Why Do People Learn Language

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    A. Why do people learn language?

     The reasons people have for learning languages and the reason for

    their success as language learners. There are number of dierent reasons for

    language study and the following list will give an idea of the great variety of such reasons.

    a. School Curriculum; The greatest number of language students in the

    world do itb. Advancement; it oers a chance for advancement in their

    professional lives.c. Target language community; is one where the inhabits spea the

    language which the students is learning.

    d. !nglish for speci"c #urposes; applied to situations where students

    have some speci"c reason for waiting to learn the language.e. Culture; they want to now more about the people who spea itf. $iscellaneous; some people do it %ust for fun

    #eople involved in language teaching often say that students who

    really want to learn will succeed whatever the circumstances in which they

    study. All teacher can thin of situation in which certain motivated students

    do signi"cantly better than their peers; students fre&uently succeed in what

    appear to be unfavorable conditions; they succeed despite using methods

    which e'perts consider unsatisfactory.

     $otivation is some ind of internal drive that encourages somebody to

    pursue a course of action. (anguage learners who are motivated perceive

    goal of various inds. )n general* strongly motivated students with long term

    goal are probably easier to teach than those who have no such goal. +ind of 

    $otivation separate into two main categories, extrinsic motivation* which is

    concerned with factors outside the classroom* and intrinsic motivation* which

    is concerned with what taes place inside the classroom. )t has been

    suggested that there are two main types of such motivation;

    a. )ntegrative motivation

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    Students need to be attracted by the culture of the target language

    community* and in the strong form of integrative motivation they

    wish to integrate themselves into that culture.b. )nstrumental motivation

     This term describes a situation in which students believe thatmastery of the target language will be instrumental in getting them

    a better %ob* position or status. The language is an instrument in

    their attainment of such a goal.

    We can consider factors aecting intrinsic motivation under the

    heading of physical conditions* method* the teacher and success.

    a. #hysical conditions

    )t is clearly the case that physical conditions have a great eect on

    learning and can alter student-s motivation either positively or

    negatively.b. $ethod

     The method by which students are taught must have some eect on

    their motivationc. Teacher

    Whether the student lies the teacher or not may not be very

    signi"cant. What can be said* though* is that two teachers using the

    same method can have vastly dierent result. The children showed what their learning priorities were by putting

    these &ualities in the following order;. /e maes his course interesting0. /e teaches good pronunciation1. /e e'plains clearly2. /e speas good !nglish3. /e shows the same interest in all his students4. /e maes all the students participate5. /e shows great patience

    6. /e insists on the spoen language7. /e maes his pupils wor8. /e uses an audio lingual wor

     The Students were also ased to list any additional &ualities they

    thought were important. The most popular were,

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    /e shows sympathy for his pupils./e is fair to all his students 9whether good or bad at !nglish:/e inspires con"dence.

    d. SuccessSuccess or lac of it plays a vital part in the motivational drive of a

    student. oth complete failure and complete success may be de<

    motivating.

    . What a native speaer nows=ative speaers 9or competent users of the language: now how to say

    a word > that is how to pronounce it. This nowledge is made up of three

    areas* sounds, stress and intonation.

    n their own the sounds of a language may well be meaningless. )f you

    say Itl 9the lines show that this phonetic script: a few times* e.g. @ tu. tu,

    tu’ it will not mean very much in !nglish. =either will the sounds * a* or

    s. ut if we put all these sounds together in a certain order we end up

    with the word @cats- > and that does mean something.All words are made up of sounds lie this* and speaers of a language

    need to now these sounds if they are to understand what is said to them

    and be understood in their turn. Some of the problems that speaers of 

    !nglish as a foreign language have are precisely because they have

    diBculty with individual sounds > for e'ample the Spanish speaer who

    says @bery- instead of @very- or the apanese speaer who says a word

    which sounds lie @light- instead of intended @right-.When they use the word native speaers now which part of that word

    should receive the heaviest emphasis. Dor e'ample* in the word

    @photograph- not all the parts are of e&ual importance. We can divide the

    word into three parts, @ pho’, ‘to’, and ‘graph’. Competent speaers of thelanguage will say the word lie this* PHOtograph/, stressing the "rst

    syllable. The situation changes with the word @photographer- where the

    stress shifts to the second syllable* i.e. @ phoTOgrapher’. Stress in words

    also changes depending upon a word-s grammatical function, @ perMIT’ is a

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    verb* but ‘PEmit’ is a noun* and the same is true of the words @imPOT’ 

    and ‘IMport’ * for e'ample. The changing use of stress is also one of the areas of nowledge that

    competent language speaers have. Dor e'ample if ) say ‘I can !"’  ) am

    probably only taling about my ability to run. ut if ) say ‘I #$" run’  ) am

    probably stressing the word can because somebody is suggesting that )

    am not able to run and ) am vehemently denying it. )n the same way if 

    someone said to you ‘Is this %our PE"cil&’ it might well be a simple

    &uestion with no hidden meaning* but if the &uestion was ‘Is this 'O!

     pencil&’ this might suggest that there was something very surprising

    about your ownership of the pencil.=ative speaers of a language unconsciously now about stress and

    how it wors. They now which syllables of words are stressed and they

    now how to use stress to change the meaning of phrases* sentences and

    &uestions.Closely connected with stress is intonation* which means the tune you

    use when you are speaing* the music of speech.)ntonation means the pitch you use to change that pitch. Eo you use a

    high pitch when you say a word? Eoes your voice fall or rise at the end of 

    the sentence? Dor e'ample* if ) say @Fou-re from Australia* aren-t you?-

    starting my &uestion at the medium pitch of my voice range and dropping

    the pitch at the end of the sentence 9on @aren-t you-: this will indicate to

    other competent speaers of !nglish that ) am merely seeing

    con"rmation of a fact about which ) am almost completely certain. )f* on

    other hand* ) say the same &uestion with my voice rising in the end* i.e.

     Fou-re from Australia* aren-t you?

     This might well indicate that the &uestion is a genuine one and ) am

    asing the listener to satisfy my doubts about their nationality.

    )ntonation is a big indicator of involvement as well. )f ) tell what )

    thin is a fascinating story and my listener says @/ow interesting-* starting

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    at a low pitch and dropping their voice on ‘in’  of @interesting- ) will be fairly

    despondent since by their use of pitch and intonation they will have

    plainly told me that they did not thin much of my story. /igh pitch and a

    small fall* on the other hand would me much nicer* since that would

    indicate that my audience was fascinated by what ) had to say. )ntonation

    is clearly important then* and competent users of the language recogniGe

    what meaning it has and can change the meaning of what they say

    through using it in dierent ways.

    C. What a language student should learnwhen we teach !nglish we need to be sure that our students can

    be understood when they spea. They need to be able to say what they

    want to say. This means that their pronunciation should be at least

    ade&uate for that purpose.Students need to use rhythm and stress correctly if they are to

    be understood. Students need to be able to recogniGe intonation > at the

    very least they need to recogniGe whether the tune of someone-s voice

    suggest that the speaer is sure or uncertain.Students need to learn* nothing that some grammar was

    necessary for lower level students while some was more stylistically

    appropriate to advanced level. Students to learn the vocabulary which

    was appreciate for their level and stressed the importance learning

    vocabulary in conte't.Syllabuses are organiGed and measured the relative merits of 

    grammar* vocabulary* functions* situations* topic* and tas as the main

    organiGing principle round which a syllabus could be designed. The teacher-s variety of !nglish might be the main one for the

    students whereas for more advanced students nowledge of many

    varieties is a de"nite advantage.