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Visual and Media Literacy, the Overlooked Competencies: How We are Influenced by What We See Frances A. May University of North Texas LOEX Conference 2009 Albuquerque, NM – May 2, 2009

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Page 1: Visual and Media Literacy, the Overlooked Competencies:

Visual and Media Literacy, the Overlooked Competencies: How We are Influenced by What We See

Frances A. May University of North Texas

LOEX Conference 2009Albuquerque, NM – May 2, 2009

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Information and Visual LiteracyBreivik (2005) argues that information literacy

should incorporate multiple types of literacy including computer, library, media, network, and visual literacy.

Goal: Provide resources and understanding for participants to engage in visual literacy instruction.

Visual Literacy: The ability to decode, comprehend, and analyze visual images in order to construct meaning from visual representations of ideas and concepts. (Burns, 2006)

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Why is VL important?The more we know, the more we see

(Natharius, 2004)Visual literacy is a prerequisite for the

comprehension of visual media.Awareness of Visual ManipulationAesthetic Appreciation

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Understanding Visual LiteracyImages are texts that use a powerful

shorthand form of communication (Burns, 2006).

Visual communication is powerful because it is “meta-indexical” (Marcum, 2002).

Visual images are examined in conjunction with the written text provided.

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Visual RhetoricRelationship between written texts and

imagesStudied by communication scholars,

artists, art historians, writing instructors

Seeks to understand how visual images are used to build arguments in an attempt to persuade others or portray a specific ideology

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studies a speaker’s use of words, phrases, & visual texts to explicate how her/his arguments have been built in order to make intended point.

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Intertextuality- cognitive connections we make when we see something and understand that the visual text references an earlier text (Natharius, 2004).

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Intended Audience: Who is the target of the visual image? Desired Outcome – The effect

(on the intended audience) that the creator/author of the image is trying to accomplish.

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What is the argument?Classical Logical Argument– Syllogism:

Major Premise “All men are mortal”Minor Premise “Socrates is a man”Conclusion “Therefore, Socrates is mortal”

Most arguments do not provide all parts of the syllogism, but instead rely on the audience to provide part of the argument based on past experience or referents. Scholars have defined this process as an enthymeme.

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Ethos – The perceived credibility of the author/rhetor of the image.

Logos – The logical appeals used by the author/rhetor in an attempt to affect the intended audience in the desired manner.

Pathos – The emotional appeals used by the author/rhetor in an attempt to affect the intended audience in the desired manner. 

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Camera AnglesVisual ReferencesLighting

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Camera Angles

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Visual References

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Lighting

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Summary of Tricks of the TradeCamera angles

Looking upLooking downPerspective changes

Visual References and changing themLighting

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Questions to guide your analysisWho is the author? Is the author credible? Who is the intended audience? What is the desired outcome?What is the main argument of the image?Do the images use intertexuality?Are the images being manipulated?What is left out?

“What is not seen is as important as what is seen” (Natharius, 2004, p. 244).

Example: US Media Coverage of Iraq War

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Questions?

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AcknowledgmentsTo Karen Anderson for the slides on visual

rhetoric and for her collaborationFilms used:

Triumph of the WillHitler: A Career Unparallelled Star Wars IV: A New HopeStar Wars II: Attack of the ClonesMuch Ado about NothingSerenity

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Thanks!

Frances A. [email protected]