thesecan be found in hardware stores, antique shops and ethnic craft shops. It cost me verylittle and looks the part and gives the story more authenticity. A clasp for a pad lock isoptional but the process of locking the box adds to the atmosphere. The box can also be

inspected; it is not gimmicked and may even be left open throughout the séance for the benefit of the skeptic.

You could use a clear box or a small overturned vase or tank, this way the sitting will beable to view the machine as it actually works. Most of all use your imagination, thisgimmick can be customized to suit your needs and taste.




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Inside LabelThe label below can be printed and glued to the inside of your chosen box. Ideally you

need to use a laser printer as inkjet will run when you antique the paper.

1. Print the image below on to A4 paper; you may need to adjust the sizedepending on the dimensions of your box.

2. Take the A4 sheet of paper and soak it in a tray of strong tea/coffee

3. Place in the oven on a moderate heat until dry

4. Cut out and glue with PVA




19

Troubleshooting

If you are unable to get your ‘machine’ to function ensure the following:

• The most unlikely cause will be a bad or broken solder joint. Make sure thehooks/nails do not move, if they do then this would indicate that the solder has broken and as a result broken the circuit.

• Are you sure that your hooks/nails are conductive?

• If the buzzer does not operate when a magnet is held close check that the reedswitch is not broken and make sure that the contacts within the glass tube are parallel with the base (see diagram below).

Reed switch contacts parallel with base




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Gimmick 2

From the operation of gimmick 1 you are now aware that a magnet is required to triggerthe reed switch. Now this is the information that will save you a lot of money.

You need to purchase a 2" x 2" x 1/4" Neodymium block magnet. A few tricks on themarket are supplied with this very magnet and you will pay £70 to £100 for them.Granted you also usually get an accompanying book with various effects, presentationnotes and tips that someone has researched and developed which on its own would costyou between £10 and £20. So what do you get for the extra £50? A 2" x 2" x 1/4" Neodymium block magnet that will cost you around £7 from any industrial magnetsupplier. Buy these in bulk (i.e. 25 or more) and they will only cost you around £4! I donot condone the plagiarism of other peoples effects, after all I am a magic inventor

myself but to take a low cost item and charge over 10 times the retail price is scandalouswouldn't you agree?

I purchased mine from www.powermagnetstore.com but you can run a google search on'neodymium magnet supplier UK' and you will get dozens of hits, usually in the Sheffieldarea.

So what makes this type of magnet so special? Neodymium magnets (also known as NIB, NdFeb and rare earth) are the most powerful permanent magnets known to man.They are a relatively new invention and have only recently become available foreveryday use. Neodymium magnets are graded to indicate strength; the most powerful

grade currently available is N50. The 2" x 2" x 1/4" Neodymium block magnet is grade N42! When I ordered mine I also bought a few smaller magnets for use in other effects,these came in a small plastic bag. I held the bag about 2" away from the large magnet,the force was so great it ripped the smaller magnets through the bottom of the plastic bagleaving me with an empty bag in one hand and a fist full of magnets in the other!

If you want even more magnetic power you can also purchase an N48 grade neodymiummagnet (2” x 2” x 1/2”) from www.chenyang-ism.com. This company is based inGermany and an N48 grade will set you back €26. They had to reorder one for me as thetwo they had in stock had become stuck together and could not be separated!

As you can probably guess, these magnets are so strong they require careful handling toavoid personal injury. These safety issues are supplied by the retailer and I stronglyrecommend that you read them. It is also wise to stay at least 2 feet away fromaudio/video cassettes, computer equipment and other electrical goods such as televisionsor you may end up with a collection of blank cassettes and an odd coloured TV screen.




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Wearing the Gimmick

As your hands will be in full view throughout the routine it is only obvious that themagnet is worn on the leg. This can be the left or right, whatever you are comfortablewith. It is worn as close as possible to the knee on the upper side of the leg. Securing itin this position can be easily achieved by making a basic strap. If you are particularly brave and immune to pain you may want to tape it to your leg however, I recommend thefollowing design that I have devised.

These items can be purchased from your local haberdashery for about £2:

• Black elastic 2.5cm wide and 50cm in length

• Velcro

• Black felt (A4 size max)• A needle and black thread

• Strong glue/hot glue gun

1. Copy the templates on page 19. If you print this page ensure the measurements onthe printed copy coincide with the stated dimensions. In my experience it is best todraw your own templates as print sizes are rarely exact.

2. Pin the template to black felt and cut out.

3. Use your hot glue gun and apply to the felt as shown below.

Glue

Glue

Glue

Glue




22




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4. Place your magnet on the felt in accordance with the diagram below ensuring themagnetic side is facing up. Fold the felt over, right side first and press down so thatthe glue bonds both sides.

5. Then finally take the remaining flap on the left side and fold over to seal the magnetin the felt envelope.

6. When the glue has dried take a craft knife and cut through the felt flaps along thedotted lines. Then put a few stitches either side of each slit to prevent the felt fromtearing when the elastic strap is threaded through (see page 21)

Magnet




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7. Take the elastic and measure a length around your leg just above your knee. Youneed it to be reasonably tight and secure both standing and sitting. The last thing youneed is for it to slip down your leg before your sitting! Once you have the rightlength cut it and thread it through the felt flap rather like a watch strap. Again makesure that the magnetic side is facing up and that the elastic runs around the back of the

magnet so not to obscure the magnetic face.

8. Place the magnet in the centre of your length of elastic and glue the back of the felt tothe elastic. This will stop the magnet slipping around the elastic once on your leg.

Stitch Stitch

Glue




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9. The final step is to attach the Velcro. I purchased the sticky back type as this allowsyou to position it properly before you stitch it in place. Remember that one half isfixed to the top side of the elastic while the other half is fixed to the underside.

10. The strap is now complete and ready to wear underneath your trousers or skirt.

Now you have both of the required gimmicks you are ready to perform!

Elastic

Velcro

Velcro




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Routine

If you have a good imagination you will already probably have thought of a suitablyspooky way to perform your séance. If you need some assistance I will run you throughthe routine that I have performed many times. It takes a classic séance environment andadds a few twists to enhance the whole experience.

PreparationPlace the magnet strap on your leg at the beginning of the evening and make sure it is notvisible through your trousers. If it is a casual meeting I usually wear combat styletrousers, for a more formal event suit trousers are sufficiently baggy.

The most important thing you need to check prior to the séance is the thickness of thetable at which you will be sitting. If it is too thick the magnet will not be able to close thereed switch. The best thing to do is experiment. The box I use is 1cm thick so I knowthat the maximum table thickness I can use is about 3.5cm to 4cm. Most modern tablesfall within this thickness range. It is obvious not to use a metal table useless you want to be stuck to it for the rest of the evening! You could also bring your own card table if you

wish but I find it better to be minimalist and make do with what you have. If the table inthe dining room is too thick suggest the table in the living room. If asked why say thatyou feel there is more energy in that part of the house.

The SeanceSéances are generally conducted with three or more people, and some sources say that thenumber of participants should be divisible by three. I strongly recommend that childrendo not take part as the whole experience could be traumatizing and don’t invite moreguests than you can fit around the table.

Invite the guests into the room and ask them to sit around the table. On the table youhave your ‘machine to communicate with the dead’, a few candles, a coin, a pencil and a




27

piece of paper. Once you are seated you pass around both the ‘machine’ and its box. Donot ask them to inspect the items as this would suggest you are about to perform a magictrick, just let the group touch and observe both objects in their own time. While they aredoing this tell them the Thomas Edison story on page 5. Then ask the last person to placethe ‘machine’ in its box and lock it. This is then placed in front of you so that your

lowered knee wearing the magnet is within range. It is important to keep your kneelowered or off to the side, you don’t want the buzzer to sound before the séance starts asit could ruin the whole event.The coin and paper are used as a control object. The coin is placed on a piece of white paper, which in turn is placed on the table next to the ‘machine’ where it will not bedisturbed. A pencil circle is drawn around the coin so that its exact location is recorded.The coin and paper are then left in full view of the sitting. You’ll need a magnetic coinfor this. You may already have a steel 10p or an old English penny. If not a post 19921p or 2p will suffice.

Light the candles and turn off the lights. Ask the sitting to join hands as in the diagram

below. Note again that the leg wearing the magnet is off to the left and out of magneticrange.

Select a medium if you wish, it doesn’t always have to be you unless you are buildingyour reputation as a medium. There may be a member who has been to a séance or is particularly in tune with their sixth sense. Believe me, they will be more than surprisedwhen a ‘spirit’ comes through! Once a medium is established, let him/her lead the group.A séance should be held in an orderly fashion, without random participants yelling out,"When will I get married?" as soon as the spirit arrives. Make sure this is clear toeveryone before proceeding. You are now ready to begin.




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Depending on your religious beliefs, you (or the medium) might want to say a shortinvocation or divine blessing before going further, just in case! Then the medium shouldlead everyone in a deep breathing exercise by instructing them to breathe in slowlythrough the nose . . . and out slowly through the mouth, while trying to keep their minds blank. The goal is to get everyone calm, comfortable, and in touch with their senses.

After a few minutes of this, the medium should ask everyone to say these words together:"Our beloved spirit, we ask that you commune with us and move among us." Repeat thechant until there is a response.

Nothing happens, you wait and the medium asks:


This is where you take control of the séance. When you are comfortable and happy thatenough suspense and anticipation has been aroused you move your leg towards the box

until a short buzz is heard.

After receiving confirmation that you are, indeed, communicating with the dead establisha "one buzz = yes, two buzzes = no" system.

“We thank you for joining us, will you answer our questions? One buzz for yes, two

buzzes for no?”

A single buzz sounds from the box.




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The sitting may now in turn ask the ‘spirit’ a question. This is the part of the séancewhere you can make it as bizarre, frightening or subtle as you want. For authenticity youmay want to research a particular character from the past, no one too famous such asHenry VIII but someone local that can be traced historically. If you are at a well knownlocation a quick Google search might give you that snippet of information you need to

turn your séance into a factually accurate experience.

Part way through the séance the medium can then ask the ‘spirit’ to show physicalevidence of its presence. This is where the control object comes into play.

As I wear the magnet on my left leg I usually situate the control object to the right side ofthe box. Move your knee slowly towards the coin and it will begin to move out of thecircle that has been drawn on the paper. Without much practice you’ll be able to turn thecoin completely over slowly in full view. There are further ideas and construction guidesfor more control objects in my other e-book ‘Pseudo Psycho’.

After you're done with all your questioning, end the séance by thanking the spirit for itstime and telling it to go in peace. Although this is a mediumistic stunt it uses real séance protocol and procedures. It is this reason that I included a section in the disclaimerregarding the use of the ‘machine’ in real séances. It may actually work!

Once the ‘spirit’ has departed the circle may be broken and the lights turned back on.You’ll be surprised that you don’t get the usual post magic trick comments such as “howdo you do that?” People may ask to look at the ‘machine’ again which is fine but I canguarantee that no one will figure it out!




30

Variations

1. Unless your sitting consists entirely of believers you may get the odd skeptical personwho will try and accuse you of using smoke and mirrors. If this happens you can do anumber of things to infuriate him/her further.

• Remove the ‘machine’ from the box and have it in full view throughout the entireséance.

• One thing paranormal researchers do is place objects and equipment in a clearcontainer such as an overturned fish tank. This allows the objects to be viewed orfilmed and also rules out the use of wires and invisible thread. If you use this ideathen a number of control objects can also be placed in the tank and controlledalongside the ‘machine’ in full view.

2. If you purchased one of the super strong N48 magnets you can make the padlock onthe box move and tap the side of the box. Be careful not to position one of these magnetstoo close to the lock as you may flip the box over. Another visual effect you might say, but this is usually too over the top. Remember subtlety is the key. Most people whohave been to séances see and hear nothing so even the slightest movement will beimpressive.

3. Place a coin in the box before you even use the ‘machine’. Lock it and use the magnetto move the coin around inside the box. You can use this effect to make the coin tap theinside of the box using the “one tap = yes, two taps = no" system. The sound of this in

the darkness will guarantee there won’t be a dry palm in the house!




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The Apport

An apport is an object allegedly materializing during a séance. Believers see apports assigns or gifts from spirits. Skeptics see them as evidence of conjuring.

Good magicians and good mediums can produce objects seemingly out of nowhere andnothing. They can also make objects seem to disappear. When a medium does this it isreferred to as a deport.

The EffectBefore the séance starts you tell the sitting that you will demonstrate how it is possiblefor a ‘spirit’ to make an object vanish and reappear in another location before their eyes.

Once the box and ‘machine’ has been passed round you take a brown envelope, show thatit is empty and seal it. This is placed underneath the box on the table. You then take a pack of cards, remove the jokers and pass the rest of the pack to a member of the sitting.

You ask them to inspect and shuffle the deck. Once complete the deck is returned, youriffle through the deck and the spectator inserts their finger into the end of the deck andmakes a note of the card, no one else sees it. The deck is then placed in the box andlocked. The séance starts.

After a ‘spirit’ has been contacted and the sitting has posed a few questions you ask;

“ A card was selected earlier; do you know what it was?”

Buzz

“What suit was it? Hearts?”

Buzz Buzz

“Diamonds?”

Buzz




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“Was it a court card?”

Buzz Buzz“Then was it 1 of diamonds?”

Buzz Buzz

“2 of diamonds”

Buzz Buzz

“3 of diamonds”

Buzz

You ask the spectator:

“Was your card the three of diamonds?

Astonishingly they reply,

“Yes”

You continue with the séance.

Once complete the candles are extinguished and the lights are turned back on. You ask amember to unlock the box and remove the deck of cards.

First you demonstrate the deport and ask them to look for the three of diamonds in the pack. It is not there, someone else checks, it has gone.

You then demonstrate the apport. You take the envelope for beneath the box, open it andto the amazement of the sitting you remove the three of diamonds!




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Preparation

To perform this trick you will require two brown envelopes and two packs of cards. Forthis example I use a standard deck of playing cards although you may adapt the routineand use tarot cards.

Select a card from your 1st deck that you want to appear i.e. the apport, and place it in theenvelope. Take envelope number two and trim the sides, bottom and top keeping onlythe address side. Apply glue to the section marked in the diagram below and slide it intothe envelope containing the card.

The card is now hidden. When the envelope is presented to the group you can hold itopen with your fingers and it will appear completely empty.

Glue




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When you reveal the card you open the envelope by tearing the left or right side off andtip the card out. No one will see that the interior of the envelope has two compartments.

Next you need to prepare your deck of cards. This uses an idea conceived by themagician Tom Sellers. Take the second deck and remove the jokers and the same cardyou placed in the gaffed envelope. *Note in the diagram I have used the six of diamondsinstead of the joker.

Place the two of hearts horizontally over the top half of the six of diamonds and cut thetwo of hearts in half.

Tear here




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Then glue the two of hearts down the right side so that it forms a flap. You should beable to lift the two of hearts and reveal the rest of the six of diamonds underneath.

Glue




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Routine

I will leave it your discretion at what point you incorporate this effect into your séanceroutine, if indeed you use it at all. You may feel that a card trick in a séance maydiscredit your reputation and performance. This routine is for the less serious gatheringand will lighten the mood of the séance if things get too heavy.

Begin by showing the ‘empty’ envelope to your audience. Open it towards them andshow that it is indeed empty. Be brief and try not to make too much of a fuss, I usuallytake the gaffed envelope from a stack of normal ones just to make the matter lessconspicuous. Seal the envelope and place it underneath the box on the table.

Take the deck of cards and tell the sitting that you will remove the joker. It is knownséance etiquette not to humour spirits as it could anger or upset them. You explain forthis reason you will remove the jokers. One joker will be your gaffed card with the forcecard stuck to it and the other will be a normal joker. Hide the gaffed card beneath thenormal joker and place them on the table in front of you face down so that the gaffed cardis on the top. Note again that the diagram below displays the eight of diamonds insteadof the joker.

Hand the cards to a spectator and ask them to shuffle the deck. Once they are happy takethe deck back and explain that you will riffle through the deck and they are to insert theirfinger into the deck at any point. When this is done you take the gaffed joker and insert it

into the break as shown below.




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You grip the lower half of the deck and open it at the break and ask the spectator to notethe card below the crosswise joker, they will note the two of hearts and the force iscomplete.

Lower the deck and remove the joker face down so that the gaffed face is not seen andreturn it to the table with the other joker. Give the deck back to the participant and askthem to place it in the box next to the ‘machine’. Make sure that they do not place the‘machine’ on top of the deck within the box; the added distance may be too far for themagnet to work. Ask them to lock the box and casually remove the jokers from the tableand place them in your pocket. You are now ready to perform.

You know the force card so how the ‘spirit’ reveals this is up to you. You may want touse the script supplied on pages 28 and 29.

When the séance is over and the lights are back on ask any spectator to unlock the boxand remove the deck. They will look for the two of hearts in vain, it has disappeared!You then take the envelope, tear the edge off and tip out the two of hearts on to the tablethus demonstrating an ‘apport’ and ‘deport’.

Handled carefully there are very few things that can go wrong with this trick, just observethe following points:

• Do not let anybody handle the envelope; they will be able to feel the hidden card.

• Let no one see the face of the gaffed card.

• Make sure it is you who makes the final revelation. Tear the edge from the

envelope, tip the card out and casually pocket the empty envelope.




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Pseudo

Psycho

A guide to simulating

Telekinesis and Psychokinesis




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Forward

Telekinesis: the movement of objects by scientifically inexplicable means, as by theexercise of an occult power.

Psychokinesis: is the production of motion in physical objects by the exercise of psychicor mental powers.

We all have the desire to possess super human abilities and this has stirred the humanimagination for thousands of years. While we will never be able to perform feats like the

X-Men, Spiderman and a multitude of other superheroes we are still able to do things that perplex the scientists.

Uri Geller sprang to public attention in the 70’s with his spoon bending and objectmoving antics but does he really have psychokinetic powers? His arch critic, themagician James ("The Amazing") Randi believes not and aimed at demonstrating thatGeller was a fraud. On a famous television show Randi was able to match Geller’s featsusing just his knowledge of magic. Although I do not cover spoon bending, it proves thatthe ability to perform telekinetic or psychokinetic stunts will get you noticed.

So do people have psychokinetic and telekinetic powers? Do you? Is there a way you can

test and develop your PK abilities? The answer is yes! But to develop and hone yourskills will take years. What if you could demonstrate your psychokinetic and telekinetictoday?

"If Uri Geller bends spoons with divine powers, then he's doing it the hard way." James Randi




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Effect 1 – The Psychokinetic Coin

Scattered on a table are 30 or 40 one penny and two penny coins. You have the sameamount of one penny and two penny coins in a bowl. Passing the bowl to a spectator youask them mix the coins and select one. You then hand them a permanent marker and askthem to initial one side of the coin.

You then ask them to place the coin face down on the table and mix them amongst theothers. You leave the room while they do this so that you see nothing. You return amoment later once the spectator is happy that their coin is well mixed.

Seated at the table you concentrate on the coins, staring intensely you pass you hand over

the strewn money. Suddenly one of the coins moves slightly, you begin to channel your power over that area. The spectator then gasps in amazement as the coin slowly turnsover to reveal their initials!

Preparation

The secret lies in the year the coins were minted. British copper coins minted after 1992are made from copper-coated steel, and steel is magnetic because it contains iron. Prior tothis copper coins were made from bronze, an alloy of copper and tin, which is notmagnetic.

So you need to empty your copper jar and sort your coins into two piles: one dated 1992and later, the other dated 1991 and earlier. Take about 30 or 40 of the coins dated 1991or earlier and lay them out on the table. Place the pile of coins dated 1992 and later in thedish.

For this effect wear the magnet on your leg, just above the knee. Just to prove there is

nothing up your sleeves it is more dramatic to wear a t-shirt.

You will also need a black permanent marker pen.

Warning: In 1998 bronze versions of 2p coins were made for a short time due tooperational reasons. Approximately 55% of 1998 2p's are bronze, and 45% are copper plated steel, according to the Royal Mint. Not a lot of people know that!




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Routine

Pass the bowl of coins to the spectator and ask them to mix them thoroughly beforeselecting one. Then hand them the pen and tell them to mark the coin with their initials.

Turn your back or leave the room just as long as you can’t see the spectator place theinitialed magnetic coin amongst the non magnetic coins on the table. They tell you thatthey are satisfied the coins are mixed and you return to the table.

Make sure the coins on the table are within range of your knee once seated. A way toensure this is to place the coins on a tray before you start the trick, this way you arerestricting how far the coins can be spread. You can then position the tray directly above

your knee when you sit down.

Begin to concentrate on the coins and move your hands in a circular motion over them.Take as long as you wish, the more anticipation you introduce the better, but not so muchit bores them! Slowly bring your knee towards the table top. Once the coin is inmagnetic range it will begin to move. Keep going slowly until it reaches a point whereyou are able to turn the coin completely over thus revealing the initials!

The most important thing you need to check prior to the performance is the thickness ofthe table at which you will be sitting. If it is too thick the magnet will not be able to

Tray of coins

Knee position




42

move the coin. The best thing to do is experiment. I know that the maximum tablethickness I can use is about 3.5cm to 5cm and most modern tables fall within thisthickness range. It is obvious not to use a metal table useless you want to be stuck to itfor the rest of the evening! You could also bring your own card table if you wish but Ifind it better to be minimalist and make do with what you have.

You could if you wish perform this trick with a number of people and find their coinssimultaneously, but that would be showing off wouldn’t it?




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Effect 2 –Psychokinetic Match

Sat in a bar you remove a spent match from an ash tray and place it in the palm of afriend. You tell them that you will demonstrate your psychokinetic power on the match, being small and light they are one of the easier objects to move.

You grip their arm to channel the power and wave your hand over the match in their palm. Slowly the match begins to move until it is standing upright in their hand! Yousnap your fingers and the match falls back to its original position.

PreparationYou will need the following items:

• A box of matches

• 26 gauge steel wire or a steel pin

• PVA wood glue

• Craft knife

• Wire cutters

Split the match down the center with your craft knife and carefully make a small diagonalincision just below the head. Remove this section and put it to one side (see diagram on page 15) as you will require this later.




44

Take your pin and dig out a very small channel about 2/3 the length of the match and notright to the end. Once you’ve done this cut the pin to the size of the channel with a pairof wire cutters

Coat both sides of the match (inside) with PVA glue and place the pin section in thechannel. Sandwich the two halves of the match back together thus hiding the metal innerand wait until dry. If done carefully there should be no sign that the match has been split.

Once completely dry very carefully strike the match and extinguish immediately. If youwish you can leave it as it is. Granted, these are fiddly to make but once you have done afew they will become easier, you only need one anyway!

You will need to wear the magnet on your wrist.

RoutineWhile nobody is looking place your match in an ash tray. Explain to those around youthat you have been reading a book on how to develop you psychokinetic and telekineticskills. You remark that it tells you to start with small light objects and to gradually workyour way up. To demonstrate this you casually remove the match from the ash tray and place it in the palm of a spectator’s hand.

You tell them that you will channel your power through their body and make the matchmove. You then grip their forearm from underneath so that the back of their arm isresting on the inside of your forearm. This should be done so that the magnet on theinside of your forearm is directly beneath the back of their hand. Move your other handin a circular motion, palm down, about 12” above the match and concentrate. Slowlymove your wrist wearing the magnet towards the back of the spectators hand and thematch will begin to move until it is eventually standing on end. Gradually move yourwrist away and the match will begin to fall back down to its original position.

Pin

Channel




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Return the match to the ash tray and retrieve it later (before someone empties the ashtray!).




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Effect 3–Electronic Interference

This section will tell you how to gimmick electrical objects so that you can make themturn on and off without touching them! These ideas can also be adapted for simulating poltergeist activity.

PreparationSo how can an electrical object that is turned off suddenly spring to life without youtouching it? Simple, hidden within the circuit is a small reed switch. A reed switchconsists of two magnetic contacts in a glass tube filled with a protective gas. When amagnet comes into close vicinity of the reed switch the two contacts touch and thus allowan electrical current to pass through. When the magnet is moved away the contactsdisconnect. Although delicate reed switches are very reliable and will last as long as 3 billion operations!

Don’t worry, it isn’t as complicated as it sounds and an object such as a torch can begimmicked very quickly.

Once you have gathered the small amount of components required it would take you nolonger than 30 minutes to build. I have even included a component list so that you can gointo your local Maplin store so that they can do the gathering for you.

You will need:

• 1x mini reed switch (stock number: N30AN, £0.79)

• Insulated wire

• Thin copper sheet (from craft and modeling suppliers for about £2.00 per sheet)

• Thick card

• Glue (Hot glue gun or PVA)




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• A cheap electrical object e.g. a torch (£1.00 Poundland)

Tools:

• Craft knife

• Soldering iron and solder• Wire strippers

Cut a 1cm2 piece of card and two 1cm2 pieces of copper sheet. Glue the squares ofcopper sheet to either side of the card to form a sandwich. The card will act as aninsulator and prevent electricity being transferred between the two copper plates.

Take the reed switch and trim the leads so that there is about 10mm left either side. Cuttwo lengths of wire to 60mm and strip a few millimeters of insulation from the ends.Solder a length of wire to each lead of the reed switch and ensure you have a good clean join. Take the first wire and solder it to one of the copper plates then solder the other

wire to the other plate (see diagram below).

What you have constructed is a circuit breaker that can only be closed (i.e. let electricityflow through) once a magnet is bought into close vicinity of the reed switch.

The electrical device I will use in this example is a torch as these are the easiest togimmick. You can gimmick lots of other items such as toys and radios, just have awander around your local Poundland or hardware store and use your imagination.

Most torches have 2 batteries, remove one of these and stick the reed switch to it withsticky tape as shown below.

Metal foil

Card

ReedSwitch




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One side of the copper plate needs to be in direct contact with the positive batteryterminal and the other side needs to be in contact with the bulb terminal. This means thatthe gimmick needs to be attached to the first battery that is inserted.

If you have trouble keeping the copper plate in place just secure it using blu tack. Justremember not to obscure the connection between the + battery terminal and copper plate.

This is only really required for appliances where you have to drop the batteries in one at atime such as a torch. For toy cars and radios you can just slip the copper plate betweenthe terminals.

To test your appliance, turn it on. Nothing should happen until you bring your magnetinto range. The reed switch will then close and the appliance will work.

You can wear the magnet on your leg or wrist depending whether you are standing orsitting.

Blu tack

Copper

plates




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Routine

Sat at a table you hand the torch to a spectator. You explain to them that the switch has broken and therefore it does not work. They try to turn the torch on but nothing happens

You recall a time when you saw Uri Gellar on TV and he was able to ‘will’ broken itemssuch as watches to work again through the power of the mind. You say that you will tryand replicate this experiment by using your PK skills.

The torch is passed back and you place it in front of you. Position yourself at the table(see below) and pretend to concentrate intently on the torch. If you wish move yourhands around the torch in the same manner as the previous effects. Gradually bring yourknee towards the torch underneath the table. Once the magnet is in range the torch will

amazingly flicker to life!

Torch

Knee position




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Effect 4 –Psycho magnetism

While in restaurant you take two spoons and tell the other people at the table that you areabout to demonstrate how you can harness the human magnetic field. You rub one of thespoons on your trousers vigorously and take the second spoon in your other hand.

You hang the ‘magnetized’ spoon from your left hand and place the second spoonunderneath so that just the tips of both handles are touching. You let go of the secondspoon and miraculously it hangs there, stuck to the spoon in your left hand! Once you’vefinished you hand the spoons around the table for others to try though try as they mightthey are unable to repeat your gravity defying feat!

Preparation

For this very simple effect you will need a thumb tip and a small neodymium magnet.This can be a block or disc just as long as it fits comfortably into the end of the tip.




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Routine

Don the magnetized thumb tip casually during the meal and take two steel spoons. Rubone of the items on your leg as if you are charging it with your magnetic energy. Holdthe bowl of the spoon between your fore finger and thumb tip. Hold the spoon so thatyour fore finger faces the audience thus hiding the thumb tip. The magnet in the tip willthen magnetize the spoon. You can then amaze your audience by dangling another spoondirectly beneath it! You can even make the other spoon spin!

Try this routine with other magnetic metal objects such as steel rings and coins.




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Effect 5 –Ultimate Ouija

You gather a small group of people together for a séance. Upon the table you have aouija board and a few candles. You explain that the conventional way to operate the ouijais to have all the members place a finger on the planchette. Once contact with a spirit has been established the planchette will move to spell out answers to questions asked.

This ouija operates a little differently! At no point does anyone touch the board or planchette!

You place the planchette on the board, the lights are dimmed, a candle is lit, all those

present join hands and the séance begins.

“Our beloved spirit, we ask that you commune with us and move among us”

Nothing happens, you wait……


Again nothing, but then suddenly by an unseen force the planchette moves slightly, thenstops…….

“We thank you for joining us, will you answer our questions?

The planchette points to ‘yes’ and the séance begins………..

In turn, those present begin to ask questions:

“When did you die?”

The planchett in turn slowly points to 1, 7, 2 and 1

“1721?”

It points to ‘yes’

Hand in hand you feel the perspiration on the palms of your audience, someone breaksthe circle, and the spirit departs.




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Preparation

When I was in the US on holiday I was surprised to find that you could buy ouija boardsin toy stores such as Toys ‘R’ Us and Toymaster. You can find them on EBay but theytend to be expensive so it works out cheaper to order one online from the states. Minecost me $19 but it’s just as easy to make your own.

Any type of board can be used but the most important item you require is the planchetteor pointer. These are lightweight plastic pointers which stand on three legs. You aresupplied with three sticky backed felt feet that you attach to the legs so that the pointermoves smoothly across the board. Before you attach the felt feet you just insert a fewsmall neodymium magnets into the hollow leg at the apex of the point.

Magnet

Feltfeet




54

This size of neodymium magnet will set you back about 17p; I used two stuck togetherfor added magnetic strength.

Place the magnet strap on your leg at the beginning of the evening and make sure it is notvisible through your trousers. If it is a casual meeting I usually wear combat style

trousers, for a more formal event suit trousers are sufficiently baggy.

The most important thing you need to check prior to the séance is the thickness of thetable at which you will be sitting. If it is too thick the magnet will not be able to movethe planchette. The best thing to do is experiment. The board I use is 3mm thick so Iknow that the maximum table thickness I can use is about 3.5cm to 5cm. Most moderntables fall within this thickness range. It is obvious not to use a metal table useless youwant to be stuck to it for the rest of the evening! You could also bring your own cardtable if you wish but I find it better to be minimalist and make do with what you have. Ifthe table in the dining room is too thick suggest the table in the living room. If askedwhy say that you feel there is more energy in that part of the house.

RoutineSéances are generally conducted with three or more people, and some sources say that thenumber of participants should be divisible by three. I strongly recommend that childrendo not take part as the whole experience could be traumatizing and don’t invite more

guests than you can fit around the table.

Invite the guests into the room and ask them to sit around the table. On the table youhave your ouija board with gimmicked planchette and a few candles. The board is placedin front of you so that your lowered knee wearing the magnet is within range. It isimportant to keep your knee lowered or off to the side, you don’t want the planchette tomove before the séance starts as it could ruin the whole event.




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Light the candles and turn off the lights. Ask the sitting to join hands as in the diagram below. Note again that the leg wearing the magnet is off to the left and out of magneticrange.

Select a medium if you wish, it doesn’t always have to be you unless you are buildingyour reputation as a medium. There may be a member who has been to a séance or is particularly in tune with their sixth sense. Believe me, they will be more than surprisedwhen a ‘spirit’ comes through! Once a medium is established, let him/her lead the group.A séance should be held in an orderly fashion, without random participants yelling out,"When will I get married?" as soon as the spirit arrives. Make sure this is clear toeveryone before proceeding. You are now ready to begin.

Depending on your religious beliefs, you (or the medium) might want to say a shortinvocation or divine blessing before going further, just in case! Then the medium shouldlead everyone in a deep breathing exercise by instructing them to breathe in slowlythrough the nose . . . and out slowly through the mouth, while trying to keep their minds blank. The goal is to get everyone calm, comfortable, and in touch with their senses.

After a few minutes of this, the medium should ask everyone to say these words together:"Our beloved spirit, we ask that you commune with us and move among us." Repeat thechant until there is a response.

Nothing happens, you wait and the medium asks:





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This is where you take control of the séance. When you are comfortable and happy thatenough suspense and anticipation has been aroused you move your leg towards the boardand the planchette will begin to move.

After receiving confirmation that you are, indeed, communicating with a spirit initiallyestablish a ‘yes’ ’no’ system.

“We thank you for joining us, will you answer our questions?

Move your leg so that the planchette points to ‘yes’

The sitting may now in turn ask the ‘spirit’ a question. This is the part of the séancewhere you can make it as bizarre, frightening or subtle as you want. For authenticity youmay want to research a particular character from the past, no one too famous such asHenry VIII but someone local that can be traced historically. If you are at a well knownlocation a quick Google search might give you that snippet of information you need toturn your séance into a factually accurate experience.




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After you're done with all your questioning, end the séance by thanking the spirit for itstime and telling it to go in peace. Although this is a mediumistic stunt it uses real séance protocol and procedures. For this reason you may not need the magnet. It may actuallywork!

Once the ‘spirit’ has departed the circle may be broken and the lights turned back on.You’ll be surprised that you don’t get the usual post magic trick comments such as “howdo you do that?” People may ask to look at the board which is fine but I can guaranteethat no one will figure it out!




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Effect 6 –Magneto

Use your psychokinetic powers to make the needle of a compass spin and point to thingsusing just the power of your mind!

PreparationAll you require for this simple effect is a compass. You can wear the magnet on eitheryour leg or wrist depending whether you are standing or sitting.

RoutinePlace the compass on a table or in the palm of your hand (the opposite of which iswearing the magnet). The compass will then move once the magnet is bought into range.Adopt a serious composure and concentrate on the compass. You’ll be able to make itspin by moving your hands a few inches away from it.

This trick is more effective if the compass is controlled using the magnet on your legfrom underneath a table. This was you can control it to point in certain directions orfollow another person around the room!




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Effect 7 –Psycho Deck

A deck of cards is shuffled and fanned out before a spectator. They are asked to selectany card, look at it, and return it to the deck. The deck is placed on a table and youexplain that you will use your PK powers to reveal the card. You concentrate on the deckand move your hands over it. Gradually top half of the deck begins to move as if beingcut by an unseen hand. Eventually the top half slides off, you ask the spectator to pick upthe top card in the break. Inexplicably it is the card they originally chose!

PreparationTo perform this effect you will need:


• A deck of cards

• Glue

Select two cards, one of these will be your force card. Cut a piece of thin copper sheetingto 55 x 80 mm. These dimensions are for use with a Bicycle deck so you may need toalter the size of your copper sheet accordingly. Stick the copper sheet to the face of oneof the cards and then stick the force card on top to form a sandwich.

Copper sheet




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You now have a card with a copper magnetic core. If you are very careful you can alsoseparate a single card from its backing and insert the copper sheet before gluing it backtogether.

You can wear the magnet on your wrist or knee.

Routine

This uses the same concept used in the haunted deck routine but takes it that one stepfurther. I will assume that you are conversant with some basic card routines; if not there

are many excellent books available to get you started.

Return your gaffed card to the deck. This card needs to be controlled so that it is alwaysat the bottom. Do a quick false shuffle and fan the cards out to your spectator with thefaces towards them. Ask them to point to a card. This is important as you may get thedifficult spectator who picks the gaffed card. Should they take it they will feel that it isthicker than your standard card and ruin the whole effect. If they point to this card askthem to remember it, remove it from the bottom of the deck and insert it into a random point in the middle of the deck.

If they behave and point to another card, ask them to take it, remember it and place it

back on the top of the deck. You then cut the deck in half and place the bottom half on tothe top half. This positions the gaffed card directly above the chosen card.

Place the deck on the table. If you are seated bring your leg slowly towards the deckfrom beneath the table. The gaffed card will begin to move slowly carrying the top halfof the deck with it until it finally falls away to leave the chosen card on top. If themagnet it on your wrist, wiggle your fingers slowly about 2” above the deck and loweryour hand until the cards begin to move.




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Effect 8 –Reanimated

How would people react if you were able to make the bone of an animal jump back tolife? Well this effect takes the concept used for the psychokinetic match and applies it to bones. Everyone knows that wood, plastic and even bone are not magnetic thus adding tothe mystery and excluding the idea of magnets from the spectators mind

Preparation Next time you go to KFC or have a chicken for your Sunday lunch don’t be so hasty inthrowing the carcass away. You need a wing bone or small leg bone. The good thingwith bird bones is that they are hollow. This means that they are light and easy togimmick. You will need:

• A chicken wing bone or small leg bone

• Steel wire

• Modeling putty (the type that dries hard at room temperature)

• Drill

Using a fine drill bit, drill a small hole in the joint until you reach the hollow inner of the bone. Cut a length of wire and thread it into the hollow cavity, you may want to secure itwith glue. Take a small amount of modeling putty and seal the drilled hole.

When this is dry you are ready to perform. Again the magnet can be worn on either theleg or wrist.

Wire




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For added eeriness I drew symbols on the bone and tied a few lengths of dirty threadaround it to give it that voodoo ‘hex’ bone look.

Routine

Explain to those around you that you have been reading an ancient book on necromancy.This, you reveal, is ancient taboo magic that is used to reanimate the dead. Todemonstrate this you casually reveal the gimmicked bone and place it in the palm of aspectator’s hand.

You tell them that you will channel your power through their body and attempt totemporarily bring the bone back to life. You then grip their forearm from underneath sothat the back of their arm is resting on the inside of your forearm. This should be done sothat the magnet on the inside of your forearm is directly beneath the back of their hand.Move your other hand in a circular motion, palm down, about a 12” above the bone andconcentrate. Slowly move your wrist wearing the magnet towards the back of thespectators hand and the bone will begin to move until it is eventually standing on end.Gradually move your wrist away and the bone will begin to fall back down to its original position.

Gimmick a number of bones and with practice you can give the impression that they aretrying to connect back together. People feel uneasy holding bones at the best of times soseeing one move in the palm of their hand is guaranteed to give them a real fright!




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Effect 9–Coin Departed

You ask a spectator to hold their hand out in front of you face down. You then place acoin on the back of their hand. You show both of your hands to be completely empty and begin to pass them back and forth about 2 inches above their hand with the coin in fullview. You pass your hands over a final time and before their eyes the coin is no longerthere. You again show your hands to be empty, the coin has vanished!

PreparationFor this routine wear the magnet on your wrist. I usually perform this in a dark shirt, preferably one with longish baggy sleeves. However, this is only my preference and youmay find it works better wearing a coat or jacket. The reason I wear a shirt though is dueto the cuffs. With your cuffs buttoned you usually have a slit that exposes your wrist andthis is where the magnet is situated. This allows the coin to be picked up by the magnetand then hidden under your shirt sleeve when you reveal your palms and show them to beempty. If this slit were not there the coin would just stick to the exterior of your sleeveand thus still be visible.

Slit in sleeve withmagnet situated

underneath




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Routine

Take a copper coin as 1p or 2p just as long as it is post 1992 as pre 1992 coins are notmagnetic (see effect #1) and place it on the back of the spectator’s hand. Show that yourhands are empty and then ask the spectator that they may also inspect the coin if theywish just to prove it is genuine.

Now keeping your hands face down pass both of your hands and wrists over the top oftheirs with a fast motion, but not too fast. Keep your hands and wrists about two or threeinches away and gradually drop them closer to the coin on each pass. Once the coin is inmagnetic range it will jump off the back of the spectators hand and stick to the magnet.The spectator will be amazed that it has disappeared without you even touching it. Whenthey inspect the back of their hand in amazement you then once more display your empty

palms to the audience. By twisting your hands at the wrist to reveal your palms, yourshirt sleeves should not move (providing they are not too tight!).

The fact that the magnet is covered in felt will also reduce the tell tale ‘clunk’ sound asthe coin hits the magnet.




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Effect 10–Time Slip

You look at your friend’s time piece, “that looks like an expensive watch, may I have alook at it?” “Of course” he replies and removes it from his wrist.

“Is it reliable?” You ask with a hint of puzzlement in your voice.

“Of course, it’s given rock solid time for over ten years, why?”

“Because it’s just stopped!”

He gazes at it with a look of panic in his eyes and sure enough the hands are no longermoving!

Angrily he snatches it back and to his amazement it begins to tick again, albeit a fewseconds slower!

Preparation

All you require is the magnet on your wrist and a friend who wears a very expensivewatch that they are proud of! We all have a friend who is a bit materialistic and flashwith their cash so this is a good one to catch them out down the pub!

RoutineWear the magnet on your wrist under your shirt in the same way that you would wear awatch. Borrow a watch from a friend or spectator and ask them about its price andreliability. Most people will comment on how their watch has always kept good time ifyou ask them. Place the watch on your wrist over your shirt as is you are trying it on.The magnetic field directly underneath the watch will cause the mechanism to stop.

Comment that it has stopped and wait for the look of disbelief on their faces! Of coursewhen you hand it back it will begin to tick again, at least you hope it does




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Effect 11–Telekinetic Test

This item was developed as a tool for developing and practicing your telekinetic skills.You simply try and make the metal wheel rotate by using the power of your mind.Unfortunately the device is so delicate that the slightest breeze or breath will cause it torotate.

What if you could get it to turn in a transparent enclosure away from any external forces,surely that would be a true demonstration of telekinetic power!

Or would it?...

PreparationYou will need the following items:


• A block of wood 50 x 50 x 25mm• A long nail

• A transparent box (small overturned fish tank or glass vase)

• Hammer

• Craft knife




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The copper sheet need to be about 1mm to 2mm thick so that it is not too thin but thickenough so that it can be firmly shaped with your hands. Copy the template on page 36and transfer it to the copper sheet before cutting it out with scissors. Take your nail andthen press a small dint in the in the centre of the central square section.




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Fold each of the four legs down the centre and bend them downwards so that each isroughly at a 45 degree angle. It should now look like the top part of the apparatus in the photograph on page 35.

Take the wooden block, mark its center and knock your long nail through. I used a 6”

nail which I purchased from local hardware store but any long thin object such as aknitting needle would suffice.

Turn the block upside down so that the nail protrudes upwards. Next balance yourcopper wheel on the nail at the central point. It should now balance and be able to spinfreely. You may need to spend a few minutes positioning the four legs to obtain auniform balance.

Place your transparent tank or vase over the PK wheel, wear your magnet on your wristand you are ready to perform.

Wooden block

Nail




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Routine

Most PK experiments conducted under laboratory conditions include placing objects in atransparent tank or box. This removes the possibility of causing the objects to move by blowing on them or using wires.

You produce your PK wheel and give a brief explanation what it is used for. You then place the transparent enclosure over the top and ask a spectator to try and move it using just the power of thought. After a few minutes of trying nothing happens (surprise!surprise!). You then ask them to step aside while you have a go.

Sweep your hand (the one with the magnet attached) rapidly over the top left side of thewheel. It is important to get the speed right, too slow and the wheel will jump off the nail

as the magnetic force is too great. Too quickly and the wheel won’t remain in themagnetic field long enough to generate any movement. You’ll soon get the right speedand the wheel will begin to spin faster with each pass of the magnet.




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Effect 12–PK Pencil

By the time you get to this point in the book you should already be brimming with yourown ideas for PK routines. All you need is a little imagination and your trusty magnet.

This last routine uses the same principles as those used for the PK match and bone effectto again make a non metallic object magnetic.

PreparationAll that is required is a pencil and some small neodymium magnets. The size of magnetyou require will set you back about 17p. You will need a pencil that has an eraser in theend.

Carefully remove the eraser, this should just twist out. Then take your magnet and placeit in the end and replace the eraser. You may need just a drop of glue to re-secure theeraser. You now have your magnet pencil. Of course this same idea can be used for allmanner of writing apparatus. All pens have a cavity that will easily accommodate a smallmagnet.

The magnet is best worn on your leg for this routine.

Magnet

RubberPencil




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RoutineSeated at a table, possibly in an office or at work, you take your magnetic pencil and tell

some of your fellow workers that you will demonstrate your PK skills.

Bring your knee wearing the magnet up to the underside of the table. Then take your pencil and stand it upright with the point facing upwards. The magnetic force will holdthe pencil in an upright position for as long as you wish. This way you can make the pencil fall over at will, you will also find that most people won’t even be able to balancethe pencil and make it stand up! Remember that the amount of patter you introduce willmake a more believable performance. If you position the pencil over the edge of thetable you can also get it to fall off at will.

You may also wish to incorporate use of the transparent tank from the previous effect to

demonstrate your PK skills by moving the pencil or bone.




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Psychometry




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Psychometry

Psychometry is the ability to read the history of certain objects by holding the object inyour hand or placing it to your forehead. Usually small personal objects such as a watch,ring or key are the best.

It is generally thought that Psychometry is a natural power of the human mind, but some people believe that it is controlled by spiritual beings.

This routine is ideal for parties or situations where you have a large audience. You take astack of envelopes and hand about 12 or 13 to members of the audience. Requestingthose with envelopes to pay close attention you then ask them to select a small personal

item in their possession. This could be a key, cuff link, ribbon or ring just as long as itdoes not display anything that would reveal their identity such as a bank card or personalized stationary.

You turn your back to them while they each place an item in the envelope, seal it andreturn it to the front where another member of the audience mixes them. You turn aroundand pick one of the envelopes at random. The end is torn off and you tip the contents intoyour hand. Clasping the object in your fist you enter a lucid state and begin to describethe person that the item belongs to. You start with their sex, then age, appearance andattire. You open your eyes, walk towards the audience and return the item directly to itsamazed owner! This is then repeated until all the envelopes have been emptied and the

contents have been returned to there rightful owners correctly every time!




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Preparation

This trick is pure simplicity and brilliantly effective. You might want to add this to yourroutine to make a break from using the magnet all the time.

All that you require is a stack of envelopes and a pencil. Take about 12 envelopes andnumber each one lightly on the inside about an inch from the fold of the flap.

Restack the envelopes in numerical order and you are ready to perform.

RoutineHand out the envelopes to your audience from left to right or right to left whichever suits.These are handed out in numerical order so each person can be identified as a number.You turn your back to the audience and ask them to insert a small personal item into theirenvelope. Emphasize that it is important that the item bares no identifying marks such asa name, for this reason bank cards are no good. Once they have sealed their envelope askfor them to be returned to the front and have them mixed further.

You turn back to face the audience, take any envelope and tear the end off as shown below. As you peer into the envelope to look at its contents you will be able to glance atthe number which has been lightly written on the inside. If you see, for example, number4 you know that the item belongs to the 4th person you handed an envelope to, simple!




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As you already know the identity of the owner you can then pretend to go into your trace.I usually start by saying I can sense the owner’s gender and then elaborate on that.Exploit some of their features such as age, size and looks i.e. they may look friendly, sador angry. If you know other things about them through word of mouth etc, bring up some

of these facts to enhance your performance. In fact this trick is all about performance,how believable you make it is up to you!




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Guide to FakeSpiritPhotography






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Spirit VortexSpirit VortexSpirit VortexSpirit Vortex

A vortex is a tornado-like mass of spirit energy that spins around very fast, creating avacuum to pull objects into its empty centre. They can vary in size and length whenmoving.

Hair or nylon thread can be used to create this photographic anomaly. Just hold a hair orthread in front of the lens and take a photograph using your flash. The closer the hair istoo the lens, the more it will dominate the photograph. Experiment with distances andtypes of thread or hair. I use fine nylon fishing line, similar to ‘invisible thread’ which isavailable from magic stores. This has the advantage of being barely visible making itideal for planting on other peoples cameras.




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I have used the following technique many times to create spirit photographs on other people’s cameras. This idea is great for when you’re on a ghost walk or historic touraround a castle for example. When you see a couple taking photographs of each otherapproach them and just ask if they would like a photo taken together. The response to

this friendly gesture will be yes 99% of the time.

1. Take a length of fine nylon fishing line about 15cm in length and tie a loop in oneend.

2. Place the index finger of your left hand through the loop.3. When you take the picture ensure the thread dangling from your index finger is in

front of the camera lens.4. Make sure the flash is on and press the shutter button.

The result will be similar to images you see here. During your séance you may want totake some pictures. To save messing around with a loop of thread simply attach the

thread to your camera with a small piece of clear tape just above the camera lens.




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EctoplasmEctoplasmEctoplasmEctoplasm

Ectoplasm is an odd and elusive substance that, while sceptics refute its existence at all,is reported to be totally repulsive. It is a seemingly lifelike substance, solid or vaporous innature that allegedly exudes from the body of the medium and can be transformed into

materialized limbs, faces and even the entire bodies of spirits.

This effective way of capturing of ectoplasmic clouds on film is achieved with nothingmore than a piece of cling film. Tear a sheet of cling film and hold it loosely over the

lens and shoot, it’s that simple! Try holding the cling film at varying distances from thelens to create subtle or dramatic effects.




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I particularly like this photograph of an old tree taken in the local graveyard. The clingfilm has created what appears to be a travelling apparition sweeping down from the treetowards the camera.

A small sheet of cling film can be easily be placed in front of a lens undetected when borrowing a camera. If I’m going on a castle tour, Jack the Ripper tour, or ghost walk Inever leave without a trusty piece of cling film!




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Another way to create ectoplasm is by using aerosols such as air freshener. Just spray thecan and take a picture! This way is only viable when you are alone.

Orbs Orbs Orbs Orbs

An orb is, essentially, a spot, mark, or other mysterious image in a photograph that isn'tvisible when viewing the scene with the naked eye. Most of them appear as round dots or

blobs, although some can be smeared in a direction along the frame or even in the form ofweird-looking shapes, even faces.




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By far the easiest spirit photography to fake is pictures containing orbs. The reason theyare easy is because they can be taken accidentally. If you are in a dusty environmentsuch as a cellar or an old building any airborne dust of moisture particles will appear asan ‘orb’ if photographed with a digital camera and flash.

Take a duster, run it along a shelf that hasn’t been dusted for a while and shake theduster. Next quickly take a photograph and see how many ‘orbs’ you’ve captured onfilm!

Orb clouds can be created with an ordinary water atomiser available from your localgarden centre. Just spray into the air and take a picture.




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FurtherFurtherFurtherFurther ideas…ideas…ideas…ideas…

• Silly string can create very good ectoplasmic strands if sprayed in front of a flash.

• Use a tripod and a slower shutter speed to create the illusion of movement.

• Smoke from a mini fogger or cigarette (as a last resort!) will also create a verygood ectoplasmic cloud.




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The Spirit Cell




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Disclaimer

This effect uses mobile phone technology that needs to be slightly adapted so be awarethat you will need to dismantle a phone in order to do this. Use a handset that is nolonger required for normal everyday use. The modifications covered in this book arereversible if carried out correctly and with care. I will not be liable for any damage,material or personal, caused as a result of these modifications.

My design is solely for the purpose of the magician. Although my design may be used asa covert listening device I do not endorse the use of `bugs' as it is a criminal offence touse them.

Lebanon Circle




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Forward

"Raise your hands up all those people who have a spare mobile phone lying in a drawer!"

I would guess that anyone who already owns a phone has their hand in the air right now.In this age of disposable technology we are encouraged to move with the times and

change our phone every 12 18 months for a newer model. If we didn't the mobile phone companies would have no custom. So where does that leave us? You have thelatest 3 network video phone, great, but you also have that MP3 phone from last seasonand the camera phone from the season before dumped in a drawer only to be used againwhen you accidentally drop your new one down the toilet!

This effect uses something we all have, an old mobile phone. If you are one of the luckyfew unaffected by technological trends and the marketing machines then don't worry,you'll be able to pick one up for next to nothing.

This ultra modern gimmick uses old ESP routine principles and adds a technological

twist so that the magician/mentalist can operate on their own. Why have a confederate orstooge in the audience when you can have the electronic equivalent?

Read on and before long you to will be exploiting the airwaves and baffling people withyour unbelievable feats!




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What is ESP?ESP is most commonly called the "sixth sense." It is sensory information that anindividual receives which comes beyond the ordinary five senses of sight, hearing, smell,taste, and touch. It can provide the individual with information of the present, past, andfuture as it seems to originate in a second or alternate reality.

HistoryThe term "ESP" was used in 1870 by Sir Richard Burton. A French researcher, Dr. PaulJoire, in 1892 used the term ESP to describe the ability of people who had beenhypnotized or were in a trance state to externally sense things without using theirordinary senses.

However, the phenomena of ESP activity has been indicated much earlier, some say evenin Biblical times. Although there is no clear evidence as to the certainty of the phenomena it has attracted the attention and enthusiasm of many throughout thecenturies.

In the 1920's a Munich ophthalmologist, Dr. Rudolph Tischner, used ESP in describingthe "externalization of sensibility." Then in the 1930s the American parapsychologist J.B. Rhine popularized the term to include psychic phenomena similar to sensoryfunctions. Rhine was among the first parapsychologists to test ESP phenomena in thelaboratory.

The first systematic study of ESP was conducted in 1882, when the Society for PsychicalResearch was founded in London. The journals of this society Proceedings and Journal were published as well as other publications in the United States and the Netherlands.Soon other countries were reporting similar findings.

However, these first studies of ESP were rarely experimental. The studies consisted ofmostly spontaneous incidents that were located. Many of the individuals studied wereself-claimed "sensitives" or psychics. Rarely were they examined under anythingresembling laboratory conditions. The researchers conducting the examinationsresembled prosecuting lawyers. The subjects were bombarded with questions; thosestanding up the best were judged creditable




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The first card-guessing ESP experiments were conducted by Rhine at Duke University in1930. The cards consisted of five designs, now called Zenner Cards, a square, a circle, a plus sign, a five pointed star, and a set of three wavy lines. The symbols were printedsingly, in black ink, on cards resembling playing cards.

In the classic Rhine experiments on ESP, the subject tries to guess or "call" the order ofthe five symbols when they are randomly arranged in a deck of 25 ESP cards. Thelikelihood of calling a card correctly by chance is one in five. Therefore, it is possible tocalculate how often a particular score is likely to occur by chance in a given number ofcalls. It was Rhine's argument that when his subjects made high scores that could beexpected by chance only once in a thousand tries, or once in a million, they displayed"extra-chance" results or ESP.

There is increasing evidence in demonstrating that ESP does exist, but it cannot beexplained or quantified by physical laws; and furthermore, that the mind (consciousness)and the brain are two separate entities. In function, ESP is dissimilar to the ordinarysenses. There is no location like governs the other senses which receive informationthrough various parts of the body; and it is not dependent on any of the other five senses.ESP is independent of such factors as geography, time, intelligence, age, or education.

Psychical research does support the theory that everyone is born with ESP capability,though some may possess more than others. Most people have experienced at least oneESP experience in their lives. It was found in a survey published in 1987 by theUniversity of Chicago's National Opinion Research Council, that 67 percent of all adultAmericans believed they have experienced ESP. Eleven years earlier the figure was 58 percent. It was thought the increase indicates an increased acceptance of the possibility ofESP among the general public




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What is EVP?

Electronic Voice Phenomenon is the receiving of voice on electrical devices such as taperecorders, televisions, video tape and telephones for which there is no known physicalsource. The electronic voice phenomenon {EVP} is controversial; EVP researchers believe they can capture on tape the voices of the dead, spirit beings and extraterrestrials, but skeptics contend the voices come from radio, television and city band (CB) radiotransmissions or are imagined from static and white sound. EVP voices often are faintand difficult to understand; to some, they seem more like aural simulacra than real voices.

EVP is the first high-technology attempt to communicate with the dead and otherdiscarnate beings. Thomas Alva Edison believed that an electronic device could be built

for such a communication. He was fascinated by spirit photography and believed that ifspirits could be captured on film, they could be reached electronically. Edison announcedin the October 1920 issue of 'Scientific American' that he was working on such a device, but it was not completed prior to his death in 1931. He left behind no machine and no plans for one. For more information on Edison's machine read my other book `Ghost inthe Machine'.

EVP has moved into other media as well, including computers. In 1967, Edison purportedly came through a West Germany medium, Sigrun Seuterman, with advice fortuning television sets to 740 megahertz in order to receive paranormal effects. Many

technological advances were made in the 1980's. Hans Otto Koenig of West Germanydeveloped sophisticated electronic equipment that used ultraviolet and infrared lights andextremely low beat frequency oscillators. Other electronic systems were developed byJules Harsh and Maggie Harsh-Fischbach of Luxenburg. Researchers in several countriesreported a spontaneous appearance of images of the dead on their television set. In 1985,Klaus Schrieber of West Germany, assited by Martin Wenzel, reported successful audioand video contact through televisions. Two of the subjects were Schrieber's dead wives.

EVP is a fast-growing phenomenon and has recently garnered world-wide attention in themedia. A recent movie, White noise made its debut on January 7, 2005. The movie deals

exclusively with EVP and the movie trailer contains examples of actual EVP recordings.

One of the routines covered in this book will use a demonstration of EVP for a séancesituation.




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The ESP Effect

You ask for three volunteers from the audience to help you with a long range ESPexperiment. One remains seated and you hand them a note book and pen. You call theother two forward and also present one of them with a note book and pen.

You explain that when the signal is given the two volunteers must go to a room at the farend of the house, furthest away from your current location. Once in the room they willfind two decks of cards, one standard deck and one zenner deck. One of them must thenshuffle the cards and remove one card at a time from either deck and note each one insequence. It is up to them how many cards they choose. You will attempt to visualizeeach card using ESP, the person with the clip board and pen will write down what yousay.

The lights are dimmed, you ask for silence and then don a blindfold and a set of eardefenders (which may be inspected) so that you can neither see nor hear. You give thesignal and the volunteers leave the room and make their way to the designated location.

You enter a lucid state, all is quiet for a moment and then suddenly the first cardmaterializes in your mind...

"A star"

This is noted.

"The King of hearts"

A pause...

"Wavy lines and the two of diamonds"

A further pause;

"Ace of clubs"

You reel off another seven cards before silence once again fills the room.

The two volunteers return and you remove your blindfold and ear defenders.

To see if the experiment was a success you compare notes. You ask your note-takingvolunteer to count the total number of cards chosen.




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"Twelve" she exclaims.

To the audiences surprise this matches the amount chosen by the volunteers!

It must be a fluke...

"And will you call out the twelve cards in sequence please" you ask.

One by one each card is called and each miraculously matches the cards chosen insequence by the volunteers without error!

How can this be?

Surely this must be the greatest demonstration of extra sensory perception everwitnessed!

Remember:

· Any number of cards can be chosen and in any sequence, you will always get thisnumber and sequence correct!

· You don't need to use cards, how about the ultimate long distance book test byselecting names and numbers from a telephone directory!




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The EVP Effect

You arrange a séance for a small group of friends. You ask for two volunteers from thegroup to help you with an EVP experiment. You pass one volunteer a notebook and pen.

On the table you have arranged a small group of electrical objects including a transistorradio and a cassette recorder. You give a brief explanation of EVP and how you will tryto capture the voices of spirits during the séance. You place your mobile phone on thetable and ask the others in the room to place theirs on the table too. The more electricalobjects you have present the more chance there will be of capturing EVP.

You explain that when the signal is given during the séance the two volunteers must go toa room at the far end of the house, furthest away from your current location. Once in the

room one of them must choose any page in the book and read any sentence he or shewishes. The person with the clip board and pen will write down what is said.

The radio is turned on and tuned in between stations so that it emits a hiss of white noise,the tape player starts to record. The lights are dimmed, a candle is lit, all those present join hands and the séance begins.

"Our beloved spirit, we ask that you commune with us and move among us"

Nothing happens, you wait......

"If you are with us please make yourself known"

You give the signal for the volunteers to leave the room.

"We ask again that you commune with us and move among us"

Again nothing....


Suddenly the transistor radio begins to buzz and crackle, the speaker of the cassetterecorder emits a pulsing sound then a phone begins to ring. Not your phone, but oneowned by a member of the séance. You ask for them to pass you the phone and you pressanswer.




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Your head drops, you go into a lucid trance and you start to converse with the spiritcaller. You pick up a pen and begin to write, not looking at the page you scrawl amessage as if controlled by an unseen hand.

The caller hangs up; you drop the pen, the séance ends.

The lights are turned back on and the volunteers return to the room.

You ask the volunteer with the pad to read aloud the randomly chosen sentence. Youthen ask them to read out what you wrote and heard over the telephone.

A cocktail of fear and amazement fills the room, the two sentences match!

The tape recorder is stopped and rewound.

"Shall we listen to see if our visitor has left a message?"




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Gimmick 1

How does it work?

In simplest terms, the mobile phone at the remote location is gimmicked so that it callsyou when someone enters the room at the remote location. The line is left open so thatyou can hear everything that is happening in the room. To hear what is happening youwear a concealed mobile phone on your person and thus, the long range ESP link ismade. Puzzled? Well all will become apparent and don't worry, it is very easy toconstruct and what's more, easy to perform.

ConstructionOnce you have gathered the small amount of components required it would take you nolonger than 30 minutes to build. I have even included a component list so that you can gointo your local Maplin store and they can do the gathering for you. The Kyosho andTamiya connectors are optional but as you will see later the gimmick can be modified fordifferent uses. The rest of the items are easily obtainable from a hardware store, that's ifyou don't already have them!

You will need:

· An old but working mobile phone· A pay-as-you-go card (they usually come with £5 free credit)· 2x 30cm lengths of insulated copper wire (red and black)· 1x Kyosho connector (Part no. GZ98 £1.49)· 1x Tamiya connector (Part no. GZ99 £1.49)· 1x wooden clothes peg (the spring type, not a dolly peg!)· Strong fishing line· 1x drawing pin· 1cm² piece of thin plastic (like that used for sandwich packaging)· 2x small metal screws· Hot glue gun or epoxy resin· Sticky tape




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Tools:

· Craft knife· Soldering iron and solder· Wire strippers

· You may need a Torx screwdriver (see below)

1. The first thing we need to do is remove the fascia from the mobile phone. Themodel I use in the pictures is a Nokia 6210. Nearly all Nokia phones require a Torx 6screwdriver to remove the fascia. Remove the battery and look at the screws. If yousee small star shaped screw heads you will need a Torx 6 screwdriver (consult thetable below). If you see a standard miniature Philips screw head then just obtainsome watchmakers screwdrivers. Either way, both types of tool are cheap. Run asearch on EBay for `Torx 6 mobile phone' and you will find them for about £1.50.

· LG :G4010, G4015, G4050, L1200, LX1200, LX5350, TM510, VX1, VX10, VX2000,VX3100, VX4400.· Motorola :V180, V400, V500, V505, V525, V551, V710.· Nokia :1260, 2160, 2160i, 2170, 2180, 2190, 3310, 3360, 3390, 5110, 5120, 5130, 5160,5165, 5170, 5180, 5185, 5190, 6081, 6110, 6120, 6130, 6150, 6160, 6161, 6162,6185, 6188, 6190, 6310i, 6340i, 6360, 8210, 8260, 8290, 8850, 8890.· Ericsson :788, T10, T18, T68, T68i, T610, T616.....· Samsung :SGH-3500, SGH-8500, SGH-e105, SGH-e700, SGH-n105, SGH-q105, SGH-r225,SGH-r225m, SPH-i500.




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2. Once you have carefully removed and safely retained the screws, lever open thefascia. This will differ between models and some are easier than others, the 6210 being particularly fiddly.

3. Remove the rubber buttons and transparent keypad to expose the keypad PCB(Printed Circuit Board). You should be left with the bare bones of the phone anda white plastic area where the keys once were.




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4. Look at the keypad PCB and make a note of which contact operates the `call' button. This is the button represented by a green telephone and is the one you press to make or answer a call. If you wish, mark the PCB with a permanentmarker to highlight this contact.

5. If you look carefully at the PCB you will see two circles. Stuck to the undersideof the plastic film is a small convex metal disc. By pressing the disc a contact ismade between the outer and inner circles and thus a call is made or answered.

6. The disc is not required so cut this section of plastic film away (see above)




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7. Also cut off the green telephone button from your keypad. It feels barbaric Iknow but grit your teeth and go for it! Should you miss your old phone you canalways buy new keypads for a few pounds off EBay.

8. If your phone also has a hard plastic transparent section that fits between the plastic film and rubber keypad also cut away the area where the green telephone button would normally go.

9. Next take your two lengths of fine insulated wire and strip a few millimeters ofinsulation from the end of each. With a hot soldering iron `tin' each wire. Ifyou're unfamiliar with soldering it's best to get help with this part.




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10. Solder the black wire to the centre trace (inner circle) on the PCB. Be sure that itdoes not touch the outer circle.

11. Solder the red wire to the outer trace (outer circle) on the PCB, again observingthat no contact is made with the inner circle.

12. Right, that's the hard bit done! Replace the fascia and thread the wires throughthe hole in the cover where the green telephone button used to reside. If you arenot using Kyosho/Tamiya connectors jump to step 16.

13. Open the bag containing the Kyosho connector. Cut the wires emanating from thekeypad PCB to about 10cm in length. Again strip the insulation from the endsand solder each to a metal plug supplied with the connector.




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14. Once the solder is cool and you have a good clean join place the black pin so thatit sits in the round hole and the red pin in the square. The pins have little barbs sothat once they are in they cannot be removed.

15. Take two more 10cm lengths of wire and follow steps 15 and 16 again for theTamiya connector. These will form a plug so that the `trigger mechanism' can beremoved and replaced with another type (see `Trigger Mechanisms' on page 24)




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16. Now to construct the trigger mechanism that will make our `call' button work.Take your wooden clothes peg and separate it.

17. In the end of the two sections screw a small screw, but not all the way in, leave afew millimeters between the screw head and peg. They need to be placed so that

when the peg is put back together the two screw heads touch.

18. Take your black and red wires from the phone (or Tamiya connector) and strip agood 3 or 4cm of insulation from the end. If you have multi core wire twist eachone so that you have a tight lead.

19. Tightly wrap the black wire around the screw in the small gap that you left andthen fully tighten the screw. Do the same for the red wire on the other half of the peg.




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20. Reassemble the peg and secure the wire leads out of the way with an elastic band.

21. If you have used the Kyosho/Tamiya connectors plug these together

22. Using another elastic band, secure the peg to the left or right side of your phonehousing taking care not to obscure any volume buttons or hands free ports.

So what do we have? We have another switching mechanism in place of the normalkeypad key. The peg with the two screws acts as an electrical contact when the peg isclosed. You could think of it rather like a Morse code switch.

What we need now is a device to separate the two electrical contacts. Once the device isremoved from between the two screws, electrical contact is established and an outgoingcall is made.




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23. Take your plastic square, I used a small piece of thick acetate, and use a pin to place a small hole in it.

24. Thread a long length of fishing line through the hole and tie securely. Do not cutthe fishing line from the reel just yet. You may need to experiment with length but all will become clear shortly.

25. Place the plastic square between the two screws in the jaws of the peg. This actsas an insulator and prevents an electrical contact. Once the plastic is removedcontact is made.

26. The fishing line is secured at the other end with a drawing pin into a wall or doorframe. You have in effect, built a mobile phone that is triggered by a trip wirestyle mechanism, exciting eh?!




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Setting the Trap

Ok, it's time to test your gimmicked phone. Insert your sim card and register (if you

need to). Pay as you go cards are best as you'll be able to keep track of how much youare spending each time you use it. Also it may not always be convenient to go back tothe remote location and disconnect the call. The other bonus with pay as you go cards isthat they usually come with £5 of free calls, so this will last you at least 2 or 3 tricks.

· Take your gimmicked phone and insert the plastic square between the two screwsin the jaws of the peg.· Turn the phone on and then enter a number, this needs to be a phone that you areclose to so that you can hear it ring.· Usually you would enter the number and hit the green `call' button but as this has

now been replaced with an elegant peg all you need to do is pull the fishing line.The plastic square will slide from between the screw heads, electrical contact ismade and your other phone should ring with a call from the `spirit cell'!

Let's set our first trap in the bathroom. If your bathroom is like mine you should have ahook on the back of the door to hang bath robes, towels etc. If you haven't don't worry,the mechanics are the same wherever you rig the trap, but this example will give you anidea.

1. With the bathroom door half open measure a length of fishing line so that it goes

from the top of the doorframe, over the top of the door and down to point a fewfeet from the ground. The best way to do this is to tie one end of the fishing lineto the drawing pin and push this into the top of the doorframe. You can the reelout a length and cut the line. Note: The door needs to be open so that the gap is just big enough for you to squeeze through and exit the room. Too wide and thetrigger may not work, too narrow and you'll be trapped in the bathroom or triggerthe spirit cell on exit.




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2. Next hang an item of clothing behind the door such as a shirt or bath robe.

3. The spirit cell will be placed in a pocket so cut the length of line to so that itreaches the bottom of the pocket.

4. Tie a plastic square to the end of the line and place this in the jaws of the peg thus breaking the electrical connection

5. Prime the `spirit cell' as explained previously. Ensure the number entered is yourother mobile phone number. This phone will be gimmicked in the next chapter.

6. The trap is now set. Should the door open more than half way the plastic squarewill be pulled from the jaws of the peg and the `spirit cell' will call your phone.Give it a try; you may need to practice to get the length of line correct.

7. Slip through the half open door and close it.

Question: But the phone is in a pocket, surely the mic will be obscured, how can I hearwhat is happening?

Answer: Attach one of the old hands free kits to the phone (the type that just have an ear piece and mic on a length of wire). I picked one up in my local Pound Land. All youneed to do is safety pin the mic part of the kit to the outside of the clothing.

Tip

· You don't want the trigger line to dangle down in the doorway once the `spiritcell' has been activated. To prevent this, push the end with the drawing pin intothe top corner of the frame (see picture on page 22). It will then dangle in line

with the frame once released. The reason that transparent plastic and fishing lineare used is because they are virtually invisible against a door frame, wall orcarpet.




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Trigger Methods

So you don't have a hook on the back of your door? You can't seem to find anywhere to place the trigger line for the `spirit cell'. If you have these problems then don't worry,here are two other methods of triggering the `spirit cell' that are just as simple as the first.

Tilt Switch Tilt switches are motion sensors that consist of a small chamber containing a conductiveliquid. This used to be mercury but has since been replaced with a safer alternative.When the switch is mounted horizontally the liquid moves and contact is made, when inthe vertical position the circuit is broken.

This type of switch is used in place of the peg. If you used the Kyosho/Tamiyaconnectors you will now begin to see the benefit as you'll be able to swap and change thetrigger mechanisms to suit your situation.

For this trigger you will require-

· 1x Tilt Switch (part no. FE11 £1.99)· 2x 30cm lengths of insulated copper wire (red and black)· 1x Tamiya connector (Part no. GZ99 £1.49)· Blue Tac· Soldering iron and solder· Wire strippers

1. Take two lengths of fine insulated wire (one red, one black) and strip a fewmillimeters of insulation from the end of each. With a hot soldering iron `tin'each wire.

2. Solder one wire to each leg of the tilt switch (see over page)




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3. Connect the loose ends to your Tamiya connector as explained earlier.

4. Take a small amount of Blue Tac and roll it flat then place your tilt switch in thecentre.

5. Fold the Blue Tac around the switch.




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You are now ready to set your next trap. This type of trigger can be place wherever someform of movement is involved. A good place to start is a door handle. Stick the tiltswitch to the inside of the handle in the vertical position. Once someone operates thehandle and opens the door the tilt switch will be in the horizontal and trigger the `spiritcell'

The great thing about this method is that you can prime the trap and easily leave theroom, just slowly close the door keeping the handle in the horizontal position as youleave. The catch on the inside of the door will engage and thus the only way to re-enterthe room is via the use of the handle.

Another place to position the switch is the top of the door frame so that it dangles down alittle.




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Use the Blue Tac to secure the wire in place and ensure the switch is in the vertical by bending the wires slightly. Then carefully exit the room by slipping through the smallest possible gap in the door (easier for some!). When the door is opened fully the motion ofthe door will force the switch into the horizontal position and trigger the `spirit cell'.

Again, imagination and experimentation is the key, it won't be long before you havemore ideas for uses of the tilt switch.

Pressure Switch

This method is excellent for rooms that have carpets or rugs and is so simple to make. Itconsists of two conductive surfaces separated by a few millimeters of foam rubber. Assoon as pressure is applied to the switch the two conductive plates touch and trigger the`spirit cell'.

You will need

· Tin foil· 1x A4 Acetate sheet· Sticky tape· Foam rubber sheeting or corrugated cardboard (anything as long as it is nonconductive and a few millimeters thick)· Glue




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· 2x 120cm lengths of insulated copper wire (red and black)· 1x Tamiya connector (Part no. GZ99 £1.49)

1. Take two lengths of fine insulated wire (one red, one black) and strip a few

millimeters of insulation from the end of each. With a hot soldering iron `tin'each wire. You will need longer lengths of wire for this trigger mechanism so cuta few feet of each.

2. Connect the loose ends to your Tamiya connector as explained earlier.

3. Your pressure switch can vary in size to suit different situations. I find that an A5size switch is useful for most. Take your A4 acetate sheet and glue a sheet of tinfoil of the same size to it. Once dry cut it in half.

4. Cut two 10mm by 210mm strips of foam rubber/corrugated card. Take one of thefoil covered acetate sheets and place it foil side up on a flat surface. Then glueeach strip along the longest edges of the sheet.




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5. Take the second foil covered acetate sheet and glue it foil side down on to the topof the strips. You should now have a sandwich of two metal surfaces separated by a few millimeters of card.

6. Now to connect the wires. Take the red wire and some sticky tape and stick thewire down on to the foil surface of the bottom sheet. Then take the black wireand do the same to the top sheet.

7. Once pressure is applied to the switch the gap between the two foil surfaces isclosed and electrical current will then flow from the bottom sheet to the top thusclosing the circuit.

8. If your pressure switch sags in the middle just place extra strips around the edges.




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9. Place your switch on the floor and carefully place a rug or carpet over the top. Assoon as it is stood on the `spirit cell' will trigger.

Ok, so you now have three trigger methods that should cover almost every eventualityand you have the `spirit cell'. All of this can be carried in a small pocket. You've setyour trigger switch but you still have the `spirit cell' to conceal, what do you do?

Concealment

Once constructed you may want to place your `spirit cell' in a container to disguise it.Most people would find it odd if they saw a mobile phone in a room with a peg glued toit!

Again some imagination is required but what I've done in the past is remove the bottomfrom an empty bleach bottle and cut a small hole in the side so the mic is not obscured. Next I secured my `spirit cell' inside the bottle with blue-tack. The trigger line can then be set between a door frame, skirting board etc to the bottle which can be placedanywhere close to the volunteers.

Make use of a cheap hands free kit. You can hide the phone almost anywhere as long asthe hands free mic is not obscured. Try putting the `spirit cell' in a laundry basket orunder a pile of clothes then secure the hands free mic so that it is in clear range of thevolunteers.

Every room provides different ways to conceal the `spirit cell' and trigger device soexperiment. Although the preps for this illusion may appear meticulous they are in factvery quick and easy. Once you have carried them out a few times you will be doing itwith the same speed and skill as an MI5 spook!

Also look at the bonus material as this has further concealment ideas.




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Troubleshooting

If you are unable to get your `spirit cell' to function ensure the following:

· The most likely cause will be a bad or broken solder joint. Make sure the wiresdo not move, if they do then this would indicate that the solder has broken and asa result broken the circuit.

· If the green call button keeps triggering even when the plastic square is in placethen the wires must be touching on the keypad PCB. Dismantle the phone and

have a look.

· Are you sure that your screws are conductive?




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Gimmick 2

Note: This second gimmick is only required for the ESP effect and not the EVP.

If you struggled technically with the first gimmick then you'll find this next one a breeze.Gimmick 2 is your normal everyday mobile phone which will be slightly modified.During the trick this will be concealed on your person. You will require

· Your mobile phone (preferably not the flip type)· A drawing pin· Sticky tape· Super glue

· A hands free kit (the old type on a long wire)

1. Cut a short length of sticky tape and place it over the keypad of your phoneensuring it covers the green `call' button. Make sure the tape is not too tight asthis may depress the keys.

2. Take your drawing pin and apply super glue to the flat area. Place this on the tapedirectly above the green call button. You should be left with a drawing pin, pointed side facing up covering the call button.




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3. Set your phone to silent so that it does not ring but ensure vibrate is still active.

The phone is worn on the leg and the hands free ear piece will be in your ear. Once thevolunteers at the remote location trigger the `spirit cell' you'll receive an incoming call.

You will feel the phone vibrate but as you're blindfolded you will be unable to visuallylocate the `pick up call' button. Instead you feel for the drawing pin and press lightlythus answering the call.

If you wear a hands free earpiece in your right ear then the phone will need to be worn onthe right leg and vice versa. Securing the phone in this position can be easily achieved bymaking a basic strap. If you are particularly brave and immune to pain you may want totape it to your leg however, I recommend the following design that I have devised.

These items can be purchased from your local haberdashery for about £2:

· Black elastic 2.5cm wide and 50cm in length· Velcro· Black felt (A4 size max)· Chalk· A needle and black thread· Strong glue/hot glue gun

4. Place your phone on the felt and draw around it with chalk. You then need todraw the shape below around the phone outline. Remember to take into accountthe thickness of the phone. The felt pocket you're about to make needs to be tightenough to hold the phone securely but not so tight that it presses the buttonsdown. Just experiment for a few minutes.

5. Cut out the felt shape and using the hot glue gun apply glue to the two tabs.




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6. Then fold over section A and glue the two tabs down over the top. You shouldnow have a black felt pocket that snuggly fits your mobile phone. Place yourgimmicked phone inside with the power off and push the drawing pin through thefelt so that it protrudes from the exterior of the pocket.

7. Take the elastic and measure a length around your upper thigh. You need it to bereasonably tight and secure both standing and sitting. The last thing you need isfor it to slip down your leg before you perform!

8. Place the felt pocket in the centre of your length of elastic and glue the back of thefelt to the elastic.

9. The final step is to attach the Velcro. I purchased the sticky back type as thisallows you to position it properly before you stitch it in place. Remember thatone half is fixed to the top side of the elastic while the other half is fixed to theunderside.

10. The strap is now complete and ready to wear underneath your trousers or skirt.




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11. Next plug in your hands free kit. The earpiece will be concealed in a black hoodthat you will wear. The wire of the hands free kit should be black, if it's not justtake a permanent black marker and colour it in.

12. For the hood you will need

· 2 pieces of black felt 400mm x 500mm· Needle and thread (or sewing machine)· Black cord· Chalk· Hot glue gun

13. Cut the two pieces of black felt and stitch around 3 of the edges to make a basichood. Be aware that some heads are bigger than others. If you have a gargantuancranium allow for a little extra material!

14. Next pop the hood over your head with the stitched seam running in line withyour nose. The hood should be long enough so that it touches your shoulders.

15. With the hood placed over your head feel for your left or right ear, whichever you prefer. Once you have located your ear mark the exterior of the hood with thechalk where the center of your ear (the auditory canal) is positioned.




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16. Remove the hood from your head and check you have a good chalk mark toidentify the position of your auditory canal. Fold the hood inside out and transferthe chalk mark on the outside to the inside. Either use good judgment or put a pinthrough the material to transfer the position to the other side.

17. Take your hands free head set and place the earpiece in the position of the chalkmark. Measure about 20mm down the wire from the earpiece and glue this pointto the felt with the hot glue gun.

18. Once dry turn the hood back so that the earpiece is now on the inside with thewire trailing out of bottom.

19. Take the black cord and thread it in and out through the edge of the hood openingas shown below and tie the two ends together. This will act a draw string so thatthe hood will double as a draw string bag in which you will keep your eardefenders.

Now to try it out, place the hood on your head with the seam running in line with yournose. The earpiece inside the hood should be touching your ear, from the outside of thehood just position the earpiece so that it fits into your ear. This should take hardly anyeffort but may require some practice to perform quickly.




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20. Now connect the hands free kit to your phone and place the phone in its strap.You should now have a gimmicked mobile phone in a custom leg strap attachedto a hands free kit hood.

Just a quick note on the ear defenders. Go to your local hardware store and you should be able to pick up a pair for a few pounds. They are the type worn by builders whenoperating noisy machinery.




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Wearing the GimmickBefore you put the strap on your leg ensure that the phone is turned on and it is set tosilent but vibrate is active.

You'll need to remove your trousers or skirt in order to don the gimmicked phone.Before we proceed, just a quick word on suitable clothing. I usually perform in a pair ofloose fitting trousers, casual or formal, just as long as they are loose. You don't want thedefinition of the phone showing through your clothing. Also tight clothing may triggerthe `call answer' button accidentally. So the key word here is loose! Also wear a blackor dark shirt/t-shirt with an open jacket or shirt over the top. This will help conceal the

wire once you have the hood on.

Attach the strap to your leg so that it is around your thigh with the phone facing outwardsto the side.

Put your trousers or skirt back on and try locating the `call answer' button through yourclothing. This should be quick and easy since the sharp metal point will pierce yourclothing as soon as pressure is applied.

The hands free wire should now be hanging out of the top of your trousers or skirtslightly to the side. If you are wearing a t-shirt have it tucked in with an open untuckedshirt over the top. If you are wearing a jacket then your shirt will already be tucked in.

While you are seated put the hood over your head remembering to keep the seam in linewith the nose. The wire from the hands free kits should run from the phone, out of thetop of your trousers, inside the left or right side of your shirt and into the hood. The hoodwill be long enough to hide the wire at the collar.




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Routine

Ok, so we have made both gimmicks and we're ready to perform. It's best to performthis trick in your own home initially. You know it well; you know where you can set upthe gimmick best and therefore take hardly any time to prepare it. But don't dismiss thisas a trick for the occasional party at your own home, when you go to a friends housemake a habit of paying the bathroom a visit and `case the joint'. Look for what triggersystem will work best i.e. tilt, pressure etc, do they have things hanging on the door suchas towels or bathrobes to conceal the `spirit cell'?

It doesn't always have to be a bathroom it's just that you ideally need a small room so

children's bedrooms or bathrooms are perfect. A room of smaller dimensions will ensurethat the volunteers are never too far away from the gimmicked phone and reduce

reverberation of the voice thus preserving intelligibility. It is also best that the room youchoose is some distance away from the location of the performance. Again this willusually be an upstairs bedroom or bathroom but it could also be a study down a long

hallway.




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ESP Routine

PreparationSo you have arranged your performance, a few friends have arrived and you are ready to begin. Prepare a table with seats around it, dim the lights and light some candles. Thiswill provide atmosphere and of course limit what people can see! Place two note booksand two pens on the table.

The first important thing to note is that you should not set up the `spirit cell' in advancein a room that may be used prior to the performance i.e. the bathroom. It will most

probably be triggered or discovered by a guest thus ruining the whole thing. You need toset the trigger just before the performance. If you've set it up in a room you know willnot be entered until the performance starts then just disregard this matter.

Place your packs of cards or book on a convenient surface in good range of the `spiritcell'. You may want to experiment with viable distances between the `spirit cell' andsound source. The range of a mobile phone microphone will pick up a surprisingly largeamount of audible information at some distance from the sound source. Remember toensure that the `spirit cell' is primed ready to call your second mobile as soon as thetrigger is activated.

Don your second gimmicked phone and place the ear defenders in the hood/bag. Ensurethe hands free wire is concealed and facing towards you. If it is an especially long oneyou may need to coil it slightly and hold it in between your thumb and the outside of thehood/bag.

Once you've done this and set up the `spirit cell' using your chosen trigger as explainedearlier in the book, leave the room as carefully as possible.




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Routine

Enter the candle lit room and have everyone seated around the table. Arrange the seats before hand so that no one is sat directly to your left or right side. It may be best to position the seats in an arc with your table and seat in the center as shown below.

Sit down, remove the ear defenders from the bag/hood, place the bag/hood on the tableand casually position the ear defenders on top. The bag/hood needs to be positioned sothat the open end slightly hangs over the edge of the table facing you (see diagram below). This is to prevent all possibility of anyone seeing the hands free wire against the

table surface. Do not make a big deal about what you are doing, act as casually as possible and no one will suspect a thing.




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You then explain that you are about to conduct a long range ESP experiment giving a brief explanation of what ESP is. Then ask for three volunteers and give a note book and pen to two of them, the third will be the card selector at the remote location so give themnothing. It is important not to give the cards to the third volunteer at this stage. Thereason that the cards are placed at the remote location is so that you have the volunteers

positioned where you want them i.e. in good audible range of the `spirit cell'. You maywant to use the following script as a guide.

"Which of the two volunteers with the note books and pens wishes to stay in this room?"

One should volunteer, if not just nominate one.

"Thank you, now when I ask I'd like you two volunteers to leave the room and makeyour way to the bathroom upstairs. This is one of the furthest points in the house awayfrom this room so this makes it ideal for our experiment. Once you enter the room youwill see two decks of cards. I'd like you (pointing to the volunteer without the note book)

to in turn remove each deck from the pack and shuffle them. You will notice that onedeck is a standard pack of cards while the other is a pack of zenner cards that havesymbols printed on them".

You may want to give a brief explanation of the zenner cards and their associatedsymbols.

"Once you have done this place the two decks down in front of you. You may now selectone card at a time from any deck in any order. Once you have selected a card read it outand have your partner write it down. You can do this as many times as you want just aslong as the list of cards you write down forms a sequential list".

You will need to emphasize that the selection must be slow and that the card is read aloudto the person taking the notes. A good way to do this is to tell the person selecting thecards that they must not show the person taking the notes the actual card. That way theonly way of conveying the chosen card is verbally.

"I will try to use my powers of ESP to project my mind to your location and visualize thecards that are chosen. This is also known as `remote viewing' and was a technique usedin the last Gulf war to gain intelligence. I will then ask my volunteer to write down whatI say. Once you have finished, leave the room and make your way back here. We willthen compare what cards where chosen to what was written down by my volunteer."

Next pass the ear defenders around for inspection. They will assume that the bag/hood is just used to carry the ear defenders around in. The fact that they are kept in a black bagwill generate more interest in the direction of the ear defenders thus creating a diversionaway from the bag/hood.




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Once the ear defenders have returned explain that to enter a suitable state of mind youmust block out all sound and light. You then don the hood.

Pick up the hood and place it on your head turning your head slightly away from theaudience so that the ear with the ear piece is obscured. Ensure that the seam runs level

with your nose and that the hood is rolled down to cover your neck. You may want toreadjust your shirt casually as if you are making yourself comfortable. This will makesure that the hands free wire is suitably hidden. With the hands free ear piece in your earand hood on your head fumble around for the ear defenders and place them also on yourhead. As well as providing the initial aim to block out sound they will also hold your ear piece firmly in place and prevent any sound from the ear piece getting out.

Once you are comfortable, reposition yourself facing the audience. Have your hands placed in a relaxed manner on your thighs. You should be able to easily locate thedrawing pin through your trousers/skirt. Place a finger over this point so that it is readyto press the `call answer' button once the volunteers have entered the remote location and

triggered the `spirit cell'.

You are now ready. Wait a minute or two to build an atmosphere of anticipation. Thiswill also give the impression you have entered your lucid state. Once you are ready tellthe two volunteers to make their way to the remote location.

With your finger poised over the drawing pin you wait. As soon as the phone strapped toyour leg vibrates lightly press the button located by the drawing pin point. You will nowhave an audible link to the remote location. As the volunteer selecting the cards readstheir selection out just repeat what they say so that your volunteer can make a note of it.The amount of acting you put into this is up to you, you could say "I can see a star" forthe zenner card star symbol, or "I see a crown and a heart, this must be the king or queenof hearts, I will go with the king". Don't worry if you don't get all of them, to get justfour right out of eight will still be unbelievable to the audience.

When the two volunteers have finished they will return to the room with their list ofcards. Remove your ear defenders and place them on the table. Next remove the hoodagain taking care to keep the wire concealed and casually fold it up and place it in a pocket.

First ask your volunteer to count the amount of cards you described. Then ask the othervolunteer with the pad to do the same. They may match, they may not but don't worry,it's the correct description of the cards that will clinch it for you! Then ask yourvolunteer to read out your descriptions one at a time. All you need to do then is watchthe audience's amazement as the two lists virtually if not exactly match!

Your demonstration of ESP is complete; just remember that the call from the `spirit cell'is still active so cancel it at the earliest opportunity!




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EVP Routine

Preparation

The initial preparations are the same for this routine as for the ESP routine except for afew points. You will not need the second gimmicked phone and hood, you will be usinga book instead of the cards and the `spirit cell' will need to be set up slightly differently.

Instead of entering the number to your phone enter the mobile number of a guest's phone.They may be a friend so you will already have this number or you may have garnered anumber by other means. The fact that a guest's number is called and not yours adds tothe mystery. Just remember to set your phone to withhold the number so that it appearsas a private number, a caller from the spirit world will not have a mobile phone!

On the table you have some candles, a transistor radio (a normal FM radio), a taperecorder with a blank tape in it and a pen and piece of paper. Do not ask them to inspectthe items as this would suggest you are about to perform a magic trick, just let the grouptouch and observe the objects in their own time if they wish.

Set the radio to a low volume and tune it in between stations so that you get a hiss ofwhite noise. The whole séance will be captured on tape and radio is there for a goodreason. The first is that both the radio and tape recorder will pick up GSM interferencefrom the mobile phone a few seconds before the phone rings. This noise will create moreanticipation and mystery. Secondly, when the tape is played back the presence of whitenoise plus mobile phone interference will create a noisy recording. The periods of noisein between your speech will provide a perfect background for people to subjectively pickout what they may interpret as EVP. I don't personally believe in EVP as the way oursenses work is very complex. Our vision and hearing work very much in the same way.When we look at clouds for example we can all see different shapes i.e. I think a cloudmay look a bear yet someone else may think it looks like a train. This is the same for oursense of hearing; everything that is not clear is perceived differently by individuals and istherefore subjective. In other words we all see and hear things differently that are notobvious in form or sound. But this fact will work in our favor; your audience will expectto hear spirit voices amongst the recorded noise so they probably will! Just rememberthat expectation clouds perception!




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Routine

Séances are generally conducted with three or more people, and some sources say that thenumber of participants should be divisible by three. I strongly recommend that childrendo not take part as the whole experience could be traumatizing and don't invite moreguests than you can fit around the table.

You then explain that you are about to conduct an EVP experiment and give a briefexplanation of what EVP is. Ask the members of the sitting to place any mobile phonesthey have on the table in front of them. This will give the spirit as many channels as

possible to make contact. The person you have selected as your victim i.e. the one whothe `spirit cell' will call should now have their mobile phone on the table.

Ask for two volunteers and give a note book and pen to one of them, the second volunteerwill be used as the book reader at the remote location so give them nothing. It isimportant not to give the book or books to the third volunteer at this stage. The reasonthat the books are placed at the remote location is so that you have the volunteers positioned where you want them i.e. in good audible range of the `spirit cell'. If you usea selection of books instead of one it gives a greater choice and adds a greater effect tothe trick. You may want to use the following script as a guide.

"Thank you, now when I ask I'd like you both to leave the room and make your way tothe bathroom upstairs. This is one of the furthest points in the house away from thisroom so this makes it ideal for our experiment. Once you enter the room you will see aselection of books. I'd like you (pointing to the volunteer without the note book) tochoose any book, turn to any page and slowly read out any sentence you wish. The person with the note book is then to write down the sentence you read aloud".

You will need to emphasize that the sentence must be read slowly and aloud to the persontaking the notes.

"If we make contact with a spirit I will ask if they are able to tell me what sentence you

have read. Once you have finished, leave the room and make your way back here. Wewill then listen to the tape and compare notes".

Depending on your religious beliefs, you might want to say a short invocation or divine blessing before going further, just in case! Then the medium (you) should lead everyonein a deep breathing exercise by instructing them to breathe in slowly through the nose . . .and out slowly through the mouth, while trying to keep their minds blank. The goal is toget everyone calm, comfortable, and in touch with their senses.




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After a few minutes of this, the medium should ask everyone to say these words together:

"Our beloved spirit, we ask that you commune with us and move among us." Repeat thechant until there is a response.

Nothing happens, you wait ...


You then give the signal for the volunteers to leave the room.

"We ask again that you commune with us and move among us"

Again nothing....


Of course nothing will happen until the volunteers trigger the `spirit cell' so you have afew minutes at least to build up the tension.

Once they have triggered the `spirit cell' the transistor radio will suddenly begin to buzzand crackle, the speaker of the cassette recorder will also emit a pulsing sound before the phone begins to ring. Your victim will look startled as their phone starts to ring! Youask for them to pass you the phone and you press answer.

As you put the phone to your ear drop your head as if you are entering a trance like state.

"Hello?"

Pause...

"Hello?"

Start to mumble slightly and pick up the pen and begin to write what you hear. Do notlook at the page while writing; just scrawl what the volunteers are saying as if controlled by an unseen hand. This action can be used to great effect as an example of àutomaticwriting', another mediumistic skill.

The phone will provide an audible link to the location of the volunteers and you'll be ableto hear what sentence is being spoken. Don't worry if you don't catch the entiresentence, even if you get 70% it will be uncannily close to what the volunteers havewritten once the results are compared.

At brief intervals when there is nothing to listen to on the other end ask questions outaloud such as "Can you tell me that again please" or "Yes I understand". Then pepper




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this one sided conversation with slight guttural utterances and mumblings if you can, butnot too much. Remember that this is being recorded and on playback the mumblingmixed with the white noise from the radio will produce a very convincing example ofEVP!

Once you have the whole sentence put the phone down, drop the pen, and ask for thelights to be turned back on. Turn the tape recorder and radio off and wait for thevolunteers to return.

Once they have returned pass your pad to a member of the sitting and ask them to readaloud what you have written. Watch the expressions of amazement and disbelief as thesentence you have written matches the sentence chosen by the volunteer!

You can then rewind the tape and listen to whole event again. I can guarantee that themore `highly strung' members of the sitting will hear what they believe to be spirit voiceson the recording. Some people may not remember you making mumbling noises as they

will have been more interested in your àutomatic writing' performance.

Let them make copies of the cassette if they wish as souvenirs. In time they will forgetslight details of the séance and when played to a third party it should sound like a veryconvincing séance recording containing EVP!

You never know, there might even be voices on the tape that you can't even explain!




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Variations

The key to these effects is imagination. Yes, the ESP effect is complicated and requires alot of preparation but for its simplicity and pure effect the EVP trick is a sure fire winnerat any Halloween party.

You could combine certain features from both effects to make a new one. Instead ofusing cards for the ESP routine use a book and do a long distance book test. For the EVPtrick have someone select names from the obituary column from the local paper.

I'm sure as you've been building and testing your `spirit cell' many other possible useshave sprung to mind. If you do Tarot or Palm readings have a `spirit cell' located in your

waiting room. You can guarantee that if your customer is with someone else they will bediscussing matters that are close to mind. These little snippets of conversation could beall you need to give the best and most convincing reading ever!

Have fun!




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The Midnight CallerHow to use

The Spirit CellAs a home security device




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Introduction

Burglary and car theft could unfortunately happen to any of us given the current risein crime. The `Spirit Cell' could reduce this risk and therefore increase your level ofsecurity.

You may also want to protect your family. How can the `Spirit Cell' do this?Children are naturally curious and it would be impossible to keep a watchful eye onthem all the time. The `Spirit Cell' can be used on cupboards that contain dangerous

items such as medicine, tools and harmful cleaning goods. As soon as the door isopened you will know and be able to hopefully intervene before anything disastroushappens.

You might also just be particularly suspicious of someone going through your private belongings. A friend of mine shared a flat with three other people and one of themwas suspected of entering other people's rooms while everyone was at work. Two`Spirit Cells' where rigging in my friends room. While at work he received two textsa few minutes apart informing him that his bedroom door was open and that hiswardrobe was also open. He promptly called the house and sure enough the suspected person answered the phone. My friend asked him if he was alone and he replied

"yes". "Why have you been in my room" asked my friend, "I haven't" said thesuspect in a surprised tone. "Yes you have and you've also been in my wardrobe, just be aware that I know what you're doing". The suspect was stumped for words, heldup his hands, pleaded guilty and promptly moved out!




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Setting up the Phone

Decide what type of alert you would like to receive if the `Spirit Cell' is triggered.You only have two choices but each have their associated pros and cons.

Alert to Text

Once you set your trap enter a text into the `Spirit Cell' to suit the location, forexample this could be Àlert Garage Door has been opened!' Remember to primethe phone so that the only step required to send the text is a press of the green call button. On Nokia phones this is the `send' screen.

An advantage of Àlert to Text' is that even if you are unavailable i.e. out oftransmitter range you will still receive the text later. By this stage it may be too lateto respond to the alert but at least you will have a time that the text was sent andtherefore have a thereabouts time of the incident. Another advantage is that you canstill receive texts if you are on a call and the alert will only cost you the price of a textunlike the Àlert to Call' option. In most cases Àlert to Text' is the most useful andcost effective alert.

Alert to Call

This is really only useful if you have set a trap and are waiting for it to be triggered.Set up the `Spirit Cell' so that once the number you want to call i.e. your other mobile phone has been entered the only step required is a press of the green call button.

An advantage of Àlert to Call' is that you'll be able to covertly listen to what ishappening at the location of the `Spirit Cell' once triggered. If you have an intruderyou may catch names, be able to determine gender or even recognize a voice! If youmiss the call or are out of transmitter range ensure your voice mail is active, you'llthen also be able to listen to the incident again and again. You will also gain the timeof the incident either way as both are recorded by your phone and voice mail service.

Note This may seem obvious but make sure that the `Spirit Cell' has a goodreception at the location it is placed!




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Right, you have a `Spirit Cell' complete with three trigger mechanisms. In a momentwe will look at the various ways of setting our trap and what trigger is best suited tocertain situations. These methods can also be utilized for your routines.

We first need to conceal the `Spirit Cell' and place it in a suitable housing. Thehousing can then be permanently attached to your garage wall etc. Maplins or RadioShack supply a large range of plastic boxes designed to house circuit boards. Theseare ideal and cost around £2.99 for one big enough for a mobile phone. You will needto remove the phone occasionally so stick two small lengths of Velcro in the box sothat it can be secured tightly but also removed easily. The straps need to be placed sothat they do not obscure the keypad or screen. Then drill two screw holes in the baseof the box so that it can be secured to a surface. Four further holes then need to bedrilled at the points represented by the arrows in the diagram below. Use about a5mm drill bit as the hole needs to be large enough to fit your trip wire (for the tripswitch), trigger mechanism wires (for the tilt and pressure switch) and a hands free

head set wire. If you are using Àlert to Call' then the box lid will cover the phonemic, therefore a mic needs to be fitted to the box externally hence the hands free kit.The four holes will also provide you with greater flexibility in placing the `MidnightCaller' in a convenient place. The battery life of a mobile is limited so one of theholes could also be used to pass your charger cable through so that it is permanently powered.




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Doors

This section can be applied to all types of door such as cupboards, patio door, sheddoors and garage doors that are not the standard ùp and over' type (these will becovered next).

The diagram below represents a generic door and shows how all three triggermechanisms can be used effectively. The red boxes correspond to the `Spirit Cell' inits housing. Remember that these traps are set on the opposite side to the entrance sono one will see the `Spirit Cell'. They may only notice the device once they haveentered the room by which time it is too late as an alert will have already been sent.

Point A Trip Switch

1. Secure the `Spirit Cell' housing above the door and open the door slightly.The door needs to be open so that the gap is just big enough for you to squeezethrough and exit the room. Too wide and the trigger may not work, toonarrow and you'll be trapped in the room or trigger the `Spirit Cell' on exit.




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2. Measure the fishing line to the top of the door, cut it and tie a secure loop inthe end.

3. Next stick a drawing pin in the top of the door, place the loop over the

drawing pin and press down so that the line is securely attached to the top ofthe door. Once the door is closed there should be a large enough gap toaccommodate the height of the drawing pin head (about 1.5mm once pushedall the way in).

4. Once you've done this turn on the `Spirit Cell' and prime it for either Àlert toText' or Àlert to Call'.

5. Carefully slip through the gap in the door and exit the room. As soon as thedoor is opened the fishing line will pull the plastic square from between the jaws of the peg and trigger the `Spirit Cell'.

Point B Tilt Switch

1. Secure the `Spirit Cell' housing on the door or to a point on the wall along thehinged edge of the door (just be sure your wire is long enough).

2. Using Blue Tac or tape secure the tilt switch in the vertical position to the doorhandle.


4. Once the trap is set leave the room and just slowly close the door keeping thehandle in the horizontal position as you leave. The catch on the inside of thedoor will engage and thus the only way to re-enter the room is via the use ofthe handle.

Once someone operates the handle from the other side the tilt switch will be in thehorizontal and trigger the `Spirit Cell'.




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Point C Pressure Switch

1. Secure the `Spirit Cell' housing low to the floor. This could be just above theskirting board or just casually placed on the floor near the pressure switch.

2. Place the pressure switch on the floor and carefully place a door mat or pieceof carpet over the top.


This is one of the simplest traps to set. All that is required is for someone to step onthe mat or carpet and bingo! The `Spirit Cell' is triggered. You just need to place the pressure switch in an area that you know will be stood on. Entrances to door ways are perfect for this trigger as the movement of people's feet is restricted to the area

around the door entrance.

Any of the door methods can also be used for windows. Just have a look around yourhome and you'll see plenty of ideal places to place your trap.




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Garages

Again the red boxes at points A, B and E correspond to the `Spirit Cell' in its housing.Different trigger methods can be used at each of these points so let's start with pointA. By this stage you should be conversant with setting up each trap method and priming the `Spirit Cell'.

Point A

With the `Spirit Cell' securing in this position we can either use the trip switch or the

tilt switch. To set up the trip switch the fishing line can be tied to a section of thegarage door such as the lock mechanism at point D. As soon as the garage door isopened the motion will pull the plastic square from the jaws of the peg.

An even simpler method is the tilt switch. This can be just stuck to the garage door inthe vertical position. Once it is tipped by the opening of the door the `Spirit Cell' willtrigger.




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To set up both of these triggers you will need to keep the garage door virtually closed.To do this place an object outside and prop it against the door so prevent it fromopening fully. This could be a chair or box. Once you have set the trap you will needto slide through the small gap between the bottom of the door and the ground in anIndiana Jones manner. It's not very dignified I know but it will be worth it!

Once outside carefully close the door, lock it and dust yourself down!

Point B and C

From these points you can use the same methods used from point A. When it comesto the trip switch you now have a choice of two methods from point C. You caneither use the same method as used from point A or B or you can set up a proper tripwire which is triggered by placing the fishing line across the entrance to the garage atwaist height. If the garage is opened nothing will happen but if someone enters thegarage the trip switch will trigger. This can be set by tying the fishing line to a pointon the opposite side of the garage close to the entrance. I place a screw in the walland tie the line to this.

This is very handy for two reasons. It means you can open the garage to check onyour car without triggering the `Spirit Cell'. It also means you can set the trap withthe garage door fully open or closed so you won't have to exit on your hands andknees.

Point E

Any of the trigger methods apart from the tilt switch can be used from this point. Thetrip wire as before can go across the garage and be set at ankle height or be attached to point D.




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If you have some spare carpet or car mats in the garage you can set up a pressureswitch trap in the entrance. The intruder may not trigger it on the way in but if youline the pressure switch up with your car wheels the car will trigger it on exit.

A final idea is to secure your `Spirit Cell' to the back wall of your garage and tie the

trip switch fishing line to the bumper of your car (this could be the front or rear bumper depending on which way round you park your car). If your car is movedfrom the garage the switch will trigger.

Cars

Ok, so you've protected your home and your garage is like Fort Knox but happenswhen you take your car out and leave it in a car park on the rougher side of town?Yet again the `Spirit Cell' comes to the rescue! The following methods all involvesetting up the `Spirit Cell' inside the car and are again very simple to execute.

Point A

The simple door method can be transferred to the car using the trip switch. Thisshould be set up on the driver's side as 90% of all cars stolen are entered via thedriver's door. If you don't want to physically attach the `Spirit Cell' to the interior ofyour car then just wedge it down the left hand side of the driver's seat in between thehandbrake or seat belt clip. Then measure a length of fishing line to the inside driver's




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side door handle and tie it to this. You just then need to exit the car via the passenger's door. As soon as the driver's door is opened the switch will trigger.

The tilt switch will work in your car whatever the method of entry. Even themovement created by someone sitting in the driver's seat or starting the engine will

trigger the switch. For this reason the tilt switch is used in the construction of car bombs. You can place the `Spirit Cell' and tilt switch in the housing and leave it inthe foot well of your car. As soon as it is disturbed by a definite movement the tiltswitch will trigger. The tilt switch can also be used on the steering wheel. Lock yoursteering wheel and attach your tilt switch to the back of the wheel so that it is notvisible. If the tilt switch is not triggered by general car movement then it will be sureto trigger once the wheel is moved.




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In the Event of an Alert I'm sure you've had fun building and testing your `Spirit Cell' but before I finish Ishould like to touch on a more serious subject. What happens when you get thedreaded alert that tells you there is an intruder in the house or your car has beenstolen?

You maybe in your bedroom asleep when the pressure switch in the living room istriggered, what do you do? I know what I'd like to do and that would be to godownstairs with a pick axe and stick it through the back of the intruder! But as we allknow the British legal system is bizarre and your more likely to go to prison for protecting your family and home than the actual person committing the crime. So justto prevent this from happening I've included a list of things to do should you be

unlucky enough to be in that situation.

Burglary

Residential homes are nine times more likely to be burgled than business premisesand over 83% of entries are forced. Being burgled is a traumatic experience foreveryone but especially for children. Everyone reacts in different ways.

What to do first

· If you think the burglar is still in your house ring 999 and ask for the police.

· Do not touch anything before the police arrive.· If you have phoned via 999 a police officer should arrive shortly. If you ringthe local police station, it may take a couple of hours.· A Scene of Crime Officer will search your home for evidence or fingerprints.· The police will take a statement from you. They will do this even if you werenot present when the burglary occurred.· The police will give you a name and number of the officer assigned to yourcase. Ask for this person when you call about your case.· If you have records of identifying numbers or any unique details regarding thestolen items, give them to the police.· Keep a list of all items you have reported stolen.

· If you need to make an insurance claim you have to inform the police who willissue you with a crime number.· Inform your insurance company immediately.· Cancel any credit cards or cheque books that have been stolen.· If any official documents like passports or driving licenses have been stoleninform the relevant bodies at once.· If you are a tenant, your landlord will organise emergency repairs. Otherwiseyou will have to see to these yourself.




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· Your neighbours may also be questioned.

Support after the burglary

· The police will do their best to keep you informed during their investigations.If they don't, ring them.· The police will send you a leaflet entitled Victims of Crime outlining whatyou can do.· They will also refer you to the local Victim Support Group unless you askthem not to.· Victim Support is an independent charity that offers help to the victims ofcrime including burglary.· Trained staff at Victim Support will offer emotional and practical help to copewith your experience.· Tell the police if you have fears of further victimisation.

· If you have to go to court as a result of the burglary, Victim Support will helpyou before, during and after the trial.

Car Theft/Vandalism

Here are some tips on how to file your auto insurance claim in the event your vehicleis stolen, vandalized, or property inside is removed.

If your car is vandalized -

· Leave your car exactly the way it was when you found it. Any effort you maketo clean up your vehicle could erase valuable evidence for the investigation,and may delay the resolution of your auto insurance claim.· Notify the police immediately, so they can issue a police report documentingthe damage. This also helps local authorities keep track of vandalism in agiven area, which helps them do more to protect you and your community inthe future.· It's always a good idea to document your vehicle's damage. If you have acamera handy, use it to take photos of the damage. However, never tamperwith the investigation or put yourself in danger to document the damage. Yoursafety is more important than your vehicle or your auto insurance claim.

If your car has been stolen

· Contact the police immediately so they can file a report and possibly locateyour vehicle.· Report the incident to your auto insurance company.




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· Items stolen from your car may not be covered by your auto insurancecoverage. However, your renters or homeowners insurance often covers suchlosses. Check all your insurance policies for coverage details so that you knowwhom to call if a theft occurs.· Immediately file a report with the police detailing the belongings that were

stolen from your vehicle.· Report the incident to your auto insurance company or the company you usefor your homeowners or renters insurance.· Be prepared to provide your claims representative with receipts and detaileddescriptions of the stolen goods. Your preparation will help speed up theclaims process.· Remember that it's always best to avoid keeping valuables in your car.

Good luck with your ``Spirit Cell' and take care!




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Discount E-VouchersTo use the vouchers just e-mail me your order at [email protected] and I will

send you an invoice with the discount applied. Pay the amount on the invoice and youritem will be dispatched.

From Hell V.3£5 off (usually £24.99)

Quote Discount Code – CompVoucher1Subject to terms and conditions (see next page)

Incorruptible£10 off (usually £99.99)


The Book of Revelations£5 off (usually £29.99)


Swami Spirit Altar£50 off (usually £599.99)




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Terms and Conditions1. Only one voucher can be used per effect.

2. Vouchers can only be redeemed by the purchaser of this compendium and are nontransferable.

3. If the Swami Spirit Altar discount voucher is used in conjunction with the payment scheme the £50 will be deducted from the final £100 payment.

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ZLebanon Circle - Compendium of Bizarre Magic