William Morris:An Annotated Bibliography1998-1999David and Sheila LathamThis bibliography is the tenth instalment of a biennial feature of The Journal.Some items inadvertently omitted ftOm the 1996-97 bibliogtaphy ate added hete.Though we exclude book reviews, we include reviews of exhibitions as a record oftemporal events. We give each original entry a brief annotation meant to describeits subject rather than evaluate its argument.

We have arranged the bibliography into six subject categories appended by anauthor index. The entries in Parr I include new editions, reprims, and translationsof Morris's own publications, and are arranged alphabetically by title. The entriesin Parr II include books, pamphlets, articles, exhibition catalogues, anddissertations on Morris, arranged alphabetically by author within each of thefollowing five categories:

GeneralLiteratureDecorative ArtsBook DesignPolitics

5-3637-7172-9899-107

108-121

The General category includes biographical surveys and miscellaneous details aswell as studies that bridge two or more subjects. The Author Index provides analphabetical order as an alternative means for searching through the 121 items ofthe bibliography. Though we still believe that each of Morris's interests is bestunderstood in the context of his whole life's work, we hope that the subjectcategories and author index will save the impatient specialist from having tobrowse through descriptions of woven tapestries in search of critiques of "TheHaystack in the Floods."

With the rising costs of inter-library loan services and personal travel, wewould appreciate receiving copies of publications. They can be sent to us at42 Belmont Street, Toronto, Ontario M5R IP8, or bye-mail attachment to<dI6tham@yotku.ca>.

PART I: WORKS BY MORRIS

1. L'Age de J'Ersatz: et Qutres Textes contre la Civilisation Moder'1le. Ed.Olivier Barancy. Paris: Edirione de l'Encyclopedie des Nuisances, 1996. 155pp.Not seen.

2. A Note on His Aims in Founding the Ke/mseott Press. Mission, R.C.:Barbarian Press, 1998. 2 pp.An excerpt from Morris's 1895 lecture is used to illustrate examples ofPoliphilus and Blado 2 typefaces.

3. The William Morris Collectioll. London: Elecrric Book Company, 1998. CDROM and Adobe Acrobat Computer Files.This computer file provides browsable access to Morris's major prose andpoetry, including The Defence of ClIellevere, The Volsllllga Saga, A Dreamof Johll Ball, News from Nowhere, The Well at the World's Elld, and suchlectures as "The Lesser Arts of Life," "The Prospects of Architecture," "Artand Socialism," "The Aims of Art," "Architecture and History," "Art andthe People," "Gothic Architecture," "The Revival of Handicraft,'" "Artunder Plutocracy," "How We Live and How We Might Live," "How IBecame a Socialist,"and "Art, Wealth, and Riches," in addition to most ofhis comributions to Justice and Commonweal, and j.W. Mackail's The Lifeof William Morris. Illustrations of his wallpapers, textiles, and book designsare included.

4. William Morris 011 Art and Socialism. Ed. orman Kelvin. Mineola, NY:Dover, 1999. 208 pp.Delivered between 1881 and 1896, seven political lectures on the intrinsicrelationship between art and society are reprinted: "Art: A Serious Thing,""Art under Plutocracy," "Useful Work vs. Useless Toil," "The Dawn of aNew Epoch," "Of the Origins of Ornameoral Art," "The Society of theFuture," and "The Present Outlook of Socialism."

PART rI: PUBLICATIONS ON MORRIS

GENERAL

5. Ajioka, Chiaki. "A Revaluation of William Morris's Influence in japan."The JOllrnal of the WilIiam Morris Society, 12 (Spring 1998), 21-28.Morris influenced the ceramic folk craft of Tomimoto, who had studied atthe Victoria and Albert Museum between 1908 and 1910; Tomimoro thenintroduced Morris's writings to Yanagi, who founded the Mingei movementin the 1920s to promote the beauty of anonymous folk crafts.

6. Faulkner, Peter. "Morris at Alphingron-or Alfingroo?" Notes alld Queries,ns 46 (Decembet 1999), 482.Morris recalled spending the summer of 1852 with his tutor in Alphington,bur the village in Devon near Ottery was more likely Alfington.

7. Faulkner, Peter and Peter Preston, eds. William Morris: Cemenary Essays;

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Papers from the Morris Centenary Conference Organized by the WilliamMorris Society at Exeter College Oxford, 30 June - 3 July 1996. Exeter: Uof Exeter P, 1999. xi, 298 pp.In their "Introduction: Morris in 1996" Faulkner and Preston presentan overview of the year's events and publications, indicating Morris'sincreasing reputation and "extraordinary versatility." (See individual entriesfor Beade #73, Blissert #39, Boos #110, Corrado #41, Dentith #42,Galloway #113, Hodgson #46, Kelvin #49, Kinna #114, Leard-Coolidge#81, Lochhead #83, Londraville #16, Marsh #18, Miles 103, Mineo 58,Panayotidis-Srortz #22, Poulson #88, and Talbot #71.)

8. Fiell, Charlorre and Peter Fiell. William Morris. Cologne: Tasehen, 1999.176 pp.This general survey of Morris's life and work is supported by a wealth offull-colour illustrations. The text is trilingual: English, German, and French.

9. Friemert, Chup. "Auf ghet's! Van nowhere nach now here." In Wi/liamMorris Zyklus. Ed. Chup Friemert. Berlin: form + zweek Verlag, 1998, 3-15.Morris campaigned for a resistance movement to encourage us to envision autopia now here. (See individual entries for Hanebutt-Beng #100, Locher#55, Lottes #56, Moldensehardt #86, Negt #117, and Sehumann #93.)

10. Heywood, Andrew. "Craftsman's Art: WilIiam Morris and Music." MusicalTimes, 139 (Autumn 1998), 33-38.Showing a keen sensibility to choral music, plainsong, and medieval melody,Morris played the Regal, planned with Arnold DolmelSeh to publish HenryVIII's music book, and influenced the revival of interest in "early music"authentically performed.

11. - -. "The Gospel of Intensity: 'arry, William Morris & the AestheticMovement." The Journal of the William Morris Society, 13 (Autumn 1999),14-25.Harry Quilter's 1880 article, "The New Renaissance; or the Gospel ofIntensity," is analyzed as a contemporary view of Morris as an associate of amorally corrupt group of aesthetes.

12. Kay, John. "John Brandon-Jones (1909-1999)." The Journal of the WilliamMorris Society, 13 (Autumn 1999), 4.One of the founders of the Society, Brandon-Jones was an active member ofthe Art Workers' Guild and SPAB and, in his youth, a friend of SydneyCockerel!.

13. Latham, David. "Pre-Raphaelitism: An Introduction." In Scarlet Hunters:Pre-Raphaelitism in Canada. Ed. David Latham. Toronto: Archives ofCanadian Art, 1998, 1-30.Morris not only clarified the original naturalistic, narrative, and ornamentalprinciples of Pre-Raphaelitism but developed its Arts and Crafts directionand further politicized it by "adding a radicalized ideology to Ruskinianaesthetics and Marxist economics.)l

14. Latham, David and Sheila. "William Morris: An Annotated Bibliography,1994-95." The Journaf of the William Morris Society, 12 (Spring 1998),I-XVI.

Of the 112 works annotated, 9 are works by Morris, 35 are general

III

publications about Morris, 23 are about his literature, 30 are about hisdecorative arts, 7 are about his book designs, and 8 are about his politics.

15. -. "William Morris" An Annotated Bibliography: 1996-1997." TheJournal of the William Morris Society, 13 (Autumn 1999), i-xxxiv.Of the 240 works annotated, 18 are works by Morris, 72 are generalpublications about Morris, 39 are about his literature, 68 are about hisdecorative arts, 21 are about his book designs, and 22 are about his politics.

16. Londraville, Janis. "Lady Grise/da's Dream: May Morris's Forgotten Play."In William Morris: Centenary Essays. Ed. Peter Faulkncr and Peter PrestOn.Exeter: U of Exeter P, 1999,207-14.In May Morris's 1898 play, the central character suppresses her creativityfor her absent lover in a situation similar to May's relation with John Quinnand to scenes from Man and Superman by her close friend Shaw.

17. Marsh, Jan. «'Rupes Topseia': A New Suggestion." The Journal of theWilliam Morris Society, 12 (Spring 1998), 3-6.Rossetti's cartoon, hitherto ascribed to the 1874 dissolution of the Firm, ismore likely the «funny cartoon" of 1869 mocking Warington Taylor's fearsthat Morris's careless expenditures would ruin the Firm.

18. --. "William Morris and Victorian Manliness." In William Morris:Centenary Essays. Ed. Peter Faulkner and Peter Preston. Exeter: U of ExeterP, 1999, 185-99.Though Morris challenged much of the prevailing ideology of Victorianmasculinity, he practised physical combat at school, engaged in fraternalbonding and glorified chivalric quests at university, and wrOte poems andstories filled with sex and violence.

19. Morrissey, Kim. Clever as Paint: The Rossettis in Love. Imrod. BethCharten. Toronto: Playwrights Canada Press, 1998. xi, 66 pp.Chanen's introduction provides an historical framework and commentaryon Morrissey's many-sided depiction of Siddal's and Rosseni's stormyrelationship. The play unfolds in a series of snapshots and tableaux withSiddal, Rossetti, and Morris which illustrate the clashes of aesthetics andhuman decency that riddle the conventional romantic myths of artisticcreatton.

20. Panayotidis·Stortz, E. Lisa. "Artist, Poet, and Socialist: AcademicDeliberations on William Morris at the University of Toronto, Canada.'"The Journal of the William Morris Society, 12 (Spring 1998),36-43.Articles on Morris in Acta VictOriana and by Classics Professor JohnRobertson, who preferred Plato's spiricual ideal of "elite thinkers" toMorris's materialistic ideal of a "mass of makers," represent the debate overthe social role of education in Toronto in the early 1900s.

21. --. "James Mavor: Culrural Ambassador and Aesthetic Educator toToronto's Elite." Scarlet Hunters: Pre·Raphaelitism in Canada. Ed. DavidLatham. Toronto: Archives of Canadian Art, 19~8, 161-73.The professor of political economy exploited his friendship with Morris inorder to promote the Arts and Crafts Movement in Toromo.

22. - -. "'Every Artist Would Be a Workman, and Every Workman an Artist':Morrisian and Arts and Crafts Ideals at the Ontario Education Association,

IV

1900-1920." In Wifliam Morris: Centenary Essays. Ed. Peter Faulkner andPeter Preston. Exeter: U of Exeter P, 1999, 165-71.Addresses by members of the Ontario Educational Association reveal howMorris's social·aesthetic ideals were incorporated into "the formation ofOntario's early technical education policy." .

23. Petersen, Alice E.H. "Barges's 'Ulrike': Signature of a Literary Life.» Studiesin Short Fiction, 33, (Summer 1996), 325-3l.In his tale "Ulrike," Jorge Luis Barges rewrites a section of Morris'stranslation of the Vblsunga Saga, setting the story in an English roomdecorated with Morris wallpaper.

24. Poulson, Christine. "Burne-Jones, Morris, and God." The Journal of theWilJiam Morris Society, 13 (Autumn 19981,45-54.Raised as evangelicals, attracted to the Oxford Movement and then toChristian Socialism, Burne-Jones and Morris epitomize the religious turmoilof the Victorian age, with Burne-Jones turning to mysticism and Morris tosocialism and an aggressive atheism.

25. --. "David Rodgers (1942-1999)." The Joumal of the WilJiam MorrisSociety, 13 (Autumn 1999), 5.The curator of Kelmscott House from 1991 to 1999, Rodgers was theauthor of William Morris at Home and prepared a catalogue of the Society'scollections.

26. - -. Wiltiam Morris. Royston, Herr.: Eagle Editions, 1998. 128 pp.Reprint of the 1989 Quintet edition.

27. Rodgers, David. '''Rupes Topseia': Further ThoughtS." The Joumal of theWilIiam Morris Society, 13 (Spring J999), 54-55.The caricature's style and iconography suppOrt Jan Marsh's re-dating andreinterpretation (see #17), and the two sages (probably representing Godand Christ) may be Rossetti's joke on pious Warington Taylor.

28. Salmon, Nicholas. "A Friendship from Heaven: Burne-Jones and WilliamMorris." The Journal of the William Morris Society, 13 (Autumn ]998),3-13.A biographical survey of the 43-year relationship is traced from theirOxford student days to Red Lion Square, work for the firm, maritaltroubles, the Eastern Question Association, Socialist incompatibility, andKelmscott Press ventures.

29. --. "The Unmanageable Playgoer: Morris and the Victorian Theatre."The Journal of the William Morris Society, 12 (Spring 1998), 29-35.Though Morris would grumble aloud during plays he disliked, he defendedIbsen, occasionally performed on stage for the Socialist League, andremained involved in modern drama through his friendship with WilliamArcher and Henry Arthur Jones.

3D, Sharp, Frank C. "William Morris and Emma Lazarus." The Journal of theWilliam Morris Society, 13 (Autumn 1999), 6-13.Lazarus's letters provide new details about her relationship with Morris andthe extent of Morris's collaboration with het article on Menon Abbey.

31. --. "William Morris's Kelmscott Connections," The Journal of theWilliam Morris Society, 13 (Spring 19991, 44-53.

v

Morris's local community contacts included his landlord (Robert Hobbs),Crom Price, two clergymen (Oswald Birchall and William Fulford Adams),the American painter Edwin Austin Abbey, various Oxford intellectuals, thefamily of landowner Alexander Henderson, Kelmscott villagers, and themanor's own servants and caretakers.

32. Sociery of Antiquaries of London. Kelmscott Manor: An lllustrated Guide.London: Sociery of Anriquaries of London, 1999.43 pp.Based on rhe guide written by A.R. Dufty in 1969 and revised in 1984, thisnew edition was revised by John Cherry, with a section on the Morris familyby Jan Marsh.

33. Stansky, Peter. From William Morris to Sergeant Pepper: Studies in theRadical Domestic. Palo Alto, Calif.: Society for the Promotion of Scienceand Scholarship, 1999. viii, 352 pp.These previously published reviews, articles, and pamphlets includeStansky's writings on Morris as a businessman, Morris and Ashbee, Morrisand Bloomsbury, and Morris and George Orwell.

34. Walsdorf, John ]. Elbert Hubbard: WilIiam Morris's Greatest Imitator.Council Bluffs, Iowa: Yellow Barn Press, 1999. ix, 24 pp.The first 40 copies of this limited edition of 150 contain a leaf from rheKelmscon Gothic Architecture and the Roycroft Rip Van Winkle.

35. Wandel, Reinhold. "There is More to the Man than Wallpaper ... ZuWilliam Morris' 100. todestag." Hard Times [Berlin], No. 58 (1996),46-48.Not seen.

36. Zaczek, lain. Essential WilIiam Morris. [nrrod. Claire I.R. O'Mahony. Bath:Parragon, 1999. 256 pp.Following O'Mahony's ten-page biography of Morris are Zaczek'scommentaries on 130 coloured illustrations of Morris's paintings, drawings,calligraphy, furniture, panels, tiles, textiles, wallpapers, carpets, stainedglass, and Kelmscott Press books. Each commentary discusses in two orthree paragraphs the medium, context, and significance of the illustratedItem.

LITERATURE

37. Alama, Pauline Julia. "From Curiosity to Canon: Nineteenth-CenturyTranslations of 'Beowulf.''' Diss. U of Rochester, 1998.Morris's medievalism influenced his translation of Beowulf

38. Benrley, D.M.R. "William Morris and the Poets of the Confederation."Scarlet Hunters: Pre-Raphaelitism in Canada. Ed. David Latham. Toronto:Archives of Canadian Art, 1998, 31-44.Morris affected two different literary communities in Canada: the medievalside of his early poetry influenced the Fredericton poers Charles G.D.Roberts, Bliss Carman, and Francis Sherman, while the utopian side of hissocialist prose influenced the Ottawa poet Archibald Lampman.

39. Blissett, William. "Shadow of Turning in The Earthly Paradise." In William

VI

Morris: Centenary Essays. Ed. Peter Faulkner and Peter Preston. Exeter: Uof Exetet P, 1999, 49-59.As "a poetry of celebration generates a poem of apprehension and despair,"The Earthly Paradise is a poem of actively turning to and turning from or ofpassively turning with the age of time, all exemplified in "The Doom ofKing Acrisius."

40. Bullen, J.B. The Pre-Raphaelite Body, Fear and Desire in Painting, Poetry,and Criticism. Oxfotd: Clatendon, 1998, 79-86.Set within the Victorian attitude of censure and celebration, conscience anddesire, Morris treats the adulterous body in his Defence of Guenevere poemswith corporeal power and passion, rather than shame and remorse.

41. Corrado, Adrianna. "Bearrice and Ellen: Ideal Guides from Hell toParadise." In William Morris: Ce1ttenary Essays. Ed. Peter Faulkner andPeter Preston. Exeter: U of Exeter P, 1999, 80-93.News from Nowhere and Dante's Divine Comedy share "structural andthematic analogies" as their pilgrims are regenerated by women who guidethem to envision justice and freedom.

42. Dentith, Simon. "Sigurd the Volsung: Heroic Poetry in an Unheroic Age." InWilJiam Morris: Centenary Essays. Ed. Peter Faulkner and Peter Preston.Exeter: U of Exeter P, 1999, 60-70.While Hegel dismisses Nordic mythology as an irrelevant part of theunbridgeable past, Morris wishes to revive the values of a lost heroic age,yet cannot avoid ironic language that undermines the epic genre.

43. Dewan, Pauline. "Circular Designs in Morris's The Story of the GlitteringPlain." The ]oumal of the William Morris Society, 12 (Spring 1998), 15-20.The surface of The Glittering Plain initially appears paradisal but thevarious patterns of enclosures reveal a narrow, circumscribed world thatlacks the temporal and generational cycles of nature.

44. Herbert, Karen. "'A Moment Where the Path Grew Sunlighted': FrancisSherman and the Voice of Canadian PreRRaphaelitism." Scarlet Hunters:Pre-Raphaelitism in Canada. Ed. David Latham. Toronto: Archives ofCanadian Art, 1998, 45-63.Throughout his poetry, Francis Sherman shows the influence of Morris'sDefence of Guel1evere and Earthly Paradise while adapting Pre-Raphaelitetechniques to the Canadian landscape.

45. Hobbs, Vivian L. Williams. "Guinevere through the Ages: Character andConcept." Diss. Florida State U, 1997.In "The Defence of Guenevere" Morris presents "an elliptical analysis of adefiant, deceptive queen."

46. Hodgson, Amanda. "The Tray Connection: Myth and History in Sigurd theVo/sung." In William Morris: Centenary Essays. Ed. Peter Faulkner andPeter Preston. Exeter: U of Exeter P, 1999,71-79.Morris wrote Sigurd the Volswlg in the context of the Victorian debateabout whether Tray was historical or mythical, temporally progressive ordegenerative.

47. HoHm, Jan. Die Angloamerikanische Okotopie: Literarische Entwurfe einerGrunen Welt. Frankfurt: Peter lang, 1998, 74-125.

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News from Nowhere is discussed as the prototypical utopian romance.48. lanowitz, Anne. LyTic and LabouT in the Romantic Tradition. Cambridge:

Cambridge UP, 1998, 196-234.Paired as a mirror figure with political activist and artisan W.]. Linton,Morris is discussed as a poet within a Romantic communitarian traditionof Chartist poets like Ernest lones, with serious analyses of Chants forSocialists and The Pilgrims of Hope.

49. Kelvin, Norman. "News from Nowhere and The Spoils of Poynton:Interiors and Exteriors." In Wil/iam Morris: Centenary Essays. Ed. PeterFaulkner and Peter Preston. Exerer: U of Exerer P, 1999, 107-21.While News from Nowhere associates "pleasure in beauty, history, andexternality" and Henry lames's novel associates an appreciation of beautywith taste and inwardness, both writers believe that an aesthetic love of theotherness of art encourages the individual self to embrace social relation­ships.

50. Lawton, Lesley. "Lineaments of Ungratified Desire: William Morris's Newsfrom Nowhere as Utopian Romance." Anglophonia: French Journal ofEnglish Studies, 3 (1998), 113-23.Not seen.

51. Le Bourgeois, John Y. "William Morris and J.W. Mackail." Notes andQueries, ns 45 (June 1998), 220-21.On the basis of Mackail's reference to the autobiographical nature of TheEarthly Paradise, Le Bourgeois suggests that Morris "traded the certainty ofdomestic bliss for a chance at worldly success."

52. --. "William Morris and the Word 'Brother·... Notes And Queries, ns 45(June 1998), 221.Jack Lindsay and Fiona MacCarthy both leap to conjecture that GeorgianaBurne-Jones is the woman who cries out "Brother" in Morris's poem abouta passionate consummation, despite both biographers referring earlier to theromantic attachment of the young Morris to his sister Emma.

53. Levitas, Ruth. "Utopia as Literature, Utopia as Politics." In ZeitgenossischeVtopieentwurfe in Literatur ulld Gesellschaft: Zur Kontrollerse seit denachtziger Jahren. Ed. Rolf Jucker. Amsterdam: Rodopi, 1997, 121-37.Reviewing the readings of News from Nowhere by Bloch, Thompson,Meier, Goode, Parrinder, and Pinkney as exemplifying the differencebetween political theorists and literary critics, Leviras maintains theimportance of literal readings of utopian literature. (A revision of her"Utopian Literature and Literality," News from Nowhere, 9 [1991), 66-79.)

54. - -. "Utopian Fictions and Political Theories: Domestic Labour in theWork of Edward Bellamy, Charlotte Perkins Gilman and William Morris."In A Very Different Story: Studies on the Fiction of Charlotte Perkil/sGilman. Ed. Val Gough and Jill Rudd. Liverpool: Liverpool UP, 1998,81-99.Whereas Bellamy and Gilman sought to abolish domestic labour with akitchenless house, Morris would more radically revolutionize the conditionsof domestic labour, though he still assumed the sexual division of labour asnatural. (A revised version of "'Who Holds the Hose: Domestic Labour in

VI11

the Work of Bellamy, Gilman and Morris," Utopiall Studies, 6, No. 1[19951,65-84).

55. Locher, Kurt. "William Morris' 'Earthly Paradise' und Edward Burne-Jones'Stutgarter Perseus-Zyklus." In Wil/iam Morris 7vklm. Ed. Chup Friemert.Berlin: form + lweck Verlag, 1998, 33-47.Burne-jones's eight paintings for Arthu! Balfour's drawingroom are basedclosely on Morris's story of Perseus from The Earthly Paradise.

56. LOlles, Wolfgang. "Das literarische Werk von William Morris." In Wi//iamMorris Zyklus. Ed. Chup Friemert. Berlin: form + lweck Verlag, 1998,65-79.A brief survey of Morris's poetry and prose romances is set within theframework of his life.

57. McSweeney, Kerry. "The Old High Way of Love: Morris and DanteRossetti." In his Supreme Attachments: Studies in Victorian Love Poetry.Aldersholt, Hants: Ashgate, 1998, 113-32.Morris's recollected passion for ]aney is finely expressed in "Thunder in theGarden,» while his "hopeless longing for an unrequited or lost love" ismetronomically and morbidly expressed in the monthly lyrics of The EarthlyParadise.

58. Mineo, Ady. "Beyond the Law of the Father: The 'New Woman' in Newsfrom Nowhere." In William Morris: Celltellary Essays. Ed. Peter Faulknerand Peter Preston. Exeter: U of Exeter P, 1999, 200-06.In News from Nowhere Morris envisions an egalitarian society free of thediscrimination common to the patriarchal order.

59. Mooney, Susan. "'She and He': Morris or Cockerell?" The jot/mal of theWi/liam Morris Society, 13 (Spring 1999), 64-68.An erotic line from Morris's 1896 poem "She and He" may have beenrevised by Sydney Cockerell in order to conceal Morris's love for GeorgianaBurne-Jones.

60. Onorari, Maria Giovanna. "Mondi Reali e Mondi Sognati: Strategic diUtopia nei Romanzi di Morris e Bellamy." Athanor: Rivista d'Arte,Letteratt/ra, Semiotica, Fi/osofia, 6 (1995), 165-72.Not seen.

61. Pinkney, Tony. "Cycling in Nowhere." The jourllal of the William MorrisSociety, 13 (Spring 1999),28-33.Despite the popularity of socialist cycling clubs beginning in 1887, and theappropriatness of cycling as a means for bridging city and country and forenjoying fresh air, exercise, and self-propulsion, disappointingly there is nocycling in News from Nowhere.

62. Rogers, Shannon Leah. "' ew Wine in Old Bollles': Making PopularHistory in Nineteenth-Century Britain." Diss. Pennsylvania State DJ 1999.Morris's medieval romances were more political than historicaL

63. Shishin, Alex. "Gender and Industry in Herland: Trees as a Means ofProduction and Metaphor." In A Very Differellt Story: Stt/dies ill the Fictionof Charlotte Perkills Gilmall. Ed. Val Gough and Jill Rudd. Liverpool:Liverpool UP, 1998, 100-14.Gilman's Her/and is similar to News from Nowhere in its anticipation of

IX

ecological concerns and its acknowledgement that violence is necessary forsocial change.

64. Smyth, Datla S. "The Dialogue of Arthurian Mythology by Tennyson,Arnold, Morris, Swinburne and Hardy." Diss. New York U, 1999.Morris's interest in the Tristram myth was expressed in his The Defence ofGuenevere, and Other Poems and in a series of stained glass windows forthe Harden Grange.

65. Sparks, Julie. "The Evolution of Human Virtue: Precedents for Shaw's'World Betterer' in the Utopias of Bellamy. Morris, and Bulwer-Lytton." InShaw and Other Matters: A Festschrift for Stanley Weintraub on theOccasion of His Forty-Second Anniversary at The Pennsylvania StateUniversity. Ed. Susan Rusinko. Selingsgrove, Penn.: Susquehanna UP, 1998,63-82.Not seen.

66. Spinelli, Martin. "Communication Technology and Literary Community:From Utopia to Paralogy." Diss. State U of New York at Buffalo, 1999.Morris's News from Nowhere and Bellamy's Looking Backward provide "afoundational vocabulary for discussions of the hopes for, and effects of,emergent communication technologies on literary commumty andexperiment. "

67. Spinozzi, Paola. "'Pittura in Poesia': Metamorfosi Interartistiche nelPoemi Iconici di William Morris." Jl Lettore di Provincia, 98 (April 1997),55-80.Morris's poems "The Blue Closet" and "The Tune of Seven Towers" arecompared with Dante Rossetti's paintings in this analysis of the relationbetween word and image.

68. Talbot, Norman. Betwixt Wood-Wotna1t. Wolf, and Bear: The Heroic-AgeRomances of William Morris. New Lambton, Australia: NimrodPublications, 1997. 24 pp.The House of the Wolf;,zgs and The Roots of the Mountains are introducedas Morris's heroic-age romances concerned with the relationship betweennature and culture, masculine and feminine roles, and the hero and his socialcommunity. The overriding focus is on the identification of each warriorwith a totemic animal, the concept of totemism Morris adapted from theIcelandic sagas.

69. --. "The First Modern 'Secondary World' fantasy: Morris's Craftsman­ship in The Story of the Glittering Plain." The Journal of the WilliamMorris Society, 13 (Spring 1999), 3-11.Challenging Pauline Dewan (see #43), Talbot argues that the characters,physical geography, and folk culture of Morris's plain do not have similarcounterparts on his Isle of Ransom.

70. --. "'[ Seek No Dream ... but Rather the End of Dreams'; TheDeceptions of The Story of the Glittering Plain." Mythlore: A Journal ofJ.R.R. Tolkien, c.s. Lewis, Charles Williams, and the Genres of Myth andFantasy Studies, 22 (Autumn 1997), 26-31.Not seen.

7]. - -. "William Morris and the Bear: Theme, Magic and Totem 10 the

x

Romances." In \'(Ii/liam Morris: Centenary Essays. Ed. Peter Faulkner andPeter Preston. Exeter: U of Exeter P, 1999, 94-101.As traditional romances, The House of the \'(I0/fitlgS, Roots of theMountains, and Story of the Glittering Plain are interlaced with "solarand vegetative ritual, animal totemisffi, medieval heraldry, and timelesslypopular folk,ale motifs."

DECORATIVE ARTS

72. Baker, Lesley A. "'What's in a Name?': Morris & Co.'s Stained Glass inAustralia." The JOt/mal of the William Morris Society, 13 (Spring 1999),39-43.The firm's reputation developed from the visits of Australians to thefirm's London showrooms, from windows installed in the Adelaide StockExchange and several churches, and from advertisements in The ChurchStandard boldly presenting "MORRIS AND BURNE-JONES."

73. Beade, Pedro. "WiIliam Morris in New England: Architecture and Design inLate Nineteenth-Century Rhode Island." In Wi/liam Morris: CentenaryEssays. Ed. Peter Faulkner and Peter PrestOn. Exeter: U of Exeter P, 1999,145-55.Sydney Budeigh's "Fleur de Lys" home (1885) made Providence, RI, thecentre for Arts and Crafts design in conjunction with the Providence ArtClub and the Rhode Island School of Design.

74. Bond, David and GIynis Dear. The Stained Glass Windows of WilliamMorris and His Circle in Hampshire and the Isle of \Vight. HampshirePapers. Winchester: Hampshire County Council, 1998. 28 pp.The hjsrory of the area's ecclesiastical windows, ranging from those atLyndhurst and Gatcombe commissioned in the 1860s to later windows atWinchester Cathedral, is traced with the help of original manuscript lettersand sketches held in the Hampshire Record Office and various archives.

75. Bowe, Nicola Gordon and Elizabeth Cumming. The Arts and Crafts Move­ment in Dublin and Edinburgh. Dublin: Irish Academic Press, 1998. 232 pp.Morris was influential through his 1889 speech in Edinburgh to theNational Association for the Advancement of Art and its Application toIndustry, through the Yeats sisters' efforts in Ireland, and generally throughthe adoption of principles aimed at improving the lives of the workingclasses and teaching the applied arts.

76. Curl, James Stevens. "Morris, William (1834-1896)_" A Dictionary ofArchitecture. Oxford: Oxford UP, 1999,436.Morris "had a profound effect on architecture" with the building of RedHouse, the founding of Morris & Co., the founding of SPAB, as a"founding father of the Arts and Crafts Movement," and as l'the inspirationbehind the establishment of the Art Workers' Guild."

77. Grieve, Alastai.r. "The Content and Form of Furniture in Rossetti's Art of1848-58." joumal of Pre-Raphaelite Studies, ns 8 (Fall 1999), 9-28.

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The close relationship between Dante Rossetti and Morris is traced throughtheir furniture, art, and poetry, with particular attention to Morris's designfor tusked tenon joints which so impressed Rossetti with their authenticmedieval style.

78. Jenkins, Simon. England's Thousand Best Churches. London: Alien Lane,Penguin, 1999. 822 pp.The significance of the Society for the Protection of Ancient Buildings isacknowledged and references to churches decorated by Morris andBurne-Jones abound in this colourful compendium.

79. Jill, Duchess of Hamilton, Penny Hart, and John Simmons. The Gardens ofWilliam Morris. London: Frances Lincoln, 1998. 160 pp.The principles in Morris's lectures for natural gardening with native plantsare well illustrated by the gardens he cultivated at Red House, KelmscottManor, Kelmscott House, and Merton Abbey. An eloquent account of hiswork is followed by an illustrated catalogue of the flowers and trees he usedin his designs.

80. Keeble, Rtian. Art: For Whom and for What. Ipswich: Golgonooza Press,1998. 169 pp.Keeble defends the handicraft tradition against two centuries of our divisiveindustrial system, but he prefers the religious commitment of Samuel Palmer,Eric Gill, and David Jones as a better model than Morris's dream of asecular utopia.

8!. Leard-Coolidge, Lindsay. "William Morris and Nineteenth-CenturyBoston." In William Morris: Centenary Essays. Ed. Peter Faulkner and PetetPreston. Exetet: U of Exeter P, 1999, 156-64.Morris's influence on American design began in Boston, first throughwriters like Henry James, W.D. Howells, and C.E. Nonon, then througharchitects like H.H. Richardson, and later through the Boston Foreign Fairof 1883.

82. Lewis, Gifford. "Rediscovered Embroideries of Lily Yeats." Irish ArtsReview Yearbook, 14 (1998), 147-50.Illustrations of Lily Yeats's embroideries include the famous hangingson Morris's bed at Kelmscott Manor, for which Lily did much of thework.

83. Lochhead, Ian J. "The Dilemma of Place: Arts and Crafts Architecture in theAntipodes." In William Morris: Centenary Essays. Ed. Peter Faulkner andPeter Preston. Exeter: U of Exeter P, 1999, 172-82.New Zealand architect Samuel Hurst Seager learned from Morris that for anArts and Crafts style to succeed in New Zealand it would have to beadapted to the new land.

84. Marsh, Jan. The Pre-Raphaelite Circle. Character Portraits series. London:National Portrait Gallery, 1998. 64pp.Not seen.

85. - -. "The Red Lion Square Chairs: Chronology and Iconography." TheJournal of Pre-Raphae/ite Studies, ns 8 (Fall 1999), 29-48.Tracing the history of the "Rossetti·Morris" chairs from Red Lion Square,Marsh focuses on their collaborative "painting of the two pictorial scenes on

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the chairbacks"-one of Gwendolen and the other of Galahad-and theirrelation to Rosserti's paintings and Morris's poems.

86. Moldenschardt, Hans Heinrich. "Williarn Ivlorris und die Architekrur. » InWilliam Morris Zyklus. Ed. Chup Friemerr. Berlin: form + zweck Verlag,1998,97-111.The houses Morris lived in and the aims of Morris & Co. 3ce described, andthe uwpian environment of News from Nowhere is compared with theutopias of Thomas More and H.G. Wells.

87. ewron, Charles. Victorian Designs for the Home. London: Victoria &Albert Publications, 1999. 128 pp.Complete decorating schemes for parlour rooms show shifting tastes fromGothic and Rococo Revival to Act Nouveau.

88. Poulson, Christine. "Sacred and Profane Love: The Oxford Union Muralsand the Holy Grail Tapestries." In William Morris: Centenary Essays. Ed.Peter Faulkner and Peter Preston. Exeter: U of Exeter P, 1999, 125-32.With the Oxford Union murals Morris's and Burne-Jones's Arthurianimeresrs were steered by Rossetti from the spiritual Galahad to the eroticpassion of characters like Guenevere, and 30 years later the two returned tothe same erotic theme with Morris now as its Arthurian victim.

89. Proctor, Helen. The Holy Grail Tapestries Designed by Edward Burne­Jones, William Morris and J.H. Dearle for Morris & Co. Birmingham:Birmingham Museums and Art Gallery, 1997.44 pp.After summarizing the development of Morris's interest in tapestry and inthe Grail legends, Proctor briefly describes the dimensions, production,design, and subject matter of the GraB tapestries, with accompanying colourillustra tions.

90. Relei, Carolyn. William Morris Stained Glass Pattern Book. Mineola, NY:Dover, 1998. 64 pp.Included are 120 designs for stained glass adapted from Morris's designs fortextiles and wallpapers, illustrated in circular, oval, and rectangular framesadaptable as templates for do-it-yourself stained glass projects.

91. Rodgers, David. "A Catalogue of the Otiginal Designs by Morris andCompany in the Collection of the William Morris Society." The Journal ofthe William Morris Society, 13 (Autumn 1998), i-vii.The first instalment of an illustrated catalogue based on the 1978 typescriptCatalogue Raisonne by George Monk and Waiter Gooch of the 87 originaldesigns bequeathed to the Morris Society (along with Kelmscorr House)includes designs for Saint Marrin-on-the-Hill church, the Oxford Unionceiling, St. James Palace, Carbrook, Holland Park, and Jew Park.

92. - -. "A Catalogue of the Original Designs by Morris and Company in theCollection of the William Morris Society." The Journal of the WilliamMorris Society, 13 (Spting 1999), i-vii.The second instalment of this catalogue includes designs for sevenwallpapers (Larkspur, Jasmine, Sunflower, Grafton, Honeysuckle, and twO

for Pink and Poppy) and designs for one woven textile (Bird) and oneprinted textile (Windrush).

93. Schiirnann, Carl-Wolfgang. "William Morris Textilien." In William Morris

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Zyklus. Ed. Chup Friemert. Berlin: form + zweek Verlag, 1998,49-63.Illustrations of chintzes, embroideries, and tapestries accompany Morris'sdescriptions of his techniques for designing, dyeing, and weaving.

94. Stapleton, Annamarie. "British Arts and Crafts Textiles," World Interiors,19 (Oerober 1999), 287.A review of the October 1999 exhibition of Morris's textiles by the FineArts Society in London.

95. Tinniswood, Adrian. The Arts & Crafts House. London: Mitchell Beazley,1999, 6-21.The grandfathers of the Arts and Crafts house were "two lunatics"-Puginand Ruskin-but the "father was imminenrly sane": Morris.

96. Uchiyama, Takeo. Modan Deza;n no Chichi Wiriamu Morisu. lOsakal:NHK Osaka Hosokyoku, NHK Kinki Media Puran, 1997. 203 pp.A catalogue of the exhibition of Morris's designs held at the NationalMuseum of Modern An in Kyoto from 18 March to 11 May, at theNational Museum of Modern Art in Tokyo from 27 May to 13 July, and atrhe Aiehi Prefeerural Museum of An from 25 July to 31 Augusr 1997. Texrin Japanese.

97. Walchuk, Gary. "Bed of Your Dreams: William Morris Furniture CombinesHearty Strength with Elegant Refinement." Canadian W/orkshop, 21, No.11 (1998),30-34.Instructions for building a Morris-inspired bed are written for the hobbyistcarpenter.

98. Wallace, Ann and Phil Bard. Arts and Crafts Textiles: The Movement inAmerica. Layton, Urah: Gibbs Smirh, 1999. 96 pp.Morris's influence on American Arts and Crafts textiles is discussedbriefly.

BOOK DESIGN

99. Friedl, Friedrich and Nicholaus Ott and Bernard Stein. Typography: AnEncyclopedic Survey of Type Design and Techniques throughout History.New York: Black Dog & Levenrhal, 1998, 58, 324-25, 392-93.The Golden and Troy types are illustrated with a brief account of theKelmscott Press.

100. Hanebutt-Beng, Eva-Maria. "Kelmscott Press." In William Morris Zyklus.Ed. Chup Friemert. Berlin: form + zweck Verlag, 1998, 8]·95.Morris's love of books and medieval manuscripts led him to study everyaspect of printing and book production in order to perfect the products ofthe Kelmscott Press.

101. Kelvin, Norman. "Bernard Quaritch and William Morris." The BookCollector [Special 150th anniversary issue], 46 (1997), 118-33.Selected letters suggest that Quaritch played a more substantial and positiverole in Morris's book-collecting and publishing interests than wasacknowledged in Mackail's biography.

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102. Lustig, Theodore. "A Doomed Quest for an 'Ideal Ink.'" Graphic ArtsMonthly, 69 (July 1997),92.For his Kelmscott Chaucer, Morris used inks manufactured by Shackwell,Edwards from England and then by Gebruder Janecke from Germany buthad problems with both; the ideal ink did not exist then, nor does it existnow.

103. Miles, Rosie. "The Beautiful Book rhat Was: William Morris and the Gift ofA Book of Verse." In William Morris: Centenary Essays. Ed. Peter Faulknerand Peter Preston. Exeter: U of Exeter P, 1999, 133-43.A Book of Verse raises questions about the interplay between the verbal andthe visual, the shift between medieval illuminated manuscripts and theprinting press, the Lacanian context of lack and desire, and the Derrideancritique of the economics of gift-giving.

104. Pohlad, Matk B. "William Motris, Photography, and Frederick H. Evans."History of Photography, 22 (Spring 1998), 52-59.Morris's interest in photography led to his friendship and workingrelationship with the pictorialist cathedral photographer Frederick H. Evans.

105. Stacey, Robert. "Harmonizing 'Means and Purpose': The Influence ofMorris, Ruskin, and Crane on J.E.H. MacDonald.'" Scarlet Hunters:Pre-Raphaelitism in Canada. Ed. David Latham. Toronto: Archives ofCanadian Art, 1998,92-128.The Canadian artist MacDonald successfully applied Morrisian principles toa wide variety of graphic design, lettering, and illustration.

106. Stansky, Peter. Another Book that Never Was: William Morris, CharlesGere, The House of the Wolfings. San Francisco: Book Club of California,1998.46 pp.Following Gere's successful design for the frontispiece for the Kelmscottedition of News from Nowhere, Morris proposed that Gere illustrate aplanned Kelmscott edition of The House of the Wolfings, but laterabandoned the project. Stansky reproduces excerpts from Morris'sinstructive letters and sketches along with 18 illustrations (14 by Gere)relating to the proposed book.

107. Uerscheln, Gabriele and Michaela Kalusok. Edward Burne-Jones undWilliam Morris: Amor und Psyche: Eine Holzstichfolge fur das Buchprojekt"The Earthly Paradise," "Dem Buch, das Niemals War" (1866-1872).Neuss, Germany: Clemens-Sels-Museum, 1998. 263 pp.This catalogue of the exhibition held at Clemens-Sels Museum from 29November 1998 to 17 January 1999 contains a set a proofs of woodengravings for the projected illustrated edition of "The StOry of Cupid andPsyche." The engravings were designed by Burne-Jones and cut by Morrisand others.

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POl.ITICS

108. Bevir, Mark. "William Morris: The Modern Self, Art, and Politics." Historyof European Ideas, 24, No. 3 (1998), 175-94.Merging a "Protestant everyday self" with a "romantic concern with naturalharmony," Morris's views about the importance of art in daily life definedand inspired his socialism.

109. Boos, Florence S. "News from Nowhere and 'Garden Cities': Morris'sUtopia and Nineteenth Century Town-Design." journal of Pre-RaphaeliteStudies, ns 7 (Fall 1998),4-27.In News from Nowhere Morris incorporates Peter Kropotkin's theories ofvillage economics and anticipates Ebenezer Howard's interest in voluntarismand communing with nature in Garden Cities of To-morrow, inspiring uswith ecological and socialist alternatives to our modern megalopolises.

110. --. "An Aesthetic Ecocommunist: Morris the Red and Morris the Green."In Wi/liam Morris: Centenary Essays. Ed. Peter Faulkner and Peter Preston.Exeter: U of Exeter P, 1999, 21-46.Morris grounded his concerns for ecological preservation in historicallyinformed views of nature and then promoted them to the widest audienceby developing a "melodic and conversational 'rhetoric of fellowship'"consistent with his concepts of egalitarian engagement and human kinship.

111. Fasanella, R. Marc. "William Morris: Art and Life." The journal of theWil/iam Morris Society, 13 (Spring 1999), 56-63.Morris's views on health, education, and art as three key elements of life areas important and relevant now as they were in the 19th century.

112. Faulkner, Peter. "Ethel Mannin and William Morris." The journal of theWil/iam Morris Society, 13 (Spring 1999),21-27.Mannin's life-long enthusiasm for socialism and appreciation for News fromNowhere and The Earthly Paradise are evident in her novel (Comrade, 0Comrade), in her discussion of utopianism (Bread and Roses), and in herautobiographical works.

113. Galloway, David. "E.P. Thompson and William Morris." In WilIiam Morris:Centenary Essays. Ed. Peter Faulkner and Peter Preston. Exeter: U of ExeterP, 1999, 229-36.E.P. Thompson's career began with his 1955 book on Morris, and itsrevision in 1977 marked Thompson's conversion to libertarian communism.

114. Kinna, Ruth. "Morris, Anti·Statism and Anarchy." In William Morris:Centenary Essays. Ed. Peter Faulkner and Peter Preston. Exeter: U of ExeterP, 1999, 215-28.Though Morris was closely involved with anarchists, his rejection of theindividualism of anarchism may best be understood through a comparisonof Peter Kropotkin's notion of art with Morris's and how Morris linked artwith a public conscience.

115. Latham, David. "'Stepping Stones to Socialism': The Political Dissidence ofPhillips Thompson." Scarlet Hunters: Pre-Raphaelitism in Canada. Ed.David Latham. Toronto: Archives of Canadian Art, 1998, 174-90.The poet and socialist Thompson emerged as a dissident intellectual from

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the literary bohemia of Victorian Toronto with more similarities to Morristhan any other Canadian, though the argument and imagery of the Politicsof !.Abor reveals his preference for social evolution rather than revolution.

116. Macdonald, Bradley J. Wil/iam Morris and the Aesthetic Constitution ofPolitics. Lanham, Md.: Lexingron Books, 1999. xix, 175 pp.The relation between aesthetics and politics is contextualized within thecultural politics of Victorian England from the Great Exhibition of 1851 toRuskin's criticism and Pre-Raphaelite poetry. Morris's theories about theethics of beauty show the political development of a profound theorist whoreconciles art and politics.

117. egt, Oskar. "Der Sozial.ismus des William Morris. Ein andere VorsteUungvon Arbeir." In WilUam Morris Zyklus. Ed. Chup Friemert. Berlin: form +zweck Verlag, 1998,17-31.Seeking alternative ways to organize work, Morris focussed on therelationship between the whole and the individual part as his model forsociety.

118. Salmon, Nicholas. "'The Down-Trodden Radical': William Morris'sPte-Socialist Ideology." The journal of the Wil/iam Morris Society, 13(Autumn 1999), 26-43.Morris's letters and lectures reveal that his thinking prior to January 1883about "key concepts such as alienation, dialectical historical change andeven class war" was influenced not by Marx, Engels, or Kropotkin but byCobbett, Carlyle, Arnold, and especially Ruskin.

119. Sypnowich, Christine. "WiUiam Morris's Egalitarian Perfectionism." Thejournal of the William Morris Society, 13 (Spring 1999), 12-20.Morris's pluralist approach to the concept of good, combined with hisvision of an egalitarian society in which coercion is unnecessary, makescommon sense today.

120. Wainwright, Hilary. "Warmer Heartbeats." New Internationalist, 307(Novembet 1998),24.The Labour Patry followed the Fabian social-engineeting political model butshould return now to the red-green, eeo-socialist politics practised by Morrisand Edward Carpenter in their daily lives.

121. Wright, J.B. "'The Valiant Dead': William Morris and the Paris Communeof 1871." The journal of the William Morris Society, 13 (Spting 1999),34-38.Morris's study of the 1871 Commune, evident in his speeches and portrayedin News (rom Nowhere and The Pilgrims of Hope, confirmed his belief thatthe regeneration of society is dependent upon the defeat of the capitaliststate.

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AUTHOR INDEX

Ajioka, Chiaki 5Alama, Pauline Julia 37Baker, Lesley A. 72Bard, Phil 98Beade, Pedro 73Bentley, D.M.R. 38Bevir, Mark 108Blisseu, William 39Bond, David 74Boos, Florence S. 109-110Bowe, Nicola Gardon 75Bullen, J.B. 40Chatten, Beth 19Corrado, Adrianna 41Cumming, EHzabeth 75Curl, James $revens 76Dear, Glynis 74Dentirh, Simon 42Dewan, Pauline 43Fasanella, R. Marc 111Faulkner, Peter 6-7, 112Fiell, Charlotte 8Fiell, Peter 8Friedl, Friedrich 99Friemert, Chup 9Galloway, David 113Grieve, Alastair 77Hanebutt-Beng, Eva-Maria 100Hare, Penny 79Herbert. Karen 44Heywood, Andrew 10-11Hobbs, Vivian L. WiHiams 4SHodgson, Amanda 46Hollm, Jan 47Janowitz, Anne 48jenkins, Simon 78Jill, Duchess of Hamilton 79Kalusok, Michaela 107Kay, John 12Keeble, Brian 80Kelvin, Norman 49, 101Kinna, Ruth 114Latham, Sheila 14-15Latham, David 13-15, 115Lawton, Lesley 50

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Le Bourgeois, John Y. 51-52Leard-Coolidge, Lindsay 81Levitas, Ruth 53-54Lewis, GiHord 82LOcher, Kurt 55Lochhead, lan J. 83Londraville, Janis 16Lones, Wolfgang 56Lustig, Theodore 102Macdonald, Bradley J. 116Marsh, Jan 17-18,84-85McSweeney, Kerry 57Miles, Rosie 103Mineo, Ady 58Moldenschardt, Hans Heinrich 86Moaney, $usan 59Morris, WiUiam 1-5Morrissey, Kim 19Negt, Oskar 117Newton, Charles 87Onorari. Maria Giovanna 60Ott, Nicholaus 99Panayoridis-Storcz, E. Lisa 20-22Petersen, Alice E.H. 23Pinkney, Tony 61Pohlad, Mark B. 104Poulson, Christine 24-26, 88Preston, Peter 7Proctor, Helen 89Relei, Carolyn 90Rodgers, David 27, 91-92Rogers, Shannon Leah 62Salmon, Nicholas 28-29, 118Sehumann, Carl-Wolfgang 93Sharp, Frank C. 30-31Shishin, Alex 63Simmons, John 79Smyth, Darla S. 64Society of Antiquaries of London 32Sparks, JuHe 65Spinelli, Martin 66Spinozzi, Paola 67Stacey, Robert 105Stansky, Peter 33, 106Scapleton, Annamarie 94

Stein, Bernard 99Sypnowich, Chrisrine 119Talbot, Norman 68-71Tinniswood, Adrian 95Uchiyama, Takeo 96Uerscheln, Gabriele 107Wainwright, Hilary 120

Walchuk, Gary 97Wallace, Ann 98Walsdorf, John J. 34Wande!, Reinhold 35Wright, J.B. f21Zaczek, lain 36

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