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There are two reasons why we have gone to Paris on March, 2012. The first and most important was to visit the city with AW’s VP; Bels, who haven’t come for a few years, and I, the Prez, wanted to guide her through the city and acquire a new point of view, more mature than at my last visit. The second reason was to meet with the last member to be added to the crew; Gor Mandra, who is living there and will work with us and help us get the name of the Warriors printed on the walls of Montmartre.Anyway, you don’t really need a reason to visit Paris, you can go as many times as you want to and you’ll always find intersting new things, old detils and cool places that you haven’t noticed on your previous visit.This is a three day trip with out Hipstamatic through Paris.
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awPhonography
The Art Warriors
Warriors in ParisA three day journey with Hipstamatic
1 Why we chose Paris and what the heck is this...
About
ii
There are two reasons why we have gone to Paris on March, 2012. The first and most important was to visit the city with AW’s VP; Bels, who haven’t come for a few years, and I, the Prez, wanted to guide her through the city and acquire a new point of view, more mature than at my last visit.
The second reason was to meet with the last member to be added to the crew; Gor Mandra, who is living there and will work with us and help us get the name of the Warriors printed on the walls of Montmartre.
Anyway, you don’t really need a reason to visit Paris, you can go as many times as you want to and you’ll always find intersting new things, old detils and cool places that you haven’t noticed on your previous visit.
This is a three day trip with out Hipstamatic through Paris.
About
2 “It’s hip to be square”
Cambag
Combo Nº 3
1. Lens: John S
2. Film: Pistil’s HPSTM 269
3. Flash: Tasty Pop
4. Case: Damen
4
John SThe lens improves the blue, green and red zones of the flick, smoothly darkness the edges and generates an interesting texture.
Works fine with the film, specially in interiors or cloudy days.
PistilThis one’s a classy one, very beautyful with the black frame and the little glow from side to side.
Tasty PopThis flash comes with the Foody pack and it shows a random yellow glow that make the flick look like it have a light leak.
T’s cambag
Organic
Combo Nº 3
1. Lens: Texas / Helga Viking
2. Film: Ina’s 1969 /AO BW
3. Flash: Cadet Blue Gel
4. Case: Eggshell White
5
Texas / Helga Viking
I always use the Texas lense because of its warmth. I love pictures that remind me of summer.
The Helga Viking was a mistake, but at the end the result was cool.
Ina’s 1969 /AO BWIna’s 1969 gives us this sepia frame which combines perfectly with the Texas lense.
Cadet Blue GelI rarely used the flash but randomly I chose the Cadet Blue Gel, that’s what it is about Hipstamatic try,try,try... you’ll never know what it’s going to happen!
Eggshell WhiteI use the Hipstamatic White Case because my iPhone is white. I’m AW’s light you know.
B’s combos
Don’t mess with Texas
3 A sunny day! We went to the Tour Eiffel, saw a carousel then took a trip at the Sienne and ended by the Arch of Triumph...
Day One
7
Day One
Tour Eiffel
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Day One
Carousel
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Day One!
Sienne
15
Day One
Arch of Triumph
4 When we paid a visit to the Louvre, took a walk around the Concorde Square, visited Lafayette Gallery’s roof and then took a walk around the hood, and up to Sacre Coeur.
Day Two
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Day Two
Louvre Museum
42
Day Two
Concorde
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Day Two
Madelaine, Opera & Lafayette
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Day Two
Montmartre
5 When we saw the wall of love, walked from La Bastille to Jules Verne station, got caught by heavy rain and landed in Kandinsky’s fountain, and went to La Cité to visit Notre Damme and Shakespeare & Company and finally hooked up with Gor Mandra!
Day Three
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Day Three
I Love You: The Wall
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Day Three
A walk to Arts et Metiers
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Day Three
Kandinsky
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Day Three
Notre Damme
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Day Three
Shakespeare and Company
6 When we had a fantastic breakfast at Amelié’s original café and a french waiter talked to us in spanish.
Day Four
89
Last Day
Café des 2 Moulins
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All of the photos of this e-book have been made by Antonio Gamboa Gámez and / or Belén Moya Martín. You are not allowed to use them, sell them or credit them as yours. You can share them by crediting the photographers or Art Warriors as authors.
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