37
e Angle Volume 2009 | Issue 1 Article 24 2008 Full Issue No Author How has open access to Fisher Digital Publications benefited you? Follow this and additional works at: hp://fisherpub.sjfc.edu/angle Part of the Creative Writing Commons is document is posted at hp://fisherpub.sjfc.edu/angle/vol2009/iss1/24 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. Recommended Citation Author, No (2008) "Full Issue," e Angle: Vol. 2009: Iss. 1, Article 24. Available at: hp://fisherpub.sjfc.edu/angle/vol2009/iss1/24

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Page 1: Volume 2009|Issue 1 Article 24 2008 Full Issue · Volume 2009|Issue 1 Article 24 2008 Full Issue No Author ... TbeAngle is St.John Fisher College's literary magazine. 'We are a student-run

The Angle

Volume 2009 | Issue 1 Article 24

2008

Full IssueNo Author

How has open access to Fisher Digital Publications benefited you?Follow this and additional works at: http://fisherpub.sjfc.edu/angle

Part of the Creative Writing Commons

This document is posted at http://fisherpub.sjfc.edu/angle/vol2009/iss1/24 and is brought to you for free and open access by Fisher DigitalPublications at St. John Fisher College. For more information, please contact [email protected].

Recommended CitationAuthor, No (2008) "Full Issue," The Angle: Vol. 2009: Iss. 1, Article 24.Available at: http://fisherpub.sjfc.edu/angle/vol2009/iss1/24

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Full Issue

Cover Page FootnoteOriginally published as: Volume 10, Issue 8, 2008.

This full issue is available in The Angle: http://fisherpub.sjfc.edu/angle/vol2009/iss1/24

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TFIE ANGLESt. John Fisher College

Volume fp, lssue VlllFall ZOOB

1

Author: Full Issue

Published by Fisher Digital Publications, 2008

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ANcrB zooSVot-,uun ro, Issun VIII

Volume roIssueMII1957-2o09

Mission Statement

TbeAngle is St.John Fisher College's literary magazine.

'We are a student-run organization that strives to provide an

insightful and eclectic showcase of the St. John Fisher College

Communiqy's literary work and artwork.

'We promote the free expression of ideas, regardless of the

personal beliefs of TbeAngle staff.

All work is judged anonymously and those pieces with the most

votes become a part of Tbe Angle.

2

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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eddnl f1g uosrloyrJrncrrd

qulslnsa?t ?uBssBA uosl^(rv rNr{nTv

pr€^\pool( elueqder5'rrorg almf 'asaqlr€W ?pueurv's.repueyg,(prug

'aruerrag raqdorqrq3'oypf uoslpg'eddn1 f lg'oltrqe.rq u.rqtr

ssJJrno{oc a,sr $f, ufv

prB/hpoolN ar-u?qdel5 'oupn; erurrl 'uoc5 alnf 'asaqJrBlt BPuDrrrv 'srapuelg ,fnug

'alue.:reg raqdolq.rqg 'opf uoMpg 'eddn1 f'ry 'sorp.s1 eqdsaq 'oprgerq ure;tr

sEIIII{woc A,gIA[u .(tvuflrrrl

o{rlqarq srEl

essqlruf^J uPrrBurv

s.rapuelg llnug

asaqlrul i ?pu?urvsrapuqg,[ru9

astr.l eI J "Pueurv

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"rE{

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suoJrafirnY

suorrqfl JJrorv.I

suorr(IfluorNnf

suo,fr(IE

IIIA snSSI 'or sntrOTOA

gooz slcNv3

Author: Full Issue

Published by Fisher Digital Publications, 2008

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TenrB or CoNTENTS

4

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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U:ITIIW )]IUJVd)]:III] CNNOS

oqnf uos/(pg" " " " " " " " " " " " " " "'NVr{O/N ncvrd (IurHJ.

rarsIIMrW uIAa)"""lNOt{C llllfi slf\ scvld cNocflS

radtura^O lrBIAf""""' """InJ flcvrdrsurd

flcroHc .sufloYqu

sauv,4Nv N/a,'ollc gwoH s6fl-Ict{v5

Author: Full Issue

Published by Fisher Digital Publications, 2008

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Curnv Mam OvBnuyBR

snapping twigs with a machete

green snow sinking down to my feetI slash for a paycheck

destroy nature cause I'm told tooEarth mother doesn't mindlike a buddhist monk told theywill be severed in twain-shrues

what good will it dofor instead of one

you'll have two

6

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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Nt'lnve 3-toctN3so-r9 MoNs

'eJueJouur Jo le,{ul {crql e ur peleoJ-ra8ns

'JeSuup Jroql Jo eru,t\uu.O

'stsPeq furt eseql ol IIBJ uew'Suuenbuoc pue e8ar5

Jo sJrlnp reql 1no Surf-r.re3

'epl€q ol qcrnur srerplos fuleseqt s? elo,\\r? selqunls euo

'lueuou u ur 'lso'l

',{1r1ee: uro:; sruea:p 8urlu:edeg'uorlellsnu Jo IIB^\ B IrulsuoJ

pue a,(o oql purlq ,{eq1'uorluunsap luurJ rreql oI

aprse: Xeql eruld eqt ruor; Suqpg'uorlJnjlsep Jo s1n1s,ftc elrqm ,{ur1 ;6

acuurpBJ aqi qlr/t\ s,liro13 eprslno plJo.^ eqJ

sssHl'[vw YaNVr rv As

slrflrofos A/lroNS7

Author: Full Issue

Published by Fisher Digital Publications, 2008

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Tnr MooN nNo Mnnv DrlLoN LvwN

I see you

The moon, screaming out of the vast, bleak autumn sky

tt's light darting through shadows ofthe night

lnto the seldom eyes electrified by its might

Clouds crouching, waiting, cautioned to impede on the elite

Moonlight; holding a firm grasp on the space for which

It lays and plays like the children who gaze and dance

At the glance of this sullen paradise

I am. It is. We are.

An infinite device of lifeAnd of light.

THE SUN MDrrs rfil SNow Aw^Y P,rt ttt:x M rr.r.rr

8

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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'e^ol s€ ^{orDl

A\ou I leq/tr

3uqse1 ,{la,rqcaga

peq eqt sqEre4no poo8 aqr

a^ol Jo urlser eql ul

'eJuaJaJlp aql dn saleur u?ql erou

lueds aurq pg{of eqt

'slueuroru Fguted

eq u?c aJeql elqa pu€

I€tual3 SI airo; {lt1ea: ut

'Suqeeg lou st enol leql '/(ou ,t.ourJ I

luese:d eq1 u1

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papue ,{le,rrlcege puu

pooE go rlq alurl luql

paq8ra4no peq eqt

lqun asjnor s pensrnd dtqsuotlelu aql puu

lle^\ s€ seuo peq

'estnoc Jo

'queuJotu poo8 era,tr a:aq1

'drqsuorlule: qcue qltr* Eut,fteir

,{llncqpp go ae8ep

'1SroA 1e ;rguted

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'lcafqns eqt;o eEpalnoul eqxa {ue

ssego.rd 1 op :ou

-- /r\ou op I fB/t\ aql e^ol u/t\oll)l Ja^eu o^,l

NNrno N NNVHS ,\A

s^of .{o sflsNsJ, ssuHJ,9

Author: Full Issue

Published by Fisher Digital Publications, 2008

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In the future.

I only know that I shall love you.

Forever,

is not farfetched.

Through the pains,

and joys,

of life.Where this love leads us,

gladly I shall go.

The good and the bad,

merely bumps in the road

effectively traveling

what I know is love.

10

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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:ts:II IJXVW V(INVt{V1

:

'Jelqdnsl Jo slueJseJJ eql uoSurcuep ,(11n;ssr1g

':otseg 3ur11ug

'req8rq aur a1e1

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',(q Surssed sgnd alrqlr 3ur11or aqt a>p1

'.{pue3 3ur,{1gflsselpue 3ur.,ro1g'sas ol JeAu r.uoJJ

'otu ol Jeqlou luoJc

'paes ol leqlou ruo{ a^ol Jo redsrq,tr y'saeJl eql q8no;qt sdaa.,ns luql

azeeJq uunlne eqlJo eu spulureu

'uollo^ep elluuul tlllmaurtu 3nq sdrl :no,( ,(e.,n aq1

'uortor.uluoJ puu ralqBnel qtrmuado >1cu:c safa :no,( ,{e,r aq1

NN.f,f NO'rrrC l.rr

tNVr ro/!\ sn-rfl

11

Author: Full Issue

Published by Fisher Digital Publications, 2008

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D^q,NcrNc Ar,oNn

nv Auaure MancnBsn

Swaying back and forth to the music,

I close my eyes

And become part of the rhytbm.

My mouth opens

But no words escape my lips;

I smile instead.

I picture you,

Dancing with me,

Your smile more radiant

Than the brightest star.

We hold each other close,

A simple "I love you"

Said without any words

Or complex motions.

I laugh as you make a joke

And open my eyes

Only to realize

I am dancing alone

ln my empty room.

The music slows,

Finishing with"You are mine

Forever

AndFor

Always."

Another nighqI am alone.

12

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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6

no^ Eulssr{ Jo {urql ol pe^\oll? tou ur.J puv

^e/t\e JeJ sr peq :nof puy

uoqs sr Jreq rnof rrrou 1ngacuo s8urql aures eql ponol e \

satirou ,{:ecs ,(tu enol 1

selqloolus f:reqme4s rno{ anol noa

..azaerq eql i(q peuJeJ eq uuaq '{u 1e1 pue

see! Jeqlo qlirt aplslno oB o1 1uen 1..

przs nof ..'sJoopul f€ls ol llel ool lsnf ur.1..

;ezts :e1n8u lou ar.no,{ au p1o1 no,( ueq,r raqueute: no{ oq

aur aprseq PIoc sr eru sqJgo se,ro18 :nof a1u1

sce1da.r4 eqg fq ou qlr.t. Eurs o5durs I /(ou lng

lueds o1 Suru:ee1 lsnf sum I uaq^\ palago no1e,ro1 6urddel-1oo; '3ur4eqs-3e1 l"rll lw./$ l

usrsr"rTvf,w NrA[x /\s

cflfrrJNn13

Author: Full Issue

Published by Fisher Digital Publications, 2008

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Courrrr ro MnuoRYnv KBvrN McArrrsrrn

Commit to memory the sins you have committed

And weep at your ibrgery of love that had mc smitten

'Cause you dug me a grave and thcn spat on itAnd then you said. "but I still love you"

And I lay suffocating on the dirt that I'm in

But I'd rather taste drrt than your fips again

llow can I move on when I still thrnk about you'/

I low can I love anyonc when rt's you I adorc'l

Ilow can I still fcel fbr you atier you destroycd rnc'l

llow can I still love you whcn it's you I abhor?

My f'eelings betray nre but my Inind is shary

It's you who ruined me, who brokc my hcart

5()t.L) K,\R,\ I )RL8n K( )

14

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II

'slpq suqnq mo^ qwFrsrlmq eJu eql 'spJo/r\ mo/( aABS

'slF p{q 3nlq eql eplsut uit\oc

lleJ eql ot resolc Eumorg

'qtuo \ s.J3qlotu s.l! ulqllit\apud s.1

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'Suqeqs rreql uels s.ue^seq eqt eroJog

lqEtu aq1 dn 19 slreoq Suuegeqg

'Eupparq s! ppo^\ eq1 ees nof 1.ue3

NN T NO'r'rrO AS

scuo/!\ unol sAVs15

Author: Full Issue

Published by Fisher Digital Publications, 2008

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Anr Gnllpnv

BoNI)t BI;A(;tl Cl lRI5l{rln l,R Ft'nnrrl't t.

Fr.oAt'tN(; Houslts Aiu,\Nl )A MAIt(tt ttisti

16

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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f.t

:t.t.Nv)tlt:tc x: I.t().t.stxt t:)r r:)Yifl N:1,\vr Lillr rrN

{s:{H:)}rvl i v(rNvmv

Nuf rnvc .1t1o:)tN

AUsffYc Juv

17

Author: Full Issue

Published by Fisher Digital Publications, 2008

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Anr GAl,l,nny

Bynor B.ry

I)ATNTRLL RAINFORnsT CHRISToPHER FERRANTE

ClrRrsroPHBR FERRAN't't

AMANDA MAR()nrsts

18

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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(r

'euop aq lsnu lnq 'Iro,&\ plsq sI

seuoq erBq oql ol u,4top Surqqnx

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roop oql uo o,{o ouo q}r.4 uBolc I ossn Surllels drl axe .{ur uo alo,{ot VSurlcefrq'slerulup'saseesrp's8ngproueJBd sr esnoq eql ur ouo^ro^a

eurJS {lsnp oql .{EA\? qru ol le,rol lolAslunqc prtos sqlJJo { uI I pueq ur 38u

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usalJ ol 'uaqJlDl aql ut 'ui\\op ellles Iurl€d fluJo e^lnc aql ur ButlSuuq

Joqlo oql leplnoqs le,\o ?unls ouosrujE ,{ru ul oxe pue }aqcl€q qllll

suorluelur ,{ru Surprq fpas:cstp a1tq16

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ua^r rua^O xuYW ^rr

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Author: Full Issue

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Tun FusB BoxnvJnnnnnv Srarnn

Shane was grumbling to himself as he carefully stepped up a ladder on the side of his uncle'scabin. "Stupid lights in this stupid old cabin. I hate this place."

"What are you whining about now, gay boy?" a voice said sharply from below."Just shut up and hold the ladder," Shane said, unhitching the door of the attic and ducking

under the splintered old door as it swung over him. "l still can't believe my uncle put the fuse box inthe attic. [t's like he knew he wouldn't be the one going up here.""Oh come on, Shane, just get up there. Your brother is right about you you're such a whiny littlepantywaist. Hurry up and get the lights on. I wanna start pounding that keg before everyone shows upand drinks it all. We're getttng'wasted tonight! Here, here's the flashlight."Shane turned around and the flashlight lobbed up to his unsteady hands. He reached for it hastily, near-lyjerking the ladder into a sideways slide. It scared him to his core, and he tried desperately to push hisweight toward the cabin."Nice hands you D-bag!!"Shane ignored the insult and leaned his forearm onto the attic floor. Carl laughed to himsell, verypleased to be an ass, while Shane waited for the adrenahne to pass through his heart. He did not apprc-ciate the rush of almost falling off a ladder. "You almost killed me!" he shouted. After a f'ew momenrs,he clicked on the flashlight and laid an exploratory beam across the attic. Cobwebs were everywhere.He nearly gagged.

This is the grossest thing I've ever seen, he thought to himself. He stood at the top ofthe ladder, hisknees resting on the floor of the entrance to the attic (which was really more a crawl space). It was alittle triangle room, with the apex of the cabin's roof down the center. ln the middle the ceiling meas-ured four and a half feet; it sloped down to the sides so low you had to lay down to reach things againstthe wall. A tiny bit of rope dangled next to a lightbulb on the low ceiling, but its clicks illuminatednothing.

He had been in this attic a couple of times, but never at night. He knew that the fuse box was to theright of thc doorway, toward the back ofthc cabin. He panned his eyes slowly as another beam floatedacross the attic. It was dusty, almost ancient-looking. Cobwebs were everywhere. He could see a mousetrap that had been successful but not emptied. He knew there were spiders up here; a nice dark place,high offthe ground, very few visitors. He considered which corners they occupied, whether they wercon or off thc ground, and where thcy might be comforlably webbed between old boxes and buckets. Hismind convinced him that he hadjust crawled into spider heaven."Dude, there's no way I'm going in here. We'll wait for my brother," Shane said."No, peach fuzz. He told mc to make sure you did it. Everyone will be getting here soon and there ha{befter be lights on when they do. lt's dark as hell up here. You can't have girls at a creepy-ass back-woods blackout party they'll frcak. Get your ass in there and do this. Your brother specifically said tome, 'Don't let Shane chicken out. "'

t6

20

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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eql tleJ eH 'se,{a srq 1e pa8unl:eprds aql spJarlaqslpJo dseS SurqSnoc e o} paurnl lelrqs s.aueqs'pruqruru 1cu1q ,{urqs go s8ey pa33ef

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luql Sursues 'seqclltrs puu sqonl Jo leuud eql uo se,4e srq sncoJ ol por4 uoql oH qo,,rt alrssetu oql Suld-d.u'uedo:oop furl aql 8un.,lts pue'llaq uog >1J€q,{e,,'rele8 eql ere,vr llJl se xoq aql pozres eH

'roxal q ,r {urup',{poq u.tno srqJo }no tsorul€ raluls Jqu€{ € ur s€/rt oueqs 'lle,,lt eql ol ra,l.o pue loop aqtyo tuo.rg aq1 dnpauu?,trs Surqqem eql pup'lnqs fluque 1.usur'r Joop e[11rl st1 '8urqqa,.rn qll.,{ pe]elseld sp^\ lr pue'xoq

osnJ aql peqcuer aq lsEI tV'fpoq ar4ue srq tnoqu pedap sloods lnglq8g; eqlJo ae{ drr ol Surf:l'sur:eu./tro srq lu,{1puu peqclurcs eg'f|p[.,n leds eq puu sdrl srq o1 3un1c qa.n 1 s;o sqoS fpseqg pepeJSer

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lq8llqspu eql uo peddtg eH 'uollce olur Suads pue paryrued eueqs 'lJo oro^\Jorleqsrp oqt roUV'sseDllsp Jeooep pue Jeoeep e olur 5u3qs letuueq ol paueas

urqer aql uo ropp€l oql Jo s{cp.'r,\ql crurq/q; eql pu8 :opp€l eql pepuecsep Il€J (.'uo saruoc lr s? uoos sB

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oprs oql uo s)cu^\qt cruq1{qr opuru tr Jo do1 eql pue roppel eql oluo ,(1,reeq dsls 1:e3 preeq aH'aJlol s.aueqs ur real pue UoJuocslp se,tr ereqJ..'lrqs srql 11e aur 3ur,rr3

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t21

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The thwacks got louder as Shane got closer to the door. The lock jingled on the door hinge' The

old wooden square swung open and carl saw Shane's face three feet away from his own. Shane was

flying through the air, arms outstretched and hands seeking a jugular'

"l hate you, Carl!"The two plummeted ten feet to the soft earth with a deadly thud as Shane landed on Carl. lt

knocked the wind from his lungs, and Shane squeezed at Carl's throat, trying to pop his ugly face right

up offhis neck. carl's face took on the complexion of a tomato. His eyes bulged; his body yeamed

puintirtty for air. Dying, he looked in shock at Shane's bleeding, swollen eye, which was indeed horri-

tring, Uut it was Shane's left eye that was the more unsettling of the two. Its gaze was tortured and

thunderous and full of insane rage. The harrowing stare alone could have killed Carl by way of shock

or heart attack, for all we know, but by this time he was all but dead anyway. For good measure, Shane

clutched at the neck of the corpse until blood tumed to thick sludge inside him, rendering him para-

lyzed for good. He collapsed to the ground next to a dead Carl'' Drawing short breaths, shane's entire head felt swollen. The spongy spider venom was nearly

finished soaking the life from his veins. He wondered which exhale would be his last. Unable to move

or scream, Shane heard the crunch ofgravel under tires. A car was coming up the driveway' He closed

his left eye and waited for his brother.

r8

22

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6t

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Nvr roilI23

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GoounvB To FLrrHnvJornnEv Srerpn

Gary hated classical music. He often said so, especially while he was in elevators or fancyrestaurants. Not that he was in either of those places often, because he hardly ever left the house andwhen he did, it was rare for him to spend money (at least his own). Well, Cary was hardly a "classical"male.

He left abruptly, which wasn't like him. Gary was alary fib of warm beer and tepid bacon fat.

His shirts had mildew odor. For him to go anywhere more then six or seven traffic lights down the road

was unusual. Heck, this is the guy who crashed with his parents until he was almost 30 because,

according to him, he "already had it so good."Before Gary even got back to San Jose, he was in over his head. He was supposed to wait with

the money at the pay phone in front of Blowfish Sushi at Stevens Creek and Winchester. Someone

would find him there. He sat on a hot metal bench.

Cary hated fish.But he needed the money.He sat and thought about his wife, who loved classical music, and how his kids would never see

him again. He wished that he could have been smarter, so he could have made a better plan, gotten outoftrouble. He thought about pizza...and how much he wished these people hadn't told him to wait infront ofa sushi restaurant in the southem California sun.

The breeze salted his nostrils. "Why would anyone want to eat fish and rice when they couldhave pizza'!" he thought to himself.

Dank, bitter fish odor.Not surprisingly, no one was paying aftention to Gary. He was fully forgettable in every way.

Then his phone buzzed from his pocket, and it seemed to vibrate the whole bench. It wasn'twho he thought it would be.

Gary silenced the phone and just held it in his lap. He didn't move a muscle. He was waiting infront ofthat damned sushi restaurant with the money.

Five minutes went by. Ten. Fifteen.The phone rang again. "You've got to be kidding me," Gary thought as he looked at the number.

He flipped the phone open. The caller was frantic."Gary? Are you there? Your wife is at my house! You told me you left her! How did she find

me? What the hell is going on?""Calm down, Alex, calm down. I did leave her. I've got to meet some people first, and I'll be

there.""Gary is this what I think it is? Those people? Weren't you supposed to have paid them? Are

they mad you didn't pay them?""Don't worry about it. I've got it under control."The voice on the other end rushed to say something but Gary clammed the phone shut.. .the

modem kind of "click." As he put the phone in his pocket, his hand brushed the buft of a revolver. Asleek, mean-looking thing with a cherry red wooden handle.

Gary had never been cool or intimidating, but now it was different. Now he was in over hishead and he knew it. This was the first time he had ever canied a gun in public.

24

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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lz

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25

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Snnts Rrcmnv KBvrN McAnrsrpn

She's rigid and withered and comfortable in her new life"I'm happy now" she says, but there's tar on her tongueShe goes out with her friends and drinks hers morals awayShe goes out with her friends and she drinks her thoughts of me awayI'm not the one holding her through the phone anymoreAnd I can't let go but I can't hold on anymoreShe's lost my trust and my love and some of my respectHow long can she drink me away before I stick up for myselflThe girl I loved is long-dead, nowWhat am I holding onto?And my hands are hopeful as I imagine hers holding mineBut her hand doesn't fit anymore and I don't even recognize herShe gets drunk on the weekends and high at nightShe smokes cigarettes between the highs and lowsAnd she told me she betrayed me but it doesn't really matterAnd she's a hollow human shell in the image of a girl that I lovedAnd she's a hollow human shell pretending to be the girl that I lovedBut she's not fooling anyone anymore

26

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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;o 1r:rds eql eunsuoc uuc 3ur1e1rlqap pu€ olrlJrulsop 'onrse.n:ed os Surqlauros .&\oq 'o^alleq ol preH'ltol qunu er.no^'op no,{ luqt sr lr leq,r Surop i8ur11eg e:.no,t s1tq.,n ploc aql leeJ l.uplno,t\ no^'ll ,t\oul

l.uplno^ nof'esrnocg6 JIu ploo'uIqJ'le urql q8norql 1se; 'no,( ].uole'lseJ 3ut11e; sr,no1

uarvrs ^aulrdaf

,ts

worrofl xJou27

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Two Frcunns

sv KARA DnpsrrKo

Two figures, curled,beside my books

that treat of gods and men;

rwo fingers, crisP

with parching ink,carved 'round this quiv'ring Pen -wound up and bound with jealousY -'two fingers, out of ten.

As lamplight wanes,

my scornful looksthose figures won't ofrend;

their sleepY heads

see not, nor thinkhow they mY soul uPend -wound up and bound with jealousY -'nro heads, and naught for friend.

28

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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Sz

I

llqs ? e^?E i(Poqou Puturbn6 aql psdeld teg-r1furqdlde ua ueqr eplsul

eg11 tuJpeg go sEur.us

are deqg aur o1 'spuu4saErruo gos lodeer eqr

^\oleq eur?$ /nol aID s!

ees usJ I edeqs {1uo ary

sreryJamlsod dur ueq,n ?al eql dls I

pepepedrm uozez

Paxrquauxu u?ol ?

JIesurFI Erlppng eqt e{q esod

IUIJP ol u,nop el$es I

ss11q cuouueq amd go

surelled auec i(puec uuogpmore der,n pur ;errds

urbnE eql uro4 s4ou eqtsarreal Eupoq;o suore lqE11

s,ro1s aq1 uo Eupnerq ee1

uqs Kur og Surtuglc rru lsloururr€ae{nl s! esnoq arD i$oN

uoou eqr {colq ol Eui(:1spnolr lrsp uo seqclolq uo

seqqolq 's \opBqs al.,ru lrrou

seqlolr Jo sdum;c paragn;cs[?,$ pe{mrr eq1 :tuFalua

asnoq fur dofua eur p1 safa uarlorg

us nrus^o )uvl J rs

trsnoH rtr I sfarf, sssN(Nrrfl29

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Oun F,lnBwBrrnv EnrN Clsstov

No nrurc will you haunt my thouglrtsNo morc will you plague my drcams

Hard to bclieveI tinally lct go'?

Ycs, cvcn you can becomeno morc than a mcmory fiorn my past.

No rnorc livingin thc hopcs ol a glimmer.

Bags packcdT-he last cnrbrace wc'll cvcr have-

Prccrous, yes,

maybe even treasured.

At that monrentit was the entl

No more days wasting thc days

It's dcad.

Lcttcrs vanishedaway in the windEvcry bit of youhas becn swept away.

No nrore burnrng tcars

No nxrrc outlandish thoughtsDistant past is whcrc you'll dwellThis is our ctcrnal i'arewell.

A Nr,w llt,c;trrtrt; A\r,\\r),\ Nl,\R(:r IIisr,

30

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Lz

&1zuout tnoqtPl aJrI Pug l.u?Caseald 1 se auecs qltaP fur gurc 1;.1

saruolouoru lsureie pearq dur ploq 11.1

eseel snoqceJulsee4 reEuuq

seol 'uoEug fur ug erseqlsare;

ssrllolc psqs?/r\tm mo{ pue spro,n mod qSnorql J,rrer3esod fuip e eryas squr11 tno-Em45

a$arettc u a41 {Poq mof er1ou5

lelllun ssPl ? lnoql^\ e ol puu l.usc

q1O Erup ? lnoqtt,$ PoD PUIJ l.uBC

ols u? lnoqlu\ qrnn pug l.uEcseelueren8 sl! loJ uls ut lsn:1 II.I

ssBaslp aJ?s vsaag ra8ueq

lno 'eplsu! oql uo.ll u,rrerp f3ololsylolq Jqos ? olul sEulqs 1no ,rrerq

loq par Iunq seul|poolq Pqro/rqeNms {rep Eyq e ery rnf qcgo acl1g

euoprm uu? uE lnoqll^r JIes Pug l.usc

gqp ue $owa poo pug l.tl?codg suros tnoqlr\ qln4 pug l.u?c

saalndure aql qll,$ a^&$ sfqt epF II.Is?as o^lssFuqns

saag re8ueq

oxrlsflucl vf,\Dl ,rs

flsNgJrl 'sA I'Jutrsra

:pr€s egs

31

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LnlnBnsHrp, PnnsoNS, AND Pnocnssns

sv EovsoNJuuo

It is often said that leadership is a quality that people are either born with, or are not. The skillof leadership can be installed on a willing student, but its real nuances, its true purpose and qualities

cannot be leamed. Leadership can be taught as a process of leamed behaviors. It can be displayed as

one would show a weapon. It can be exercised on cue and even assigned to others. But the virtue that

others can rally around and place their trust in is an innate component of the human spirit. Yet through-

out the history ofthe human race there are countless instances of seemingly reticent people asserting

themselves in ways that would at first seem improbable and then totally impossible. In times of war,

peace-loving people have lead fierce attacks. Others, who would normally run from violence, deliverpunishing blows and inspire their brethren to do the same. So then, what is this quality of leadership

that inspires fellow humans to follow suit? Is it that the leader has learned tactics, behavioral triggers

that lure companions to set aside free will and replace it with the will of the instigator? Or is it that the

follower has no choice but to subjugate his own persona and instinctively defer to a "greater will"?

Leadership may instead be a process ofdevelopment; a process of encouragement and trust that,

given a nurturing confidence, human nature automatically assumes a search for higher aspiration. Men

and women, who are merely expected to follow, can instead lead if they are entrusted with the expecta-

tion that the higher goal is always within them. Therefore, leadership may be both the person and the

process, interchangeable with each other, yet rendered impotent without the human spirit, the aspiration

to achieve a higher state of being. Parents will provide their children with the tools to lead the familyinto the future, but it is up to the prodigy to put the leadership tools to use. Managers will instruct theircharges on how to build a better product, but it's up to the line staffto do what they are paid to pro-

duce. Generals will plan and command their legions, but each soldier will carry out the actual process

to move forward and ultimately to win. The leadership process is ultimately a human endeavor. lt is

both a leamed and an innate phenomenon. lt can be taught and it can be leamed. lt can be exercised by

reticent people and bold ones alike.

Leadership must never be the sole possession ofthose who claim to have singular genetic pre-

disposition. It should always be seen for only what it is: the ability of human beings to use it toachieve a higher order, a desired goal, or a better existence.

z8

32

The Angle, Vol. 2009, Iss. 1 [2008], Art. 24

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6z

lnos du paiemocue pue

sd1| sq gal ll luatuoul aql q$I fru auecoq q1n:1 slq 1nq

Eurpue6repm u,rno s1q oq lou i(uur

aq ot tqtnoqrmqC aql leq/r\ go Eurpunsrapun sq ut luaserd se,n pog dur 1eq1

tupuelsrepm pus lueuluesal ut eAIIB plt?

lqnop ut e !l? sI poc lglll elu su{eqlua^o qlnx eql puvqoqurds ur aJII sq pu? roqdeteur ul sqlnr slq elor/t\

(eqppng qlt,rr spuel{ st oq,n) puo;4 f;41

iirrou IFrm pupxe era,n sledsog

{uls lenllq?q u€ ulo.g lslB/$ ar[lsreqceerd go sqlnou eql tuo+ ,rrog qcTq/r osot$ usql

ffi1 rereelc u! lslqC pepegal spro^\ slHsl eq l?ql lnq sl polr |?qlr lou s'l\oIr'l oq r

rrBru ?Jo spro^\ eql ut eur pleq po5| lqEIuoI

ua.mrrTvsw NIAT) ,rS

Nvtr tr v oJ cNrcuoJJY asdsoc flrrJ33

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Wn Wnl Gnowny KpvrN McArusrpn

What are we to do when our poetrywon't stop bleeding our dreams,echoed by the stars --So many, so brilliant, so distant?We run to a place with no lights on our faceTo distract us from the stars beaming to us from spaceWith our dreams in the skies we seem to sever thetether that holds us togetherTo this place, to this place, to this placeWe sing a song sharing our mutual depressionsOf a life unlived, and a battle not foughtOf a world unexplored and our dreams unsoughtAnd we sit. and we sit. and we sitSharing together our mutual depressionsAs we leam how to breathe and how to live in successionWhat are we to harvest when the soil won't stopdrying, as barren as a grandmother's womb --So lonely, unyielding, and empty?We run to a place to splash water on our faceAnd forget the hunger that's destroying this placeWith our dreams in the seeds we'll water the groundThey will grow we will grow, we will growWe hold hands and sing our mutual depressionsOf a live unlived and of stars not glowingOf a world unattended and of seeds not growingAnd we sew and we sew, and we sewSharing together our mutual depressionsAs we leam how to cope and how to live in successionAs we water our seeds and look to our homesWe fasten the stars within our soulsWe're arriving late but we're arriving cleanAs we gaze upon this beautiful scene

The stars from space before our faceOur seeds provide us our bounty

34

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Sub'-ission Guidelines

- All writing submissions must be sent to [email protected].

- Please send all pieces attached in a single document.

- Include your name or a pen name and the title(s) of the piece(s)

submitted in the body of the e-mail.

- Art can be submitted inJPEG' photograph, photocopy,

or original form.

- All submissions are judge d anonymously.

Thank Tou!

35

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