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WICKED – Libretto [Act 1] [Scene 1 - No One Mourns The Wicked] Ozians: GOOD NEWS, SHE'S DEAD! THE WITCH OF THE WEST IS DEAD! THE WICKEDEST WITCH THERE EVER WAS, THE ENEMY OF ALL OF US HERE IN OZ, IS DEAD! GOOD NEWS! GOOD NEWS! Ozian: Look, it's Gli"! Glinda floats in on a giant bubble Glinda: It's #oo to s$$ %$, is't it& (Ozians Agree) No $$ to $s(o t)"t *"s )$toi+"l F$llo* O-i"s. LET US /E GLAD, LET US /E GRATEFUL, LET US RE0OICIFY THAT GOODNESS COULD SU/DUE THE WICKED WORKINGS OF YOU KNOW WHO! ISN'T IT NICE TO KNOW THAT GOOD WILL CON1UER EVIL& THE TRUTH WE ALL /ELIEVE'LL /Y AND /Y OUTLIVE A LIE FOR YOU AND Ozian: Gli"! E2"+tl3 )o* $" is s)$& Glinda: W$ll, t)$$ )"s 4$$ %5+) 5%o " s($+5l"tio i5$o, o5t5$o 45t l$t %$ s$t t)$ $+o st"i#)t A++oi# to t)$ Ti%$ D"#o Clo+k, t)$ %$lti# o++5$ "t t)$ 67t) )o58 " i$+t $s5lt o9 " 45+k$t o9 *"t$ t)o* 43 " 9$%"l$ +)il Y$s, t)$ Wi+k$ Wit+) o9 t)$ W$st is $"! Ozian:  NO ONE MOURNS THE WICKED!

Wicked! The Musical Libretto [Act 1]

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WICKED – Libretto [Act 1]

[Scene 1 - No One Mourns The Wicked]

Ozians:

GOOD NEWS, SHE'S DEAD!

THE WITCH OF THE WEST IS DEAD!

THE WICKEDEST WITCH THERE EVER WAS,

THE ENEMY OF ALL OF US HERE IN OZ,IS DEAD! GOOD NEWS! GOOD NEWS!

Ozian: Look, it's Gli"!

Glinda floats in on a giant bubble

Glinda: It's #oo to s$$ %$, is't it& (Ozians Agree) No $$ to

$s(o t)"t *"s )$toi+"l F$llo* O-i"s.

LET US /E GLAD,LET US /E GRATEFUL,

LET US RE0OICIFY THAT GOODNESS COULD SU/DUE

THE WICKED WORKINGS OF YOU KNOW WHO!

ISN'T IT NICE TO KNOWTHAT GOOD WILL CON1UER EVIL&

THE TRUTH WE ALL /ELIEVE'LL /Y AND /YOUTLIVE A LIE

FOR YOU AND

Ozian: Gli"! E2"+tl3 )o* $" is s)$&

Glinda: W$ll, t)$$ )"s 4$$ %5+) 5%o " s($+5l"tio

i5$o, o5t5$o 45t l$t %$ s$t t)$ $+o st"i#)t A++oi#to t)$ Ti%$ D"#o Clo+k, t)$ %$lti# o++5$ "t t)$ 67t) )o58 "

i$+t $s5lt o9 " 45+k$t o9 *"t$ t)o* 43 " 9$%"l$ +)il Y$s, t)$Wi+k$ Wit+) o9 t)$ W$st is $"!

Ozian:

 NO ONE MOURNS THE WICKED!

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Ozian:

 NO ONE CRIES :THEY WON'T RETURN!;

All:

 NO ONE LAYS A LILY ON THEIR GRAVE!

Ozian Man:

THE GOOD MAN SCORNS THE WICKED!

Women:

THROUGH THEIR LIVES OUR CHILDREN LEARN!

Ozians:

WHAT WE MISS WHEN WE MIS/EHAVE!

Glinda:

AND GOODNESS KNOWS

THE WICKED<S LIVES ARE LONELYGOODNESS KNOWS

THE WICKED DIE ALONEIT 0UST SHOWS WHEN YOU'RE WICKED

YOU'RE LEFT ONLY

ON YOUR OWN

Ozians:

YES, GOODNESS KNOWS

THE WICKEDS' LIVES ARE LONELYGOODNESS KNOWS

THE WICKED CRY ALONE

 NOTHING GROWS FOR THE WICKEDTHEY REA= ONLY

WHAT THEY'VE SOWN

Ozian: Gli", *)3 o$s *i+k$$ss )"(($&

Glinda: T)"t's " #oo >5$stio8 o$ t)"t %"3 ($o(l$ 9i+o95si93i# A$ ($o(l$ 4o *i+k$, o o t)$3 )"?$ *i+k$$ss

t)5st 5(o t)$%& A9t$ "ll, s)$ )" " +)il)oo,8 S)$ )" " 9"t)$,

*)o @5st )"(($ to 4$ t)$ #o?$o o9 %5+)kil"

Witch's Parents Enter.

Frex: I'% o99 to t)$ "ss$%4l3, $"Glinda: She had a mother, as so man do...

Frex:

HOW I HATE TO GO AND LEAVE YOU LONELY

Melena:

THAT'S ALRIGHT IT'S ONLY 0UST ONE NIGHT

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Frex:

/UT KNOW THAT YOU'RE HERE, IN MY HEART

WHILE I'M OUT OF YOUR SIGHT!

 !re" E"its. A #o$er %uns &nto he %oom.

Glinda: And lie all families, the had their secrets.

o!er:

HAVE ANOTHER DRINK, MY DARK EYED /EAUTY,

I'VE GOT ONE MORE NIGHT LEFT HERE IN TOWN,SO HAVE ANOTHER DRINK OF GREEN ELIIR 

AND WE'LL HAVE OURSELVES A LITTLE MIER 

HAVE ANOTHER LITTLE SWALLOW LITTLE LADY,AND FOLLOW ME DOWN

Glinda: And of course, from the moment she as born she as...ell... different*

Mid"i#e: AHHH!! It's +o%i#!

Frex: No*&

Mid"i#e: T)$ 4"43's +o%i#!

Frex: A )o*!

Mid"i#e:I SEE A NOSE!

Frex:

I SEE A CURL!

$o%h:

IT'S A HEALTHY, =ERFECT, LOVELY LITTLE(he Scream)

Melena: W)"t is it& W)"t's *o#&

Mid"i#e:

HOW CAN IT /E&

Frex: 

WHAT DOES IT MEAN&Mid"i#e:

IT'S ATROCIOUS!

Frex:

IT'S O/SCENE!

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$o%h:

LIKE A FROGGY, FERNY CA//AGE,

THE /A/Y IS UNNATURALLY

GREEN!!!

Frex: T"k$ it "*"3 T"k$ it "*"3!!!!

Glinda: So ou see, it couldn't ha$e been eas*

Ozians:

 NO ONE MOURNS THE WICKED!

 NOW AT LAST, SHE'S DEAD AND GONE! NOW AT LAST THERE'S 0OY THROUGHOUT THE LAND!

AND GOODNESS KNOWS (GOO+ESS -OWS)

WE KNOW WHAT GOODNESS IS (OOOO)GOODNESS KNOWS, THE WICKED DIE ALONE (SE +&E+

 A#OE)

WOE TO THOSE (WOE O OSE)WHO S=URN WHAT GOODNESSES THEY ARE SHOWN!

 NO ONE MOURNS THE WICKED (GOO+ EWS)

 NO ONE MOURNS THE WICKED (GOO+ EWS) NO ONE MOURNS THE WICKED

WICKED

WICKED!!!!!

Glinda: W$ll, t)is )"s 4$$ 95! /5t "s 3o5 +" i%"#i$ I )"?$

%5+) to "tt$ to, *)"t *it) t)$ Wi-"'s 5$2($+t$ $("t5$So, i9 t)$$ "$ o 95t)$ >5$stios

Ozian: Gli", is it t5$ 3o5 *$$ )$ 9i$&Ozians Gas/

Glinda: W$ll, I 3o5 s$$ 5% 3$s

 #ouder Gas/s

Glinda: W$ll, it $($s o *)"t 3o5 %$" 43 B9i$B

 She 0otions er 1ubble +onard. I i ko* )$ T)"t is, o5

 ("t)s i +oss "t s+)ool /5t 3o5 %5st 5$st", it *"s " lo#

ti%$ "#o " *$ *$$ 4ot) ?$3 3o5#

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[Scene & - 'ear Old Shiz]

Scene !ades As Shiz Students A//ear. El/haba Enters With hem.

S%uden%s: 

O, HALLOWED HALLS AND VINE DRA=ED WALLSTHE =ROUDLIEST SITE THERE IS

WHEN GREY AND SEER OUR HAIR HATH TURNED,

WE SHALL STILL REVERE THE LESSONS LEARNEDIN OUR DAYS AT DEAR OLD SHIZ (+EA% O#+ S&2)

OUR DAYS AT DEAR OLD

Galinda: 1eing Wheeled &n On A 1ig 3art !illed With #uggage.

OHOHOHOHOLDAll:

SHIZZZZZZZZZZZ (+EA% O#+ S&222222222222222)

 !re" Wheels essarose On Stage.

(l)ha*a: W)"t&! W)"t "$ 3o5 looki# "t& O), o I )"?$

so%$t)i# i %3 t$$t)& Ok"3, l$t's #$t t)is o?$ *it) No, I'% ot

s$"si+k, 3$s, I'?$ "l*"3s 4$$ #$$, o, I i't +)$* #"ss "s "+)il

Frex: El()"4"!

(l)ha*a: O), t)is is %3 3o5#$ sist$, N$ss"os$ As 3o5 +" s$$,s)$ is " ($9$+tl3 o%"l +olo

Frex: El()"4", sto( %"ki# " s($+t"+l$ o9 3o5s$l9! I'% ol3s$i# 3o5 )$$ 9o o$ $"so

(l)ha*a: Y$s, I ko*, to look "9t$ N$ss"os$ !re" olds Out A 1o".

Frex: M3 ($+io5s littl$ #il. " ("ti# #i9t

Nessarose: No*, 9"t)$ e Pulls Sil$er Shoes !rom he 1o". 0$*$l$ s)o$s!

Frex: As 4$9its t)$ 95t5$ #o?$o o9 M5+)kil" El()"4",

t"k$ +"$ o9 3o5 sist$ A t3 ot to t"lk so %5+)! e -isses

 essarose And E"its.

Nessarose: El()"4"

(l)ha*a: W$ll *)"t +o5l )$ )"?$ #ott$ %$& I +l"s) *it)$?$3t)i#! 0me. 0orrible Enters

Morri*le: W$l+o%$, $* st5$ts! I "% M""%$ Moi4l$,

)$"%ist$ss )$$, "t S)i- Ui?$sit3 A *)$t)$ 3o5'$ )$$ tost53 lo#i+, lit$"t5$, o li#5i9i+"tio, I ko* I s($"k 9o %3

9$llo* 9"+5lt3 %$%4$s *)$ I s"3 *$ )"?$ ot)i# 45t t)$ )i#)$st

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)o($s 9o so%$ o9 3o5 No*, $#"i# oo% "ssi#%$ts El/haba 4 Galinda %aise heir ands. She otices Galinda !irst. 

Y$s, is t)is $#"i# oo% "ssi#%$ts&

Galinda: O), M""%$, t)"k 3o5 9o "ski#, 45t I'?$ "l$"3 4$$"ssi#$ " (i?"t$ s5it$ oticing er !olloers' +isa//ointment. 

/5t 3o5 +" "ll +o%$ ?isit %$ *)$$?$ 3o5 *"t!

Shen Shen: Ho* #oo o9 3o5!

+#anee: Yo5 "$ so #oo!

Galinda: No I'% ot!

$o%h: Y$s 3o5 "$!

Galinda: No* sto(! Sishes er air.

Morri*le: Do 3o5 )"?$ " >5$stio&

Galinda: Y$s, 3o5 s$$, I "% G"li" U(l" o9 t)$ U(($5(l"s

I'?$ "((li$ to 3o5 so+$3 s$%i", " i$$ t)"t is %3 sol$ (5(os$ o9 "tt$i# S)i-8 to st53 so+$3 *it) 3o5 =$)"(s 3o5

$+"ll %3 $ss"3, BM"#i+ W"s, N$$ T)$3 H"?$ A =oitBMorri*le: Y$s Ho*$?$, I o ot t$"+) %3 s$%i" $?$3

s$%$st$, 5l$ss, o9 +o5s$, so%$4o3 s($+i"l *$$ to +o%$ "lo#

Galinda: W$ll, $2"+tl3!

(l)ha*a: W$ )"?$ ot 3$t $+$i?$ o5 oo% "ssi#%$ts

Morri*le: Y$s, 3$s, o9 +o5s$! O), Yo5 %5st 4$ Miss N$ss"os$,t)$ #o?$o's "5#)t$ W)"t " t"#i+"ll3 4$"5ti95l 9"+$ 3o5 )"?$!

Sees El/haba, snortsA 3o5 %5st 4$

(l)ha*a: I'% t)$ ot)$ "5#)t$ El()"4" I'% 4$"5ti95ll3 t"#i+

Morri*le: Y$s, 3$s, I'% s5$ 3o5'$ ?$3 4i#)t

Galinda: /i#)t& S)$'s ()os()o$s+$t

Morri*le. I o't s$$% to )"?$ 3o5 o %3 list O), *$ll " sli#)t#5l+), 45t ot to 9$t! W$'ll 9i so%$(l"+$ to (5t 3o5

Galinda: Y'ko*, I o't $?$ t)ik s)$ $" %3 $ss"3

Shen Shen: T)"t's so 59"i!

$o,: Yo5 s)o5l s"3 so%$t)i#!

Galinda: S)o5l I&

+#anee: Do it!

Morri*le: No*, *)i+) o$ o9 3o5 3o5# l"i$s *o5l lik$ to?ol5t$$ to s)"$ *it) Miss El()"4"&

Galinda: M""%$ Moi4l$

Morri*le: T)"k 3o5 $" O), )o* ?$3 #oo o9 3o5!

Galinda: W)"t&Morri*le: Miss El()"4", 3o5 %"3 s)"$ *it) Miss G"li"

Galinda: H5)&

Morri*le. T)$ #o?$o %"$ )is +o+$ 9o 3o5 sist$'s *$ll 4$i# >5it$ +l$" So, I t)o5#)t it *o5l 4$ 4$st i9 s)$ s)"$ %3

 (i?"t$ +o%("t%$t *)$$ I +" "ssist )$ "s $$$

(l)ha*a: /5t M""%$, I'?$ "l*"3s look$ "9t$ %3 sist$

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Morri*le: E?$3o$, to 3o5 o%itoi$s

(l)ha*a: /5t M""%$

(l)ha*a: L$t )$ #o!!!

 essarose's Wheelchair &s orn !rom 0orrible's ands And

 1egins o Wheel &tself 1ac o El/haba.

Morri*le: Ho* i 3o5 o t)"t&

Galinda: Ho* i s)$ o t)"t&

Nessarose: El()"4"!

Morri*le: Yo5 %$" t)is )"s )"(($$ 4$9o$&

(l)ha*a: U) So%$t)i# @5st +o%$s o?$ %$ so%$ti%$s I'%

so3, M""%$

Morri*le: W)"t& N$?$ "(olo#i-$ 9o t"l$t! T"l$t is " #i9t! H"?$

3o5 $?$ +osi$$ " +"$$ i so+$3&

(l)ha*a: So+$3&

Morri*le: I s)"ll t5to 3o5 %3s$l9, " t"k$ o ot)$ st5$ts

Galinda: W)"t& All Students 1ut Galinda E"it.

Morri*le: O), Miss El()"4"MANY YEARS I HAVE WAITED

FOR A GIFT LIKE YOURS TO A==EAR 

WHY I =REDICT THE WIZARD COULD MAKE YOU HISMAGIC, GRAND VIZIER!

MY DEAR, MY DEAR,

I'LL WRITE AT ONCE TO THE WIZARDTELL HIM OF YOU IN ADVANCE

WITH A TALENT LIKE YOURS, DEAR, THERE IS

A DEFINISH CHANCEIF YOU WORK AS YOU SHOULD

YOU'LL /E MAKING GOOD

Galinda: M""%$ Moi4l$

Morri*le: No, ot o* $"$st She E"its.

Galinda: T)is *ill @5st %"k$ %$ " 4$tt$ ($so She smiles.

She %uns Off.

[Scene - The Wizard . /]

(l)ha*a: 

DID THAT REALLY 0UST HA==EN&HAVE I ACTUALLY UNDERSTOOD&

THIS WEIRD 1UIRK I'VE TRIED TO SU==RESS OR HIDE

IS A TALENT THAT COULD HEL= ME MEET THE WIZARDIF I MAKE GOOD

SO I'LL MAKE GOOD

WHEN I MEET THE WIZARD,

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ONCE I =ROVE MY WORTH,AND THEN I MEET THE WIZARD,

WHAT I'VE WAITED FOR SINCE

SINCE /IRTH!AND WITH ALL HIS WIZARD WISDOM

/Y MY LOOKS HE WON'T /E /LINDED

DO YOU THINK THE WIZARD IS DUM/&

OR LIKE MUNCHKINS SO SMALLMINDED& NO!HE'LL SAY TO ME BI SEE WHO YOU TRULY ARE,

A GIRL ON WHOM I CAN RELYB

AND THAT'S HOW WE'LL /EGIN,THE WIZARD AND I

ONCE I'M WITH THE WIZARD,

MY WHOLE LIFE WILL CHANGE,'CUZ ONCE YOU'RE WITH THE WIZARD

 NO ONE THINKS YOU'RE STRANGE NO FATHER IS NOT =ROUD OF YOU,

 NO SISTER ACTS ASHAMED,AND ALL OF OZ HAS TO LOVE YOU

WHEN /Y THE WIZARD YOU'RE ACLAIMED

AND THIS GIFT OR THIS CURSETHAT I HAVE INSIDE

MAY/E AT LAST I'LL KNOW WHY

WHEN WE ARE HAND IN HAND,THE WIZARD AND I

AND ONE DAY HE'LL SAY TO ME, BEL=HA/A,

A GIRL WHO IS SO SU=ERIOR,SHOULDN'T A GIRL WHO'S SO GOOD INSIDE

HAVE A MATCHING ETERIOR&

AND SINCE FOLKS HERE TO AN O/SURED DEGREE

SEEM FIATED ON YOUR VERDEGRISWOULD IT /E ALRIGHT /Y YOU

IF I DEGREENIFY YOU&B

AND OF COURSE THAT'S NOT IM=ORTANT TO MEBALRIGHT! WHY NOT&B I'LL RE=LY

OH, WHAT A =AIR WE'LL /E

THE WIZARD AND I

YES, WHAT A =AIR WE'LL /ETHE WIZARD AND

UNLIMITED, MY FUTURE IS UNLIMITED

AND I'VE 0UST HAD A VISION ALMOST LIKE A =RO=HECYI KNOW

IT SOUNDS TRULY CRAZY

AND TRUE, THE VISION'S HAZY

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/UT I SWEAR SOME DAY THERE'LL /EA CELE/RATION THROUGHOUT OZ

THAT'S ALL TO DO

WITH ME!AND I'LL STAND THERE WITH THE WIZARD

FEELING THINGS I'VE NEVER FELT

AND THOUGH I'D NEVER SHOW IT

I'D /E SO HA==Y I COULD MELT!AND SO IT WILL /E FOR THE REST OF MY LIFE

AND I'LL WANT NOTHING ELSE 'TILL I DIE

HELD IN SUCH HIGH ESTEEM!WHEN =EO=LE SEE ME THEY WILL SCREAM

FOR HALF OF OZ'S FAVORITE TEAM.

THE WIZARDAND I!!!!

[Scene 0 - Wha% /s This Feelin2]

Galinda: D$"$st, D"li#$st Mo%s3 " =o(si+l$

(l)ha*a: M3 $" 9"t)$

$o%h:

THERE'S /EEN SOME CONFUSION OVER ROOMING HERE

AT SHIZ

(l)ha*a: 

/UT, OF COURSE, I'LL CARE FOR NESSA

Galinda:/UT, OF COURSE, I'LL RISE A/OVE IT

$o%h:

FOR I KNOW THAT'S HOW YOU'D WANT ME TO RES=OND

Y$s

THERE'S /EEN SOME CONFUSION FOR YOU SEE MYROOMATE IS

Galinda: 

UNUSUALLY, AND ECEEDLINGLY =ECULIAR AND

ALTOGETHER 1UITE IM=OSSI/LE TO DESCRI/E

(l)ha*a: /lo$

Galinda:WHAT IS THIS FEELING, SO SUDDEN AND NEW&

(l)ha*a:

I FELT THE MOMENT I LAID EYES ON YOU!

Galinda:

MY =ULSE IS RUSHING

(l)ha*a:

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MY HEAD IS REELING

Galinda: 

MY FACE IS FLUSHING

$o%h:

WHAT IS THIS FEELING&

FERVID AS A FLAME,

DOES IT HAVE A NAME&

YESLOATHING!

UNADULTERATED LOATHING!

Galinda:

FOR YOUR FACE

(l)ha*a:

YOUR VOICE

Galinda: YOUR CLOTHING

$o%h:

LET'S 0UST SAY

I LOATHE IT ALL!

EVERY LITTLE TRAIT HOWEVER SMALLMAKES MY VERY FLESH /EGIN TO CRAWL

WITH SIM=LE, UTTER LOATHING

THERE'S A STRANGE EHILARTIONIN SUCH TOTAL DETESTATION

IT'S SO =URE, SO STRONG!

THOUGH, I DO ADMIT IT CAME ON FAST,STILL I DO /ELIEVE THAT IT CAN LAST!

AND I WILL /E LOATHING, LOATHING YOU

MY WHOLE LIFE LONG!

S%uden%s:

DEAR GALINDA, YOU ARE 0UST TOO GOOD!

HOW DO YOU STAND IT, I DON'T THINK I COULD!

SHE'S A TERROR! SHE'S A TARTAR!WE DON'T MEAN TO SHOW A /IAS,

/UT GALINDA, YOU'RE A MARTYR!

Galinda: W$ll

THESE THINGS ARE SENT TO TRY US!S%uden%s:

=OOR GALINDA FORCED TO RESIDE

WITH SOMEONE SO DISGUSTICIFIEDWE 0UST WANT TO TELL YOU

WE'RE ALL ON YOUR SIDE!

S%uden%s: WE SHARE YOUR LOATHING, UNADULTERATED

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LOATHING

$o%h: WHAT IS THIS FEELING SO SUDDEN AND NEW&

S%uden%s: FOR HER FACE, HER VOICE, HER CLOTHING

$o%h: I FELT THE MOMENT I LAID EYES ON YOU

S%uden%s: LET'S 0UST SAY

$o%h: MY =ULSE IS RUSHING, MY HEAD IS REELING

S%uden%s: WE LOATHE IT ALL!

$o%h: OH WHAT IS THIS FEELING&

S%uden%s: EVERY LITTLE TRAIT HOWEVER SMALL

$o%h: DOES IT HAVE A NAME&

S%uden%s: MAKES OUR VERY FLESH /EGIN TO CRAWL

$o%h: YES

All: AHHHH!!!

S%uden%s: LOATHING!

$o%h: LOATHING!

S%uden%s:  LOATHING!$o%h: THERE'S A STRANGE EILHARATION

S%uden%s:  LOATHING!

$o%h: IN SUCH TOTAL DETESTATION

S%uden%s:  SO STRONG!

$o%h: IT'S SO =URE, IT'S SO STRONG!!!

$o%h:

THOUGH I DO ADMIT IT CAME ON FAST,

STILL I DO /ELIEVE THAT IT CAN LAST,

S%uden%s:  LOATHING

$o%h: AND I WILL /E LOATHING, FORFOREVER 

S%uden%s: LOATHING LOATHING LOATHINGYOU!

$o%h: LOATHING, TRULY, DEE=LY LOATHING YOU!

S%uden%s:  LOATHING, UNADULTERATED

LOATHING!!!

$o%h: MY WHOLE LIFE LONG!!!!

(l)ha*a: /oo!

Galinda: A))!

(l)ha*a: H")")")"!

[Scene 3 - 'r4 'illamond5s 6lass]

he Students Are &n +ess As +illamond Arri$es.

'illamond: S$ttl$ o*, o*! I )"?$ $" 3o5 %ost $+$t $ss"3sA I "% "%"-$ to $(ot t)$ (o#$ss! Alt)o5#), so%$ o9 5s still

t$ to 9"?o 9o% o?$ +ot$t Ms Gli"

Galinda: It's GAli"

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'illamond: E2+5s$ %$ Gli"

Galinda: I $"ll3 o't s$$ *)"t t)$ (o4l$% is E?$3 ot)$

 (o9$sso s$$%s to 4$ "4l$ to (oo5+$ %3 "%$

(l)ha*a: M"34$ (oo5+i# 3o5 ($+io5s "%$ is't t)$ sol$ (5(os$ o9 Do+to Dill"%o's li9$ M"34$ )$'s ot lik$ $?$3 ot)$

 (o9$sso M"34$ so%$ o9 5s "$ i99$$t

Galinda: O)! It s$$%s t)$ "ti+)ok$ is st$"%$

'illamond: Cl"ss, +l"ss! Miss El()"4" )"s " (oit! As 3o5 ko*, I"% t)$ sol$ Ai%"l o t)$ 9"+5lt3 T)$ tok$ Go"t, "s it *$$ /5t

it *"s't "l*"3s t)is *"3 O), $" st5$ts, )o* I *is) 3o5 +o5l

)"?$ s$$ it "s it o+$ *"s W)$$ 3o5 +o5l *"lk o* t)$ )"lls" s$$ " "t$lo($ $2(li+"ti# " so$t, " so* l$o(" sol?i# "

$>5"tio, " *il$4$"st *"2i# ()iloso()i+ Do't 3o5 s$$, $"

st5$ts, )o* o5 $" O- is 4$+o%i# l$ss " l$ssloos at El/haba +olo95l No*, *)o +" t$ll %$ *)"t s$t t)$s$ $?$ts

ito %otio& El/haba5 %aises hand  Fo% *)"t I'?$ )$", it "ll st"t$ *it) t)$

#$"t o5#)t

'illamond: E2"+tl3 Foo #$* s+"+$, ($o(l$ #$* )5#i$ "

"#i$ A t)$ >5$stio 4$+"%$ BW)o% +" *$ 4l"%$&B C"

"3o$ t$ll %$ *)"t is %$"t 43 t)$ t$% BS+"($#o"tB& El()"4"R"is$s H" So%$o$ 4$si$s Miss El()"4"& A) 3$s, Miss

Gli"

Galinda. It's GAli" *it) " GA I o't s$$ *)3 3o5 +"'t @5stt$"+) 5s )isto3 ist$" o9 "l*"3s )"(i# o t)$ ("st

'illamond. W$ll, ($)"(s t)$s$ >5$stios *ill $li#)t$ 3o5

Wals O$er o he 3hal 1oard And urns &t O$er. On it isritten5 A&0A#S SO6#+ 1E SEE A+ O EA%+. W)o is

$s(osi4l$ 9o t)is& I'% *"iti# 9o "s*$ V$3 *$ll, t)"t *ill

 4$ "ll 9o to"3 Yo5 )$" %$, +l"ss is%iss$!!!

 All Students E"it E"ce/t El/haba 4 essarose. +illamond as is 1ac urned o er.

(l)ha*a. Yo5 #o o ")$", N$ss"

 essarose E"its.

(l)ha*a. %eading he 1oard Aloud  BAi%"ls s)o5l 4$ s$$ "

ot )$"B

'illamond. O), Miss El()"4", o't *o3 "4o5t %$, #o "lo# "

$@o3 3o5 9i$s(l)ha*a. O) t)"t's "li#)t, I )"?$ o 9i$s Wo5l 3o5 lik$ to

s)"$ %3 l5+)&

'illamond. O), t)"k 3o5! Ho* kiShe Pulls Out A 3and 1ar And 6nra/s &t. e aes he Pa/er

and 1egins o Eat &t. e Sees he 1oard.

'illamond. I s$$% to )"?$ lost %3 "(($tit$

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(l)ha*a. Yo5 s)o5l't l$t st"t$%$ts lik$ t)"t 4ot)$ 3o5 I %$",I "l*"3s o, 45t 3o5 s)o5l't

'illamond. O) Miss El()"4", i9 it *$$ ol3 " %"tt$ o9 *os o

" +)"lk4o" /5t t)$ t)i#s o$ )$"s t)$s$ "3s $"95l t)i#s!Miss El()"4"

[Scene 7 - Some%hin $ad]

I'VE HEARD OF AN O, A =ROFESSOR FROM 1UO

 NO LONG =ERMITTED TO TEACH,

WHO HAS LOST ALL =OWERS OF S=EECH

AND AN OWL IN MUNCHKIN ROCK A VICAR WITH A THRIVING FLOCK 

FOR/IDDEN TO =REACH

 NOW HE ONLY CAN SCREECH!ONLY RUMORS, /UT STILL, ENOUGH TO GIVE =AUSE

TO ANYONE WITH =AWS

SOMETHING /AD IS HA==ENING IN OZ

(l)ha*a.

SOMETHING /AD&

HA==ENING IN OZ&

'illamond: 

UNDER THE SURFACE

/EHIND THE SCENES

SOMETHING /AAAAAD

So3, :4";(l)ha*a. D Dill"%o, "$ 3o5 "li#)t& S)"ll I 9$t+) 3o5 " #l"ss

o9 *"t$&

'illamond. No, I o't ko* *)"t +"%$ o?$ %$

(l)ha*a. So, 3o5'$ s"3i# t)"t t)$$ "$ "i%"ls t)"t )"?$,

so%$)o*, 9o#ott$ )o* to s($"k& /5t, )o* is t)"t (ossi4l$&

'illamond. W$ll, *it) so %5+) ($ss5$ ot to

 0orrible Enters

Morri*le. I )$" t)$$ *"s so%$ sot o9 ist545"+$ i +l"ss

A$ 3o5 "li#)t, Do+to& O), Miss El()"4", 3o5'$ still )$$! It)o5#)t 3o5 *o5l )"?$ 4$$ o 3o5 *"3 to %3 s$%i" 43 o*

(l)ha*a. Y$s M""%$, oi"il3 I *o5l 4$ 45tMorri*le. /5t *)"t& I o )o($ I )"?$ ot %is(l"+$ %3 t5st i3o5 M"#i+ is " ?$3 $%"$"ti# %ist$ss, " i9 o$ )"s

"%4itios o9 %$$ti# t)$ Wi-" I'% s5$ Do+to Dill"%o s$$s

%3 (oit 0orrible E"its.

(l)ha*a. I' 4$tt$ #o Do+to Dill"%o, i9 so%$t)i# 4" is

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)"(($i# to t)$ Ai%"ls t)$ so%$o$ )"s to t$ll t)$ Wi-"T)"t's *)3 *$ )"?$ " Wi-"!

SO NOTHING /AD

$o%h. NOTHNG ALL THAT /AD

'illamond.

 NOTHING TRULY /AAAAAAD

So3 :/";

(l)ha*a.

IT COULDN'T HA==EN HERE,

IN OZ

[Scene 8 - Fi9ero]

 !iero 4 A$aric Enter.A!aric. H$$ *$ "$, si! S)i- Ui?$sit3!

Fi9ero. W)"t& Al$"3&

A!aric. Y$s, si

Fi9ero. W)"t " s)"%$ W$ll, *$'ll s$$ 3o5 soo, A?"i+ Do't

*o3, I *o't l"st lo#$ "t t)is s+)ool t)" I i "t "3 o9 t)$

ot)$s

 A$aric E"its.

$o,. U), %iss G"li", I ko* I'% @5st " %5+)ki, 45t %5+)kis

)"?$ 9$$li#s too, " I'?$ 4$$ t3i# to t$ll 3o5 %i$, 9o 3o5 /5t

so%$ti%$s it s$$%s lik$ 3o5 o't $?$ ko* I'% t)$$

Galinda. T)"t's ot t5$, /i>$o,. It's /o>

Galinda. /i>, o 3o5 ko* *)o t)"t is& T)"t's Fi3$o Ti##5l",t)"t Wiki$ =i+$ *)os$ $(5t"tio is so s+""l"+io5s!

 1o7 #oos +isgusted. !iero Wals oard hem. Galinda

Sishes er air. !iero, oticing er Strange 1eha$ior, +oeshe Same.

Galinda. To Fi3$o W$$ 3o5 looki# 9o so%$t)i# o so%$o$&

Fi9ero. U))) 3$" )isto3 +l"ss& I o't ko* so%$*)$$&

$o,. Histo3 45ili# is *"3 o?$ t)$$ %3 9i$

Galinda. T)"t +l"ss @5st $$!

Fi9ero. O)! =$9$+t ti%i#! So, 5), *)"t o$s o$ o 9o 95"o5 )$$&

Galinda. Not)i# $"ll3 5til o*

$o,. W$'?$ 4$$ st53i#!

Fi9ero. W$ll, I s$$ t)"t o+$ "#"i t)$ $s(osi4ilit3 to +o5(t %39$llo* st5$ts 9"lls to %$ Fot5"t$l3, I'% 5( 9o t)$ t"sk

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[Scene - 'ancin Throuh i#e]

Fi9ero.

THE TROU/LE WITH SCHOOLS ISTHEY ALWAYS TRY TO TEACH THE WRONG LESSON

/ELIEVE ME, I'VE /EEN KICKED OUT OF ENOUGH OF

THEM TO KNOW!

THEY WANT YOU TO /ECOME LESS CALLOW, LESSSHALLOW,

/UT I SAY WHY INVITE STRESS IN&

STO= STUDYING STRIFEAND LEARN TO LIVE

THE UNEAMINED LIFE

DANCIN' THROUGH LIFESKIMMING THE SURFACE

GLIDING WHERE TURF IS SMOOTHLIFE IS =AINLESS FOR THE /RAINLESS

THOSE WHO DON'T TRY, NEVER LOOK FOOLISHDANCING THROUGH LIFE

 NO NEED TO TOUGH IT

WHEN YOU CAN SLUFF IT OFF AS I DO NOTHING MATTERS, /UT KNOWING NOTHING MATTERS

IT'S 0UST LIFE, SO KEE= DANCING THROUGH

DANCING THROUGH LIFESWAYING AND SWEE=ING

AND ALWAYS KEE=ING COOL

LIFE IS FRAUGHT LESSWHEN YOU'RE THOUGHTLESS

THOSE WHO DON'T TRY

 NEVER LOOK FOOLISH

DANCING THROUGH LIFEMINDLESS AND CARELESS

MAKE SURE YOU'RE WHERE LESS TROU/LE IS RIFE

WHOES ARE FLEETING/LOWS ARE GLANCING

WHEN YOU'RE DANCING

THROUGH LIFE!

So! W)"t's t)$ %ost s*"ki9i$ (l"+$ i to*&Galinda. T)"t *o5l 4$ t)$ O-5st /"lloo%!

Fi9ero. So5s ($9$+t!

LET'S GO DOWN TO THE OZDUST /ALLROOMWE'LL MEET THERE LATER TONIGHT

WE CAN DANCE 'TIL IT'S LIGHT

FIND THE =RETTIEST GIRL

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GIVE HER A WHIRL!RIGHT ON DOWN TO THE OZDUST /ALLROOM

COME ON FOLLOW ME!

YOU'LL /E HA==Y TO /E THERE

S%uden%s.

DANCIN' THROUGH LIFE, DOWN AT THE OZDUST (#&!E*)

Fi9ero.

IF ONLY /ECAUSE DUST IS WHAT WE COME TO!

S%uden%s.

 NOTHIN' MATTERS, /UT KNOWING NOTHING MATTERS

IT'S 0UST LIFE!!!

Fi9ero.

SO KEE= DANCING THROUGH

$o,. Miss G"li"& I )o($ 3o5'll s"?$ "t l$"st o$ "+$ 9o %$ I'll 4$ *"iti# i#)t t)$$, i#)t 43 3o5 si$, *"iti#, "ll i#)t

Galinda. O), )o* ?$3 ki, /i>$o,. /o>

Galinda. /5t, o 3o5 ko* *)"t *o5l 4$ $?$ ki$&SEE THAT TRAGIC<LY /EAUTIFUL GIRL&

THE ONE IN THE CHAIR&

IT SEEMS SO UNFAIR WE SHOULD GO ON A S=REE

AND NOT SHE, GEE

I KNOW SOMEONE WOULD /E MY HEROIF THAT SOMEONE WERE

TO GO INVITE HER!

$o,. W$ll, %"34$ I +o5l i?it$ )$!Galinda.

OH, /I1, REALLY&

YOU WOULD DO THAT FOR ME&

$o,. I *o5l o "3t)i# 9o 3o5, Miss G"li" Wals O$er o essarose. E2+5s$ %$, Miss N$ss"os$& T)$$'s so%$t)i# I' lik$

to "sk 3o5

Fi9ero. To G"li" Yo5'$ #oo

Galinda. I o't ko* *)"t 3o5 %$" /5t I o )"(($ to 4$ 9$$

toi#)t, so

Fi9ero. So, I'll 4$ (i+ki# 3o5 5( "o5 $i#)t&

Galinda. A9t$ "ll NOW THAT WE'VE MET ONE ANOTHER,

$o%h.

IT'S CLEAR WE DESERVE EACHOTHER!

Galinda. Yo5'$ ($9$+t!

Fi9ero. Yo5'$ ($9$+t!

$o%h.

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SO WE'RE =ERFECT TOGETHER /ORN TO /E FOREVER 

DANCING THROUGH LIFE!!!

he Scene !ades o El/haba and essarose

(l)ha*a. It's "4s5! T)is sill3, i+) 4o3 "(($"s " $?$3o$'s

o99 to *os)i( )i% " so%$ +5ltis) so+i"l #"t)$i#!

Nessarose. E?$ %$! I'% #oi#! Is't it *o$95l& /o> *"s too

s)3 to "sk %$ "t 9ist, 45t o+$ G"li" $+o5"#$ )i%

(l)ha*a. G"li"&!

Nessarose. Do't 3o5 "$ s"3 "ot)$ *o "#"ist )$! I'% "4o5t

to )"?$ t)$ 9ist )"((3 i#)t o9 %3 li9$ "ll t)"ks to G"li"!FINALLY FOR THIS ONE NIGHT,

I'M A/OUT TO HAVE A FUN NIGHT

WITH THIS MUNCHKIN /OY GALINDA FOUND FOR MEAND I ONLY WISH THERE WERE

SOMETHING I COULD DO FOR HER TO RE=AY HER 

EL=HA/A SEEWE DESERVE EACHOTHER AND GALINDA HEL=ED IT

COME TRUE

WE DESERVE EACHOTHER, ME AND /O1=l$"s$, El()"4", t3 to 5$st"

(l)ha*a. I o

he Scene 3hanges o Galinda, Shen Shen, 4 Pfanee. El/haba

 %emains On he Other Side Of he Stage.

Galinda. No* I %5st "++$ssoi-$ %3s$l9 9o Fi3$oShen Shen Pulls he Witch's at Out Of One Of Galinda's at

 1o"es.

+#anee. G"li", *)"t i O-'s "%$!&

Galinda. No*, @5st ($t$ 3o5 i't s$$ t)"t M3 #"3 is

"l*"3s #i?i# %$ t)$ %ost )i$o$o5s )"ts I' #i?$ it "*"3, 45t Io't )"t$ "3o$ t)"t %5+)

Shen Shen. Y$s 3o5 o!

+#anee. Gi?$ it to )$! 05st o it!

he All Stare At El/haba. Galinda Wals !orard, 0eeting El/haba alf Wa.

(l)ha*a. G"li", list$, N$ss" " I *$$ t"lki# "4o5t 3o5 @5sto*

Galinda. A I *"s @5st t"lki# "4o5t 3o5! I t)o5#)t 3o5 %i#)t

*"t to *$" t)is )"t to t)$ ("t3 toi#)t! Gi$es er he at.

IT'S REALLY UH SHAR=!DON'T YOU THINK&

Y'KNOW /LACK, IS THIS YEAR'S =INK!

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YOU DESERVE EACHOTHER,THIS HAT AND YOU,

YOU'RE /OTH SO SMART!

YOU DESERVE EACHOTHER, SO HERE!OUT OF THE GOODNESS OF MY HEART!

Galinda %uns Off. El/haba #aughs At he Sight Of he at. She

 E"its.. he Students Enter And +ance. When his &s +one, 1o7

 And essarose A//ear, Aardl olding ands.

Nessarose. W)"t's i t)$ (5+)&

$o,. L$%os, " %$los, " ($"s!

Nessarose. O) %3!

$o,.

LISTEN NESSA

Nessarose. Y$s&$o,.

UH, NESSA

I'VE GOT SOMETHING TO CONFESS AREASON WHY, WELL, WHY I ASKED YOU HERE

TONIGHT

 NOW, I KNOW IT ISN'T FAIR

Nessarose. O), /o>, I ko* *)3

$o,. Yo5 o&

Nessarose.

IT'S /ECAUSE I'M IN THIS CHAIR, AND YOU FELT SORRY

FOR MEWELL, ISN'T THAT RIGHT&

$o,. No it's 4$+"5s$ 5) 4$+"5s$/ECAUSE YOU ARE SO /EAUTIFUL!

Nessarose. O), /o>!

I THINK YOU'RE WONDERFUL!AND WE DESERVE EACH OTHER, DON'T YOU SEE THIS IS

OUR CHANCE&

WE DESERVE EACH OTHER, DON'T WE /O1&

$o,. Yo5 ko* *)"t& L$t's "+$!

Nessarose. W)"t&

$o,.LET'S DANCE!he +ance, As Well As he Others Around hem. !inall, 0me.

 0orrible %uns 6/ o Galinda.

Morri*le. O), Miss U(l"&

Galinda. M""%$ Moi4l$ W)"t "$ 3o5 oi# )$$&

Morri*le. I )"?$ so%$t)i# 9o 3o5 She ands er A Small

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Wand.

Galinda. Gas/s M""%$ " t"ii# *" Ho* +" I $?$

$2($ss %3 #"it5tio&

Morri*le. O), o't t)"k %$! T)is *"s 3o5 oo%%"t$'s i$", ot%i$

Galinda. W)"t& El()"4"&

Morri*le. Miss El()"4" $>5$st$ t)"t I i+l5$ 3o5 i so+$3

+l"ss S)$ isist$ I t$ll 3o5 t)is ?$3 i#)t o s)$ *o5l >5it t)$s$%i"

Galinda. /5t *)3&

Morri*le. I )"?$ o i$" M3 ($so"l o(iio is 3o5 o ot )"?$*)"t it t"k$s I )o($ 3o5'll (o?$ %$ *o# I o54t 3o5 *ill

She #ea$es. !iero 3omes 6/ o Galinda.

Fi9ero. W)"t is it&

Galinda. I #ot *)"t I *"t$

Fi9ero. T)$ *)"t's t)$ %"tt$&Galinda. Not)i#

Fi9ero. Goo L$t's "+$he 1egin o +ance As El/haba Wals &n. he Sto/ As All he

Students Gas/ And 0ae 3omments About he Wa She &s

 +ressed. Peo/le hen Start #aughing.

Fi9ero. W)o i O- is t)is&

Galinda. M3 oo%%"t$ (l$"s$, o't st"$!

Fi9ero. Ho* +" 3o5 )$l( it& El/haba aes Off he at, oticing he 3omments. She Waits,

hen Puts &t 1ac On And 1egins o +ance. She &s Alone. here &s

 o 0usic.Fi9ero. W$ll I'll s"3 t)is, s)$ o$s't #i?$ " t*i# "4o5t *)"t "3o$

$ls$ t)iks

Galinda. O9 +o5s$ o$s, s)$ @5st ($t$s ot to I 9$$l "*95l

Fi9ero. W)3& It's ot lik$ it's 3o5 9"5lt

Galinda. E2+5s$ %$ She Wals O$er o El/haba and 3lears

 er hroat  M"3 I +5t i&

Galinda 1egins +ancing 8ust As orribl. he Students o Acce/t &t, And 1egin o +ance Again As he 0usic Starts.

All.

DANCING THROUGH LIFE, DOWN AT THE OZDUST

IF ONLY /ECAUSE DUST IS WHAT WE COME TOAND THE STRANGE THING, YOUR LIFE COULD END U=

CHANGING

WHILE YOU'RE DANCING THROUGH

[Scene ; - Sharin Secre%s]

 El/haba 4 Galinda 1arge &nto heir Suite... Galinda &s &n

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 sterics

Galinda. Yo5 ?$3 9ist ("t3 $?$&! Yo5 ?$3 9ist ("t3! O) I

ko*! L$t's t$ll $"+) ot)$ so%$t)i# *$'?$ $?$ tol "3o$ I'll

#o 9ist. Fi3$o " I "$ #oi# to 4$ %"i$ (s7ueals).

(l)ha*a. R$"ll3& H$'s "sk$ 3o5 "l$"3&

Galinda. No, )$ o$s't ko* 3$t No*, 3o5 t$ll %$ " s$+$t

(l)ha*a. Lik$ *)"t&

Galinda. Lik$ W)3 o 3o5 "l*"3s sl$$( *it) t)is 953, littl$,#$$ 4ottl$ 5$ 3o5 (illo*& Grabs he 1ottle.

(l)ha*a. Gi?$ t)"t 4"+k

Galinda. C'%o, t$ll %$ T$ll %$ t$ll %$!

(l)ha*a. It *"s %3 %ot)$'s! T)"t's "ll

Silence.

Galinda. ands er he 1ottle. It's ot 9"i I tol 3o5 " $"ll3#oo o$

(l)ha*a. M3 9"t)$ )"t$s %$Galinda. Gas/s.

(l)ha*a. No, t)"t's ot t)$ s$+$t It's %3 9"5lt

Galinda. W)"t is&

(l)ha*a. t)"t %3 sist$ is t)$ *"3 s)$ is  Pause Yo5 s$$, *)$

%3 %ot)$ *"s +"3i# N$ss", %3 9"t)$ *"s *oi$ t)"t t)$ $* 4"43 %i#)t +o%$ o5t

$o%h. G$$

(l)ha*a. So )$ %"$ %3 %ot)$ +)$* %ilk 9lo*$s, "3 "i#)t /5t t)"t %"$ N$ss" +o%$ too soo, *it) )$ littl$ l$#s "ll

t"#l$ A %3 %ot)$ $?$ *ok$ 5( No$ o9 *)i+) $?$ *o5l

)"?$ )"(($$ i9 ot 9o %$Galinda. /5t t)"t *"s t)$ %ilk9lo*$s 9"5lt, ot 3o5s T)"t %"3

 4$ 3o5 s$+$t, El()"4", 45t t)"t o$s't %"k$ it t5$ S)$ O) look,

it's to%oo*! El()i$ o 3o5 %i i9 I +"ll 3o5 El()i$&

(l)ha*a. W$ll, it's " littl$ ($k3G"li". A 3o5 +" +"ll %$ G"li" So El()i$ o* t)"t

*$'$ 9i$s, I'?$ $+i$ to %"k$ 3o5 %3 $* (o@$+t!

(l)ha*a. Yo5 $"ll3 o't )"?$ to o t)"t

Galinda. I ko*, t)"t's *)"t %"k$s %$ so i+$!

[Scene 1< - +o)ular]Galinda.

WHENEVER I SEE SOMEONE LESS FORTUNATE THAN I

AND LET'S FACE IT WHO ISN'TLESS FORTUNATE THAN I&

MY TENDER HEART TENDS TO START TO /LEED

AND WHEN SOMEONE NEEDS A MAKEOVER 

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I SIM=LY HAVE TO TAKEOVER I KNOW I KNOW

EACTLY WHAT THEY NEED

AND EVEN IN YOUR CASETHOUGH IT'S THE TOUGHEST CASE I'VE YET TO FACE!

DON'T WORRY! I'M DETERMINED TO SUCCEED

FOLLOW MY LEAD

AND YES INDEEDYOU

WILL

/E=O=ULAR!

YOU'RE GONNA /E =O=ULAR 

I'LL TEACH THE =RO=ER =LOYSWHEN YOU TALK TO /OYS

LITTLE WAYS TO FLIRT AND FLOUNCE (S96EA#S)I'LL SHOW YOU WHAT SHOES TO WEAR 

HOW TO FI YOUR HAIR EVERYTHING THAT REALLY COUNTS TO /E =O=ULAR 

I KNOW A/OUT =O=ULAR 

AND WITH AN ASSIST FROM METO /E WHO YOU'LL /E

INSTEAD OF DREARY WHO YOU WERE

WELL ARETHERE'S NOTHING THAT CAN STO= YOU

FROM /ECOMING =O=ULER

LAR!LA LA LA LA

WE'RE GONNA MAKE YOU =O=ULAR!

WHEN I SEE DE=RESSING CREATURES

WITH UN=RE=OSSESSING FEATURES,I REMIND THEM ON THEIR OWN /EHALF

TO THINK OF

CELE/RATED HEADS OF STATEOR ES=ECIALLY GREAT COMMUNICATORS

DID THEY HAVE /RAINS OR KNOWLEDGE&

DON'T MAKE ME LAUGH!

THEY WERE =O=ULAR =LEASE, IT'S ALL A/OUT =O=ULAR 

IT'S NOT A/OUT A=TITUDE

IT'S THE WAY YOU'RE VIEWEDSO IT'S VERY SHREWD TO /E

VERY VERY =O=ULAR 

LIKE ME!

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(l)ha*a. T)is is $?$ #oi# to *ok!

Galinda. O) El()i$, 3o5 %5st't t)ik t)"t *"3 "3%o$! Yo5

*)ol$ li9$ is #oi# to +)"#$ " "ll 4$+"5s$ o9 %$ Ok"3,

st" I *ill t5 3o5 9o+k ito " 4$"5ti95l 4"ll #o*! St" 5(

She Pics 6/ er Wand And Wa$es &t.  /"ll #o*!!! othing a//ens, So She %e/eats. /"ll #o*!!! Still othing a//ens. She

a/s er Wand On he 1ed. Is t)is t)i# o&

(l)ha*a. Do 3o5 *"t %$ to t3&

Galinda. No, I'?$ #ot it! She hros he Wand +on O), @5st

*$" t)$ 9o+k it's ($tt3! No*, I'll s)o* 3o5 )o* to 9li( 3o5

)"i. !li/ fli/ O 3o5 +o5l 5s$ 3o5 )" D$%ost"t$s O, 3o5+" 5s$ 3o5 *)ol$ 4o3 !alls onto bed. S7ueals. No*, 9o t)$

9iis)i# to5+) aes floer out of her hair, /uts it into El/haba's.

W)3, Miss El()"4", look "t 3o5, 3o5'$ 4$"5ti95l ands her themirror.

(l)ha*a. After #ooing &n he 0irror. I I )"?$ to #oShe %uns Off. 

Galinda. Yo5'$ W$l+o%$! S)$ A%i$s H$s$l9 I T)$ MioAND THOUGH YOU =ROTEST

YOUR DISINTEREST,

I KNOW CLANDESTINELYYOU'RE GONNA GRIN AND /EAR IT

YOUR NEW FOUND =O=ULARITY! (S96EA#S)

LA LA LA LAYOU'LL /E =O=ULAR!

0UST NOT 1UITE AS =O=ULAR 

AS ME!!!

[Scene 11 - The ion 6u*]

he Students Are &n +r. +illamond's 3lass &n +ess. El/haba

Wals &n Outrageousl +ressed.

(l)ha*a: Fli(s )$ )"i Fli( Fli(! W)"t&

Fi9ero. Not)i#, it's @5st 3o5'?$ 4$$ BG"li"9i$B Yo5 o't

)"?$ to o t)"t , 3o5 ko*&

'illamond. Ali#)t, t"k$ 3o5 s$"ts, +l"ss! I )"?$ so%$t)i# to s"3,

" ?$3 littl$ ti%$ to s"3 it T)is is %3 l"st "3 )$$ "t S)i- I "%

o lo#$ ($%itt$ to t$"+) I *"t to t)"k 3o5 9o 3o5 s)"i#

3o5 $t)5si"s%, 3o5 $ss"3s, o %"tt$ )o* 9$$4l3 st5+t5$, "$?$, o o++"sio, 3o5 l5+)

 0me. 0orrible %ushes &n.

Morri*le. Do+to Dill"%o! I'% so $"95ll3 so3

(l)ha*a. M""%$, *$'?$ #ot to o so%$t)i#

'illamond. Miss El()"4", t)$3 +" t"k$ "*"3 %3 @o4, 45t I s)"ll

+oti5$ s($"ki# o5t

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Scien%is%. Co%$ o, #o"to 0en 1egin o 3arr im Out Of he %oom.

'illamond. T)$3 "$ ot t$lli# 3o5 t)$ *)ol$ sto3! R$%$%4$

t)"t, +l"ss! R$%$%4$ t)"t

 e &s Gone.

(l)ha*a. Do+to Dill"%o! After A Pause. W$ll, "$ 3o5 @5st

#oi# to sit )$$ i sil$+$&

Morri*le. Miss El()"4", t)$$ is ot)i# *$ +" o =l$"s$ t"k$3o5 s$"t

+ro#essor. Goo "9t$oo, st5$ts!

Morri*le. Goo "9t$oo

+ro#essor. E?$3 "3, *it) $?$3 ti+k o9 t)$ Ti%$ D"#o Clo+k,

i $?$3 +o$ o9 o5 #$"t O-, o$ )$"s t)$ sil$+$ o9 (o#$ss

Fo $2"%(l$. t)is is +"ll$ " +"#$! e Points o A 3age With A 3loth +ra/ed O$er &t. e Pulls Off

he 3loth, %e$ealing A #ion 3ub &nside. +ro#essor. No*, *$ *ill 4$ s$$i# %o$ " %o$ o9 t)$% i t)$

$" 95t5$ T)is $%"k"4l$ io?"tio is "+t5"ll3 9o t)$ Ai%"l'so* #oo

(l)ha*a. I9 t)is is 9o )is o* #oo, t)$ *)3 is )$ t$%4li#&

+ro#essor. H$'s @5st $2+it$ to 4$ )$$, t)"t's "ll. its the cage No*, "s I *"s s"3i#, o$ o9 t)$ 4$$9its o9 +"#i# " Lio +54

*)il$ )$'s 3o5# is t)"t )$ $?$, i 9"+t, *ill l$" )o* to s($"k

(l)ha*a. W)"t& e 0otions he Students !orard, oard he 3age.

+ro#essor. T)"t's i#)t! Co%$ +los$!

(l)ha*a. o !iero. C" 3o5 i%"#i$ " *ol *)$$ Ai%"ls "$k$(t i +"#$s " t)$3 $?$ s($"k&

+ro#essor. No*, )$ %"3 s$$% " 4it "#it"t$ 45t t)"t's $"sil3

$%$i$

(l)ha*a. W)"t s)o5l I o&

Fi9ero. I o't ko*

(l)ha*a. W$ll, so%$4o3 )"s to Do so%$t)i#!!!

S/ars 1egin o !l E$erhere. All Students 4 he Professor Are 0o$ing 6ncontrollabl E"ce/t !iero and El/haba. 

Fi9ero. W)"t's )"(($i#&

(l)ha*a. I o't ko* I #ot %""

Fi9ero. Ali#)t @5st o't %o?$! A o't #$t %" "t %$  eGrabs he 3age. W$ll "$ 3o5 +o%i#&

She %uns With im After e Snatches he #ion 3ub.

(l)ha*a. C"$95l! Do't s)"k$ )i%!

Fi9ero. I'% ot!

(l)ha*a. W$ +"'t @5st l$t )i% loos$ "3*)$$, 3o5 ko* W$

)"?$ to 9i so%$(l"+$ s"9$

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Fi9ero. Do't 3o5 t)ik t)"t I $"li-$ t)"t& Yo5 %5st t)ik I'%$"ll3 st5(i o so%$t)i#!

(l)ha*a. No, ot $"ll3 st5(i

Fi9ero. W)3 is it t)"t $?$3 ti%$ I s$$ 3o5 3o5'$ +"5si# so%$ soto9 +o%%otio&

(l)ha*a. I o't +"5s$ +o%%otios, I "% o$

Fi9ero. T)"t's 9o s5$

(l)ha*a. O)! So 3o5 t)ik I s)o5l @5st k$$( %3 %o5t) s)5t! Ist)"t *)"t 3o5'$ s"3i#&

Fi9ero. No, I'%

(l)ha*a. Do 3o5 t)ik I *"t to 4$ t)is *"3& Do 3o5 t)ik I *"tto +"$ t)is %5+)& Do't 3o5 ko* )o* %5+) $"si$ %3 li9$ *o5l

 4$ i9 I i't&

Fi9ero. Do 3o5 $?$ l$t "3o$ $ls$ t"lk&

(l)ha*a. O), so3 /5t +" I @5st s"3 o$ %o$ t)i#& Yo5 +o5l

)"?$ @5st *"lk$ "*"3 4"+k t)$$Fi9ero. So&

(l)ha*a. So, o %"tt$ )o* s)"llo* " s$l9"4so4$ 3o5 t$ to 4$

Fi9ero. E2+5s$ %$, t)$$'s o ($t$s$ )$$ I )"(($ to 4$

#$5i$l3 s$l9"4so4$ " $$(l3 s)"llo*

(l)ha*a. No 3o5'$ ot O 3o5 *o5l't 4$ so 5)"((3

Fi9ero. Fi$, i9 3o5 o't *"t %3 )$l(

(l)ha*a. No, I o! =oo littl$ t)i#, it's )$"t is t$%4li# I i't%$" 9o

Fi9ero. W)"t i 3o5 %$" to o& W)3 *"s I t)$ ol3 o$ 3o5

i't o it to&(l)ha*a. O) look, 3o5'$ 4l$$i# it %5st )"?$ s+"t+)$ 3o5

 %eferring o A 3ut On is !ace.

Fi9ero. Y$" o %"34$ it s+"t+)$ %$ I 4$tt$ #$t to s"9$t3 I

%$" t)$ +54 #$t t)$ +54 to s"9$t3 e Wals Off.

(l)ha*a. Fi3$o

[Scene 1& - /5m No% Tha% Girl]

(l)ha*a.

HANDS TOUCH

EYES MEETSUDDEN SILENCE

SUDDEN HEAT

HEARTS LEA= IN A GIDDY WHIRLHE COULD /E THAT /OY

/UT I'M NOT THAT GIRL

DON'T DREAM TOO FAR 

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DON'T LOSE SIGHT OFWHO YOU ARE

DON'T REMEM/ER THAT RUSH OF 0OY

HE COULD /E THAT /OY/UT I'M NOT THAT GIRL

EVERY SO OFTEN

WE LONG TO STEAL

TO THE LAND OF BWHATMIGHTHAVE/EENB/UT THAT DOESN'T SOFTEN THE ACHE WE FEEL

WHEN REALITY SETS /ACK IN

/LITHE SMILE, LITHE LIM/SHE WHO'S WINSOME, SHE WINS HIM

GOLD HAIR WITH A GENTLE CURL

THAT'S THE GIRL HE CHOSEAND HEAVEN KNOWS

I'M NOT THAT GIRLDON'T WISH

DON'T STARTWISHING ONLY WOUNDS THE HEART

I WASN'T /ORN FOR THE ROSE AND =EARL

THERE'S A GIRL I KNOWHE LOVES HER SO

I'M NOT THAT GIRL

[Scene 1 - To The Wizard]

 0orrible Enters. She &s 3arring An 6mbrella And olds &t O$er El/haba o Protect er !rom he %ain. 

Morri*le. Miss El()"4", t)$$ 3o5 "$!

(l)ha*a. M""%$ Moi4l$

Morri*le. O) Miss El()"4", I 9i"ll3 )$" 4"+k 9o% t)$ Wi-"!

(l)ha*a. T)$ Wi-"&

Morri*le. Y$s, )$ *is)$s to %$$t 3o5!

(l)ha*a. H$ "sk$ 9o %$&

Morri*le. Y$s! I ko* )o* $?"st"t$ 3o5 *$$ t)$ ot)$ "3 9o

o5 (oo Do+to Dill"%o, 45t I +" "ss5$ 3o5 %3 $", "s o$

oo +los$s, "ot)$ o$ o($s She ands er A Green En$elo/e. 

(l)ha*a. M""%$, I o't ko* *)"t to s"3! Ho* +" I $?$ t)"k3o5& She ugs er 

Morri*le. O) +"$95l $", 3o5 %5s't #$t *$t She Places he

6mbrella 1ac O$er El/haba's ead. O), I ko*! She Wa$es er ands And he Sun 3omes Out  Di't I t$ll 3o5& W$"t)$ is %3

s($+i"lt3 O-s($$, %3 $"! M"k$ %$ (o5

(l)ha*a. I *ill, I'll t3

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Morri*le (xi%s4 

(l)ha*a.

AND THERE WE'LL FINALLY /ETHE WIZARD AND I

he Scene %eo/ens At A rain Station.

6onduc%or. All "4o"!

Galinda. R$%$%4$, $3$ +ot"+t A o't 9o#$t to t$ll )i% )o*

*o$95l )$ is, Wi-"s lo?$ t)"t! A 4$ 3o5s$l9 *$ll *it)i

$"so 1o7 Wheels essarose Onstage.

 N$ss"os$. El()"4", I'% so (o5 o9 3o5 " I ko* 9"t)$ *o5l

 4$ too W$'$ "ll (o5, "$'t *$&

(l)ha*a. Yo5'll 4$ "li#)t, *o't 3o5&

Galinda. S)$'ll 4$ 9i$! /i> *ill t"k$ +"$ o9 )$, i#)t&$o,. It's /o> I I +"'t o t)is "3%o$

 e E"its

Nessarose. /o>

Galinda. N$ss", %"34$ )$'s @5st ot t)$ i#)t o$ 9o 3o5

Nessarose. No, it's %$ t)"t's ot i#)t El()"4", @5st #o, I'll 4$ 9i$She Wheels erself Offstage.

(l)ha*a. N$ss", *"it!

Galinda. L$t )$ #o S)$'ll )"?$ to %""#$ *it)o5t 3o5 W$ "ll*ill

(l)ha*a. =l$"s$, 3o5'll 4"$l3 $?$ oti+$ I'% #o$ /$si$s, 3o5

)"?$ Fi3$o W)$$ is )$, "3*"3& Not t)"t I $2($+t$ )i% to s"3#oo43$ to %$ W$ 4"$l3 ko* $"+) ot)$

Galinda. I o't ko* )i% $it)$ H$'s ist"t, " %ooi9i$, "

)$'s 4$$ t)iki#, *)i+) $"ll3 *oi$s %$ I $?$ k$* )o*

%5+) )$ +"$ "4o5t t)"t ol #o"t !iero Enters.

Galinda. O), t)$$ )$ is! Fi3$o, o?$ )$$ $"$st!

Fi9ero. El()"4", I'% )"((3 9o 3o5

Galinda. Y$s, *$ "$ 4ot) so )"((3

Fi9ero. U), list$, I'?$ 4$$ t)iki#

(l)ha*a. Y$s, I'?$ )$"

Fi9ero. A4o5t t)"t Lio +54 " $?$3t)i# I t)ik "4o5t t)"t"3 " lot

(l)ha*a. R$"ll3& So o I

Galinda. M$ too! =oo Do+to Dill"%o It %"k$s o$ *"t to5) t"k$ " st" So I'?$ 4$$ t)iki# o9 5) +)"#i# %3

"%$

Fi9ero. Yo5 "%$&

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Galinda. W$ll, 3$s! Si+$ Do+to Dill"%o )" )is o* *"3 o9 (oo5+i# %3 "%$, i soli"it3 " to $2($ss %3 o5t"#$, I

*ill )$+$9o*" 4$ ko* o lo#$ "s G"li", 45t "s si%(l3,

Gli"

Fi9ero. O) *$ll, t)"t's ?$3 "%i"4l$ o9 3o5 Gli" o El/haba. El()"4", #oo l5+k

 e %uns Off.

Glinda. T)$$, s$$&

(l)ha*a. G"li"

Glinda. It's Gli" o* St5(i i$", I o't $?$ ko* *)"t %"$

%$ s"3 it

(l)ha*a. It o$s't %"tt$ *)"t 3o5 "%$ is, $?$3o$ lo?$s 3o5!

Glinda. I o't +"$! I *"t )i% I o't $?$ t)ik )$'s ($9$+t

"3%o$ " I still *"t )i% T)is %5st 4$ *)"t ot)$ ($o(l$ 9$$llik$ Ho* o t)$3 4$" it& T)$3 $%4"+$

[Scene 10 - One Shor% 'a9]

(l)ha*a. Co%$ *it) %$

Glinda. W)$$&

(l)ha*a. To t)$ E%$"l Cit3

Glinda. R$"ll3&

Ozians.

ONE SHORT DAY, IN THE EMERALD CITY

Glinda. I'?$ "l*"3s *"t$ to s$$ t)$ E%$"l Cit3!

Ozians.

ONE SHORT DAY, IN THE EMERALD CITY!ONE SHORT DAY, IN THE EMERALD CITY

ONE SHORT DAY, FULL OF SO MUCH TO DOEVERY WAY THAT YOU LOOK AT THE CITY

THERE'S SOMETHING E1UISITE

YOU'LL WANT TO VISIT/EFORE THE DAY'S THROUGH

(l)ha*a.

THERE ARE /UILDINGS TALL AS 1UOWOOD TREES

Glinda.DRESS SALONS!

(l)ha*a.AND LI/RARIES

Glinda. ="l"+$s!

(l)ha*a. M5s$5%s!

$o%h.A HUNDRED STRONG

THERE ARE WONDERS LIKE I'VE NEVER SEEN!

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Glinda. It's "ll #"!

(l)ha*a. A it's "ll #$$!

$o%h.

I THINK WE'VE FOUND THE =LACE WHERE WE /ELONGI WANNA /E IN THIS HOI =OLLOI

(l)ha*a.

SO I'LL /E /ACK FOR GOOD SOMEDAY

Glinda.TO MAKE MY LIFE AND MAKE MY WAY

$o%h.

/UT FOR TODAY WE'LL WANDER AND EN0OY!

Ozians.

ONE SHORT DAY

IN THE EMERALD CITYONE SHORT DAY

TO HAVE A LIFETIME OF FUNONE SHORT DAY

$o%h.AND WE'RE WARNING THE CITY

 NOW THAT WE'RE IN HERE

YOU'LL KNOW WE'VE /EEN HERE/EFORE WE ARE DONE!

Glinda. All t)$ )5stl$ " 45stl$! It's "ll so O-%o(olit"! El()i$

El()i$& C'%o *$'ll 4$ l"t$ 9o Wi-OM"i"

(l)ha*a. I *"t to $%$%4$ t)is %o%$t, "l*"3s No4o3's

 (oiti#, o4o3's st"i#, 9o t)$ 9ist ti%$, I'% so%$*)$$ t)"t I

 4$lo#Glinda. Yo5 look (ositi?$l3, $%$"l

he Stage #ights +im 4 Wizomania (he 0usical) 1egins

Wizomania 6horus.

WHO'S THE MAGEWHO'S MA0OR ITINERARY IS

MAKING ALL OZ MERRIER 

WHO'S THE SAGEWHO SAGELY

SAILED IN TO SAVE OUR =OSTERIORS&

WHO'S ENTHUSE A/OUT AIR /ALLOONING

HAS ALL OF US HONEYMOONING&OOOOOO

ISN'T HE WONDERFUL&

OUR WONDERFUL WIZARD&

$o%h. ONE SHORT DAY IN THE EMERALD CITY

6horus. WHO'S THE MAGE WHO'S MA0OR ITINERARY IS

MAKING ALL OZ MERRIER 

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$o%h. ONE SHORT DAY TO HAVE A LIFETIME OF FUN

6horus. WHO'S THE SAGE WHO SAGELY SAILED INTO

SAVE OUR =OSTERIORS&

All.WHAT A WAY TO /E SEEING THE CITY!

$o%h.

WHERE SO MANY ROAM TO

WE'LL CALL IT HOME TOAND THEN 0UST LIKE NOW WE CAN SAY,

BWE'RE 0UST TWO FRIENDS,B

(l)ha*a.

TWO GOOD FRIENDS

Glinda.TWO /EST FRIENDS

All.SHARING ONE WONDERFUL

ONE SHORT

Ozian O##icial. T)$ Wi-" *ill s$$ 3o5 o*!

All.

DAY!!!

[Scene 13 - Sen%imen%al Man]

 A #arge ead &s %olled Onstage... &t S/eas o he o... :oice 1ooming 

Wizard. I "% O-, t)$ #$"t " t$i4l$! W)o "$ 3o5 " *)3 o

3o5 s$$k %$&Glinda. S"3 so%$t)i#!

(l)ha*a. U) El()"4" T)o(( 3o5 t$i4l$$ss!

 is S/eas ormall

Wizard. O)& Is t)"t 3o5 El()"4"& I i't $"li-$! e 3limbs Out Of he ead.

Wizard. I )o($ I i't st"tl$ 3o58 it's so )" to %"k$ o5t ($o(l$s'

9"+$s "ll t)$ *"3 4"+k t)$$ So, l$t's s$$ *)i+) is *)i+)&El()"4"! e grabs her hands A 3o5 %5st 4$

Glinda. Gli" T)$ G" is sil$t

 El/haba touches the Oz mas 

Wizard. I ko* It is't %5+), is it& /5t ($o(l$ $2($+t t)is sot o9t)i# Yo5 )"?$ to #i?$ ($o(l$ *)"t t)$3 *"t T)$ t)i# is, I

)"l3 $?$ l$t ($o(l$ %$$t t)$ $"l %$, 45t t)is 4$i# s($+i"l

o++"sio

(l)ha*a. I'% so )"((3 to %$$t 3o5

Wizard. W$ll, t)"t's #oo 'C"5s$ t)"t's *)"t I lo?$ 4$st. %"ki#

 ($o(l$ )"((3!

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I AM A SENTIMENTAL MANWHO ALWAYS LONGED TO /E A FATHER 

THAT'S WHY I DO THE /EST I CAN

TO TREAT EACH CITIZEN OF OZ AS SONOR DAUGHTER 

SO EL=HA/A I'D LIKE TO RAISE YOU HIGH

'CUZ I THINK EVERYONE DESERVES THE CHANCE TO

FLY!AND HEL=ING YOU WITH YOUR ASCENT

ALLOWS ME TO FEEL SO =ARENTAL

FOR I AMA SENTIMENTAL MAN!

(l)ha*a. I'% )$$ *$'$ )$$ to "l$t 3o5 t)"t so%$t)i# 4" is

)"(($i#

Wizard. =l$"s$, I'% t)$ Wi-" o9 O- I "l$"3 ko* *)3 3o5'?$

+o%$(l)ha*a . Glinda. Oooo

Wizard. O9 +o5s$, 3o5 %5st (o?$ 3o5s$l9

Glinda. =o?$ 3o5s$l9, (o?$ 3o5s$l9

(l)ha*a. /5t )o*&

Wizard. O), I o't ko*SOME SORT OF GESTURE

MOSTLY FOR SHOW

SOMETHING TO TEST YOUR ADE=TNESSI ko*! M""%$, t)$ 4ook!

 0orrible Enters.

Glinda. M""%$ Moi4l$Wizard. I 4$li$?$ 3o5'$ *$ll "+>5"it$ *it) %3 $* =$ss

S$+$t"3

(l)ha*a. =$ss S$+$t"3&

Morri*le. O), 3$s $"i$s, I'?$ is$ 5( i t)$ *ol Yo5'll 9it)"t t)$ Wi-" is " ?$3 #$$o5s %" I9 3o5 o so%$t)i# 9o

)i%, )$'ll o %5+) 9o 3o5

(l)ha*a. W)"t o 3o5 *"t %$ to o&

Wizard. W$ll, t)is is %3 %ok$3 s$?$t, C)ist$3 H$ looks so

lo#i#l3 "t t)$ 4is $?$3 %oi#

Morri*le. So t)$ Wi-" *"s t)iki#, ($)"(s, " l$?it"tio s($ll

Glinda. oticing A 1oo &n 0orrible's ands Is t)"t t)$Gi%%$i$&

Morri*le. Y$s, t)$ "+i$t 4ook o9 s($lls " $+)"t%$ts

 ands &t o El/haba.

Glinda. Whis/ers C" I to5+) it&

Morri*le. Whis/ers No!

(l)ha*a. W)"t 953 *iti#

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Morri*le. W$ll it's " lost l"#5"#$ T)$ lost l"#5"#$ o9 s($lls

Wizard. It's ki o9 " $+i($ 4ook 9o +)"#$

Morri*le. Do't 4$ is+o5"#$ i9 3o5 +"'t $+i()$"t$ it, $"i$

I, %3s$l9, +" ol3 $" " s($ll o t*o, " t)"t took 3$"s "3$"s

(l)ha*a.

AHVEN, TATEY, AVEN TATEY AVEN

Wizard. She 3ontinues 3hanting  O), C)ist$3, *)"t "$2($i$+$ 3o5 "$ "4o5t to )"?$!

(l)ha*a. AH MAY AH TAY ATUM

Wizard. SINCE ONCE I HAVE MY OWN DAY IN THE SKY

(l)ha*a. AH MAY AH TAH TAY MAY TU SE SAY TA!

Wizard. I KNOW EVERYONE DESERVES THE CHANCE TO

FLY!3hister Screams 4 1egins o itch

(l)ha*a. W)"t )"(($$& Is so%$t)i# *o#&Morri*le. No @5st " t"sitio, $"i$

(l)ha*a. No, sto( 3o5'$ )5ti# )i%!

Wizard. S)$'s "+t5"ll3 o$ it!

3hister S/routs Wings. And 1egins %unning Around he Stage

(l)ha*a. NO! 15i+k, )o* o I $?$s$ it&

Morri*le. Yo5 +"'t!

(l)ha*a. W)"t&!

Morri*le. Yo5 +"'t! S($lls "$ i$?$si4l$! I k$* s)$ )" t)$ (o*$, I tol 3o5!

(l)ha*a. Yo5 (l"$ "ll t)is&

Morri*le. W$ll, 3o5 4$$9it too, $"i$! Yo5 4$$9it, tooWizard. A t)is is ol3 t)$ 4$#ii#! Look

he Other 0ones 1egin o Gro Wings And !l. 

Morri*le. Wo't t)$3 %"k$ ($9$+t s(i$s&

(l)ha*a. S(i$s&!

Wizard. Yo5'$ i#)t, t)"t's " )"s) *o )o* "4o5t s+o5ts&

T)"t's *)"t t)$3'll 4$ $"ll3 T)$3'll 9l3 "o5 O-! R$(ot "3

s54?$si?$ Ai%"l "+ti?it3

(l)ha*a. Yo5 +"'t $" t)is 4ook "t "ll! C" 3o5& T)"t's *)3 3o5

$$ $$%i$s, " +"#$s, " s(i$s Yo5 )"?$ o $"l (o*$

Wizard. E2"+tl3 t)"t's *)3 I $$ 3o5 Do't 3o5 s$$& T)$ *ol

is 3o5 o3st$, o*! Yo5 )"?$ so %"3o((ot5it$s Yo5 4ot)o

Glinda. T)"k 3o5, 3o5 O-$ss

Wizard.SINCE ONCE I HAD MY OWN DAY IN THE SKY

I KNOW EVERYONE DESERVES THE CHANCE TO

(l)ha*a. NO!

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She %uns Off.

Morri*le. El()"4"!

Glinda. El()i$! I "% so so3, 3o5 Wi-"s)i( I'll 9$t+) )$ 4"+k!

El()i$ *"it!

She %uns After er.

Wizard. W$ %5st #$t )$ 4"+k S)$ ko*s too %5+)

Morri*le. Do't *o3! I *ill )"l$ it

 e Gets 1ac &n he ead. S/eaing, Again, With A Poerful:oice.

Wizard. G5"s, #5"s! T)$$ is " 95#iti?$ loos$ i t)$ ("l"+$!

Fi )$, +"(t5$ )$, " 4i# )$ to %$!

Guards. Y$s 3o5 O-$ss!

[Scene 18 - 'e#9in Gra!i%9]

Glinda. El()i$, *"it! W)$$ "$ 3o5 #oi#&

(l)ha*a. O) o! T)$$ "$ o %o$ st"is! T)is %i#)t 4$ t)$"tti+

Glinda. El()"4", list$ to %$

(l)ha*a. I )"?$ to 4"i+"$ t)$ oo! She Pics 6/ A 1room And

 Places &t O$er A ra/ +oor.

Glinda. El()"4", *)3 +o5l't 3o5 )"?$ st"3$ +"l% 9o o+$ist$" o9 9l3i# o99 t)$ )"l$&

I HO=E YOU'RE HA==Y

I HO=E YOU'RE HA==Y NOWI HO=E YOU'RE HA==Y HOW YOU'VE HURT YOUR CAUSE

FOREVER 

I HO=E YOU THINK YOU'RE CLEVER (l)ha*a.

I HO=E YOU'RE HA==Y! I HO=E YOU'RE HA==Y TOO

I HO=E YOU'RE =ROUD HOW YOU WOULD GROVEL IN

SU/MISSIONTO FEED YOUR OWN AM/ITION

$o%h.

SO THOUGH I CAN'T IMAGINE HOWI HO=E YOU'RE HA==Y

RIGHT NOW

Morri*le. Citi-$s o9 O-, t)$$ is " $$%3 t)"t %5st 4$ 9o5 "

+"(t5$! /$li$?$ ot)i# s)$ s"3s S)$'s $?il R$s(osi4l$ 9o t)$%5til"tio o9 t)$s$ (oo, io+$t %ok$3s! H$ #$$ ski is 45t

" o5t*" %"i9$st"tio o9 )$ t*ist$ "t5$! T)is istotio

t)is $(5lsio t)is Wi+k$ Wit+)!!!!!!!!!!!!!he Scene !ades o El/haba 4 Glinda.

Glinda. Do't 4$ "9"i

(l)ha*a. I'% ot it's t)$ Wi-" *)o s)o5l 4$ "9"i o9 %$!

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Glinda. El()i$, @5st s"3 3o5'$ so3 4$9o$ it's too l"t$YOU CAN STILL /E WITH THE WIZARD

WHAT YOU'VE WORKED AND WAITED FOR 

YOU CAN HAVE ALL YOU EVER WANTED

(l)ha*a. I ko*

/UT I DON'T WANT IT

 NO, I CAN'T WANT IT

ANYMORESOMETHING HAS CHANGED WITHIN ME

SOMETHING IS NOT THE SAME

I'M THROUGH WITH =LAYING /Y THE RULESOF SOMEONE ELSE'S GAME!

TOO LATE FOR SECOND GUESSING

TOO LATE TO GO /ACK TO SLEE=IT'S TIME TO TRUST MY INSTINCTS

CLOSE MY EYESAND LEA=

IT'S TIME TO TRY DEFYING GRAVITYI THINK I'LL TRY DEFYING GRAVITY

AND YOU CAN'T =ULL ME DOWN

Glinda.CAN'T I MAKE YOU UNDERSTAND

YOU'RE HAVING DELUSIONS OF GRANDEUR&

(l)ha*a.I'M THROUGH ACCE=TING LIMITS

'CUZ SOMEONE SAYS THEY'RE SO

SOME THINGS I CANNOT CHANGE,/UT 'TIL I TRY I'LL NEVER KNOW!

TOO LONG I'VE /EEN AFRAID OF

LOSING LOVE I GUESS I'D LOST

WELL IF THAT'S LOVE,IT COMES AT MUCH TOO HIGH A COST!

I'D SOONER /UY DEFYING GRAVITY

KISS ME GOOD/YE I'M DEFYING GRAVITYAND YOU CAN'T =ULL ME DOWN!

he Guards 1ang On he #oced +oor.

Guard. O($ t)is oo, i t)$ "%$ o9 )is s5($%$ O-$ss!

(l)ha*a. A) M"3 A) T"3 A) T5% Dit5%Glinda. As El/haba 3ontinues 3hanting. W)"t "$ 3o5 oi#&!

Sto( it! T)"t's *)"t st"t$ "ll t)is i t)$ 9ist (l"+$ t)"t )i$o5s

l$?it"tio s($ll! STO=!!! El/haba Sto/s 3hanting 

Glinda. W$ll W)$$ "$ 3o5 *i#s& M"34$ 3o5'$ ot "s

 (o*$95l "s 3o5 t)ik 3o5 "$

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 A 1roomstic !loats Across he %oom oards El/haba

(l)ha*a. I tol 3o5, Gli" I i it, I t$ll 3"!

T)$ G5"s /"# O T)$ Doo O+$ A#"i

(l)ha*a. 15i+k! G$t o!

Glinda. W)"t&

(l)ha*a. Co%$ *it) %$ t)ik o9 *)"t *$ +o5l o to#$t)$

UNLIMITED, TOGETHER WE'RE UNLIMITED

TOGETHER WE'LL /E THE GREATEST TEAM THERE'SEVER /EEN, GLINDA

DREAMS THE WAY WE =LANNED 'EM

Glinda.IF WE WORK IN TANDEM

$o%h.

0UST YOU AND I DEFYING GRAVITYWITH YOU AND I DEFYING GRAVITY

(l)ha*a.THEY'LL NEVER /RING US DOWN

W$ll, "$ 3o5 +o%i#&

Glinda. El()i$, 3o5'$ t$%4li# )$$, (5t t)is "o5 3o5

She +ra/es A 1lac 3a/e Around er 

I HO=E YOU'RE HA==Y NOW THAT YOU'RE CHOOSING THIS

(l)ha*a. Yo5 too

I HO=E IT /RINGS YOU /LISS

$o%h.

I REALLY HO=E YOU GET IT

AND YOU DON'T LIVE TO REGRET ITI HO=E YOU'RE HA==Y IN THE END!

I HO=E YOU'RE HA==Y

MY FRIEND

 El/haba %uns Off. he Guards 1rea +on he +oor.

Guard. T)$$ s)$ is! Do't l$t )$ #$t "*"3!

he Grab old Of Glinda.

Glinda. W)"t i O-&! L$t #o o9 %$! Do 3o5 )$" %$& L$t #o!

(l)ha*a. It's ot )$ S)$ )"s ot)i# to o *it) I'% t)$ o$ 3o5

*"t It's %$ H")")")")" It's %$! U( )$$! It's %$!

She %ises 6/ 3enter Stage olding er 1room

(l)ha*a.SO IF YOU CARE TO FIND ME,

LOOK TO THE WESTERN SKY

AS SOMEONE TOLD ME LATELY,:EV<RYONE DESERVES THE CHANCE TO FLY!;

AND IF I'M FLYING SOLO,

AT LEAST I'M FLYING FREE!

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TO THOSE WHO GROUND ME,TAKE A MESSAGE /ACK FROM ME!

TELL THEM HOW I AM DEFYING GRAVITY!!!

I'M FLYING HIGH DEFYING GRAVITY!!!AND SOON I'LL MATCH THEM IN RENOWN

AND NO/ODY

IN ALL OF OZ

 NO WIZARD THAT THERE IS OR WASIS EVER GONNA /RING

ME DOWN!!!

Ozians.

LOOK AT HER, SHE'S WICKED

GET HER!!!

(l)ha*a. /RING ME DOWN!!!!

Ozians. NO ONE MOURNS THE WICKED! SO WE'VE GOTTO /RING HER

(l)ha*a. AHHHHHHHHHH!!!!!

Ozians. DOWN!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!