Works: Crispijn van Sas

architecture CRISPIJN VAN SAScv+works

2015

2

architecture CRISPIJN VAN SAScv+works

2015

Crispijn van Sas

N netherlands nationalityD 13/07/1986

M [email protected] +31 6 17 326 195W crispijnvansas.eu

Architectural works

FORM, Moscow 2011: I worked on a lot of interior design projects, realised an art installation learned how to make drafts and manage building processes. The Biggest project was the renovation of a constructivistic building into the main office for the garage center of contemporary art.

Eugene Asse Architects, Moscow 2012-2013: I worked in this office as a landscape designer for the renovation of PARK MUSEON a sculpture garden of 20 Ha which has organically grown since the fall of communism and has recently been transformed into a park for a broader scope of cultural activities.

VANSAS+ZLOBINA (my own office)Run my own office with my wife in Moscow. We designed multiple apartments and ‘house on a slope’.

Robbrecht en Daem Architecten, Gent, April-May 2014: During the fixed period of approximately one month I worked together with Robbrecht en Daem architecten and my wife on the competition for a new museum of contemprorary art in a former cinema building ( udarnik ), my wife in Moscow I in Gent. The collaboration with robbrecht and daem was challenging in a sense of concept development and finding the right architectural representation that could express our ideas about the

Educational background

1994-2004 Mollerlyceum Bergen op Zoom, atheneum/VWO2004-2007 Bsc Architecture TU Delft, the Netherlands2007-2010 Msc Architecture TU Delft, the Netherlands

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InternshipsPaul de Ruiter, Amsterdam 2007Buro Moscow, Moscow 2010

Architecture related jobsArchitecture guide Nai, Rotterdam 2006-2009

CompetitionsWonen te gast in het landschap, urban vision, 2005, nominatedStreetlab, 2007, festival design, won, realizedVenlo city, 2010, urbanism, 2nd price, public prize winnerKlaksvik community centre,2011, for FORMUdarnik,2014, for Robbrecht&Daem, first prizeRanst, 2015, for Nu Architectuuratelier, first prize

Good knowledge of BIM modelling in Revit, experience in Rhino 3d modelling and architectural rendering, parametric scriping applied in projects in the past, knowledge of scripting languages C, pyhon, ruby.

re-development of the existing building.

A1 Planning Architecten, Oostende, May-November 2014:In this office I mainly worked on two projects, as an assistant designer on a project for the realisation of a tower complex with 800 appartments, as a project architect on the realisation of 40 apartments.

NU architectuuratelier , Gent, February 2015:Project based job. WINNING Competition design of a healthcare centre in belgium.

SoftwarePhotoshopIndesignIllustratorAutocad archRevitArchicadVectorworksRhinoMS office

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architecture+

planning

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TIMESPACE‘Alternative proposal for bridge ove het IJ’

ArchitectVANSAS+ZLOBINA

June 2015

wormhole - a trip to another time in space

8

oude route15min

Nieuwe route5min

projected wormhole as a CYCLING tunnel under ‘het ij’

NEW amsterdam

OLD amsterdam 9

Rewind the tape - experience a shift in time

1600 1700 1900

As an alternative proposal for the bridge on the ij in Amsterdam a cycling tunnel couldadd another dimension to the cities attractionswithout disturbing the view on the IJ

The tunnel takes you on a journey. A journey that gets you acquainted with the rich art historyof amsterdam.

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Rewind the tape - experience a shift in time

1900 1940 1990 2000

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Anamorphosis

The picture below shows leonardo da vinci’s eye under perspective. Anamorphosis is a represen-tation technique where the perspective is corrected within the flat 2 dimensional repre-sentation of the image. Nowadays anamor-phosis is applied everywhere from beamer correction mechanisms to road signs.

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How the image is made

the tunnel is made out of a shell that consists of black panels filled with fluorisent reflective dots that are printed on top of the panels with a kind of 3d printer

original

fluorisent paint dots

projected on surface

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udarnik‘the building as found’competition, first prize

competition designerRobbrecht en Daem

May 2014

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Robbrecht en Daem architecten - ARUP - Portner - Tiamet proekt

28th May 2014

UDARNIK - THE BUILDING AS FOUND

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1931 - cinema 1990 - casino restaurant 2020 - museum?

In the city centre of Moscow, the capital of the Russian Federation lies a former cinema building ‘udarnik’.

kremlin

udarnik

park museon

red square

The building was completed in 1931 by the

architect Boris Iofan, who later won the competition for the palace of the

Soveits.

After the fall of communism the building soon became left unused. In 2014 a competition was initiated to transform the former cinema into

a museum for contemporary art.

16 | udarnik

0,000

0,000

1,860

0,000

1,860

ZONE 1: UNRESTRICTED / NON ART1. Airlock Vestibule 2. Security booth 3. Hall 4. Information - reception counter 5. Ticketing 6. Queuing space for ticketing 7. Audio guide rental space 8.

Group entry 9. Group amenities 10. Sales Area 11. Shop Storage 12. Bar Seating area 13. Bar 14. Support space

0

ZONE 4: Restricted / NON ART19. Fire safety equipment 2. Security booth

1.

3.

4.5.

6.

7.

9.

8.

2./19.

10.

11.

13.

12.

14.

0,000

15.

16.

17.

18.

16.

ZONE 2: UNRESTRICTED / ART15. Multifunctional Programme Spaces 16. Janitorial 17. Control room

ZONE 3: RESTRICTED / ART18: Freight elevator and staging lobby

Groundfloor - The incubator

incubator

in order to make the museum a public space of the city we

proposed to make the ground-floor open to the city. Public functions like a cafe and a

bookshop are combined with a central exhibition that will be

accesible for free.

17udarnik |

Shelter for art

main exhibition space

The former cinema hall becomes the main exhibition space. Formerly large windows were made in the roof.

to create a space for multiple purpose events. Not long after the opening windows were closed because of insulation issues, but now with the transformation of the museum and modern insulating glass the roof can be restored and exploit the potential of sunlight emit-

ting this huge central space.

a shelter for art, rendering by me, watercolor by Paul Robbecht

Seminar room connected to the exhibition space

18 | udarnik

Restaurant with a view

Axonometric view of the creative studios

Axonometric view of the restaurant and the kitchenthe periferique

Spaces surrounding the main exhibition space provide additional programme. The periferique makes use of the

buildings and its urban context. Image on the back-ground shows the restaurant with a view on the kremlin

restaurant

kitchen

library

workshop space

19udarnik |

cross section

20 | udarnik

cross section

21udarnik |

gdv zevenbergenmental healthcarecentre, Ranst, Belgium

Freelance Architect NU architectuuratelier & Hebbelinck

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The winning competition design for the mental-healthcare centre gdv Zevenbergen foresees a renovation of the existing fascilities, a complex that no longer meets current building fysiscal and spatial demands for modern healthcare.

clustersIn the design proposal a three phase plan (right)foresees gradual replacement of the existing facili-ties by clusters of rooms grouped around a set of fascilitating, public and controlled garden space.

part publiqueopen lands in the healthcare centre will be de-veloped as public acces space. The landscape design and programme propogates a connection between the patients and the public life.

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THE WHITErealization of residential complex with 800 apartments

Ostend, Belgium

Architect A1 Planning ism Robbrech Daem architecten

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Ontwikkelaar Groep Sleuyter 21 mei 2014TBM ontwerpteam WITTE MARITIEME STAD

Robbrecht en Daem architecten in samenwerking met A1Planning





After working at Robbrecht en Daem architecten on the competition of Udarnik I had the chance to work on a challenging project for the realisation of 800 apartments, called the white. The white was a challenging project. How do you deal with such a massive programme without breaking with the scale and aeriness of a coastal resort like Ostend? The solution was in breaking with the rigidy of mass produced housing thus creating a more organic building that somehow can relate itself to the natural shape of coastal cliff.

From the translation of a dream to realisation, in a team of six people I was involved in the proces of

spatial planning of apartments in the white, taking in consideration the programmatic requirements, complex building structure, the per apartment quality of views, light admittance, effect of the wind organisation of vertical elevator shafts and piping.

If you’re building so high every decision made per apartment may affect the appearance of the complex the internal organisation of the whole both vertically and horizontally and this made the design of the white a challenging task.

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Golf-zicht:geen

Golf-zicht:geen

Zeezicht:frontaalZeezicht-terras:

Zeezicht:frontaalZeezicht-terras:frontaal

Terras:16,95 m²

Terras:23,78 m²

Opp:114,58 m²App.1.2_12_03

App.1.1_12_01Opp:94,15 m²

Opp:92,44 m²App.1.1_12_03

App.1.1_12_01

App.1.1_12_02

App.1.1_12_03

App.1.2_12_03

frontaal

Ontwikkelaar Groep Sleuyter 21 mei 2014

FASE 1 - NIVEAU 12

TBM ontwerpteam WITTE MARITIEME STADRobbrecht en Daem architecten in samenwerking met A1PlanningDetail of construction drawings, as a overall spatial planning was made I was involved in a improved proposal

for the planning meeting all the programmatic and building phisical requirements.



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Kaaistraat & Sint Franciscusstraat

realization of residential complex with 37 apartmentsOstend, Belgium

Project Architect A1 Planning Architecten

The design of the Kaaistraat deals with a set of complex contextual variables.

A narrow site and strict building regulations, combined with the am-bition to realize 37 apartments and the existence of heritage on the site which building volume is in a poor condition.

Inspired by the surrounding 19th century tradition of building houses in twins or small ensembles we decided to subdivide the facades in a logical order of tree times two buildings arranged around a central staircase and elevator.

The concept of twins creates a diversificated impression, thereby integrates in its urban context, and simultaniously applies repitition of elements to garantee a maximum quality within a limited budget.

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An inner courtyard accesible for all the inhabitants of the complex reacts on the lack of green cityspace

in the surroundings.

st franciscusstraat

kaaistraat

‘t mespuntje

binnenplein

N

30 | kaaistraat

60 c

m

to ensure privacyapartments along the Kaaistraat have been

elevated 60cm above the street level,

The sint Franciscusstraat, 30cm lower than the Kaaistraat, becomes the entrance of the

integrated parking. The roof of the parkings is transformed into a green courtyard.

31kaaistraat |

Value assesment

As a result of the value assesment the dicision was made to demolish the building volume and to integrate the existing facade in the new

ensemble.

32

5,00 m

643

ajuin te vervangen of restaurerenscheuring ajuin

voegwerk slecht /te vervangen

slecht houtwerk / te vervangentijdelijke dichting ( te verwijderen )

geglazuurde baksteen slecht /te vervangen

5,00 m

643

ajuin te vervangen of restaurerenscheuring ajuin

voegwerk slecht /te vervangen

slecht houtwerk / te vervangentijdelijke dichting ( te verwijderen )

geglazuurde baksteen slecht /te vervangen

| kaaistraat

6 Ontwerp Kaaistraat - St. Franciscusstraat | A1 PLANNING

Hoge monumentwaarde

Positieve monumentwaarde

indi�erente monumentwaarde

monumentwaarden van plafond zolder of kap

bijzondere interieuraspectenno.

1.

9,7 m

1.

2.

3.

Hoge monumentwaarde





1.

9,7 m

1.

2.

3.

STRAATBEELD | MONUMENTWAARDE | PRECEDENTEN

Objectomschrijving:

Kaaistraat nr. 30A. Art-nouveaugetint winkelpand uit eerste kwart van de 20ste eeuw.

Breedhuis van drie traveeën en vier bouwlagen onder pannen zadeldak.

Deels aangepaste houten winkelpui waarboven gevelparement van geglazuurde siertegels met gebruik van arduin voor dorpels en sluitstenen; aflijnende kroonlijst op geblokte lisenen waartus-

sen faiencetegeltableaus met florale motieven.

Getoogde en korfboog(deur-)vensters, deels met behouden houtwerk o.m. kleine roedeverdeling in bovenlichten; vernieuwde

balkons.

5 geglazuurde siertegels

3 arduin sluitstenen

4 arduin dorpels

1 kroonlijst op geblokte

lisenen

2 faiencetegeltableaus met

florale motieven

6 Deels aangepaste houten winkelpui

A drie traveeën

B vier bouwlagenverdiepingshoogte:3 tm 3,6 meter

6 Ontwerp Kaaistraat - St. Franciscusstraat | A1 PLANNING

Hoge monumentwaarde





1.

9,7 m

1.

2.

3.

Hoge monumentwaarde





1.

9,7 m

1.

2.

3.

STRAATBEELD | MONUMENTWAARDE | PRECEDENTEN

Objectomschrijving:

Kaaistraat nr. 30A. Art-nouveaugetint winkelpand uit eerste kwart van de 20ste eeuw.

Breedhuis van drie traveeën en vier bouwlagen onder pannen zadeldak.

Deels aangepaste houten winkelpui waarboven gevelparement van geglazuurde siertegels met gebruik van arduin voor dorpels en sluitstenen; aflijnende kroonlijst op geblokte lisenen waartus-

sen faiencetegeltableaus met florale motieven.

Getoogde en korfboog(deur-)vensters, deels met behouden houtwerk o.m. kleine roedeverdeling in bovenlichten; vernieuwde

balkons.

5 geglazuurde siertegels

3 arduin sluitstenen

4 arduin dorpels

1 kroonlijst op geblokte

lisenen

2 faiencetegeltableaus met

florale motieven

6 Deels aangepaste houten winkelpui

A drie traveeën

B vier bouwlagenverdiepingshoogte:3 tm 3,6 meter

16

Plan of the first level showing the inner courtyard on top of the garage.

The apartments located along the street have large balconies, sometimes oriels providing qualitive views, while apartments with direct roof acces

have been oriented towards the inner courtyard.

33kaaistraat |

house on a slope

Maria Zlobina, Crispijn van SasChief architect

van sas zlobina architecten

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house on a slope

Maria Zlobina, Crispijn van SasChief architect

van sas zlobina architecten

35

The house on a slope was a comission that I did together with my wife in the spring of 2013.

contextual anticipation

Surrounded by a highway from the one side and a green valley on the other side the main challenge in the design was to deal with contextual qualities and treats use it in order to make a good architecture.

The house is designed as a long rectangular in order to effectively reduce noise from traffic.

| house on a slope36

GSPublisherEngine 0.0.100.100

Living inside out

A terrace on the outside of the house extends the living room in the summer.

A fully glazed window on the south side of the building offers a view on the valley with the rising skyline of the city on the background. A small space is left in front of the window to sit on the corner of the building.

1 stair to roof terrace \ 2 bedroom / study \ 3 living 4 terrace \ 5 bathroom \ 6 master bedroom \ 7 pool

2

1

3

6

5

4

house on a slope |

7

Detail of bedroom balconee overlooking the valley

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| house on a slope

house under construction, the concrete wall is hiding the windows on the outside minimizing the image to concrete walls and glass windows.

front view showing the facade of cast conrete, the cast has been made with wooden planks. Wooden planks are used for the decking in front.

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house on a slope |

A borderless swimming pool overlooks the green valley substitutes the need for a fence.

drawing of the pool -

the water falls over the edge to be filtrated and be pused back in the

pool.

39

park museonMoscow, Russian Federation

designerAsse Architects, Moscow

2013

After years of research in the Moscow Architectural institute Eugene Asse, one of Moscows most prominent Architects was comissioned by the Rus-

sian department of culture to redesign the Museon Park in the center of Moscow city.

The Museon park was initially designed as a garden for the Central house of Artists that houses a part of Moscows tretyakov gallery and a commercial

programme of galleries and space for annual events.

In the 90’s the park became a memory of the city as all political statues that survived the fall of Russian Communism were moved to this location and

the park was rezoned (never designed) as a sculptural garden.

Now 20 years after an organical transformation from garden to sculptural city park the reconstruction adds quality to a

valuable piece of public space for Moscows inhabitants.

40

41

Park Museon was originally designed as a entourage for the central house of artists, a large cultural institution. In the 90’s Museon gradually trans-

formed in a backyard for Moscow’s old Soviet sculptures. By adding new functions and giving dedicated space to existing ones structure and income

was provided.

ПП

Стадия Лист ЛистовРУК.МАСТ. Асс Е.В.

Изм. Кол.уч. Лист №Док. Подпись Дата

ГАП Васильева С.А.

Адрес объекта:г.Москва, ул. Крымский Вал, 10

МОСКВА

119019

Б.АФАНАСЬЕВСКИЙ ПЕРЕУЛОК

11/13, 17 ЭТАЖ

ООО "АРХИТЕКТОРЫ АСС"

asseархитекторы

architects

Концепция парка искусств "МУЗЕОН"

с 2013 архитекторы асс

“ВОЛНА”

КНИЖНОЕ АРТКАФЕ

ДЕТСКИЙ ЦЕНТР

МУЗЕОН ЦЕНТР

GREEN HOUSE

АЛЛЕЯ СОВЕТСКИХ СКУЛЬПТУР

РЕСТОРАН

ШКОЛА

ЛЕТНИЙ ТЕАТР

СХЕМА ОБЪЕКТОВ 8

ПРИЧАЛ

ВЕРНИСАЖ

РЕСТОРАН

БАР НА НАБЕРЕЖНОЙ

43

| park museon42

Zoning plan shows the relation between different typologies of green infrastructure and

the introduced new functions.

park museon |

ПП





МОСКВА

119019


11/13, 17 ЭТАЖ



architects



“ВОЛНА”

КНИЖНОЕ АРТКАФЕ

ДЕТСКИЙ ЦЕНТР

МУЗЕОН ЦЕНТР

GREEN HOUSE

АЛЛЕЯ СОВЕТСКИХ СКУЛЬПТУР

РЕСТОРАН

ШКОЛА

ЛЕТНИЙ ТЕАТР

СХЕМА ОБЪЕКТОВ 8

ПРИЧАЛ

ВЕРНИСАЖ

РЕСТОРАН

БАР НА НАБЕРЕЖНОЙ

43

43

Now the infrastructure of Park museon exists of an overload of very wide asphalted roads. By reducing the amount of roads and transforming asphalt into stone and stone/gravel paths the maintainance costs of roads can be reduced. Adidionally to the grid like structure a series of smaller pathways “gati” was added to create an other experience of moving trough the park.

| park museon44

A closer look showing the new profiles of roads that diversify and provide suitable space for resing,cycling, walking, provision of shops and activities

like markets.

ПП





МОСКВА

119019


11/13, 17 ЭТАЖ



architects



УСТРОЙСТВО АЛЛЕЙ, ПЕРЕКРЕСТКИ 4327

ПП





МОСКВА

119019


11/13, 17 ЭТАЖ



architects



УСТРОЙСТВО АЛЛЕЙ, ПЕРЕКРЕСТКИ 4327

park museon | 45

Now sculptures in the park are randomly placed making it dif-ficult for visitors to percept single unique sculptures because of the vast open space in the park. We carefully documented and grouped all the 736 sculptures and arranged them in specifi-cally designed spaces for groups of nudes animals political

classification of political sculptures by scale

| park museon46

Avenue of sculptures - plan view

sculptures etcetera. The spaces have different characteristics that comprehend the collections like a open field for large political sculptures that is seperated from the park by large pinetrees and

a virgin wild forests in which the visitor can enjoy nudes.

8.7.

6.

5.4.

3.

15.

21.

9.

10.21.

11.

12.

13.

18.

19.

20.

16.

17.

14.

park museon | 47

The bookshop & readers cafe

closed from the inside, open to the outide.The cafe is projected over the old paths of the park integrates the existing

nature.

| park museon48

Plan and section that show the pavilion

bookshelves become constructive pillars that carry the roof and at the same time enclose an open courtyard where people can have a drink and

read in an atmosphere of silence.

park museon |

2.

2.

1.

3.

4.

4.5.

6.

1. structural wall of books2. display, thin outer shell of steel columns and glass3. readers cafe4. bookstore5. terrace6. inner garden

49

Garage office, museum of contemporary art2012

Olya Treiwas, Masha Zlobina, Crispijn van Sas designer for FORM

In the fall of 2011 FORM was comissioned to make the design for the office of the Garage museum in Gorki park. The building used

to be designed as a drydock for shipbuilding by the architect Alexey Schusev was redesigned in the 20’s to fit the new programme of a

cinema.

During the design proces I took part in the decisionmaking during the conceptual stage, was responsible for the drafting of electricity and sanitary plans and designed costum made objects including the reception desk, spiral stair that was added to make use of the

attic, and the garderobe.

50

51

drawings of the steel stair.

подступеноксплошной,рифленыйметалл.лист,заваренный наус со ступенью

ступень,рифленый металл.лист

4

в- в

2-1

3-1

+4.050

+7.550+7.770

Поз. I

23

аа

вв

645,

590

0

ограждения,металл.лист

1 2

а - а

Т1 - 5

3

4

0,700

0,100

1,500

1,208

1,351

29°

45°

12

13

14

15

6

7

8

9

10

11

+3.500

0,0150,070

0,0150,700

0,600

1,500

29°

1

2

3

45

6

7

8

9

10

11

12

+0.000

план лестницы. вид с верхней площадки

план лестницы. вид с нижней площадки

вид лестницы сбоку

детали винтовой лестницы

GARAGE OFFICE

масштаб :дата :архитекторы :

Form

601:12008.dec.2014О.ТрейвасВ.ОдыньМ.ЗлобинаК. Ван Сас

проект винтовой лестницы

| garage office52

garage office |

3-1

3-3

3-2

3-4

3-5

3-6

3-8

3-7.2

3-9 3-10

3-113-7.1

plan - first floor

53

Materialisation

Matte surfaces, acrylic glass

metal mesh,brushed aluminium

matte metal tabletop,brushed aluminium

wood painted smoked grey

materialisation

The receptiondesk where materialisation is the medium between the different scales. Transparent drawers reveal the contents,

while the front and top are materialized in brushed and meshed metal in correspondence with the other interior objects.

| garage office54

GARAGE OFFICE

масштаб' ' :дата$ $ $ :архитекторы' ' :' '

Form

06.11:22,8312-03-12О.ТрейвасВ.ОдыньМ.ЗлобинаК. Ван Сас

Layout

steel, th=5mm

plywood th=18mm

acrylic glass th=10mm

steel mesh th=8mm

MaterialisationSheme

4.600

1.10

0

740

2.300 2.300

300

740

AA

18 557 18 1.707 18 810 18 810 18 557 1842

84.600

1827

118

270

1815

05

345

51.

100

18 270 18 269 18 269 18 269 18 269 18 270 18 269 18 269 18 1.638 18 558 1842

84.600

1816

418

1816

418

271

1827

118

150

1815

05

1.09

55

1.10

0

AA

Section AA

GARAGE OFFICE


Form

06.21:2012-03-12О.ТрейвасВ.ОдыньМ.ЗлобинаК. Ван Сас

Layout

steel, th=5mm

plywood th=18mm

acrylic glass th=10mm

steel mesh th=8mm

Sizes: front, top, back

assemblage

Extract of the album for the reception desk.The reception desk was designed in a 3 dimensional CAD programme that automatically generated 2D CAD drawings with exact dimensions

for building.

1.200

300

300

4.381

1.508

150

4.60

0

2-4

2-5

2-2

2-3

1-1

1-2

2-10

2-11

2-12

2-6

2-7

2-9

2-2

2-8

+0.103

+0.103

+0.103

+0.103

0.000

-0.306

-0.460

-0.460

-0.153

0.000

Reception Desk

GARAGE OFFICE


Form

06.41:10012-03-12О.ТрейвасВ.ОдыньМ.ЗлобинаК. Ван Сас

Layout

Position Reception Desk

garage office | 55

Klaksvik Finger printsCompetition design

designer inFORM, moscow

Competition for a cultural centre inKlaksvik was held in 2012.

Being part of the faroe islands, klaksvik maintains its own identity, however economically operates within a network of villages, called a regional town.

the sheme on the right showsan overview of the specialities.

56

The Fingerprints project is an imprint- reflec-tion of the town Klaksvik, with its reserved nordic beauty, strong winds and people, who mostly consist of fishermen in many generations.

The project unites four distinct areas — a community centre, residential area, hotel and transport hub.

The community centre is an artificial green hill, a new form of town square, surrounded by public buildings. The town centre is completely pedestrian. All transport is con-centrated next to the Klaksvik marina, on the site of a former parking lot, and includes a bus terminal, parking, and ferry quay. The hill will provide refuge from strong winds coming in from the bay during large public events. Towards the bay, it will form an amphitheatre for hosting festivals and concerts.

57

BIG MAMM

58

Two weeks before the end of

new year the chief architect came to me with some good and bad news

( russian christmas starts from the 1st of jan ). We had a new comission for an art installation in a museum and the bad news was that it had to

be designed and completed within 2 weeks in order to shine during the russian chrismas holidays. The director of the museum in fact commissioned us to design an artistic

interpretation of a christmas tree for children workshops so that their creations could find their place. We thought about it. What if the branches of the trees would be made of climbing ropes

and if the needles would become helium baloons? The concept then would become that as soon as a kid would put inside her/his creation the tree would give a baloon

in exchange. After two weeks the tree would slowly transform form a white tree into a colorful one

filled with kids works creations.

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Related works

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Gemstone Tableproduction of the table

in the studio of Vincent de Rijk

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True CitiesBook publication

Charlie Koolhaas, Crispijn van Sas

In february 2012 I was working with Charlie Koolhaas on the editing of a book which adressed the globaliza-tion and the increasing footprint that lefts behind. A dense patchwork of

images which Charlie collected during the last years of intensive

travelling connects seamingly different worlds.

Our collaboration included the intensive task of organising the vast database of images and structuring it in a way that images interrelated to others would deliver clear messages within the thematics of the book as well as exhibition design for a event

in Einhoven university.

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Based on earlier experience in the Lecture and Debate comission I was selected as a Student Assi-tent for Michiel Riedijk. It was a unique chance to develop the organisational skills that are involved with the preparation of a symposium.

Architecture as a Craft was held in order to raise the debate about the definition of archi-tecture in modern times where the architects position changed and the introduction of new techiques broadended up the possibilities within the architec-tural profession.

Architecture as a CraftSymposium

Michiel Riedijk with Crispijn van Sas and Else Marijn Kruiswijk

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[email protected]+31617326195

crispijnvansas.eu

Documents

Works: Crispijn van Sas