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Writing about Literature
Forms
News media: scandals, celebrations, promotionsAuthority issues: censorship, publication rightsFormat: journals, magazines, collections, monographs online, printedEducation: papers, exams, theses, dissertations
presentationsAudiences: specialised or lay readershipStyles: formal, informal from academic writing to blogs
The literary essay
Flexible form – formal or informalwhen informal: ideas are
presented and argued supported by
quotations
History of the essay as a literary kind
Periodicals with literary essays
• TLS The Times Literary Supplementhttp://entertainment.timesonline.co.uk/tol/arts_and_entertainment/the_tls/• London Review of Bookshttp://www.lrb.co.uk/• The New York Review of Bookshttp://www.nybooks.com/
The academic essay
Tends to be formal, with a set of rulesdepending on the area of expertise
Essays within various disciplines covered by SEAS: http://seas3.elte.hu/seas/research/publications.html
Examples from DES
• angolParkhttp://seas3.elte.hu/angolpark/• The AnaChronisThttp://anachronist.atw.hu/Style guide for literature:
e.g., MLA Handbook for Writers of Research Papers (Joseph Gibaldi)
For a seminar paper
• Check requirements of instructor, concerning theme, content, method, form
• Select a work or a problem that is of interest to you.• Choose a title that describes a question or problem.• Collect the points that you want to make, and build
an argument from them.• Support your points and arguments by quotations
from the work(s) in question, using critical sources as well. Always provide the source of your quotation.
• In the introduction explain what you want to do, such as analyse a book from a certain point of view; compare the treatment of a problem in two or more works; describe a feature of an author's style or other strategy in two or more works by the same author; discuss a more theoretical question of literature using works as examples. Problems to discuss and features to analyse include narration, characterisation, structure, style, motifs, use of symbols, treatment of social or moral issues.
• Then go ahead and write an interesting, argumentative paper
• In your conclusion summarise your results. What have you learnt from all your work? How could you sum up your most important discoveries for someone new to your topic?
Papers at exams
• Concentrate on the text• Focus on the question/theme/title specified• Remember helpful ideas from criticism or
other works• Try to establish connections between literary
texts, between texts and ideas, between texts and criticism
• Present an argumentation
If you want to test yourself
Give a one-line definition of the following terms:• iambic pentameter• narrator• conflict in dramaGive a one-paragraph definition of one of the
following terms:• narrative voice• elegy
Now for a 15-minute task
Choose one of the following two extracts and
• list possible ways you could analyse the piece• choose one approach and actually carry out
the analysis
Please find extracts on the next slide.
extract No 1
All the world's a stage,And all the men and women merely players.They have their exits and their entrances,And one man in his time plays many parts,His acts being seven ages. At first, the infant,
...• Shakespeare "As You Like It" II.vll.
extract No 2
I am the poet of the body and I am the poet of the Soul,
The pleasures of heaven are with me and the pains of hell are with me,
The first I graft and increase upon myself, the latter I translate into a new tongue.
Walt Whitman, “Song of Myself” Section 21http://www.princeton.edu/~batke/logr/
log_026.html
Now see what you have done
• Did you write all 3 one-line definitions?• Did you notice that you only had to write a
one-paragraph definition on 1 topic?• Did you notice that you had to list possible
analytical approaches to one of the two texts only?
• Did you remember to do the list, as well as choose one approach to elaborate?