Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order.

YOUNG BAND

PROGRAM NOTESby Steve and Cathy Soud

Jonathan Soud, a student at The Bolles School in Jacksonville, Florida, was first diagnosed with leukemia on May 30, 2010. Although initially the prognosis was very good, it turned out that he had a strain of the disease that caused multiple neurological complications and proved highly resistant to treatment. After more than 100 consecutive days in Wolfson Children’s Hospital, where the staff provided unsurpassed care, Jonathan passed away on September 18. He was just four days shy of his 13th birthday.

Everyone knew Jonathan’s smile, which radiated warmth and kindness. He possessed a cheerful, upbeat personality that drew others to him. At the end of his 5th-grade year he was selected as “Most Likely to Win a Nobel Peace Prize.” In 6th grade he was named to the Middle School Honor Council, and in the spring, even as (unbeknownst to all) he was exhibiting the preliminary symptoms of leukemia, he joined the Cross-Country team. Jonathan loved to travel and enjoyed foods from around the globe.

Music was an integral part of Jonathan’s life. He began playing piano at age 7 and, shortly before his hospitalization, played a Beethoven sonata as part of the Youth Sunday worship service at his church. He earned Superiors at the local competition of the National Federation of Music Clubs, and was honored with the Student of the Year Award by his piano instructor. At the beginning of 6th grade he began learning clarinet, going on to earn the Beginning Band Award at the end of the year. He always enjoyed attending performances of the Jacksonville Symphony; among his favorite compositions were Holst’s The Planets and Rachmaninov’s The Rock. He is and will continue to be missed by all who knew him.

Commissioned by the Bolles Middle School Concert Band, Jacksonville, Florida, Ms. Margaret Vance, DirectorIn celebration of the live of Jonathan A. Soud, pianist and clarinetist

Sailing Onward Until DawnRALPH FORD (ASCAP)

INSTRUMENTATION

1 Conductor 8 Flute 2 Oboe 2 Bassoon 4 1st Bb Clarinet 4 2nd Bb Clarinet 2 Bb Bass Clarinet 5 Eb Alto Saxophone 2 Bb Tenor Saxophone 2 Eb Baritone Saxophone 4 1st Bb Trumpet 4 2nd Bb Trumpet 4 F Horn

4 Trombone 2 Baritone 2 Baritone Treble Clef 4 Tuba 3 Mallet Percussion

(Bells, Vibraphone/Xylophone) 1 Timpani

(Tune: F, G, Bb, C) 2 Percussion 1

(Snare Drum, Bass Drum) 3 Percussion 2

(Suspended Cymbal, Crash Cymbals/Triangle)

1 Percussion 3 (Wind Chimes)

WORlD PARTSAvailable for download from www.alfred.com/worldparts

Horn in Eb

Trombone in Bb Bass ClefTrombone in Bb Treble ClefBaritone in Bb Bass ClefTuba in Eb Bass ClefTuba in Eb Treble ClefTuba in Bb Bass ClefTuba in Bb Treble Clef

Grade 2½

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NOTES TO THE CONDUCTOR

Please note the following when preparing this piece for performance:

1. Wind chimes are to be played individually at the beginning with the player approximating the suggested intervals. You may wish to mount four individual wind chimes on a separate rack with more distance between them to make this easier to perform.

2. Beginning up to the first climax point is to be played molto expressive at around 44 beats per minute. You may play it slightly faster, if necessary, but never more than 50 beats per minute.

3. At measure 12, the tempo becomes nearly twice as fast, but the style remains the same.

4. Pull the tempo way back at measure 19. Be sure the quasi-rubato at measure 22 is not too slow.

5. First statement of secondary theme at measure 29. You will recognize this as a musical quote of “Jupiter.”

6. Take care to balance the woodwinds with the vibes at measure 34. The soloists should play with a “sense of wonder and discovery.”

7. Very legato and flowing at measure 51. Poco ritardando at measure 68—not too much.

8. “Reflective” at measure 69, but with a strong sense of forward direction, particularly in the low brass. Make certain that the trombones are not too heavy at measure 73. Again, pull the tempo way back leading into measure 79 and relax through the conclusion of that phrase.

9. Light and zippy at measure 81. Encourage your snare drum to play very light at measure 85!

10. Big push into the concluding statement (first theme), played with the emotional intensity associated with great hope and faith, ever moving forward. The style should be sweeping and legato.

11. Accents on the coda build-up leading to the molto ritard. Be sure to play a full “symphonic” last note.

Special thanks to Margaret Vance for spearheading this commission project and selecting me to serve as the composer. It is my hope that you, your students, and your audiences will enjoy this work for young band.

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Bb Clarinets

Bb Trumpets

Trombone

1

2

1

2

Flute

Oboe

Bassoon

Bb Bass Clarinet

Bb TenorSaxophone

Eb BaritoneSaxophone

F Horn

Baritone

Tuba

Mallet Percussion(Bells, Vibraphone/Xylophone)

Percussion 1(Snare Drum, Bass Drum)

Percussion 2(Suspended Cymbal,Crash Cymbals/Triangle)

Timpani

Eb AltoSaxophone

Percussion 3(Wind Chimes)

∑∑∑∑∑∑∑∑∑

∑∑∑∑∑∑∑∑∑

Ó Oæ

1

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Largo languido espressivo Π= 40-44

Largo languido espressivo Π= 40-44

πWind Chimes

Suspended Cymbal (w/soft mlts.)

π

Tune: F, G, Bb, C

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π

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˙ ˙∑

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¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

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P

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39523S

By Ralph Ford (ASCAP)

© 2013 BELWIN-MILLS PUBLISHING CORP. (ASCAP),a division of ALFRED MUSIC PUBLISHING CO., INC.

All Rights Reserved including Public Performance

Sailing Onward Until Dawn

Commissioned byThe Bolles Middle School Concert Band, Jacksonville, Florida, Ms. Margaret Vance, Director

In celebration of the life of Jonathan A. Soud, pianist and clarinetist

FULL SCOREApprox. Duration - 5:00

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Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

∑∑

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¿ ¿ ¿ ¿

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πππ

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œ œb œ- œœ œb œ- œ

œb œ œ- œ

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8

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P

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p

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39523S

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1

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Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

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Mlt. Perc.

Perc. 1

Perc. 2

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A. Sax.

Perc. 3

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¿ ¿ ¿ ¿ |

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p

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~~~~~~~~~~~ ~~~~~~~~~~~

5

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Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

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˙b ˙

˙n ˙

œb œ œ œb

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˙b ˙b˙ ˙b

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P

P

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˙ ˙œ œ œ œ œN œ

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˙ ˙N˙ ˙˙ ˙

˙ ˙a

œ œ œ œ œN œ

œ œ œ œ œ œ

˙ ˙˙ ˙

˙ ˙

˙ ˙∑∑∑

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17

∑p

œb - œ- œ- >̇3

œ- œb - œ- >̇3

œ- œb - œ- >̇3

œb - œ- œ- >̇3

œ- œb - œ- >̇3

œ- œ- œ- >̇3

œb - œ- œ- œ> œ3

œ- œ- œ- >̇3

œ- œ- œ->̇3

œb - œ- œ- >̇3

œ- œb - œ- >̇3

œb - œ- œ- œ> œ3

œ- œ- œ- >̇3

œ- œb - œ- >̇3

œ- œ- œ- >̇3

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18

∑

f

f

ffff

f

f

f

f

f

f

f

f

f

f

fBells

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>̇ œ- œ->̇ œN - œ-

˙b > œ- œ-

>̇ œ- œ-

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œ> >̇ œ-˙b > œ- œ-

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19

∑

Ç

molto rall.

molto rall.

Ç

ÇÇ

f

Ç

f

Ç

Ç

Ç

Ç

Ç

Ç

Ç

Ç

ÇCrash Cymbals

B.D.

w>

wn >

w>w>

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wn >

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3

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A tempo (in 4)

A tempo (in 4)

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒƒ

ƒ

ƒƒ

ƒ

ƒ

ƒƒ

ƒ

ƒ

~~~~

~~~~

~~~~~

~~~~~

~~~~~

6

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#

#

bbb

bb

bb

bbbb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

˙ Jœ ‰ Œ˙ Jœ ‰ Œw

˙ œ œ œ œ#

˙ jœ ‰ Œ

w˙ Jœ ‰ Œww

˙ Jœ ‰ Œ˙ jœ ‰ Œ˙ Jœ ‰ Œww

w˙ Ówæ

∑∑

21

Ó |

p

pFSolo

pp

p

pp

p

P

..˙̇b œœ

.˙b - œ-œ ˙ œœ œN œ œ œ.˙b œ-

.˙N - œ-œ ˙ œ

∑jœ ‰ Œ Ójœ ‰ Œ Ó

∑∑∑

Jœ ‰ Œ Ó

Jœ ‰ Œ Ójœ ‰ Œ Ó

∑œ Œ Ó

∑∑

22

J¿ ‰ Œ Ó

P

P

P

PPdiv.

p

p

22

22

Quasi rubato Π= 72

Quasi rubato Π= 72

pp

p

p

p

P

œœ ˙̇n œœnœ- ˙ œœ ˙ œ-œ# œ œ œ œ œ#œ- -̇ œœ# - -̇ œœ ˙ œ-

∑∑∑

∑∑∑∑∑∑

∑∑∑

Ó ±

23

∑

Triangle

P

˙̇b œœ œœb˙b - œ- œ-œ- ˙ œœN œN œ œ œ˙b œ- œ-˙N - œ- œ

œ- ˙ œ∑∑∑

∑∑∑∑∑∑

∑∑∑∑

24

∑

wwnwœ œ œ œn œ œ œœ .˙ww#œ œ œ œ# œ œ œÓ ‰ jœ œ œ#

∑∑

∑∑

Ó ‰ jœ œ œn∑∑

Ó Œ œ œ

∑∑∑

Œ .Oæ

25

∑

P

P

pSusp. Cym.

~~~~~~~~~~~~~

7

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P

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w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&&?

&&&

&

&&

&&

&???

&?

ããã

bb

bb

bb

#

#

bbbbbbb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

∑∑

œb œb œ œ œA œ

˙ œ œ˙b œ œœb œb œ œ œN œœ œN œ œ œ

˙b œ œ

œn œn œ œ œ œ

∑∑

œ œA œ œ œ˙ œ œ˙b œ œ

œb œ œ œ œ œ∑∑∑

¿ Œ Ó

26

∑

F

F

F

FFFF

FF

FF

F

All

∑∑

.˙ œ œ

œ# ˙ œœ ˙ œ#

.˙ œ œ

œ# œ œ œ œ œ#

œ ˙# œ.˙ œ œ

∑∑

œ# œ œ œ œ œnœ ˙ œœ ˙ œn

.˙ œ œ

∑∑∑∑

27

∑

∑∑

œb œ œ œ œ œ œ

˙ œ œb˙b œ œœb œ œ œ œ œ œœN œN œ œ˙b œ œœn œ œ œ œ œ œ

∑∑

œN œA œ œ˙ œ œb˙b œ œœb œ œ œ œ œ œ

∑∑∑

Œ .Oæ

28

∑p

œn > œn > œ> œ> œ> œ>

œn > œn > œ> œ> œ> œ>

w>œ œ# œ œ œ œ3 3

œb œb œ œ œ œ3 3

w>œb œb œ œ œ œ3 3

œ œN œ œ œ œ3 3

w>

œ# > œ# > œ> œ> œ> œ>

œ# > œ# > œ> œ> œ> œ>

œ œn œ œ œ œ3 3

w>

w>

w>

œœn œœn# œœ œœ œœ œœ3 3

∑∑

¿ Œ Ó

29

∑

f

f

fff

f

f

ff

ff

f

f

f

f

29

29

fVibraphone (soft mlts.)

f

œ œ# > œ# > œn > ˙œ œ# > œ# > œn > ˙

.˙ œ-œ œ# œ œ œ3

œb œb œ œ œ3

.˙ œ-œb œb œ œ œ3

œ œ œ œ œ3

.˙ œ-

œ œ# > œ# > œ# > ˙œ œ# > œ# > œ# > ˙

œ œn œ œ œ3

.˙ œ-

.˙ œ-

.˙ œ-

œœn œœn# œœ œœ œœ3

∑∑∑

30

∑

8

39523S

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P

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Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&&?

&&&

&&&

&&&???

&?

ããã

bb

bb

bb

#

#

bbb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

œn > œA > œ> œ> œ> œ>

œn > œA > œ> œ> œ> œ>

w>

œN œ œ œ œ œ3 3

œb œb œ œ œ œ3 3

w>œb œb œ œ œ œ3 3

œ œ# œ œ œ œ3 3

w>

œ# > œN > œ> œ> œ> œ>

œ# > œN > œ> œ> œ> œ>

œA œ œ œ œ œ3 3w>

w>

w>œœAn œœb œœ œœ œœ œœ

3 3

∑∑∑

31

∑

œ œ# > œN > œn > œ Œœ œ# > œN > œn > œ Œ

.˙ ŒÓ Œ œ#œ œ œ œ Œ

3

œb œb œ œ Œ3

.˙Œ

œb œb œ œ Œ3

œ œ# œ œ Œ3

.˙ Œ

œ œ# > œN > œ# > œ Œœ œ# > œN > œ# > œ Œœ œ œ œ Œ

3.˙ Œ.˙ Œ

.˙ Œ

œœn œœb œœ œœ Œ3

∑∑∑

32

∑

Solo F

rit.

rit.

∑∑

Ó ˙w

∑Ó ˙Ó ˙NÓ ˙#Ó ˙

∑∑

Ó ˙#Ó ˙

Ó ˙Ó ˙

∑∑∑∑

33

∑

ππ

ππ

ππ

π

π

π

œœ- œœ- œœ- œœ-∑

Jœ ‰ Œ Ówœ- œ- œ- œ-œ- œ- œ- œ-

jœ ‰ Œ Ó

Jœ ‰ Œ Ó

Jœ ‰ Œ Ójœ ‰ Œ Ó

∑∑

jœ ‰ Œ ÓJœ ‰ Œ Ó

Jœ ‰ Œ Ójœ ‰ Œ Ó

œœ °œœ œœ œœ

∑∑

± Ó

34

∑

Con spirito Π= 120

Con spirito Π= 120

∏∏

∏∏

∏∏∏

π

p

ππ

34

34

∏

∏

div.

Trgl.

p

œœ- œœ- œœ- œœ-∑∑

œ Œ Óœ- œ- œ- œ-œ- œ- œ- œ-

∑

∑∑∑

∑∑∑∑∑∑

œœ œœ œœ œœ∑∑∑

35

∑

π

9

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Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&&?

&

&&&&&

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&?

ããã

bb

bb

bb

#

#

bbb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

œœ œœ œœ œœ∑∑

œ# œ œ œ ˙ œœ- œ- œ- œ-œ- œ- œ- œ-

∑∑∑∑

∑∑∑∑∑∑

œœ œœ œœ œœœ Œ Ó

∑± Ó

36

∑

π

F

simile

œœ œœ œœ œœ∑∑

œ .˙œ- œ- œ- œ-œ- œ- œ- œ-

∑∑∑∑

∑∑∑∑∑∑

œœ œœ œœ œœ∑∑∑

37

∑

œœ œœ œœ œœ∑∑

œ# œ œ œ œ œ œ œ œœ- œ- œ- œ-œ- œ- œ- œ-

∑∑∑∑

∑∑∑∑∑∑

œœ œœ œœ œœœ Œ Ó

∑± Ó

38

∑

œœ œœ œœ œœ∑∑

œ# œ .˙œ- œ- œ- œ-œ- œ- œ- œ-

∑∑∑∑

∑∑∑∑∑∑

œœ œœ œœ œœ*∑∑∑

39

∑

∑∑∑

œb - œ- œ- œ-

œb - œ- œ- œ-∑

œ œn œ œ ˙ œ

∑∑

∑∑∑∑∑∑

œœbb °œœ œœ œœ

∑∑∑

40

∑

P

p

p

Solo

p

All

10

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w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&&?

&&&&&

&

&&&???

&

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bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

∑∑

Œ Jœ. ‰ Jœ. ‰ œ. œ.

œb - œ- œ- œ-œb - œ- œ- œ-Œ Jœ. ‰ jœ. ‰ œ. œ.œ .˙

∑Œ Jœ. ‰ Jœ. ‰ œ. œ.Œ jœ.

‰ jœ. ‰ œ.œ.

∑∑∑∑

Œ jœ.‰ jœ. ‰ œ.

œ.∑

Œ jœ.‰ jœ. ‰ œ.

œ.∑∑

œœbb œœ œœ œœ∑∑∑

41

∑

p

p

p(B. Cl.)

(B. Cl.) p

(Bsn.)

(Bsn.)

œ œb œ œ œ œ œ œ œ

∑

Jœb . ‰ Œ Ó

œb - œ- œ- œ-œb - œ- œ- œ-

jœb . ‰ Œ Óœ œn œ œ œ œ œ œ œ

∑Jœb . ‰ Œ Ó

jœb . ‰ Œ Ó∑∑∑∑

jœb . ‰ Œ Ó∑

jœb . ‰ Œ Ó∑∑

œœbb œœ œœ œœ∑∑∑

42

∑

PSolo œ œ .˙

∑Œ œ. œb . œ. œ. œ. œb .

œb - œ- œ- œ-œb - œ- œ- œ-Œ œ. œb . œ. œ. œ. œb .œ œ .˙Œ œ. œb . œ. œ. œ. œb .Œ œ. œn . œ. œ. œ. œb .

∑∑∑

Œ œ. œb . œ. œ. œ. œb .

Œ œ. œb . œ. œ. œ. œb .

Œ œ. œb . œ. œ. œ. œb .œœbb œœ œœ œœ *

∑∑∑

43

∑

p

pp

pp

Play

Play

Play

Play

Œ œ. œ. jœ. ‰ œ

. œ.œ.

œ. Jœ. ‰ œ.

œ. Jœ. ‰

œ. œ. Jœ. ‰ œ. œ. Jœ. ‰w>Œ œ. œ. Jœ. ‰ œ. œ.

œ. œ.jœ. ‰ œ. œ.

jœ. ‰

w>∑

>̇ >̇

>̇>̇

∑∑∑

>̇>̇

>̇>̇

w>jœ ‰ œ œ jœ ‰ œ œœ œ Jœ ‰ œ œ Jœ ‰

∑∑∑

44

∑

f

ff

f

f

f

44

44

f

f

ff

f

f

Bells (stems up)

Vibes (cont.)

div.jœ. ‰ œ

. œ. jœ. ‰ œ. œ.

œ.œ. Jœ. ‰ œ.

œ. Jœ. ‰

œ. œ. Jœ. ‰ œ. œ. Jœ. ‰w

Jœ. ‰ œ. œ. Jœ. ‰ œ. œ.

œ. œ.jœ. ‰ œ. œ.

jœ. ‰

wœ> œ. œ> œ œ œ-

œ> œ. œ> œ œ œ-

w>

œ> œ. œ> œ œ œ-œ> œ. œ> œ œ œ-œ> œ. œ> œ œ œ-w>

w>

wjœ ‰ œ œ jœ ‰ œ œœ œ Jœ ‰ œ œ Jœ ‰

∑∑∑

45

∑

f

ff

fAll

11

39523S

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Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&&?

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&&&&&&???

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ããã

bb

bb

bb

#

#

bbb

bbbb

bb

bb

42

42

42

42

42

42

42

42

42

42

42

42

42

4242

42

42

42

42

42

44

44

44

44

44

44

44

44

44

44

44

44

44

4444

44

44

44

44

44

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

jœ.‰ œb

. œb . jœ.‰ œ

. œ.œ.

œ. Jœb . ‰ œ.

œ. Jœ. ‰

œ. œ. Jœb . ‰ œ. œ. Jœ. ‰>̇ ˙b >

Jœ. ‰ œb . œb . Jœ. ‰ œ. œ.

œ. œ. Jœb . ‰ œ. œ. Jœ. ‰

w>∑

>̇ ˙b >>̇ ˙n >

∑∑∑

>̇ ˙b >>̇ ˙b >

w>jœ ‰ œb œb jœ ‰ œ œœ œ Jœb ‰ œ œ Jœ ‰∑

∑∑

46

∑

jœ.‰ œb

. œb . jœ.‰ œ

. œ.œ.

œ. Jœb . ‰ œ.

œ. Jœ. ‰

œ. œ. Jœb . ‰ œ. œ. Jœ. ‰wb >

Jœ. ‰ œb . œb . Jœ. ‰ œ. œ.

œ. œ. Jœb . ‰ œ. œ. Jœ. ‰

wœ> œn . œ> œ œ œ-œ> œ. œ> œ œ œ-wn >

œ> œb . œb > œ œ œ-

œ> œb . œ> œ œ œ-

œ> œ. œ> œ œ œ-wb >

wb >

wjœ ‰ œb œb jœ ‰ œ œœ œ Jœb ‰ œ œ Jœ ‰∑

∑∑

47

∑

S.D.

w>w>

œ> œ. œ> ˙

w>

w>w>Ó ‰ Jœ. œn >

œ> œ. œ> ˙œ> œ. œ> ˙

∑Ó ‰ jœ. œb >

œ> œ. œ> ˙œ> œ. œ> ˙

œ> œ. œ> ˙

w>œ Œ Óœ Œ Ó

œ œ œ>‰ jœ> Œ œ>

œ œ œ> œ œ œ œ@ œ@ œ œæœ ‰ Jœ Œ œ±æ

48

∑

f

fTrgl.

f

˙˙˙

˙

˙

˙˙

˙˙

Jœb . œb >Jœ.

˙˙˙

˙

˙∑

‰ jœ> Œjœ œæ jœ‰ Jœ Œ

±æ

49

∑

.œb > Jœ> >̇

.œb > Jœ> >̇

.œ> Jœ> >̇

.œb > Jœ> >̇

.œb >jœ> >̇

.œ>jœ> >̇

.œb > Jœ> ˙a >

.œ> Jœ>>̇

.œ> Jœ> >̇

.œb > Jœ> >̇

.œb >jœ> ˙N >

.œ> jœ>>̇

.œb > Jœ> >̇

.œ> Jœ> >̇

.œ> jœ> >̇∑

Ó æ̇

.œæ jœ æ̇˙ ˙Ó O

>50

∑

Í

ƒƒƒ

ƒƒ

ƒƒƒƒƒƒƒƒƒƒ

ƒCr. Cyms.

12

39523S

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w Onl

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l Use

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s Pur

chas

e

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&

&

&

&&&

&&&???

&?

ããã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

∑∑

-̇ -̇Œ œ œ œŒ œ œ œ

˙ ˙Œ œ œ œ

˙ -̇

-̇ -̇

∑∑

˙ -̇˙ ˙

-̇ -̇˙ ˙

∑œ> Œ Óœ Œ Ó

∑

51

∑

f

F

F

F

FFFF

F

51

51

F

F

F

∑∑

˙ ˙

œ œ .œ jœœ œ .œ jœ

˙ ˙œ œ .œ jœ-̇ ˙˙ ˙

∑∑

-̇ ˙˙ ˙˙ ˙

˙ ˙∑∑∑∑

52

∑

Œ œ œ œŒ œ œ œ

.œ jœ ˙

w

w.œ jœ ˙

w.œ jœ ˙.œ jœ ˙

∑∑

.œ jœ ˙

.œ Jœ ˙

.œ jœ ˙

.œ jœ ˙Œ œ œ œ

œ œ œ Œ Ó∑∑

53

∑

FBells

F

FF

œ œ œ ˙œ œ œ ˙

jœ. œ- jœ. œ œ

w

wjœ. œ- jœ. œ œ œ

wjœ. œ- jœ. œ œjœ. œ- jœ. œ œ

∑∑

jœ. œ- jœ. œ œJœ. œ- Jœ. œ œ

jœ. œ- jœ. œ œjœ. œ- jœ. œ œ œ

œ œ œ œ ŒÓ œ œ

∑∑

54

∑

œ Œ Ó

œ Œ Ó

-̇ -̇Œ œ œ œŒ œ œ œ

˙ ˙Œ œ œ œ

˙ ˙

-̇ -̇

∑∑

˙ ˙˙ ˙

-̇ -̇˙ ˙

∑œ Œ Ó

∑∑

55

∑

13

39523S

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w Onl

y

Lega

l Use

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uire

s Pur

chas

e

&&?

&&

&

&&&&

&

&???

&?

ããã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

∑∑

˙ .œ Jœ

œ œ .œ jœœ œ .œ jœ

˙ ˙œ œ .œ Jœ˙ .œ Jœ

˙ .œ Jœ∑

∑

˙ .œ jœ

˙ .œ Jœ

˙ .œ Jœ

˙ ˙∑∑∑∑

56

∑

Œ œ œ œ

Œ œ œ œ

w

w-wb

.œb jœ ˙wwnww

∑

∑

wwb

w

.œb jœ ˙Œ œ œ œ

∑∑∑

57

∑

div.

œ œ œ .˙œ œ œ .˙

Jœ. œ- Jœ. œ œ

w-wN

jœ. œ- jœ. œ œ œ

wwaw

Jœ. œ- Jœ. œ œ∑

∑

w

JœN . œ- Jœ. œ œ

Jœ. œ- Jœ. œ œjœ. œ- jœ. œ œ œ

œ œ œ .˙

jœ œ jœ œ Œ∑∑

58

∑

∑∑

˙b ˙∑∑

˙b ˙

˙n ˙˙ ˙b˙b ˙Œ œb œb œbŒ œb œb œb

˙b ˙˙ ˙b

˙b ˙

˙b ˙∑∑∑∑

59

∑

F

F

F

∑∑

˙b - -̇

∑∑

˙ ˙b

˙b ˙˙b ˙b˙b - -̇

œ œb .œ jœœ œb .œ jœ˙b ˙˙b ˙b

˙b - -̇

˙ ˙b∑∑∑∑

60

∑

14

39523S

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Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

Œ œ œb œb

Œ œ œb œb.œb Jœ ˙

Œ œ œb œbŒ œ œb œb˙b ˙Œ œ œn œb

.œ jœ ˙

.œb Jœ ˙

wbwb

.œb jœ ˙

.œ Jœ ˙

.œb Jœ ˙

˙b ˙∑

∑∑

∑

61

∑

œ œ œb œbœ œ œb œb˙ ˙

œ œ œb œbœ œ œb œb˙ ˙œ œ œn œb˙b ˙˙ ˙

ww˙ ˙˙b ˙

˙ ˙

˙ ˙∑

∑∑

∑

62

∑

œ œb œb œb

œ œb œb œb

˙b ˙

œ œb œb œb

œ œb œb œb˙ ˙b

œ œn ˙˙b ˙˙b ˙

Œ œb œb œbŒ œb œb œb

˙b ˙˙b ˙˙b ˙˙ ˙b

∑

∑∑

∑

63

∑

œ œb .œb Jœ

œ œb .œbJœ

˙b ˙

œ œb .œb Jœ

œ œb .œb Jœ

˙b ˙˙n ˙˙ ˙b˙b ˙

œ œb .œb Jœ

œ œb .œb - Jœ-

˙b ˙˙ ˙b

˙b ˙˙b ˙b

∑

∑∑

Oæ

64

∑p

w>

w>

œ> œ> >̇

w>

w>w>œ> œ>

>̇

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w>

w>œ> œ>

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œ> œ> >̇

w>œ> œ œ œ œ œ œ œ

œ œ œ> Œ Œ œ> œœ œ œ Œ Œ œ œœ Œ Ó

¿ Œ Ó

65

∑

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fff

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ff

f

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f

f

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15

39523S

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Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

w

wœ> œ> >̇

w

w

wœ> œ> >̇œ> œ> >̇œ> œ> >̇

wwœ> œ> >̇œ> œ> >̇œ> œ> >̇

wœ œ œ œ œ œ œ œœ> Œ Œ œœ Œ Œ œæœ Œ Ó

∑

66

∑

w>

w>.œ> Jœ> >̇

w>

w>w>

.œ>jœ> >̇

.œ>jœ> >̇

.œ> Jœ> >̇

w>

w>.œ>

jœ> >̇.œ> Jœ> >̇.œ> Jœ> >̇

w>œ œ œ œ œ œ œ œ

œ> Œ œ œ œ> œ> œœ œ œ œ œ æ̇œ Œ ÓO>

67

∑f

w

www

wwwww

w

wwww

wœ œ œ œ

wæwæ

∑

68

Ó |

poco rall.

poco rall.

P

Œ œ œ œ

Œ œ œ œ

Œ œ œ œ

.-̇ œ-

.-̇ œ-Œ œ œ œ

∑∑

Œ œ œ œ

∑

∑∑∑∑∑∑

œ Œ Óœ Œ Óœ Œ Ó± Ó

69

J¿ ‰ Œ Ó

69

69

Reflective Π= 104

Reflective Π= 104

pp

p

p

p

pTrgl.

pp

p

ppp

(Bsn.)

˙ ˙n˙ ˙n˙ ˙

w

w˙ ˙

∑∑˙ ˙∑

∑∑∑∑∑∑

∑∑∑∑

70

¿ ¿ ¿ ¿~~~~~~~~~~

16

39523S

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Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

Œ œ œ œ œ

Œ œ œ œ œ

œ œ œ œ ˙

.-̇ œ-

.˙ œœ œ œ œ ˙

∑∑

œ œ œ œ ˙

∑

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∑∑∑∑∑∑

± Ó

71

∑

˙ ˙n˙ ˙n˙ ˙-̇ -̇

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∑∑∑∑∑∑

Œ .Oæ

72

¿ ¿ |π

p

wwbwbŒ œb œ œ œb

wb

wbŒ œb œ œ œbwn

Œ œb œ œ œb

Œ œb œ œ œn

∑∑

Œ œb œ œ œbŒ œb œ œ œb

Œ œb œ œ œb

Œ œb œ œ œb∑∑∑

¿ Œ Ó

73

¿ Œ Ó

div.

p

p

P

Play

ppp

p

wwA

wœb œ œ œ

wœb .˙œb œ œ œœn .˙

œb œ œ œœn œ œ œ

∑∑

œb œ œ œœb œ œ œœb œ œ œ

œb œ œ œ∑∑∑∑

74

∑

wwbwbŒ œb œ œ œb

wb

wbŒ œb œ œ œbwn

Œ œb œ œ œb

Œ œb œ œ- œ-

∑∑

Œ œb œ œ œbŒ œb œ œ œb

Œ œb œ œ- œ-

Œ œb œ œ œb∑∑∑∑

75

∑~~~~~~~~~~

17

39523S

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#

b

bb

bb

bbbbbb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

˙̇ ˙̇

˙ ˙œ œ œ œ œN

˙ ˙

˙ ˙œ œ œ œ œN

˙ ˙

œ œ œ œ œNœ œ œ œ œ

∑∑

œ œ œ œ œNœ œ œ œ œNœ œ œ œ œœ œ œ œ œN

∑∑∑

Ó Oæ

76

∑p

˙ œ œN œn œ˙ œ œN œn œ

˙n .œ Jœ

˙ œ œ œ# œ˙# œ œ œ œ

˙ .œ jœ˙ .œ jœ˙ .œ Jœ˙ .œ jœ

Ó .œ jœÓ .œ# jœ˙ .œ jœ˙ .œ Jœ˙n .œ Jœ˙ .œ jœ

∑∑∑

¿ Œ Oæ

77

∑

FF

FFFF

FF

F

F

F

F

FF

F

F p

>̇ .œ> Jœ

˙n > .œ> Jœ˙n > .œ> Jœ>̇ .œ> Jœ

˙# > .œ> jœ

>̇ .œ> jœœb > œb .œb > Jœbœb > œN .œb > Jœb

>̇ .œ> jœ>̇ .œ> Jœ˙# > .œ> jœœ# > œ .œn > Jœ#>̇ .œ# > Jœ

˙n > .œ> Jœ

>̇ .œ> jœ∑∑

æ̇ .œ jœ

¿ Œ Ó

78

∑

molto rall.

molto rall.

f

p

Cr. Cyms.

w>

wb >

œ# > œn > œn > œ> œ> œ> œ>

w>

w# >

wb >.˙b > œb > œb >.˙b > œb > œb >

wb >w>

w# >.˙# > œn > œ# >

œ# > œn > œn > œ> œ> œ> œ>

œ# > œn > œn > œ> œ> œ> œ>

wb >∑∑

wæ̇ Ó

O>Ó

79

∑

Exuberant Π= 52

Exuberant Π= 52

f

ff

f

ff

f

f

f

f

fff

f

f

(w/stick)

f

ww

w# >

œ œ œ œ œ œ œ œ œ-3 3

œb œb œ œ œ œ œ œ œ-3 3

wœN œN œ œ œ œ œ œ œ-

3 3

œb œb œ œ œ œ œ œ œ-3 3

w

www# >wA >

w# >

w∑∑

œ Œ Ó

¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿æ3 3

80

Π.|F

π

PP

PP

PPP

PPP

~~~~~~~~~~~~~~~~~~~~~

18

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REVIEW

P

REVIEW

P

REVIEW

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PREVIEW

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P

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REVIEW

P

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P

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P

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P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&&?

&&&&&&

&&&???

&?

ã

ãã

bb

bb

bb

#

#

bbb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

Jœœbb . ‰ œœ. œœ. ‰ Jœœ. ‰ Jœœ

.

∑∑

Œ œb jœb . .œb >Œ œb jœb . .œb >

∑∑∑∑

∑∑∑∑∑∑

jœœbb ‰ œœ œœ ‰ jœœ ‰ jœœ∑∑

‰ J—o —+ —+ ‰ J—o —+ —+

81

¿ Œ Ó

Brightly Π= 132

Brightly Π= 132

P

P

P

Trgl.

p

div.

81

81

PP

Xylophone

‰ Jœœbb .Jœœ. ‰ œœ. œœ. Jœœ

. ䷷

œb œb . œb > ˙

œb œb . œb > ˙∑∑∑∑

∑∑∑∑∑∑

‰ jœœbb jœœ ‰ œœ œœ jœœ ‰∑∑

‰ J—o —+ —+ ‰ J—o —+ —+

82

∑

Jœœbb . ‰ œœ. œœ. ‰ Jœœ. ‰ Jœœ

.

∑∑

Œ œb jœb . .œb >Œ œb jœb . .œb >

∑∑∑∑

∑∑∑∑∑∑

jœœbb ‰ œœ œœ ‰ jœœ ‰ jœœ∑∑

‰ J—o —+ —+ ‰ J—o —+ —+

83

∑

‰ Jœœbb .Jœœ. ‰ œœ. œœ. Jœœ

. ䷷

œb œb . œb > œ œb œb

œb œb . œb > œ œb œb∑∑∑∑

∑∑∑∑∑∑

‰ jœœbb jœœ ‰ œœ œœ jœœ ‰∑

Ó ‰ jœ œ œ œ œÓ Œ ¿æ‰ J—o —+ —+ ‰ J—o —+ —+

84

∑

p

JœœN .‰ œœ. œœ. ‰ Jœœ

.‰ Jœœ

.

Jœ. ‰ œ. œ. ‰ Jœ. ‰ Jœ.

Œ œ> Jœ> .œ>

Jœ. ‰ œ. œ. ‰ Jœ. ‰ Jœ.jœN . ‰ œ. œ. ‰ jœ. ‰ jœ.

Œ œ>jœ> .œ>

∑Œ œ>

jœ> .œ>

Œ œ> Jœ> .œ>

∑∑∑

Œ œ> Jœ> .œ>

Œ œ> Jœ> .œ>

Œ œ>jœ> .œ>

jœœN ‰ œœ œœ ‰ jœœ ‰ jœœœ œ œ> Œ Ó

œ> œ œ> œ œ œ> œ œ¿ Œ Ó‰ J—o —+ —+ ‰ J—o —+ —+

85

∑

FF

FFF

F

FF

FFF

F

FF

F

~~~~~

19

39523S

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P

REVIEW

P

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P

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P

REVIEW

P

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P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&&?

&&&&&&

&&&???

&?

ã

ãã

bb

bb

bb

#

#

bbb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

‰ Jœœ.

Jœœ.

‰ œœ. œœ. Jœœ.

‰‰ Jœ. Jœ. ‰ œ. œ. Jœ. ‰

.œ jœ> Jœ> .œ>

‰ Jœ. Jœ. ‰ œ. œ. Jœ. ‰‰ jœ. jœ. ‰ œ. œ. jœ. ‰

.œ jœ>jœ> .œ>

Ó ‰ Jœ. œ- œ# ^

.œ jœ>jœ> .œ>

.œ jœ> Jœ> .œ>

Ó ‰ Jœ. œ- œ̂Ó ‰ jœ. œ- œvÓ ‰ jœ. œ- œn v

.œ jœ> Jœ> .œ>

.œ jœ> Jœ> .œ>

.œ jœ>jœ> .œ>

‰ jœœ jœœ ‰ œœ œœ jœœ ‰Ó ‰ jœ> ‰ jœ>œ> œ œ œ> œ œ> œ œ œ œ

‰ J—o —+ —+ ‰ J—o —+ —+86

∑

FFF

F

Jœœ.

‰ œœ. œœ. ‰ Jœœ.

‰ Jœœ.

Jœ. ‰ œ. œ. ‰ Jœ. ‰ Jœ.

Œ œ> Jœ> .œ>

Jœ. ‰ œ. œ. ‰ Jœ. ‰ Jœ.jœ. ‰ œ. œ. ‰ jœ. ‰ jœ.

Œ œ>jœ> .œ>

∑Œ œ>

jœ> .œ>

Œ œ> Jœ> .œ>

∑∑∑

Œ œ> Jœ> .œ>

Œ œ> Jœ> .œ>

Œ œ>jœ> .œ>

jœœ ‰ œœ œœ ‰ jœœ ‰ jœœœ> Œ Óœ> œ œ> œ œ œ> œ œ

‰ J—o —+ —+ ‰ J—o —+ —+87

∑

‰ Jœœ.

Jœœ.

‰ œœ. œœ. Jœœ.

‰‰ Jœ. Jœ. ‰ œ. œ. Jœ. ‰œ> œ> œ> œ œ> œ>

‰ Jœ. Jœ. ‰ œ. œ. Jœ. ‰‰ jœ. jœ. ‰ œ. œ. jœ. ‰

œ> œ> œ> œ œ> œ>Ó œ. œ. œ# >

œ> œ> œ> œ œ> œ>œ> œ> œ> œ œ> œ>

Ó œ. œ. œ>

Ó œ. œ. œ>Ó œ. œ. œn >

œ> œ> œ> œ œ> œ>

œ> œ> œ> œ œ> œ>

œ> œ> œ> œ œ> œ>‰ jœœ jœœ ‰ œœ œœ jœœ ‰œ> Œ ‰ jœ œ>œ> œ œ œ> œ œ œ> œ œ œOæ‰ J—o —+ —+ ‰ J—o —+ —+

88

∑

p f

Œ œ> œ œ œn3

Œ œ> œ œ œn3

˙ ˙

Œ œ> œ œ œ#3

Œ œ> œ œ œ#3

˙ ˙Œ œ>

œ œ œ#3

˙ ˙˙ ˙

˙ ˙

˙ ˙Œ œ> œ œ œn

3˙ ˙˙ ˙

˙ ˙∑

œ> Œ Óœ> œ œ œ œ> œ œ œœ Œ Ó¿ Œ Ó

89

∑

89

89

ff

f

f

f

f

f

f

f

ff

opt. 8va

f

ff

ff

Flowing with hope and faith

Flowing with hope and faith

˙ ˙n˙ ˙n˙ ˙

˙ ˙#˙ ˙#˙ ˙˙ ˙#˙ ˙˙ ˙

œ œ# œ œœ œ œ œ˙ ˙#˙ ˙

˙ ˙

˙ ˙∑∑

œ> œ œ œ œ> œ œ œ

∑

90

∑

20

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P

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P

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Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&&?

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&?

ããã

bb

bb

bb

#

#

bbb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

>̇ œ œ œn3

>̇ œ œ œn3

˙ ˙

>̇ œ œ œ#3

>̇ œ œ œ#3

˙ œ œ

>̇œ œ œ#

3

˙ ˙˙ ˙

˙ ˙

˙ ˙

>̇ œ œ œn3

˙ ˙

˙ ˙˙ œ œ

∑∑

œ> œ œ œ œ> œ œ œ∑

91

∑

˙ œ œ˙ œ œ˙ œ œ

˙ œ œ˙ œ œ˙# œ œ˙ œ œ˙ œ œ˙ œ œ

œ œ# œ œ˙ œ œ˙ œ œ˙ œ œ

˙ œ œ˙n œ œ

Ó Œ œ∑

œ> œ œ œ œ> œ œ œOæ

92

∑

Bells

p

f

œb œA œ œ

œb œA œ œAœ œ œ œb

œb œN œ œ

œN œ œ œœ œN œb œœN œ œ œœb œ œ œœ œ œ œn

œb œN œ œ

œ œ œb - œ-

œA œ œ œœb œ œ œ

œ œ œ œb

œ œA œb œ

œb œ œ œ

∑œ> œ œ œ œ> œ œ œ¿ Œ Ó

93

∑f

œ œ œ œ

œ œ œ œ˙ ˙

œ œ œ œ

w

˙ ˙w˙ ˙˙ ˙

œ œ œ œ˙ ˙w˙ ˙˙ ˙˙ ˙

œ œ œ œ∑

œ> œ œ œ œ> œ œ œ∑

94

∑

œb œ œ œ

œb œ œ œœ œ œb œ

œb œ œ œ

œ œ œb œ

œb œ œ œœ œ œ œœb œ œ œœ œ œn œ

œb œ œ œ

œ œ œb œœ œ œ œœb œ œ œ

œ œ œb œ

œb œ œ œ

œb œ œ œ

∑œ> œ œ œ œ> œ œ œOæ

95

∑p

21

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w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

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bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

Ÿ~~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~~

w

www

w

wŒ œ> œ œ# œ

3

ww

w

wŒ œ> œ œn œ

3

w

w

wœ Œ Ó

∑

wæœ Œ Ó¿ Œ Ó

96

∑f

>̇ >̇

>̇ >̇>̇ >̇

>̇ >̇

>̇ >̇

>̇ >̇>̇

>̇>̇ >̇>̇ >̇

>̇ >̇

>̇ >̇>̇ >̇>̇ >̇>̇ >̇

>̇ >̇∑

>̇ >̇wæ

∑

97

∑

Cr. Cyms.

w>

w>

wn >

w>

w# >w>Œ œ>

˙

w>w>w>

w# >Œ œ> ˙

w>

wn >

w>∑

œ> œ œ œ> œ œœ> œ œ œ œ> œ œ œœ Œ ÓO>

98

∑

98

98

ƒƒƒ

ƒƒ

ƒƒ

ƒƒ

ƒƒ

ƒƒƒ

ƒ

ƒ

ƒƒ

w

w

ww

ww˙# > ˙# >

ww

w

w˙# > ˙n >

ww

w∑

œ> œ œ œ> œ œ œ>œ> œ œ œ> œ œ œ> œ

∑

99

∑

w>w>

Œ .>̇w>w>w>Ó Œ œ>Ó œ> œ>

Œ .>̇∑

Ó Œ œ>Ó œ> œ>Œ œ>

>̇

Œ .>̇w>

∑

w>æœ> Œ Óœ Œ Ó

∑

100

∑

Z

ZZ Z

Z ZZ

ZZ Z

Z

Z

Í

22

39523S

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w Onl

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Lega

l Use

Req

uire

s Pur

chas

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&&?

&&&

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ã

ãã

bb

bb

bb

#

#

bbb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Perc. 3

~~~~~~~

~~~~~~

œ œb > œb > œ> œ œ œœ œb > œb > œ> œ œ œb

.˙ œ>

œ œb > œb > œ> œ œ œœ ˙b > œ>

.˙ œ>

.˙N œ>

.˙ œ>

.˙ œ>

œ> ˙b > œb >

.>̇ œ>

.˙ œ>

.˙ œ>

.˙ œ>

.˙ œ>Ó Œ œb > œ œ œb

.æ̇ œ>∑

∑

101

∑

ZZ Z

Z

f

w>

w>wn >

w>w# >w>Ó œ# œ

w>w>w>

w# >Ó œn œw>

wn >

w>œ> Œ Óœ> Œ Ó

wæ>˙ Ó

O>102

∑

w

wœ>

œ> œ# > œn > œ>3

wwœ> œ> œ# > œ# > œ>

3

>̇ ˙# >

œ> œ> œ# > œ# > œ>3

œ>œ> œ# > œ# > œ>

3

w

w>̇ ˙# >

œ>œ> œ# > œn > œ>

3

œ>œ> œ# > œn > œ>

3

œ> œ> œ# > œn > œ>3

∑∑

wæ

∑

103

∑

w>

w>

wn >

w>

w>w>w# >

w>w>w>

w>wn >w>

wn >

w>∑

æ̇> œ> œ>wæ̇> Ó

O>104

∑

Í

ÍÍ

Í

Í

molto rall.

molto rall.

ÍÍ

Í

Í

Í

Í

Í

Í

Í

ÍÍ

Í

œä Œ Óœä Œ Óœn ä Œ Óœä Œ Ӝ⠌ Ó

œâŒ Ó

œ# ä Œ Ӝ⠌ Ӝ⠌ Ó

œä Œ Ӝ⠌ Ó

œn ä Œ Óœä Œ Óœn ä Œ Ó

œâŒ Ó

∑œ Œ Ó

œ Œ Óœ Œ Ó∑

105

∑

Z

ZZ

Z

Z

ZZ

Z

Z

Z

Z

Z

Z

Z

ZZ

f

23

39523S

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