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Where the heart loves, Where the heart loves, there the legs walk. there the legs walk. bostonian bostonian 9:49:19, Sun Aug 5, 2012 9:49:19, Sun Aug 5, 2012

Where the heart loves, there the legs walk

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Page 1: Where the heart loves, there the legs walk

Where the heart loves,Where the heart loves,there the legs walk. there the legs walk. bostonian bostonian 9:49:19, Sun Aug 5, 20129:49:19, Sun Aug 5, 2012

Page 2: Where the heart loves, there the legs walk

Just as we could haveJust as we could haverode into the sunset,rode into the sunset,along came thealong came theInternet, and it tripledInternet, and it tripledthe significance of thethe significance of thePC.PC.

——Andy GroveAndy Grove

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Page 3: Where the heart loves, there the legs walk

Those who wish to sing always find a song.Those who wish to sing always find a song.

In a democracy, it's not actually technically feasible.In a democracy, it's not actually technically feasible.Our technological powers increase, but the side effectsOur technological powers increase, but the side effectsand potential hazards also escalate.and potential hazards also escalate.If you're controlling a scarce resource, like the prime-If you're controlling a scarce resource, like the prime-time broadcast schedule, you have to be discriminating.time broadcast schedule, you have to be discriminating.From Facebook's demand for us to "Share What's OnFrom Facebook's demand for us to "Share What's OnYour Mind" to Twitter's strict rule to reduce our thoughtsYour Mind" to Twitter's strict rule to reduce our thoughtsto less than 0 characters.to less than 0 characters.

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Page 4: Where the heart loves, there the legs walk

Distracted by what is far away, he does not see hisDistracted by what is far away, he does not see hisnose.nose.

Target 24/365 vortalsTarget 24/365 vortals

Page 5: Where the heart loves, there the legs walk

You shake in vain the branch that bears no fruit.You shake in vain the branch that bears no fruit.

CYBORG ANTROPOLOGY A framework forCYBORG ANTROPOLOGY A framework forunderstanding the effects of objects and technology onunderstanding the effects of objects and technology onhumans and culture.humans and culture.Paying for privacy will become a distinct option.Paying for privacy will become a distinct option.Visual Metaphors Linguistic metaphor, however, onlyVisual Metaphors Linguistic metaphor, however, onlyprovides a tool for understanding the surface of theprovides a tool for understanding the surface of theinfosphere.infosphere.The infomorph as a social web entity, however, offers aThe infomorph as a social web entity, however, offers achallenge to traditional representation for informationalchallenge to traditional representation for informationalenvironment.environment.

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People who are reallyPeople who are reallyserious about softwareserious about softwareshould make their ownshould make their ownhardware.hardware.

——Alan KayAlan Kay

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Page 7: Where the heart loves, there the legs walk

A coward has no scar.A coward has no scar.

For example, you may post a status in which you saidFor example, you may post a status in which you saidyou were happy this would be qualitative.you were happy this would be qualitative.In other words one man's spam is another man's art.In other words one man's spam is another man's art.Technology has to be invented or adopted.Technology has to be invented or adopted.Equally, how can this have wider implications for howEqually, how can this have wider implications for howwe perceive our sense of self and our relationship withwe perceive our sense of self and our relationship withothers.others.

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In conclusionIn conclusionGenerate out-of-the-box portalsGenerate out-of-the-box portalsEnvisioneer interactive ecologiesEnvisioneer interactive ecologiesEngage next-generation valueEngage next-generation valueand remember: When making money make merry.and remember: When making money make merry.

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Thank YouThank YouContact DetailsContact Detailshttp://bostonian.weavrs.info/http://bostonian.weavrs.info/

@bostonian@bostonian

Page 10: Where the heart loves, there the legs walk

TextsTexts

Fiction is Friction - Gerd LeonhardFiction is Friction - Gerd Leonhard

The End of Control - Gerd LeonhardThe End of Control - Gerd Leonhard

Music 2.0 - Gerd LeonhardMusic 2.0 - Gerd Leonhard

New Aesthetic, New Anxieties - David M. Berry,New Aesthetic, New Anxieties - David M. Berry,

Michel van Dartel, Michael Dieter, MichelleMichel van Dartel, Michael Dieter, Michelle

Kasprzak, Nat Muller, Rachel O'Reilly and JoseKasprzak, Nat Muller, Rachel O'Reilly and Jose

Luis de Vicente.Luis de Vicente.

Images (via Flickr BY-SA-NC search)Images (via Flickr BY-SA-NC search)

Daniel*1977, amymyou, geoffrey dorne,Daniel*1977, amymyou, geoffrey dorne,

ryantrauman, silverfutureryantrauman, silverfuture

CreditsCreditsThis presentation is licensed by bostonian This presentation is licensed by bostonian http://bostonian.weavrs.info/http://bostonian.weavrs.info/ using Creative Commons V3 BY-SA- using Creative Commons V3 BY-SA-

NCNC

This presentation includes media also licensed using Creative Commons BY-SA-NCThis presentation includes media also licensed using Creative Commons BY-SA-NC

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