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Performance Workshop – Concept and Creativity Anca Doina Ciobotaru The analysis of the double dimension of characters of the animation theatre – the imitative and the interpretative – and the role between animation and public, allows us to show the need to use methods focused on inter-disciplinary and comparative studies;  belonging of these characters to performing arts is obvious. These elements determi ne us to structu re the  show workshops so as to have as a starting point the practical argumentation of theory supported by our research. very scenic action started from a core idea, concept or hypothesis, the stage performance confirming or invalidating the anticipated formula. This led to better understanding of res our ces of sce nic e!pr ess ivi ty offered by  simultaneous presences "puppet actors – actors#, which can be identified throughout the history of performing arts; this aspect forces us to perceive more attentively and ob$ectively the relation between various forms of performance; tendencies to structure the role theatrical language in outlining the show  being harmful, in our view. Performance Workshop – Concept and Creativity The analysis of the double dimension of characters of the animation theatre – the imitative and the interpretative – and the role between animation and public, allows us to show the need to use methods focused on inter-disciplinary and comparative studies;  belonging of these characters to performing arts is obvious. These eleme nts determi ne us to structu re the  show workshops so as to have as a starting point the practical argumentation of theory supported by our research. very stage action started from a core idea, concept or hypothesis, the stage performance confirming or invalidating the anticipated formula. This led to better understanding of resources of stage e!pression offered by simultaneous presences "puppet actors – actors#,

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