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Website Analysis: SPCA Auckland The Society for the Prevention of Cruelty to Animals Auckland Incorporated (SPCA) has been rescuing animals since 1883. Their website, http://www.spcaauckland.org.nz, allows users to find information about their organisation, adopt animals and donate to their cause. Websites are specifically designed to influence behaviour. They are constructed using many different elements, such as textual structure, images and colour in order to induce users to make decisions that benefit the organisation. This analysis looks into how SPCA’s website utilises these aspects as well as the effectiveness of the design. Textual Structure SPCA's website welcomes visitors with images, featuring a slideshow. The words "Adopt" and "Donate" are capitalised, highlighted and enlarged at the top of the page across the company logo, which is placed at the top-left corner. Phrases such as, "Help save innocent lives" are positioned at the top-left corner of the slides, then text continues vertically below. This layout is popularly used in text-heavy sites, according to Nielsen (2006), because "users first read in a horizontal movement, usually across the upper part of the content area… then read across in a second horizontal movement… and finally, users scan the content's left side in a vertical movement”, following an ‘F’ shaped pattern (pg.1). The ‘F’ refers to how screens are usually scanned by users, as the majority of people read from left to right. Although SPCA’s website is not text-heavy, this layout is suitable for drawing users to focus on certain sections of the webpage that are considered most important by the organisation. More images are introduced when scrolling down, as well as several hyperlinks. Overall, SPCA appears to have employed ‘scannable text’, a design that uses features such as highlighted words (including hypertext links, typeface variations and colour), meaningful sub-headings and minimal text. This corresponds to Nielson’s observation that web users tend to scan web pages rather than read word for word (1997). The positioning of the logo, images and highlighted words, such as “Adopt” and “Donate”, appear to be deliberately placed towards the top of the fold, where crucial information is more easily noticed. Less important content is positioned towards the bottom as readers are probably unlikely to scroll down unless initially intrigued (Warnick, 2006).

Website Analysis: SPCA Auckland - WordPress.com · 2016-10-24 · American humour magazine, National Lampoon. Each aspect of a photograph involves choices made by designers for achieving

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Page 1: Website Analysis: SPCA Auckland - WordPress.com · 2016-10-24 · American humour magazine, National Lampoon. Each aspect of a photograph involves choices made by designers for achieving

WebsiteAnalysis:SPCAAuckland

TheSocietyforthePreventionofCrueltytoAnimalsAucklandIncorporated(SPCA)hasbeenrescuinganimalssince1883.Theirwebsite,http://www.spcaauckland.org.nz,allowsuserstofindinformationabouttheirorganisation,adoptanimalsanddonatetotheircause.Websitesarespecificallydesignedtoinfluencebehaviour.Theyareconstructedusingmanydifferentelements, such as textual structure, images and colour in order to induce users tomakedecisionsthatbenefittheorganisation.ThisanalysislooksintohowSPCA’swebsiteutilisestheseaspectsaswellastheeffectivenessofthedesign.

TextualStructure

SPCA's website welcomesvisitors with images, featuring aslideshow. The words "Adopt" and"Donate" are capitalised, highlightedand enlarged at the top of the pageacross the company logo, which isplacedat thetop-leftcorner.Phrasessuchas,"Helpsaveinnocentlives"are

positionedatthetop-leftcorneroftheslides,thentextcontinuesverticallybelow.Thislayoutispopularlyusedintext-heavysites,accordingtoNielsen(2006),because"usersfirstreadinahorizontalmovement,usuallyacrosstheupperpartofthecontentarea…thenreadacrossinasecondhorizontalmovement…andfinally,usersscanthecontent'sleftsideinaverticalmovement”,followingan‘F’shapedpattern(pg.1).The‘F’referstohowscreensareusuallyscannedbyusers,asthemajorityofpeoplereadfromlefttoright.AlthoughSPCA’swebsiteisnottext-heavy,thislayoutissuitablefordrawinguserstofocusoncertainsectionsofthewebpagethatareconsideredmostimportantbytheorganisation.

More images are introduced when scrollingdown,aswellasseveralhyperlinks.Overall,SPCAappears to have employed ‘scannable text’, adesign that uses features such as highlightedwords (including hypertext links, typefacevariationsandcolour),meaningfulsub-headingsandminimal text.ThiscorrespondstoNielson’sobservation that web users tend to scan webpagesratherthanreadwordforword(1997).Thepositioning of the logo, images andhighlightedwords,suchas“Adopt”and“Donate”,appeartobe deliberately placed towards the top of thefold, where crucial information is more easilynoticed. Less important content is positionedtowards the bottom as readers are probablyunlikely to scroll down unless initially intrigued(Warnick,2006).

Page 2: Website Analysis: SPCA Auckland - WordPress.com · 2016-10-24 · American humour magazine, National Lampoon. Each aspect of a photograph involves choices made by designers for achieving

Images

SPCA's webpage is heavily image-based and uses minimal text. It incorporates manyphotographs, and a slideshow, giving center stage to animalswho appear to be in need.Researchsuggeststhathumanbrainsarewiredtomirrorbehavior(Jeffers,2009)andthat“mirrorneurons”helpusempathisewiththeworldaroundus.Thisrelatesnotonlytoreal-life, but to images as well. Blewitt (2013) mentions that animal welfare organisations“commonly use imagery… to elicit a reaction, leading to anger and indignation, or guilt,sorrowandempathy”(pg.80).Thevieweristhenmotivatedtoactinresponse.SPCA’suseofhelplessanimalsmaybetoelicitempathy.Presumably,thisismeanttoinfluencethereadertoclickonbuttonsstrategicallyplacedwithintheimagesandcloselyaroundthem,suchas“Adopt”and“Donate”.

Eyecontactisoneofthemostimportantandprimitivemeansofcommunication(Furnham,2014).Theimagesusedintheslideshowallutiliseeye-contacttoestablisha personal connection with the viewer through non-verbalcommunication. Astudyonempathywithdogssuggests that humans have a special concern forinnocentanddefenselesscreatures.Therefore,theuseof animals that are supposedly in need of protectioncreatesanemotionalrelationshipwithviewers.(Herzog,2015). A parody of this approach was used in anAmericanhumourmagazine,NationalLampoon.

Eachaspectofaphotograph involveschoicesmadebydesignersforachievingpersuasiveends(Wysocki,2004).This poster depicts the underlyingmessage of relatedimages,suchastheonesshownontheSPCAwebpage,to urge people to help helpless animals by ‘donating’,‘adopting’, or in National Lampoon’s case, buying amagazine.

Colour

SPCAuseswhatistraditionallyknownasatriadiccolor scheme (Chapman, 2010). This is a designthat uses colours that are evenly spaced on thecolour wheel that naturally complementeachother. The colours SPCA uses are light blue,berry-redandyellow-orange.Colourspresumablyhave underlying implications and are meant toevokecertainemotionswithintheviewer.

Page 3: Website Analysis: SPCA Auckland - WordPress.com · 2016-10-24 · American humour magazine, National Lampoon. Each aspect of a photograph involves choices made by designers for achieving

Bluesaremeanttoconveytrustandloyalty.Therefore,SPCA’suseofthecolourblueintheirlogoisappropriate,asvisitorsmaytendtoassociatetheorganisationwithtrustandloyalty.Redisacolourthatcapturesattention.Itissaidtobethesecondmostvisiblecolourandwillgrasptheattentionofreadersbeforeanyothercolour,apartfromyellow.Highlightingthebutton“Donate” inaberry-red isasuitablewayto inconspicuouslymakeuseofastrikingcolour,duetothebluehuesinberry-reds.Notonlywillthereadernotice“Donate”early,butwillalsosensethetrustand loyaltythatbluecoloursconvey.Lastly,orange isbelievedtosymbolise energy, excitement and adventure. Considering that yellow is themost visiblecolour to theeye,usingayelloworangewilldrawattentionaswellasexpressasenseofenergyandexcitementandmayappeal to thosewhodonotparticularlyenjoythecolourorange.Thishelps“Adopt”tostandoutaswellasinduceexcitementandasenseofadventurewithinthereader (Morton,2016).

Inconclusion,SPCA’swebsitehasmanyaspectsthatattempttoinfluencewebuserbehavior.Thesehelptoconnectwithreaders,inducecertainemotionsandelicitadesiredresponse.Every effective website should employ elements, including textual structure, images andcolour,appropriatelyandstrategicallyinordertomaximisesuccess.References:Blewitt,J.(2011).Themedia,animalconservationandenvironmental

education.EnvironmentalEducationResearch,17(6),711-718.Chapman,C.(2010,February8).Colortheoryfordesigners:Creatingyourowncolor

Palettes–smashingmagazine.RetrievedOctober17,2016,fromhttps://www.smashingmagazine.com/2010/02/color-theory-for-designer-part-3-creating-your-own-color-palettes/

Furnham,A.(2014,December10).Thesecretsofeyecontact,revealed.RetrievedOctober

17,2016,fromhttps://www.psychologytoday.com/blog/sideways-view/201412/the-secrets-eye-contact-revealed

Herzog,H.(2015,April13).WhyPeopleCareMoreAboutPetsThanOtherHumans.

RetrievedOctober17,2016,fromWIRED,https://www.wired.com/2015/04/people-care-pets-humans/

Jeffers,C.S.(2009).Onempathy:Themirrorneuronsystemandarteducation.International

journalofeducation&thearts,10(15),1-17.Morton,J.(2016).Colormatters.RetrievedOctober17,2016,from

https://www.colormatters.com/

Nielsen,J.(2006).F-shapedpatternforreadingwebcontent.RetrievedOctober11,2016,fromhttps://www.nngroup.com/articles/f-shaped-pattern-reading-web-content/

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Nielson,J.(1997,October1).Howusersreadontheweb.RetrievedOctober13,2016,fromhttps://www.nngroup.com/articles/how-users-read-on-the-web/

Warnick,B.(2006).Rhetoricontheweb.InP.Messaris&L.Humphreys(Eds.),DIGITAL

MEDIATransformationsinHumanCommunication(pp.139-145).NewYork,UnitedStatesofAmerica:PeterLangPublishing,Inc

Wysocki,A.(2004).Themultiplemediaoftexts:Howonscreenandpapertextsincorporate

words,images,andothermedia.Whatwritingdoesandhowitdoesit:Anintroductiontoanalyzingtextsandtextualpractices,123-163.