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Ws EasyTo PIay BalIads.

Ws EasyTo PIay BalIads. - Eklablogekladata.com/ojfaYWmS4K2eU_rL0RXNG81inQk/Easy-Ballads.pdf · ThatOie DevilCalledLove,8 AsTimeGoesBy,32 LetMeTryAgain,16 LoveIsBlue(L'AmourEstBleu),4

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Ws EasyTo PIayBalIads.

That Oie DevilCalledLove,8AsTimeGoesBy,32LetMeTryAgain,16

LoveIsBlue(L'AmourEstBleu),4MorningCf Mylife (InThe Morning),38

ThisGuy's Inlove With You,18Try A little Tenderness,23

Fool(IfYouThinklt's Over),141'11NeverSmileAgain(Untili SmileAt You),20AgainstAIiOdds (TakeAlook At MeNow), 35

SometimesWhen We Touch,11NightsInWhite Satin,6

Annie'sSong,26The PowerCf Love,42

Separatelfves,45Feelings(Dime),29

Slow

(L'oveIs Blue

OUf EstBleu)Music by Andre Popp

Original Words by Pierre CourEnglish Lyric 'by Bryan Blackbum

~ I .'"I

. .I - V - - -

P Blue, blue my world IS blue, blue IS my world now~ Red, red, my eyes are red, cry - ing for you a -

t• H~ - • I..

I I . - I

Ern A7 D G Ern C

~ ~ I .

It"

." " -rJ I (;I

I'm with - out you. Grey, grey, my ufe IS grey.~ lone In my bed. Green, green, my jea - lous heart,

t• H~ - •·- §.

I - J I I,

D G Ern A D G

~ ~

·t

. ·.) ft" ~* " ,-"-

Cold IS my heart since you went a - way.< I doub-ted you and now we're a - part.

tI • • •·· ··

I I I I

Ern C B7 Ern

~ f+ I .I

When we met, how the bright sun shone.<

I11 .. ~ . ~ • ~ . ~ - • ~ .

·· - -- I - I

E A E A E

4© Copyright 1966 Ste, Nouvelles Des Editions Musicales, Paris, France,

Shaftesbury Music Co. Ltd., 12 Stratford Place, London Wl.All Rights Reserved, International Copyright Seeured,

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Note
SingrSongWriter 4/ 4106

~ ft ,........., I k

I ..I • -

Then love died, now the ram - bow is gone.<

11 ~ .cl J 1 ; J ) ~ JI ·· M

A6 B7 E

~ I

·I · . .I GI -

Black, black, the nights I've known, long - mg for you, so~

.. ~"12" - .. I·· ··1 I I I

Ern A D G Ern c

~ I

I .4 • - • 71 I - GI

lost and a - lone. Gone, gone, the love we knew,~

.. ~"12" ..··I - I I I

D G Ern A D G

1.:.:.1Ern

you.

B7ErnB7

now I'rn with-out you. ---1-----

cErn

blue IS rny world,

5

NightsI WhiteWords & Music by Justin Hayward

atin

Slow

Nights mGaz - mg

whiteat

sa - tin, _peo - ple, _

Ern D

Let-ters I've writ- ten, __just what I'rn going through, r-- __

nev-er reach - ing the end.some hand in hand,

Ern D C G

*.loL L - l I I-If " ,;..

,---J r A I'" r I I I I'"

nev-er mean-ing to send. Beau-ty I'd al - ways missedthey can't un-der-stand. Sorne try to tell rne, __

~ n J. rJ-~. rJ-~. rJ--J.114 114 114

•• •I I V I I

F Ern Ern D

Just what the truth IS

just what you want to

Ern D c G

6 © Copyright 1967 by Tyler Music Ltd, 19/20 Poland Street, London, Wl.All Rights Reserved. International Copyright Secured,

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.u ~ 1--1 ..J. .rn 11--1 I I. . . .I

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< love you,_ oh, how I love _youI ". ...".'

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<I can't say an - y - more. 'Cause I love you.... Yes, I

you'Il be In the end, and I

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C Ern D Ern D

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7

ThatOIeDevilCalledLoveWords & Music by Dons Fisher & Allan Roberts

Medium slow blues tempo

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,........, r-- ~.t

.) I i ~r r ~

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p< ~

Some-one's wJs-p'rin' in my ear. I say no, no, go a-way, but

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I

Fm7 Fm7 E7

I ~ """-- .I

4' TI 11 TI ~ ..........

~ he don't hear. He fol-Iows me a-round, builds me up, tears me down, I

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Dm7 G7 Cm Cm6

I ,........,I k I k

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< try my best to shake him, but he just hangs a-round. It's that OIe Dev-il called

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, ,.Cm7 F7 Fm7 Fm7 C7 bsb9

C7Gm07Ebmaj7

1 ~ r--"l I I r--

\I.. 4 TI I TI I ...,-

~.....< 'Love' a-gain, get's be - hind me and keeps giv - ing me that shove a- gain. Put-ting

J, 9- n-- I

I ,,

I I I I

8

© Copyright 1945 MCA Music (a division ofMCA Inc), USA.MCA Music Ltd., 139 Piccadilly, London W1 for the World

(exc. North, Central and South America, Australasia, Japan and the Philippines).All Rights Reserved, International Copyright Secured,

'I I3 3

I iI, - , - .I .

) - - [,Ir - i I

~ ram m myeyes, tears m my dreams and rocks m my

Je:. "1i-J ~ LJ.-

I ··,

Cm7/F F9

C7 bsb9Fm7Fm7

~ I I ....-. I l I ~ ,........ r-""1.I

) llr - I 1III -d Tli

~ heart. It's that sly son - of - a - gun a - gam, He keeps

; ; I..€- -r:» b~ J-

I · ~·,

I I I

3'I I I I I I I r-- - ,

~) I Tli " 11- ~ ... -# - -

< tell- ing me that I'm the luck - y one a-gam. But I still have the rain,

9- Ja: 1i:-Jn -- I

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3'I I -

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1III "*~. ~~"< still_have those tears and those rocks in my heart.

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Gm F#m7 ~9

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........, I- I I .,----- --< Sup-pose I did-n't stay, ran a - way, would-n't play, that dev - il what a po-tion he would

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< brew. He'd fol-Iow me a-round, build me up, tear me down, till

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I I""""-l ---. I l I l

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I'd be so be-wild-er' d, I would-n't know what to do. Might as well give up the

I~ ~ - ~ 6b... ~-;I- b::L1-··

Cm7 F9 Fm7 Fm7 C7 bsb9

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fI I r-- r-'i I I I I r--

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..1II -d Tli I "1 ..,~

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~ fight a-gam, I know darn weil He'll con-vince me that He's right a-gain. When he

J. 9- n--.. I

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~ sings that SI - ren song, I just got - ta tag a -long with that OIe Dev - il called

I J·n ~ l. 1._ ~: 11111l

· . .·Cm7/F F7 Fm7

fI I P""'-'l

t ··tJ ~ • vi ~ ..

< 'Love.' It's that 'Love.'

LJ I k. J I kJ 6J ~ J L J___.II ·· · .·

I I I I

G7 C7 b9 G7 C7 F7 Ebsus Eb

10

s

Moderato

etimesWhenWords & Music by Dan Hill & Barry Mann

ouch

-I .

4 - "-" - -"-"- •• -"-"- - • • • •"-"

<mp You

.. ~J. I,n., hJ· Loft-

t ..

C C7 F Fm

r----, ~ . I I - I ~ I -·I · .- I ---e- I r I U

ask me if __ I Iove i., - you and I choke on my_ re - ply.< - mance with all_ it's stra - te- gy leaves me batt-ling with my pride.

.n.·· ·I · .11

C F/C G/C

- ,........., l ~ I -I ·

l '-' ... ... "-" I r I ... ... • .. -l'd ra - ther hurt you hon - est - ly,_ than mis lead you with a lie.

< But through the 10 - se - cu - n - ty,_ some ten - der- ness sm-vives.

n. oft- -e-··

C Ern Am D7

~ ..- . .I · .,

And who am I to judge you on what you say or< I'm just an - 0 - ther wri - ter, still trapped with - in my

..J. ~; 1 -e- n.··I I

G Dm7 G C G/B

© Copyright 1977 McCauley Music/Mann & Weil! Songs Inc./ ATV Music Corp. (for the World).©Copyrlght 1977 ATV Music Ltd., 3/5 Rathbone Place, London Wl (for the UK and Eire).

All Rights Reserved, International Copyright Secured,11

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Texte tapé à la machine
epbal tpo 70
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16beatbal1 tpo 64

~ I,........., r---,. . .

I4 I I - I I r

do? I'm on - ly just be - gin - nmg __ to< truths. A he - SI - tant_ prize figh - ter, still

t - ----~ J -e- -e-··

I-Am ctc F eiE

~ - r--..I

4 I ~ I - ./

see the real __ you._ f--- And some-times when we touch,~ trapped with-in my youth. f---

~ j)' I

I9- 9- n 1. ) rr;

··Dm7 eiE G e

~ 1"'""""'1

~ ..u- r - I -- I "'--I r <; ./

~ the hon - es - ty's _ too much - and I have to close my eyes

~ rr-; ~ rs-, -e-on. -

I · .·

F G Ern Am

~ I -..

I .) '-../c.I r --- I --V' ~

< and hide. Iwan-na hold you till I die, _r--- till we

-e- n - I ~ sr;, ··I I

dtlD7 G F Ern Dm e Dm7

to Coda-$-roo-.. .-...

t.

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~ both break down and cry.t, r-- Iwan-na hold you _ till the fear _r-- m me_ sub -

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12

G Ern Dm7 GIl

-I

0

0

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• r Vi I - <:» wo <:» - w w'-"'w o ...< sides. 2. Ro

Ili~;o hell Ili

h;o L-i:}-0

0 0

0

C C7 Dm7 Fm

sides. At times I'd like to break you and

;0

C GII

~<, f"""""I ,..........,

II ""---I l....J r I 1""""",1 I ~ I

< drive you to your knees. At times I'd like to break - through and hold..a.. #: -a-- n - .......

0

0

C Em/B Am Em

DJ's al Coda

'I I - ,

I} - - " - <:.:« -,11 ... <:»:

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you end - less - ly. And

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~m me-=r sub-sides. _ -

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13

Fool(IfYouThinklt'sOver)

Words & Music by Chris Rea

Moderato

'"~ l I

t @. '1 ~I -A dy - ing flarne, r-- You're free a - gam._ -

< Miss teen-age dream, such a tra - gic scene.r-- -

I-e- 1IIIl· A~ fL 0 0 a. ~~ f:-. .. .

Am7 D Gmaj7 Ern

~ l I

I \' r" I4 - r rWho could love i, r-- and da that to you? _-

~ He knocked your crown and ran a - way.r-- -

A~- n~ 1IIIl· fL ..0..

I · . .·Am7 D G

~ l l l j l ,

I .r r I

All dressed in black, r-- he won't be com - ing back.< First wound of pride, but how you cried _ and cried.I--

t~ 1IIIl· Ai fL 0 0 tII. ~~ f:-· .· .

,

Am7 D Gmaj7 Ern

-..~ l .-

I r I .......... I

Save your tears, - you've got years and years. I-- The pains of se -~ 1'11 buy your first

.cl~ lII!...A\ fL "ri ~J ~

I · .·

Am7 D Esus E E7 Am7

14 © Copyright 1977 by Magnet Music Ltd, 22 York Street, London, Wl for the world.All Rights Reserved, International Copyright Secured,

fI J.L._ ----. 1"""-1I

I@) r

- yen - teens, un - real, they're on - ly dreams. __ Save your cry -< _ good Wille, we'll have a real , f-- good time.

1It... ~~ fl- t'.) t'.) 0 -ft-· .·

D Gmaj7 Ern Am7

~J.h. I ri I ~~ I.-. I. .I

l r ~- Illg for the day. - Foo!, if you think it's 0 - ver,_

11... A\ !'- ...,. ,,,J,,--j -e- -e-· .·

D Esus E E7 Am7 D

~ ) r"""'-"l ~ I ~ I ri I ~~l I I.I .

l~

'cause you said good-bye, F 001, if you think it's 0 - ver, 1'11tell you why, -

0 0 -&- -e- ...,.··

Gmaj7 Ern Am7 D7 Esus

fI ~ ~ I k-ri I I i"'i_ I i"'i I ., ~ I r"I

@)

1lr.J,..--jNew-born eyes al-ways cry with pain at the first look at the morn-ing sun.

-&- -ft- .,.·I ·

After repeat

D* fid

Gmaj7D7Am7E7E

,~ I ri I ~~I i"""""l.' . to a e

I""""""". ··t..

~

( Fool, if you think it's 0 - ver, it's just be-gun. -

on. -e- -ft- ~Ilr.J,..--j

·· ·, ,. ·Ern Am7 D7 Esus E E7

15

Let Me ry Again

Moderato

Music by CaravelliFrench Words by Michel Jourdan

English Words by Paul Anka & Sammy Cahn

knowI

F

I said thatwas such a

Ifool

wasto

leav - ing, _doubt you, _

C/E

butto

~ -I I

I ..) - G.',,- .---",-

I just could-n't say good - bye. It was on - Iy self de -~ try to go it aB a - lone. There's no sense to life with -

P- I -(T nI ··

I

Dm Am/C

~ -~

.... .. .) r ----", ", - I I-

ceiv-ing to walk a-way from some-one who means ev - 'ry-thing in life to you. You< out you, ___ now all I do lS just ex - ist and think a - bout the chance I've missed. To

; ~j hd ;I -

··........ I

F/A Dm Gsus G Gm7 C7

~ I l I1. .

I .» I r I I I ~-

learn from ev - 'ry lone -Iy day, I've learned and I've come back to< fake 1S not an ea - sy task, but pride 1S such a fool-ish

m ~ ~.1..- ~~

t....

· .· , -Fm Fm/Eb

16

© Copyright 1973 Les Editions Musicales Vendanges/Nouvelles Editions Eddie Barclay, France.MAM (Music Publishing) Ltd., 12 Stratford Place, London Wl for the World

(exc, USA, Canada, France, former French colonies, Tunisia, Morocco, SACEM territories, former Belgian Congo, former Ruanda- Urundi,Europe No. 1, Radio Luxernbourg, Monaco, Andorra and Algeria),

All Rights Reserved, International Copyright Secured,

'\ r--"'I I ~ !"""""'l -. ..4

~ I

stay. CHORUS: Let me try a - gam, let me try a -~ mask.

,,':2- "n .".. . - - IP-_f!:- fL.".. ~ 1.· .·

I...-l 1 -Dm7 G7 C Am Dm7 G7

Am/GAmEBm7 b5Cmaj7

'\ ) I ~ 1 ~ I

j. .

u f -"--f' ---~

gam. Think of aB we had be - fore,

• fL .".. • -Q-

··l- I 1

~ ) r--"'1 I ~ r--""'1 I ~. .I

) ~ "l ~

let me try once more. We can have it

-e- J J ~ I .".. • -··1 l.--l I

C/D D7 G7sus G7 C Am

~ I""""'-l

I.

J 1

all, you and I a - gam.

.. _ f!:- fL .".. ~ 1. .. fL .".. .-I · .·- !.-

Dm7 G7 Cmaj7

,., ) I I I ~ I l ~ I I ~. .t

. . · ···~ f - r' v~ -J ust for- give me or I'B die, please let me try a - gain.

t,I -e-· ·· ·· ·

1 ........... I

Bm7 b5 E ~5 E Am Dm G7sus G7 C

17

ThisGuy'sIn LoveWithYouWords by HaI David

Music by Burt Bacharach

Moderately slow

Abaj7E~

I -- --I

t 4 -- I ..r< You see_ this guy, this guy's in love with you.

~ ~. J. ~J- ~I .. .

I I

G7GsusE~

I -- - IJ

I ··-e- ....... --- I

Yes, I'm_ in love. Who looks at you the< This guy's in love, and what I'd do to

~ ~. J. ~; 1fT:2.

t-

·· . . · .·I r I V I I

I --- , --- -J

t 4 r

way I do? __ When you smile, _ I can tell wc< make you mme.L, Tell me how,_ 1S it so? Don't

:# b:tl bJ ;-

I ··Cm Eb9

I - • _..

I1', v n

4 I

knoweach oth - er ve - ry wcll. How can I show you I'm< let me be the last to know. My hands arc sha - king. Don't

:# Ii# ..0..

I 7T -e-· .·

Abaj7 Gm7 Cm

18© Copyright 1968 Jac Music Co. Inc. & Blue Seas Music Inc. USA.

Island Music Ltd., 334/336 King Street, London W6.All Rights Reserved,International Copyright Secured,

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Texte tapé à la machine
easycntry tpo 103
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Texte tapé à la machine
morswing tpo 96
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Texte tapé à la machine
8beat tpo84
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Texte tapé à la machine
sloweasy tpo 80

"I I ~ ~

h .I .

) I - -glad I got to know you 'cause I've heard some talk

< let my heart keep break-ing, 'cause

e- ~ J-· .· .I I

Fm7 B~

fI I

I ··tJ I ...

tlk I'm

-e-

~ - They say you fine.

J. )1-;-~·· . . ··

I r I V

fI I - - - ~

jtJ --- - -

~ f I need L, your love, I want_ your love.

~ J J. )1-; ~ J·I · . ._.- .."--lL.-+ .-+- I I

Abmaj7

Slower

F7Cm7Dm7A~naj7

,..,I ,............, I I I ~ I

~. .

tJ --- ~ ~ r~ -

~;Say you're In love, In love with this

J. ~ J ".. J·I · . ------._-. .I I V I I V

D.C. to Fadet':"IfI I I

---, - .114 .

tJ U. - /'" ~ ~

< guy. P If not, 1'11 just die.

.n. 0, · ...·I I I I .

19

1'11NeverSmile( ntilI SmileAt

Words & Music by Ruth Lowe

Moderato~ I - ......--0"\

I .I u r • I r

<mf You

~ -!- n ~ -e-, ..

F13

- -'I I

~.

) • - I r

~ loved me m the past, but our ro - mance did - n'tl~J~

You

~ -!- n ~-e- - -I ·, ....

- -I

~•

~ thrilled me with your kiss, dar - ling, now I pro - rruse

~ ~ n ~ ~d:I ·· -

F13

I .t w, v

t I I I

< this: 1'11 ne - ver smile a - gain,

L~ ~ J -e-

t-

··Fm7

20(l;')Copyright 1939 Sun Musie Co. Ine., USA.

Campbell, Connelly & Co. Ltd., 8/9 Frith Street, London Wl.All Rights Reserved. International Copyright Secured.

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Note
moonlight ballad tpo 82

" I

) - -- - I I

<un - til I smile at you. I'n ne - ver

Io#,a. L~.J b; j .J b.J --..:; !!: ~I ··

I

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laugh a - gain, what good would it< , 3 i

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Fm?

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.J -e- -6-' ....-./

< do? For tears would fill my eyes, my

J 'rJ. Io#·~ d2 ~ ; ~I 10JI ·· .

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.) I I I I '1- I 11

<heart would re - a - lise that our ro -

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· -

D13 G D?

~ I I I. .t u I I I I I

<mance 1S through. 1'11 ne - ver love a - gam,

(b) ~ J ; J ~

~~ fit.. ~ ~ -e-- -

I ··G Fm Fm?

21

~ I -I ...,j ...,j

) - ---- -- I I

<I'm so m love with you. 1'11 ne - ver

~Jp. d~ J ,J ~ b~-.....; ~ J, ··

I

fl I .----- 3 ---.,·I 4V '"-

------ .,

~ I r rthrill a - gam to some - bo - dy new.

< .----- 3 ---,

-& Lo#.p. L~~ J ~t ··

Fm7

3'\ I I ,.--- ...---.,

I. _._---- •· . .

4J VUI - " - I I

< - With - in my heart, I know I will ne - ver

"6- ~ on.

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Abmaj7

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,I ... ., -

< start to smile a - gam, un - til I smile at

:2- q:g: -"'2- Lof: L~- ~~ --, ··Gm7 C7 Fm7 F9

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lJ I I ---: -<

you. 1'11 ne - ver you.

Cl> ~ ~ Mn h ,9-:, ·· · .·I

Emaj7

22

Slowly

r ittleTendernessWords & Music by Harry Woods,Jimmy Campbell & Reg Connelly

~ II

t, ,

I I - - .' -

<mj' In the bus - tle of to - day, we're all m - c1ined to

with a ten - der word of love, you can make the wrang things

I$: 12- ~ (l;- n,

,

C Am Ern Dm7 G7

,,,

I -& • -d • - 111I r Tl I r

i mIss lit - tle things that mean so much, a word, a smile, aright. Charm-a - way the clouds of grey, and rnake this drab world

12- ~-p--,,

I

Gf-msI I I

C Dm7 G7 C G7/D CIE Am6 B7

~ , I ,,

, ,

I I I - - - - .' -l kiss. When a wo - man loves a man, he's a he - ro m her

bright. When your wor - nes drag you down, it's so ea - sy to for -~ ~2 9- 12- .-. f!? ~

I ,,

Ern G7 C Am Ern Dm7 G7

I,Ir.

-d' -# ~-# • • - • • .' • - I

l eyes. And a he - ro he can al - ways be, if he'll just re - al -get. But make the ef - fort just the same, and see the thrilI you'll

I-& r» .In ~~ I.C~ ~

, ,, ,

I

C D7 G E7 A7 Am7 D7

(f) Copyright 1932 for all countries Campbell, Connelly & Co. Ltd., 8/9 Frith Street, London Wl.. All Rights Reserved. International Copyright Secured.

23

~ - I I

· .·) - • - • •• • - I

< Ise. She may be wea - ry, wo-man do get wea - ry,get.

• ) II · .· ·· .

I IG e Dm7 G7

~ t\ I t\ ~

I u r I F - • - • ••< wear-rng the same shab- by dress. And when she's wea - ry

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e Gm/B~ A D7

- I )

t._.-. - -.J '-- -vi r r - • - • • •

i< try a lit - tle ten - der - ness. "-- ..-' You know she's wait-ing-------.

12- • ~ J ..J J ) I· .· ._. .

I - I I

F6 G9 G/F e/E Dm7 G7 e

- I I t\ I t\ . I ..I 4 • - I r ~

~just an - ti - ci - pat - ing, things she may nev - er pos - sess.

tI h~ tkt- L_

· VP"'" •·Dm7 G7 e Gm/B~ A

,I

t.,. - • - • •• • - -.J -e-

< While she's with - out them, try a lit - tle ten - der - ness,

I9- (T

··I

24D7 F6 G7 e

,I I ,........, I I I""""""" I I I I

@, <:» ~

4 lt's not just sen - ti - men - tal, she has her grief and

- ~ J. ~ 1. lI

.· .· .

I

C7 F E7 Am

,.,I I

.) ~~. ", - --- ---- - ",

4 care, and a word that's soft and gen - tle, makes it

h..--- ~ J. ~ ~J.··

A7 Dm A7

,.,I

I ) I 'UO' ", ", ....( ea - SI - er to be~ You won't re - gret it,

~; ~ J ~ ) I· .

· .I I I

Dm Gsus G C

,., - l I ~ I ~ I.I ) ", I r ", ", ....( wo-man don't for-get it, love is their whole hap - pi ness. It's all so ea-sy,

~ I h~ ~ _ 1.._ 9-

··I

Dm7 G7 C Gm/Rb A D7

D·c.1f\ - I

·I ·v ", - -,; -e- -e-

< try a lit - tle ten - der - ness. - ness.

J. - -----I .J J I .., I·· ··I

67f' r

F6 Dm7 C G7 C

25

Moderato

Annie'sSongWords & Music by John Denver

" ~ .,~.

,I I I I I"""""",l

P You fill up my sen - ses, like a<

!'- • f:- ..".. l1li !'- ..., ··

G A Bm

"I ~ I - I

} .I I "- ------ V I I

night m a für - est. Like the moun-tains m<

!'- • I I -l ··I I

G D D/C# D/B D/A

"t ~ ·

\. . .

) I I ~ I I I I

spnng - time, like a walk m the ram.<

!'- • ..".. • -fL l1li - f:- ..".. - t: f:-I ··

I

G Ern G A A7

" ~ .}~

.I I I I I I........J

Like a : stürm m the de - sert, like a< -

-:::- ----. !'- l1li - f:- ..".. l1li !'- •, ··

G A Bm

26© Copyright 1974 Cherry Lane Music Co. USA.

Cherry Lane Music LW., 18/20 Ridgeway, Wimbledon, London SWI9.All Rights Reserved, International Copyright Secured,

oceane
Note
GuitarSerenade 3/ 4130

'I ~ I I I

~ ~ I.) I I '-

,./ --- I I

sleep - y blue o - cean. You fill up my

f'- .. I I -··I I

G D D/C# D/B DIA

fI ~ 1 1 I 1...- -.. ..I . .

tJ I I I I Isen - ses, come fill me a - gain.

f'- .. ~ .. -', ·· ,...I I I

G Ern A7 D

~ ~ 1 I I I I. . . --. . .I

. . . ..) I I I I I

Come, let me love you,~ sen - ses,

I!'- f!:.

· i· .I I I I I

Dsus D Dsus G A

~ I I -., I ~ 1 I 0, 0' --.

-- let me grve my life to you. Let me

-- like a night m a for - est. Like the.. f'- .. - I - I . - .I · .

·I I

Bm G D D/C# DIB

~ I I ~ I.. .I .

I I I I I I

drown m your laugh - ter, let me die in your< moun-tains m spnng - time, like a walk in the

!'- ~ ..· .·

I I

DIA G Ern G

27

~ -- -------- -- I

· · ·I · · ·

4 I I I loooooooo.ooI I I I

arms. Let me lay down be - side< ram. Like a storm m the de -

~ t: ~ f'-I - - - .r:

------··A A7 G

~ I I

t·· .

4 I I ~ I I ~ ___C<' --you, let me al - ways be with you.

< sert, like a sleep - y blue o - cean.

~ • f'- • f'- • - I - I

I ··I I

A Bm G D D/C#

~ I I I I.I

. ··"-0..0/. I I I I

- Come let me love you, come~ You fill up my ses - ses, come-

I, - - .fI- #- •··

I I

D/B DIA G Ern

1~ i......- - I I I I I I. · .

\. ·. · ·· .

I I r I I I I

love me a - gam. You fill up my< fill me a -

I -'·· · ··I I I I I I I

A D Dsus D Dsus

'.;.:,.,I

DDsusDDsusDDsusD

"I ~ I I I I I I I· . . . · .I . . .

· . ·J I I I I I Irit.

< - gam.

- - -, ··I I I I I I I I I I I I .

28

Feeli gs(Di e)

English Words & Music by Morris AlbertSpanish Lyric by Thomas Fundora

Ern Em/D# Em7/D A9/C#~ ~ - _. "-

I . .--- - - ----~ Feel-ings, __ noth-ing more than feel-ings, __ try-ing to for -

t~ I J I ~ I J I ~ I J I » I J I..

IM....., ne::t

B7F#m7GD7,..-3 -----.

Am/C~ I I I I

I ....> r ~I

( get my feel-ings of love.

) I J I ? 6(2- ..- ~ • -I ·· I I -' ..

Ern Em/O# Em7/0 A9/C#~ l - "- -_.

I . .------ - - ------- - -( Tear-drops, __ roll-ing down on my face, __ try-ing to for -

~ I J I ~ I J I ~ I J I » I J I, ··-~..-

E7

'--3

G07,--3--'

Am/C

l.t I I

_.

v- -( get my feel- ings of love.

) I J I ? 6(2- ..-... - • 11,.,

I · -.· •I

---' I I

© Copyright 1974 Editora Augusta Ltda., Sao Paulo, Brazil.For the whole World except the American Continent: International Melodies Geneve, 8 Rue de Hesse, CH-1204, Geneve, Switzerland, 29

Assigned for the territory of the United Kingdom and Eire toBucks Music Ltd., l a Farm Place, London W8.

All Rights Reserved. International Copyright Secured

C Am7 07 Bm E7

.. - . I·I -s, ....

I

4.

< Feel -mgs, for all my life 1'11 feel it, I wish l 'd nev-er

I .. 61 ~ :2- on.

I · ..•...-

· .. -

-Am 07 Bm E7, .. I ~ I I I

t ·t.

~ r

=< met you, girl, you'll nev-er come a - gam.

G'S- ~ ~ .. .fl-,.;- ---- •I · _.-..· .. _.L..........-

C Am7 D7 Bm E7.. I

~.m _~ ••• + ...

I I

~ Feel - mgs, wo wo wo feel - mgs, wo wo wo

I ..61 ~ :2- n. 11

I · .·

I ~-B7l>9B9F#m707Am

~ ....~_.. I .."." ..--....

\~

_.....

I I.. .._._.

~~ ~-e-

< Ieel you a -gam m my arms.

I ..,........, Jm::, · I -· · ._.. ____ •__."._m

--F--1--. m ....

· ..(- (- I I

Ern Em/O# Em7/0 A9/C#~ ~ l I""""""" ~ I l I 1"""""'1 I ~ ~

~. . -. . . . .

) '-"-

< Feel-ings, __ feel-ings like I've nev - er lost you and feel-ings like 1'11

t~ I j I ~ I j ........J. ~ I ~ I ) I ~ I·· ,.

30

Am/C 07 G E7 to Coda-$-~ -I I I ~ I 1""""'"'1.

I .•

.-._. "* ."*-,J <z.:»:~ -=====

< nev - er have you , f--- a-gam m my heart.

t) I J I ? 6P- -90 II - .c ·· I I

C Am7 07 Bm E7

~ ~ ~.• fo'" fo'"

I . I"""

) ~

<

I .. ~ (2. 1'7-. 11· ".-, · . -.-.- ._.-_..--

Am 07 F#m7 B9~ ~ I '" I ) .. ~ i"'"""""'l ,........,

•• ...I

I -) ~

~~ j;J

<

t!tl: ~, ·. . ..

(- (- I I

-$-CODAC Am7 07 Bm E7

fl ~ I

t 11 , I""" ... ...I._.

tJ I,

I

~

I ..• ~ :2. n • u

I. --_ .

• •• /1#._---.

!.- 1000oo-oI-

Am 07 Bm

Repeat l O FadeE7

I'l ~ I..- ·I '._. .. ·lJ' I .

) I I

<

I I""""""'i ~ ...:;;s. "~ ~· ... ~ ~ •.· . ··.

31

AsTimeGoes

Moderato

Words & Music by Heman Hupfeld

"I I . ... I

I. .

u ~

b~ ". b". n r»., .

F7 Bbm/Db Bbo/Db C7#S C7

"I I ••~

) 1....1 I - I r3-This day and age we're liv - ing In glves

JI. J.

101 L- - I

I ··I

Fm7 B7 D Cm

I I I I I ~ I l I I ~ I 1 I I r

tl "I

< cause for ap-pre-hen-sion, with speed and new in-ven-tion and things like third di-men-sion. Yet we

t0 b~

··Fm7 Ebmaj7 C7 C7b9 C7

f I l I 1 - -- I I I I I l

~Ifllf v

@)~I r r I TI I

~get a tri-fle wea-ry with Mis-ter Ein-stein's theo-ry, so we must get down to earth at times, re -

~ • I I 1.-

I ··I I I

Fm G7 Cm D7

32© Copyright 1931 by Harms, Inc, New York USA.

Redwood Music Ud, 14 New Burlington Street, London Wl, United Kingdom copyright owner.All Rights Reserved. International Copyright Secured.

oceane
Texte tapé à la machine
orchjazzbal tpo 76
oceane
Texte tapé à la machine
bigbandbal tpo 82
oceane
Texte tapé à la machine
jazzbal tpo 88
oceane
Texte tapé à la machine
oceane
Texte tapé à la machine
8beatmod tpo 88

Ii 1"'1 ~ ~ ~ J ~ I"I I I I

\~J.

I I I I r< lax, re-lieve the ten-sion, No mat-ter what the pro-gress, or what may yet be proved, the

• I

I ·· 1011"'"

I

Gm D Fm Gm Cm

., I I I I I I -IrJ

\ ,)

. ·· .• 11 • • • . .

I Pr r< sirn-pie facts of life are such they can-not be re-moved. You must re-mem-ber this, a

J 9- -,.no. • ~

· ··I I

_.-

Fm Fm~5 Fm

., I -- I l n /""""':! I I .. - I"'" • _.. . .I

. . .• ~

) vr ~r I 111 -< kiss is still a kiss, a sigh is just a sigh. The fun-da-men-tal things ap -

• .- 1 I. l.:&"I · ..- .

v nI II-.d .......

Gm7~5 Cm Gm F7

~ I -~ . .

~ - . .tJ I I - • '-J' r r r r r

ply, time goes'--3 --'

And when two lov-ers woo, they~ as by.

l ~ 111.. !If' • #- 9- -I ·· .

I 1 I 1

Fm

,I - 1 l ~ ~ I I .. .

~. . .. . .

" [Ir ~r I TI I -< still say '1 love you,' on that you can re-ly. No mat-ter what the fu-ture

• \ I. l.~I · ';;I· . ....

I ......, --Gm7~5 Cm Gm F7

33

I -I

I I - ",_..-/ V'"

< brings, as time goes by. Moon-light and love - songs

tL.~ !- ~ - • J ~~ h..-: -ft··

I I

Fm7 Bb7 Fm7 Bb7 Ab G7

, I -I

t. . . .

'- L ... ool I I I ... ool I

< ne - ver out of date, hearts full of pas - sion, jea - lou-sy and hate.

~~ ~ I.::e-I ··

C7 Fm7

, - r""-II I - -t. .I

.'- I I I

< Wo-man needs man and man must have his mate, that no - one can de - ny. ____ It's

t$: I~ 1.:6- -8- b~ ~-fi

··Cm F7

The

Cm GmGm7bSFm

still the same old sto-ry, a fight for love and glo-ry, a case of do or die! __ +-_

I . I. . ·t ··. ·- I I e;, -

<world will al-ways wel-come 10- vers, as time goes by. You by.

hl~.J?.J b.J S!-

I · . ·· · ··I I

F7 Gm7 Eb Gm P Fm7 Bb734

(Agai stAll 0 dseAL okAt eNow)

Words & Music by Phil Collins

Slow1\ ~ -

tI. . . .

t. .... - • "",--,,#.... ---- ~

p - -"] 1 -.J ..{ "] 1 --..J.- ~,J' J') 4, · ""I·

I I IV

A7susjE Asus A A 7susjE A(add B)

Brn7 C#rn7

~ .- ) .. F9.IotLI. I I

t ··l.I - I I

< How can I just let _ you walk away, just let you leave without _ a trace? When I

1\ ~ 2

I ·· 11II

tJ -z;s~.i ~ ~

B ,D A 7sus Ern7

~ "" I ~ -.Iot11 I"" • - • I""

t .

< stand here tak - mg ev - 'ry breath with you, ooh. You're the

g- ~ ~ g.~

I ··G AjG F#rn7 Brn7

"~ "" "" • - - ·I ·l.I I, ) ron - ly one who real - ly knew_ rne at all

.fi. #:, ·· ·, ·Ern7 A

© Copyright 1984 Effectsound Ltd/Golden Torch Music Corporation/Hit and Run Music Publishers Ltd, 81-83 Walton St., London SW3.

All Rights Reserved, International Copyright Secured,35

oceane
Texte tapé à la machine
16beatbal1 tpo 64
oceane
Texte tapé à la machine
16beat

1 2.3.f1 .. I - • - .«: ~ ~

I r_ Tl

.I"'"

, @) - ---- So take a look at rne now, well, theres just an<

~ ~t:~ i JI ·· _..-..__.., -.-.__._------

IAsus A DIA

f1 .. - ~ -f'- ~ ~ - . «r--: ...-.. -. ..

\ vI.. .....;;0 - -

ernp - ty SI and th~e'S no - thing left here_ to re - rnind rne,_ just the< #1' t t I- I-I ··

IE7/A Brn G

~ .. • ~ """'..,.

~ <, l

I.

-~

) -<

rnern-ory of your face. Weil, take a look at rne now, weil, theres just an

lIIl lIIl Gi1~ J ~ •, · .. .. ~

·I

10 Coda-$­...--....

DIAAsusErn7

~ .. - ~ ~ ~-~ ~ - - '" :- - - - '".I·

) -<

ernp - ty SI and y~U comin' hack _to rne_ls ag - ainst __ the odds and that's what

#1' t t I- I- --

I ·· -- ..

IE7/A Brn G

~ /""..., ~ ~ l,., ,., - I"'" IJ. o. r--.\

I. .

I

<__ I've got_ to face. 3. I

lIIl lIIl .~ ~~ ~ ~ #:I ··

Ern7 Asus A

36

~ --. - -- ~ 111- 111- 111- fl- 111- -~

4 -< -- I've got __ to face. Take a good look at rne now,

lIl. III JII!!:- I-I ··-'-'--'.~~ --_.

Ern7 Asus A

-$-CODA

I ~ --.- - --- - ~.~ . .

t.. • "'"--,,,"*~ __ I've got to take.

fI- fI- ~ ~ ~~ JIf!:- #= ln-..J -I ..

I

Ern? Asus A A 7sus/E Asus A

I...:.JG(add A) AA/D A/C#AsusAA 7sus/E

~ ~ - 111- - ~ 1":"'1

~ . .) - I

1ii.=: 7P :$",

~ Take a look at rne now, rit.________m

m-..J 1:2- .GeI I I, ··

I I -

2. How can you just walk away frorn rne,When all I can do is watch you lea ve?'Cause we shared the laughter and the pain,And even shared the tears.You're the only one who really knew rne at all.

Chorus:

3. I wish I could just rnake you turn around,Turn around and see rne cry.There's so rnuch I need to say to you,So rnany reasons why.You're the only one who really knew rne at all.

Chorus:

37

Moderato

orningOfM(InTheMorni

Words & Music by Barry Alan Gibb

I ~I --I "

4 I I I,

I r

pthe ning, when the its

<In mor - moon IS at rest,

day - time, I will meet you as be - fore,

I-#- ~ -#- -#- ~ -#- • -f'- ~ -f'-.

~"

F

I I I I I,............,

I I I I

<-- you will see me at the time I love the best,

-- you will find me wait - ing by the oe - ean floor.

I -#- ~ -#- -#- ~ -#- -#- ~ -#- • -f'- ~ -f'-· -"

F

~ I I

-t w ~ v

_.

- I I

t -- wateh - ing ram - bows play on sun - light,<

-- Build - ing eas - tles in the shift - ing sands,

I 19- -#- -f'- t!: -f'- -(2-" ~ ~ ~" .-"

F Gm7 Am7

" I I

--I tJ I I I

< -- pools of wa - ter, iced from eold_ night.

-- m a world no - one un - der-stands.

I - ~" -f'- ~ -f'- -(2-" ~ ~ ~··

38

Gm7

© Copyright 1966 Abigail Music (Australia) Pty. Ltd.Rights assigned to Penjane Music (Australia) Pty. Ltd.

Camp bell Connelly & Co. Ltd., 8/9 Frith Street, London WI.All Rights Reserved. International Copyright Secured.

Am7

1\ I

~.

@) I 'lJ' ., .,

~ - In the morn - ing, 'Tis the

f:-. !'- ~ !'- !'- ~ !'-t - -· .......·

--- --Gm7

11"l I ...., 1\

t ·. ·., ., ., --- -- --- --~ morn - mg of my life. In the life.

II ,. ..".. I I ,.

·· ·. ·C7 C7

I

t --- v ., "- ...--

< -- -- 'Tis the morn-ing of my life. --

t..".. I ,. I

-(9-• - ..".. - ,. !'- ,.·9". I ...... I""" I"""

,

F

,I I

It.. I

,I I I '--- .-

< In the mo rn - mg of my life,

t - ..".. - ..".. ~ ..".. ..".. ~ ..".. ,. f'- ,.·· I ,

F F Gm

I I I I I I I

I'lJ' ~ I

~ the min-utes take so long to drift a - way. Please be

t,. .p.. ..".. ~ ..".. ..".. ~ .."....... I -·

C7 F

39

I I

I4 I I I

< pa - tient with your life, it's on - ly

t#- (: #- #- (: #- • !'- • • P-

o0

Gm

I I I I I I

t r <, /' I

< morn - 1I1g and you've still to live your day. In the

-R- J j .«: ---I 0

0

C7 F

,t t. I I I I I

, , I r I

< eve - rung, I will fly you to the moon, - to the

#- (: #- #- r: #- • !'- (: !'- #- ~ #-I 0

0 I

F F

I I I I I I I I

I4 I I I I

< top right hand cor - ner of the cei - ling 111 my roorn, where well

t#- (: #- #- (: #- • !'- ~ !'- ? 11#-

0

0

F

I I

t I I I

~ stay un - til the sun shines a - noth - er

!'- ~ !'- .p..0 - f:- ~ f:- ~o

I 0.

40

Gm7 Am7

,.,I I

I ..-tJ I I I

< day. To swmg on clothes - lines, ru__ be

P- ~ P- fL· - f!: ~ f!: - f:.I ··

Gm7 Am7

,.,

I tJ u ", ", ", ", ",

---- -< yawn - ing, 'tis the morn-ing of my life,

P- ~ P- P- ~ P- I ,., ··Gm7 C7

I

I", "- -./

< - 'tis the mo rn-mg of my life.

#- ,. I 19-. #- ,. P- ,., ··

F

I

II I

< In the morn - ing, -

#- #- #- ,. P- ,. #-, ··F F

~ I.

I

I) I I I I

< m the morn nmg,

-fI-..0.

I#- - #- - #- - ,. ,. -e-

L:"' •·, .

41

owerOfLoveWords & Music by C. deRouge, G. Mende,

J. Rush & S. Applegate

sb

._v u

----------

-The whis-pers in the morn.~-I::n:sg;,,;;;:;;====;;;;;;;;;;::::::':::::::::-I-

on.

of lov-ers sleep-ing

I t I I V I I

Gm sbI -

I -. . .'U' v'U' • • - •- "U

~--< tight, are roll-ing by like thun-der now as I look in your-r.,.n. --- -, ··t I t I t I I V I t I

F sb

rr

I ~

· .I ·lJ' . . .__., =# v:f • • -&-- ---l:t-eyes. I hold on to your bo - dy and feel each move you<

times it seerns I'm far a -

t · •..· · -·• • a - -_._.-'-'._-• - - - - - -

Gm

ii

ft I - ~.-"------_..-..----_.~--_._--._-- --~._--_.__.. -- I'._._-;;;;-

t. -#!

~- - - - ~ --&-- ----Jt-

< make: Your voice is warm and ten - der, a love thatway: Sut nev - er won - der vhere I am cause I am

.--- - '-

I · .- -_.__._--.. -

· -_.

r r P bi ~ r ~_.__.. ..

~ ~ ~ ~

42© Copyright 1985 Libraphone Musikverlag (CBS Songs Musikverlag GmbH).

CBS Songs Ltd., 3/5 Rathbone Place, London Wl.All Rights Reserved. International Copyright Secured

oceane
Texte tapé à la machine
lovesong tpo 74
oceane
Texte tapé à la machine
16beatbal1 tpo 80

F"l I ~ f""""""'I I

t ·- ·. ·) ""U

------ - v -< I could not for - sake 'Cause I am your Ja -

al - ways by your side.

I ··-,; -d •• • • • •

Eb/Dsb~ 1- I I ~

,...:;;;....

" I~ I I i""""'""I ,...... I J..----..-. ·, · . .· .) --- I /- r r..-

~ dy and you are my man when-ev -er you reach-

I ·· - -- - - -- #- #- #-' #-#- #- 7i---F

Cm" 1_ ~ ~I - I l- I I

~..

) I..--J I ---..- I r ~ ..-

~ __ for me 1'11 do all that I can

I ··~ ~ "iJ-1~"iJ- ~ • • •

"l I I I J r--'l r--'l I, · · .· ··I - • - • <::« I .----- ,..-.-

~ Ev - en tho' there may be were head - ing for some - thing,-

I ·· ··•• •• Q

Eb/D

43

some-tirnes I am fright-been, +-_some-where I've nev -er

to Coda -$-8~E~F8~em --"I I ---.. I I I I I I T ., I I f.-.

-----.

.- ----.-- --l-- _.-f+-:;;t'--::H--~ .__. -_..-.------_..-.....

I ) I I ! r uo"'__ ---,/uo-< -ened but 1'111rea-dy to learn _'bout the pow-er 01' love.

-';;'""i;;--';-I !""""l . !""""l

I · --- ... _m _. ___ • .._-- .- ---+- ..._- _..----- .- -I--F -117-"--

--

~#1/1 4

E~ F E~ F,.,I "- r--""l I -

~.. ._.-..... - . .-......... _...•

'\tif

",I r f r< The sound 01' your heart beat - mg, made it clear sud - den -

I · ___ • ___ ._. N_ ..

4 C/ 4 C/

Gm F F 8~ F"I I ... n ___ •

__ • ___ m ____ ._ ) "- - r--"'l -+ ) "- I r-"""1

I..... I ..... •. . _..... .

) ~: I fI I I f r

< -ly. The feel- ing tha t I cant go_ on IS light years a -

t ·· --+. .#1/1 4 C/ #1/1 -e-

-~~. I I -r<:

tI{ ···t. ~ -,/ -

~ -way 'Cause I arn your la-

I · -

· ...,~ -.-.,.,L-+.

• • • • •

FDJ!s.al Coda -$-CODA

8b,(j.._ I

--

The pow-er 01' love

E~10 fade

I I ...._~., · . --1::m .. ·_. __ ·• · ·· m m __ m · ·. ·4 "'J' L--1II • - ~--- ......- -

~ The pow-er of love The pow-er of love

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SeparateLivesWords & Music by Stephen Bishop

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< You called me from the room In your ho - tel,

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4 -< all full of ro - mance for some-one you had met, and

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< tell - lOg me how sor - ry you were leav - ing so soon, __ and that you

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< miss me some-times when you're a - lone 10 your room. Do I

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© Copyright 1985 Gold Horizon Music Corp., Stephen Bishop Music Pub. Co. and Hidden Pun Music Ine.All Rights Reserved. International Copyright Secured,

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.... ---~ - feet lone - Iy too? You have no

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~ right to ask me how I fee!. You have no

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bi -to Coda -$-

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< right to speak to me so kind. I can't go on, hold-ing on to

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i r r r f - -z. f~ ties, now that we're liv - ing sep - 'rate

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- "" ........ -§t r - tr ~ -r~ r 2. Weil I held lives. It's so ty-pi-cal.Li love

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< leads to i-so -la - tion. So you build that wall, so you

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~ r - 3 -rbuild that wal! and make it strong - er. 3. You have no<

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(on) find my-self look -ing in your eyes. But for now well go on liv-ing sep'rate

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<lives, Yes for now we'Il go on liv - ing sep-trate lives.

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Chorus 2: Weil, I held on to let you go.And if you lost your love for me,you never let it show.There was no way to compromise.So now we're living separate lives.

Chorus 3: YOLIhave no right to ask me how I feel.You have no right to speak to me so kind.Someday I might find myself looking in your eyes.But for now, we'll go on Iiving separate lives.Yes, for now we'll go on living separate lives.

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