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With weekend - Cork Past and Present to cavre his music into your hearts. Hold onto your false teeth. here we goJ Michael Bowler, P.R.O., JORC. ST. KILDA ... The story is that of love's

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With weekend rates like ours you'll

both be smiling.

At just £27.45 per person per sharing, our special weekends are rapidly becoming a star attraction. Hardly surprising when you consider

that the price, which is based on two persons sharing for a minimum of two nights, includes both service charge and full breakfast.

~luB.Ys v HOTEL GROUP

JURYS HUI'EL & T1JWERS. DUBLIN BaUsbridge, DubW. 4,

Tel: (01) 605000.

JURYS HUI'E~ CORK WeStern Road, Cork.

Tel: (021 ) 276622.

JURYS HUI'E~ LIMERICK JURYS HUI'EL WATERFORD Ennis Road, Li.rnerick. F errybank, Waterford.

Tel: (061) 327777. Tel: (051) 321111.

THE STUDENT PRINCE I I I I I I

False teeth flying across the stage. and family lore learned at my parents' feet are what I think of when anyone mentions The Student Prince.

Up in Galway a few years ago a local musical society put on Romberg's famous operetta. In one scene where Karl Franz is declaring his love to Kathie. his false teeth came·unstuck (so did the love scene) and clattered across the stage.

I wasn't there that night - more's the pity-- to see Prince Karl Franz lose his heart - and his gnashers - to Kathie.

But we shouldn't laugh at the prince. He had been a county hurler and I needn't explain how he lost his front chompers.

I had heard of Heidelberg. university town on the romantic Neckar river. from my parents long before I had ever heard of Sigmund Romberg or The Student Prince.

Soon after the Second World War my parents travelled in Germany. Shortly after they arrived in Heidelberg they visited a mountain-top inn. Staring up at them from the oak boards of the counter was Sigmund Romberg's name carved into the timber.

The IORC can't bring you to mountain-top inns. but we can whisk you away to Old Heidelberg to give Sigmund Romberg the chance to cavre his music into your hearts.

Hold onto your false teeth. here we goJ Michael Bowler, P.R.O., JORC.

ST. KILDA Western Road, Cork City, Ireland. Tel: (021) 273095- (021) 275374

• Frommer recommended • Approved I.T.B. • Bed & Breakfast • En Suite available. • H. & C. • large Private Car Park. • Cyclists Specially Catered For - with Covered Park for Bicycles.

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• 5 minutes city centre. • Open All Year. Personally managed by The Hickey Family- B. & B. £12.50 - En Suite £15.00

IMPERIAL HOTEL

Before andAfter the Show, a visit to the Imperial Hotel is a must.

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1m I

WE'VE ONLY JUST BEGUN

At AlB, we're chJnging the ~ '-

way we think <llld respond- now our

customers and their needs detenninc

the way we do things.

It's a ch<Inge that IS

fundamental to our relationship

with e<lch and every one of our

customers. And it's on ly just begun .

So now, every one of you can

expect more of us. And ask more

of us. Many banks promise you a

better service but only one bank is

really changing.

YOU BRING O:;;HE BEST IN US------'

I~Xt•tti~SS ( · Sll I~XI,Jl)( . lltiSJJ.J~

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TEL: (021) 361101. FAX: (021) 361489

TELEX: 75025/75105

Oghnyan Nicolov

Jim Queally

Donal O'Callaghan Musical Director

Theresa O'Dwyer

Joyce Teevan

Brian Merriman Director

Des Manahan

Philip Byrne

Pat Murray Designer

r [!JJ~ !l!ove .... . The Student Prince represents an almost ideal world- the world as portrayed by the writers and composers of operetta. ·

Set in fairytale palaces and inns The Student Prince is peopled with boisterous but good-natured students, flirty but pure village girls, pompous but good-hearted court officials and love-struck but dutiful princes.

The story is that of love's first bloom, the hard facts of duty and the choice that must be made between them Because the setting of The Student Prince is so romantically perfect the conflict between Karl Franz and Kathie's love and the prince's duty at the end stabs with a harsh sense of reality that brings us back to the real world as the curtain comes down.

The Student Prince was first produced on Broadway by the Schubert Brothers in 1924. · But the story had been around since the turn of the century.

The operetta based on the play Old Heidelberg by Rudolph Bleichman was adapted from the German play Alt Heidelberg which William Mayer-Forster had based on his own story "Karl Heinrich". There had even been an opera version Eidelberga Mia, perfonned in Milan in 19()!.

The Student Prince was the longest running of any of Romberg's operettas and was also the longest running operetta of the 20's.

Then times changed in America. The Depression hit the country in the thirties and the romantic operetta lost the mass appeal it had formerly enjoyed. After that Romberg's work was never again as well received as it had been in the twenties.

At 67 years old The Student Prince maintains its charm. Even now in the cynical, high­unemployment, high-crime nineties there is an audience for a show brimming with sentiment, true-love, heart-break; comedy and good music. And in another hundred years -even if Romberg's work never enjoys the popularity it once did - people will still want to see The Student Prince. We hope you enjoy this production. ~ ~

UAMOTOOLE

JENNY HOWE

PROLOGUE: SYNOPSIS OF SCENES

THE PALACE OF THE KINGS ACTl:

SCENE 1: SCENE2:

THE LOBBY OF THE HOTEL OF THE THREE GOLDEN APPLES. THE SAME, FOUR MONTHS LATER. ACJ2:

SCENE 1: SCENE2:

THE PALACE OF THE KING OF KARLS BERG, 2 YEARS LATER. THE LOBBY OF THE HOTEL OF THE THREE GOLDEN APPLES .

DIRECrOR: MUSICAL DIRECTOR: ASSIST ANT DIRECfOR: DESIGNER: UGHI'ING: SET CONSTRUCI10N & PRODUCfiON: WARDROBE MISTRESS: WARDROBE:

COSTUMES: 1

VOCAL TRAINING: CHORUS TRAINING: CHORUS ASSIST ANT: .REPETITEURS: P.R: ADMINISTRATOR: FRONT OF HOUSE PROMPTER: PROPS: OfFICE STAFF: POSTER DESIGN:

PRODUCTION BRIAN MERRIMAN DONAL O'CALLAGHAN EILEEN CROSBIE PATRICK MURRAY IAN BULLOCK

MANAGED BY SCENECO LIMITED ANGELA O'BRIEN FRANCES BARRY, BREDA CLIFFORD, CATHERINE OMAHONY, INA O'NEILL, ROSE MOORE. LYNDONSOFCOLCHESTER JOHN O'fL YNN NIALL O'LUASA, BONNIE SHALJEAN, MARTIN BARRETT. MICHELLEHORNIBROOK PATRICK ZUK, ANABEL ADAMS, JANET BOYLE MICHAEL BOWLER · FRANCES JONES BOB BARRY, EDWARD MALONE, FRANCES JONES EVA WALSH KAY DUNNE, FINBARR MINIHANE, DES FLEMING FRANCES JONES, ANN O'DONOVAN MARTINA BOHRDT

CORK OPERA HOUSE: Artistic Director. GERRY BARNES; Financial Controller. LIAM HOLLAND;

Production Manager: BRENDAN GAL YIN; Stage lighting: PADDY O'LEARY; Sound Tedmician: IAN BULLOCK. '

OPERA THEATRE COMPANY PRESENTS HANSEL & GRETEL CORK OPERA HOUSE 6-7th DECEMBER 1991

l '}

CAST IN ORDER OF APPE!RANCE VAN MARK: JIM QUEALLY ·v · .• • ~-

DR. ENGEl: PlflLIP BYRNE PRINCE KARL FRANZ: OGHNYAN NICOLOV GRETCHEN: JENNY HOWE LUTZ: DES MANAHAN RUDEt DANCOUGHLAN DETLEFF: PETER VOLLEBREGf VON ASTENBF.R.G: LIAM OTOOLE LUCAS: ROBERT O'CONNOR KATHIE: 1HERESA O'DWYER GRAND DUCHESS: ElAINE STEVENS PRINCESS MARGARET: JOYCE TEEV AN T ARNITZ: MARTIN GLEESON LACKEYS: ISAAC CHUTE, BILLY MURPHY,

LORCAN O'BYRNE, NYLE WOLFE

VIOLIN 1: VIOLINll: VIOLA: CELLO: BASS: FLUTES: OBOE: CLARINETS: HORNS: TRUMPETS: TROMBONES: PERCUSSION: KEYBOARD:

ORCHESTRA FRANCES HORGAN COLETTE O'BRIEN, MARY McMAHON NIAMH NI CHONAILL SEAN BROGAN CARBRY O'SULLIVAN IAN O'FL YNN, KIERAN MOYNIHAN MARIA YOUNG MICHAEL LYNCH, SARAH CHAMBERLAIN SEAN CLINCH, BREIFNE HORGAN GER O'CONNOR, NIALL VALLELY PAT FITZGERALD, RORY O'BRIEN DANNY NOLAN GERRY McCONNELL

LADIES & GENTLEMEN OF THE CHORUS Josephine Barry, Ted Buckley, Joan Casey, Ann Cantwell, Isaac Chute, Ursula Conway, Marl~ Cronin,

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Marie Mullane, Mona Mullane, Ann Murphy, Jonathan Murphy, Billy Murphy, Liam Murphy, Edward Neary, Lorcan O'Byme, Tony O'Brien, Charlotte O'Connor, Colette O'Donovan,

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Shaljean, Denis Stout, Mary Sheehan, Kay Scouts, Karen Walsh, Nyle Wolf.

PROTECTORS Mr. Gerry Cahill, Gaeleo Ud. Manning Electrical Ud. Mr. Donal Keehan, E.S.B. Mr. Bella Kos, Quigley Co. of Europe.

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I.O.K.C. • FOR OPERA ENTHUSIASTS

Promoting opera is an expensive undertaking and it is only through voluntary financial support that the company can be assured of continued success. We have therefore formed a Patrons Society which will help to provide the necessary financial backing.

To cater for, and embrace as much support as possible, we invited Friends to subscribe £100.00 annually and Patrons £25.00

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Please complete this form and return it to: IRISH OPERATIC THEATRE COMPANY 4 Belgrave Avenue, Wellington Road, Cork.

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The- ~0

CATHEDRAL CREDIT UNION

wishes the

Irish Operatic Repertory Company

every success

with their production of

"The Student Prince" at the

Cork Opera House

and continued success

in the future.

Branch also at Adelaide Street