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WILF A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure C/B – Sustained appreciation of writers’ ideas and attitudes using quotes and convincing analysis of language and structure

WILF A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure C/B – Sustained appreciation

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Page 1: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

WILF A/A* - Sophisticated engagement with writer’s

ideas/attitudes and sophisticated analysis of language and structure

C/B – Sustained appreciation of writers’ ideas and attitudes using quotes and convincing analysis of language and structure

Page 2: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Remember the Thought of the Week from PSHE To each there comes a

special moment in their lives when they will be tapped on the shoulder and offered the chance to do a very special thing, unique to their talents. What a tragedy if that moment finds them unprepared for their finest hour

Page 3: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Possessive pronouns & Objectification Me/My/Mine Ferrara has a desire to own an object “that

piece” Even in death he doesn’t relinquish her but

rather makes her a part of his collection She is the sea-horse, he is Nepture – A God

in his own image Calls the new girl “an object” LC tells Juliet “and you be mine, I’ll give you

to my friend”

Page 4: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Dehumanization of Women The referring of the women by merely parts

◦ Fettle your fine joints (Juliet goes to an animal’s perspective), graze, etc.

◦ MLD is simply about body parts smiles, breasts◦ LC doesn’t even speak to his daughter at the start

‘she’ ‘her’ Only when he gets upset does he switch to ‘you’

Page 5: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Repetition of key terms Too soon made glad/too easily impressed –

liked what she looked on and her looks went everywhere

Thank me no thankings, nor proud me no prouds

Page 6: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Lack of Identity Both have nameless wives & daughters

‘wife’, ‘my last duchess’, ‘she’ My last duchess A curse

Page 7: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Action vs. Inaction – Both Indicate Power and Arrogance

◦ Ferrara still has societal power that is recognized◦ Capulet loses power (was once called ‘Rich

Capulet’) and threatens with physical power

Page 8: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

The Patriarchal Society and Women’s Perspectives – Victorian & Elizabethan Societies Contempt in a female’s perspective

◦ As if she ranked my gift…◦ Thank me no thankings, nor proud me nor prouds

Page 9: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Breaking literary/structural conventions◦ Enjambment “900 years old name with anybody’s

gift” – Anybody’s gift looks petty and small beside the fullness of Ferrara’s name in the previous line

Iambic Pentameter◦ Iambic Pentameter Lord Capulet

Page 10: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Punctuation◦ 900-years-old-name

Page 11: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Context◦ Victorian vs. Elizabethan age

Page 12: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Power in speech◦ Shakespearean structure

He who speaks most has the power (Speak not. Reply not. Do not answer me)

◦ MLD We never head anyone else speak Dramatic monologue but also his power The one dialogue he repeats is the hypothetical

dialogue from Fra Pandalf

Page 13: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Cruel disregard for life◦ “We were born to die”◦ ”All smiles stopped altogether” (sibilance –

creates a sinister mood)

Page 14: WILF  A/A* - Sophisticated engagement with writer’s ideas/attitudes and sophisticated analysis of language and structure  C/B – Sustained appreciation

Pride◦ “Even had you skill in speech (false modesty) –

brackets used to highlight this / I choose never to stoop (assonance to highlight his pride)

◦ She will be ruled in all ways by me