Vintage Posters

13 NOVEMBER 2014 SOUTH KENSINGTON

VIN

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GE

PO

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THE POSTER DEPARTMENT

Nicolette Tomkinson

Head of Department

Director

+44 (0) 20 7752 3301

Sophie Churcher

Specialist

Associate Director

+44 (0) 20 7752 3208

Irene Orgaz García

Junior Specialist

+44 (0) 20 7752 3206

Ava Carleton-Williams

Administrator

+44 (0) 20 7752 3279

VINTAGE POSTER AUCTION CALENDAR

AUCTION CALENDAR 2014To include your property in these sales please consign ten weeks before the sale date. Contact the specialists or representative office for further information.

24 NOVEMBER - 3 DECEMBER 2014THE ART OF THE PIN-UP

ONLINE SALE

22 JANUARY 2015THE SKI SALE

LONDON, SOUTH KENSINGTON

Subject to change.

29/09/14

AUCTION

Thursday 13 November 2014

at 1.00 pm. Lots 1-179

85 Old Brompton Road

London SW7 3LD

VIEWING

Saturday 8 November 11.00 am - 5.00 pm

Sunday 9 November 11.00 am - 5.00 pm

Monday 10 November 9.00 am - 7.30 pm

Tuesday 11 November 9.00 am - 5.00 pm

Wednesday 12 November 9.00 am - 5.00 pm

No view on day of sale

AUCTIONEER

Tom Best

AUCTION CODE AND NUMBER

In sending absentee bids or making

enquiries, this sale should be referred

to as POS-5638

AUCTION RESULTS

UK: +44 (0)20 7839 9060

US: +1 212 703 8080

christies.com

View catalogues and leave bids online

at christies.com

CONDIT IONS OF SALE

This auction is subject to

Important Notices,

Conditions of Sale and

to reserves.

[15]

These auctions feature

Bid live in Christie’s salerooms worldwide

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Front Cover: Lot 175 Back Cover: Lot 70

VINTAGE POSTERS

THURSDAY 13 NOVEMBER 2014

Please note all lots are sold

unframed unless otherwise

stated in the lot’s description.

Sophie Churcher+44 (0)20 7752 3208 Email: [email protected]

Nicolette Tomkinson+44 (0)20 7752 3301 Email: [email protected]

Irene Orgaz Garc’a+44 (0)20 7752 3206 Email: [email protected]

Ava Carleton-WilliamsAdministratorTel:+44 (0)20 7752 3279Fax:+44 (0)20 7752 3184

Georgina LewisBusiness ManagerTel: +44 207 389 2334

SPECIAL ISTS

FOR THIS AUCTION

EMAIL

First initial followed by last name @christies.com (eg. Nicolette Tomkinson = [email protected].) For general enquiries about this auction, email should be addressed to

Ava Carleton-Williams, [email protected].

PRIVATE SALES

Christie’s offers clients the ability to buy or sell through Private Sales. For additional information, please contact the department specialists at +44 (0)20 7752 3236.

GALLERY TALK:

“Discovering MacDonald Gill”

6.30 pm, 10th November 2014, Christie’s South Kensington.

Visit Christies.com/events for further details.

2

1

BERNARD VILLEMOT (1911-1989)

AIR FRANCE, TOKIO-PARIS

ofset lithograph in colours, 1952, printed

by Hubert Baille et Cie, Paris, condition A-;

backed on linen20 x 12Ω in. (50 x 32 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

L I T E R A T U R E :

Air France, p.59

*2

PERCEVAL (ATELIER)

AIR FRANCE, DANS TOUS LES CIELS


by Perceval, condition A-; backed on linen39 x 24 in. (99 x 63 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500


Air France, p.84

3

GUY GEORGET (1911-1992)

AIR FRANCE, FRENCH RIVIERA

lithograph in colours, c.1960, printed

by Bedos & Cie, Paris, condition A-; not

backed39 x 24Ω in. (100 x 62 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500


Air France, p.111

321

CONTENTS

LOTS FRENCH POSTERS 1-29CASSANDRE 8-11HENRI DE TOULOUSE-LAUTREC 34-35ALPHONSE MUCHA 37-39JEAN DUPAS 40-44EVENTS 40, 43, 45-50RUSSIAN POSTERS 45, 47, 51-71INTERNATIONAL POSTERS 72-90ACHILLE L. MAUZAN 91-101AUTOMOTIVE 102-117BRITISH POSTERS 118-161POLITICAL & WAR 159, 161-164AMERICAN POSTERS 162-179

type=external_link&url=http://www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=5638&lot=0001



3

6

ANONYMOUS

AEROPOSTALE, LA COTE BASQUE

lithograph in colours, printed by Step, Paris, condition A-; backed

on linen31 x 23Ω in. (78 x 59 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800

5

ANONYMOUS

AEROPOSTALE, RIO DE JANEIRO

lithograph in colours, printed by Step, Paris, condition A-; backed

on linen32 x 23 in. (81 x 58 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500

4 5

6

4

ALBERT SOLON (1897-1973)

LIGNES FARMAN, PARIS

lithograph in colours, 1932, printed by Ch. Egler, Paris, condition

B+; backed on japan39 x 24Ω in. (100 x 62 cm.)

£1,800-2,200 $2,900-3,500 €2,300-2,800




4

n 7

LUCIEN BOUCHER (1889-1971)

AIR FRANCE PLANISPHERE

lithograph in colours, 1964, printed by

Perceval, Paris, condition A-; on eight

sheets joined to four panels, backed

on linentwo end panels; each 95Ω x 40 in. (242 x 102 cm.)

two central panels; each 95Ω x 39Ω in. (242 x 100 cm.)

£8,000-10,000 $13,000-16,000 €11,000-13,000

7

8

A.M. CASSANDRE (1901-1968)

L’OISEAU BLEU


L. Danel, Lille, condition A-; not backed39Ω x 24Ω in. (100 x 62 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400


Cassandre, no.34; Mouron, pl.18; Ouvres Graphiques

Modernes, no.29; Suntory, no.56

9


LMS, THE BEST WAY

lithograph in colours, 1928, signed AMC

and numbered 50/50 in pencil, condition

A-; backed on linen, framed44 x 29 in. (111 x 74 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400


Cassandre, pl.25; Mouron, no.58v, pl.19v; Oeuvres

Graphiques Modernes, no.20; Suntory, pl.51; The Art

Deco Poster, p.251; Weill, p.19

10


DUNKERQUE, FOLKESTONE, LONDRES

lithograph in colours, printed by L. Danel,

Lille, condition A-; backed on linen, framed39 x 24 in. (98 x 60 cm.)

£5,000-7,000 $8,000-11,000 €6,400-8,900


Cassandre, pl.55; Mouron, no.101

11


NORD EXPRESS


Hachard & Cie., Paris, condition B; backed


£6,000-8,000 $9,600-13,000 €7,700-10,000


Ades, p.162; Art Deco Graphics, p.77; Le Coultre, p.255;

Suntory, p.110; Tourism in Posters, p.29






5

8 10

9 11

6

12

13

14

12

BERNARD DE GUINHALD (1892-1979)

HIVER A ANTIBES, JUAN-LES-PINS


by A.D.I.A., Nice, condition A-; backed

on linen30Ω x 24Ω in. (100 x 62 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900

*13

MUNETSUGU SATOMI (1900-1995)

COTE D’AZUR

lithograph in colours, 1934, printed by Le

Novatuer, Paris, condition B+; backed

on linen39 x 24 in. (99 x 61 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800


Tourism in Posters, p.71

14

GEORGES FAVRE

DE PARIS A LONDRES

lithograph in colours, c.1930, printed by

Gaillard, Paris, condition A; not backed39Ω x 24Ω in. (100 x 62 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900

15

15

AFTER PABLO PICASSO (1881-1973)

CÔTE D’AZUR


Mourlot, Paris, condition A; not backed39 x 26 in. (100 x 66 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900





7

16

16

AFTER RAOUL DUFY (1877-1953)

PARIS


Mourlot, Paris, condition A; backed

on linen24Ω x 39 in. (62 x 99 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

17

JEAN COCTEAU (1889-1963)

VILLEFRANCHE SUR MER, CHAPELLE ST. PIERRE


Mourlot, Paris, condition A-; not backed,

framed29Ω x 20Ω in. (75 x 52 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

18

18

AFTER MARC CHAGALL (1887-1985)

PARIS


Mourlot, Paris, condition A-; not backed25 x 39 in. (63 x 99 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

1917

*20


METROPOLITAN OPERA, CARMEN

lithograph in colours, 1966, signed and

inscribed in ink For Sonia (...) Marc Chagall,

printed by Mourlot, Paris, condition A-;

not backed39Ω x 25Ω in. (100 x 65 cm.)

£1,200-1,800 $2,000-2,900 €1,600-2,300

P R O V E N A N C E :

Sonia Lowenstein, costume designer for the

Metropolitan Opera.

Private Collection, USA.

Acquired from the above by the present owner

20

19


NICE SOLEIL FLEURS


Mourlot, Paris, condition A; not backed39 x 24Ω in. (99 x 62 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900






8

26

PAUL COLIN (1892-1986)

CIGARETTES WEEKEND


Bedos & Cie, Paris, condition B+; backed

on linen58 x 37 in. (147 x 95 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500

25

RAYMOND SAVIGNAC (1907-2002)

CINZANO

lithograph in colours, 1951, printed by De

Plas, condition B/B+; backed on linen46 x 63 in. (117 x 160 cm.)

£1,200-1,800 $2,000-2,900 €1,600-2,300

23

VIANO

BEAULIEU SUR MER


Moullot, Marseille, condition A-; backed on

linen39Ω x 24Ω in. (100 x 62 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

21

RENÉ GRUAU (RENATO DE ZAVAGLI, 1909-2004)

RELAX...

ofset lithograph in colours, c.1950, printed

by Bonsch, condition A-; backed on linen38Ω x 25 in. (98 x 63 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

23

24

*22

JEAN-GABRIEL DOMERGUE (1889-1962)

L’HIVER Á MONTE-CARLO (before letters)

lithograph in colours, 1937, condition A-;


£2,000-3,000 $3,200-4,800 €2,600-3,800

22

21

n 24

RENÉ GRUAU (RENATO DE ZAVAGLI, 1909-2004)

LIDO PRESTIGE

lithograph in colours, c.1957, condition

B+/A-; on eighteen sheets joined to six

panels, backed on linentwo end panels; each 127 x 27 in. (322 x 68 cm.)

four central panels; each 127 x 30 in. (322 x 77 cm.)

£8,000-10,000 $13,000-16,000 €11,000-13,000







9

29


ORANGINA


Gaillard, Paris, condition A-; backed on

linen62 x 46Ω in. (158 x 118 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900

29

28

AFTER JULES ISNARD DRANSY (1883-1945)

NICOLAS, NECTAR


Henri Perrier, Paris, condition B+; backed

on linen58 x 43 in. (147 x 110 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500

2827

27

27

J. STALL (1874-1933)

CHAMPAGNE JOSEPH PERRIER

lithograph in colours, printed by B. Sirven,

Paris, condition A-; backed on linen62Ω x 47 in. (159 x 120 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800

25 26




10

33

30 32

31

11

35

HENRI DE TOULOUSE-LAUTREC (1864-1901)

AU CONCERT


backed on japan, framed19 x 14 in. (48 x 36 cm.)

£18,000-22,000 $29,000-35,000 €23,000-28,000


Adriani, 196; Delteil, 365; Wittrock, P28

3534

34

HENRI DE TOULOUSE-LAUTREC (1864-1901)

ELLES



£8,000-12,000 $13,000-19,000 €11,000-15,000


Adriani, 171; Delteil, 179; Wittrock, 155

*33

LEOPOLDO METLICOVITZ (1868-1944)

TURANDOT

lithograph in colours, printed by G.Ricordi

& C., Milano, condition B-/B; backed on

linen54Ω x 38 in. (138 x 97 cm.)

£3,500-4,500 $5,600-7,200 €4,500-5,700

*32

HENRI PRIVAT-LIVEMOT (1861-1936)

ABSINTHE ROBETTE

lithograph in colours, 1896, printed by J.L.

Gofart, Bruxelles, condition B+; backed on

linen42Ω x 32 in. (108 x 81 cm.)

£4,000-6,000 $6,400-9,600 €5,100-7,600

31

CHARLES ROBINSON (1870-1937)

THE STUDIO

lithograph in colours, 1900, printed

by McLagan & Cumming, Edinburgh,

condition B+; backed on card38Ω x 14Ω in. (98 x 37 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

30

LEONETTO CAPPIELLO (1875-1942)

POURPRE ANTIQUE, UN PARFUM....DE LUZY


Devambez, Paris, condition B+/A-; backed

on linen59 x 39 in. (149 x 99 cm.)

£5,000-7,000 $8,000-11,000 €6,400-8,900


Cappiello, no.338







12

36

LES MAÎTRES DE L’AFFICHE, VOLUMES I-V, ISSUES 1-61

240 lithographs, plates 1-240 and all sixteen bonus plates (the

following plates missing: 63, 64, 73, 75, 107, 111, 132, 136, 147, 172, 175,

182, 185, 196, 202, 240), 1895-1900, all volumes with title, preface

by Roger Marx, list of plates and index, printed by Chaix, Paris,

condition A-; loose (as published)each plate 15Ω x 11Ω in. (40 x 29 cm.) (240)

£15,000-20,000 $24,000-32,000 €20,000-25,000


Masters of the Poster, no. 1-240, bonus A-P

37

ALPHONSE MUCHA (1860-1939)

THE TIMES OF THE DAY / LES HEURES DU JOUR

four lithographs in colours, 1899, condition A; not backed, framedeach 43 x 16 in. (110 x 41 cm.) (4)

£30,000-50,000 $48,000-80,000 €39,000-64,000


Rennert/Weill, 62

36 (part)

36 (part)

36 (part)

36 (part)

36 (part)

36 (part)

38


LE FRUIT

lithograph in colours, c.1897, condition B+; backed on linen26 x 17Ω in. (66 x 42 cm.)

£4,000-6,000 $6,400-9,600 €5,100-7,600


Rennert/Weill, 88

*39


JOB

lithograph in colours, 1898, printed by F. Champenois, Paris,

condition B+; backed on linen60Ω x 40 in. (154 x 101 cm.)

£4,000-6,000 $6,400-9,600 €5,100-7,600


Rennert/Weill, 51





13

3737 3737

38 39

14

40

41

42

43

15

*40

JEAN DUPAS (1882-1964)

SPRING FASHIONS ARE HERE!


Tolmer, Paris, condition A-; backed on linen47 x 33 in. (111 x 84 cm.)

£5,000-7,000 $8,000-11,000 €6,400-8,900

44

n 41


BAL DES ÉTUDIANTS, ALHAMBRA - 8 JANVIER 1927


Rousseau Frères, Bordeaux, condition A-;

backed on linen, framed78 x 50Ω in. (198 x 129 cm.)

£12,000-18,000 $20,000-29,000 €16,000-23,000

42


REGATTA-TIME’S PLEASANT


Johnson, Riddle & Co. Ltd., London,

condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400


Underground Art, p.79

*43


XVme SALON DES ARTISTES DECORATEURS


backed on linen23Ω x 16 in. (60 x 40 cm.)

£4,000-6,000 $6,400-9,600 €5,100-7,600


Art Deco, p.112

*44


THENCE TO HYDE PARK

lithograph in colours, 1930, condition B/B+;

backed on linen39Ω x 49Ω in. (101 x 126 cm.)

£6,000-8,000 $9,600-13,000 €7,700-10,000






16

47

NATALIA GONCHAROVA (1881-1962)

GRAND BAL DE NUIT

lithograph in colours, 1926, printed by Joseph-Charles, Paris,

condition A-; not backed, framed47 x 31 in. (120 x 79 cm.)

£5,000-7,000 $8,000-11,000 €6,400-8,900

47

46

WALTER SCHNACKENBERG (1880-1961)

DIE JAHRMARKTS-ORGEL

lithograph in colours, 1934, condition B+; not backed47 x 33 in. (119 x 84 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

46

45

STENBERG BROTHERS (VLADIMIR, 1899-1982; GEORGI, 1900-1933)

THEATRE KAMERNY DE MOSCOU

lithograph in colours, 1923, condition B+; not backed, framed28Ω x 19 in. (72 x 48 cm.)

£10,000-15,000 $16,000-24,000 €13,000-19,000


Ades, p.120; Le Coultre, p.266; Mount, p.40

45




17

49

AUGUSTE HERBIN (1882-1960)

BAL DE LA GRANDE OURSE

lithograph in colours, 1925, printed by Kaplan,

Paris, condition A-; not backed, framed47 x 31 in. (119 x 79 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800


Avant-Garde Applied, p.93

50

49

50

ALEXEY BRODOVITCH (1898-1971)

BAL BANAL

lithograph, hand-coloured with watercolour, 1924, condition A-; not backed, framed22 x 26 in. (55 x 66 cm.)

£6,000-8,000 $9,600-13,000 €7,700-10,000

48

AFTER PABLO PICASSO (1881-1973)

BAL BANAL

letterpress and lithograph, 1924, printed by

Bernouard, Paris, condition A-; not backed, framed48 x 33 in. (122 x 84 cm.)

£5,000-7,000 $8,000-11,000 €6,400-8,900


Picasso Plakate, 57

48




18

54

ELIZAVETA IGNATOVICH (1903-1983)

THE FIGHT FOR THE POLYTECHNIC SCHOOL IS THE FIGHT FOR THE 5-YEAR PLAN


by Ogiz-Izogiz, Moscow, condition B+/A-;

not backed20Ω x 28 in. (62 x 72 cm.)

£1,200-1,800 $2,000-2,900 €1,600-2,300

52

53

52

VLADIMIR MAYAKOVSKY (1893-1930) & IVAN A. MALYUTIN (1889-1932)

TO THE POLISH FRONT, ROSTA

lithograph in colours, 1920, printed by 17th

Typo-Lithography M.G.S.N.H, condition

B+/A-; not backed25 x 20Ω in. (63 x 52 cm.)

£2,500-3,500 $4,000-5,600 €3,200-4,500

55 56

51 54

51

NEBEZHIN-NEMOV

PROLETARIANS

lithograph in colours, 1931, printed by Ogiz-

Izogiz, Moscow, condition B+; backed

on japan28 x 39Ω in. (71 x 100 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500

53

ANONYMOUS

VILLEROY & BOCH

lithograph in colours, condition B+;

not backed29 x 19 in. (73 x 49 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500





19

56

GRIGORI BORISOV (1899-1942) & NIKOLAI PRUSAKOV (1900-1952)

A WOMAN FROM THE FAIR

ofset lithograph in colours, 1928, condition B+/A-; on two joined

sheets, backed on japan53Ω x 42 in. (136 x 107 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500

E X H I B I T E D :

London, GRAD, Kino/Film: Soviet Posters of the Silent Screen, 2014

55

V. PSHENICHNIKOV

XV OCTOBER ANNIVERSARY, INTOURIST

lithograph in colours, 1932, condition A; not backed27Ω x 20 in. (70 x 51 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

58

57

57

DMITRI S. MOOR (ORLOV) (1883-1946)

HELP / POMOGI

lithograph, 1921, condition B; not backed42 x 28 in. (106 x 71 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400

58A

58

VALENTINA N. KULAGINA-KLUCIS (1902-1987)

COMRADES MINERS!

lithograph in colours, 1933, printed by Ogiz-Izogiz, Moscow,

condition B+, not backed41 x 28 in. (104 x 71 cm.)

£2,500-3,500 $4,000-5,600 €3,200-4,500

*58A

A. FINOGENOV

SPARTACUS

lithograph in colours, 1926, condition B+; backed on japan38 x 53 in. (96 x 134 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500





type=external_link&url=http://www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=5638&lot=0058A

20

6261

60

62

SEMYON SEMYONOV (1895-1972)

THE HEIR OF GHENGIS KHAN / STORM OVER ASIA


by Mospoligraf, Moscow, condition

B+; backed on linen37 x 28Ω in. (93 x 73 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800

E X H I B I T E D :

London, GRAD, ‘Kino/Film: Soviet Posters of the

Silent Screen’, 2014

*61

STENBERG BROTHERS (VLADIMIR, 1899-1982; GEORGI, 1900-1933) AND YAKOV RUKLEVSKY (1884-1965)

BY THE LAW

lithograph in colours, 1926, condition

B; backed on linen42Ω x 28 in. (108 x 72 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400


Pack, p.222

60

YAKOV RUKLEVSKY (1884 - 1965)

OCTOBER


B+; on three sheets, backed on japanUpper sheet; 28 x 40 in (71 x 101 cm.)

Two lower sheets; each 27Ω x 40 in. (70 x 101

cm.)

£15,000-25,000 $24,000-40,000 €20,000-32,000


Kino/Film, p.45

*59

SEMYON SEMYONOV (1895-1972)

THE THREE MILLIONS TRIAL


B-; on two joined sheets, backed on

linen55 x 41Ω in. (140 x 106 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400

59





21

*64

STENBERG BROTHERS (VLADIMIR, 1899-1982; GEORGI, 1900-1933)

THE POUNDED CUTLET

lithograph in colours, 1927, printed by Moskino, Moscow,

condition A-; backed on japan39 x 27Ω in. (100 x 70 cm.)

£25,000-35,000 $40,000-56,000 €32,000-45,000


Pack, p.227

64

*63

GRIGORI BORISOV (1899-1942) & NIKOLAI PRUSAKOV (1900-1952)

KHAZ-PUSH

ofset lithograph in colours, 1927, printed by Mospoligraf, Moscow,

condition B+; backed on japan28 x 42 in. (70 x 107 cm.)

£25,000-35,000 $40,000-56,000 €32,000-45,000


Pack, p.48

Amo Bek-Nazarov’s 1927 film Khaz-Push explores the exploitation and attempted revolt of an oppressed Armenian minority working under British control in Iran. In their accompanying poster, Grigori Borizov & Nikolai Prusakov employ the Constructivist techniques of bold typography and striking photomontage to promote the film and reflect its dynamic and restless content.

While the cycling figure, composed of cut and pasted scenes from the film, rides towards the left edge of the picture plane, the poster’s headline reads I’m Hurrying to See the Film Khaz-Push. In both composition and content Borizov & Prusakov’s poster creates a sense of urgency around the film and its message, in turn enticing the contemporary public towards the cinema screen and towards engagement with the revolutionary ideals laid out by Bek-Nazarov.

63



22

65

INTOURIST POSTERS

Until the early 1990s Intourist was the offcial state travel agency of the Soviet Union. Founded by Joseph Stalin in 1929, Intourist was responsible for portraying the Soviet state as a holiday destination for the foreign tourist. The agency’s advertising exclusively targeted an external audience and presented an exotic, cosmopolitan, and capitalist-infuenced image of the Soviet Union that was often deemed misrepresentative by the internal population.

The Intourist and Russian Travel section of this sale (Lots 65-71) offers a rare selection of posters designed by various artists working for the agency in the frst half of the twentieth century and demonstrates the scope of the agency’s advertising campaign.

66

*66

ANONYMOUS

SOMMERSPORT IN DER UdSSR


B+/A-; backed on linen40 x 25 in. (101 x 63 cm.)

£2,500-3,500 $4,000-5,600 €3,200-4,500


Intourist, pl.36

67

67

ANONYMOUS

MOSCOW

lithograph in colours, condition B+/A-; not

backed40 x 27 in. (102 x 69 cm.) (3)

£800-1,200 $1,300-1,900 €1,100-1,500

68

MAX LITVAK & ROBERT FEDOR

THE NEW TRAVEL LAND, USSR SOVIET RUSSIA


B+/A-; not backed40 x 25 in. (102 x 64 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500


Intourist, pl.5v

69

P. MERINOV

THE TRANSSIBERIAN EXPRESS, SHORTEST WAY BETWEEN EUROPE AND FAR EAST


Vneshorgizdat, condition B+; not backed39 x 27 in. (100 x 69 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800


Intourist, pl.2

70

KONSTANTIN BOR RAMENSKY

BY AIR TO USSR

lithograph in colours, 1934, condition A;

not backed36Ω x 24 in. (92 x 60 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400


Intourist, pl.19

*71

SERGEY IGUMNOV (1900-1942)

SOVIET ARMENIA

lithograph in colours, c.1936, condition B+;

backed on linen35 x 25 in. (90 x 63 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500


Intourist, pl.29

65

ANONYMOUS

ODESSA

lithograph in colours, condition A-; not

backed29Ω x 19Ω in. (75 x 50 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500








23

68 70

7169

24

807774

797673

787572

25

*81

RAFAEL DE OCHOA Y MADRAZO (1858-1935)

TRANSSIBÉRIAN DE MOSCOU À PÉKIN



£3,000-5,000 $4,800-8,000 €3,900-6,400

81

*82

JOSEPH DE LA NÉZIÉRE (1873-1944)

SIMPLON-ORIENT-EXPRESS, ALEP



£1,200-1,800 $2,000-2,900 €1,600-2,300

82

80

MARIO PUPPO (1905-1977)

FINALE LIGURE


by Barabino & Graeve, Genova, condition

A; not backed39 x 27 in. (100 x 69 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

*79

ANONYMOUS

STRESA-MOTTARONE, LAGO MAGGIORE

lithograph in colours, printed by Richter &

Co., Napoli, condition B+/A-; backed


£800-1,200 $1,300-1,900 €1,100-1,500

*78

ANONYMOUS

SPEND YOUR HOLIDAYS IN JAMAICA


by Waterlow & Sons, Limited, London,

condition A-; backed on linen30 x 20 in. (76 x 51 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

77

WALTER MAHRER

GENEVA

lithograph in colours, printed by Atar,

Genéve, condition A-; not backed39 x 25Ω in. (100 x 65 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

76

GEORGE HEMMING

AROUND THE WORLD, NYK

lithograph in colours, 1932, condition B+/A-;

not backed, framed30 x 21 in. (75 x 53 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

*75

JARVIS

SOUTH AMERICA FOR SUNSHINE

silkscreen and lithograph in colours, 1958,

condition A-; not backed40 x 25 in. (101 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

74

A.W. BAYLIS

SOUTHERN RHODESIA

lithograph in colours, 1952, condition B/B+;


£1,000-1,500 $1,600-2,400 €1,300-1,900

73

ANONYMOUS

PULLMAN EXPRESS

lithograph in colours, printed by E.

Stockmanns & Co., Anvers, condition A-;

not backed39 x 25Ω in. (100 x 65 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

72

KENNETH DENTON SHOESMITH (1890-1939)

SOUTH AMERICA BY ROYAL MAIL

lithograph in colours, condition A-; backed

on linen40 x 25 in. (101 x 64 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900












26

83

84

*84

PERCIVAL ALBERT (PERCY) TROMPF (1902-1964)

AUSTRALIA

lithograph in colours, 1935, condition B;

not backed

together with the small format version of

the poster40 x 25 in. (102 x 64 cm.) (2)

£800-1,200 $1,300-1,900 €1,100-1,50085

*83

OTTO VON HANNO (1891-1956)

SUMMER IN NORWAY

lithograph in colours, c.1930, condition A-;


£800-1,200 $1,300-1,900 €1,100-1,500

*85

JANEZ TRPIN (1908-1973)

VISITEZ LA YOUGOSLAVIE


S.C.I.P., Paris, condition B+; backed on

paper37 x 25 in. (95 x 63 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900

86

*86

MUNETSUGU SATOMI (1900-1995)

JAPAN


by Seihan Printing Co., Osaka, condition

B+; backed on linen39 x 25 in. (99 x 64 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800





27

87

88

88

JORMA SUHONEN (1911-1987)

SCANDINAVIAN AIR EXPRESS, NACH FINNLAND

lithograph in colours, printed by

Kirjallisuuden, Helsinki, condition A-;


£1,000-1,500 $1,600-2,400 €1,300-1,900

89

87

ANONYMOUS

VENISE 1933


“Novissima”, Roma, condition A-;


£1,000-1,500 $1,600-2,400 €1,300-1,900

89

EMMANUEL GAILLARD

K.L.M., LUFTLINIEN - HOLLAND

lithograph in colours, c.1931, printed by L.

van Leer & Co., Amsterdam, condition A-;


£800-1,200 $1,300-1,900 €1,100-1,500

90

90


TAI, NOUVELLE-CALÉDONIE


Hubert Baille, Paris, condition A; backed


£800-1,200 $1,300-1,900 €1,100-1,500





28

*101

ACHILLE L. MAUZAN (1883-1952)

AGUA COLONIA GRIET



£1,500-2,000 $2,400-3,200 €2,000-2,500L I T E R A T U R E :

Mauzan, A374

*100


MALTA PALERMO



£1,000-1,500 $1,600-2,400 €1,300-1,900L I T E R A T U R E :

Mauzan A401

*99


CALZADO PLUMA



£1,500-2,000 $2,400-3,200 €2,000-2,500L I T E R A T U R E :

Mauzan, A424

*98


BIGNOLI LIQUIDACION

lithograph in colours, c.1930, condition B/

B+; backed on linen61 x 40Ω in. (155 x 103 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500L I T E R A T U R E :

Mauzan, A314

*97


GENIOL QUITA EL DOLOR

lithograph in colours, 1929, condition B+;


£1,500-2,000 $2,400-3,200 €2,000-2,500L I T E R A T U R E :

Mauzan A371

*96


OSCARIA

lithograph in colours, 1930, condition A;


£800-1,200 $1,300-1,900 €1,100-1,500L I T E R A T U R E :

Mauzan A415

*95


RADIO CROSLEY



£3,000-5,000 $4,800-8,000 €3,900-6,400L I T E R A T U R E :

Mauzan, A354

*94


M. ALVAREZ



£800-1,200 $1,300-1,900 €1,100-1,500L I T E R A T U R E :

Mauzan A305

*93


CALZADO OSCARIA



£800-1,200 $1,300-1,900 €1,100-1,500L I T E R A T U R E :

Mauzan A414

*92


HEINLEIN & CIA

lithograph in colours, 1929, condition B+/A-

; backed on linen61Ω x 41 in. (156 x 105 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500L I T E R A T U R E :

Mauzan A384

92

*91


FITINA



£800-1,200 $1,300-1,900 €1,100-1,500L I T E R A T U R E :

Mauzan, A367

91












29

95 98 101

94 97 100

93 96 99

30

102

MICHEL BELIGOND (1927-1973)

24 H DU MANS, 1959


Thivillier, condition A-; backed on linen21Ω x 16 in. (55 x 40 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500

103

*103

JEAN PRUNIERE

COURSE DE CÔTE DE LA BARAQUE

lithograph in colours, printed by Mont-

Louis, Clermont, condition B; backed on

linen48Ω x 31Ω in. (123 x 81 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800

104

*104

GEO HAM (1900-1972)

GD. PRIX DE 24H DE PARIS, MONTLHÉRY


Thivillier, Paris, condition B/B+; backed on

linen23 x 14Ω in. (59 x 37 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500

105

102

*105

H.A. VOLODIMER

2ème GRAND PRIX D’ENDURANCE DE 24 HEURES

lithograph in colours, 1924, condition A-/A;


£10,000-15,000 $16,000-24,000 €13,000-19,000

106 No Lot





31

107

108

108

MICHAEL TURNER (B.1934)

MONACO 1967


by J. Ramel, Nice, condition A; not backed23Ω x 16 in. (60 x 41 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500


Crouse, p.65

109

*107

B. MINNE (1918 -)

MONACO, 1952


Monégasque, Monte-Carlo, condition B/B+;


£6,000-8,000 $9,600-13,000 €7,700-10,000


Afiches de L’Automobile, pl.130, Crouse, p.41

*109

GEO HAM (1900-1972)

41eme GD. PRIX DE L’A.C.F., REIMS


Thivillier, Paris, condition B+/A-; backed on

linen23Ω x 16 in. (59 x 40 cm.)

£1,800-2,200 $2,900-3,500 €2,300-2,800

110

110

SANDRO SCARSI

VESPA


by Giuseppe Lang, Genova, condition A;

backed on linen38Ω x 27Ω in. (98 x 70 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500





32

*114

CESARE GOBBO (1899-1981)

XV GRAN PREMIO D’ITALIA


by E.G.A.P., Roma, condition A-; backed on

linen54Ω x 39 in. (139 x 100 cm.)

£10,000-15,000 $16,000-24,000 €13,000-19,000

114

*113

ANONYMOUS

B.S.A, MOTOR BICYCLES

lithograph in colours, c.1926, condition B:


£2,000-3,000 $3,200-4,800 €2,600-3,800

113

*112

FRANK NEWBOULD (1887-1951)

SWIFT, WORLD’S BEST CYCLES


Chorley & Pickersgill Ltd., Leeds, condition

A-; backed on linen60 x 39 in. (152 x 99 cm.)

£1,800-2,200 $2,900-3,500 €2,300-2,800

112

*111

OTTO MORACH (1887-1973)

A. WELTI-FURRER AG


“Wolfsberg”, Zürich, condition A-; backed

on linen50 x 36 in. (128 x 91 cm.)

£2,500-3,500 $4,000-5,600 €3,200-4,500

111





33

*117

ANDRÉ BERMOND (1903-1983)

1er GRAND PRIX DE MARSEILLE

lithograph in colours, 1946, printed by Moullot, Marseille, condition

A-; backed on linen47 x 31 in. (119 x 79 cm.)

£2,500-3,500 $4,000-5,600 €3,200-4,500 117

*116

ANONYMOUS

SET THE PACE! WIN THE RACE!

ofset lithograph in colours, 1925, printed by Mather & Company,

Chicago, condition A-; backed on linen48 x 36 in. (122 x 92 cm.)

£3,500-4,500 $5,600-7,200 €4,500-5,700

116

*115

AGUIRRECHE

SN SEBASTIAN

lithograph in colours, printed by Laborde y Labayen, Tolosa,

condition B+; backed on linen39Ω x 28Ω in. (101 x 72 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400

115




34

118

120

*118

EDWARD MCKNIGHT KAUFFER (1890-1954)

AEROSHELL LUBRICATING OIL

lithograph in colours, 1932, printed by Chorley & Pickersgill Ltd.,

Leeds, condition B+/A-; backed on linen30 x 44 in. (76 x 112 cm.)

£6,000-8,000 $9,600-13,000 €7,700-10,000


Le Coultre, p.280-281; Newitt, p.40

119

*119

JOHN GILROY (1898-1985)

HAVE A GUINNESS WHEN YOU’RE TIRED

lithograph in colours, c.1936, printed by John Waddington Ltd.,

Leeds, condition B+/A-; backed on linen30 x 41 in. (76 x 102 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500


Davis, p.44; Sibley, p.89

120

ANONYMOUS

B.O.A.C, HERMES SPEEDBIRD

ofset lithograph in colours, printed by McCorquodale & Co., Ltd.,

London, condition A; backed on linen24Ω x 39 in. (62 x 99 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900

121

121

ANONYMOUS

KLAUS’S CHOCOLATES

lithograph in colours, printed by Aug. G. Fiedeler, Chaux de Fonds,

condition A-; backed on linen

£800-1,200 $1,300-1,900 €1,100-1,500





35

122 123

122

ANONYMOUS

FIRST AVIATION MEETING IN ENGLAND, DONCASTER

lithograph in colours, 1909, printed by Alf

Cooke Ltd., London, condition A-; backed

on japan40 x 24Ω in. (101 x 62 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400

123

ANONYMOUS

ISLE OF MAN

lithograph in colours, printed by Waterlow

& Sons Limited, London, condition B+:


£1,500-2,000 $2,400-3,200 €2,000-2,500

124

124

CLAUDE SHEPPERSON (1867-1921)

TAKE A KODAK WITH YOU


Vincent Brooks, Day & Son Ltd., condition

A; not backed30 x 20 in. (76 x 51 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

125

n 125

HB

BLACKPOOL LIDO

lithograph in colours, printed by Ayre &

Senior, Blackpool, condition A-; on ten

joined sheets, backed on linen116Ω x 78Ω in. (296 x 200 cm.)

£1,200-1,800 $2,000-2,900 €1,600-2,300

126

126

HELBERT ALKER TRIPP (1883-1954)

NEWQUAY


Jordison & Co., Ltd., London, condition A;


£1,000-1,500 $1,600-2,400 €1,300-1,900






36

130

KENNETH DENTON SHOESMITH (1890-1939)

H.M.S. VICTORY, PORTSMOUTH

lithograph in colours, 1937, printed by Waterlow & Sons Ltd.,

London, condition B+; not backed40 x 50 in. (102 x 127 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

129

PAUL HENRY (1876-1958)

COME TO ULSTER FOR A BETTER HOLIDAY

lithograph in colours, c.1930, printed by S.C.Allen & Company Ltd.,

Belfast, condition A-; not backed40 x 50 in. (102 x 127 cm.)

£700-900 $1,200-1,400 €900-1,100

128

ANONYMOUS

SYLVAN SCENES & SUNNY SHORES


London, condition B+/A-; not backed40 x 49Ω in. (102 x 126 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500

128 130

*127

TOM GILFILLAN

FINGAL’S CAVE, STAFFA

lithograph in colours, 1928, printed by John Horn Limited,

Glasgow, condition B+; backed on linen40 x 50 in. (102 x 127 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

127 129





37

133

CHARLES MAYO

SPEED TO THE WEST

lithograph in colours, 1939, printed by Jordison & Co., Ltd.,

London, condition B+; backed on linen40 x 50 in. (102 x 127 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500


Speed To The West, p.6; Railway Posters, p.52

133

132

CECIL KING (1921-1986)

THE MERSEYSIDE EXPRESS

lithograph in colours, c.1937, printed by W.E. Berry Ltd.,

Bradford, condition B+; backed on japan40 x 50 in. (102 x 127 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800

132

*131

LILI RETHI (1894 -1971)

CREWE WORKS

lithograph in colours, 1937, printed by Jordison, London,

condition B; backed on linen39 x 48Ω in. (99 x 123 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800

131




38

134

134

TERENCE CUNEO (1907-1996)

ROYAL ALBERT BRIDGE, SALTASH

lithograph in colours, 1959, printed by Waterlow & Sons Limited,

London, condition B+; not backed40 x 49Ω in. (101 x 126 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900


Cuneo, p.41

135

135


CLEAR ROAD AHEAD, “MONMOUTH CASTLE”


London, condition B+; not backed40 x 50 in. (101 x 127 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900


Cuneo, p.33

136

136


AN ENGINE IS WHEELED

lithograph in colours, 1949, printed by Waterlow & Sons Limited,

condition B+; backed on linen40 x 50 in. (102 x 127 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500


Cuneo, p.31

137

*137

STANHOPE ALEXANDER FORBES (1857-1947)

THE PERMANENT WAY

lithograph in colours, 1924, printed by Jordison & Co. Ltd., London,

condition B+/A-; backed on linen38Ω x 48 in. (98 x 123 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500


Art for All p.19; Railway Posters, p.96





39

138

*138

HELEN MADELEINE MCKIE (1889-1957)

WATERLOO STATION, PEACE

lithograph in colours, 1947, printed by The

Baynard Press, London, condition B/B+;


£3,000-5,000 $4,800-8,000

€3,900-6,400


Art for All, p.112; Railway Posters, p.91

139

*139

HELEN MADELEINE MCKIE (1889-1957)

WATERLOO STATION, WAR


The Baynard Press, London, condition B+;


£3,000-5,000 $4,800-8,000

€3,900-6,400s


Railway Posters, p.91

140

140

JAMES BATEMAN

ST. PAUL’S CATHEDRAL, LONDON


Vincent Brooks, Day & Son, Ltd., London,


£1,000-1,500 $1,600-2,400

€1,300-1,900

141

*141

TONY SARG (1880-1942)

AT THE R.A.


Johnson, Riddle & Co., Ltd., London,

condition B+/A-; backed on linen39Ω x 25 in. (100 x 64 cm.)

£1,000-1,500 $1,600-2,400

€1,300-1,900


London Transport Posters, no.8

40

146 (part)145

144

HARRY BECK (HENRY CHARLES BECK, 1902-1974)

LONDON UNDERGROUND MAP


Waterlow & Sons Limited, London,

condition B+/A-; not backed26 x 34 in. (66 x 86 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800

144

143

EDWARD BAWDEN (1903-1989)

THE CITY


Curwen Press, London, condition A; not

backed40 x 25 in. (102 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500L I T E R A T U R E :

London Transport Posters, no.65

143

*142

BARNETT FREEDMAN (1901-1958)

THEATRE, GO BY UNDERGROUND

pair poster; two lithographs in colours,

1936, printed by Curwen Press, condition

A; backed on lineneach 40 x 25 in. (101 x 63 cm.) (2)

£1,000-1,500 $1,600-2,400 €1,300-1,900L I T E R A T U R E :

Modern British Posters, p.109

142




41

150

MACDONALD (MAX) GILL (1884-1947)

MAP OF CEYLON



£800-1,200 $1,300-1,900 €1,100-1,500 150

149


WHERE OUR TEA COMES FROM



£1,500-2,000 $2,400-3,200 €2,000-2,500P R O V E N A N C E :

The artist’s studio, by descent to the present owner.

149

148


THEATRELAND

lithograph in colours, 1915, printed by The

Westminster Press, condition B;


£2,500-3,500 $4,000-5,600 €3,200-4,500P R O V E N A N C E :



Frank Pick’s London, p.38; L.U. Maps, p.29

148

147


MAP OF CENTRAL LONDON, CLASH OF ARMS


Waterlow & Sons Ltd., London, condition

B+; not backed40 x 49Ω in. (102 x 126 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400P R O V E N A N C E :



L.U. Maps, p.50

147

146

DAVID GENTLEMAN (B.1930)

VISITOR’S LONDON

pair poster; two ofset lithographs in

colours, 1956, printed by McCorquodale &

Co., Ltd., London, condition A; not backedeach 40 x 25 in. (102 x 64 cm.) (2)

£800-1,200 $1,300-1,900 €1,100-1,500

145

EDWARD BAWDEN (1903-1989)

KEW GARDENS


Curwen Press, London, condition B;


£800-1,200 $1,300-1,900 €1,100-1,500







42

153


MAP OF CENTRAL LONDON, CLASH OF ARMS

lithograph, artist’s proof before colours,

1932, condition A-; not backed40 x 60 in. (102 x 153 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800



153

152


COUNTRY BUS SERVICE


1928, printed by Waterlow & Sons Limited,

London, condition B+/A-; not backed40 x 50 in. (102 x 128 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800



152

151


PETER PAN MAP OF KENSINGTON GARDENS


1923, printed by Dobson, Molle & Co. Ltd.,

London, condition A; not backed40 x 50 in. (102 x 128 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800




L.U. Maps, p.37 v.

151




157


POST OFFICE WIRELESS STATIONS

lithograph in colours, 1939, condition A-; not backed40 x 50 in. (101 x 127 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400P R O V E N A N C E :


157

156


POST OFFICE RADIO-TELEPHONE SERVICES

lithograph in colours, 1935, printed by J. Weiner Ltd., London,


£3,000-5,000 $4,800-8,000 €3,900-6,400P R O V E N A N C E :


156

155


A MAP OF ENGLAND

lithograph, artist’s proof, 1928, issued by the Empire Marketing

Board, printed by Eyre & Spottiswoode Ltd., London, condition A-;

not backed40 x 60 in. (102 x 153 cm)

£2,000-3,000 $3,200-4,800 €2,600-3,800P R O V E N A N C E :


155

154


A MAP OF SCOTLAND

lithograph in colours, 1929, issued by the Empire Marketing Board,

printed by Eyre & Spottiswoode Ltd., London, condition A-; not

backed40 x 60 in. (102 x 152 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400P R O V E N A N C E :


154

Gallery Talk “Discovering Max Gill” by Andrew and Angela Johnston and Caroline Walker, Monday, 10th November at 6.30pm at Christie’s South Kensington. Visit www.christies.com/events for further details.





44

158

158

FOUGASSE (CYRIL KENNETH BIRD, 1887-1965)

PLEASE DON’T SMOKE


Fosh & Cross Ltd., London, condition A;

backed on linen, framed25 x 20 in. (64 x 50 cm.)

£1,200-1,800 $2,000-2,900 €1,600-2,300

159 (part)159


CARELESS TALK COSTS LIVES

eight lithographs in colours, c.1943,

condition A-; not backedeach 12Ω x 8 in. (32 x 20 cm.) (8)

£1,500-2,000 $2,400-3,200 €2,000-2,500

160 (part)

160


THIS IS ONE WAY TO HAIL A BUS...

lithograph in colours, c.1941, condition A;

not backed

together with ten posters by Fougasse.each 14 x 9 in. (36 x 23 cm.) (11)

£1,500-2,000 $2,400-3,200 €2,000-2,500

161

ABRAM GAMES (1914-1996)

JOIN THE ATS


not backed

together with ‘A.T.S.’, 1944 by A. Gameseach 28Ω x 19 in. (73 x 49 cm.) (2)

£2,500-3,500 $4,000-5,600 €3,200-4,500

Originally designed to attract women to the Army Training Service in 1941, this rare poster known as the “Blonde Bombshell” was withdrawn from circulation after a member of parliament complained the image was too glamorous. Games subsequently produced two other posters for the ATS, the third and final version of which was issued in January 1944 and is included in this lot.

.

162161 (part)

*162

GUY LIPSCOMBE (1881-1952)

BRITISHERS ENLIST TO-DAY

lithograph in colours, c.1916, condition B;


£800-1,200 $1,300-1,900 €1,100-1,500






45

163

164

164

HOWARD CHANDLER CHRISTY (1873-1952)

I WANT YOU FOR THE NAVY


by Forbes, Boston, condition B+; backed


£800-1,200 $1,300-1,900 €1,100-1,500

165

*163

JAMES MONTGOMERY FLAGG (1877-1960)

I WANT YOU FOR U.S. ARMY


Leslie-Judge Co., N.Y., condition B+/A-;


£4,000-6,000 $6,400-9,600 €5,100-7,600


American Style, p.99 ; War Posters, p.22

*165

HERNANDO G. VILLA (1881-1952)

CHICAGO WORLD’S FAIR


Newman-Monroe Co., Chicago, condition

B/B+; not backed42 x 28 in. (107 x 72 cm.)

£1,500-2,000 $2,400-3,200 €2,000-2,500

166

*166

HERNANDO G. VILLA (1881-1952)

OLYMPIC GAMES, LOS ANGELES, CALIFORNIA


Rand McNally, Chicago, condition A; not

backed27 x 20 in. (68 x 51 cm.)

£3,000-5,000 $4,800-8,000 €3,900-6,400





46

n 172

JAMES CUTTER

TWA

silkscreen, 1948, condition B-; on four

joined sheets, backed on linen69 x 116Ω in. (176 x 296 cm.)

£8,000-12,000 $13,000-20,000 €10,000-16,000

171

DAVID KLEIN (1918-2005)

SAN FRANCISCO, FLY TWA

ofset lithograph in colours, c.1958,


£800-1,200 $1,300-1,900 €1,100-1,500

170


LAS VEGAS, FLY TWA



£800-1,200 $1,300-1,900 €1,100-1,500

170 171

167

169

WILFRED LANGDON KIHN (1898-1957)

CANADIAN PACIFIC, INDIAN DAYS BANFF

lithograph in colours, condition A-; backed

on linen36 x 24 in. (91 x 61 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900169

*168

THE WILLMARTHS (KENNETH & WILLIAM)

VISIT THE PACIFIC NORTHWEST WONDERLAND...


Newman-Monroe Co., Chicago, condition


£800-1,200 $1,300-1,900 €1,100-1,500

168

*167


MIAMI, FLY TWA


condition A; backed on linen40 x 25 in. (101 x 64 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900







47

*174

PAUL RAND (1914-1996)

IBM

lithograph in colours, 1982, condition A; not backed36 x 24 in. (91 x 61 cm.)

£2,000-3,000 $3,200-4,800 €2,600-3,800


American Image, no.72

Paul Rand (1914-1966) remains among the most highly regarded and influencial American graphic designers of all time. In this instantly recognisable work, Eye-Bee-M (IBM), Rand afirms his belief that in order for a logo to be successful it must be ‘designed with the utmost simplicity and restraint.’

174

*173

MARCEL DUCHAMP (1887-1968)

A POSTER WITHIN A POSTER / WANTED

ofset lithograph in colours, 1963, condition B+; not backed34Ω x 27 in. (88 x 69 cm.)

£1,000-1,500 $1,600-2,400 €1,300-1,900


Schwarz, no.588

This poster reproduces WANTED: $2,000 REWARD, 1923, Duchamp’s Rectified Readymade using a spoof on a “criminal wanted” poster found in a New York restaurant to which he afixed side and full-front views of himself. The Poster was designed by Duchamp.

173

172



48

The Rural Electrification Act of 1935 was established as part of Franklin D. Roosevelt’s New Deal. The scheme provided funding to develop electrical power throughout rural areas of the United States, in the hope that the advancing infrastructure would raise living standards and promote higher employment rates during the Great Depression.

This iconic poster by the great American graphic artist, Lester Beall (1903-1969), was commissioned by the Rural Electrification Administration, whose role it was to communicate change to rural communities afected by ongoing advancements. Drawing on the dynamism of the European Avant-Gardes, Beall creates a striking composition that brings together geometric stripes in red, white and blue echoing the American Flag, with photomontage representing content rural communities as they look towards their future in the mechanical age.

175

*175

LESTER BEALL (1903-1969)

RURAL ELECTRIFICATION ADMINISTRATION

silkscreen and ofset lithography, 1939,


£15,000-20,000 $24,000-32,000 €20,000-25,000



*176


NEW YORK, FLY TWA


condition B+/A-; backed on linen40 x 25 in. (102 x 64 cm.)

£1,800-2,200 $2,900-3,500 €2,300-2,800

*178

NEMBHARD N. CULIN (1908-1990)

NEW YORK WORLD’S FAIR, 1939

ofset lithograph in colours, 1937,


£4,000-6,000 $6,400-9,600 €5,100-7,600



*177

LESLIE RAGAN (1897-1972)

HIGHLANDS OF THE HUDSON


condition B+; not backed41 x 27 in. (104 x 69 cm.)

£1,800-2,200 $2,900-3,500 €2,300-2,800


Zega & Gruber, fig.158

*179

LESLIE RAGAN (1897-1972)

NEW YORK, THE UPPER BAY FROM LOWER MANHATTAN


by Latham Litho Co. Inc., New York,

condition A-; backed on linen40Ω x 27 in. (103 x 68 cm.)

£4,000-6,000 $6,400-9,600 €5,100-7,600


Zega & Gruber, 127






49

178

177

176

179

50

Bibliography

ADESD. Ades, The 20th Century Poster: Design of the Avant-Garde, 1990, Minneapolis, ISBN 1558591303

ADRIANIA. Götz, Toulouse-Lautrec: Das gesamte graphische Werk: Sammlung Ger-stenberg, 1976, Köln. ISBN 978-3770119844

AFFICHES D’AZUR C.Martini de Chateauneuf, Affiches D’Azur, 1992, Nice, ISBN 2 903574 12 10

AFFICHES DE LA RIVIERADe Montry, F. Lepeuve & C. Martini de Chateauneuf, Affiches de la Riviera de 1880 à 1950, 2001, Nice, ISBN 2 903574 60 X

AFFICHES DE L’AUTOMOBILEE. Lopez, Affiches De L’Automobile, 2011, Paris, ISBN 978 2 8508 348 4

AIR FRANCEL.J. Calvet & P-M. Thibault, Air France Posters, 2006, Paris, ISBN 2 782749 104485

ALPHONSE MUCHAV. Arwas, A. Mucha, J. Brabcová-Orliková & A. Dvorák, Alphonse Mucha: The Spirit of Art Noveau, 1998, Virginia, ISBN 0 88397 123 2

AMERICAN IMAGEI.Resnick, The American Image: US Posters from the 19th to the 21st Century, 2006, New York, ISBN 978 193 3360 287

ART DECOP. Frantz Kery, Art Deco Graphics, 1986, London, ISBN 0 500 28353 2

ART FOR ALLTeri J. Edelstein, Art for All: British Posters for Transport, 2010, New Haven, ISBN 978 0 300 15297 5

AVANT-GARDE APPLIEDR.Hollis, B.Tonini et al., The Avant-Garde Applied, 1890-1950, 2012, Madrid, ISBN 978 84 7075 6009

BRIDGES A.Bridges, Alphonse Mucha: The Complete Graphic Works, 1990, New York, ISBN 0 517 541890HB

BRITISH AVIATION POSTERSS. Anthony & O. Green, British Aviation Posters, Art, Design and Flight, 2012, Surrey, ISBN 978 19482208 43

CADRINGHERG. Cadringher, Affiches des Compagnies Maritimes, 2008, Paris, ISBN 978 2850882678

CASSANDREA.M. Cassandre, Tokyo-to Teien Bijutsukan, Cassandre: 2 June – 14th July, Tokyo Metropolitan Teien Art Museum: Art deco, 1991, Tokyo Metropolitan Teien Art Museum, Tokyo

CONSTANTINE S. Constantine, Buy and Build: The Advertising Posters of the Empire Marketing Board, 1986, London.

CROUSEW. Crouse, Grand Prix Automobile de Monaco Posters, 2009, Massachusetts, ISBN 9781555953379

CUNEON.Chakra, Terence Cuneo: Railway Painter of the Century, 1990, London, ISBN 0 904 568 741

DAVIESJ. Davies, The Book of Guinness Advertising, 1998, London, ISBN 0851120679

EARLY RAILWAY POSTERSB. Cole & R. Durack, Happy as a Sand-Boy; Early Railway Posters, 1990, HMSO Publications, ISBN 011 2904882

FLIGHTJ.C. Suarés & D. Owen, Flight: A Poster Book, 1978, London, ISBM 0175377191

FRANK PICK’S LONDON O.Green, Frank Pick’s London: Art, Design and the Modern City, 2013, V&A Publishing, ISBN 9781851777570

FURNESS, vol.1R. Furness, Poster to Poster: Scotland, Vol 1, 2009, London, ISBN, 978 0 9562092 0 7

FURNESS, vol.2R. Furness, Poster to Poster: Yorkshire & the North East England, Vol. 2, 2009, London, ISBN 978 0 956209214

FURNESS, vol.3R. Furness, Poster to Poster: The Midlands and Wales, Vol. 3, Yorkshire & the North East, 2009, London, ISBN 978-0956209245

FURNESS, vol. 4R. Furness, Poster to Poster: The Eastern Counties, Vol. 4, Yorkshire & the North East, 2009, London, ISBN 978-0956209238

FURNESS, vol. 5R. Furness, Poster to Poster: London and the South East, Vol. 5, Yorkshire & the North East, 2009, London, ISBN 978-0956209252

HAPPY HOLIDAYS Introduced by M. Palin, Happy Holidays, The Golden Age of Railway Posters, 1987, London, ISBN 9781851451302

HEALTHM. Robert-Sterkendries & P. & Julien, Posters of Health, Brussels, /D/19967857/3

INTOURISTEdited by E. Sudakova, See USSR: Intourist Posters and the Marketing of the Soviet Union, 2013, GRAD Publishing, ISBN 978 0957662308

ITALIA MANIFESTAP. Lodola, Italia Manifesta: Il volto dell’Italia atraverso i manifesti, 2003, Italy, ISBN 8872012430

KAUFFERM. Haworth-Booth. E.McKnight Kauffer, 2005, V&A Publications, London, ISBN 1 85177 466 1

KINO/FILMA. Chiriac & E. Sudakova, KINO/FILM, Soviet Posters if the Silent Screen, London, 2014, ISBN 978 0 9576623 2 2

L’AFFICHE DANS LE MONDEA.Weill, L’Affiche dans le Monde, 1984, Paris, ISBN 2 7242 2199 0

LA MER S’AFFICHE D. Hillion, La Mer s’ Affiche, 1990, Rennes, ISBN 2 7373 0675 2

LE COULTREM. Le Coultre and A. Purvis, A Century of Posters, 2002, Hampshire, ISBN 0853318638

LONDON TRANSPORT POSTERSEdited by D. Bownes & O. Green, London Transport Posters: A Century of Art and Design, 2008, London, ISBN 9780853319849

L.U. MAPSC. Dobbin, London Underground Map, 2012, Lund Humphries, ISBN-13: 978-1848221048

MANIFESTI ITALIANIG. Mughini & M. Scudiero, Manifesti Italiani: dall’art noveau al futurism (1895-1940), 1997, Milan

MASTERS 1900A.Weill, Masters of the Poster 1900, 2001, New York, ISBN 2 914661 04 5

MASTERS OF THE POSTER S. Appelbaum, The complete “Masters of the Poster”, 1990, London, ISBN 0 486 26309 6

http://www.abebooks.co.uk/products/isbn/9780851120676?cm_sp=bdp-_-9780851120676-_-isbn10

51

MAUZANM. Carnévalé-Mauzan, The Posters of Mauzan, 2003, New York, ISBN 978 0966420265

MCKNIGHT KAUFFERB.Webb & P. Skipwith, E.Mcknight Kauffer: Design, 2007, Antique Collectors’ Club, Suffolk, ISBN 9781 85149 520 7

MODERN BRITISH P.Rennie, Modern British Posters, Black Dog Publishing, 2009, ISBN13: 978 1 906155 97 1

MOURONH. Mouron, Cassandre, 1985, London, ISBN 978-0847806515

OEUVRES GRAPHIQUES MODERNESA. Sauvage, A.M. Cassandre - Oeuvres Graphiques Modernes, 2005, Paris, ISBN 2 7177 2335 8

PACKS. Pack, Film Posters of the Russian Avant-Garde, 1995, Koln, ISBN 3822889288

PARADIS À VENDREEdited by P.Cramer, Paradis à Vendre, 2005, Association des Amis de ‘Affiche Suisse, Geneve

PAUL COLIN A.Weill & J. Rennert, Paul Colin Affichiste, 1989, Paris, ISBN 2 207 23565 3

PICASSO PLAKATEC. Czwiklitzer, Pablo Picasso Plakate 1923-1973, 1981, München, ISBN 3 423 02875 0

PLEASURE TRIPSJ. Riddell, Pleasure Trips by Underground, Harrow, ISBN 1 85414 200 3

POSTER ART 150Poster Art 150, London Underground’s Greatest Designs, 2013, London

QUICKER BY RAILB. Cole, It’s Quicker by Rail, LNER Publicity and Poster 1923 to 1947, 2006, Harrow, ISBN 185414 304 2

RAILWAY POSTERSB.Cole & R.Durack, Railway Posters 1923-1947, 1992, Laurence King Publishing, ISBN 1 85669 014 8

RENNERT/WEILL J.Rennert & A.Weill, Alphonse Mucha, 1984, Paris, ISBN 2 85199 325 9

RIDING THE SKIESIntroduced by J. Morris, Riding the Skies, 1989, London, ISBN 0 7475 0337 0

SIBLEYB. Sibley, Guinness Advertising, 1985, Middlesex, ISBN 97808511244001

SOVIET POSTERSM. Lafont, Soviet Posters, 2007, Munchen, ISBN 978 3 7913 3752 4

SUNTORYSuntory Museum, Every Face of the Great Master Cassandre, 1901-1968, 1995, Japan, (Exhibition Catalogue)

SCHWARZA. Schwarz, The Complete Works of Marcel Duchamp, London, 1969, ISBN 978 0929445069

THE ART DECO POSTERW. Crouse, The Art Deco Poster, 2014, London, ISBN 978 0 500 51704 8

THE ORIENTALIST POSTER A. Slaoui, The Orientalist Poster, 1997, Casablanca, ISBN 978-1860642395

THE SHELL POSTER BOOKJ. Newitt, The Shell Poster Book, 1998, Profile Books, London, ISBN 1 86197 061 7

TOURISM IN POSTERSK. Ueki, Tourism in Posters, 1997, Tokyo

TOURISM POSTERS OF SWITZERLAND K.Wobmann, Tourism Posters of Switzerland 1880-1940, 1981, Aarau, ISBN 3 85502063 9

TRAMWAY ARTJ. Riddell, Tramway Art, 2010, Capital Transport Publishing ISBN 978 1854143341

TRAVEL ITALIAL.Ottaviani, Travel Italia: The Golden Age of Italian Travel Posters: Posters from the Collection Alessandro Bellenda, Alassio, 2007, Abrams, New York, ISBN 13:9780810994416

UNDERGROUND ART O.Green, Underground Art, 1990, Studio Vista, ISBN 028980037 4

UNDERGROUND TO THE ZOOJ. Riddell & P. Denton, By Underground to the Zoo, 1995, Studio Vista, ISBN 0 289 80133 8

V&A M. Timmers, The Power of the Poster, 1998, London, ISBN 185177 2413

VILLEMOTG.Villemot, Villemot, l’Affiche de A a Z, 2005, Hoebeke, ISBN: 2842302273 (E) 90-5349-433-2

WADSWORTHJ. Greenwood & R.Cork, The Graphic Work of Edward Wadsworth, 2002, Wood Lea Press, ISBN 978-0954318505

WAR POSTERS J. Aulich War Posters: Weapons of Mass Communication,2011, London, ISBN-13: 978-0500288962

WEILLA. Weill, Cassandre, 2005, Paris, ISBN 2 914661 80 0

WITTROCK W. Wittrock, Toulouse- Lautrec: Catalogue Complet des estempes, Volume 1 &2, 1085, Paris, ISBN 28770 014

ZEGA & GRUBERM. Zega & J. Gruber, Travel by Train: The American Railroad Poster 1870-1950, 2002, Indiana, ISBN 978 0253341525

52

Index by Artist

AAguirreche, 115

BBateman, J., 140

Bawden, E., 143, 145

Baylis, A.W., 74

Beall, L, 175

Beck, H., 144

Beligond, M., 102

Bermond, A., 117

Borisov & Prusakov, 56, 63

Boucher, L., 7

Brodovitch, A., 50

CCappiello, L., 30

Cassandre, A.M., 8-11

Chagall, M., 18-20

Christy, H.C., 164

Cocteau, J., 17

Colin, P., 27

Culin, N., 178

Cuneo, T., 134-136

Cutter, J., 172

Dde Ochoa, R., 81

Domergue, J., 22

Dransy, J.I., 28

Duchamp, M., 173

Dufy, R., 16

Dupas, J., 40-44

FFavre, G., 14

Finogenov, A., 58A

Flagg, J.M., 163

Forbes, S.A., 137

Fougasse, 158-160

Freedman, B., 142

GGaillard, E., 89

Games, A., 161

Gentleman, D., 146

Georget, G., 3

Gilfillan, T., 127

Gill, M., 147-157

Gilroy, J., 119

Gobbo, C., 114

Goncharova, N., 47

Gruau, R., 21, 24

Guinhald, B., 12

HHam, G., 104, 109

HB, 125

Hemming, G., 76

Henry, P., 129

Herbin, A., 49

IIgmunov, S., 71

Ignatovich, E., 54

JJarvis, 75

KKihn, W.L., 169

King, C., 132

Klein, D., 167, 170, 171, 176

Kulagina, V., 58

LLipscombe, G., 162

Litvak & Fedor, 68

MMahrer, W., 77

Mauzan, A., 91-101

Mayakosky & Malyutin, 52

Mayo, C., 133

McKie, H.M., 138, 139

McKnight Kauffer, E., 118

Merinov, P., 69

Metlicovitz, L., 33

Minne, B., 107

Moor, D.S., 57

Morach, O., 111

Mucha, A., 37-39

NNebezhin-Nemov, 51

Newbould, F., 112

Néziére, J., 82

PPerceval, 2

Picasso, P., 15, 48

Privat-Livemot, H., 32

Pruniere, J., 103

Pshenichnikov, V., 55

Puppo, M., 80

RRagan, L., 177, 179

Ramensky, K., 70

Rand, P., 174

Rethi, L., 131

Robinson, C., 31

Ruklevsky, Y., 60

SSarg, T., 141

Satomi, M., 13, 86

Savignac, R., 25

Scarsi, S., 110

Schnackenberg, W., 46

Semyonov, S., 59, 62

Shepperson, C., 124

Shoesmith, K. D., 72, 130

Solon, A., 4

Stall, J., 26

Stenberg, 45, 64

Stenberg & Ruklevsky, 61

Suhonen, J., 88

TToulouse-Lautrec, H., 34, 35

Tripp, H.A., 126

Trompf, P.A., 84

Trpin, J., 85

Turner, M., 108

VViano, 23

Villa, H.G., 165, 166

Villemot, B., 1, 29, 90

Volodimer, H.A., 105

von Hanno, O., 83

WWillmarth, 168

53

Important Notices and Explanation of

Cataloguing Practice

IMPORTANT NOTICES

CHRISTIE’S INTEREST IN PROPERTY

CONSIGNED FOR AUCTION

From time to time, Christie’s may offer a lot which it owns in whole or in part. Such property is identified in the catalogue with the symbol ∆ next to its lot number. On occasion, Christie’s has a direct financial interest in lots consigned for sale, which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Such property is identified in the catalogue with the symbol º next to the lot number. This symbol will be used both in cases where Christie’s holds the financial interest on its own, and in cases where Christie’s has financed all or part of such interest through third parties. When a third party agrees to finance all or part of Christie’s interest in a lot, it takes on all or part of the risk of the lot not being sold, and will be remunerated in exchange for accepting this risk. The third party may also bid for the lot. Where it does so, and is the successful bidder, the remuneration may be netted against the final purchase price. If the lot is not sold, the third party may incur a loss. Where Christie’s has an ownership or financial interest in every lot in the catalogue, Christie’s will not designate each lot with a symbol, but will state its interest at the front of the catalogue.In this catalogue, if property has º u next to the lot number, Christie’s guarantee of a minimum price has been financed through third parties.

ALL DIMENSIONS ARE APPROXIMATE

CONDITION Christie’s catalogues include references to condition only in descriptions of multiple works (such as prints, books and wine). For all other property, only alterations or replacement components are listed. Please contact the Specialist Department for a condition report on a particular lot. The nature of the lots sold in our auctions is such that they will rarely be in perfect condition, and are likely, due to their nature and age, to show signs of wear and tear, damage, other imperfections, restoration or repair. Any reference to condition in a catalogue entry will not amount to a full description of condition. Condition reports are usually available on request, and will supplement the catalogue description. In describing lots, our staff assess the condition in a manner appropriate to the estimated value of the item and the nature of the auction in which it is included. Any statement as to the physical nature or condition of a lot, in a catalogue, condition report or otherwise, is given honestly and with appropriate care. However, Christie’s staff are not professional restorers or trained conservators and accordingly any such statement will not be exhaustive. We therefore recommend that you always view property personally, and, particularly in the case of any items of significant value, that you instruct your own restorer or other professional adviser to report to you in advance of bidding.

11/04/14

PROPERTY INCORPORATING MATERIALS

FROM ENDANGERED AND OTHER

PROTECTED SPECIESProperty made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife are marked with the symbol ~in the catalogue. Such material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whale bone and certain species of coral, together with Brazilian rosewood. Prospective purchasers are advised that several countries prohibit altogether the importation of property containing such materials, and that other countries require a permit (e.g., a CITES permit) from the relevant regulatory agencies in the countries of exportation as well as importation. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered and other protected wildlife material. The inability of a client to export or import property containing endangered and other protected wildlife material is not a basis for cancellation or rescission of the sale. Please note also that lots containing potentially regulated wildlife material are marked as a convenience to our clients, but Christie’s does not accept liability for errors or for failing to mark lots containing protected or regulated species.

RECENT CHANGES TO IMPORTS OF ELEPHANT IVORY AND OTHER WILDLIFE MATERIAL INTO THE USAThe USA has recently changed its policy on the import of property made of or containing elephant ivory. Only Asian Elephant ivory may be imported into the USA, and imports must be accompanied by DNA analysis and confirmation the object is more than 100 years old. We have not obtained a DNA analysis on any lot prior to sale and cannot indicate whether the elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these lots at their own risk and will be responsible for the costs of obtaining any DNA analysis or other report required in connection with their proposed import of such property into the USA.

The USA is also currently requiring all imports of property made of or containing wildlife material to be accompanied by a scientific confirmation of spe-cies and in some cases an additional confirmation of age. We have not obtained such confirmations prior to sale (unless specifically indicated) and buyers will be responsible for the costs of any such additional confirmations or opinions required for their pro-posed import into the USA.

A buyer’s inability to export or import any lot containing elephant ivory or other wildlife material

is not a basis for cancelling the purchase.

POST 1950 FURNITUREAll items of post-1950 furniture included in this sale are items either not originally supplied for use in a private home or now offered solely as works of art. These items may not comply with the provisions of the Furniture and Furnishings (Fire) (Safety) Regulations 1988 (as amended in 1989 and 1993, the “Regulations”). Accordingly, these items should not be used as furniture in your home in their current condition. If you do intend to use such items for this purpose, you must first ensure that they are reupholstered, restuffed and/or recovered (as appropriate) in order that they comply with the provisions of the Regulations.

CONDITION RATINGS

A — The poster is generally in excellent condition. Colours are fresh and defects are minor. These may include slight creases, blemishes, nicks or folds, but nothing significant.

B — The poster is in good condition. There may be some tears and paper loss along folds and at edges, when a poster has been linen backed these may have been restored or repaired. There may also be some fading.

C — The poster has seen better days. There may be tears and losses in the images, or heavy restora-tion. Colours may be faded or washed out.

Please note that the condition ratings are subjective. While Christie’s will be pleased to provide a condi-tion report on any lot, buyers are reminded that all property is sold ‘as is’ and should be viewed person-ally by you or by your professional adviser before the sale to assess its condition.

IMPORTANT NOTICE

Please note that Christie’s South Kensington does not take responsibility for the conditions of frames.

Any display card used in the protection of posters remains the property of Christie’s South Kensington.

54

Buying at Christie’s

CONDITIONS OF SALEChristie’s Conditions of Sale and Limited Warranty are set out later in this catalogue. Bidders are strongly encouraged to read these as they set out the terms on which property is bought at auction.

ESTIMATES Estimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should not rely upon estimates as a representation or prediction of actual selling prices. Estimates do not include the buyer’s premium or VAT. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

RESERVESThe reserve is the confidential minimum price the consignor will accept and will not exceed the low pre-sale estimate. Lots that are not subject to a reserve are identified by the symbol ‘ next to the lot number.

BUYER’S PREMIUMChristie’s charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% of the final bid price of each lot up to and including £50,000, 20% of the excess of the hammer price above £50,000 and up to and including £1,000,000 and 12% of the excess of the hammer price above £1,000,000. Exceptions: Wine and Cigars: 17.5% of the final bid price of each lot. VAT is payable on the premium at the applicable rate.

PRE-AUCTION VIEWINGPre-auction viewings are open to the public free of charge. Christie’s specialists are available to give advice and condition reports at viewings or by appointment.

BIDDER REGISTRATIONProspective buyers who have not previously bid or consigned with Christie’s should bring:‘ Individuals: government-issued photo identification (such as a photo driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement.‘ Corporate clients: a certificate of incorporation.‘ For other business structures such as trusts, offshore companies or partnerships, please contact Christie’s Credit Department at + 44 (0)20 7839 2825 for advice on the information you should supply.‘ A financial reference in the form of a recent bank statement or a reference from your bank in line with your expected purchase level. Christie’s can supply a form of wording for the bank reference if necessary.‘ Persons registering to bid on behalf of someone who has not previously bid or consigned with Christie’s should bring identification documents not only for themselves but also for the party on whose behalf they are bidding, together with a signed letter of authorisation from that party. To allow sufficient time to process the information, new clients are encouraged to register at least 48 hours in advance of a sale.Prospective buyers should register for a numbered bidding paddle at least 30 minutes before the auction. Clients who have not made a purchase from any Christie’s office within the last one year and those wishing to spend more than on previous occasions, will be asked to supply a new bank reference. For assistance with references, please contact Christie’s Credit Department at +44 (0)20 7389 2862 (London, King Street) or at +44 (0)20 7752 3137 (London, South Kensington). We may at our option ask you for a financial reference or a deposit as a condition of allowing you to bid.

REGISTERING TO BID ON SOMEONE ELSE’S BEHALFPersons bidding on behalf of an existing client should bring a signed letter from the client authorising the bidder to act on the client’s behalf. Please note that Christie’s does not accept payments from third parties. Christie’s can only accept payment from the client, and not from the person bidding on their behalf.

BIDDINGThe auctioneer accepts bids from those present in the sale-room, from telephone bidders, or by absentee written bids left with Christie’s in advance of the auction. The auctioneer may also execute bids on behalf of the seller up to the amount of the reserve. The auctioneer will not specifically identify bids placed on behalf of the seller. Under no circumstances will the auctioneer place any bid on behalf of the seller at or above the reserve. Bid steps are shown on the Absentee Bid Form at the back of this catalogue.

ABSENTEE BIDSAbsentee bids are written instructions from prospective buyers directing Christie’s to bid on their behalf up to a maximum amount specified for each lot. Christie’s staff will attempt to execute an absentee bid at the lowest possible price, taking into account the reserve price. Absentee bids submitted on “no reserve” lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate.The auctioneer may execute absentee bids directly from the rostrum, clearly identifying these as “absentee bids”, “book bids”, “order bids” or “commission bids”. Absentee Bids Forms are available in this catalogue, at any Christie’s location, or online at christies.com.

TELEPHONE BIDSTelephone bids cannot be accepted for lots estimated below £2,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at +44 (0)20 7389 2658 (London, King Street) or +44 (0)20 7752 3225 (London, South Kensington). Arrangements to bid in languages other than English must be made well in advance of the sale date. Telephone bids may be recorded. By bidding on the telephone, prospective purchasers consent to the recording of their conversation.

SUCCESSFUL BIDSWhile Invoices are sent out by mail after the auction we do not accept responsibility for notifying you of the result of your bid. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges. Successful bidders will pay the price of the final bid plus premium plus any applicable VAT.

PAYMENTBuyers are expected to make payment for purchases immediately after the auction. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Please note that Christie’s will not accept payments for purchased Lots from any party other than the registered buyer. Lots purchased in London may be paid for in the following ways: wire transfer, credit card: Visa and MasterCard & American Express only (up to £25,000), and cash (up to £5,000 (subject to conditions)), bankers draft (subject to conditions) or cheque (must be drawn in GBP on a UK bank; clearance will take 5 to 10 business days). Wire Transfers: Lloyds TSB Bank Plc City Office PO Box 217 72 Lombard Street, London EC3P 3BT A/C: 00172710 Sort Code: 30-00-02 for international transfers, SWIFT LOYDGB2LCTY. For banks asking for an IBAN: GB81 LOYD 3000 0200 1727 10. Credit Card: Visa and MasterCard & American Express only. A limit of £25,000 for credit card payments will apply. This limit is inclusive of the buyer’s premium and any applicable taxes. Credit card payments at London sale sites will only be accepted for London sales. Christie’s will not accept credit card payments for purchases made in any other sale site. The fax number to send completed CNP (Card Member not Present) authorisation forms to is +44 (0) 20 7389 2821. The number to call to make a CNP payment over the phone is +44 (0) 20 7752 3388. Alternatively, clients can mail the authorisation form to the address below. Cash is limited to £5,000 (subject to conditions). Bankers Draft should be made payable to Christie’s (subject to conditions). Cheques should be made payable to Christie’s (must be drawn in GBP on a UK bank, clearance will take 5 to 10 business days).In order to process your payment efficiently, please quote sale number, invoice number and client number with all transactions.All mailed payments should be sent to:Christie’s, Cashiers’ Department, 8 King Street, St James’s, London, SW1Y 6QTPlease direct all inquiries to King Street Tel: +44 (0) 20 7389 2996 Fax: +44 (0) 20 7389 2863

VAT†VAT payable at 20% on hammer price and buyer’s premium* These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie’s immediately after the auction.Ω

These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 20%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. Where applicable Customs duty will be charged (per rate specified by HMRC guidance) on the Hammer price and VAT will be payable at 20% on duty. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie’s immediately after the auction.α BuyersfromwithintheEU:

VAT payable at 20% on just the buyer’s premium (NOT the hammer price). BuyersfromoutsidetheEU:VAT payable at 20% on hammer price and buyer’s premium. If a buyer, having registered under a non-EU address, decides that the item is not to be exported from the EU, then he should advise Christie’s to this effect immediately

q Zero rated No VAT charged.

(no symbol) Auctioneers’ Margin Scheme In all other circumstances no VAT will be charged on the hammer price, but VAT payable at 20% will be added to the buyer’s premium which is invoiced on a VAT inclusive basis.

WineAuctions‡ This wine is in bond. You can choose to take the wine

in bond or duty paid. See the additional conditions of sale relating to wine for further details.

VATRefundsRefunds cannot be made where lots have been purchased with an inside EU address. Christie’s can only refund Import VAT (Lots with * or Ωsymbol) if lots are exported within 30 days of collection. Valid export documents must be returned within the stipulated time frame. No refund will be paid out where the total amount is less than £100. UK & EU private buyers cannot reclaim VAT. Christie’s will charge £35 for each refund processed. For detailed information please see the leaflets available, or email [email protected] non-EU buyers have failed to export their lots outside of the EU within the required time, HM Revenue & Customs will not allow a VAT refund to be made. This is a requirement of UK legislation and Christie’s do not have discretion to make exceptions to the rule. UK and EU private buyers cannot reclaim any VAT charged.

ARTIST’S RESALE RIGHT (“DROIT DE SUITE”)If a lot is affected by this right it will be identified with the symbol λ next to the lot number. The buyer agrees to pay to Christie’s an amount equal to the resale royalty. Resale royalty applies where the Hammer Price is 1,000 Euro or more and the amount cannot be more than 12,500 Euro per lot. The amount is calculated as follows:

Royalty For the portion of the Hammer Price (in Euro) 4.00% up to 50,000 3.00% between 50,000.01 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 0.25% in excess of 500,000

Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro rate of exchange will be the European Central Bank reference rate on the day of the sale.

SHIPPINGIt is the buyer’s responsibility to pick up purchases or make all shipping arrangements. After payment has been made in full, Christie’s can arrange property packing and shipping at the buyer’s request and expense. Buyers should request an estimate for any large items or property of high value that require professional packing. A shipping form is enclosed with each invoice, alternatively buyers can visit www.christies.com/shipping to request a shipping estimate. For more information please contact the Shipping Department at + 44 (0)20 7389 2712 or via [email protected] for both London, King Street and London, South Kensington sales.

EXPORT OF GOODS FROM THE EUIf you are proposing to take purchased items outside the EU the following applies:Christie’sArtTransport:If you use Christie’s Art Transport you will not be required to pay the VAT at the time of settlement.Christie’sVATauthorisedShipper:If you use a Christie’s VAT authorised shipper you will not be required to pay the VAT at the time of settlement.OwnShipper:VAT will be charged on the invoice, refundable by the VAT Department upon receipt of the appropriate official documents sent to us by your shipper.Hand-Carried:VAT will be charged on the invoice.This will be refunded by the VAT Department upon receipt of the appropriate official document.*, Ωor †Starred, Omega or Daggered lots – A C88 can be obtained from Christie’s Shipping Department .This document must be stamped by UK Customs on leaving the UK.(no symbol)Margin Scheme lots – Please obtain GB Tax Free form from the Cashiers. This document must be stamped by UK Customs on leaving the UK.Starred or Omega lots must be exported within 30 days of the date of collection. All other lots not subject to import VAT must be exported within three months of collection, and proof of export provided in the appropriate form.

EXPORT/IMPORT PERMITSBuyers should always check whether an export licence is required before exporting. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the rescission of any sale nor any delay in making full payment for the lot.Christie’s can advise buyers on the detailed provisions of the export licensing regulations and will submit any necessary export licence applications on request. However, Christie’s cannot ensure that a licence will be obtained. Local laws may prohibit the import of some property and/or may prohibit the resale of some property in the country of importation. For more information, please contact Christie’s Shipping Department at +44 (0)20 7389 2828 or the Museums, Libraries and Archives Council: Acquisitions, Export and Loans Unit at +44 (0)20 7273 8269/8267.

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Storage and Collection

Cadogan TaTe Warehouse

241 Acton Lane, Park Royal,

London NW10 7NP

Telephone: +44 (0)800 988 6100

Email: [email protected]

STORAGE & COLLECTION CHARGESSpecified lots, marked with a filled square ( ) not cleared from Christie’s by 5.00 pm on the day of the sale and all sold and unsold lots not cleared from Christie’s by 5.00 pm on the fifth Friday following the sale will be removed to the warehouse of:Cadogan Tate Fine Art Logistics Ltd241 Acton Lane, Park RoyalLondon NW10 7NPTelephone: +44 (0)800 988 6100Email: [email protected] will be available for collection on the frst full business week after transfer to Cadogan Tate Fine Art Logistics Ltd and every business weekday from 9.00 am to 5.00 pm.

Property, once paid, can be released to Christie’s Fine Art Storage Services (CFASS) in London, New York or Singapore FreePort at any time for environmentally controlled long term storage, per client request. CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality. Visit www.cfass.com, or contact [email protected]. Telephone: +44 (0)20 7622 0609 for details.

TRANSFER, STORAGE & RELATED

CHARGES (PER LOT)

CHARGES Furniture/ Pictures/ Large Objects Small Objects

Transfer/Admin £42.00 £21.00

Storage per day £5.25 £2.65

Extended The lower amount of 0.6% of Liability Charge: Hammer Price or 100% of the

above charges

All charges are subject to VAT. Very large or heavy items may be subject to a surcharge.

Please note that there will be no charge to purchasers who collect their lots within two weeks of this sale.

COLLECTION & PAYMENT OF ANY

CHARGES DUELots will be available for collection from Cadogan Tate at Cadogan Tate Fine Art Logistics Ltd241 Acton Lane, Park RoyalLondon NW10 7NPTelephone: +44 (0)800 988 6100Email: [email protected] every business day after the day of transfer, from 9.00 am until 5.00 pm. Lots may only be released by Cadogan Tate upon a) production of the ‘Collection Order’ obtained from the cashier’s office at Christie’s, 85 Old Brompton Road, London SW7 or Christie’s, 8 King Street, London SW1 b) payment of any charges that may be due to Cadogan Tate To assist Cadogan Tate to provide a swift release please telephone on the business day prior to collection to ensure that Lots are available and to ascertain any charges due. If sending a carrier please ensure that they are provided with all necessary information, your written authority to collect, the Collection Order and the means to settle any charges.

COLLECTION FROM CADOGAN TATEPlease note that Cadogan Tate’s opening hours are Monday to Friday 9.00 am to 5.00 pm, and purchases transferred to their warehouse are not

available for collection at weekends.

10/06/14

EXTENDED LIABILITY CHARGESAll services provided by Fine Art Logistics Ltd (“Cadogan Tate”) will be subject to their standard Conditions of Business, copies of which are available at Christie’s South Kensington. Please note in particular that Cadogan Tate• does not accept any liability for damage or loss, due to its negligence or otherwise, exceeding the Hammer Price of a Lot plus associated Buyer’s Premium, or, at its sole option, the cost of repairing or replacing the damaged or missing Lot and• it reserves a lien over all goods in its possession for payment of storage and all other charges due to it and• it automatically arranges on behalf of the Lot’s owner and at the owner’s cost, insurance of the Lot for the sum of the Hammer price plus Buyer’s Premium. The Extended Liability Charge covers the Lot from the time of collection from the saleroom until release of the Lot to the owner or the owner’s agent. The Extended Liability Charge payable by the owner of the Lot is 0.6% of the sum of the Hammer Price and Buyer’s Premium or 100% of the transfer and storage charges, whichever is the smaller. This Extended Liability will not be arranged and no charge will be payable only on receipt by Cadogan Tate of advance written notice from the owner of the lot together with formal waiver of subrogation from the owners insurers.

Christie’s Fine Art Storage Services (CFASS) also offers storage solutions for fine art, antiques and collectibles in New York and Singapore FreePort. CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality. Visit www.cfass.com for charges and other details.

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Conditions of Sale

These Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice set out the terms governing the legal relationship of Christie’s and the seller with the buyer. You should read them carefully before bidding.

1. CHRISTIE’S AS AGENTExcept as otherwise stated Christie’s acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

2. CATALOGUE DESCRIPTIONS

AND CONDITIONLots are sold as described and otherwise in the condition they are in at the time of the sale, on the following basis.

(a) ConditionThe nature of the lots sold in our auctions is such that they will rarely be in perfect condition, and are likely, due to their nature and age, to show signs of wear and tear, damage, other imperfections, restoration or repair. Any reference to condition in a catalogue entry will not amount to a full description of condition. Condition reports are usually available on request, and will supplement the catalogue description. In describing lots, our staff assess the condition in a manner appropriate to the estimated value of the item and the nature of the auction in which it is included. Any statement as to the physical nature or condition of a lot, in a catalogue, condition report or otherwise, is given honestly and with appropriate care. However, Christie’s staff are not professional restorers or trained conservators and accordingly any such statement will not be exhaustive. We therefore recommend that you always view property personally, and, particularly in the case of any items of significant value, that you instruct your own restorer or other professional adviser to report to you in advance of bidding.

(b) Cataloguing PracticeOur cataloguing practice is explained in the Important Notices and Explanation of Cataloguing Practice, which appear after the catalogue entries.

(c) Attribution etcAny statements made by Christie’s about any lot, whether orally or in writing, concerning attribution to, for example, an artist, school, or country of origin, or history or provenance, or any date or period, are expressions of our opinion or belief. Our opinions and beliefs have been formed honestly and in accordance with the standard of care reasonably to be expected of an auction house of Christie’s standing, due regard having been had to the estimated value of the item and the nature of the auction in which it is included. It must be clearly understood, however, that, due to the nature of the auction process, we are unable to carry out exhaustive research of the kind undertaken by professional historians and scholars, and also that, as research develops and scholarship and expertise evolve, opinions on these matters may change. We therefore recommend that, particularly in the case of any item of significant value, you seek advice on such matters from your own professional advisers.

(d) EstimatesEstimates of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.

(e) Fitness for PurposeLots sold are enormously varied in terms of age, category and condition, and may be purchased for a variety of purposes. Unless otherwise specifically agreed, no promise is made that a lot is fit for any particular purpose.

3. AT THE SALE(a) Refusal of admissionChristie’s has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

(b) Registration before biddingProspective buyers who wish to bid in the saleroom can register online in advance of the sale, or can come to the saleroom on the day of the sale approximately 30 minutes before the start of the sale to register in person. Prospective buyers must complete and sign a registration form with his or her name and permanent address, and provide identification before bidding. We may require the production of bank details from which payment will be made or other financial references.

(c) Bidding as principalWhen making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Christie’s before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Christie’s, and that Christie’s will only look to the principal for payment.

(d) Absentee bidsWe will use reasonable efforts to carry out written bids delivered to us prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in the currency of the place of the sale. Please refer to the catalogue for the Absentee Bids Form. If we receive written bids on a particular lot for identical amounts, and at the auction these are the highest bids on the lot, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and provided that we have exercised reasonable care in the handling of written bids, the volume of goods is such that we cannot accept liability in any individual instance for failing to execute a written bid or for errors and omissions in connection with it arising from circumstances beyond our reasonable control.

(e) Telephone bidsIf a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone but we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding arising from circumstances beyond our reasonable control.

(f) Currency converterAt some auctions a currency converter may be operated. Errors may occur in the operation of the currency converter. Where these arise from circumstances beyond our reasonable control we do not accept liability to bidders who follow the currency converter rather than the actual bidding in the saleroom.

(g) Video or digital imagesAt some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image. We do not accept liability for such errors where they arise for reasons beyond our reasonable control.

(h) ReservesUnless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. If any lots are not subject to a reserve, they will be identified with the symbol ‘ next to the lot number. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.

(i) Auctioneer’s discretionThe auctioneer has the right to exercise reasonable discretion in refusing any bid, advancing the bidding in such a manner as he may decide, withdrawing or dividing any lot, combining any two or more lots and, in the case of error or dispute, and whether during or after the sale, determining the successful bidder, continuing the bidding, cancelling the sale or reoffering and reselling the item in dispute. If any dispute arises after the sale, then, in the absence of any evidence to the contrary the sale record maintained by the auctioneer will be conclusive.

(j) Successful bid and passing of riskSubject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes to the buyer at the expiration of seven calendar days from the date of the sale or on collection by the buyer if earlier.

4. AFTER THE SALE(a) Buyer’s premiumIn addition to the hammer price, the buyer agrees to pay to us the buyer’s premium together with any applicable value added tax. The buyer’s premium is 25% of the final bid price of each lot up to and including £50,000, 20% of the excess of the hammer price above £50,000 and up to and including £1,000,000 and 12% of the excess of the hammer price above £1,000,000. Exceptions: Wine and Cigars: 17.5% of the final bid price of each lot, VAT is payable at the applicable rate.

(b) Artist’s Resale Right (“Droit de Suite”)If the Artist’s Resale Right Regulations 2006 apply to the lot the buyer also agrees to pay to us an amount equal to the resale royalty provided for in those Regulations. Lots affected are identified with the symbol λ next to the lot number.

(c) Payment and ownershipThe buyer must pay the full amount due (comprising the hammer price, buyer’s premium and any applicable taxes or resale royalty) immediately after the sale. This applies even if the buyer wishes to export the lot and an export licence is, or may be, required. The buyer will not acquire title to the lot until all amounts due to us from the buyer have been received by us in good cleared funds even in circumstances where we have released the lot to the buyer.

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(d) Collection of purchasesWe shall be entitled to retain items sold until all amounts due to us, or to Christie’s International plc, or to any of its affiliates, subsidiaries or parent companies worldwide, have been received in full in good cleared funds or until the buyer has performed any other outstanding obligations as we, at our sole discretion, shall require, including, for the avoidance of doubt, completing any anti-money laundering or anti-terrorism financing checks we may require to our satisfaction. In the event a buyer fails to complete any anti-money laundering or anti-terrorism financing checks to our satisfaction, Christie’s shall be entitled to cancel the sale and to take any other actions that are required or permitted under applicable law. Subject to this, the buyer shall collect purchased lots within two calendar days from the date of the sale unless otherwise agreed between us and the buyer.

(e) Packing, handling and shippingAlthough we shall use reasonable efforts to take care when handling, packing and shipping a purchased lot and in selecting third parties for these purposes, we are not responsible for the acts or omissions of any such third parties. Similarly, where we suggest other handlers, packers or carriers if so requested, our suggestions are made on the basis of our general experience of such parties in the past and we are not responsible to any person to whom we have made a recommendation for the acts or omissions of the third party concerned.

(f) Export licenceUnless otherwise agreed by us in writing, the fact that the buyer wishes to apply for an export licence does not affect his or her obligation to make payment immediately after the sale nor our right to charge interest or storage charges on late payment. If the buyer requests us to apply for an export licence on his or her behalf, we shall be entitled to make a charge for this service. We shall not be obliged to rescind a sale nor to refund any interest or other expenses incurred by the buyer where payment is made by the buyer in circumstances where an export licence is required.

(g) Remedies for non paymentIf the buyer fails to make payment in full in good cleared funds within 7 days after the sale, we shall have the right to exercise a number of legal rights and remedies. These include, but are not limited to, the following: (i) to charge interest at an annual rate equal to 5%

above the base rate of Lloyds TSB Bank Plc;(ii) to hold the defaulting buyer liable for the

total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;

(iii) to cancel the sale;(iv) to resell the property publicly or privately on

such terms as we shall think fit;(v) to pay the seller an amount up to the net

proceeds payable in respect of the amount bid by the defaulting buyer;

(vi) to set off against any amounts which we, or Christie’s International plc, or any of its affiliates, subsidiaries or parent companies worldwide, may owe the buyer in any other transactions, the outstanding amount remaining unpaid by the buyer;

(vii) where several amounts are owed by the buyer to us, or to Christie’s International plc, or to any of its affiliates, subsidiaries or parent companies worldwide, in respect of different

transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs;

(viii) to reject at any future auction any bids made by or on behalf of the buyer or to obtain a deposit from the buyer before accepting any bids;

(ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The buyer will be deemed to have granted such security to us and we may retain such property as collateral security for such buyer’s obligations to us;

(x) to take such other action as we deem necessary or appropriate.

If we resell the property under paragraph (iv) above, the defaulting buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all reasonable costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the seller under paragraph (v) above, the buyer acknowledges that Christie’s shall have all of the rights of the seller, however arising, to pursue the buyer for such amount.

(h) Failure to collect purchasesWhere purchases are not collected within two calendar days from the date of the sale, whether or not payment has been made, we shall be permitted to remove the property to a third party warehouse at the buyer’s expense, and only release the items after payment in full has been made of removal, storage, handling, and any other costs reasonably incurred, together with payment of all other amounts due to us.

(i) Selling Property at Christie’sIn addition to expenses such as transport, all consignors pay a commission according to a fixed scale of charges based upon the value of the property sold by the consignor at Christie’s in a calendar year. Commissions are charged on a sale by sale basis.

5. LIMITED WARRANTYIn addition to Christie’s liability to buyers set out in clause 2 of these Conditions, but subject to the terms and conditions of this paragraph, Christie’s warrants for a period of five years from the date of the sale that any property described in headings printed in UPPER CASE TYPE (i.e. headings having all capital-letter type) in this catalogue (as such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship, is authentic and not a forgery. The term “author” or “authorship” refers to the creator of the property or to the period, culture, source or origin, as the case may be, with which the creation of such property is identified in the UPPER CASE description of the property in this catalogue. Only UPPER CASE TYPE headings of lots in this catalogue indicate what is being warranted by Christie’s. Christie’s warranty does not apply to supplemental material which appears below the UPPER CASE TYPE headings of each lot and Christie’s is not responsible for any errors or omissions in such material. The terms used in the headings are further explained in Important Notices and Explanation of Cataloguing Practice. The warranty does not apply to any heading which is stated to represent a qualified opinion. The warranty is subject to the following:

(i) It does not apply where (a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars or experts at the date of the sale or fairly indicated that there was a conflict of opinions; or (b) correct identification of a lot can be demonstrated only by means of either a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property.

(ii) The benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Christie’s when the lot was sold at auction.

(iii) The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

(iv) The buyer’s sole and exclusive remedy against Christie’s and the seller, in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot. Neither Christie’s nor the seller will be liable for any special, incidental or consequential damages including, without limitation, loss of profits nor for interest.

(v) The buyer must give written notice of claim to us within five years from the date of the auction. It is Christie’s general policy, and Christie’s shall have the right, to require the buyer to obtain the written opinions of two recognised experts in the field, mutually acceptable to Christie’s and the buyer, before Christie’s decides whether or not to cancel the sale under the warranty.

(vi) The buyer must return the lot to the Christie’s saleroom at which it was purchased in the same condition as at the time of the sale.

6. COPYRIGHTThe copyright in all images, illustrations and written material produced by or for Christie’s relating to a lot including the contents of this catalogue, is and shall remain at all times the property of Christie’s and shall not be used by the buyer, nor by anyone else, without our prior written consent. Christie’s and the seller make no representation or warranty that the buyer of a property will acquire any copyright or other reproduction rights in it.

7. SEVERABILITYIf any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

8. LAW AND JURISDICTIONThe rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of England. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Christie’s, to the exclusive jurisdiction of the courts of the United Kingdom.

05/01/10

christies.comContactRupert Neelands

[email protected]

+44 (0)20 7389 2674

Viewing1-4 November 2014

85 Old Brompton Road

London SW7 3LD

Two Important Sporting LibrariesThe Cricket Library of the late Roger Hancock

The Falconry and Hunting Library of the late

Don Dámaso Gutiérrez Arrese

London, South Kensington • 5 November 2014

MATEOS Origen y dignidad de la caca. Madrid : Francisco Martinez, 1634

£12,000–18,000

christies.comContactCarina Villinger

[email protected]

+1 212 636 2240

Viewing5–8 December 2014

20 Rockefeller Plaza

New York, NY 10020

20/21 Design

New York • 9 December 2014

ERNEST-BAPTISTE LEVEILLE (1841-1913) A VASE, CIRCA 1890

overlaid and etched glass

7 in. (17.8 cm.)

signed ELeveille 1890 n. 353

$40,000-60,000

DAUM A VASE, CIRCA 1900

marquetrie-sur-verre

5 ¼ (13.4 cm)

incised Daum Nancy with Cross of Lorraine

$25,000-35,000

EUGENE MICHEL (1848-1904) A VASE, CIRCA 1900

cameo glass with applied decoration

11Ω in. (29.1 cm.) high

Signed E Michel

$50,000-70,000

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63

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Please also refer to the information contained in Buying at Christie’s. I request Christie’s to bid on the following lots up to the maximum price I have indicated for each lot. I understand that if my bid is successful, the purchase price will be the sum of my final bid plus a buyer’s premium of 25% of the final bid price of each lot up to and including £50,000, 20% of the excess of the hammer price above £50,000 and up to and including £1,000,000 and 12% of the excess of the hammer price above £1,000,000, together with any VAT chargeable on the final bid and the buyer’s premium. VAT is chargeable on the purchase price of daggered (†) lots, and for buyers outside the EU on (α) lots, at the standard rate. VAT is chargeable on the purchase price of starred (*) lots at the reduced rate. Christie’s South Kensington is not able to notify successful bidders by telephone. While Invoices are sent out by mail after the auction we do not accept responsibility for notifying you of the result of your bid. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.I understand that Christie’s provides the service of executing absentee bids for the convenience of clients and that Christie’s is not responsible for failing to execute bids or for errors relating to execution of bids. On my behalf, Christie’s will try to purchase these lots for the lowest possible price, taking into account the reserve and other bids. Absentee bids submitted on “no reserve” lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If identical absentee bids are received for the same lot, the written bid received first by Christie’s will take precedence. Please contact the Telephone Bid office at least 24 hours in advance of the sale to make arrangements for telephone bidding. Tel: +44 (0)20 7752 3225All bids are subject to the terms of the Conditions of Sale and Limited Warranty printed in each Christie’s catalogue.

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Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding interval.

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38,000)

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5638

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Vintage Posters

THURSDAY 13 NOVEMBER 2014 AT 1.00 PM

85 Old Brompton Road, London SW7 3LD

CODE NAME: POS

SALE NUMBER: 5638

(Dealers billing name and address must agree with tax exemption certificate. Invoices cannot be changed after they have been printed.)

BID ONLINE FOR THIS SALE AT CHRISTIES.COM

09/08/13

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