Contents · who prefer a lead sheet format. There is a variety of song forms used in this book and instructions are notated in the scores as well as some helpful hints on how to use

Shades of Blue Light and

Dark Shadows On The Kingdome

Volume 19

Guitar, Keyboard & Bass Edition by

Will Goldstein

The King’s Court

Worship Service Series

Verse, Chorus, Chants, Duets, Trios, SATB & Canons With Counter Melodies

This set of songs is a collection of 44 new Christian songs, many of the songs being in a swing style with an emphasis on dealing with sin, deliverance, corruption in the church and combating evil forces attacking the church. The

songs are based on Scripture from The New Testament related to being ready for the end times.

(Composed & arranged in lead sheet format for the worship service)

Contents

Preface & Dedication How to Use The Book Songs 794- 837 in Lead Sheet Format Title, Scripture & Song Number Index Theory & Chord Construction Chart Ministry Statement & Logo Other Publications & Future Additions - Website links

Preface & Dedication I have always considered this volume to be an addenda to “Be Ready!” as it originated relatively early in my development as a songwriter along with the work mentioned. As a secular performing musician for many years in Sonoma County, and as a music instructor, I always had an interest in Swing tunes and often performed many songs from the 30’ and 40’s on both piano and guitar, which led to my interest in writing these types of tunes myself. In my development as a songwriter based on Biblical themes, I soon discovered that much of the text that I was writing fit quite well with blues, jazz and swing, and thus the beginning and development of this songbook. Many, if not all of the New Testament writers, as evidenced in this songbook, were very concerned with the purity of the church and its leadership. Though they were speaking of problems that existed in their own day, I believe much of this text is quite applicable to the current day Christian religious institutions and the choices that are being made high up in leadership resulting in much chaos within the church environment between the liberals trying to be relevant in today’s society, and the conservatives trying to be faithful by protecting tradition and the ancient way. Whatever your views may be on the return of Christ, the millennial kingdom and our future in heaven, I still believe that we as individuals, and collectively as a church need to be ready and willing to deal with sin, its consequences, and always preach repentance and the forgiveness of God for those truly seeking Him. As in many of my other volumes, this work evolved into what it is today over decades of study and the help of The Holy Spirit guiding me along my way. I find it amazing again in this volume containing Shades of Blue Light, that there are exactly 33 songs, an obvious association with The Holy Trinity to me. These songs deal with problems in the church community. The other 11 songs in Dark Shadows On The Kingdom focus more on being faithful to Christ by both resisting and being aware of the devil and his agents. As in Volumes 16-18 of “Be Ready For Christ Our Coming King!” I believe that God’s heart flows through every page of this volume. In conclusion, I would like to dedicate this volume as well to The Holy Trinity. I hope that it causes you to reflect deeply on your life and your relationship to Our Heavenly Father, His Glorious Son, Jesus, and The Holy Spirit flowing throughout the world in our hearts. I pray that I, and you as well, may lead a life worthy of the calling of Christ.

A Servant of Christ, Will Goldstein

Copyright © 2020 The King’s Court All rights reserved. International Copyright Secured. The King’s Court Website: http://www.thekingscourt.com

How To Use This Book

This edition is designed specifically for guitarists, keyboard players and bass players who prefer a lead sheet format. There is a variety of song forms used in this book and instructions are notated in the scores as well as some helpful hints on how to use the canons below. There are also many styles – traditional major and minor keys, modal keys, and even swing tunes with Jazz and Blues chord progressions. Some of the tunes may be difficult to hear unless the singer is highly trained in these areas of chromatic melody. In some songs, a variety of soloists may be helpful. In reference to the key structure of the songs, I chose keys that the worship team leaders, soloist and wherever applicable, the congregation can sing, and the average to skilled musician can play. The bass note is included at the bottom of chord symbols if needed. Instrumental introductions and interludes are marked in the scores, and are intended for the piano, or any appropriate available instrument. These short themes may be raised or lowered an octave to accommodate the instrument desired. Permission is granted by the publisher to make copies of the book to assist musicians in the performance of these songs at any worship service. It is hoped that these songs will be used in church services, bible studies, evangelistic concerts, Christian schools & camps, and any function where the Body of Christ gathers for praise to our Lord, Jesus Christ. CCLI #’s are included in the songs. Catalogue - The King’s Court Please report usage to CCLI. Website: www.ccli.com

About The Canons - There are many types and examples of canons (rounds) in this book that can be performed in a variety of ways. Here are some possible suggestions:

1) Learn the canon melody well before attempting to incorporate the successive entrances (additional canon parts). 2) Use instruments only to play the additional canon parts - this will maintain the beauty of the music, and allow for the lyrics to be heard and understood more clearly. 3) After the congregation has learned the song, try having the worship team sing the additional canon parts. 4) In the songs that are canons you will notice a direction sign - “canon tag chords here.” It is suggested in the form at the top of each song with a canon that the melody first be introduced without the canon and then later with the canon. When the canon is coming to an end and often fading out, the musicians will need to jump to “canon tag chords here” with the chords to allow for the canon to finish each of its successive entrances. Usually the melody is sung one more time without the additional canon entrances for clarity, and to allow for any additional tags at the end that may alter the chord progression. 5) Finally, try dividing the congregation and have them sing the additional canon parts as desired.

& bbb b c1

œœ œ .œ j

œn

Not that which en ters

Fm DbMaj7 E o7q»§§1)

canon Intro chords meas. 1 (2 times)jœ œ j

œn œ‰ j

œin to a mouth de

Db7 C7

- - -

& bbb b3

.œ jœn œ

‰ œ œ

files a man, but

Db7 C7

œ œ œ .œJœ

that which pro ceeds

Fm DbMaj7 E o7

2) -

& bbb b ..5

œ œ œ jœ œn

‰ jœ

out of the mouth de

Db7 C7

.œ jœ ˙

files a man.

Db7 C7

-

& bbb b .. ..7

‰ œ jœ .œ j

œ

Here and un der

Fm DbMaj7 E o7counter melody

to end - repeat as desired & fade out on "Hear and understand what defiles a man."

œ œ .œ ‰ œ jœ

stand,hearwhat

andde

Db7 C7rit. last time

.œ jœ ˙n

unfiles

dera

stand,man.

Db7 C7

- -- -

-

2 Part Canon Chant & Counter Melody

Form: A 2 times no canon, B, instrumental, start canon a1, a2, add B, fade out A, B, Fine chord Fm

794

Matthew 15:10, 11 Words & Music by

© 2020The King's Courtwww.thekingscourt.com

All Rights Reserved

What Defiles a Man

Will Goldstein

A

B

Deliverance Suite #1

CCLI# 7160911

& ### c1 .œ œ œ .œ# JœStayWe

acom

way,mand you

F#m7 EMaj7

1)

canonIntro chords meas. 1-2 (2 times)

1.2.

q»§§

Jœ .œ ‰ Jœ œ œ œSaSa

tan!tan,

Youby

arethe

anau

of

C#m7 F#m7 D7 C#7

--

-- -

-

& ###3 .œ Jœ .œ jœfensethor

uni

toty

theof

G#7 C#7 DMaj7

˙ Œ ‰ œ# œLord;Christ,

forto re

G#7 C#s us 7 C#7

--- -

& ###5

.œ jœ .œ jœyoulease

deall

spisechains

theof

F#m7 EMaj7

2)

.œ œ œ ‰ jœ œ# œthingsdark ness

thatthat

areGod

ofmay

C#m7 F#m7 D7 C#7

--

& ### ..7 œ# œ œ .œ œ œ œshineGod, to

Hisplease

heav enmere

ly

G#7 C#7 DMaj7 ˙# Ómen.light.

G#7 C#7C#s us 7

- -

& ### ..9 .œ jœ ˙Free us, Lord!

F#m7 EMaj7counter melody

‰ œ œ œ œ ‰ jœ#Save us, Lord! De

C#m7 F#m7 D7 C#7

-

& ### ..11

œ œ# œ# .œ jœliv er us now from

G#7 C#7 DMaj7 rit. last time

.œ# jœ œ jœ# ‰Sa tan's pow er.

G#7 C#s us 7 C#7

- - -

2 Part Canon With Counter Melody

Form: av1 & av2 no canon, B 2 times, instrumental, start canon verses a1, a2, add B, fade out a, B, Fine chord F#m

795

Matthew 16:23 Words & Music by

© 2020 The King's Courtwww.thekingscourt.com

All Rights Reserved

Stay Away, Satan!

Will Goldstein

A

B


CCLI# 7160912

& ### # c1 ‰ jœ œ œ œ œ œ œ œOh

Loosegranow

ciousthe

Godchains

andthat

Hobind

lyhis

A EMaj7 G#m7verse

(her)2.1.

q»¶™Intro chords meas. 1-4 .œ œ ˙ ‰ jœ

Spirspir

it,it,

dede

C#m7 AMaj7

- - --

--

& ### # .. ..3

œ œ œ .œ jœlivliv

erer

nownow,

thisde

E B7

-

1

.˙ Œsoul.

.¿ j¿ ¿E sus E7E 2

œ œ œ œ Œliv er him.

E sus E

(her)--

-

& ### # ..6 ‰ jœœ œœ œœ œœ ..œœ œ œDe liv er him, oh

jœA EMaj7 G#m7upper voice duet optioncounter melody B 2 times = A 1 time

.œ œ œ œ ‰ jœœJe sus; de

˙ œ œ œC#m7 AMaj7 to end -

- - - - - -

& ### # ..8 œœ œœ œœ œœ ‰ jœœliv er now, de

E B7

(her)

rit. last time

return to upper part, repeat as desired & fade out on "deliver him, deliver now."

œ œœ œœ œœ Œliv er him.

.œ œE sus E Fine

(her)- - -

Verse & Counter Melody

796

Luke 4:35 Words & Music by


All Rights Reserved

Deliver Now, Oh Jesus

Will Goldstein

Form: av1, av2, B lower part 2 times, instrumental, start A verses, add B with parts, fade out A, B with parts, fade out upper B, lower B only,

A

B


CCLI# 7160913

&

&

?

?

###

# # #

# # #

# # #

C

C

C

C

1

.˙ œ œHold your

1 Œ œ .œ JœCome out of

1 Œ œ œ œ œ œHold your peace! Hold your

1 .˙ œHold your

F#mh»∞™ a tempo

Intro chords meas. 1-2 (2 times) .œ ‰ œ œpeace! Hold your

œ# ‰ jœ œ œhim!Come out of

˙# Œ œpeace! Come

˙ œ# Œpeace!

G#7 C#7.œ jœ ˙

peace!

whim!

˙ ‰ Jœ œ œout; come out of

.œ Jœ ˙Hold your

F#m7 DMaj7

˙ Œ œ œCome

˙ Œ œ#Come

.˙ Œhim!

œ Œ œ# œpeace! Hold your

C#s us 7 C#7

&

&

?

?

###

# # #

# # #

# # #

....

..

..

..

5 ˙ ‰ jœ œ œout; come out of

5

.˙ œout of

5 .˙ œHold your

5 œ Œ œ# œpeace! Hold your

F#m D#m7(b5) ˙# Œ œhim! Come

œ ‰ jœ .œ jœhim! Come out of

˙# ‰ Jœ œ œpeace! Come out of

˙ Œ œ#peace! Come

C#7G#7 .˙ œout of

˙ ‰ jœ œ œhim! Come out of

whim!

˙ œ œout of

G#m7(b5)

rit.

rit.

rit.

rit.

.U̇ Œhim!

˙ œ#u Œhim!

.U̇ Œœ œ œ œ œU Œ

him, and hold your peace!

C#7C#s us 7hold C# last time for F#m6 chord

Choral SATB Chant

Form: S, A, T, B, instrumental, S, add A, add T, add B, repeat SATB as desired,fade out B, fade out T, fade out A, sing S 1 time, Fine chord F#m6

797

Luke 4:35 Words & Music by


All Rights Reserved

Come Out of Him!

Will Goldstein


A

S

T

B

CCLI# 7160914

Orchestra option: double S =flute, A=oboe, T=cello, B=Bassoon

Note: option in song to substitute "her" for him

& ### # c ..1 ‰ jœ œ œBy your con

q»•º1.

3. & (4. after instrumental)

%œ œ œ œ œ .œ jœ

fes sionComeFor

Hogive

oflyhis

faithSpirsins,

init;

Lord

E G#m7

(her)

Intro chords meas. 2-3 (2 times)

2.- -

-- -

& ### #3

Jœ .œ ‰ jœ3

œ œ œJe

comeJe

sus,now,sus.

weandDe

claimshow

liv

youuser

forYourthis

.¿ j¿ ¿AMaj7 F#m7 F#m7B

œ œ œ œ œ œChrist,mersoul

ourcy

from

SavandSa

ior, toYourtan's

C#m7 F#m7

-

- - --

-

- - -

-

& ### #5 ˙ ‰ jœ œ œ#day;

power.grace.

and

ByLord,

by

theby

the

aYour

¿ ¿ ¿ ¿B s us 7G#7B7 E

Jœ œ œ œ .œ œ œ œ œ#pow

nointSpir

er

ingit,

of

ofnow

the

Your Ho

Hofree him

ly

lyfrom

C#m G#7

(her)-

-

--

- - -

- - --

& ### #7

Jœ .œ ‰ Jœ œ œSpir

Spirbond

it

it,age

we

nowto

now

sancserve

de

tiYou

.¿ j¿ ¿AMaj7 F#m7œ œ œ œ œ œ

liv

fyas

er

thisa

you

lifechild

in

asborn

this

wea

C#m7 F#m7

-

--

-

-

-

--

& ### # ..9

1, 2

œ œ œ ˙hogain

lyby

place.faith.

B s us 7 B7 3, 4 D.S.œ œ œ ‰ jœ œ œhere em brace.

B s us 7B7 F#m7

B

instrumental after v3 then sing v4

- -

& ### # .. ..11

use for ending after verse 4

œ œ œ jœ ‰ œ œhereho

emly

brace.kiss.

Come,Come,

B s us 7 B7

to end - repeat as desired & fade out on "Come now, let's....kiss."repeat as desired

œ œ œ jœ ‰ œ œlet's em brace with a

B s us 7 B7use to end

œ œ œ ˙let's em brace

B s us 7 B7rit. last timew

now.

EMaj7

-- - -

Verse

798

Words & Music by


All Rights Reserved

By Your Confession of Faith

Will GoldsteinDeliverance Suite #5

CCLI# 7160915

& ## c1

.œ œ œ œ œ œ œNow that you have been healed,

D A7 Bm7 Gq»ª§

canon

1)

Intro chords meas. 1-3

˙ ‰ jœ œ#and set

E7

.œ œ œ .œ ‰free from your past,

E7 A7A

& ## ..4 œ œ Jœ œ Jœleave your sin ful ways,

D A7 Bm7 G

2)

to end - repeat as desired & fade out on "Leave...last."

rit. last time˙ ‰ jœ# œand find

E7 .œ Jœ œ œ œ ‰peace at last.

E7 A7A

-

& ## .. ..7 ‰ œ œ œ Jœ œ JœLeave your sin ful ways!

D A7 Bm7 G

4 counter melodies - CM 2 times = canon 1 time

˙ ‰ Jœ .œ œYou must

E7 .œ Jœ .œ ‰leave them now!

E7 A7A

-

& ## .. ..10 Œ œ œ œ œ œLeave your sin ful ways!

D A7 Bm7 G

.˙ ŒE7

.œ jœ .œ ‰Leave them now!

E7 A7A

-

& ## .. ..13 ‰ œ œ œ ‰ œ JœLeave them now! Just leave

D A7 Bm7 G

Jœ .œ ‰ jœ œthem! You must

E7 .œ Jœ .œ ‰leave them now!

E7 A7A

& ## .. ..16 Ó œ œ œLeave your sin

D A7 Bm7 G

.œ jœ ˙ful ways!

E7 ‰ jœ œ# .œ ‰Leave them now!

E7 A7A

-

2 Part Canon With 4 Counter Melodies

Form: A no canon 2 times, B 2 times, A no canon & B together, instrumental, start canon a1, a2, add B then C then D then E, fade out B then C then D then E,

fade out canon, 1 time A no canon, Fine chord D

799

John 5:14 Words & Music by


All Rights Reserved

Leave Your Sinful Ways

Will Goldstein

A

B

C

D

E

Deliverance Suite #6CCLI# 7160916

& ### # c1 Œ œ œ œ œ œ œLeave your sin ful ways;

j¿D Bm7 EIntro chords meas. 1-2 (2 times)

q»¡™º.˙ Œ¿ A7

Œ œ œ œ œ œ œleave them at the door.

j¿D Bm7 E

-

& ### #4 .˙ Œ¿ ¿ ¿ A7E sus E

Œ œ œ œ œ œ œLeave your sin ful ways,

j¿DBm7 E

1

˙ ‰ jœ œ œand your life

¿ ¿ ¿ j¿E sus E A

-

& ### # ..7 œ œ œ œ œwill be re stored.

F#m7 .˙ ŒA7B7 E2

˙ ‰ jœ œand come

¿ ¿ ¿ E7E sus E

.œ Jœ œ œ œwor ship the Lord.

A F#m7

- -

& ### # ..11 .˙ ŒB7 G#s us 7 G#7 %‰ Jœ œ œ œ œGo a way, and

C#m AMaj7 œ œ œ œ œ œsin no more, and your

leave

G#m7 EMaj7

-

& ### # ..14

1

œ œ œ œ œ œlife will be re stored.

AMaj7 B7

.˙ ŒG#s us 7EMaj7 G#7 2

.œ Jœ œ œ œsin at the door.

AMaj7 EMaj7

.˙ ŒB s us 7 B7 E7

-

& ### #18 ‰ jœ œ œ œ œ œLeave your sin ful ways,

A A 2 A .œ jœ ‰ jœ œfriend, and come

E E7

- - -

& ### #20 .œ jœ œ œ œwor ship the Lord.

A E B7

.˙ ŒE D 2F# .¿ J¿ ¿A sus A

-

& ### # .. ..23fi

Œ œ œ œ œCome and wor ship,

ED 2F# To Coda repeat as desired

œ œ œ œ œ ŒworChrist,

ship thethe

Lord.Lord.

A sus A

- -

& ### #25

use to continueD.S.œ œ œ œ œ Œ

wor ship the Lord.

A sus A G#7 fiœ œ œ œ ˙

wor ship the Lord.

AA sus rit. last timeCoda

˙ ÓE

- -

Verse & Chorus

800Words & Music by


All Rights Reserved

Go Away, and Sin No More

Will GoldsteinJohn 5:14

Deliverance Suite #7CCLI# 7160917

(Come and Worship)

& # 8121 ‰œ œ

HaveDo

Well,Are

Now,If

youyoulet’syoulet’s

there’s

1)

v4

v6 - 2)sing entire verse

intro chords meas. 2-3

q k»¶§œ œ œ# œ œ œ œ jœ Œ œ# œ

givwantstartreaddeal

some

ento

ywith

yourbebyto

thatone

lifetrue

learnfolserout

in’

pent,

totothelowthe

there

JeJe

gosJe

devlist

sus?sus?pel.sus?il.enin’,

I’llII

WithLet’sand you

Em EmD# Em

DEmC#

2)

œ jœ œ jœ œ‰ œ œ# jœgivewish

knowHisgiveneed

itthatI’mhelphimto

aI

notIthebe

shot.could.

saved.can.boot.

saved,

YouYou’ve

It’sDoAskit’s

can’tgottimeyouGodtime

betotobetoto

B7Em

1)- -

-- -

- - - -- -

- -

& #4

œ jœ# œ jœ œ jœ œ ‰ œ#

castput

livstartputlieve

in’to

yourthat

thehim

liketrusttrustHe’s

inpast

ainin

yourthebe

reJeJe

Sav

hindfire!

bel.sus.sus.ior?

you;

III

I’mI

it’s

EmEmD# Em

DEmC#

2)

v4

œ jœ œ jœ .œ ‰ œ œdo

knowguessholddon’ttime

thatthatweinggiveto

aI

shouldHisa

get

lot.should.

pray.hand.hoot.saved.

YouWell,Ho

Well,Well,No

don’tit’sly

youhe’llmore

B7Em E7

1)- --- -- -

-

& #6 œ jœ# œ Jœ œ jœ ‰ œ œsoundtimeFasoundgetflirt

liketo

ther,

whatlike

in’

you’regetup

you’rehe

with

com

incom

the

some

de

mitar

mitserves;

dev

heav

ted.mor.en,ted.

il,

Aretake

Iletand

Well, I’myouthiswillhimhis

Am AmG F#m7(b5) B7

2)

v4

v3 - 1) continue til chorus

œ Jœ œ œ œ .œ Œ œ œfeelsayonefolhowl,end

in’in’who’s

lowandless

mightI’mlostHisletlist

yat

andcomhimof

bad.war?scared,mands.burn.tricks.

I’mI’mreGiveJustIf you’re

C7 F7 B7 E7

1)- - - -- -

- - -- - - --

- - -

Duet - Antiphonal ResponseVerse & Chorus

801

Words & Music by


All Rights Reserved

The Big Time Blues

Will GoldsteinHebrews 3:8–19

(Wand’rin’ Through The Desert Blues)

CCLI# 7160918

& #8 œ .œ œ# œ œ œ œ .œ Œ œ œsor

praise

sor

lease

leaveread

ry,ry,

him

himy

but

fromtointo

butI

there’sthethethebe

thinkno

dark

lakelieve

Great

you’reothness

and

miser

withI

ofbe

led.way.in,am.fire.saved,

You’rePleaseandWith

Whatjust

a

Am AmG

F#m7(b5)B7

2)

v4

œ Jœ œ Jœ œ ‰ œ œ Jœmak

showChristplacebow

helping

himIto

and

me,me

youwillre

let’s

ohsad.

care.stand.tire.pray.

Lord.

IHe’s

You’ve

We

got

hadgothad

the

thethethe

C7B7

1)

sing choruses 5-6 together

2)

(v1-3 same as above)

- - -- -

- -

-- -

& #10 œ Jœ œ Jœ œ jœ œ ≈ œ œ œbigbigbigbig

timetimetimetime

blues,blues,blues,blues,

babababa

by.by.by.by.

You’veI

He’llWe

gothadnevhad

totoerto

Em C7 B7

v4

choruses 1-3 - sing top line œ jœ œ jœ .œ ‰ œ œdealdealdealdeal

withwithwithwith

yourmyhisour

sin.sin.sin;sin.

You’veI

‘causeWe

beenwashe’swere

Em B7

--- --

& #12

œ jœ# œ jœ œ jœ ‰ œ# œwandwandwandwand erin’

erin’erin’erin’

throughthroughthroughthrough

thethethethe

dededede

sertsertsertsert

with‘till

tempt‘till

theI

in’we

EmEmD# Em

DEmC#

v4

œ jœ œ# jœ ≈ œ œ œ œU ‰ œ œdevletpeolet

ilJepleJe

asusa

sus

gain.in.gain.in.

ForForJustFor

givegivelet

give

me,me,himus, Lord.

burn.Lord.Lord.

B7Em B7rit.

2)

choruses 5-6 together a tempo

- - - - -- - - -- - - - -- - - -

& #14

œ jœ# œ jœ œ jœ œ œ# œEm

EmD# Em

DEmC# rit. last time

D.C.

œ jœ œ# jœ .œB7

Em Fine

&## 8

121

œ jœ œ J

œ œn jœ œ ‰ œ

NoJe

bodsus

y’scan

perfree

fect,you,

evee

A7 F7 D7In a medium swing blues styleq»•º

intro meas. 23

œ Jœ œn œ œ# œ j

œ œ‰

œ#ry

venbod

thoughy’s

you’reaa

sinpris

ner.oner.

ItIt

E7 A7G7

- - - - - - -- - -

&##

3

œjœ œ

Jœ œn œ œ œ ‰ œ

mightmight

notnot

bebe

obob

vivi

ous;ous

butun

D7 D# o7 B7

œjœ œ œ œ# œ j

œ œ‰

œ#eveless

ryyou

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fire is burn in' hot, and

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hell, I’ve been told, is not a

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pent; get down and

A7 F7 B7

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call out to God. It’s time to re

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15

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pent from your sins wheth er you’re

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read y or not. If there's

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&##

17

œ jœ œ

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an y fear of God

A7 E7

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left in your bones then

F7 E7D# o7 B7

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19

œ jœ œ J

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do it now, there’s no

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time to post pone. Stop

F7 B7

-

Verse & Chorus

802Words & Music by


All Rights Reserved

It’s Time To Repent Will Goldstein

1st Timothy 5:24 (Do It Now!)CCLI# 7160919

&##

21

œ Jœ œ œ œ# œ j

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hell, I’ve been told is not a

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‰

lux u ry spot.

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&##

27

œ œ# œ œ Jœn .œ œ ‰

wor ship ing God a lone.

F7 D# o7 E7B7

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&##

29

œJœ œ œ œ .œ œ

‰

bow be fore His throne.

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&##

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œjœ œ œ œn .œ œ ‰

as you moan and groan.

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&##

33

œ jœ œ œ œ .œ

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nev er be a lone. There's no

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A7 E7

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&##

35

œn jœ œ

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turn from your sin, and

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&##

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let Him in, and no

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world, and the

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œ œn œ# œ œ œ œ œ œ œ≈Jœ

caught in a web of de cep tion, en

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œ œ œ œ .œ œ œ œ œ œ‰ œ œ

slaved to the fa ther of hell, still

A7BbMaj7 Dm6 Bb7

- - --

803Words & Music by


All Rights Reserved

Children of God Will Goldstein

1st John 4:4–6(Follow All His Ways)

CCLI# 7160920

& b19

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- - - -

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F 9 BbMaj7 C 9G 9 C 13

- - -

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œ Jœb œ .œ œ œ

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804

Words & Music by


All Rights Reserved

Wake Up, and Think Again!

Will GoldsteinMark 4:22

CCLI# 7160921

& bb c12

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- -

805Words & Music by


All Rights Reserved

Chosen By The Lord Will Goldstein

1st Thessalonians: Chapter 1

CCLI# 7160922

& ### #30

use to continue

.˙ œ ‰ œ jœWe’ve been

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--

-

806

Words & Music by


All Rights Reserved

Hey Mister Sinner Man! Will Goldstein

James 3:14–16; 4:4–10

CCLI# 7160923

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œ œ œ œ œ œ œb œ œ œ ‰ œ

Hum ble your self in the sight of the Lord and

C7 A7 Eb 13

œjœ œ

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be em braced. Come to

A7 D7 G7

- - -

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.œ œ ‰ œ œb œ œ ‰ œ œ

Christ, your Sav ior, and He’ll

C7 Ab7 D7

œ Jœ œ

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lift you up. Let re

G7 E7 A7

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joic ing be gin when you turn from your sin, par

C7 A7 Eb 13rit.

- - - - -

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mem ber the price that was paid at

C7Eb 13 D+7slowly & freely

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Cal va ry to

A7 D7

- - - - -

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set all the cap tives free.

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G7 E7 A7 D7

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you and me; He

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- - - -

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died to set us free.

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C7 Eb7slowly & hold last time

- - - -

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.œ œœ œ œb

jœ œ

ujœ

Christ will set you free.

D7 D+7 D7hold last time repeat as desired

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use to end

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&#40

Œjœ# œ J

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pent and be lieve; then

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Christ will set you

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.wu

free.

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- - - -

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Ab7 (b5)G s us 7 G7

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step right up, come on and

G7 Gb7Intro chords meas. 9-12

œjœ# œ

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get on track; 'cause

F7 E7 F7 D# o7

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œ jœ .œ .œb œ

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&14

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God is pure and ho ly so He

F Bb7

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jœ .œ ‰

œ œmust judge sin, but He

Db7 C s us 7 C7

-

807

Words & Music by


All Rights Reserved

Man, Have We Got a Deal Will Goldstein

CCLI# 7160924

&16

œjœ œ

jœ œb j

œ ‰ œ œb

made you in His im age just to

F Bb7

œJœb œ

Jœ .œ ‰ œ œ

wor ship Him. And He

Eb 13 Ab7 G7

- -

&18

œbjœ œ j

œ œb jœ ‰ œ œ

does n’t want to lose you to a

Db 13 Dm7(b5) G7

œjœ œ

Jœb œb j

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stink in’ rot ten dev il so He

C7 Fm6 C7

- - - -

&20

œbjœ œ j

œ œ Jœb œn j

œdied up on a cross so you could

Fm7 Bb7 F7E o7

œbJœn œ

Jœ .œ œ ‰ œ

be with Him. Now,

Gb7 G7 C7

-

&22

œJœ œ

Jœ œb

Jœ œ

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all you've got to do to get e

F7 E 9Ab7 rit.

œb Jœb œ

Jœ œ

U‰ œ

jœ

ter nal life is to

Eb9 Eb 13 slowly & freely

- -

&24

œb Jœ œ

jœ œ j

œ

U‰U

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love and serve your Sav ior for the

Dm7(b5) G7 C7 Eb 13

œbjœ œ

jœ .œ œ ‰ œ

rest of your life. Yes,

C7 Fa tempo

-

&26

œJœ œ

Jœ œb

Jœ œ

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all you've got to do to get e

F7 E 9Ab7 rit.

œb Jœb œ

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ter nal life is to

Eb9Eb 13 Bb9

slowly & freely - 54

- -

&28

œJœ œ

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‰ œ œb

love and serve your Sav ior for the

Eb 13 G+7 (#9)Ab7 broaden D.C.

œjœ œb j

œ .˙rest of your life.

G7Ca tempo - 92

to verse 3

-

& .. ..30

fi

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Coda

œ jœ .œ .œb

U

œjœ

Man, have we got a deal.

C Ab7 G7D7

rit. & hold last timerepeat as desired & fade out

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& bb 812 ..1 Œ jœThe

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œ jœ# œ jœ .œ œ Jœwhiletime will

youcomewait

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allheav

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Am7(b5) D7

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Gm6 Bb 13 Eb7

-- -

& bb5 .˙ Œ . ‰ œ œI

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D s us 7 D7

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-

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Gm6 Cm7 F 9

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G7G+7D s us 7 D7 %.œ œ Jœn œ Jœ œ Jœ

crown of right eous ness

Cm6 F 9

-- -- -

--

& bb12 .œ œ Jœ œ jœ jœ œthat's wait ing for

C 9G7D7

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--

& bb15 .œ œ Jœ œ Jœ œ jœLord, my right eous Judge,

Gm6 C7

.˙ œ ‰ œ jœwill a

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Eb9 Eb 13 Eb9.œ œ ‰ œ œ jœ jœ œ

day. And not just for

Eb7A7

- -

& bb19 .˙ .œ ‰ œ# œnme, but for

A s us 7 A7 .œ œ jœ œ jœ œ jœall who wait in hope

D7 Eb7.œ œ jœ .œ œ

jœfor His ap

D7

-

& bb22 œ jœ .˙ .œpear ing.

Gm6 Cm7 F 9

.œ Œ jœ œ jœ jœ œSo, fight the good

D s us 7 D7 Gm6

.wfight,

A s us 7 A7 Eb7 (b5)

-

& bb ..25

fi.œ ‰ œ œ œ jœ jœ œ

and fin ish the

D7To Coda

œ œ œ .˙ .œrace!

Gm6 Cm7 F 91

.˙ Œ . Œ jœNow,

D s us 7 D7 to verse 2

-

808Words & Music by


All Rights Reserved

Fight The Good Fight! Will Goldstein

2nd Timothy 4:6-8

(Finish The Race!)CCLI# 7160925

& bb28

2

.˙ Ó .D s us 7 D7 œ jœ jœ œ .œ œ ‰Run for the gold,

Gm6 D7 F 13 œ Jœ Jœ œ .œ œ ‰ œrun for the crown, but

BbMaj7 EbMaj7 Eb7

& bb31 œ jœ jœ œn .œ ‰ œ œrun for the Lord ‘cause you’re

AbMaj7 Eb 13G7

œ jœ# œ jœ .œ Œ .heav en bound.

D+7 D7Gm6

œ jœ jœ œ .œ ‰ œ œRun like the wind while you

Gm6 D7 F 13

-

& bb34 œ Jœ Jœ œ .œ œ ‰ œrun to the One who

BbMaj7 EbMaj7 Eb7 .œ œ Jœ œ Jœn œ Jœgives e ter nal life.

AbMaj7 G7 .˙ .œ ‰ œ œNow the

D7Eb 13AbMaj7

- -

& bb37 .œ œ jœ œ jœ ‰ œ œpath is nar row, and the

Eb7Gm6 œ Jœ œ Jœ .œ ‰ œ œway is steep, but the

Am7(b5) D7 œ jœ œ œ œ# .œ œ ‰moun tain of the Lord

F 13Gm6 Bb7

- -

& bb40 œ Jœ# œ Jœ .œ ‰ œ œcan be reached. If you

D7Eb7 œ jœ œ œn œ œ jœ œ œ œfol low in the foot steps of your

Gm6 Cm7 rit.

- -

& bb42 œ Jœ œU ‰ œ œ jœ jœ œ#Sav ior, you will be re

D7D7 Eb7F7 broaden .wdeemed.

Gm6 Cm7 F 9a tempo

D.S.

.œ Œ . Œ . ‰ œ œnThere's a

D s us 7 D7 G+7 G7

- -

& bb .. ..45

fiœ œ œ .˙ .œ

race.

Gm6 Cm7 F 9Coda

.œ Œ . œ jœ jœ œFight the good

D s us 7 D7 Gm6

.wfight,

A s us 7 A7 Eb7 (b5)rit. last time

repeat as desired

.œ ‰ œ œ œ jœ jœ œand fin ish the

D7

-

& bb49

use to continue

.œu ‰ œ œ œ jœ jœu œand fin ish the

D7 slowly & freely broaden œ œ œ .˙ .œrace!

Gm6 Cm7 F7a tempo .œ Œ . œ Jœ Jœ œEb7D s us 7 D7 rit.

-

& bb52 .œ ‰ œ œ œ jœ# jœ œAbMaj7 Ab7 (b5) D+7

very slowly & freely œ œ œ .˙ .œuGm6

& b c1

œ œWe will

C7q»¡£™ %

.œ jœ jœ ‰ œ œstand firm, and be

FMaj7 Dm7 F7Intro chords meas. 2-4 .œ jœ jœ ‰ œ œstead fast in the

Bb F Gm7 .œ Jœ œ œ œpow er of the

C7

- -

& b5 jœ œ jœ jœ œ ‰Lord Most High.

FMaj7 Gm9

œ œ jœ œ jœWe will hon or Christ,

A7

˙ Œ œ œour Mes

Dm

.œ jœ œ Œsi ah,

C7 F

- - -

& b9 .œ jœ jœ ‰ œ œJe sus, our De

Bb F Gm9

.œ jœ œ ‰ jœfend er, for

C7 F

œ œ œ œ ˙He is our Shield.

Dm

- - -

& b12

˙ Œ œ œHe'll Pro

A s us 7 A7

.œ Jœ ‰ Jœ œ œtect us, and He will

Dm Bb A7 .œ jœ œ œnev er for

Dm Em7(b5) ˙ œ œ œ œsake

A s us 7 .˙ ‰ jœus. So,

A7 C7

- - -

& b .. ..17

.œ jœ œ ‰ Jœmarch on! The

OurJust

F Dm Bb

1. & 3.2.3.

To end - repeat verses as desired, end with "Just trust in the Lord."

1, 2, 3

œ œ œ œ œu ‰ jœtrust

batvic

tle

intory

isis

thesure.won.

Lord.Now,Yes,

Go,

C7 F C7rit. last time Fine

to v1

4

œ œ œ œ œ ‰ jœbat tle is won; the

C7 F F7

--

-

& b .. ..20 .œ jœ œ œ œdev il is

isa

our

Bb C7Gm7

1. & 3.2.

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FMaj7 BbMaj7˙ ‰ jœ œ œ

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Dm BbMaj7

- --

--

-

& b25

˙ ‰ jœ œ œPraise God, the

Gm9C 13 .œ jœ ˙

dev il

Bb C7Gm7

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is a con quered foe.

Gm7CGm7

slowly & freely

wF Bb

F Fa tempo

D.S.

Ó Œ œ œWe will

Gm7C7

--

Verse & Chorus

809Words & Music by


All Rights Reserved

The Battle Is Won Will Goldstein

Ephesians 6:10

CCLI# 7160926

& ### # 8121 Œ jœn œ# Jœ œ jœ œ ‰ œ

WakeWatch

Now,

outup

when

for

there’sfrom

preachsleep

preach

ersin’;in',

teachdon’tcheck

E7E

v1. & v4.

In a swing blues styleq k»•ºIntro chords meas. 1-2 (2 times)

œ jœn œ jœn œ jœ .œin’beout

falsesurthe

docprised,

Good

trine,man!

Book.

A7

- - -- --

& ### #3 Œ jœn œ# œ œ .œ œ œ œproTheIf

motdev

they're

ingil

themisde

selvesreal,

ceived,

withandthen

conhe’sjust

E7E

œn jœ œ jœn .œ Œ jœfustel

leave

inglin’‘em

myths.lies.flat.

They’reYou’reThey’re

C7 E7

- - - - -- -

-

& ### #5

œ jœ œ jœn œ jœ ‰ œ œsureal

wolves

waystoin

talkspot

sheep

in’;‘emskins,

ifso

afyoube

A7 œ Jœ œ œn œ .œ ‰ œ œfirmknowcare

in’theful,

thisgos

leave

orpel'em

that,truth.fast;

butKeepand

they’reyourbe

C7 B7

- - - --

-

& ### #7

œ# Jœ œ œn œ œ Jœ ‰ œ# œeyescau

ontious,

derin’ fromJe

like

thesusa

faith,Christ,

ser pent,

soand

‘cause

theiryou'rethey’ll

E7 A 9 F#7 œ Jœ œ œ œ# .œ ‰ œ œteachsuretry

ingsnotto

nevtoget

erbe

you

last.duped.back.

TheyDon’tDon’t

forforfor

F#7 B7G 13

- - -- -

- - -

& ### #9 œ Jœ œ œn œ .œ ‰ œ œbgotgetget

the ver y core of the

E7 A 9

(same as above)

œ Jœn œ œ œ .œn œ ‰ œho li ness of God, to

B+7D 9

- - -

& ### #11

œ# jœn œ# Jœ œ Jœ ‰ œ œlove from a pure heart, with a

E7 A7

œn jœ œ œ œ .œ Œ jœncon science for a start. So,

C7 B7 E

-

& ### #13

œ jœ .œ œn jœ ‰ œ œstick to sound doc trine, al ways

A7Chorus

œ Jœ œ jœn .œ ‰ œ œwalk in’ by faith in the

C7 B7

.œ# œ Jœ .œ Œ jœone true God, the

E7E

- - -

& ### #16

œn jœ œ œ œ .˙one we must o bey.

EB7 Œ . œ Jœ .œ Œ JœWatch out, the

B7 rit. last time

To end last chorus - repeat tag for a total of 3 times

D.C. œn Jœ œ Jœ .U̇Good Book says.

B+7 (#9) B+7

Fine Chord E6 after fermata last time hold "says."

-

Verse & Chorus

810Words & Music by


All Rights Reserved

Watch Out, The Good Book Says Will Goldstein

1st Timothy 1:3–11

CCLI# 7160927

& ## 8121 Ó . Œ . ‰ œn œ

IfKeep

You’reTakeNow,

you're

Bb7 A+7A7

3

5.

Intro meas. 15

q k»•º in a swing style

œ# Jœ œ jœ# œ jœ ‰ œ œall

Evdon’t

gon

headliv

’ryya

yourna

in’in’

daygosintrip

forby

youonfuland

thethe

wakewandpas

stum

kingSpir

up

sions,ble,

dom,it,

erin’,is

gotandbut

andthen

ato

justjust

you’llyou’ll

D7

--

- -- -

- -- -

& ##3

œn jœ œ jœn œ jœ œ jœbat

keepgivekeep

nevbe

tlein

'emon

eron

forstepto

track

walkfire

with

withfor

thethethethe

athe

Lord.Lord.Lord.Lord.

lone.Lord.

G7 F7

.wG7 C 9 F 13D7

-

- -

& ##5

.˙ Œ . ‰ œ# œ

If

TakeNow,

You’re

Keep

Yes,

you're

Bb7 A7 D+7 œ jœ# œ Jœ œ jœ ‰ œ œndon’t

gon

head

ev

all

liv

’ryya

yourna

in’in’

daygosintrip

forby

youonfuland

thethe

wakewandpas

stum

kingSpir

up

sions,ble,

dom,it,

erin’,is

gotandbut

andthen

ato

justjust

you’llyou’ll

G7

--

- -- -

- -- -

& ## ..7 œb jœ œ jœn œ jœ œ jœbat

keepgivekeep

nevbe

tlein

'emon

eron

for

totrack

walk

step

fire

with

withfor

thethe

a

thethethe

Lord.Lord.Lord.Lord.

lone.Lord.

C7 Bb7 1, 3, 5

.w A+7 A7E s us 7

to v2

to v4

2, 4, 6

.wE s us 7 A+7 A7

-

- -

& ##10 .˙ Œ . Œ jœ#So,

C 13 E7Dm7G 9 œ jœ œ œ œ œn Jœ œ ‰ œare ya gon na serve Him, or

A7 E+7 E7

œn Jœb œ œn œ .œ Œ jœare ya gon na fall? 'Cause

A+7 Ab7 (b5)Eb7to v6

- -

Verse, Chorus, Bridge & Coda

811

Words & Music by


All Rights Reserved

Every Day You Wake Up

Will GoldsteinGalatians 5:16–18, 21, 24, 25

(A Battle For The Lord)(Jesus Calls)

CCLI# 7160955

& ##13

œ# jœ# œ jœ œ jœ œ ‰ev 'ry day you wake up,

D7fi

œn Jœ œ jœ .œ œ ‰Je sus calls.

E+7 A+7E7To Coda

œ Jœ œ jœ# œ jœ ‰ œ œEv ’ry day you wake up is a

D7 Intro chords meas. 15-17

- - -

& ##16

œn jœ œ jœn œ jœ œ jœbat tle for the Lord.

G7 F71

D.C.

.wG7 C 9 F 13D7

to verse 3

-

& ## .. ..182

œ ‰ œ œ jœ œ jœb œ jœnAndSo keep

keeponon

praywork

in'in' till

tothe

God's

G7 C 9 F 13D7

œn jœ œ jœ .œ œ ‰dayon

isly

done.Son.

Bb7 A7 D7A s us 7after 2nd verse continue

--

-

& ##20 Œ jœ œ jœ œ jœb œ jœnFor He's at work in you; and

G7 C 9 F 13D7

.˙n œ Jœ œ JœHe will see

Bb7 .œ œ Jœ œ jœ œ Jœyou through.

A7A s us 7

D.C.

.w G7 C 9 F 13D7

& ##24

fiœ Jœ œ jœ# œ jœ ‰ œ œ

Ev ’ry day you wake up is a

D7Coda


G7 F7

- -

& ## .. ..26

œ ‰ œ jœ œn jœ œ ‰ œWillLord,

yaI'll

serveserve

Him,You

and

G7D7repeat as desired & fade out

œn jœ œ œ œ .œ œ ‰eachfol

andlow

ev 'rythe

day.way?

Bb7 A s us 7 A7use to continue

œn jœ œ œ œ .œ œu‰ œeach and ev 'ry day. Still,

Bb7 A s us 7 A7rit.

- --

& ##29

œ# Jœ œ jœ# œ jœU ‰ œ œ

ev ’ry day you wake up is a

D7slowly & freely to end


G7 F7

.u̇ Ó .D7

- -

& ### # 8121 Œ jœ .œ œ jœ .œ

Keep on pray in’!

E A

1)

Intro chords meas. 1-2 (2 times)

q k»ª§Chorus 1

In a swing style

Œ jœ .œ œ jœ œ ‰Keep on pray in’!

E A

2)- -

& ### #3 ...œœœ ...œœœ œœœ jœœœ œœœ œœœ œœœKeep on work in’ for the

E A AB

trio

..œœ œœjœœ ..˙̇

the Lord.

.˙ .˙Lord,

E A

-

& ### #5 Œ jœ .œ œ jœ .œKeep on serv in’!

E A

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Œ jœ .œ œ jœ œ ‰Keep on serv in’!

E A

2)- -

& ### #7 ...œœœ ...œœœ œœœ jœœœ œœœ œœœ œœœKeep on work in’ for the

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solos

1.-

Chorus 1, Verse, Chorus 2 & Coda

812

Words & Music by


All Rights Reserved

Keep On Prayin’! Keep On Workin’!

Will Goldstein1st Thessalonians 2:17–18; 3:5

Antiphonal Response, Trio & solos

CCLI# 7160928

& ### #9

%œ Jœ œ œ œ .œ ‰ œ œ#

foolsev

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B7 C#m7

- -

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-- -- -

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& ### #11 .œ œ Jœ œ Jœ œ# Jœjust

memceive

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6.

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-

--

-

& ### #13 ...œœœ ...œœœ œœœjœœœ ...œœœ

keep on pray in’,

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G#m7 C#mG#s us 7 C#mB

- -

& ### #15

fiœœœ

jœœœ œœœjœœœ œœœ#

jœœœ œœœjœœœn

king dom un til you get home,

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..˙̇ ..œœ ‰ œ œNow

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theyoutan'sdon't

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.œ œ Jœ .œget home.

B s us 7 B7 E7

to v2to v4to v5to v7to v8

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& ### #17

2, 5D.C. ..˙̇ ..˙̇.œ œ Jœ .˙

get home.

B s us 7 B7to Chorus 1

& ### #18

fiœœœ ‰ œœœ œœœ

jœœœ œœœjœœœU

œœœjœœœ

There's no more dev il back home.

B s us 7 B 13 B 9 AB EB7

rit. slowly

Coda

...˙̇̇ ...œœœU Œ .

E 6

-

& bb 8121

œ jœ .œ œ ‰ œ œ jœLis ten, saints and

AbMaj7Cm6

In a swing styleq k»•ºintro chords meas. 1-4 œ jœ .˙ œ ‰ œ

sin ners, the

F 9 Bb9 Eb 13

- -

& bb3

œ jœ œ jœ œ jœ œ œ œSpir it gives a warn ing for the

G7 Cm7

œ jœ œ jœ .œ œ ‰ œblat ter times. False

F 9 Bb7 G7

- - -

& bb5

œ jœ .œ œ ‰ œ œ jœteach ers will try to

AbMaj7Cm6

œ jœ œ jœ .œ œ ‰ œlure you a way, to

F 9 Bb7

- -

& bb7

œ jœ œ jœ œ jœ œ œ œfol low af ter de mons and a

G7 Cm7

œ jœ œ jœ .œ œ ‰ œbban don your faith. So,

F 9 Bb7 G7

- - -- -

& bb9

%œ jœ .œ œ ‰ œ œ jœ

watch out for craft y

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œ jœ .˙ œ ‰ œli ars, de

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- - -

& bb11 .œ .œ œ jœ œ œ œceiv ing spir its, teach ing

G7 Cm7

œ Jœ œ Jœ .œ Œ Jœngod less myths. Be

F 9 Bb7 G7

- - - - - -

& bb13 œ jœ .œ œ ‰ œ œ jœbcare ful a bout your

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con science! Ne ver

D7G7 Ab 13

- - - -

& bb 86 81215

fi.œ œ œn œ œ jœ ‰ œb œ

fool with the dev il, 'cause he’ll

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To Coda1, 2, 4

œ jœ œ jœdrag you down.

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rit.

.˙ .œ Œu jœStopTheEn

Bb9 Eb 13 C7broaden

-

-

Verse & Chorus

813Words & Music by


All Rights Reserved

Listen, Saints And Sinners!

Will Goldstein1st Timothy 4:1–10 (Stop Foolin' With The Devil!)

(Start Servin' The Lord!)CCLI# 7160929

& bb19

œ œ œn œ œ œb œ œ œ œ ‰ œ œ

durewaylist

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lousandis

lies,meek,sure

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rit.

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G+7AbMaj7G7 Eb9a tempo rit.

- - - - - - - -- - - - - - - -

- -

& bb 8621 œ œ œ œ œ œ œ œ œ œnU ‰ œ

way

hopethanks

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A 9 D 9G+7F 13 E7 broaden

- - - - -- - - - -

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& bb 86 812 b b b c23

3

œ jœ œ jœdrag you down.

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Fm6 Db9a tempo but with straight eights feelq»•º

-

& bbb27 .œ œ œ œn œ ‰ œ œall that you do, for He’s

Fm6C7

.œ œ œ œ .œ œ œ œcer tain to lead you to

DbMaj7 Dm7(b5)

-

& bbb29 .œ œn œ œ œ ‰ œ œfol low the truth. And be

G7 C7

.œ œ œ œ .œ œ œ œcare ful of teach ers who

Fm6 Db9

- - -

& bbb b b 8631 .œ œ œ œ œ ‰ œ œ

tell their tall tales, ra ther

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train to be god ly and you

Dm7(b5) G7 very slowlyrit. D.C.

.œ œ œ œ .œU ‰nev er will fail.

Ab7 G+7

- - -

& bb 86 81234

fiœ jœ œ jœ

drag you down.

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.˙ .œ Œ jœ#Stop

Bb9 Eb 13 D7

& bb37

œ jœ œ œn œ œ jœU ‰ œ œfool in’ with the dev il; and start

Eb 13G7G+7very slowly & freelyrit. œ Jœ œn Jœ .U̇

serv in’ the Lord.

Ab7 G7 Cm6

- - -

& b 8121 Œ jœ œ# jœ

We’ve got to

A7intro chords meas. 2-3 (2 times)

q k»¡ºº In a swing style %œ jœ œ jœ .œ Œ jœ#

learn to con trol our

Dm Bm7(b5) E7

-

& b3 œ jœ œ jœ œ ‰ œ œ# jœpas sions in side. We’ve got to

A7 Bb7 A7

œ jœ œ jœ .œ œ ‰ œnlive ho ly lives ‘cause

Dm Bm7(b5)

- - -

& b5 œ Jœn œ œ œ# .œ ‰ œ œsoon we're gon na die. If we

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G7 C7 F7 E7

- -

& b7 œ jœ œ œ œ .œ Œ jœ#prove it by our deeds,‘cause

A7 Bb7 A7

œ jœ œ jœ .œ ‰ œ œGod won’t be mocked, so you’d

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AllAll

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-

& b ..10 œ jœ .˙ œ ‰sindealstealdrink

ners,ers,ers,ers,

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A7 Bb7 A7

œ jœ .˙ jœ ‰ Jœganggamheadlov

sters,blers,

eders,

stopstart

downstop

Dm Bb7

- - -- - -- - -- - -

Chorus, Verse & Coda

814

Words & Music by


All Rights Reserved

All Sinners, Stop Sinnin’!

Will Goldstein1st Thessalonians 4:3–8

(God Will Punish Men for Their Sins)

CCLI# 7160930

& b13 œ Jœ œ# jœ .œ œ ‰ œbreakearnto

feed

in’in’thein’

theyourjail

your

law!lot!house.

lust! All

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getyouracfor

caught.

count.Christ!

God.You’ve been

A7 Bb7

(same as above)

- -- -

- - -- - -

& b16

.œ œ jœ œ ‰ œ œ jœwarned be fore, and now we’re

Dm6 C 13G 9

œ jœ œ œ œ .œ œ ‰warn ing you a gain;

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.œ œ jœ# œ jœ œ jœGod will pun ish men

Bb7 E7

- - - -

& b ..19fi

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sin nin’; and start

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Bb7E7 A7

- -

& b30


Bb7 E7a tempo

.˙ œ ‰ œ œ# jœfor their sins.

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slowly & freely œ jœ .œU Ó .

sin nin’!

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--

&###812

1

Œ . Œ .Œ jœ œ

jœ

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4.

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&###4

œn jœ ‰ œ œ œ

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whowhoHe

E7 A7A

-- - -

-- - -

- - -- -

- -- -- - -

Verse, Bridge & Chorus

815Words & Music by


All Rights Reserved

Chief Of Sinners Will Goldstein


CCLI# 7160931

&###

..8

œjœn œ#

jœ œ j

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C7 B7 E7

- -- - -

-- - -

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&###10

3, 6, 9

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- - -- --

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haust i ble bouts of pa tience with

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œ jœ œ œn œ .œ œ

‰

those who fear the Lord.

E7B7

- - -

&###..

15

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chiefChief of

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ners,ners.

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E7 B7 E7D# o7

- -- -

&###

..17

1

.œ .œ œn jœ ‰ œ œ

chief of sin ners, Oh Lord,

A F7

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please, not me. I'm the

E7D# o7 B72

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chief of sin ners. I've got to re

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rit & hold last time only slowly & freelylast time

- - -

&###20

œjœ œ

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pent and be lieve.

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œ Jœ .˙ Œ .

ceivbat

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Bb9 Eb9Am6

- - - -- - - -

& b3

ŒJœ œ J

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kingdom's sake. Re

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sound in your faith. Stop

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--

& b 86

812

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œjœ# œ J

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fool in' with sin, re

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turn to God’s grace.

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& b16

œjœ# œ J

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way of the Lord

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œ jœ œ œ œ œ

jœ œ

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can not be con demned. A

BbMaj7 G7 C7Ab7 (b5)

- -

816

Words & Music by


All Rights Reserved

The Way Of The Lord Will Goldstein

Titus 1:10–14; 2:8

CCLI# 7160932

& b18

œjœ# œ J

œ .œ œJœ

mock er stands in shame while

D7F7

œ jœ œ œ œ œ

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Christ is our de fense. The

BbMaj7 G7 C7Ab7 (b5)

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œjœ# œ J

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way of the Lord is

D7F7 rit.

œ jœ œ œ œ .œu

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right eous ness and faith while we

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- -

& b22

œ œ œb œJœn .œ ‰ œ œb

wait for the bless ed hope, the ap

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pear ing of our Re deem er, our

D 9 G 9very slowly & freelybroaden

- - - - -

& b24

.œ œ jœ

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great and glo ri ous

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ris en King,

AbMaj7 G7D7

- - -

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C7Dm7 C s us 7G7

- - --

& b28

œ Jœ œ J

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pos ers, re sist ing the

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œ Jœ .˙ Œ

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gos pel, our

Bb9 Eb9Am6

- - - -

& b30

œ JœJœ œb œ

Jœn œ

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God has a plan for you,

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if you’ll lis ten to

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œ jœb

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Lord.

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throughto

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- - -- - -

& ###4

œ jœ œ œ œ œn jœ œ jœnknowlho

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- -- - -

& ###6

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- - -- -

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blelow in

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grace.Christ.

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Œ jœ œ œ œn œ jœ jœU

Still, al ways re mem ber!

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-- - -- -

& ###10

œn jœ œ œ# œ .œ ‰ œ œlast state would be worse than it

E7 A7B+7 B7 œ Jœn œ Jœ .œ ‰ œ œbwas at first, if you

D7 G7 C7

œ Jœn œ jœ œ œ œ ‰ œ œknow the way of right eous ness, and a

A7F7 E7

- - -

& ### 89 .. 86 81213

œn jœ œ œ# œ .œ œ œ œgain are o ver come by the

C7 B7C7Em6

1st time onlyrit. 1

œn jœ jœ œ# .œuway of the world.

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œn jœ jœ œ#way of the

B+7 B7

- -

& ### 81216

.˙ .œ Œ jœworld. Don't

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C7 B7 E7Em6

- - - - -

& ###19 œ jœ œ œn œ .œ ‰ œ œfaith ful to your God, by com

B7Am6 F7

œn œ œ œ jœ œ œ œ# œ ‰ œ#mit ting your lives in ser vice to Him. The

C7 B7 E7Em6

- - - -


817Words & Music by


All Rights Reserved

Don’t Ever Go Back Will Goldstein

2nd Peter to: 20–22; 3:1, 2, 12; John 14:6 (The Way Of The World)

CCLI# 7160933

& ###21 œ jœ œ œn œ .œ ‰ œ œLord will set you free. He will

B7Am6 F7

œn œ œ œ jœ œ œ œ# œ ‰ œ œncleanse you through His re deem ing blood; but don’t

C7 B7 E7Em6 rit.

- -

& ###23

œ œ œ œ œ œ œn œ œ œ ‰ œ#ev er go back to the way of the world! Don’t

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F 13 B+7 E7E7

- -

& ###25

œn jœ œ œ# œ .œ ‰ œ œlast state would be worse than it

E7 A7B+7 B7slowly & freely œ Jœn œ Jœ .œU ‰ œ œb

was at first, if you

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A7F7 E7

- - -

& ### 89 812 ..28

œn jœ œ œ# œ .œ œ œ œgain are o ver come by the

C7 B7 C7Em6resume slowly & freely

very slowly

œn jœ jœ œ# œu ‰ œ#way of the world. Don't

B+7 B7 E7broaden

œ jœ œ jœ .œ ‰ œn œev er go back to the

A7 E7 A7 F7q k»•• Chorus

-- -

& ###31 œ Jœn œ jœ .œ œ ‰ œway of the world! Don’t

E7 A7B7

œ jœ œ jœ .œ ‰ œn œev er go back to the

D 9 C#9 C 13 B7

œ Jœ œn Jœ .œ œ ‰ œway of the world! Pur

B7 E7F7

- -

& ###34 œ jœ œ jœ .œ œ ‰ œsue right eous ness! Be

A7 C 13E7 A7 œn Jœ œ jœ .œ œ ‰ œfree at last! Don’t

E7 A7F7

œ jœ œ jœ .œ ‰ œ œev er go back to the

D 9 C#9 C 13 F#7

-- -

& ###37

œn jœ œ# jœ .œ Œ jœway of the world 'cause

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œn jœ œ œ œ# .œ Œ jœJe sus is the way, the

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œ jœ œn Jœ .œ ‰ œ œtruth and the life. So, don’t

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-

& ### ..40 œ Jœn œ jœ .œ ‰ œ œev er go back to the

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œn jœ œ# jœ .œ œ ‰ œ#way of the world! Don’t

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œn jœ œ# jœ .œ œ ‰ œ#way of the world! Don’t

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-

& ### 86 81243 œ jœ œ jœ .œ ‰ œ œ

ev er go back to the

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- -

Verse & Chorus

818

Words & Music by


All Rights Reserved

Don’t Give In

Will Goldstein Galatians 2:4, 5

(Not Even for a Moment)

CCLI# 7160934

& ..13

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- - - -- - - - - - -

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1

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love for us. Let the

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lies and fool ish pride. We must

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- - -- - -

&##

14

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sound doc trine. Con

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vict us, O Lord, to teach

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- -

Verse & Chorus

819

Words & Music by


All Rights Reserved

Keep Preachin' Sound Doctrine

Will Goldstein2nd Timothy 4:2–4

CCLI# 7160935

&##

18

ŒJœn .œ œ j

œ œ‰ œ

sound doc trine. The

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church has got to preach it,

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&##

20

œjœ œ œ œ œn j

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hope to be saved. If the

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- -

&##

22

œn œ œ œjœ .œ œ

‰ œ

church is the church of Christ, then

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let there be no lies. Start

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&##

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- - -

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- - -

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32

œn jœ

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Bb7 A7

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preach in’ sound doc trine. Keep

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- -

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34

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- - - -

&##

36

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en ter in to glo ry, at your

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home up in the sky.

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that was

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-

& bb4

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once for all en

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trust ed to the saints, for

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cer tain men, con

Cm6 G+7

- - - -

& bb7

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demned from long a go, have

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crept in to lead you a stray.

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- -

& bb11

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li cense to their own im mo

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- - - - - -

& bb14

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- -

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- - - - -

820Words & Music by


All Rights Reserved

Contend For The Faith! Will Goldstein

Jude 3–7, 11–15(Don’t Ever Take The Way Of Cain)

CCLI# 7160936

& bb30

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dark ness. They are

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shep herds who feed

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- - - -

& bb33

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feast with you with out

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fear. The

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- - -

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Lord is com ing soon with His

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hosts of ho ly

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judg ment up on all the

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- - - - --

& bb40

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vict god less peo ple of their

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- - - - - -

& bb43

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- - - -

& bb52

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- - -

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day.

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fend it. Don’t ev er

G +9Bb 13 D7 G7repeat as desired then continue

rit. a tempo.œ œ J

œ œJœn œ

Jœ

take the way of Cain,

Cm6 G7

- -

& bb71

.œ .œ œu

‰ œ œJœn

or you’ll be

Bbm9G +9

Eb 13Cm6rit. & hold last time

broaden, then a tempo last time

.œ

4


Jœ

bound with ev er last ing chains,

Cm CmBb Am7(b5)

.˙ .œ ‰ œ œn

kept in

D7 Ab7 (b5)G s us 7 G7

- - -

& bb74

œ jœ œ ‰ œ

œJœ œ

Jœn

dark ness, a wait ing God's

Eb 13 D 7(#9) G7

œ jœ .˙ ‰

œ œjudg ment, on that

Cm6 G+7G7

.œ œjœ œ

jœ

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Cm6 D7rit.

.˙ œu‰ œ œ J

œn

day. Don’t ev er

G+7

repeat as desired then continue

a tempo

- - - - - - -

& bb78

.œ œJœn œ j

œ# œjœ

take the way of Cain!

Cm6 D7build intensity with each repetition

rit. & hold last time

.u̇

Œ jœ œ

jœ#

Don’t ev er

Ab7 D7G+7broaden

.œ œ Jœ œ j

œ# œjœ

take the way of Cain,

Gm6 D7a tempo

.˙ .œ ‰œn œ#

but con

Eb7 D 9Am11Bb 13rit. broaden

- -

& bb ..82

.˙ œ jœ

œjœ

tend for the faith!

Gm6 Bb 13 Em7(b5)a tempo rit. last time

.˙ .œ Œ jœ#

Con

A7 D s us 7 D7repeat as desired - increase intensity then fading out

.˙ œ jœ

œjœ

tend for the faith!

Gm6 Bb 13 Em7(b5)

-

& bb ..85

.˙ .œ Œ jœ#

Con

D s us 7 D7A7

-

use to end

.˙ œujœ

œ jœ

tend for the faith!

Gm6 D+7F 9 Bb 13very slowly & freely to end

.˙ .œ Œ .Gm6 EbMaj7 AbMaj7 D+7 ∑Gm6

& bbb 812 ..1 Œ jœn œ jœI’ve got a

G7

q k»¡º¢ In a swing style

.œ œ jœ œ ‰ œ œ jœraceraceracerace

totototo

run,run,run,run,

andandandI'll

I’mnoitbe

G7Ab7 C7intro chords meas. 2-3 (2 times)

œ jœ œ jœ œ jœn œ jœrunbodstartleav

nin’yedin'

itgonatall

nathemy

forstopcrosssins

mymeofbe

Lord.now.

Christ.hind.

Dm7(b5) G7Ab7

-- - -

--

& bbb4

.wF7 Fm7C7 Ó . Œ jœ œn jœ

I’veI’veI’veI’ve

gotgotgotgot

aaaa

Ab7 G7 C 13

.œ œ Jœ Jœ ‰ jœ œ jœraceraceracerace

totototo

run,run,run,run,

andandandI'll

I’mno

keepI'm

F7 Bb9

-

& bbb ..7 œ Jœ œ Jœ œ jœ# œ jœ

run

runbodhead

nin’y

nin’ed

itgon

‘tilfor

na

my

forstop

dayspar

mymea

are

now.dise.done.

Lord.

Eb 13 D+7 .w C7G+71, 3

Ó . Œ jœn œ jœI've got a

Ab7G7F72, 4

∑ Db7Ab7G7F7 C7

-- -- - -

-

& bbb11 Œ Jœ œ Jœ œ Jœ œ ‰ œnLook out dev il, get

F 9 E 9Chorus

.œ œb Jœ .œ œ ‰ œoff the track! My

Eb9 Ab9 Db 13 œn jœ# œ Jœn œ jœ œ jœbeyes are fixed on Je sus, and I

C 13 D7 Db7F7

- - -

& bbb14

œ Jœ œ jœ œ ‰ œn œ jœwon’t turn back. I’ve got a

C7 G+7Repeat "I've got........Lord." as desired after 2nd chorus and to end

rit. & hold last time

.œ œ jœ œU ‰ œ œ Jœ

raise to run, and I’m

G7 C7Ab7slowly & freely to endœn Jœ œ jœ .œ œ jœ

win nin’ it for my Lord.

F7Ab7 G7

-

& bbb17

.wF7 Fm7C7

Fine D.C. Ó . Œ jœn œ jœI've got a

Ab7 G7 to verse 3

Verse & Chorus

821

Words & Music by


All Rights Reserved

I’ve Got A Race To Run

Will Goldstein Galatians 5:7, 11, 13

CCLI# 7160937

& ## 8121 Œ jœ œ jœ

I’m gon na

A7

q»¡º¢ In a swing style

%œ jœ œ

jœ .œ œ ‰ œclick my heels and

D Bm7intro chords meas. 2-3 (2 times) œ jœ œ jœ œ ‰ œ œ jœ

hit the road; I’m gon na

GMaj7 E 9 A7

- -

& ##4

œ jœ œ Jœ œ jœ œ jœpreach the gos pel wher

D Bm7 œn Jœ œ# jœ œ ‰ œ œ jœev er I go. I’m gon na

E7A7

œ jœ œ jœ œ Jœ œ jœstick to the truth, and spread the

D Bm7

- - - -

& ##7 œ Jœ œ jœ œ ‰ œ jœgos pel news ‘cause it’s

GMaj7 E 9 A7

œ jœ œ jœ œ Jœ œ jœgot to be heard, and it’s

D Bm7 œn Jœ œ# jœ œ ‰ œ œ Jœ#got to be read. Now, may the

E7 A7

-

& ##10 œ jœ œ Jœ œ Jœ œ Jœgos pel of Christ spread like a

D A7E7 œ Jœ œ Jœ œ ‰ œ œ Jœnblaz ing fire, and may the

Bb7 A7 D œ Jœ œ Jœ œ Jœ œ Jœwinds of heav en com

G7

- - - -

& ##13 œn Jœ œ# jœ œ ‰ œ œ jœnplete God’s de sire that eve ry

E7 A7

œ jœ œ jœ œ jœ œ jœcrea ture on earth could hear the

D A7

- - -

& ##15

œ Jœ œ jœ œ ‰ œ œ Jœword of God, and have a

A7D œ jœ œn Jœ .œ œ jœchance to be saved at the

F 13 A7E7Bb9œ jœ œ jœ .œ Œ .

sec ond birth.

A s us 7D A7

-

& ## ..18 Œ jœ œ Jœn œ jœ# œ ‰WindWind

fromfrom

heavheav

en,en,

D Bb9 A7

1. & 3.

œ jœ œ jœ œ ‰ œ jœwailclaim

andyour

howl!souls;

Setfor

ourre

A s us 7 A7Em7

œ jœ œ Jœn œ jœ# œ Jœheartsdemp

ontion

firecomes to

withus

thewhen

D Bb9 A7

-- - - -

Verse & Chorus

822

Words & Music by


All Rights Reserved

Preach The Godman Will Goldstein

2nd Thessalonians 3:1 (Wind From Heaven)

CCLI# 7160938

& ##21

œ jœ œ jœ .˙Hoev

lyer

Ghostyou

pow’r.blow.

A s us 7 A7Em7 Œ jœ œ Jœn œ jœ# œ JœWind from heav en, blow a

D Bb9 A7 fiœ jœ œ jœ .œ œ ‰ œ

cross our land; ig

A s us 7 A7Em7To Coda

-- - --

& ## ..24

1, 4

œ Jœ œ Jœn œ jœ# œ jœnnite a re viv al as we

D Bb9 A7

œ jœ œ jœ .˙preach the God man.

A s us 7 A7D E7 to v2

- - -

& ##26

2, 3

œ Jœ œ Jœn œ jœ œ œ œnite a re viv al as we

D Bb9 A7 .˙ œ jœ œ# jœpreach the God man.

C7 E7B+7 .wA s us 7 A7D.S.

.˙ Œ jœ œ jœI’m gon na

D E7 A7

- - - -

& ##30

fiœ Jœ œ Jœn œ jœ œ œ œ

nite a re viv al as we

D Bb9 A7Coda

.˙ œ jœ œ# jœpreach the God man.

C7 E7B+7 .wA s us 7 A7 .˙ Œ Jœ œ JœWe’re gon na

D E7 A7

- -- -

& ##34 œ jœ œ jœ œ jœ œ Jœncar ry the torch of re viv

D A7 E7 œ jœ .˙ ‰ œ œ#al ‘cause a

A s us 7 A7F7 œ Jœ .œ œ jœ# œ Jœwhirl wind from up in

E7

- - - -

& ##37 œn Jœ œ jœ# œn Jœ œ jœheav en is com ing soon.

E7Bb7.˙ Œ Jœ œ Jœ

It’s gon na

A7A s us 7 œ jœ œ Jœn œ Jœ œ ‰ œ#sweep down up on us and

D E7

- - --

& ##40 .œ œ Jœn œ jœn œ jœset the world on fire

A+7F7

.˙ œ ‰ œ jœ#as we

E7E s us 7 .˙ œ ‰ œ œ Jœpreach the God man.

A7A s us 7

-

& ## .. ..43

hold pitch through repeat then fade

.wD Bm7 .wGMaj7 E 9 A7 ∑D Bm7rit.

∑GMaj7 E 9 A7 ∑D 6

& b 8121 œ jœ œ ‰ œ œn œ œ Jœ

SisBroth

ter,er, liv

eveing in

ryhumper fect

ble

FMaj7 E7intro meas. 15

q k»•¢œ jœ œ Jœ .œ Jœ ‰ Jœb

giftcir

fromcum stance,

heav'n comesre

D7Am .œ œ Jœ œ jœ œ Jœdownjoice;

fromfor

Godyou

whowill

issoon

ourbe

Gm7 EbMaj7 Bb7

- -- - - - - -

-

& b4 œ jœ œ jœ .œ ‰ œ œsourcelift

ofed

light.up.

InMis

theter

Em7(b5) A7 D7 œ jœ .œ œ Jœ œ JœFarich

therman,

therego

arein'

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exyour

C7 F7Gm7 .œ œ Jœ .œ œ ‰ œcepbusi

tions;ness,

Hewe'll

Db 13Bb C 9

- --- - - -

& b7 œ Jœ œ Jœ œ œ œ ‰ œ œ œdoesall

notbow

changein

dihu

recmil i

tionty

likeon

shiftthe

ingap

DmFMaj7 œ jœ œ œ œ .œ ‰ œ œshadpoint

owsed

ofJudg

thement

day.Day.

MayFor

wewe

Bb G7 C s us 7 C7

.œ œ jœ œ jœ œ Jœhearsoon

thewill

wordall

ofpass

thea

Lord,way

Dm Gm7BbMaj7

- - - -- - - -- - -

& b10 .˙ .œ ‰ œ œandlike

rea

C s us 7 C7 .œ œ Jœ œ jœ œ Jœsistwild

theand

sinwith

thatered

plaguesflow

FMaj7 Dm œ jœ .˙ Œ jœus.er

Rewhose

Gm7 C7 F7

- -- -

& b 8613 œ jœ œ jœ .œ œ œ œ

ceiveblos

thesom

wordfalls

thatin

canthe

Bb G7 C7

œ jœ œ jœ .œ œ ‰ œsavescorch

youring

soul,heat.

thenOur

FMaj7 BbMaj7 C 9

œ Jœ œ Jœ œ œ œ œ œ œdoglo

whatry will

isfaderight, nev

likeer for

to

FMaj7 Dmintro chords meas. 15-17

- -- - - -

& b 86 812 86 81216 œ jœ œ œ œ

getmor

tingrow’s

whatyes

youter

Gm7Gm7C

.˙ .œ Œ Jœheard.day.

F BbF

C7

œ Jœ œ Jœ œ œ œ œ œ œFMaj7 Dm œ jœ œ œ œ

Gm7Gm7C

.˙ .œ Œ .F BbF A7

-- - -

& b21

œ jœ œ œ œ# œ œ œ œ jœBless ed is the man who per se

Dm BbMaj7 Gm7

woman

.œ œ œ œ œ jœ œ ‰ œveres un der tri al for

C7 A7 œ Jœ œ Jœ .œ ‰ œ œonce he’s stood the test he'll re

Bb7 D7Eb 13

she's she'll- - - - - -

& b24

œ Jœ œ Jœ .œ œ ‰ceive the crown of life.

Gm7 A s us 7 A7

œ jœ œ œ œ# œ jœ ‰ œ œBless ed is the man who en

Dm BbMaj7 Gm7

woman

.œ œ Jœ œ jœ œ ‰ œdures temp ta tion for

C7 A7

- - - -

& b27 œ Jœ œ Jœ .œ ‰ œ œonce he’s been ap proved, he’ll re

Bb7 D7Eb 13

she's she'll

œ Jœ œ Jœ .œ ‰ œ œ#ceive the crown of life. Be ing

Gm7 A s us 7 A7 .œ œ Jœ .œ œ œ œ#rich or poor gives no e

A7 D7Dm

- - - -

Verse, Bridge, Pre-Chorus & Chorus (Coda)

823Words & Music by


All Rights Reserved

The Crown Of Life Will Goldstein

James 1:9–16, 21, 22, 25

CCLI# 7160939

& b 8630

œ jœ œ jœ .œ œ ‰ œter nal re wards. The

G7 C7fi

.œ œ jœ œ Jœ œ œ œ#crown of life is prom ised to

F A7 D7To Coda

- - -

& b 86 81232 œ jœ œ œ œ

those who love the

Gm7Gm7C

.˙ .œ Œ .Lord.

F F7BbF .œ œ Jœ .œ œ jœ

Prove your love for

Bb FMaj7

& b35 .œ œ Jœ .œ Jœ ‰ JœGod a bove by

A7D s us 7

Em7(b5) D7rit. œ jœ œ jœ œ ‰ œ œ œ œ

do ing His will; and turn ing from

Gm7 C7 FMaj7 D7 œn jœ œ œ œ .œ œU ‰eve ry wick ed way.

G7 C s us 7 C7

- - - - -

& b38

œ .œ œ œ œ œ œ .œ œ œ ≈ j̊œNo one should say, “I’ve been tempt ed by God,” for

F Dm6 Bb7A7e»¡¡™ rubato - slowly & freely

œ œ œ œ .œ œ# œ œ œ œ ‰God can't be tempt ed, nor tempt an y one.

C 9G7D7Eb7

- - - -

& b40 œ .œ œ œ œ œ œ œ Jœ œ ≈ JœEach one is tempt ed by his own de sire, en

FMaj7 BbMaj7 Eb9 D7 œn .œ œ œ .œ œ œ œ œ# œU ‰ œ#ticed by his pas sions that burn like a fire. Once

E7 A+7G7 F7 E7rit.

- - - -

& b42 œ œ œ œ œ œ .œ œ œ œ ‰ œlust is con ceived it gives birth to sin. When

F 13 E7 A7 Dm6resume slowly & freely

œ œ œ œ œ œ œ .œ œ œ#U ‰ œ

ful ly ma tured it will drag you to death. So,

E7 A7 Bb7 A7molto rit.

- - -

& b 8644 œ œ œ œ jœ# œ œ œ œ œU ‰ œ œ

don’t be de ceived and live like a wretch, but

Dm6 Bb7A7 Eb 13 A+7

resume slowly & freelyD.C.

œ œ œ œ œ œ œ œ œ œU ‰turn from e vil, life’s ul ti mate test.

Gm7C 13

A7 D7Bb 13resume slowly & freely

to v2

- - - -

& b 86 81246fi

œ jœ œ œ œthose who love the

Gm7Gm7C

Coda

.˙ .œ Œ Jœ#Lord. God

F BbF

A7 œ jœ œ œ œ# .œ ‰ œ œchose to give us birth through the

Dm BbMaj7Gm7 œ jœ œ œ œ .œ œ ‰ œ

mes sage of the truth that

C7 A s us 7 A7

-

& b50

œ Jœ Jœ œ .œ œ Jœwe might be come the

Dm D7A7

œ jœ jœ œ .œ œ ‰ œ#fam 'ly of God. He

A7G 9 C7 œ jœ œ œ œ# .œ ‰ œ œchose to make us one as His

Dm Gm7BbMaj7

- -

& b53 œ jœ œ œ œ .œ œ ‰ œchil dren through His Son, the

C7 A s us 7 A7

œ œ œ œ jœ œ jœ ‰ œ œ#first born of His cre a tion in the

BbMaj7 Em7(b5) A7Dm œ œ œ œ Jœ .œ ‰ œ œ#king dom that is to come. There's a

Dm A7Gm7 C7

- - - --

& b56 .œ œ œ œn .œ# Œ jœcrown of life that's

Dm A7 D7 œ jœ jœ œ .œ œ ‰ œ#wait ing for me, pre

A7 D7Gm7

.œ œ œ œn œ jœ jœ œpared by the heav en ly

G7 C7

- - - -

& b59 œ Jœ Jœ œn .œ# ‰ œ œFa ther of lights. There's a

F 13 A7E7 .œ œ œ œn .œ# Œ jœcrown of life that's

Dm A7 D7 œ œ œ œ Jœ œ œ œ œ ‰ œwait ing for ev' ry one of us who

Gm7 C7 FMaj7

- - - -

& b 8662 .œ œ Jœ œ ‰ œ œ œ#

per se claim ing the

D7Em7(b5) A7

œ Jœn œ œ œ .œ Œ jœright eous ness of Christ. Con

G7 C A7repeat as desired then continue

œ jœ jœ œ œ jœ œ œ œtin ue to do what you have

Dm Bb7 Eb 13

- - - - --

& b 86 81265 .œ ‰ œ œ

heard, and may

A s us 7 A7

œ jœ œ ‰ œ jœ ‰ œ œ#free dom, bless ings, and the

BbMaj7 Em7(b5) A7Gm7 .œ œ œ œ .œ# Œ jœcrown of life be

E7 A7 D7

- -

& b68 œ jœ jœ œ .œ ‰ œ œgiv en to you on the

A7 D7Gm7

.œ œ Jœ .œ œ Jœday of Christ ap

G7 C7 FMaj7 .œ œ jœ .œ œ ‰ œ#pear ing. A

Em7(b5) A s us 7 A7

- - -

& b .. ..71 .œ œ œ œn .œ# œ jœcrown of life is

Dm A7repeat as desired

œ jœ œ jœ .œ ‰ œ œ#wait ing for me. Is a

Em7(b5) A s us 7 A7 .œ œ œ œn .˙#crown of life

Dm A7 œ jœ œ jœ .œ œ ‰ œ#wait ing for you? A

Em7(b5) A s us 7 A7

- -

& b75

use to continue

œ jœ œ jœ .œ œ ‰ œwait ing for me. Be

Em7(b5) A s us 7 A7rit. œ jœ œ œ œ œ Jœ œ œ œ

do ers, not just hear ers of the

BbMaj7 Gm7 C7

.œ ‰ œ œ .œ œ Jœ#word, and re ceive the

FMaj7 Bb9 A s us 7A7slowy & freely

- - - -

& b 86 81278 .˙ .œ œ œ œ

crown of

Bm7(b5) E7F 13 rit. .œ#U ‰ œ œlife. Go and

A7resume slowy & freely

.œ œ jœ œ Jœ œ jœdo the will of God,

DmBb7 Em7(b5)

.˙ .œ œ ‰ œ#and

A7 D7A s us 7rit.

& b82

œ Jœn Jœ œ .œ œ jœyou will re ceive the

G7 C s us 7C7

broadenvery slowly .˙ .œ œu jœcrown of

BbMaj7 C 13FMaj7 Gm9resume very slowly

.wlife.

DbMaj7 GbMaj7Bbm7 Ab 13very slowly ∑

Db 13 C 9 FMaj7

-

&###812 ..

1

ŒJœn

We’re

C7

q k»ª™

4.

intro meas. 8

in a swing style

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sailhoiston

sea

some

whenusedev

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class,meansales,rive

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B7 E7

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soon.fleet,

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gotsetthat

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start

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E7B7C7

- - -

- - - -

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-

&###4

œ jœ

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A7C7 B7 E7

- - - - -- - -- - - - -

- - -- - -

- - - -- -

- - -- -

-

&###6

œjœ# œ

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brightdev

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E7 Am6 B7

--

- - -

- -- - -

-- -

- - - -

--

Verse, Chorus & Coda

824

Words & Music by


All Rights Reserved

The Harbor At The Crystal Sea

Will Goldstein

1st Timothy 1:18–20 (My Destiny)CCLI# 7160940

&###

..8

œ jœn œ

jœ œ j

œ œ‰ œ

dev

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totode

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your

al

getstainstruc

whipserdirtly

devwed

le

ya,‘emtion

yavice

yin’il

ding,

giance

and‘cause

and

with

orunas

or

and

un

Em6 C7

(4)

(7)-

intro meas. 8-91, 2, 4, 5, 7, 8, 9

œnjœ œ

jœ .œ œ

‰ œn

that’s

tears

otil

your

he’s

death

noyour

and

verhe’sre

for

through.

sport.

lie.foe.

shame.

board.

ward.

NowHold

AllIt's

TheSo,

Now

C7Em6B7

--- - -

-- -- - - -- - -- - -- -

- - -

&###10

3, 6, 10

œnjœ œ

jœ .œ œ

‰ œn

spreadtil

that’s

inghe’snot

horror.done.all.

He’llThe

C7Em6B7

v3v6

v10 (after v10 only)

œjœ œ J

œ .œ ‰ œn œ

shipLord

wreckof

yourthe

faithstars

ifand

youthe

B7 C7 B7

œnJœ œ

jœ .œ Œ j

œ

letPa

himtri

in;archs

sowill

A7 E7F7 E7

-- -

-

&###13

.œ œjœ œn j

œ œjœ

steerall

fastbe

yourthere

rudcheer

derin’ the

a

A7 C7

œnjœ œ

jœ .œ œ

‰œ

waynew

fromsweet

sin.heart.

Some

E7B7 E

(same as above)- - -- -

&###15

œjœ# œ

jœ œ

jœ œ

jœ

day, I’m gon na glide past the

A7 F#7

œnjœ œ

jœ œ

‰ œ œ Jœ#

pearl y gates in to the

B7 Em6 B7

- - -

&###

86

17œ

Jœ œ œn œ œ J

œ œJœ

har bor at the Crys tal Sea,

Am6E7fi

œ ‰ œn œJœ œ j

œ œjœ

that's my des ti ny.

E7B7To Coda

to verses 4 & 7 D.C.

.˙ .œ ŒJœn

PreNow

A7 D7 G 9 C7

to v4to v7

-- - --

&###86 .. 8

12 ..20

fi

.œ ‰ œ œ#

Yeah,Is

thethe

Am6 B7

Coda

1 & 3.

œJœ œ œn œ œ J

œ œJœ

harhar

borbor

atat

thethe

CrysCrys

taltal

Sea,Sea

Am6E7rit. & hold each last repetition repeat as desired

œ ‰ œn œJœ œ j

œ œjœ

that'snow

myyour

desdes

titi

ny.ny?

E7B7

- - - -- - - -

&###23

use to continue to end

œu

‰ œn œJœ œ j

œ œjœ

that's my des ti ny.

E7B7 slowly & freely

.wA7Fine

- - - -

& 8121

.œ .œ .œ œ jœRock this boat with the

C

q k»¡™ºintro chords meas. 1-4 .œb œ jœ# .œ œn jœ

pow'r of the Ho ly Spir

Eb7 D7 G7 œ jœ .œ .˙it.

C E7

- -

&4

.˙ Ó .A7 D7 G7

.œ .œ .œ .œShake this boat and

C œb Jœ œ jœ# .œ œn jœfill it with the gos pel sto

Eb7 D7 G7

- -

&7

œ jœ .œ .˙ry.

C A7

.˙ Ó .D 9 Gm7 C7

.œ œ Jœ .œ .œSail this boat to

F7

- -

&10 .œb œ Jœ .œ Œ jœ

eve ry land, and

.œ œ jœ .œ œ jœspread the news ‘bout the

C .œb œ jœ .œ œ ‰God man.

C7

- -

&13 .œ .œ .œ œ Jœ

Rock this boat with the

G7 .œ œ Jœ .œ œ Jœbpow'r of the Ho ly Spir

D7 G7 œ Jœ .œ .˙it.

C

- -

& ..16 .˙ Ó .Ab G7

1 & 32 & 4

Chorus œ Jœ œ Jœ .œ œ ‰Rockrock

it!the whole world.

C7C œ Jœ œ Jœ .œ œ ‰ShakeShake

it!the whole world.

F7

& ..19

1, 3

œb Jœ œ Jœ .œ .œJe sus is the Rock that

Ab7 G7 C œ Jœ œ jœ œ ‰ œ Jœsat is fies. Come on,

G7D72


D7Ab7 G7 C

- - - -

& ..22

œ Jœ œ Jœ œ ‰ œ Jœsat is fies. Come on

G7 C G74


Ab7 G7 C D7rit. last time D.C.

œ Jœ œ Jœ .œ œ ‰sat is fies.

G7 C

1st time2nd time Repeat chorus

Fine

- - - - -

Verse & Chorus

825 Acts 4:31 Words & Music by


All Rights Reserved

Rock This Boat Will Goldstein

CCLI# 7160941

&#812

1

‰ œ œ

All you

D7q k»§ª %

.œ œ Jœ .œ œ ‰ œ

saintsyou,

ofdear

God,friends,

con

Am7GMaj7 D7intro chords meas. 2 (2 times)

(same as above)

œ .œ œ œ Jœ œ œ œ œ ‰ œ

tin ue to build up char ac ter, and

E7 Am7B7 D7

- - - -

&#4

œ Jœ œ

jœ .œ# œ œ œ

for ti fy your selves in the

D# o7 E7B7

.œ œ œ œJœ .œ ‰ œ# œ

most ho ly faith. Al ways

Am B7 E7

œJœ œ

Jœ œ

Jœ œ ‰

keep your selves in God’s love!

Am D 9

- - - - - -

&#7

œ œ œ œ Jœ œ œ œ œ ‰ œ

Pray in the Ho ly Spir it; and

E7 A 9GMaj7

œ œ œ œ œ œ .œ œ ‰œ

look for the mer cy of Christ that

Am7 D7GMaj7 rit.

œœ œ œ j

œ .œ œu‰ œ œ

leads to e ter nal life. Have

Am7 D7 G sus GB7

broaden

- - - - -

&#10

œ œœ œ j

œ# œ‰ œ œ œ J

œ

mer cy on those who doubt, and try to

Em6 B7 Em6a tempo

fiœ j

œ œœ œ .œ œ ‰ œ

snatch them from the fire. Show

B s us 7F#m7(b5) B7To Coda

rit. broaden

-

&#12

œjœ œ J

œ .œ ‰œ œ

mer cy, mixed with fear, hat ing

Em Em(Maj7) EmD C#m7(b5)

a tempoœ œ œ œ œ œ œ

jœ œ ‰ œ#

all that is stained by cor rupt ed flesh. The

Am7 B7Em6D# o7D7rit. broaden

- - - -

&#14œ

Jœ œ .œ œ .œ ‰ œ œ

god less men of the world have a

Em6 F 13 B s us 7 B7a tempo œ

Jœ œ j

œ œJœ œ ‰

ris en to haunt us.

A 9 D7 GMaj7E7

- - -

&#16

œ œ œ œb œ œn .œ œ ‰ œ

These are the men who per sist in

G+7 (#9) C 9C 6D.S.

œ Jœ œ œ œ œ j

œ œ ‰ œ œ

seek ing to di vide you. But

F7 D7 rit. broaden

- - -

&#

86

812

18

fi

œjœ œ J

œ œ ‰œ .œ œ

mer cy, mixed with fear, know ing that

Em Em(Maj7) EmD C#m7(b5)

Coda

slowly & freelyœ J

œ œJœ

Christ is al ways

Am7 D7

.˙ Œjœ œ# J

œ

near. Our Lord is

B s us 7 B7 E7F7

- - -

&#21

œ .œ œ œ.œ œ œ

jœ œ# ≈ œ œ œ

a ble to keep you from fall ing; and to pre

Am F7 E7B7a tempo

œ Jœ œ

Jœ œ .œ œ œ ≈ œ œ œ

sent you as fault less be fore His

Am E7B7

- - - - -

Verse, Benediction, Doxology & Amen

826Words & Music by


All Rights Reserved

All You Saints Of God Will Goldstein

Jude 20 - 25 (Dear Friends)CCLI# 7160942

&#23

.œ œ œ œœ œ# œ œ

Jœ œ

Jœ

glo ri ous pres ence with great joy and ex ul

F7 E7 F7 E7

.œ .œ .œ ‰ œ œ

ta tion. To the

Am D s us 7 D7

- - - -- -

&# ..

25

œ Jœ œ

œ œ .œ œ‰ œ

on ly wise God, our

GMaj7 E7CMaj7

œ jœ œ œ œ œ ‰ œ œ j

œ#Sav ior Je sus Christ, be giv en

Am B7D7 GMaj7

œjœ œ J

œ œ œ œ œ ‰ œ#

glo ry and maj es ty, do

B7Em6

- - - - - - - -

&# ..

28œ

Jœ œ j

œ .œ œ ‰ œ

min ion and pow'r, both

A7Em6 D71

.œ œ œ œ .œ œJœ

now and for ev er

Am7 D7CMaj7GMaj7 .˙ .œ ‰ œ œ

more. To the

Am11 D7D s us 7

- - - -

&#

86 c

31

2

.œ œ œ œ .œ œ œ œ

now and for ev er

Am7 D7CMaj7GMaj7 rit. .œ œ

U‰

more.

GMaj7

.œ œ œ œ .œ œA

Am7CD

q»¶§.˙ Œ

men.

G Am7 GB CMaj7

- - - -- - -

&#35

.œ œ œ œ .œ œ

A

Am7CD D 9

œ œ œ œ œ .œ ‰

men.

GMaj7 E7œ œ œ œ œ œ œ œ œ œ œ œ œ# œ

A

Am7 D 9 F 13 E7

- - - - - - - - - - - - -

&#

42 c

38

œ œ œ œ œ œ œ.œ œ

Jœ ‰

men.

Am7 D7GMaj7 E7

œ œ œ œ œ œ œ œ œ œ œ œ œ# œ

A

Am7 D 9 F 13 E7

œ œ œ œ œ œ œ

Am7 D7

.˙ Œ

men.

G7G s us 7

- - - - - - - - - - - - -

&#42

.œ œ œ œ œ œ œjœ‰

A men.

CMaj7 GMaj7Bm7Am7

.œ œ œ œ .œ ‰

A men.

Am7 D s us 7 D7CMaj7

.œ œ# œ œ œ œ œjœ‰

A men.

B7 Em6

.œ œ œ œ .œ ‰

A men.

Am7 D 9 GMaj7 E7

- - - - - - - -

&#46œ œ œ œ œ œ œ œ œ œ œ œ œ# œ

A

Am7 D 9 F 13 E7

œ œ œ œ œ œ œ .œ œJœ ‰

men.

Am7 D7GMaj7 E7

- - - - - - - - - - - - - -

&#

42 c

48œ œ œ œ œ œ œ œ œ œ œ œ œ# œ

A

Am7 D 9 F 13 E7poco a poco rit. & hold

œ œ œ œ œ œ œ

Am7 D7

˙ u̇men.

G sus G

- - - - - - - - - - - - -

& bbb b c ......1 ...œœœjœœœ œœœ œœœ ...œœœn œœœ

Leave all wick ed men a

Fm Gm7(b5) C7

q»§§...œœœ ‰ ...œœœn œœœ

œœœ œœœlone; they are all

Fm C7

˙̇̇nn œœœn œœœnblind lead ers

G7

- - -

& bbb b4 œ œ...œœœn Jœœ œœœ ‰ Jœœœ

of the blind. And

C7 Fm ...œœœnnjœœœ

n œœœn ...œœœ œœœbif the blind lead the

G7 C7

...˙̇̇ ‰ jœœœblind, then

Fm

& bbb b ......7 ...œœœnjœœœ

jœœœb œœœ jœœœboth will fall in the

C7 Db7rit. last time

...˙˙˙nn jœœœ ‰ditch.

C7

? bbb b ..9 .œ Jœ œ .œ œEve ry plant that our

Fm Gm7(b5)C7counter melody (B)

.œ œ œ œ .œ œ œ œheav en ly Fa ther did not

Fm C7 ˙ Œ œ œplant will be

G7

- - - -

? bbb b12 .œn jœ Jœ ‰ œ œ

root ed up, yes

C7 Fm .œ Jœn œ ‰ œ œnroot ed up. They'll be

G7 C7 .œ Jœ .œ œ œroot ed up by our

Fm

- - -

? bbb b ..15 Jœ œ Jœ œ œb ‰ Jœheav en ly Fa ther, yes,

C7 Db7 .œ Jœ œ Jœ ‰root ed up.

C7

- - --

Verse (SAT) & Counter Melody (B)

Form: A unison 2 times, B, instrumental, A with parts, add B, fade out A parts, fade out B, A unison 1 time, Fine chord Fm

827

Matthew 15:13-14 Words & Music by


All Rights Reserved

Blind Leaders of The Blind

Will Goldstein

Dark Shadows On The Kingdom #1

CCLI# 7160943

& 812

1

œ œ œ œ jœ .œb œ

‰ œ#MoreEve

andry

morewhere

theseI

dayslook, I

I

Cm6 Ab7

in a swing blues styeq k»¶™Intro meas. 26

œjœ œ

jœ œb j

œ œ‰

seehear

thea

conbout

stantfalse doc

frictrine.tion,

G7 C7Cm6

-- - - -

-

&3

œ jœ œ œb œ .œ œ

‰ œ#

Peopeo

pleple

can’trobbed

aof

greetruth,

toare

F7 D7

œjœ œ j

œ œb jœ œ

‰œn

folplung

lowin’

soundto

inde

strucstruc

tion.tion.

TheTheir

G7 Cm6 C7

- - - - -- - - -

&5

œjœ œ

jœ .œ œ ‰

Lordfool

Jeish

susde

Christsires,

F7 Bb7

œJœb œ

jœ œ j

œ œ‰

œ#gaveeve

usry

godsort

lyof

teache

in’,vil,

buten

Dm7 G7A7

- - - -- - - --

&7

œ œ œ œJœb œ œ ‰ œ œ œ

peotic

plees them

canthrough

be contemp

ceitta

ed,tion

think in’‘til

theythey

C7 A7 Eb7

œbjœ œ#

jœ .œ œ ‰ œn

knowship

morewreck

thantheir

God.faith.

They

D7 G7

- - - -- - - -

&9

œJœb œ

Jœ œb j

œ œ ‰ œ

un der stand noth in’ but

D7 E o7Eb7

œ Jœ œ

Jœb .œ œ ‰ œ

quar rels and strife, and

F7 F# o7(same as above)

- - - -

&11

œ jœ

œJœ œb œ œ ‰

œ œhow to make an oth er buck teach in’

G7 A7Eb7D7

œbjœ œ#

jœ .œ œ ‰ œn

doc tri nal lies. Cor

D7 G+7

- - - - - -

&13%

œJœ œ œb œ .œ œ ‰ œ

rup tion in the church, it’s

C7 F7 D7œb

Jœ œ

Jœ .œ œ ‰ œ

just got to go. Stop

Ab7 G7G s us 7

-

&15

œJœ œ œb œ .œ œ ‰ œ

steal in' from the church, you

C7 F7 D7

œ jœb œ œ œ .œ ‰ œ œ

pi rates from be low! Stay a

Ab7 G7

.œœ#

jœ .œ ‰ œb œ

way from greed, and the

Ab7 (b5) G7Cm6

- - - -

&18

.œb œ jœ œ

jœ œ ‰

love of mon ey!

Dm7(b5) G+7

œJœ œ œb œ œ j

œ œ# jœ

Lis ten, and take heed to where you

C7 F7 D7

œbjœ œ j

œ œjœ œ ‰ œ

go to church on Sun day! For

Bb7 G+7Fm7

- - -

&21

œ jœ

œ .œ œ œ œ œb œ œU

‰ œman y peo ple have wan dered from the faith in

C7 F 13 D7Eb 13

rit. slowly & freely

.œb œ jœ# œ

jœ œu

‰ œ

search of rich es, and

D 7 (b5) G+7

molto rit. a tempo

- - - -

Verse, Chorus & Coda

828Words & Music by


All Rights Reserved

Corruption In The Church Will Goldstein



(All For The Love Of Money!)

CCLI# 7160945

&23

fiœ J

œb œJœ œ œ œ œb ‰

pierced them selves with man y a grief,

Cm6 G7 AbMaj7 Db7To Coda

œ œ œb œjœ œb j

œ œ‰

all for the love of mon ey,

G7 Cm6

- - -

&25

.œ œ œ œb .œ œjœ

all for the love of

G71

œb jœ .œ .˙

mon ey!

Cm6 F 9 Bb9Intro cheords meas. 26-27

D.C.

.˙ .œŒ .

Ab7 G+7Eb 13 to v2

-

&28

2

œb jœ .œ .˙

mon ey!

Cm6 F 9 Bb9

.˙ .œŒ j

œ

Leave

G+7Ab7Eb 13

œ œb œ œb .œ œ œ œ œ œu‰ œ œ

en vy and mal ice be hind you to day! Be con

Eb9 Ab7 G+7Bb9 rit. slowly & freely

- - - - --

&31

.œ œ œ œb œ œ

U

≈œ œ œb œ œ œ œ œ

U‰

œtent with food and cloth ing! Be a fol low er of the way! For

Db7 (b5) G7 Ab7 G7molto rit.

slowly & freelyresume slowly & freely

- - -

&32

œ œ œ≈ œ œb œ

œ≈ œ œ œb .œ œ œu

≈Jœ

god li ness, with con tent ment, is great gain in this life. We’re

Cm F 9 Bb7 Cm6rit. slowly & freely

- - - -

& 86

33

.œ œb œ œ œjœ œ

œ œu‰ .U

œ œ œborn in to this world with noth in', and when we

G7 C 9 F 9 D7broaden

œb œ œ œb .œ œ# .œ œ ‰ œ œ

die, if we’re bur ied with Christ, He a

Ab7 G+7briefly a little faster

- - - -

& 86

812

35

œ Jœb œ .œ œ

lone will be our re

Cm6 G7rit. very slowly & freely

.w

ward.

Cm6 F 9 Bb9a tempo D.S..˙ .œ Œ

Jœ

Cor

Ab7 G+7Eb 13

--

& .. ..38

repeat as desired fading out with rit. then continue

fi

œ œ œb œjœ œb j

œ œ‰

all for the love of mon ey,

G7 Cm6

Coda

.œ œ œ œb .œ œujœ

all for the love of

G7 extremely slow

-

&40

œb jœ .œ .˙

mon ey!

Cm6 F 9 Bb9very slow to the end

.˙ .œŒ .G+7Ab7Eb 13 ∑

Cm6

-

& b 812

1

œ jœ œ j

œœ

jœ œ

jœ

Watch,Some

forsay

yourthe last

daysdaysare

arenow

comnum

F BbDm7

1. 2.

q k»•• In a swing style

intro chords meas. 1-2 (2 times)

œjœ .˙ Œ .

in’,bered.

C 13Gm7 C 9

œJœ œ j

œ œjœ œ

jœ

someChrist,

saysoon

they’rewill

alfi

readnally

yap

here;pear,

BbF7 Gm7

- - -- - -

& b4

.˙ .œ Œjœb

butbut

F 9 Bb7C 9

œ jœ œ

jœ .œ œ ‰ œb

markmark my

mywords,words,

terJe

C 9 Fm7G7

œjœ œ j

œ œ‰

œb œjœ

risus

blewill

timescome

areto

soongath

toer

Bb7 G7

- -- -

& b7

œjœ œ

jœ œ

jœ œ œ œ

ontest

lythethe

heartsright

ofeous

theand

sinsin

Gm7 C s us 7

.˙ .œ ŒJœ

cere.cere. So,

F C 9G+7

œ Jœ œb

Jœ œ ‰ œn œ

Jœ

read y or not, it’s time to

Ab7 G7 Eb 13F

- -- - -

& b 86

812

10

œ Jœ œ

Jœ .œ œ ‰

per se vere.

D7 G7 C s us 7 C7

œ Jœ œ

jœ# œ J

œ œ ‰ œ

Take a look a round you, the

D7F

œbjœ œ œ œ

god less, they are

G7 C s us 7

.˙ .œ Œ .

here.

F C 9G+7

- - - -

& b14

œ Jœ œ

jœ# œ J

œ œ ‰ œF D7

.˙b .œ œjœ

B o7 C 9

.˙ Œjœb œ j

œ

TheyNow,

havethey

aare

F Ab7 (b5) G7

& b17

1

œjœ œ J

œ œb jœ œ ‰ œ

lov ers of mon ey, and

C7 Fm7

œbjœ œ œ œ .œ œ ‰ œ

lov ers of them selves. They're

Bb7 F

œjœ œ œ œ œb

jœ ‰ œ œ

boast ful, proud and a bu sive, and un

C 9 Fm7G7

- - - - - - --

& b20

œbjœ

jœ œ .œ ‰ œ œ

grate ful as well. They're un

Bb7 G s us 7 G7

œ jœ‰ œ œb .œ ‰ œ œ

ho ly, with out love, un for

C 9 Ab7 (b5) G7

œbjœ œ œ œ .œ Œ j

œgiv ing while they judge. They're

Bb7 F

- - - - - - -

& b23

œjœ œ œ œ œb j

œ ‰ œ œ

bru tal, rash and con ceit ed, and they

C 9 Fm7G7

œb œ œ œJœ .œ œ ‰ œn

cer tain ly won’t budge. Have

G+7Db9

œ œ œn œJœ .œb ‰ œ œ

noth ing to do with them; they are

Ab7 G+7Cm6 G7

- - - - - -

Verse & Chorus

829

Words & Music by


All Rights Reserved

Mark My Words Will Goldstein

2nd Timothy 3:1–9


(The Godless, They Are Here)

CCLI# 7160944

& b 86

812

26

œ jœ œ œb œ .œ Œ j

œ

bound for Sa tan’s den! They're

C7 C7Db7

œ Jœ œ

jœ# .œ œ ‰ œ

load ed down with guilt, and

F D7

œbjœ œ œ œ

soon to be con

G7 C s us 7

- - -

& b 812

86

812

29

.˙ .œ Œ jœ

demned.

F C 9G+7

œ Jœ œ

jœ# .œ œ ‰ œ

F D7

œbjœ œ œ œ

G7 C s us 7D.C.

.˙ .œ Œ .C 9G+7F to v2

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fol ly is clear to eve ry one; as they

C 9 Fm7G7 Bb7

- - - - -- -

& b36

œbjœ œ œ œ .œ Œ j

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lov ers of pleas ure, not

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lov ers of God.

Bb7 F

- - - --

& b39

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noth ing to do with them, per se

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œ jœ œ œb œ .œ Œ j

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vere un til the end; then

C7 Db7 C7

- - - -

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.˙ .œ Œ .

friend.

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very slow swing rubatoq k»∞¢œ jœ .˙ ‰ œ œ

last days, a great

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Gm6 Eb9

- -

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œn jœ œ œ œ# .œ œ œ œgod less men of the world have a

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F7 D7

- - - -

& bb6 œ jœ jœ œ œ œ œ œ ‰spir i tual an i mals,

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D7 Gm6 D7

- - - - -

& bb8

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D7 G7F7

- - - - - -

& bb10 œ jœ œ Jœ# œ œn œ œ ‰ject all au thor i ty,

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- - - - - -

& bb12 œ œ œ# œ Jœ œ jœn œ œn œslan der ce les tial pow ers that they

Em7(b5)F7

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D7 G+7A7 rit. slowly & freely

- - - - - -

& bb14 œ jœ œ œ œ œ Jœn œu ≈ œ œgrum ble, boasts and fawn flat ter y, they de

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file their own bod ies. They are

G7C7rit. broaden

- - - - -

& bb .. ..16 œ Jœ ‰ œ œ œ jœ œu ‰ œdream ers, mere mad men, a

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repeatas desired

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A7 D7Gm6 C7Finevery slowly & hold last time

- - - - - -

830Words & Music by


All Rights Reserved

Mere Madmen Will Goldstein

Jude 8, 10, 16–19

Dark Shadows On The Kingdom #4CCLI# 7160946

&#812

1

œ jœ œ œ œ œb j

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- - - -- - - -- - - -

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---

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heav en a bove,

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.œ œ jœ .œ œ

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down to earth to

G 13D7

- -- - -

831Words & Music by


All Rights Reserved

Many False Prophets Will Goldstein

1st John 4:1–3Dark Shadows On The Kingdom #5

CCLI# 7160947

&#26

.œ œjœ œ œ œ œ ‰

make men ho ly.

C7 B7 E 9

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E7 A7 D7 rit.

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B7C 13G7B7

- - - --

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lieve in Christ, and you’ll be saved.

C7 B7 E7slowly & freelyD.C.

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- - -

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cap ture, and de stroy. The

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soon will per ish in the flames of hell. Be

G7 C7 B+7A7 D 9 molto rit.

- - - - -

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œjœ œ œ œ œ

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lieve in Christ, and you’ll be saved.

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- - -

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- - -

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use to end

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- -

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- - - - -

- - -- - -

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-- - - - - -

& bb7 œ Jœ œ œ œ œ jœ ‰ œ œfalse

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- - - - -

- - - - -- - - -

- - - - - -

& bb9 œ œ œ œ Jœ œ œ œ œ ‰ œne

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Lord

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theprice,

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bringing

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ing

Cm6 B7G7D7

- - - -

- - -- - -

- - - -

& bb ..11 œ jœ œ œn œn .œ œ Jœbswift

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onall

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allwho

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œ Jœ œ œ œ .œ Œ .fol

per

low

ish

their

in

ad

their

vice.

sin.

D7 D7Gto verse 2

- - - -

- - -- -

- -

Verse, Chorus Verse & Coda

832Words & Music by


All Rights Reserved

False Prophets And Teachers Will Goldstein

2nd Peter 2:1–19 Dark Shadows On The Kingdom #6

CCLI# 7160948

& bb13

2, 4

œ Jœ œ œ œ .œu ‰ œ œnperfol

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--

& bb14

%.œ œ Jœ œ jœ# œ œn œ

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D7Cm6 G7q k»§£

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Cm6 G7D7 Eb7

- - - -- - - - -

-

& bb16 œ œ œ .œ œ œ œ jœ œ Jœcredan

itgels

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G+7Ab7 (b5)D7 Gm6

- - - -- - -

& bb18 .œ œ œ œ œ œ ≈ œ œ Jœcaught,greed for

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they’lllike

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G7D7Eb 13 Eb7

- - -- - -- -

& bb20 œ œ œ .œ œ œ .œ œ œ ‰ œ œleadeyes

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A7Em7(b5)Cm7 F 13

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Bb 13 Eb7 G7D7

- - - - - - -- - - - -

& bb22

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Cm6 D7 Gm6

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D7Eb 13 G7A7 rit.

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- - - - -- - - - -

& bb24

fi.œ œ jœ œ jœ .œ œ œ#

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past,past,

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Cm7 F 13 D7rit.To Coda

-

slowly & freely D.C.

œ ‰ œ œ œ œ œ# œ jœ .œU

wake and no long er be slum bering.

Bb7Eb7 D7G7 molto rit.

to verse 3

- - - - -- -

& bb26

fiœ ‰ œ œ œ œ œ# œ jœ

U ‰ œ œwake and no long er be slum bering. These men

Bb7Eb7 D7

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Cm6 D7q k»§£ rubato

- -- -

& bb28 .œ œ Jœ œ Jœ œ ‰ œnson of Bo sor, who

Ab7 G7Eb7Bb 13rit. œ Jœ œ jœ œ œ œ ‰ œ œ

loved the way of wick ed ness. Black est

F 13 Em7(b5)Cm7 A7a tempo

- - - -

& bb30

œ# jœ œ œ œ œ œ œ œu ‰ œ œdark ness is re served for them; for while

D7 Eb7Bb7molto rit. slowly & freely

.œ œ œ .œ œ œn œ Jœ œ œU ≈ œut ter ing ar ro gant boast ful fol ly, they

D7D7 G+7 Cm7molto rit.

- - - - - - --

& bb32 œ Jœ œ ‰ œ œ œ œ jœbait their hook, hop ing to catch more

AbMaj7 D7Bb9 EbMaj7a tempo .œ œ .œ œ œ jœ ‰ œ# œ

souls bare ly es cap ing from the

Gm6 Eb 13 D7rit.

- - - -

& bb34

œ œ œ œ# œ œ œ jœ œu ‰ œnway of e vil and dark ness. A

G+7 (#9)Gm6 D7molto rit. œ œ œ œ œ œ .œ œ œ œ œ œ œ#

U ≈ œman is en slaved by what ev er o ver pow ers him. Be

Eb9D7 D7Cm6 a tempo rit.

- - - - - - --

& bb36

œ jœ jœ œ .œ Œ Jœnstead fast and strong, re

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Cm7 F 13 Em7(b5) A7

œ Jœ œ œ œ .˙U

brace a life of grace.

Bb 13 Eb7 D7rit.

- - - -

& bb39 Œ jœ œ jœ .œn œ œ# œnO pen your eyes, and

G B7 E7a tempo 1 - 80 .œ œ jœ œ# jœ jœ ‰ jœlook a mong you. The

A7 D7 G7

- -

& bb41

.œn œ œn œ œ jœ œ ‰ œfalse proph ets and teach ers are

C7 A7F7 Bb7rit. œ jœ œ# œ œ œ .u̇lead ing peo ple a stray.

G7D7 molto rit.

- - - - -

& ### # 812 ..1 Œ jœTemp

B7

q k»••intro meas. 14 %

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ners,

F#7 B7 E7

- - - - --

- - -- - - -

& ### #4

œn jœ .œ œ Jœ œ# œ œ#tuggtuggtugggod

in’in’in’less

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er,er,er,

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A7 C#7œ jœ œ jœ .œ Œ jœ

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F#7 B7 E7

- - -- - -- - -- -

& ### #6

œ jœ œ œn œ .œ ‰ œ œonebit

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self,pride,callfire

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brothworld,

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andleadswhoso

C7 B7 E

- - -- - -

- - - -- - - - -

& ### #8 œ jœ œ jœ .œ ‰ œ œ#don’tman

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round.Lord.

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G7 F#7 B7

(same as above)- -

- -

- --

& ### #10 œ jœ# œ Jœ œn Jœ œ jœngos pel train’s a com in’ soon.

E7 .˙ œ ‰ œ œ jœI pray we’ll

B7A7 D7

- -

& ### #12

œ jœn œ# Jœ œ jœ ‰ œ œall be at the sta tion when we

E A 91, 3

œ jœ# œ œn œ .˙hear the trum pet tune.

Œ Jœ œ JœF#7 B7

- -

& ### # ..14

œ jœn œ# Jœ œ jœ ‰ œ œE A 9intro chords meas. 14-15

œ jœ# œ œn œ .œ œ ‰ œDon't

There's

F#7 B7

2.4.

Verse, Chorus & Codas

833

Words & Music by


All Rights Reserved

Don’t Go To Town When The Devil’s Around! Will Goldstein

Hebrews 12:15–17, 25Dark Shadows On The Kingdom #7

(The Gospel Train’s A Comin’ Soon)

CCLI# 7160949

& ### #16

2, 4

œ jœ# œ œn œ .œ œ ‰hear the trum pet tune.

F#7 B7%%œ jœ œ jœ .œ ‰ œ œ

Don't go to town when the

E A7Chorus

-

& ### #18

œn jœ œ jœ .œ œ ‰dev il’s a round!

C7 B7 œ jœ œ jœ .œ ‰ œ œ#Don’t go to town when the

E A7 F#7

- -

& ### #20 œ Jœn œ Jœ .œ ‰ œ œdev il’s a round! He’s a

G7 F#7 B7 .œ ‰ œn œ œ ‰ œ œ jœfiend, foul and gross, a vi cious

E7 A7 F#7C7

- - -

& ### #22

œn jœ œ œ œ .œ œ ‰ œde mon, just a rogue, a

B7 B7F#7 œ œn œ œ jœ œ Jœ œ ‰ œdec a dent twist ed mon ster who

E7 G7

- - - - -

& ### #24 œ# jœ œ œ œ .œ œ ‰ œneeds to be ex posed. Be

F#7 B7 œ jœ ‰ œ œ œn Jœ œ# Jœlieve me, this is not just a joke.

E7 G7 F#7

- -

& ### #26 .˙ .œ ‰ œ œHe’ll de

B+7 F#7B7

fififiœ œ œ œ œ œ# œ jœ ‰ œ œvour you like a li on; then poke

A 9B7 E7

2nd time To Coda

3rd time To Double Coda

- -

& ### #28

D.S.

œn œ œ œ œ œ .œ œu ‰ œfun at you as you croak. God

C7 F#7 B7rit.

3.

to v3 fiD.S.S.

œn œ œ œ œ œ .œ œ ‰fun at you as you croak.

C7 F#7 B7

Coda repeat chorus

& ### # ..30

fifiœn œ œ œ œ œ .œ œ ‰

fun at you as you croak.

C7 F#7 B7

Double Coda

œ jœ œ jœ .œ ‰ œ œDon't go to town when the

E A7rit. last time

& ### # .. ..32

repeat as desired fading out

œn jœ œ jœ .œ œ ‰dev il's a round.

B7C7use to end

œn jœ œ jœ .˙U

dev il's a round.

B7E7

C7 Fine

- -- -

& bb 8121 Œ jœ œ jœ# œ jœ œ jœ

We’veWe’ve got

got tata

stickstick

toto

thethe

bodbod

GBb 13 Eb9

q k»•¢ In a swing style

intro chords meas. 1-2 (2 times)

œ jœ .œ .œ œ ‰ œ#y.y.

StopWe’re

D7D7 D s us 7

œ jœ œ Jœ œ jœ ‰ œ œsnoopsoon

in’to

'roundlose

theour

backfree

doordom

‘causewhen

you’reit’s

G Eb7 D7

- - -- - -

& bb4 œ Jœ œ jœ .˙hangsim

in’ply

withta

spies.boo.

Eb9 D s us 7 D7 Œ jœ œ jœ# œ jœ œ jœWe’veWe’ve

gotgot

tata

stickstick

toto

thethe

bodbod

G Bb 13 Eb9 œ jœ .œ .œ œ ‰ œ#y.y.

TheYou'll

D s us 7 D7D7

- - -- - - -

& bb7

œ jœ œ Jœ œ jœ ‰ œ œdevhear

il’ssome

boundfan

tacy

whipsto

yaries

ifthat

yamay

G Eb7 D7 œ Jœ œ œ œ .œ œ ‰ œ#lise

tenven sound

to his lies.true.

There’sThey’ll

A s us 7Eb9 A7 œ jœ œn Jœ œ jœn ‰ œ# œskeptrick

ticsya

alland

are

roundstrict

yaya,

tryin’and

tathey’ll

F 13 B7 E7

- - - -- - - -

& bb10 œ jœn œ œ œ .œ œ ‰ œ#bindtell

yaya

withthat

theiryour

rules;cool,

butbut

D7A7 œ jœ œ Jœ œ jœ œ œ# œJeJe

sussus

isis

thethe

anan

swerswer

soso

don’tdon’t

G Eb7 D7

œ jœ œ jœ .˙evev

erer

bebe

fooled.fooled.

Am7(b5) D7

- - -- - -

& bb ..13

%œ jœ .œ .œ Œ jœ

WatchWatch out!

out!TheThe

Gm6 Eb7 D7

1, 3 & 5

œ jœ œ œ œ .œ œ ‰devdev

il’sil’s

onon

thethe

prowl.prowl.

Eb9 Eb 13D s us 7 D7 œ jœ .œ .œ ‰ œ œ

WatchWatch

out,out,

forfor

heyou’ll

Gm6 D7Eb7

--

& bb16 œ jœ œ œ œ .œ# œ ‰ œofsel

tendom

hideshear

hishis growl.

scowl. Don’tDon’t

Eb9 D7A7

2, 4 & 6

œ Jœ œ Jœ œ jœ ‰ œ œtrytry

tota

standstand

aa

gainstgainst

him,him,

you’rehe’ll

node

Gm6 D7 Eb7 œ jœn œ œ œ .œ œ ‰ œ#matchfeat

foryou,

suchthis

aI

foe,know, but

A7 D s us 7 D7

- -- - -

& bb ..19

fiœ jœ œ Jœ œ Jœ œ jœ#

Christ in you has all the pow’r to

Gm6 A7 D7

To Coda 1, 3, 5

œ jœ œ# œ œ .œ œ ‰fell him with one blow.

Bb 13 Eb7 (b5) D s us 7 D72

œ Jœ œ Jœ .œ œ jœfell him with one blow.

Eb7 D7 Eb7

& bb22 .wA s us 7 F7A7D.C.

∑Bb7 Eb9 D 9to v2 4

œ Jœ œ Jœ .œ œ jœfell him with one blow.

Eb7 D7 Eb7 .wA s us 7 A7 F7D.S.

∑Bb7 Eb9 D 9to v5 (1)

& bb27

fiœ Jœ œ Jœ .œ œ jœ

fell him with one blow.

Eb7 D7 Eb7Coda

.wAs us 7 A7 F7 Ó . Œ . Œ .UBb7 Eb9 D 9

rit. œ jœ .œu Ó .Watch out!

Gm6

Verse & Chorus

834Words & Music by


All Rights Reserved

Watch Out! Will Goldstein

Colossians 2:16–23 Dark Shadows On The Kingdom #8

CCLI# 7160951

& 812 ..

1

‰ œ œ

Are ya

in a swing blues styleq k»§ªœ

jœ# œ

jœ .œ ‰

œ œntoyliv

in’in’

within

sin?fear?

AreAre

yaya

C C7a tempointro chords meas. 2-3 (2 times)

œb jœ œ

jœ .œ

‰ œ œ

playscared

in’to

boththe

sides?bone?

AreAre

yaya

F7 C

- --

&4

œb œ œ œ œ œ œn jœ ‰ œ œ

thinkthink

in’in’,

it“Well,

doesnow

n’tI’ve

matdone

ter?it;

“There’snow

salI’m

Eb9 D7 G7

œb jœ

œœ# œ .œ ‰ . œ œ

vaban

tionished

whenfrom

IHis

die?”throne?”

AreAre

yayou

Eb7 G7 C7D7

- - - - -- -

&6

œjœ# œ J

œ .œ ‰ œ œb

foolsurf

in’in’

athe

round?net?

AreIf

yaso,

F7 Bb9 Eb 13œb

Jœ œ

Jœ .œ ‰ œ œb

headwhat’s

edyour

downin

town?tent?

Are ya

C C7Ab7 G7

(same as above)- - - -- -

&8

œ œ œ# œ Jœ œ

Jœ œ j

œnsearch in' for more thrills to fill the

F7 Bb9 Eb 13

œbjœ œ#

jœ .œ ‰ œb œ

void in your head? Know that

G7D7 Ab7

-

&10

œ Jœ œ œ œ# œn

jœ œ œ œb

no one born of God con tin ues to

G7 Bb7F7

œJœb œ œ œ# .œ ‰ œ œn

live a life of sin, ‘cause the

D7 G7Eb 13

œ jœ œ J

œ œ jœ œ ‰ œb

Son of God will guard him, and

C7 F7 Bb9

- -

& ..13

1

œ œ œb œ œ œb œJœ œn

U≈ œ œkeep him safe from the dev il’s den. Are ya

Eb7 D7 Ab7 (b5) G+7

slowly & freelybroaden

molto rit.

2

œ œ œb œ œ œb œJœ œn

U≈ œ œ

keep him safe from the dev il’s den. There’s a

Eb7 D7 Ab7 (b5) G+7broaden

slowly & freely molto rit.

- -

&15

œ jœ œ œ œ .œb ‰ . œ œ œ

sin that leads to death, and there are

Cm6 Ab7 G7q k»§º rubato

œ jœ œ

jœ œ#

jœ œ ‰

œsins that mere ly miss the mark, but

Cm6 D7 G7

-


835Words & Music by


All Rights Reserved

Leave The Devil’s Den! Will Goldstein

1st John 5:16–19Dark Shadows On The Kingdom #9

(Don’t Perish In The Night!)

CCLI# 7160952

&17

œ Jœb œ j

œ# œ œ œ œ‰

œball un right eous ness is sin that

Eb7 D7 G7 Cm6rit.

œjœb œ œ œ .œ

U‰ œ œ

lures you with its charm. Al ways

G7D7 Ab7 broadenslowly & freely

- - - -

&19

œ œ œ œJœ œb

Jœ œ ‰ œ

fol low the light from heav en that

G7AbMaj7 D7slowly & freely

œ œb œ œb œ œ œ œn jœ# œ ‰ œn

shines through the knowl edge of Je sus Christ; and

Eb7 D7 G+7Bb9 rit.

- - - -

& 86

812

21

œ jœ œ œb œ œ

jœ œ#

U‰

pray for those less for tu nate,

Cm6 D7 G7 Ab7resume slowly & freely

œ œ œ œ œbU

jœ

try in’ to es cape the

G7 G+7very slowly & freely

- - - -

& 812

23

.wnight.

Cm6 F 9 Bb9a tempo 2 - 60

.˙Ó .

Cm6 F 9 Bb9

& ..25

œjœb œ œ œ .œ œ

‰

Leave the dev il’s den!

G7D7 Ab7

œjœ œ œ œb .œ œ

‰

Leave the dev il’s den!

C 9 F 9 G7D7

- -

& ..27

œ Jœb œ

Jœ .œ œ j

œ#Leave the dev il’s den while

F 13Cm7 D7Am11repeat as desired

œ Jœb œ œ œb œ

Jœ œn ‰

there’s still time to see the light.

EbMaj7 D7 G7Ab7 (b5)

-

& 86

29

use to continue

œ Jœb œ œ œ œ

Jœ œn

u‰ œ

there’s still time to see the light; and

EbMaj7 D7 Ab7 (b5) G+7molto rit.slowly & freely

œ œ œ œb jœ œ

jœ œ# ≈

u œ œknow that your days are num bered. So, don’t

Eb7 A7 D7Cm6 rit. slowly

-

& 86 .. 8

12 .. 86

31

œ jœ œ œb œ

per ish in the

G7repeat as desired then continue

.˙ .œ œ‰ œ#

night! Don’t

F 9Cm6 F# o7

-

& 86

812

33

œ jœ œ

Uœb œ

per ish in the

G7 broadenvery slowly

.w

U

night!

Cm6

-

& ## c1 ‰ . j̊œThere’s

A7q»§§

A7 at D.C.

œ œ œ œ œ œ œ .œ ‰no use both erin’ your mind,

D A7 Dintro chords meas. 2-3

œ œ œ œ œ œ œ ‰ œ œthink in’ ‘bout times and dates, for you

A7 D

- -

& ##4

œ œ œ œ œ œ œ œ œ œ œ ≈ œknow ver y well that the Day of the Lord will

A7 Bm GMaj7

œ œ œ œ œ œ œ œ ‰ . j̊œcome like a thief in the night. While

D A7 D

-

& ##6 œ œ# œ œ œ œ œ œn .œ ≈ j̊œpeo ple are hop in’ for peace, while

Bm GMaj7 D

œ œ œ œ œ œ œ# œ œn œ œ œ ≈ œpeo ple are say in’, “there’s safe ty at last,” de

G E7 A7 D

- - - - - -

& ## 8128

fiœ œ œ œ œ œ œ œ œ ≈ œ

struc tion will come sud den ly, and

A7 Bm GMaj7To Coda

.œ œ œ œ œ œU ‰ œ œ

they will not es cape. Now you

D A7 Dno ritard

broaden

- - - -

& ## 81210

œ .œ œ œ œ œ œ .œ œ œ ≈ j̊œwon’t be sur prised if you walk in the light, but

Em7 A7 D D7e»¡™§œ œ œ œ .œ œ# œ œ œ œ œ ≈ j̊œ#

some walk in dark ness as chil dren of the night. A

G E7 A7 F#7

- - - -

& ## c12 œ œ œ œ œ œ# œ œ œ œ œ ≈ Jœsleep they will be when de struc tion comes, and

Bm GMaj7 C#m7(b5) F#7 œ Jœ œ œ œ .œU Œ .they will not es cape.

Bm7 E7 A7rit.

- - -

& ## c14 ≈ œ œ œ œ œ œn œ .œ jœ ‰So,turn a way from e vil!

D A+7 (#9)F 13 A s us 7 A7q»§§ tempo 1

≈ œ œ œ# œ œ œ œ# œ œ œ œYou’ve got to hur ry 'cause there ain’t much time.

D A7 E7 A7

- - -

& ##16 ≈ œ œ œ œ œ œ# œ œn .œ jœ ‰Just tell the dev il he’s a li ar.

D A+7 (#9)F 13 A s us 7 A7

≈ œ œ œ# œ œ œ œ# œ œ œ œNo time to wor ry; just get back in line.

D A7 E7 A7

- - -

836Words & Music by


All Rights Reserved

Leave The Devil In The Fire! Will Goldstein

1st Thessalonians 5:1–4


(Join the Revolution)

CCLI# 7160953

& ##18 ‰ œ œ œ œ œn œ .œ jœ ‰Turn a way from e vil!

D A+7 (#9)F 13 A s us 7 A7

≈ œ œn œ .œ œ œ œ œ œ ≈ œ œ œ#Just shift your course and head toward the light. Your God is

E7 A7 F7 E7

- -

& ## 4320 œ œn œ .œ œ œ œ œ œ

call ing you to fol low Christ.

F7 B7 E7 A s us 7 A7 ≈ œ œ œ œ œ œ# œ œn .œ jœ ‰Just leave the dev il in the fire,

D A+7 (#9)F 13 A s us 7 A7

- - -

& ## 43 42 b c22 ≈ œ œ œ# œ .œ ‰ œn œjust leave the dev il; leave the

D F#m7(b5)B7 rit.

œ œ#u ≈ œn œU œdev il in the

E7 very slowly & freely

- -

& b c24 œ .œ ‰ œ œ œ œ .œ œfire! Leave the dev il in the

A+7 (#9) A7 rit. slowly & freely

œ .œ ˙ ŒUfire!

Dm6 Bb7 A7

-

& b26 ‰ œ œ œ œ œ œ œ œ œ œ ≈ œLeave the dev il in the lake of fire, a

Em7(b5) A7Dm6 Bb7rubato freelyq»∞™

œ œ œ œ œ .œ œ# œ œ œ œ ≈ œnfur nace of brim stone, sul phur and mire, a

C7 F7 A7E7

- - - -

& b28

œ œ œ œ jœ ‰ œ œ œ œ œ ≈ œplace of mis er y, tor ture and de sire, a

E7 A7 E+7 (#9) A7

œ œ œ œ œ œ œ œ œ œn œ# œ œ ≈ œ#hot and stink y, blaz in’, burn in’ place to re tire. Just

C7 A7 E7 A7

- - - - - - - -

& b30 œ œ œ œ# œ œ œn œn œ œ# œ œ ≈ œnleave him in his grave; it’s a hell of a place, where

Bb7 F 13 E7 A+7

œ œ œ œ œ œ œ œ œ œ œ œ ≈ œ#wick ed ness and e vil are things to em brace. Just

Em7(b5) A7Dm6 Bb7

- - - -

& b32 œ œ œ œ# œ œ œn œn œ œ# œ œu ≈ œ œbleave him in the fire, leave the dev il in the fire, the a

Bb7 F 13E7

A+7slowly slowly

œ œ œ# œU ≈ œ œ .œ .œ œ

bode of the damned, a de mon’s fu neral

F7 E7 A7 very slowly & freely

- - - -

& b .. .. # #34

œ .œ œ ‰ . j̊œ œ œ œ# œpyre. Just leave him in the

Dm6 A+7q»§§ tempo 1

œ œ .˙fire.

Dm6 G7repeat as desired

˙ ‰ œ œ œ œ œ# œLeave the dev il in the

Bb7 A+7use to continue

˙ ÓBb7 A7

-

& ##38 ‰ œ œ œ œ œ œ .œ jœ ‰Join the rev o lu tion,

D Bm7continue at tempo 66

‰ œ œ .œ œ œn œ œ jœ ‰change your step; get back in line.

G E7 A7C7

- - -

& ##40 ‰ œ œ# œ œ œ œ .œn ‰ . JœJoin the rev o lu tion, an

Bm E7 A7 F#7 œ œ œ œ .œ œ œ œ œ# œ jœ ‰ar my of saints trans form ing their minds.

Bm GMaj7 E7 A7

- - - - - -

& ##42 ‰ œ œ# œ œ œ œ .œ œ ≈ œJoin the rev o lu tion, start

Bm GMaj7 F#7œ œ œ œ .œ œ œ œ# œ œ ≈ œ œn

walk in' the straight and nar row path for our

Bm GMaj7 F#7 Bm

- - - - -

& ##44 .œ# œ œ œ œ œ ‰ œ œnGod is com in' soon like a

E7 A7

.œ œ œ œ œ œ ‰ œ œthief in the night, pour in'

D B7

.œ œ œ œ ‰ jœ#out His wrath on

Em A7 D B7

- -

& ##47

.œ œ œ# .œ œn œ œ œall who re fuse to fol low Christ.

E7 A7

wD Bm7 D.C.

˙ ŒAs us 7GMaj7 E 9

- -

& ## .. .. 43 c50fi

.œ œ œ œ œ œ Œthey will not es cape.

D A7 Bb7 As us 7

A7Coda repeat as desired then continue

.œ œ œ œ œ .œ ‰They will not es cape.

D A7Bb7

A s us 7A7build from low to high intensity

.œ œ œ œ œ jœU ‰

They will not es cape;

D A7 Bb7rit.

- - -

& ## c b .. ..53 ‰ jœn .œ œ# œn .œU ‰ œ# œso leave the dev il in the

E7 A+7 (#9)slowly broaden œ œ .U̇fire.

Dm6G7

rit. & holds last timeFine

a tempo repeat as desired

˙ ‰u œ œ œ œ œ# œLeave the dev il in the

Bb7 A+7 slowly & freely to end

--

& # 8121 Œ jœ

Hey

q k»§§ in a swing style

œ jœ .œ œ ‰ œ œ jœdev il, I’ve got a

Em6 A 9intro chords meas. 2-3 (2 times)

œ jœ œ jœ .œ œ ‰ œ#mes sage for you. I

C7 B7

- -

& # 864

œ Jœ œ# œ œ# œ jœ œ ‰ œnknow you’ve al read y heard it, but

G7Em6 F#7 C7

œ jœ œ# œ œ# œ jœ œ ‰ œ œstill I’d like to re mind you. The

B7 F#7 B7

- - -

& # 86 8126

œ œ œ œ œ œ#mes sage is not real ly

Em6 B7

.˙ .œ œ ‰ œmine; it

Em6 G 13

œ jœ œ jœ# œ Jœ# œ œu ≈ œ œ#comes from our Di vine Cre a tor who ex

C7 B7 Em6 B7rit.

- - - -- -

& #9 œ œ œ œ# œ œ œ# œ œ œu ‰ œist ed be fore the be gin ning of time. It

B7E7 F#7A7 rit. slowly & freely œ œ œ œ# jœ# .œ œ ‰ œncomes from the Prince of Peace, the

F#7 B7Em6 a tempo

- - - -

& # 8611

œ jœ œ œ# œ# .œ œ ‰ œnSav ior of man kind, the

F#7 B7Em6

œ# Jœ œ œ œ œ Jœ œ ‰ œKing of Kings, and the Lord of Lords, the

F7E B7E7 rit.

- -

& # 86 812 8613

œ jœ œ œ œSon of the Most

Em6 B7 broaden

œ jœ œ œ œ .˙High.

Em6 Am6a tempo

.˙ Œ . ‰ œ œIt

B7C7

œ œ# œ œ Jœ œ# Jœ œ ‰ œcomes from the Ho ly Spir it who

Em6 F#7 B7

- -

& # 86 812 8617 œ# jœ œ œ œ#

lives with in my

F#7 rit.

.˙ .œ JœU ‰ œ œ

heart. It’s ad

B s us 7 B+7B7rit. very slowly & freely

œ jœ œ Jœ œ jœ œ jœdressed to you, and all your hosts of

Em6 Am6 B7 Em6

--

& # 86 812 ..20

œ jœ œ œ œe vil coun ter

B7 broadenrit.

.wparts.

Em6 Am6a tempo .˙ .œ Œ Jœ

Hey

C7 B s us 7 B7broaden œ jœ .˙ Œ jœ

devdev

il,il,

thethe

Am6 B7Em6a tempo

--

- - -

& #24 .œ œ jœ œ jœ œ ‰ œLordLord re

rebukesbukes

you!you!

OldCursed

C 9 B7 œ jœ .˙ Œ jœserdrag

pent,on,

thethe

Am6 B7Em6

- -- -

Intro, Verse, Bridge, Chorus & Coda

837

Words & Music by


All Rights Reserved

Hey Devil!

Will GoldsteinJude 9


(The Lord Rebukes You!)

CCLI# 7160954

& #26 .œ œ jœ œ jœ ‰ œ œLordLord re

rebukesbukes

you!you!

MisFall

teren

C 9 B7 œ jœ ‰ œ œ# œ œn œ ‰ œ œ œSaan

tan,gel,

theeve

dery

ceivtempt

er,er,

ArchGen

aner

gelal

Em6 B7 D 13C7

- - - - - - -- - - - - --

& #28 œ Jœ œ œ œ œ jœ ‰ œ œBeelLu ci

zefer,bub,

thethe

acde

cusstroy

er,er,

to the

G7 E7 A7 D 9

(same as above)

fiœ œ œ# œ œ œ# .œ œu ‰ œ

prince of the pow'r of the air, the

G7 F#+7 B+7To Coda

rit.

- - - -- - - -

& #30

.œ œ jœ# œ Jœ œU ‰ œ œ#Lord re bukes you! To all

B7C7F#7 (b5)slowly & freely freely but not too slowlyœ œ œ# œ .œ œ œ œ œ œ

U ‰ œ œde mons of dark ness who sold your birth right, to the

Em6C 9

B7molto rit. slowly & freely

- - - -

& #32

œ œ œ# œU ≈ j̊œ œ œn œb œu ‰ œ œfa ther of lies, cor rup tion and spite, now you're

A7B7Em6

C7F7very slowly & freely

freely but not too slowly

œ œ œ œ œ ≈ œ œn œ œ œ œU ‰ œ œ

lost for ev er, and ban ished from the light, as a

Eb7 D7G7

C7rit.

slowly & freely

- - - - - -

& #34

œ .œ œ# œ jœ .œn œ œ œu ‰ œ#warn ing for those who fail to do right. The

F 13 Bb7 A+7 D7molto rit. a tempo

repeat as desired then continue

.œ œ jœ œ jœ œ ‰ œ#Lord re bukes you! The

C 9 B7G7

- -

& # 86 81236

.œ œ jœ .œ œ jœLord re bukes

C7 F#7Em6

.œ# œ ‰ œyou! The

B7

.œ œ jœ œ Jœ œ ‰ œLord re bukes you! The

C7 B7Em6

- -

& # ..39 .œ œU jœ .œ œu jœLord re bukes you!

B+7Em6 Am69

molto rit. .wAm6Em6

a tempo .˙ .œ Œ JœHey

B s us 7 B7C7 broaden

-

& #42fi

.œ œ Jœ œ Jœ œU ‰ œ#Lord re bukes you! Hey

F#7 (b5) B7C7

rit. Coda

slowly & freelyœ jœ œu ‰ œ œ œ jœ œu ‰ œdev il, hey dev il, the

B7Em6

very slowly & freely

- - -

& #44 .˙ .œ œu ‰ œLord re

C 9 B+7freely but not too slowly

œ jœ .˙ .œbukes you!

Em6 C7G 13brief a tempo rit. .œ Œ . Ó .U

Em6B+7B s us 7molto rit.

-

Shades Of Blue Light and

Dark Shadows On The Kingdom

Copyright 2020 Will Goldstein Title Scripture Song # Shades Of Blue Light Deliverance Suite: What Defiles a Man Matthew 15:10, 11 794 Stay Away, Satan! Matthew 16:23 795 Deliver Now, Oh Jesus Luke 4:35 796 Come Out of Him! Luke 4:35 797 By Your Confession Of Faith 798 Leave Your Sinful Ways John 5:14 799 Go Away, And Sin No More John 5:14 800 The Big Time Blues (Wand’rin’ Through The Desert Blues)

Hebrews 3:8–19 801

It’s Time To Repent (Do It Now!)

1st Timothy 5:24 802

Children of God (Follow All His Ways)

1st John 4:4–6 803

Wake Up, and Think Again! Mark 4:22 804 Chosen By The Lord 1st Thessalonians:

Chapter 1 805

Hey Mister Sinner Man! James 3:14–16; 4:4–10 806 Man, Have We Got A Deal 807 Fight The Good Fight! (Finish The Race!)

2nd Timothy 4:6-8 808

The Battle Is Won Ephesians 6:10 809 Watch Out, The Good Book Says 1st Timothy 1:3–11 810 Every Day You Wake Up (A Battle for the Lord) (Jesus Calls)

Galatians 5:16–18, 21, 24, 25

811

Keep on Prayin’! Keep on Workin’! 1st Thessalonians 2:17– 812

18; 3:5 Listen, Saints and Sinners! (Stop Foolin’ With The Devil) ( Start Servin’ The Lord!)

1 Timothy 4:8 813

All Sinners, Stop Sinnin’! (God Will Punish Men for Their Sins)

1st Thessalonians 4:3–8

814

Chief Of Sinners 1st Timothy 1:12–16 815 The Way Of The Lord Titus 1:10–14; 2:8 816 Don’t Ever Go Back (The Way Of the World)

2nd Peter to: 20–22; 3:1, 2, 12; John 14:6

817

Don’t Give In (Not Even for a Moment)

Galatians 2:4, 5

818

Keep Preachin’ Sound Doctrine! 2nd Timothy 4:2–4 819 Contend For The Faith (Don’t Ever Take the Way of Cain)

Jude 3–7, 11–15 820

I’ve Got a Race to Run (Lookout, Devil!)

Galatians 5:7, 11, 13 821

Preach The Godman (Wind From Heaven)

2nd Thessalonians 3:1

822

The Crown of Life James 1:9–16, 21, 22, 25 823 The Harbor At the Crystal Sea (My Destiny)

1st Timothy 1:18–20 824

Rock This Boat 825 All You Saints Of God Jude 20-25 826 Dark Shadows On The Kingdom: 10 songs

Blind Leaders of The Blind Matthew 15:13–14 827 Corruption In The Church (All for The Love of Money)

1st Timothy 6:3–10 828

Mark My Words (The Godless, They Are Here)

2nd Timothy 3:1–9 829

Mere Madmen Jude 8, 10, 16–19 830 Many False Prophets 1st John 4:1–3 831 False Prophets And Teachers 2nd Peter 2:1–19 832 Don’t Go To Town When The Devil’s Around (The Gospel Train’s A Comin’ Soon)

Hebrews 12:15–17, 25 833

Watch Out! Colossians 2:16–23 834 Leave The Devil’s Den! (Don’t Perish In The 1st John 5:16-19 835

Night!) Leave The Devil In The Fire! (Join The Revolution)

1st Thessalonians 5:1-4 836

Hey Devi! (The Lord Rebukes You! Jude 9 837

Theory & Chord Construction ChartTheory & Chord Construction ChartTheory & Chord Construction ChartTheory & Chord Construction ChartTheory & Chord Construction ChartThe Chart below, in conjunction with the code & formulas given, has condensed on to one page all the scales & chords necessary to

understand the basics of music theory. The top row is the names of the intervals that can be measured as the distance above the root which is in the farleft column. These intervals can be applied to each of the given roots to create scales & chords. All intervals are measured above the root. Music theory

requires extensive training, and it is beyond the scope of this book to go into more detail.

R=Root, M=Major, m=minor, P=Perfect, A=Augmented, D=Diminished, #=sharp, b=flat, x=double sharp, bb=double flatCodeCodeCodeCodeCode

Basic ScalesBasic ScalesBasic ScalesBasic ScalesBasic ScalesThe GrThe GrThe GrThe GrThe Greek Modes & The Pentatonic Scaleeek Modes & The Pentatonic Scaleeek Modes & The Pentatonic Scaleeek Modes & The Pentatonic Scaleeek Modes & The Pentatonic Scale

Note: The underline means it is a chord tone while playing the chord within that scale.Ionian Mode / Major Scale = R M2 M3 P4 P5 M6 M7 R (used with major chords built off the first scale degree such as C chord in the Key of C)Dorian Mode = M2 M3 P4 P5 M6 M7 R M2 (used with minor chords built off the second scale degree such as D minor chord in the Key of C)Phrygian Mode = M3 P4 P5 M6 M7 R M2 M3 (used with minor chords built off the third scale degree such as E minor chord in the Key of C)Lydian Mode = P4 P5 M6 M7 R M2 M3 P4 (used with major chords built off the fourth scale degree such as F chord in the Key of C)Mixolydian Mode = P5 M6 M7 R M2 M3 P4 P5 (used with major chords built off the fifth scale degree such as G chord in the Key of C)Aeolian Mode/ minor scale = M6 M7 R M2 M3 P4 P5 M6 (used with minor chords built off the sixth scale degree such as A minor chord in the Key of C)Locrian Mode = M7 R M2 M3 P4 P5 M6 M7 (used with diminished chords built off the seventh scale degree such as B diminished chord in the Key of C)Penatonic Scale = R M2 M3 P5 M6 R (used with major chords built off the first, fourth & sometimes the fifth scale degree such as C penatonic scale for theC chord in the Key of C, the F penatonic scale for the F chord in the Key of C & the G penatonic scale for the G chord in the Key of C.)

Chords used in Contemporary Christian MusicChords used in Contemporary Christian MusicChords used in Contemporary Christian MusicChords used in Contemporary Christian MusicChords used in Contemporary Christian Music

1. Major (no sign) = R M3 P52. Minor (m) = R m3 P53. Augmented (+) = R M3 A54. Diminished (o) = R m3 D55. Suspended 4th (sus) = R P4 P56. Suspended 2nd (2) = R M3 P5 (M2 or M9)7. Six Chord (6) = R M3 P5 M68. Minor 6th (m6) = R m3 P5 M6

9. Full diminished (o7) = R m3 D5 M610. H alf dimished (m7b 5) = R m3 D5 m711. Minor seventh (m7) = R m3 P5 m712. Dominant Seventh (7) = R M3 P5 m713. Sus Seventh (sus 7) = R P4 P5 m714. Seven flat 5 (7b5) = R M3 D5 m715. Augmented 7th (+7) = R M3 A5 m716. Major 7th (Maj 7) = R M3 P5 M7

17. Ninth (9) = R M3 P5 m7 M918. minor 9th (m9) = R m3 P5 m7 M919. Flat Nine (b9) = R M3 P5 m7 m920. Sus nine (sus 9) = R P4 P5 m7 M921. Major nine (Maj 9) = R M3 P5 M7 M922. Thirteenth (13) = R M3 m7 M9 M13

There are a few extra symbols in the formulas below that are not in the chart above, but are easily understood.They are as follows: M9 is the same as M2 but usually an octave higher, m9 is the same as m2 but usually an octave higher, M13 is the same as M6 butmust be played above m7.

R 2m 2M 3m 3M 4P 5D-4A 5P 6m-5A 6M 7m 7M R

C bD D bE E F bG-#F G bA-#G A bB B C

#C D #D E #E #F G-xF #G A-xG #A B #B #C

bD bbE bE bF F bG bbA-G bA bbB-A bB bC C bD

D bE E F #F G bA-#G A bB-#A B C #C D

#D E #E #F xF #G A-xG #A B-xA #B #C xC #D

bE bF F bG G bA bbB-A bB bC-B C bD D bE

E F #F G #G A bB-#A B C-#B #C D #D E

F bG G bA A bB bC-B C bD-#C D bE E F

#F G #G A #A B C-#B #C D-xC #D E #E #F

bG bbA bA bbB bB bC bbD-C bD bbE-D bE bF F bG

G bA A bB B C bD-#C D bE-#D E F #F G

#G A #A B #B #C D-xC #D E-xD #E #F xF #G

bA bbB bB bC C bD bbE-D bE bF-E F bG G bA

A bB B C #C D bE-#D E F-#E #F G #G A

#A B #B #C xC #D E-xD #E #F-xE xF #G xG #A

bB bC C bD D bE bF-E F bG-#F G bA A bB

B C #C D #D E F-#E #F G-xF #G A #A B

Publications, CD’s, & What's new at The King's Court?

For the current status of released and unreleased music by Will Goldstein of the King’s Court also visit me online at: http://www.thekingscourt.com click photos and bio, then click Will Goldstein and guitar with bio Published Works: CD’s available online http://thekingscourt.com click cd’s and digital albums CD’s Distributor - Amazon Digital Albums Distributor - CD Baby His Name Is Jesus Old Testament Bible Heroes The King Is Here Hosanna Songbooks available online for download http://thekingscourt.com click sheet music (pdf songbooks – lead sheet format only) Volume 1 Christ, Our Savior Songbook ©2000 The King’s Court Volume 2 Old Testament Bible Heroes (Musical Play) ©2008 The King’s Court Volume 3 The King Is Here (Musical Play) ©2008 The King’s Court Volume 4 Deuteronomy ©2016 The King’s Court Volume 5 The King’s Highway ©2016 The King’s Court Volume 6 The Third Day (The Last Days Of Jesus ) ©2017 The King’s Court Volume 7 The Inner Journey (A Cantata of Prayers, Meditations, and Exaltations to The God of All Creation) ©2018 The King’s Court Voume 8 Songs of Our Savior ©2018 The King’s Court Volume 9 Parables ©2018 The King’s Court Volume 10 Christ, Our Healer ©2018 The King’s Court Volume 11 Christ, Our Sanctifier ©2018 The King’s Court Volume 12 The Pure Light of Heaven ©2019 The King’s Court Volume 13 The Good Shepherd ©2019 The King’s Court Volume 14 Mass For The Saints ©2019 The King’s Court Volume 15 Isaiah ©2019 The King’s Court Volume 16 Be Ready For Christ Our Coming King! Part 1 ©2020 The King’s Court Volume 17 Be Ready For Christ Our Coming King! Part 2 ©2020 The King’s Court Volume 18 Be Ready For Christ Our Coming King! Part 3 ©2020 The King’s Court Volume 19 Shades of Blue Light and Dark Shadows On The Kingdom ©2020 The King’s Court Volume 20 Acts ©2021 The King’s Court Print On Demand Books from Amazon The King’s Court now offers 10 different titles available in printed 8 ½ x 11 books Library Quality Titles include books that are both in lead sheet format and titles that include scores with notated instrumental parts and vocal harmony Please visit Author Central Amazon Page Will Goldstein for a complete description for each title https://www.amazon.com/-/e/B071G4Y4Y6 Upcoming projects to be released: In the next 1-2+ years, another set of songs will gradually be released in future volumes listed below in 1-3. Below is an overview of the projects 1) Acts to Jude subdivided into books (early stages of scores) 2) Israel And The New Promised Land (very early stages, lyrics only, no scores) Early stages – pencil only – I will begin working on these in the next few years 3) Proverbs, hundreds of songs already done in pencil, will be released following completion of the New Testament 4) Psalms - in the early stages of pencil scores (delayed while working on completion of other projects) All these books, God willing, will be organized into various songbooks in continuing volumes with CCLI numbers. Please report usage. This page reflects the status of The King’s Court publications at the release of Volume 20 Acts ©2021 The King’s Court

Documents

Contents · who prefer a lead sheet format. There is a variety of song forms used in this book and instructions are notated in the scores as well as some helpful hints on how to use