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T his Victorian building was modernised in the late 1900s to form a church room upstairs and a hall downstairs. The original organ, occupying a position very similar to that at Peel Methodist Church, was discarded and a new instrument provided by Laycock and Bannister of Yorkshire. The console is positioned advantageously in the church, with the pipework fitted into a chamber at the front of the room, behind 2 rectangular openings, covered in black cloth. This makes the instrument unique, in that it has no case. Waterloo Road Methodist Church, Ramsey Gt: 16 (from C13) 8,8,8,4,4,4,2 2 / 3 , 2, Sw: 8,8,4,4,2 2 / 3 , 2,1 1 / 3 , 16 (from C13) 8,4, Ped: 16,8,8,4,4,8.

Waterloo Road Methodist Church, Ramsey - Culture Vannin · flute salicet contra salicional great ano pedal combns- couple o principal twelfth open diapason great to pedal salicional

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Page 1: Waterloo Road Methodist Church, Ramsey - Culture Vannin · flute salicet contra salicional great ano pedal combns- couple o principal twelfth open diapason great to pedal salicional

This Victorian building was modernised in

the late 1900s to form a church room

upstairs and a hall downstairs. The original

organ, occupying a position very similar to that

at Peel Methodist Church, was discarded and a

new instrument provided by Laycock and

Bannister of Yorkshire. The console is

positioned advantageously in the church, with

the pipework fitted into a chamber at the front

of the room, behind 2 rectangular openings,

covered in black cloth. This makes the

instrument unique, in that it has no case.

Waterloo Road Methodist Church, Ramsey

Gt: 16 (from C13) 8,8,8,4,4,4,22/3,2, Sw: 8,8,4,4,22/3,2,11/3,16 (from C13) 8,4,

Ped: 16,8,8,4,4,8.

Page 2: Waterloo Road Methodist Church, Ramsey - Culture Vannin · flute salicet contra salicional great ano pedal combns- couple o principal twelfth open diapason great to pedal salicional

Laycock’s used the limited space and

finances available to build an extension

organ, with 4 sets of pipes playable at

different pitches and controlled by the many

stop-keys to each side of the keyboards.

The result is an instrument which can cope

with all the usual demands of service and

concert playing and with much more variety

and flexibility than could ever be had from

just 4 different stops.