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VOID SPACE / HINGE SPACE HOUSINGNexus World Housing – Fukuoka –
Japan
StevenHoll’s
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Who is Steven Holl ?Considered on of America’s most im ortant
architects! Ste"en Ho## isreco$ni%ed for his a&i#it' to blend
space and lig t (ith $reat conte)t*a#sensiti"it' and to *ti#i%e the
*ni+*e +*a#ities of each ro,ect to create aconce t-dri"en desi$n.He
s ecia#i%es in seam#ess#' inte$ratin$ ne( ro,ects into conte)t
(ith
artic*#ar culture and istoric im ortance.
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Ne)*s Wor#d Ho*sin$ is one of the most interestin$ ho*sin$ e)
eriments in recent time. hiscom #e) (as desi$ned &' se"era#
reno(ned (estern architects! #ed &' the famo*s 0a anese
master
!S"S#$! #%#' inc#*din$ Steven Holl' Scar &us uets' ark ack'
* ristian de
+ort,a-parc' "sa-u !s i.a-a and es ecia##' %e- $ool ass' (ho (as
cata *#ted tointernationa# fame after their artici ation in this
ro,ect.
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1ocation 2 3*4*o4a! 0a an2 5!657s+m
2 689:;2 : ! #i$ht (ei$ht a#*min*m facade
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@ he roem of ro osin$ *r&an s ace for a metro o#itan sector
(hose ro$ram e#ements!architect*ra# arts! and socia# as ects are as
'et *n4no(n >and ma' a#(a's &e in some stateof *) #eads *s
to ro ose &e$innin$ from a perspectival experience o/ bounded
space .Instead of rior #ans ro,ected #ater into ers ecti"e dra(in$.
Pers ecti"e "ie(s are made
and cast &ac4(ards into #an fra$ment.B Ste"en Ho##
(rote.
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(Fro- inged space to t e silence o/ void space) fo*r acti"e
north facin$ "oids inter#oc4 (ith fo*r +*iet so*th facin$ "oids
to &rin$a sense of the sacred into direct contact (ith e"er'da'
domestic #ife.
6= ! "# 5 $! %& ' ( )*+,# -./0 1. 23 4 !567 3 4 89
0oid Space- :; . < = >4 ?@A B< >Pro"ide s ace
&oth ractica# and
"is*a# < = >Vis*a# 2 CD EFG ( < . HI JK >Practica# 2
ma4e it ossie for each *nit to ha"e
o enin$s in se"era# directions-
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( )
( ) ! "
# $% & ' # $% & ' *+ ,- . / - . 0 1 .2 . 0 1 . 0 2 .3
%4. 5 6 78 9:;< =>? % @ ,A . B; C D
% & E* F G % H D @ IJK LM< ,- . NO; C D P%
Q* RN G S N% & TTTT =@ VOID SPACE UVM W%@ X &
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o ens*re em tiness! the so*th "oids areooded (ith (ater t e sun
-ake
ickering re ections across t eceilings o/ t e nort courts
andapart-ent interiors2
he ooded "oids are in fact sti## onds!
(hich are a henomena# #ens! capturingt e lig t o/ t e sk. and t
e c anges
in brig tness over t e da. . 3ookingdo4n into t e ponds' one can
see t eclouds or occasional aircra/t passingover ead .
5se t e 4ater ele-ent
3ig t 6 Water
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An e) erientia# sense of assa$e thro*$h s ace is hei$htened in t
et ree t.pes o/ access ! (hich a##o( a artments to ha"e e)terior
frontdoors. On the #o(er assa$e! "ie(s across the (ater co*rt and
thro*$h
the north "oids acti"ate the (a#4 s atia##' from side to side.
A#on$ the
north assa$e one has a sense of s*s ension (ith the ar4 in
thedistance. he to assa$e has a s4' "ie( *nder direct s*n#i$ht.
hro*$h
the section! the a artments inter#oc4 in section #i4e a com #e)
* inesebox . Indi"id*ation from the stand oint of the indi"id*a#
inha&itant has anaim in ma4in$ a## 6= a artments di erent.
ove-ent inside building
*onnect to t e sk.
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*onnect to t e sk.
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EF ( ST UV#U ) WXY ! UV#U( Z W #[\? ]^ RST UV#U _`
Conce t of hin$ed s ace $i"es modern a #ication to
"ersati#it'
of the traditiona# 0a anese Fusu-a s#idin$ ane#. 1i$ht!co#orf*#!
(ooden (a##s t*rn on i"ota# hin$es! ma4in$ it ossie
to com&ine or iso#ate s aces accordin$ to ho*r! season
andfami#' ma4e* .
F' *sin$ i"otin$ doors! ane#s! and ca&inets! the #an of
each*nit can &e recon $*red to accommodate diurnal andepisodic
chan$es
7!5%N#3 Hinging8 A##o(s an e) ansion of the #i"in$ aread*rin$
the da'! rec#aimed for &edrooms at ni$ht.
+!S"7!* Hinging8 A##o(s rooms to &e s*&tracted or added
toaccommodate chan$in$ needs of the fami#' o"ertime2 rooms
can &e added or s*&tracted to accommodate $ro(n *
chi#dren#ea"in$ the fami#' or e#der#' arents mo"in$ in.
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- a3 bc 2 dS efN g\ h:3 i j#k# lmn < 3 ?@! o p\q
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Unit ' es >
D1
1 I
I
I
I
I
D1DI
DI
DI
DI
D D D
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P#an >
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7 rd 3#oor 5 th 3#oor
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: th 3#oor
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Ima$e
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After Ana#'st >
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Habitat :;' ontreal b. os eSa/die
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HAN OU J
