16
Our 195 th Production presents

WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

  • Upload
    others

  • View
    0

  • Download
    0

Embed Size (px)

Citation preview

Page 1: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

WESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERWESTCHESTERBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATREBROADWAY THEATRE

Our 195th Production

presents

Page 2: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

Man Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history of the world. The novel was the prototype for a whole genre of comedy, in which the sanest characters can’t see the real truth of life, and only the lunatics are truly wise. Written by Dale Wasserman for CBS’ DuPont Show of the Month program, the show started as a non-mu-sical teleplay. When Wasserman set out to write the first version of his play, he remembers, “In theory, the answer seemed simple. I’d write a play about Miguel de Cervantes in which his creation, Don Quixote, would be played by Cervantes himself. The two would progressive-ly blend in spirit until the creator and his creation would be understood as one and the same.” This original telecast of I, Don Quixote, starred Lee J. Cobb, Colleen Dewhurst and Eli Wallach. The play was broadcast live on November 9, 1959, with an estimated audience of 20 million. Director Albert Marre approached Wasserman about turning his teleplay into a stage musical. Wasserman went to see a psychic and asked her if he should stay with the project. She told him, “It will be extremely success-ful. In fact, it will overwhelm your life.” Soon the team included composer Mitch Leigh, with orchestrations by Carlyle W. Hall and lyrics by Joe Darion. By June 1964, they had a first draft. The show was the first of its kind – a musical within a play – in which the outer framing device (the prison) is not a musical and no one sings, but the interior reality (the Quixote story) is a full-blooded musical. And the climax of the show comes when Cervantes brings music into the non-musical world of the prison. Man Of La Mancha was written to be played in a smalltheatre, with a bare set, minimal costumes and props, and staged with the audience on three sides of the stage.The challenge to its audience was to participate in the storytelling through the use of their own imagination.

ABOUT “mAn Of lA mAnchA”

Man Of La Mancha first played at the Goodspeed Opera House in Connecticut in 1965. It opened the ANTA Washington Square Theatre in Greenwich Village on November 22, 1965, then moved to Broadway on March 20, 1968. The show starred Richard Kiley as Quixote and Joan Diener as Aldonza. It ran a total of 2,328 performances. It won five Tony Awards, including Best Musical. Richard Kiley won a Tony for his performance as Cervantes/Quixote. Jose Ferrer, David Atkinson, John Cullum, Hal Holbrook and Lloyd Bridges also played the role during the run of the production. It was revived with Kiley in 1972 and in 1977. Productions of Man of La Mancha were mounted all over the world. The 1992 revival starred Raul Julia and Sheena Easton. In 2003, Brian Stokes Mitchell starred with Mary Elizabeth Mastrantonio. The 1972 film starred Peter O’Toole (sing-ing voice dubbed by Simon Gilbert) and Sophia Loren. Today, the show enjoys 300-400 productions each year. The Director of our production, David Wasson, said: “Man Of La Mancha was not only the start of my profes-sional career, it was to become the foundation of my life. Albert Marre took me out of Florida State University to play the role of a guard in the 1972 revival at Lincoln Center. This was virtually the complete original cast including the star Richard Kiley. I went on to do the 1977 revival at the Palace, again with Mr. Kiley, and the 1992 revival with Raul Julia. I not only performed in these revivals but acted as Mr. Marre’s assistant, learning so much about the origins of the show. Mr. Kiley, as well, became not only a mentor to me, but a dear, close friend. The conversations we had about Man Of La Mancha were many and deep. And after almost 30 years and 1400 per-formances I have come full circle. I feel fortunate to have actually dreamed the impossible dream.” In its heart, Man Of La Mancha is about the 1960s, andby extension, about any time of political unrest – includ-ing today – and about the responsibility each of ushas to make the world a better place.

– PIA HAAS

FOR YOUR INFORMATIONPERSONAL SAFETY & COMFORT Please note exits in theatre. Exits are indicated by illuminated “EXIT” signs. For the safety, comfort and enjoyment of yourself and others, please remain seated during the performance. In the unlikely necessity of evacuation, an announcement will be made over the public address system. Westchester Broadway Theatre is completely equipped with automatic sprinkler and smoke detector systems which cover all areas of the theatre. In the event of power failure, a separately powered, totally independent, battery-run lighting system is activated. Should you or one of your party experience illness or unusual discomfort, please notify a service person or management immediately.CAMERAS, RECORDERS The use of cameras and tape recorders during the performance is strictly prohibited by New York State copyright laws.CELL PHONES, BEEPERS Out of courtesy to the performers and everyone in the audience, please refrain from using cell phones and electronic devices in the theatre. Please be sure to turn off the audible features of these devices when in the theatre.GRATUITY Our guests have asked for an approximation of the food portion of the ticket for purposes of determining service gratuity which is not included in the ticket price. An amount equal to one-half of your ticket price should be considered as the dinner portion. Our staff has enjoyed serving you and hopes that our service has been to your satisfaction.

Page 3: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

BILL STUTLER and BOB FUNKING, Executive Producers

LISA TISO, Producer

present

PAUL SCHOEFFLERin

Written by DALE WASSERMAN Music by MITCH LEIGH Lyrics by JOE DARION

Original Production Staged by ALBERT MARREOriginally Produced by ALBERT W. SELDEN and HAL JAMES

Starring

GARY MARACHEK IAN KNAUERALAN M-L WAGER GEOFF BELLISTON

JOANNE BORTS DAVID CANTOR JOSEPH TORELLOwith

JOSÉ ANTONIO ERIC BRIARLEY ALAN GILLESPIESARAH HANLON JOHN PAUL LAPORTE

GABRIELLA PEREZ DIEGO RIOSDOUGIE ROBBINS CORINNE SCOTT

and

MICHELLE DAWSON as Aldonza

Musical Director

PATRICK HOAGLAND Set & Costume Design and Execution Lighting Design by Sound Design by

MICHAEL BOTTARI & RONALD CASE ANDREW GMOSER JONATHAN E. HATTON Properties by Technical Director Costume Coordinator

GRUMPY’S PROPS STEVE LOFTUS MATTHEW HEMESATH Fight Director Production Stage Manager Assistant Stage Manager

JAMES JELKIN VICTOR LUKAS JESSIE JARDONAssociate Choreographer

MICHAEL DAUER Directed and Choreographed by

DAVID WASSON Man of La Mancha is present through special arrangement with Tams-Witmark Music Library, Inc.

560 Lexington Avenue, New York, NY 10022www.tamswitmark.com

OPENING DATE: March 3, 2016 CLOSING DATE: May 1, 2016

Page 4: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

WESTCHESTER BROADWAY THEATRE 5

cAST

(In Order of Appearance)

Captain of the Inquisition .........................................JOSEPH TORELLO*

Manservant (Sancho Panza) ......................................GARY MARACHEK*

Cervantes/Alonso Quijana/Don Quixote ............PAUL SCHOEFFLER*

Governor/Innkeeper ................................................... GEOFF BELLISTONDuke/Dr. Carrasco .................................................................. IAN KNAUER*

Juan ..................................................DOUGIE ROBBINS Jose .......................................................JOSÉ ANTONIO*

Muleteers Anselmo ...........................................ALAN GILLESPIE*

Pedro ....................................... JOHN PAUL LAPORTE Tenorio ........................................................ DIEGO RIOSAldonza/Dulcinea ...................................................MICHELLE DAWSON*

Maria, the Innkeeper’s Wife.........................................CORINNE SCOTTFermina .......................................................................... GABRIELLA PEREzAntonia ............................................................................... SARAH HANLONHousekeeper ........................................................................JOANNE BORTS*

Padre ................................................................................ ALAN M-L WAGER*

Barber ...................................................................................DAVID CANTOR*

Fight & Dance Captain ...................................... ERIC BRIARLEY*

Rehearsal Assistant Stage Manager .....AMANDA M. STUART*

Rehearsal Production Assistant .........................COLLEEN TILL

UNDERSTUDIESUnderstudies never substitute for listed players unless a specific announcement

for the appearance is made at the time of the performance.

For Cervantes/Don Quixote – IAN KNAUER*; For Aldonza – SARAH HANLON;For Sancho – ALAN GILLESPIE*; For Dr. Carrasco – JOSEPH TORELLO*;

For Padre – DAVID CANTOR*; For Housekeeper – CORINNE SCOTT;For Antonia – GABRIELLA PEREz; For Capt. of Inquisition, Barber, Innkeeper – ERIC BRIARLEY*

*Member of Actors’ Equity Association, the only professional union for Actors and Stage Managers.

A b o u T o u R S E R V I C E Westchester Broadway Theatre takes pride in our leisurely cocktail and dining service, which takes you

from the moment you enter the theatre until the start of the performance. If you desire a faster pace to your service, please let your servers know, and they will accommodate your special needs.

Page 5: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

Spring Fling

6 ouTRAGEouS ACTS!Tuesday, March 22

Shakin’ that Winter Chillwith Hot Adult Comedy!

BOX OFFICE GROUP SALES

(914) 592-2222 (914) 592-2225

Monday, May 13 Evening Performance

Tuesday, May 14 Matinee Performance

“An Absolute Joy” – NYTheatre.com

Cirque Front.indd 1 1/31/13 7:39 AM

Mon., April 4eVeNiNG

Tues., April 5MATiNee

Monday, April 11MATiNee & eVeNiNG

Authentic Countryreturns to Westchester

THE SMOOTH SOUND IS UNMISTAKABLE!

Tuesday, April 19

ALL THE ROMANTIC HITS

“You Belong To Me”

TribuTe ToTribuTe To

PlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersPlattersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDriftersDrifters AND

An ExtraordinaryDoo Wop Double Bill Tuesday, April 26

Page 6: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

WESTCHESTER BROADWAY THEATRE 7

mUSicAl nUmBerS

– ACT ONE – SETTING:

The common room of a prison vault in Seville, Spain at the end of the 16th century, and various places in the imagination of Miguel de Cervantes.

Prison Scene ....................................................................................................EnsembleMan of La Mancha ......................................Don Quixote & Sancho PanzaThe Enchanter ...............................................................................OrchestraIt’s All The Same ........................................................Aldonza & MuleteersDulcinea .............................................. Don Quixote, Anselmo & Muleteers I’m Only Thinking of Him ......................... Antonia, Padre & Housekeeper The Missive ........................................................................................SanchoI Really Like Him ............................................................................SanchoWhat Does He Want of Me? .........................................................AldonzaLittle Bird, Little Bird ................. Cervantes, Anselmo, Pedro & Muleteers Barber’s Song .................................................................................... BarberGolden Helmet of Mambrino ... Don Quixote, Barber, Sancho & Muleteers To Each His Dulcinea ........................................................................PadreThe Impossible Dream .............................................................Don Quixote

– intermission –

TribuTe To

Printing Professionals

400 Executive BoulevardSuite 146

Elmsford, NY 10523Tel: 914-592-3790 • Fax: 914-592-6483

[email protected]

BrochuresBookletsPost Cards

Business StationeryPostersSigns

CopiesGraphic DesignDirect Mail

w e a r e l i v e Westchester Broadway Theatre employs musicians from the American Federation of Musicians.

Musicians perform from a location backstage.

Page 7: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

8 WESTCHESTER BROADWAY THEATRE

mUSicAl nUmBerS

– ACT TWO – The Impossible Dream (reprise) ................................................Don Quixote The Combat .............................Muleteers, Don Quixote, Aldonza & SanchoThe Dubbing ........................................................ Innkeeper & Don Quixote The Knight of the Woeful Countenance ....... Innkeeper, Sancho & AldonzaThe Abduction ................................................... Anselmo, Pedro & FerminaThe Impossible Dream (reprise) ................................................Don Quixote Man of La Mancha (reprise) ...................................................Don Quixote The Moorish Dance ................................Don Quixote, Sancho & EnsembleAldonza ............................................................................................AldonzaKnight of the Mirrors ....................................................................OrchestraFight Sequence ...............................................................................Orchestra A Little Gossip ..................................................................................SanchoDulcinea (reprise) .............................................................................AldonzaThe Impossible Dream (reprise) ................................................Don Quixote Man of La Mancha (reprise) ................... Don Quixote, Sancho & AldonzaThe Psalm ...........................................................................................PadreFinale .............................................................................................Ensemble

PRIVATE LUXURY BOXESEnhance your evening with a Private Luxury Box Celebration! For an additional cost, private Lux-ury Boxes may be reserved for parties of six or more. Each provides elegant dining, has its own

private powder room, and overlooks the audience and stage.

For more info, call our Luxury Box Rep at (914) 592-8730

musiciansPATRICK HOAGLAND . . . . . . . . . . . . . . . . .Musical Director, KeyboardsKEN ROSS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .PercussionJORDAN JANCz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BassRON KOzAK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ReedsDAVID SHOUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GuitarJON MENGES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TrumpetVON ANN STUTLER . . . . . . . . . . . . . . . . . . . . . . . . . . .Musical Contractor

Page 8: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

whO’S whO

BFA - Carnegie-Mellon. Thank you, WBT, for everything!

GARY MARACHEK (Sancho Panza) Selected theatre credits: Asolo Rep, Goodspeed, Walnut Street Theatre, Paper Mill Play-house, The Palace, York Theatre, Pittsburgh CLO,

Theatre Under The Stars, Ford’s Theatre, North Carolina State Theatre, The Lion Theatre, Theatre Row Theatre, Westport, Florida Studio Theatre, Theatre By The Sea, Actors’ Playhouse, dozens more. Selected role credits: John Adams (1776), Marc (ART), Felix (Odd Couple), King Aurthur (Spamalot), Doolittle (My Fair Lady), Applegate (Damn Yankees), The Bishop (Jekyll & Hyde), Renfield (Dracula), Albin/zaza (La Cage), Thenardier (Les Miserables), Vice Principle Panch (Spelling Bee), Fagin (Oliver), Scrooge (Christmas Carol), Dr. Watson (Hound of the Baskervilles), Max (Sound of Music), David O. Selznick (Moonlight and Magnolias), literally hundreds more roles. Gary is a 12 time award winning actor, a published author, soloist on two original cast albums, a singer in Cirque Du Soleil’s tour Cirque Dreams, has been the principle in well over 40 TV commercials, has co-starred in two feature length films and has

PAUL SCHOEFFLER (Cervantes; Don Quixote) Broadway: Rock of Ages (Hertz), Sweet Charity (Vidal opp. Christina Applegate), Peter Pan (Hook, filmed for A&E),

Beauty and the Beast (Lumiere), Cyrano (Le Bret), Nine, Victor/Victoria, Sunday in the Park with George. Off-Broadway includes Wintertime oppo-site Marsha Mason at Second Stage, Martin Luther on Trial at the Pearl, No Way to Treat a Lady, The Fantasticks and The Cherry Orchard. National Tours include Javert in Les Miserables and Sheldrake in Promises/Promises. Regional: Extensive leading roles include world premieres of Yeston/Kopit’s Phantom, Ahrens/Flaherty’s The Glorious Ones, numerous productions as Higgins in My Fair Lady and Don Quixote in La Mancha (Barrymore and Broadway World noms for best actor). Extensive NY concert work includes Broadway by the Year and Broadway Unplugged at Town Hall and 54 Below. TV includes Person of Interest, Law and Order, Guiding Light, All My Children, Midnight Caller and numerous seasons of Courage the Cowardly Dog. Extensive Voice Over Work. Best job: husband to Aixa and dad to Aidan and Ana.

MICHELLE DAWSON (Aldonza;Dulcinea) Last seen at WBT as Milly in It Happened One Christmas Eve. Broadway: Spider-Man: Turn Off The Dark (stand-by Arachne/

Emily/Aunt May), Mamma Mia! (Donna & Rosie u/s), Ragtime (Evelyn Nesbit), Showboat, Cyrano. Pre-Broadway: First Wives Club (Elise & Annie u/s). National Tours: Mamma Mia! (Donna & Tanya ), Seven Brides... (Milly), The Secret Garden, The Music Of ALW. Regional: Lucy - Jekyll & Hyde, Rizzo - Grease, Petra - A Little Night Music (Pittsburgh CLO), Eva - Evita (Pioneer); and Elsa - Sound Of Music, Lucy - Jekyll & Hyde, Nancy - Oliver, Laura - Swing, Mary in Jesus Christ Superstar, among others (WBT).Television: Featured performer at the 2009 Tony Awards, Law & Order (CI), All My Children.

WESTCHESTER BROADWAY THEATRE 9

The World-Renowned Irish Tenor Tues., May 17 MAT. & eVe.

RRRRRRRRRRRRRRRRRRRRRONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANONANTTTTTTTTTTTTYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNANYNAN

Page 9: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

10 WESTCHESTER BROADWAY THEATRE

just completed shooting his latest movie, Thorns For Flowers to be released winter of 2016/17. La Mancha marks his 7th appearance here at WBT. One week after this show closes he’s getting MARRIED to his biggest fan, Laurie. GaryMarachek.com

IAN KNAUER (Duke; Dr. Carrasco) is thrilled to be back at West-chester Broadway Theatre! Broadway: Dames At Sea, Mamma Mia!, By Jeeves (Rev. Pinker), State Fair. West End: Dirty Rotten

Scoundrels. Off-Broadway: York Theatre, NYMF, NY City Opera, Carnegie Hall, six shows at Encores! Ten National/International Tours. Films include: The Program (2015), Kon-Tiki, D’ora, Coincidence, By Jeeves. Many concerts and recordings around the world. Graduate of University of Michigan. www.Ian-Knauer.com @TheIanKnauer

ALAN M-L WAGER (Padre) stood-by for three roles in Beauty and the Beast on Broadway after return-ing from the National Tour. Selected credits include Ravenal in Show Boat, Pirelli & The Beadle in

Sweeney Todd, Aldolpho in The Drowsy Chaperone and Santa in Radio City Christmas Spectacular. He sang at the White House and at Carnegie Hall with the NY Pops. Alan is the co-founder of the Emmy nominated and award winning 22Q Entertainment. www.22QEntertainment.com. Love to Robert. Shmegratulations!

whO’S whO

– S P E C I A L N O T I C E S –Keyboard Programming by STEPHEN FERRI

Costume Assistant KEITH NIELSENAssistants to David Wasson MARION ELAINE & PALMAR KELLY

Set Construction & Installation SCENE WORKS, Ossining, NYExtra Special Lighting Equipment provided by SILENT G PRODUCTIONS, Yorktown Heights, NY

Assistant Lighting Designer KEVIN GLEASONStitcher PAMELA CUMMINGS

Rehearsal Pianist WILLIAM STANLEY

Live Musical Coach bus TourFull Day of live music as we

travel throughout Manhattan.Our Actors Equity singer will perform on the bus as we discover New York and hear great voices.

Along the way learn about NY from licensed guides!• Historical broadway Musical review!• Cultural• Anecdotal humor• Themed• Neighborhoods

For Individuals, Seniors, Corporations, Schools, Family Outings & Groups of Any Size

For more information Email us at: [email protected]

Call us at: (914) 633-6658Catch us on the web at:

www.ztravelandleisure.comPick up at local locations!

“The Most unique Theatre experience and entertaining Tour”

Numerous stops on & off bus, lunch stop & minimal walking!

“Z” TRAVEL & LEISUREWALKING & BUS TOURS

Page 10: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

WESTCHESTER BROADWAY THEATRE 11

whO’S whO

GEOFF BELLISTON (Governor; Innkeeper) is ecstatic to be going into the 17th century where he truly belongs! Some favorite credits: Foolerie (NYMF) and The Full Monty (Mac Haydn,

Arizona Broadway Theatre). You can also hear Geoff’s voiceover work on Yu-Gi-Oh Arc-V, and the upcoming Adventures in Duckport. Peace and love to the WBT family, my Belliston clan, and my Amber. This one’s for you Annie Jo.

JOANNE BORTS (Housekeeper) Broadway: Once (original cast); Fiddler on the Roof; Rodgers & Hammerstein’s Cinderella. Off-Broadway: Showboat (Carnegie Hall); On Second Avenue; Hello Muddah,

Hello Fadduh; Night in the Old Marketplace; Kids & Yiddish; The Golden Land. Moses Man (NYMF/GEVA). Tours: Fiddler; Cinderella; Funny Girl; Those Were the Days. Concerts: Carnegie Hall (with Neil Sedaka and the Klezmatics); Warsaw zingera Festival; Vienna Kulturherbst; KlezFest London. Recording: Witches of Lublin (NPR); Milken Archive (Vienna Chamber Orchestra) Thanks DW! For Theo. www.JoanneBorts.com @LushandHora.

DAVID CANTOR (The Barber) Broadway: Che - Evita, Bobinet - La Vie Parisienne. Off-Broad-way: Nathan Rothschild - The Rothschilds. Other: Henry Higgins - My Fair Lady, Ricky Roma

- Glengarry Glenn Ross, Fagin - Oliver!, Benny - The Desert Song, Benedick - Much Ado About Nothing, The Old Actor - The Fantasticks, John Adams - 1776, Charlie - Tintypes. Principal roles all 13 Gilbert & Sullivan operas in USA, Great Britain, Italy. TV/Film: Redrum, I’d Kill for You, Shadow of Doubt Evil Lives Here, Man in Progress. This is his 11th show at WBT! www.david-cantor.com

JOSEPH TORELLO (Captain of the Inquisition)WBT: My Fair Lady(Harry/u/s Doolittle). Joseph recently performedin Show Boat (Carnival Barker) and Carousel(Policeman) at Lincoln

Center with the NY Philharmonic (both aired on Live From Lincoln Center on PBS). At Carnegie Hall, he was in the Mission Quartet in Guys & Dolls alongside Nathan Lane and Megan Mullally. Joseph has performed in over 350 performances in 8 productions of The Music Manas barbershop quartet bass Olin Britt. Other favorites: The Little Mermaid (King Triton), South Pacific (Stewpot), The Addams Family (Lurch). www.JosephTorello.com

JOSÉ ANTONIO (Jose; Ensemble) is almost as excited about making his debut with Westchester Broadway Theatre as he is about the free burrito he got for lunch! The New

York City actor is thrilled to share this very possible dream with you. Some favorite credits include: Memphis 2nd National Tour (Swing/Fight Captain/Assistant Dance Captain), A Chorus Line (Richie), Spring Awakening (Ernst), and Mary Poppins (Neleus). A proud member of AEA, THANK YOU WBT, Mom, NYC family! 1 Corinthians 16:14 Do everything in love. IG-@joser5678

A breathtaking musical experience featuring former members of Elton John’s and Billy Joel’s bands, The

Boston Pops & current members of The Smithereens!

MoNDAY, MAY 23

Page 11: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

12 WESTCHESTER BROADWAY THEATRE

whO’S whO

ERIC BRIARLEY (Non-performing Swing;Dance & Fight Captain) is pleased to be back here at the WBT and to be a part of this production of La Mancha. He recently fin-

ished playing Steven Baker in Show Boat here at the WBT. A few other credits include Les Miserables (B’way National Tour - Feuilly, Enjolras U/S), My Fair Lady (Royal National Theatre American Tour - Freddy U/S), A Little Night Music (Goodspeed). Eric is also a songwriter and a few of his songs can be found on iTunes. For more visit www.ericbriarley.com - Twitter: @eric-briarley. Much love to God, my wife Amanda, son Eli, daughter Ava and our latest addition, Abigail, born Feb. 20th, 2016.

ALAN GILLESPIE (Anselmo; Ensemble) is excited to return to the WBT stage after perform-ing in the 2001 production of Jekyll & Hyde. National Tours: Miss Saigon (Chris),

Show Boat (Steve Baker), The Who’s Tommy (The Specialist). Regional: Goodspeed Opera House, Florida Studio Theatre, Provincetown Players, Downtown Cabaret Theatre, The Lion Theatre, Fallsview Casino, Carnegie Hall. Love and thanks to my family, Michael Rodriguez and especially my new wife, Michelle. This one’s for you, Dad!!!

SARAH HANLON (Antonia; Ensemble) is excited to be returning to Westchester Broadway Theatre where she most recently played Julie in Show Boat. Some favorite

past credits include: National Tour of Jesus Christ Superstar starring Ted Neeley (Mary Magdalene), Les Miserables (Fantine), Oliver (Nancy), Hooray For Hollywood, and her niece’s and nephew’s favorite Pocahontas for Disney Cruise Lines. She would

like to thank her family, friends, Chris, and WBT for everything. For Mom.

JOHN PAUL LAPORTE (Pedro) WBT debut! Off-Broad-way: The Donkey Show (dir. Diane Paulus), National Tour: Chicago (Court Clerk / Bailiff). Favorite credits

include Miss Saigon 25th Anniversary (Riverside Theatre - Vero Fl.), West Side Story (Merry-Go-Round Fingerlakes Music Theatre Festival, Fulton Opera, HLTC and more!), Gypsy (HLTC), La Cage... (Ivoryton Playhouse), Sweet Charity (ABT). Thanks to Lisa Tiso and the team for everything. Love to my parents and family. For my twin brother Angel.

GABRIELLA PEREZ (Fermina; Ensemble) is thrilled to be returning to the WBT family after pre-viously appearing in Show Boat! National Tour: Kathleen Marshall’s Any-

thing Goes. NYC: Land of Broken Toys (NY Fringe Festival), Johanna (Sweeney Todd), Maria (Smile). Special appearances: Joe’s Pub, “Dancers Against Cancer,” Macy’s Thanksgiving Day Parade, Radio City Music Hall. Regional: Anita (West Side Story), Diana (A Chorus Line), Cha-Cha (Grease). Offstage, Gabby loves to play her ukule-le, do crossword puzzles, and choreograph. BFA NYU. Thanks to Lisa and WBT, Dulcina Eisen Associates, and Sean. www.gabbyperez.com

Combining the essential elements of pop, Broadway, the West End and opera with classical

overtones in an uplifting, moving collection of well-known classical and contemporary arias.

TueSDAY, MAY 24MATINEE & EvENING

BRAVOBRAVOBRAVO Amici Amici Amici

Page 12: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

DIEGO RIOS (Tenorio; Ensemble) Originally from Mexico City, Diego is honored to be back again in WBT for the second time. He is a proud grad-uate of the American

Musical and Dramatic Academy of NYC. He started his career back in Mexico City with Cyrano de Bergerac the Musical (D’artagnan) fol-lowed by the Mexican national tour of Jesus Christ Superstar (Jesus). Favorite Regional theatre credits include West Side Story here in WBT, The Civil War, and Godspell (Judas), to mention some. Follow him : http://diegonyc.wix.com/diegonyc

DOUGIE ROBBINS (Juan; Ensemble) is happy to be making his West-chester Broadway Theatre debut with such an amaz-ing show! Recent projects include Peter Pan (cho-

reographer), West Side Story (Big Deal), and Rent (Sue/ Squeegie man). Many thanks to this incredible cast and creative team, and to his family for their continued love and support.

CORINNE SCOTT (Maria; Ensemble) couldn’t be happier to return to Westchester Broadway Theatre with Man of La Mancha! Previous show at WBT: the Female Cover

for Godpsell. Other credits include Anna Mae/ Afua Assata Ejobo in By The Way, Meet Vera Stark (The REP at the Pittsburgh Playhouse) and the ensemble of In The Heights (Carrnivale Theatrics). BA Point Park University 2014. Many thanks to everyone involved, and a special thank you to M&D. For Gram.

DAVID WASSON (Director and Choreographer) spent almost 30 years as an actor. Starring in such shows as Annie, Evita and 42nd Street. Man of La Mancha, however, was the show that changed his life. He performed it over 1400 times, includ-ing 3 stints on Broadway. He also assisted Tony Award winning director Albert Marre twice in its direction. He has appeared on stage and screen with such notable actors as Will Smith, Cybil Shepard, Richard Kiley, John Cullum, Robert Goulet, John Raitt, and Harve Presnel. David has also become an award winning film-maker. His first feature film Do You Think I’m Pretty? won the Accolade Award in a global competition. His second short film Best Served Cold is in post production and will be released in late spring.

PATRICK HOAGLAND (Musical Director) Previous music directing credits include Hello Dolly, Pirates of Penzance, Nunsense, Les Miserables, Brigadoon, The Sound of Music, The Secret Garden, Rent, Footloose, Man of La Mancha, Hairspray and more. He is a graduate of Berklee College of Music, and his original compositions have been performed by The Esterhazy Quartet, the Tenuto Chamber Singers, and the ALEA III ensemble. He has written orchestrations and arrangements on commission for the Rhode Island Philharmonic orchestra and numerous other groups. He is currently the music director and accompanist at the Sugarloaf Performing Arts Center’s national award winning theatri-cal academy. Patrick was Musical Director on WBT’s recent holiday musical, Tim and Scrooge.

MICHAEL DAUER (Associate Choreographer) is excited to back at Westchester Broadway! Previous credits include Show Boat, Wizard of Oz, and West Side Story at WBT, as well as Dance Captain for the National Tour of Chicago. He has also danced for esteemed choreographers Josh Bergasse, Tyce Diorio, and Brice Mousset. Many thanks to Lisa, David and Bill for this wonderful opportunity. To find out more about Michael visit MichaelDauer.com.

whO’S whO

WESTCHESTER BROADWAY THEATRE 13

COMINGSOON

THE HILARIOUS,FAMILY-FRIENDLY

FEEL-GOOD MUSICAL!

Page 13: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

MICHAEL BOTTARI & RONALD CASE (Set & Costume Design and Execution) have been a design team for over 46 years, having designed both Sets and Costumes on Broadway: Rodgers & Hammerstein’s much loved State Fair (Producer David Merrick’s last Broadway show), Prince of Central Park, and Marc Shaiman’s Prop 8, The Musical on Broadway. They created new designs for the South African Hairspray with the original creators, and have been nominated for the Drama Desk, Outer Critics, & American Theatre Wing Awards, and won the 2003 and 2008 Lucille Lortel Awards. In 2006 they were nominated for the Drama Desk Award and won best Set and Costume Design (Dean’s List) for Ed Dixon’s Fanny Hill. They won the 2003 Lucille Lortel Award ,and were nominated for the Drama Desk that year for their costumes for Charles Busch’s Shanghai Moon and for the critically acclaimed feature film of Die Mommie

whO’S whO

14 WESTCHESTER BROADWAY THEATRE

Die that won a Sundance Award and several film awards. Off-Broadway: Stephen Cole’s The Road to Qatar, After the Fair, Night of the Hunter, Shine! (NYMF Design Award), Little Me, Carnival!, Ed Dixon’s Fanny Hill & Richard Cory, Opal, etc. National tours: I Do! I Do! (Lucie Arnaz, Larry Luckinbill), Camelot (Richard Harris), Man of La Mancha (John Raitt , Jack Jones, Ed Ames, Ron Holgate tours) the World tour of My Fair Lady (Noel Harrison), the 25th Anniversary Tour of The King and I (Yul Brynner returned to the role), Al Jolson, Tonight (Larry Kert), Funny Thing...Forum (Mickey Rooney), Show Boat (Shirley Jones, Van Johnson) Fiddler on the Roof (Theo Bikel) to mention just a few. Other Regional Theatre credits include the costume designs for the now legendary Betty Buckley Gypsy at the PaperMill Playhouse, the hit revival of Dames At Sea which they won numerous critics awards for their sets, costumes, and projections in San Francisco and played the Goodspeed Opera House, Cabaret at the Walnut Street Theatre (Barrymore Award Best Costume Design), Barrington Stage Co., Arkansas Rep, and many years designing huge sets at Starlight Musicals in Indianapolis and many shows for Burt Reynolds’ Jupiter Theatre (Carbonell Awards) and for Westchester Broadway Theatre many of our shows. They have designed clothes for such celebrities as Lucie Arnaz, Betty Buckley, Lorna Luft, Deborah Gibson, Andrea McArdle, Donna McKechnie, Susan Egan, Janis Paige, Nanette Fabray, Van Johnson, John Raitt, John Davidson, Laurence Luckinbill, B.D. Wong, among others. They have designed three nation-al tours of Fiddler on the Roof with Theodore Bikel and two premiere ballets for American Ballet Theatre.

ANDREW GMOSER (Lighting Design) has lit all of our mainstage productions since 1990. Over the years he has created the sets and/or lighting for a multitude of productions throughout Westchester and beyond, and is a proud recipient of the Cab Calloway Award for Outstanding Contribution to the Performing Arts in Westchester. Andrew loves his job design-ing lighting for all levels of theatre, from high school programs through professional Broadway-caliber productions. For over thirty years he was set and lighting designer (and from time to time, director) for Asbury Summer Theatre, and just completed his 22nd season with the MacHaydn Theatre in upstate New York. Through his com-pany, Silent G Productions, Andrew provides

_______________________________TUESDAY, JUNE 7

ballroom Dancesport Extravaganza WE ARE THE CHAMPIONS_______________________________TUESDAY, JUNE 14

Forever MotownA high-energy concert ofyOuR fAvORITE MOTOWN HITS_______________________________MONDAY, JUNE 20

Michael Amante“The People’s Tenor” inAN EvENING Of ROMANTIC MuSIC_______________________________TUESDAY, AUGUST 16

CSN Songs: Celebrating the Music of CROSby, STIllS, NASH & yOuNG_______________________________TUESDAY, AUGUST 23

Adult Comedy NightSizzling Summer EventfEATuRING 6 HOT ACTS_______________________________MONDAY, OCTOBER 3

boys of the bronx Doo Wop ConcertTHE bElMONTS and JOHN KuSE & THE EXCEllENTS

Page 14: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

theatrical lighting design, equipment, and con-sultation for live theatre, dance, and concerts. Andrew’s best and most important production is with his lovely wife, Catherine: their sixteen year old twins, Thomas and Elizabeth!

JONATHAN E. HATTON (Sound Design) is excited to be a part of the design team for Man of La Mancha. He has been a local Sound Designer in Westchester County since 2004. A few of his favorite shows to design include: Disney’s B&B, Titanic, Sweeney Todd and Legally Blonde. Jon has also worked for Broadway’s Beauty and the Beast, TOTS White Christmas On Tour, Sound Associates and PRG Audio. Jon would like to thank Jean Marie for putting up with his crazy schedule.

STEVE LOFTUS (Technical Director) has been one of our resident designers since Kiss Me, Kate in 2002. Some of his favorites at WBT include Gypsy, Phantom, Aida, Miss Saigon and In the Heights. As a set designer, Steve has provided scenery for many regional theaters, colleges and high schools around the Tri-state area. As well as a few tours and special events at Lincoln Center. Steve is also the owner of Scene Works Inc., a fully serviced scene shop providing all aspects of scenic design and fabrication based out of Ossining, NY. He is most proud to be a father to Elias and Aubrey.

JAMES JELKIN (Fight Director) is happy to return to Westchester Broadway Theatre where he has previously worked on Camelot and West Side Story. Also as a fight director: Three Musketeers, Man of La Mancha, and Band of the Black Hand for Connecticut Repertory Theatre and Blood Feuds (TV) for The American Heroes Channel. James is based out of Astoria, NY and holds an MFA in acting from The University of Connecticut.

VICTOR LUKAS (Production Stage Manager/Properties) is happy to be home after spending many years touring the country and having played in every state. Broadway and Equity National Tours include: Bring Back Birdie, Oh Brother, Joe’s...Coat, Cats, Teddy And Alice, One Night Stand, Woman Of The Year w/ Lauren Bacall, the Twyla Tharp/Billy Joel musical Movin’ Out, Cy Coleman’s Welcome To The Club and Barnum, Star of Indiana’s Blast!, Blood Brothers with Petula Clark, Carole King and Shaun & David Cassidy, and Disney’s Aida. For the WBT he has stage man-

WESTCHESTER BROADWAY THEATRE 15

whO’S whOaged many shows including the acclaimed Aida and Little Shop of Horrors, both directed by Patricia Wilcox; Richard Stafford’s Gypsy with Karen Mason; and Jonathan Stahl’s Nine. Off-Broadway shows include Annie Warbucks, Travels With My Aunt, Tuesday’s With Morrie, and Joan Of Arc with Glenn Close. Favorite gig – Touring with Petula Clark on her 2008 concert tour of England and Wales. Victor also runs “Grumpy’s Props,” a prop rental shop in Carmel NY. Grumpy’s Props also specializes in home & com-mercial decorating for holidays & theme parties. Visit us online at www.grumpysprops.com.

VON ANN STUTLER (Musical Contractor) Since the inception of the theatre 41 years ago, Von Ann has been responsible for putting together the excellent musicians which make up our orchestra. Each show has unique instrumen-tation requirements. Von Ann, in consultation with the musical director, determines the make-up and particular talented personnel to fulfill the show’s requirements. Von Ann is a musician having training in clarinet, piano and harp. She was a voice major at Michigan State University. She has raised 5 children and is the proud grandmother of 7 (four girls and 3 boys).

LISA TISO (Producer) is happy to be a part of the WBT family which she joined in 1979 as a buffet girl. Lisa has worked in nearly every department in our organization and, since 1991, as Associate Producer and as Producer on over 25 mainstage productions. Lisa and her 22 year old daughter, Carmen live in Ardsley with Maximus, their very own Toto.

BOB FUNKING AND BILL STUTLER (Owners / Executive Producers) On July 9, 2016, the West-chester Broadway Theatre will celebrate its 42ND

ANNIVERSARY, as well as the 26th Anniversary in this specifically designed, state of the art theatre. Bill and Bob, 2004 inductees into the “Westchester County Business Hall of Fame,” pioneered the Dinner Theatre concept in Westchester when they opened An Evening Dinner Theatre on July 9, 1974. Having designed and built An Evening from the ground up as a theatre that serves din-ner and lunch, they established their operation as a cultural mainstay in the tri-state area. The Westchester Broadway Theatre is the only year round theatre in Westchester where Broadway

st

Page 15: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

One Broadway Plaza, Elmsford, NY 10523Box Office (914) 592-2222Business Office (914) 592-2268 www.BroadwayTheatre.com

ADMINISTRATION Bill Stutler - PresidentBob Funking - Vice President / TreasurerLisa Tiso - Producer / Company ManagerJeffrey Lifrieri - Assistant Treasurer / HR ManagerJanet Schwartz - Internal AuditorArlene Tiso - BookkeeperPia Haas - Press / Public Relations DirectorSteve Calleran - House ManagerTarah Vega - House ManagerSusan Katz - House Manager

BOX OFFICERon Schlichting - Box Office Manager

GROUP SALESHeidi Giarlo - Manager (914) 592-2225Jessica Tucci - Group Sales Coordinator (914) 592-2225 Patrick McGillicuddy - (914) 592-2225Helen DeLago - (203) 637-9393Joanie Varela - (646) 385-2936

LUXURY BOXES/GROUP SALESGinny Baisi - (914) 592-8730

KITCHENAlex Sampaio - ChefRyan Stutler - Dining Room ManagerAnn Marie Mosca - Asst. Dining Room Manager

TECHNICAL STAFFAaron Cassese – AutomationRana Attia – Wardrobe MistressMichael Amabile – Deck AudioKayla Brought – PropsTeresa Capra – Spot OperatorSeth Crosby – DeckhandSarah Demarest – Sound EngineerKristi Kuligowski – Lightboard Operator Megan McQueeney – Lightboard Operator Yesenia Santiago – Spot OperatorColleen Till – Wardrobe

Program Design by Ferguson MarketingPresident: Raymond Ferguson

Art Director: Christine Fiedler Sarasin175 North Main Street, Branford, CT 06405

(203) 488 5262Produced For

Westchester Broadway TheatreBy Today Media Custom Communications

2 Clinton Avenue, Rye, NY 10580(914) 345 0601 Ext.117

ALL PERSONS SEEKING ADMISSION MUST HAVE A TICKET, including children of any age. IF YOU ARE CONSIDERING BRINGING A CHILD to the theatre, feel free to contact the Box Office with any questions regard-ing the content of the show. Although opin-ions on appropriate viewing may differ, we will do our best to answer your questions regard-ing language, violence and adult situations.

16 WESTCHESTER BROADWAY THEATRE

whO’S whOperformers, directors and designers gather to create the best in Musical Theatre. (They have produced more shows than most Broadway pro-ducers. Man of La Mancha is our 195th Mainstage Production.) The Westchester Broadway Theatre is the longest running, 52 week a year Equity theatre in the State of New York. Each show is produced exclusively for the theatre and each is approached in the same manner as Broadway Productions: casting Broadway per-formers at auditions in New York City, and hir-ing the creative staff (Directors, Choreographers, Musical Directors, Set, Costume and Lighting Designers). On the dark nights of the musicals, Bill and Bob have presented over 900 Monday and Tuesday night specials and, in 1997, inaugu-rated the Gold Star Series of Concerts present-ing Jackie Mason to a sold-out house. Other great performers in the Gold Star series have been Tom Jones, George Carlin, Paul Anka, Wayne Newton, and Harry Belafonte. With the continued support of the people of the tri-state area, we pledge to continue to present the best in theatre and dining.

ACTORS’ EQUITY ASSOCIATION(AEA), founded in 1913, rep-resents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the

art of live theatre as an essential component of our society. Equity negotiates wages and work-ing conditions, providing a wide range of bene-fits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of perform-ing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

20

16

AT

TH

e W

bT

THE VIDEOTAPING OF THIS PRODUCTION IS A VIOLATION OF THE UNITED STATES COPYRIGHT

LAW AND AN ACTIONABLE FEDERAL OFFENSE

DOWNlOAD THE

WbT App

Page 16: WESTCHESTER BROADWAY THEATREMan Of La Mancha was inspired by Miguel de Cervantes’ 1615 masterpiece, The Adventures Of Don Quixote, the second biggest selling book in the history

SEPT. 15 – NOV. 27, ’16; AND

DEC. 29, ’16 – JAN. 29, ’17

WbT 2016 vIP SubSCRIPTION PlANS

Subscribe and Save! SAVe uP To 25%off regular ticket prices on these fabulous musicals!

MARCH 3 – MAY 1, 2016 MAY 5 – JULY 17, 2016

“If you like GREASEyou will love HAPPY DAYS.

…Not to be missed!” – New York Daily News

JULY 21 – SEPT. 11, 2016

Vibrant Choreographyand the Everlasting Hits of the Bee Gees

20

16

AT

TH

e W

bT

A NeW MuSiCAL