84
Thinking about the Re-Build Di Lucas, Landscape Architect 23 May 2012

WEA & Friends of the Art Gallery

Embed Size (px)

DESCRIPTION

WEA & Friends of the Art Gallery

Citation preview

Page 1: WEA & Friends of the Art Gallery

Thinking about the Re-Build

Di Lucas, Landscape Architect

23 May 2012

Page 2: WEA & Friends of the Art Gallery

Layers of Christchurch

Source: Lucas Associates

Page 3: WEA & Friends of the Art Gallery

Source: The Natural History of Canterbury,

p. 43 & 46

Page 4: WEA & Friends of the Art Gallery

Source: Lucas Associates, 1995

Coastal Port Hills Dry Plains Wet Plains

Page 5: WEA & Friends of the Art Gallery

Christchurch Ecosystems

Source: Lucas Associates, 1995

Page 6: WEA & Friends of the Art Gallery

Ecosystems of Christchurch

Source: Lucas Associates 1995

Page 7: WEA & Friends of the Art Gallery

Lucas Associates

Page 8: WEA & Friends of the Art Gallery

Source: Lucas Associates

Page 9: WEA & Friends of the Art Gallery

Source: Lucas Associates 2011

1850 Landcover of Christchurch Our coloured version of 1850 Black Map (signed off in 1856)

Page 10: WEA & Friends of the Art Gallery

Avon riverbank dune 1852 Dune 1852 Dune 1852

Page 11: WEA & Friends of the Art Gallery

Shorelines in the last 9,000 years

Source: The Estuary Where Our Rivers Meet the Sea Christchurch’s Avon-Heathcote Estuary & Brooklands Lagoon, p. 4

Page 12: WEA & Friends of the Art Gallery

H a g l e y P a r k

n a t u r a l i s l a n d –

R i c c a r t o n B u s h

Source: The Natural History of Canterbury

Page 13: WEA & Friends of the Art Gallery

Totara stumps 1m metre be low ground, C o nve n t i o n C e n t re s i t e , 1 9 9 7 Source: Lucas Associates

Page 14: WEA & Friends of the Art Gallery
Page 15: WEA & Friends of the Art Gallery
Page 16: WEA & Friends of the Art Gallery
Page 17: WEA & Friends of the Art Gallery
Page 18: WEA & Friends of the Art Gallery

1 8 5 0 A park greenbelt was to:

•Improve the environment

for the working class

•Separate urban and rural

•Control city expansion

•Guard against & protect the

natives

•Transplant the British

landscape

G r e a t e s t H e a l t h f o r t h e G r e a t e s t N u m b e r

Page 19: WEA & Friends of the Art Gallery

‘So that’s how you treat waterways in the city. Interesting!’ - Dick Lucas

(1993)

Page 20: WEA & Friends of the Art Gallery

M a n c h e s t e r S t r e e t

Page 21: WEA & Friends of the Art Gallery

Central City Waterways as at 1850 & 2000

Source: Christchurch City Council 1999

Page 22: WEA & Friends of the Art Gallery

Halswell

River

levees

ripped after

the

February

earthquake

Page 23: WEA & Friends of the Art Gallery

Source: Lucas Associates

Page 24: WEA & Friends of the Art Gallery
Page 25: WEA & Friends of the Art Gallery

Poplar Crescent on the

Avon from Manchester to

Madras Streets

Page 26: WEA & Friends of the Art Gallery
Page 27: WEA & Friends of the Art Gallery

Living Outstanding Landscapes

T h e S h a p e o f C h r i s t c h u r c h

Avon River Public Open Space

Summary

Avon River

Source: Lucas Associates 1995

Page 28: WEA & Friends of the Art Gallery

S T U F F T H E

G R I D !

T h e d r a u g h t y e a s t -

w e s t c h a n n e l s , t h a t

i s , p l a n t t h e m u p .

B i s e c t & i n t e r s e c t

t h e g r i d t o c r e a t e

f r i e n d l y, g r e e n l a n e

s p a c e s .

Page 29: WEA & Friends of the Art Gallery
Page 30: WEA & Friends of the Art Gallery

Source: Lucas Associates

Page 31: WEA & Friends of the Art Gallery

Source: Lucas Associates

Page 32: WEA & Friends of the Art Gallery
Page 33: WEA & Friends of the Art Gallery

Source: Christchurch City Council 1999

C o m m e n d a b l e

w o r k s

Page 34: WEA & Friends of the Art Gallery

Day-lighted stream corner of Barbados & Salisbury Streets

Page 35: WEA & Friends of the Art Gallery

Day-lighted waterway through central

Seoul

Source: maximizingprogress.org

BEFORE

AFTER

Page 36: WEA & Friends of the Art Gallery

W a i t a n g i P a r k , W e l l i n g t o n

Source: A Deeper Shade of Green, p184

Page 37: WEA & Friends of the Art Gallery

Source: Waitangi Park, Wraight Associates

Page 38: WEA & Friends of the Art Gallery
Page 39: WEA & Friends of the Art Gallery
Page 40: WEA & Friends of the Art Gallery

Marokapara, Lucas Associates

Page 41: WEA & Friends of the Art Gallery
Page 42: WEA & Friends of the Art Gallery

Re-instate lushness

Page 43: WEA & Friends of the Art Gallery

N a t u r a l l y s o f t , l u s h f o r e s t e d g r o u n d e x p r e s s e d

M a r o k a p a r a , 3 4 9 M a n c h e s t e r S t . Lucas Associates

Page 44: WEA & Friends of the Art Gallery

DRAFT LIDAR, use with care overlain with Flood Management Areas March 2011

Page 45: WEA & Friends of the Art Gallery
Page 46: WEA & Friends of the Art Gallery
Page 47: WEA & Friends of the Art Gallery
Page 48: WEA & Friends of the Art Gallery

After

Levee rip - Before

Page 49: WEA & Friends of the Art Gallery

Manchester St : Swale & Heritage Park

Page 50: WEA & Friends of the Art Gallery

‘ M a r o k a p a r a ’ G r e e n R o o f ( b u i l t 1 9 9 8 ) example of a ‘green roof’ in the city increasing local biodiversity while reducing water runoff to storm-water system

balcony wall greened

with native climber

Source: Lucas Associates

Page 51: WEA & Friends of the Art Gallery

Source: Lucas Associates

R a i n G a r d e n s

Page 52: WEA & Friends of the Art Gallery

Day-lighted stream corner of Barbados & Salisbury Streets

Page 53: WEA & Friends of the Art Gallery

Wells in Christchurch

Page 54: WEA & Friends of the Art Gallery

‘Chalice’ by Neil Dawson

Page 55: WEA & Friends of the Art Gallery
Page 56: WEA & Friends of the Art Gallery

Clock Tower, Christchurch re ‘remembering nature & culture through art’

Echo, Neil Dawson (1981)

Page 57: WEA & Friends of the Art Gallery

Totara Forest

Timber, bark, berries, fruit, medicine & birds

Tangata Whenua Historic Cultural Elements

Houhere

Harakeke & ti

Weaving & plating, ropes, baskets, food & fibre

Site Location

Setting

Page 58: WEA & Friends of the Art Gallery

Identity Design Proposal

Key Elements

• Courtyard in centre of block

• Permeable space

• 3D space, bridges for surveillance, elevation

• Source point storm-water treatment

• Wide footpath, asymmetrical street plan

• Gondwanan Ecology

Setting

Page 59: WEA & Friends of the Art Gallery

Tīrewa

Page 60: WEA & Friends of the Art Gallery

Tīrewa

Page 61: WEA & Friends of the Art Gallery

Transformer 3D Views

Page 62: WEA & Friends of the Art Gallery

Tj ibaou Cu l tu ra l Cent re , New Ca ledon ia

Page 63: WEA & Friends of the Art Gallery

Venice images pre & post

Page 64: WEA & Friends of the Art Gallery

Venice snapshots again

Page 65: WEA & Friends of the Art Gallery

New York pre & post

Page 66: WEA & Friends of the Art Gallery

UC Seismic testing – no damage

Page 67: WEA & Friends of the Art Gallery

For New Zealand:

69

• Solid timber

• Commercial buildings

• Rapid-to-build

• Fire performance

• Light weight

• Structural

/seismic performance

• Subjected to multiple

earthquake records…

Page 68: WEA & Friends of the Art Gallery

For Christchurch

Glulam or CLT

LVL Rounds

There are options…

70

Page 69: WEA & Friends of the Art Gallery

Why use MS timber buildings?

• A national commodity

• Low energy (sustainable)

• Easy-to-build

• Rapid-to-build

• Fire performance

• Structural/seismic performance

• Reduced mass:

» Reduced seismic demand

» Reduced foundation demands

72

Page 70: WEA & Friends of the Art Gallery

Strong foundation

• Light building

• Adjustment

• Strong foundation

Page 71: WEA & Friends of the Art Gallery

Strong foundation

• Light building

• Adjustment

• Strong foundation

Page 72: WEA & Friends of the Art Gallery

CLT - Austria

Page 73: WEA & Friends of the Art Gallery

Above ground foundations

Image sources: UTS Students & Dunning Thornton Consultants Ltd

Page 74: WEA & Friends of the Art Gallery

Briscoes foundations Salisbury St.

Page 75: WEA & Friends of the Art Gallery

Te Kauwhata Library Waikato

Page 76: WEA & Friends of the Art Gallery

Ohakune Visitor Centre

Page 77: WEA & Friends of the Art Gallery

Forestry Hall, Tomochi in southern Japan Community centre & sports hall Completed 2004 Architect: Taira Nishazawa

Page 78: WEA & Friends of the Art Gallery

Waitomo Caves

Page 79: WEA & Friends of the Art Gallery

Waitomo Caves

Page 80: WEA & Friends of the Art Gallery

C o n v e n t i o n C e n t r e L o c a t i o n

Page 81: WEA & Friends of the Art Gallery

Victoria University

Page 82: WEA & Friends of the Art Gallery

S O L A R

Page 83: WEA & Friends of the Art Gallery

Small prototype solar towers were used to measure how 3-D shapes can improve solar output.

(Credit: Allegra Boverman/MIT)

This artist's drawing shows how a 3-D solar tower

could be used in city centers to charge electric

bicycles. (Credit: MIT)

S O L A R

Page 84: WEA & Friends of the Art Gallery

www.lucas-associates.co.nz