William Friedkin

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  • William Friedkin

    WilliamFriedkin (born August 29, 1935)[1] is an Amer-ican lm director, producer and screenwriter best knownfor directing The French Connection in 1971 and TheExorcist in 1973; for the former, he won the AcademyAward for Best Director. Some of his other lms includeSorcerer, Cruising, To Live and Die in L.A., Jade, Rulesof Engagement, The Hunted, Bug, and Killer Joe.

    1 Early life

    Friedkin was born in August 1935 in Chicago, Illi-nois, the son of Rachael (ne Green) and Louis Fried-kin. His father was a semi-professional softball player,merchant seaman, and mens clothing salesman. Hismother, whom Friedkin called a saint, was an operatingroom registered nurse.[1] His parents were Jewish immi-grants from Ukraine.[2] His grandparents, parents, andother relatives ed Ukraine during a particularly vio-lent anti-Jewish pogrom in 1903.[3] Friedkins father wassomewhat uninterested in making money, and the familywas generally lower middle class while he was growingup.[1] According to lm historian Peter Biskind, Fried-kin viewed his father with a mixture of aection and con-tempt for not making more of himself.[1] According tohis memoir, The Friedkin Connection, Friedkin had theutmost aection for his father.Friedkin attended public schools in Chicago. He en-rolled at Senn High School, where he played basketballwell enough to consider turning professional.[4] Friedkinwas not a serious student and barely received grades goodenough to graduate,[5] which he did at the age of 16.[6] Ac-cording to Friedkin, this was because of social promotionand not because he was bright.[7]

    Friedkin began going to movies as a teenager,[4] and hascited Citizen Kane as one of his key inuences. Severalsources claim that Friedkin saw this motion picture as ateenager,[8] but Friedkin himself says that he did not seethe lm until 1960, when he was 25 years old. Only then,Friedkin says, did he become a true cineaste.[9] Amongthe movies which he saw as a teenager and young adultwere Les Diaboliques, The Wages of Fear, and Psycho(which he viewed repeatedly, like Citizen Kane). Tele-vised documentaries, such as 1960s Harvest of Shame,also were important in his developing sense of cinema.[4]

    He began working in the mail room at WGN-TV imme-diately after high school.[10] Within two years (at the ageof 18),[11] he started his directorial career doing live tele-

    vision shows and documentaries.[12] His eorts includedThe People vs. Paul Crump (made with Bill Butler in1962) which won an award at the San Francisco Inter-national Film Festival and contributed to the commuta-tion of Crumps death sentence.[11][13] Its success helpedFriedkin get a job with producer David L. Wolper.[11]

    2 CareerAs mentioned in Friedkins voice-over commentary onthe DVD re-release of Alfred Hitchcock's Vertigo, Fried-kin directed one of the last episodes of The AlfredHitchcock Hour in 1965, called O Season.[14] Hitch-cock admonished Friedkin for not wearing a tie whiledirecting.[15]

    In 1965 Friedkinmoved to Hollywood and two years laterreleased his rst feature lm, Good Times starring Sonnyand Cher. Several other art lms followed, includingthe gay-themed movie The Boys in the Band and mostnotably The Birthday Party, based on an unpublishedscreenplay by Harold Pinter, which he adapted from hisown play. Friedkin, however, did not want to be knownas an art house director, but rather for action and seri-ous drama through stories about an America upended bycrime, hypocrisy, the occult, and amorality. All of whichhe mounted up into his lms to reect what was going onin an America that was changing in the wake of Vietnam,the Sexual Revolution, and Watergate.In 1971, his The French Connection was released to widecritical acclaim. Shot in a gritty style more suited fordocumentaries than Hollywood features, the lmwon veAcademy Awards, including Best Picture and Best Direc-tor.Friedkin followed up with 1973s The Exorcist, based onWilliam Peter Blatty's best-selling novel, which revolu-tionized the horror genre and is considered by some crit-ics to be one of the greatest horror movies of all time.The Exorcist was nominated for 10 Academy Awards, in-cluding Best Picture and Best Director. It won the BestScreenplay Award.Following these two critically acclaimed pictures, Fried-kin, along with Francis Ford Coppola and Peter Bog-danovich, was deemed one of the premier directors ofNew Hollywood; but Friedkins later movies did notachieve the same success. Sorcerer (1977), a $22 mil-lion American remake of the French classic Wages ofFear, starring Roy Scheider, was overshadowed by the

    1

  • 2 4 FILMOGRAPHY (AS DIRECTOR)

    blockbuster box-oce success of Star Wars, which hadbeen released exactly one month prior. Friedkin consid-ers it his nest lm, and was personally devastated by itsnancial and critical failure (as mentioned by Friedkinhimself in the documentary series The Directors (1999)).Sorcerer was shortly followed by the crime-comedy TheBrinks Job (1978), based on the real-life Great BrinksRobbery in Boston,Massachusetts, whichwas also unsuc-cessful at the box-oce. In 1980, he directed the highlycontroversial gay-themed crime thriller Cruising, starringAl Pacino, which was protested against even during itsmaking and remains the subject of heated debate.Friedkin suered a major heart attack on March 6, 1981.He had a genetically-caused defect in his circumex leftcoronary artery, and nearly died. He spent months inrehabilitation.[16]

    Throughout the 1980s and 1990s, Friedkins lms re-ceived mostly lackluster reviews and moderate ticketsales. Deal of the Century (1983), starring Chevy Chase,Gregory Hines and Sigourney Weaver, was sometimesregarded as a latter-day Dr. Strangelove, though it wasgenerally savaged by critics. However, his action/crimemovie To Live and Die in L.A. (1985), starring WilliamPetersen and Willem Dafoe, was a critical favorite anddrew comparisons to Friedkins own The French Con-nection (particularly for its car-chase sequence), whilehis courtroom-drama/thriller Rampage (1987) receiveda fairly positive review from Roger Ebert despite majordistribution problems. The Guardian (1990) and Jade(1995), starring Linda Fiorentino, received a somewhatfavorable response from critics and audiences. Friedkineven said that Jade was the favorite of all the lms he hadmade,[17] although he later denied this.[18]

    In 2000, The Exorcist was re-released in theaters with ex-tra footage and grossed $40 million in the U.S. alone.Friedkins involvement in 2007s Bug resulted from a pos-itive experience watching the stage version in 2004. Hewas surprised to nd that he was, metaphorically, on thesame page as the playwright and felt that he could relatewell to the story.[19] The lm won the FIPRESCI prize atthe Cannes Film Festival.Later, Friedkin directed an episode of the TV series CSI:Crime Scene Investigation titled Cockroaches, which re-teamed him with To Live and Die in L.A. starWilliam Pe-tersen. He directed again for CSIs 200th episode, Mas-cara.In June 2010, author William Peter Blatty, promoting hislatest novel, revealed that Friedkin had committed to di-rect the feature lm adaptation of his thriller, Dimiter.[20]This would mark almost forty years since their previouscollaboration, The Exorcist, not counting the failed col-laboration between the two on The Exorcist III. The ideafor the book itself actually came to Blatty while sittingin Friedkins oce in 1972 during the rst lms produc-tion, as he read an article concerning the then atheist-runstate of Albania executing a priest for baptizing a new-

    born infant.[21] He has been working on it on and oever since 1974, and, upon its completion, sat down withFriedkin for a one-on-one interview in The HungtonPost a few days after Blatty named Friedkin as attachedto direct. According to the author, his friend and directorhas been eager to adapt the story for the last three years.In 2011 Friedkin directedKiller Joe, a black comedywrit-ten by Tracy Letts, and starring Matthew McConaughey,Emile Hirsch, Juno Temple, Gina Gershon, and ThomasHaden Church. Killer Joe premiered at the 68th VeniceInternational Film Festival, prior to its North Americandebut at the 2011 Toronto International Film Festival. Itopened in U.S. theaters in July 2012, to favorable reviewsfrom critics.In April 2013 Friedkin published a memoir, The FriedkinConnection.[22] He was presented with a lifetime achieve-ment award at the 70th Venice International Film Festivalin September.[23]

    3 Personal lifeWilliam Friedkin has been married four times:

    Jeanne Moreau, married February 8, 1977,[24] anddivorced in 1979.[25]

    Lesley-Anne Down, married in 1982[26] and di-vorced in 1985.[27]

    Kelly Lange, married on June 7, 1987,[28] and di-vorced in 1990.[29]

    Sherry Lansing, married on July 6, 1991.[30] Theyremain married as of April 2013.[31]

    While he was lming The Boys in the Band in 1970,Friedkin began a relationship with Kitty Hawks, daugh-ter of director Howard Hawks. It lasted two years, duringwhich the couple announced their engagement, but therelationship ended about 1972.[32] Friedkin began a four-year relationship with Australian dancer and choreogra-pher Jennifer Nairn-Smith in 1972. Although they an-nounced an engagement twice, they never married. Theydid, however, have a son, Cedric, born on November 27,1976.[33]

    Friedkin and his second wife, Lesley-Anne Down, alsohad a son, Jack, born in 1983.[27] Friedkin is anagnostic.[34]

    4 Filmography (as director)

    4.1 Documentary credits The People vs. Paul Crump (1965)

  • 3 The Bold Men The Thin Blue Line Mayhem on a Sunday Afternoon

    5 Awards

    6 References[1] Biskind, p. 200.

    [2] Pfeerman, Naomi. "'Killer Joes' William Friedkin: 'ICould Have Been a Very Violent Person'. Jewish Journal.August 2, 2012. Accessed 2013-04-29.

    [3] Friedkin, The Friedkin Connection, p. 1.

    [4] Biskind, p. 201.

    [5] Segalo, p. 25.

    [6] Wakeman, p. 372.

    [7] Friedkin, Conversations at the American Film Institute...,p. 186.

    [8] Emery, p. 237; Claggett, p. 3.

    [9] Friedkin, The Friedkin Connection, p. 9.

    [10] Stevens, p. 184.

    [11] Walker and Johnson, p. 15.

    [12] Derry, p. 361; Edmonds and Mimura, p. 211.

    [13] Hamm, p. 86-87.

    [14] O Season 1965. IMDb. p. 2. Retrieved September 8,2009.

    [15] Vertigo: The Legacy Series Universal, 2008

    [16] Biskind, p. 413.

    [17] William, Linda Ruth (2005). The Erotic Thriller in Con-temporary Cinema. Indiana University Press. p. 140.ISBN 0-253-21836-5.

    [18] William Friedkin Interview on YouTube

    [19] EXCL: Bug Director William Friedkin.

    [20] Crazy by William Peter Blatty, authorsontourlive.com,June 30, 2010

    [21] William Friedkin : Director, producer and screenwriter :A Quiet Little Thriller, The Hungton Post, July 6, 2010

    [22] Friedkin, William. The Friedkin Connection: A Memoir.New York: HarperCollins, 2013.

    [23] William Friedkin to receive Venice honour. BBC News.

    [24] Martin, Judith. Personalities. Washington Post. Febru-ary 9, 1977, p. B3.

    [25] Filing for Divorce. Newsweek. June 25, 1979, p. 99.

    [26] Sanders, Richard. Director Billy Friedkin and Lesley-Anne Down Make a Home Movie-Divorce HollywoodStyle. People. September 2, 1985. Accessed 2013-04-29.

    [27] Names in the News. Associated Press. August 15, 1985.

    [28] Director William Friedkin Marries News Anchor KellyLange. Ocala Star-Banner. July 29, 1987, p. 2A. Ac-cessed 2013-04-29.

    [29] Ryon, Ruth. Still Anchored in the Hills. Los AngelesTimes. May 31, 1992. Accessed 2013-04-29.

    [30] Anderson, Susan Heller. Chronicle. New York Times.July 11, 1991. Accessed 2013-04-29.

    [31] Teetor, Paul. "'The Exorcist' Director William FriedkinTells All in His No-Bullshit Memoir. Los Angeles Times.April 11, 2013. Accessed 2013-04-29.

    [32] Segalo, p. 98.

    [33] William Friedkin Biography. Movies.Yahoo.com.2013, accessed 2013-04-29; Failing Better Every Time.Sunday Independent. July 1, 2012.

    [34] The Exorcist & The French Connection Dir. WilliamFriedkin on Religion, Crime & Film on YouTube

    [35] Venezia 68: International competition of feature lms.Venice. Retrieved August 28, 2011.

    7 Bibliography Biskind, Peter. Easy Riders, Raging Bulls: How the

    Sex-Drugs-And Rock 'N Roll Generation Saved Hol-lywood. New York: Simon and Schuster, 1998.ISBN 0-684-80996-6

    Claggett, Thomas D. William Friedkin: Films ofAberration, Obsession, and Reality. Los Angeles:Silman-James Press, 2003. ISBN 0-89950-262-8

    Derry, Charles, ed. Dark Dreams 2.0: A Psycho-logical History of the Modern Horror Film From the1950s to the 21st Century. Jeerson, N.C.: McFar-land & Co., 2009. ISBN 978-0-7864-3397-1

    Edmonds, I. G. and Mimura, Reiko. The Oscar Di-rectors. San Diego: A.S. Barnes, 1980. ISBN 0-498-02444-X

    Emery, Robert J., ed. The Directors: In Their OwnWords. Vol. 2. New York: TV Books, 1999. ISBN1-57500-129-2

    Friedkin, William. The Friedkin Connection: AMemoir. New York: HarperCollins, 2013. ISBN978-0-06-177512-3

  • 4 8 EXTERNAL LINKS

    Friedkin, William. Conversations at the AmericanFilm Institute With the Great Moviemakers: The NextGeneration. George Stevens, Jr., ed. New York: Al-fred A. Knopf, 2012. ISBN 978-0-307-27347-5

    Hamm, Theodore. Rebel and a Cause: Caryl Chess-man and the Politics of the Death Penalty in PostwarCalifornia, 19481974. Berkeley, Calif.: Univer-sity of California Press, 2001. ISBN 0-520-22427-2

    Segalo, Nat. Hurricane Billy: The Stormy Life andFilms of William Friedkin. New York: Morrow,1990. ISBN 0-688-07852-4

    Stevens, Jr., George, ed. Conversations at the Amer-ican Film Institute With the Great Moviemakers: TheNext Generation. New York: Alfred A. Knopf,2012. ISBN 978-0-307-27347-5

    Wakeman, John. World Film Directors, 19451985.New York: Wilson, 1988. ISBN 0-8242-0757-2

    Walker, Elsie M. and Johnson, David T., eds. Con-versations With Directors: An Anthology of Inter-views From 'Literature/Film Quarterly'. Lanham,Md.: Scarecrow Press, 2008. ISBN 978-0-8108-6122-0

    8 External links William Friedkin at the Internet Movie Database William Friedkin at the Internet BroadwayDatabase From 'Popeye' Doyle to Puccini: William Fried-kin NPRs Robert Siegel interviews Friedkin,September 14, 2006

    EXCL: Bug Director William Friedkin The Reeler interview with Friedkin Master Class at La Cinmathque franaise on De-cember 4th 2013

    William Friedkin papers, Margaret Herrick Library,Academy of Motion Picture Arts and Sciences

  • 59 Text and image sources, contributors, and licenses9.1 Text

    William Friedkin Source: https://en.wikipedia.org/wiki/William_Friedkin?oldid=669419811 Contributors: SimonP, Jahsonic, SeanO,Greenrd, Moncrief, Matty j, Cyrius, David Gerard, Varlaam, Sam, Udzu, D6, Discospinster, Jpk, Antaeus Feldspar, Dyl, ESkog, Canis-Rufus, Remember, Feitclub, HasharBot~enwiki, Hektor, Philip Cross, Yamla, Dismas, Angr, Robert K S, Wikiklrsc, Zzyzx11, Bunchof-grapes, Ted Wilkes, Eoghanacht, Koavf, Jake Wartenberg, The wub, FlaBot, Djrobgordon, Nihiltres, Darkhorse82, IsaacBarry, YurikBot,Borgx, RandallJones, Grafen, Irishguy, Jona, Tony1, Engineer Bob, Pegship, Fallout boy, Hal Raglan, Whobot, Garion96, Tim1965,Kranar drogin, Vulturell, SmackBot, Cubs Fan, Chris the speller, Tunes, Colonies Chris, Bib, Nixeagle, Threeafterthree, Jwy, TheLimbi-cOne, Hotwine8, Ceoil, TenPoundHammer, Thepangelinanpost, Ser Amantio di Nicolao, Guat6, Lisapollison, Jon186, Ryulong, Irides-cent, Lathrop1885, Luigibob, Joey80, Brandubh Blathmac, Cydebot, J.D., Lugnuts, Ameliorate!, Mallanox, Bookgrrl, BetacommandBot,Thijs!bot, Blacklake, CharlotteWebb, Rsocol, MegX, Doctorhawkes, Dmacw6, Wildhartlivie, Scanlan, Freefry, GavSalkeld, Sleepyjuly,CommonsDelinker, Magnakai6, RRawpower, Cop 663, N26825, Jevansen, Sgeureka, Thismightbezach, Annoynmous, Bovineboy2008,Usernodunno, Joliecide, Anderswolleck, Broadbot, Markdashark1212, The News Hound, Ponyo, Scarian, Schizodelight, Alex Middle-ton, Zeromega, Plee4139, ImageRemovalBot, Twinsday, Martarius, ClueBot, Binksternet, All Hallows Wraith, Starvinsky, Nymf, De-oli1, Light show, Kbdankbot, Addbot, Manuel Trujillo Berges, BONKEROO, Vikiizer, Jim10701, Debresser, JGKlein, Tassedethe,Numbo3-bot, Danicat, Lightbot, Contributor777, Luckas-bot, Yobot, Themfromspace, Bbb23, AnomieBOT, Jim1138, Rickaremyself-porra, RobertEves92, ArthurBot, Xqbot, RicaumLOL, MaverickAC, My blue orpheus, Omnipaedista, Jean-Jacques Georges, Michaellee4,Shaundaily, B3t, Tinton5, Mjs1991, MikeAllen, Anthony Winward, RjwilmsiBot, Twix1875, Earthh, Christian wikipedestrian, LM2000,Grapple X, Asalrifai, Helpful Pixie Bot, Strike Eagle, Gothiclm, Puramyun31, Dutchy85, ERJANIK, Benmckone, QuickMotion,Ophuls20393, Mogism, Makecat-bot, VIAFbot, Mongo460, Hitcher vs. Candyman, Fallacies4, Lauren at Margaret Herrick Library, Kas-parBot, Knife-in-the-drawer and Anonymous: 115

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    Early lifeCareerPersonal lifeFilmography (as director)Documentary credits

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