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Week 9: Postwar Modern Movements Chapter 23 Miss McAlpine

Week 9: Postwar Modern Movements

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Week 9: Postwar Modern Movements. Chapter 23 Miss McAlpine. Agenda. Today – Modernity; Jeopardy 11/8 – Exam on AH; Art theories 11/15 – Warhol Museum 11/22 – Warhol Presentations 11/29 – NO CLASS 12/6 – Review for final – finish paintings 12/13 – FINAL EXAM. What are we doing?. - PowerPoint PPT Presentation

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Page 1: Week 9: Postwar Modern Movements

Week 9: Postwar Modern Movements Chapter 23Miss McAlpine

Page 2: Week 9: Postwar Modern Movements

AgendaToday – Modernity; Jeopardy11/8 – Exam on AH; Art theories11/15 – Warhol Museum11/22 – Warhol Presentations11/29 – NO CLASS12/6 – Review for final – finish

paintings12/13 – FINAL EXAM

Page 3: Week 9: Postwar Modern Movements

What are we doing?Review previous materialObtain info on ModernismJEOPARDY review gameContinue paintings!

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ANCIENT ART

Paleolithic◦ “Old” “Stone”◦ “Venus of

Willendorf”Mesolithic

◦ “Middle” “Stone” Neolithic

◦ “New” “Stone”◦ “Stonehenge”

“Code of Hammurabi”

“Pallet of Narmar”

Imhotep“The Great

Pyramids”King Tut

PREHISTORIC EGYPTIAN

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GREEK & ROMAN Archaic

◦ “Kouros”

Classical◦ Contrapposto◦ “Parthenon”

Athena Parthenos

Hellenistic◦ “The Laocoon

Group”◦ This era saw the

rise of Rome

GREECE “The Collosseum” by

the Flavian family Pantheon – oculus Emperor Constantine

BYZANTINE

“Old St. Peter’s Basilica

Emperor Leo III Empress Theodra

ROME

Page 6: Week 9: Postwar Modern Movements

MEDIEVAL/RENAISSANCEMEDIEVAL ART

◦ Barbarians – nomads

IRELAND◦ “Book of Kells”

ROMANESQUE◦ Architecture of mid-11th

to mid-12th century

GOTHIC◦ “Notre Dame of

Chartres”◦ “Rose de France”

RENAISSANCE◦ Linear Perspective◦ Donatello’s David◦ Medici Family◦ Leonardo da Vinci

Art & science = knowledge

◦ “The Creation of Adam”

◦ “The School of Athens”◦ Jan van Eyck◦ “Feast at the House of

Levi”

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18th & 19th CENTURIESNEOCLASSICISM

◦ Jacques Louis David◦ “Cornelia, Pointing to

her Children as her Treasures”

ROMANTICISM◦ Robert S. Duncanson

REALISM◦ Academic Art◦ School of Fine Arts◦ Salon

IMPRESSIONISM◦ Edourd Manet◦ Claude Monet◦ Mary Cassatt◦ “The Thinker”

POST IMPRESSIONISM◦ Seurat – Pointillism◦ Cezanne◦ Vincent van Gogh◦ Gauguin

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EARLY 20th CENTURYFAUVISM

◦ “les fauves”◦ Henri Matisse

EXPRESSIONISM◦ The Bridge◦ The Blue Rider

CUBISM◦ Geometric

abstraction◦ Synthetic Cubism◦ Braque◦ Picasso

ABSTRACT SCULPTURE◦ Constantin Bruncusi◦ “Bird in Space”

FUTURISM & MOTION◦ Duchamp “Nude

Descending a Staircase”

Page 9: Week 9: Postwar Modern Movements

BETWEEN WORLD WARSDADA

◦ Zurich◦ “L.H.O.O.Q” by

Duchamp

SURREALISM◦ Paris◦ Sigmund Freud◦ Earnest & Dali

DE STIJL◦ The Style◦ Mondrain

POLITICAL PROTEST◦ “Guernica”

AMERICAN REGIONALISM◦ “American Gothic”

HARLEM RENAISSANCE ◦ “The New Negro” by Locke

ORGANIC ABSTRACTION◦ “Forms in Echelon”

Page 10: Week 9: Postwar Modern Movements

Week 9: Postwar Modern Movements Chapter 23Miss McAlpine

Page 11: Week 9: Postwar Modern Movements

Postwar Modern MovementsIt became that whatever an artist

did, or what the museum exhibited, became art

The New York School:◦Many people fled Europe to come to

U.S.◦Artists include Mondrain, Leger,

Duchamp, Dali and Breton

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ABSTRACT EXPRESSIONISM- Culmination of expressive tendencies in painting from Fauvism, German Expressionism, and Surrealism- Jackson Pollock – leading innovator

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“Autumn Rhythm” by Pollock; 1950

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“Elegy to the Spanish Republic” by Robert Motherwell; 1953-54

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“Woman and Bicycle” by Willem de Kooning; 1952-53

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“Cubi XVII” by David Smith; 1963

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“Blue, Orange, Red” by Mark Rothko; 1961

Color field Painting

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EVENTS & HAPPENINGS- Cooperative events in which viewers become active participants in partly planned, partly spontaneous performances

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“Decoy Gang War Victim” by Richard Hamilton; 1956

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POP ART

Used real objects or mass-production techniques in their artWanted to challenge cultural assumptions about def. of art1st appeared in London, but flowered in U.S.

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Pop Art CriteriaAccording to London artist, Richard Hamilton

◦ Popular (designed for mass audience)◦ Transient (short-term solution)◦ Expendable (easily forgotten)◦ Low-cast◦ Mass-produced◦ Young (aimed at youth◦ Witty◦ Sexy◦ Gimmicky◦ Glamorous◦ Big Business

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“Just What is It that makes Today’s Homes So Different, So

Appealing?” by Richard Hamilton; 1956

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Andy WarholMost visible and controversial

exponent of pop artMost famous for his Coca-cola

and Campbell's Soup can

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“Marilyn Diptych” by Warhol; 1962

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“Little Race Riot” by Warhol; 1962

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“Drowning Girl” by Roy Lichtenstein; 1963

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MINIMAL ARTArt that referred to nothing outside itself, told no story except for its own shapes and colorsIt was a quest to see if art could still be art without representation, storytelling, or personal feelingDonald Judd was one of the leaders

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“Untitled” by Judd; 1967

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“Agbatana III” by Frank Stella; 1968

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CONCEPTUAL ART

After minimalism, art became only about an ideaBased on the fact that a work of art usually begins as an idea in the artists’ mindWork of art is an idea first, then its creator carries out that ideaCreativity is a mental process

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“One and 3 Chairs” by Joseph Kosuth; 1965

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SITE WORKS & EARTHWORKS

Site specificSculptural materials designed to interact with but not permanently alter the environment

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“Tilted Arc” by Richard Serra; 1981

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Richard Serra, Tilted Arc, 1981

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Richard Serra, Carnegie, 1985

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“Spiral Jetty” by Robert Smithson; 1970

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L: Walter De Maria, Lightning Field, 1971-77R: Christo and Jeanne-Claude, Running Fence, 1972-76

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EARLY FEMINISM

Late 60’s, many women artists began to speak out against discrimination in their careersRare for women to be taken seriously in artists groups

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Judy Chicago, The Dinner Party, 1973-79

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Judy Chicago, The Dinner Party, 1973-79

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Judy Chicago, The Dinner Party, 1973-79

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Judy Chicago, The Dinner Party, 1973-79

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PERFORMANCE ARTDo not create anything durable, rather perform actions before an audience or in nature

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“How to Explain Pictures to a Dead Hare” by Joseph Beuys; 1965

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CONTEMPORARY ART

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Kara Walker, Insurrection! (Our Tools were Rudimentary, Yet We Pressed On), installation at the Guggenheim, 2000

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Damien Hirst, Mother and Child, 1994

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Damien Hirst, Mother and Child, 1994

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Damien, Hirst, Physical Impossibility of Death in the Mind of the Living, 1991

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Damien Hirst, Away from the Flock, 1994