Vienna Symphonic Library Percussion

Vienna Symphonic LibraryPercussion

TimpaniSnare DrumPiccolo DrumField DrumBass Drum

TambourinePiatti (Cymbals)

Cymbals single hitsCymbal rolls

Finger CymbalsGlockenspielXylophone

Crotales (Antique Cymbals)LithophoneChurch BellsTubular BellsSmall BellsPlate Bells

Cencerros (Cowbells)Gong

TamtamTriangle

WoodblockHonks

Japanese Singing BowlsThundersheetsSpring Drum

HammerShotsWhip

Percussion Basic Set

© 2002 Vienna Symphonic Library GmbH p 2/118

Contents

17 Timpani . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 501 Tmp_MD_SINGLE-HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 502 Tmp_MD_TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 903 Tmp_MD_TREM-DYN_medium. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1004 Tmp_MD_TREM-DYN_strong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1305 Tmp_MD_TREM-GLISS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1506 Tmp_MD_SINGLE-HITS_GLISS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1807 Tmp_MD_UPBEATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2208 Tmp_HA_SINGLE-HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2409 Tmp_HA_TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2510 Tmp_HA_UPBEATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2711 Tmp_HO_SINGLE-HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2912 Tmp_HO_TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3113 Tmp_HO_UPBEATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3314 Tmp_FI_SINGLE-HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3515 Tmp_MH_SINGLE-HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3616 Tmp_FINGER_SINGLE-HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

50 Snare Drum. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Snare-Drum_BESEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Snare-Drum_SINGLE_HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40Snare-Drum_TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40Snare-Drum_UPBEATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

51 Piccolo Drum. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Piccolo-Drum_SINGLE_HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Piccolo-Drum_TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42Piccolo-Drum_UPBEATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

52 Field Drum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43Field-Drum_SINGLE_HITS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43Field-Drum_TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44Field-Drum_UPBEATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

53 Bass Drum. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45Bass-Drum_SINGLE-HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45Bass-Drum_SINGLE_HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45Bass-Drum_TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45Bass-Drum_UPBEATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

54 Tambourine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46Tamb1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46Tamb1_UPBEATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Tamb2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Tamb2_UPBEATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48Tamb3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48Tamb3_UPBEATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

55 Piatti (Cymbals). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49Piatti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

56 Cymbals single hits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54Cymbal_China-22Z . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54Cymbal_Crash-16Z . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57Cymbal_Ride-22Z . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61Cymbal_Splash-12Z . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

57 Cymbal rolls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67HB1_trem_brush . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67HB1_trem_Me . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68HB1_trem_wool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68


HB3_trem_brush . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68HB3_trem_Me . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69HB3_trem_wool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

58 Finger Cymbals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Finger-Cymbals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

59 Glockenspiel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71Gsp_METALL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71Gsp_WOOD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

60 Xylophone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Xylophon_CLUSTER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Xylophon_WOOD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

61 Crotales (Antique Cymbals) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Crotales. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

62 Lithophone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81Lithophon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

63 Church Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Church_Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

64 Tubular Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85Tubular Bells-Deagen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85Tubular Bells-Philharm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

65 Small Bells. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Small Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

66 Plate Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Plate-Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

67 Cencerros (Cowbells) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Cencerros . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

68 Gong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Gong. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

69 Tamtam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94Tamtam. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

70 Triangle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97Triangel-1_SINGLE_HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98Triangel-1_TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100Triangel-1_UPBEATS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101Triangel-2_SINGLE_HITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101Triangel-2_TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104Triangel-2_UPBEATS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

71 Woodblock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105Woodblock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

72 Honks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108Honks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

73 Japanese Singing Bowls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111Japanese Singing Bowls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

74 Thundersheets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113Thundersheets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

75 Spring Drum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115Spring Drum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

80 Hammer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116Hammer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116


81 Shots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117Shots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

82 Whip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117Whip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

90 Percussion Basic Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118Percussion Basic-Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118


17 TimpaniThis folder contains timpani instruments, with separate files for single hits, normal tremolo, tremolowith medium and strong dynamics, tremolo glissandos, single hit glissandos, and upbeats. Also,there are variations with wooden, felt, hard, medium hard and medium mallets, and with fingerhits.

01 Tmp_MD_SINGLE-HITS

BASIC INSTRUMENTS

This set contains single hits with medium mallets: normal beats, secco, and coperto, with 2variations for each.

Tmp_MD_ES_norm-1

Bank/Prog: 0/1 Mapping range: Release: 3sec. Giga RAM: 64MB Samples: 138

Normal beats, variation 1. 6 velocity layers.

Mapping V1 V2 V3 V4 V5 V6Dynamic: pp p mp mf f ffUpper vel.: 32 55 88 108 118 127

Tmp_MD_ES_norm-2


Normal beats, variation 2. 6 velocity layers.


Tmp_MD_ES_norm-1+2

Bank/Prog: 0/3 Mapping range: B1–A5 Release: 3sec. Giga RAM: 64MB

Normal beats, variations 1 and 2. 6 velocity layers.

Remarks: Mapping:B1–A3: var. 1B3–A5: var. 2


Tmp_MD_ES_sec-1


Secco playing (muted after the beat), variation 1. 3 velocity layers.

Mapping V1 V2 V3Dynamic: p mf ffUpper vel.: 55 108 127


Tmp_MD_ES_sec-2


Secco playing (muted after the beat), variation 2. 3 velocity layers.


Tmp_MD_ES_sec-1+2

Bank/Prog: 0/6 Mapping range: Release: 3sec. Giga RAM: 32MB

Secco playing, variations 1 and 2. 3 velocity layers.

Remarks: Mapping:C2–A3: var. 1C4–A5: var. 2


Tmp_MD_ES_cop-1


Coperto playing (the timpani are dampened with a piece of cloth, felt, or the fingers), variation 1. 3velocity layers.


Tmp_MD_ES_cop-2


Coperto playing (the timpani are dampened with a piece of cloth, felt, or the fingers), variation 2. 3velocity layers.


Tmp_MD_ES_cop-1+2


Coperto playing, variations 1 and 2. 3 velocity layers.




RELEASE CONTROLL

Tmp_MD_ES-1+RC

Bank/Prog: 1/1 Mapping range: Release: 0,3sec. Giga RAM: 64MB

Normal beats, variation 1. With release control, activated with the sustain pedal (controller 64). 6velocity layers.


Tmp_MD_ES-2+RC


Normal beats, variation 2. With release control, activated with the sustain pedal (controller 64). 6velocity layers.


Tmp_MD_ES-1+2+RC

Bank/Prog: 1/3 Mapping range: B1–A5 Release: 0,3sec. Giga RAM: 64MB

Normal beats, variations 1 and 2, with release control. 6 velocity layers.



Tmp_MD_ES_sec-1+RC


Secco playing (muted after the beat), variation 1. With release control, activated with the sustainpedal (controller 64). 3 velocity layers.


Tmp_MD_ES_sec-2+RC


Secco playing (muted after the beat), variation 2. With release control, activated with the sustainpedal (controller 64). 3 velocity layers.



Tmp_MD_ES_sec-1+2+RC


Secco playing, variations 1 and 2, with release control. 3 velocity layers.



Tmp_MD_ES_cop-1+RC


Coperto playing (the timpani are dampened with a piece of cloth, felt, or the fingers), variation 1.With release control, activated with the sustain pedal (controller 64). 3 velocity layers.


Tmp_MD_ES_cop-2+RC


Coperto playing (the timpani are dampened with a piece of cloth, felt, or the fingers), variation 1.With release control, activated with the sustain pedal (controller 64). 3 velocity layers.


Tmp_MD_ES_cop-1+2+RC


Coperto playing, variations 1 and 2, with release control. 3 velocity layers.



RELEASE TRIGGER

Tmp_MD_ES_norm-1+RS-sec_sh

Bank/Prog: 2/1 Release: 0,15sec. Giga RAM: 64MB

Normal beats, variation 1, with secco release samples. The release sample's attenuation is lower sothat they work better for short notes.


Tmp_MD_ES_norm-1+RS-sec_lo

Bank/Prog: 2/2 Release: 0,15sec. Giga RAM: 64MB

Normal beats, variation 1, with secco release samples. The release sample's attenuation is higherso that they work better for long notes.

COMBINATIONS

Tmp_MD_norm+sec-1


Combinations: normal and secco beats, variation 1. The modwheel switches between instruments.

Remarks: Modwheel:0 – normal beats127 – secco beats

Tmp_MD_norm+sec-1+2

Bank/Prog: 3/2 Mapping range: B1–A5 Release: 3sec. Giga RAM: 128MB

Combinations: normal and secco beats, variations 1 and 2. The modwheel switches betweeninstruments.


Modwheel:0 – normal127 – secco

02 Tmp_MD_TREMOLO

BASIC INSTRUMENTS

This file contains tremolos with 1 and 4 seconds duration, played with medium mallets.

Tmp_MD_trem_4s

Bank/Prog: 0/1 Mapping range: Release: 0,18sec. Giga RAM: 32MB Samples: 85

Tremolo, tone length: 4 sec. 4 velocity layers.

Mapping V1 V2 V3 V4Dynamic: pp p f ffUpper vel.: 55 88 108 127

Tmp_MD_trem_1s


Tremolo, tone length: 1 sec. 4 velocity layers.



Tmp_MD_trem_4s+1s


Tremolo, tone lengths: 4 sec. and 1 sec.

Remarks: Mapping:B1–A3: 4 sec.B3–A5: 1 sec.

RELEASE TRIGGER

Tmp_MD_trem_4s+RS


Tremolo, tone length: 4 sec. The instrument contains release samples. 4 velocity layers.


Tmp_MD_trem_1s+RS


Tremolo, tone length: 1 sec. The instrument contains release samples. 4 velocity layers.


Tmp_MD_trem_4s+1s+RS


Tremolo, tone lengths: 4 sec. and 1 sec. The instrument contains release samples.

Remarks: Mapping:B1–A3: 4 sec.B3–A5: 1 sec.

Tmp_MD_RS


This instrument contains the release samples for the +RS instruments. 4 velocity layers.


03 Tmp_MD_TREM-DYN_medium

BASIC INSTRUMENTSSamples: 22

This file contains tremolos with medium dynamic changes, 1, 2, and 4 seconds long, played withmedium mallets.


Tmp_MD_trem-cre2_1s


Tremolo, crescendo, tone length: 1 sec. 2 velocity layers.

Mapping V1 V2Dynamic: pp-mf mf-ffUpper vel.: 88 127

Tmp_MD_trem-cre2_2s




Tmp_MD_trem-cre2_4s




Tmp_MD_trem-dim2_1s


Tremolo, diminuendo, tone length: 1 sec. 2 velocity layers.

Mapping V1 V2Dynamic: mf-pp ff-mfUpper vel.: 88 127

Tmp_MD_trem-dim2_2s




Tmp_MD_trem-dim2_4s





COMBINATIONS

Tmp_MD_trem-dyn2_1s


Tremolo, crescendo and diminuendo, tone length: 1 sec. Use the modwheel to switch betweencrescendo and diminuendo variations.

Remarks: Modwheel:0 – crescendo127 – diminuendo

Tmp_MD_trem-dyn2_2s




Tmp_MD_trem-dyn2_4s




Tmp_MD_trem-cre2_all


Tremolo, crescendo, tone lengths: 1, 2, and 4 sec. Use key switches to change instruments. 2velocity layers.

Remarks: Key switches:C1 – 1 sec.C#1 – 2 sec.D1 – 4 sec.


Tmp_MD_trem-dim2_all


Tremolo, diminuendo, tone lengths: 1, 2, and 4 sec. Use key switches to change instruments. 2velocity layers.




Tmp_MD_trem-dyn2_all


Tremolo, crescendo and diminuendo, tone lengths: 1, 2, and 4 sec. Use key switches to changeinstruments. Use the modwheel to change between crescendo and diminuendo variations.


Modwheel:0 – crescendo127 – 127

04 Tmp_MD_TREM-DYN_strong

BASIC INSTRUMENTS

This file contains tremolos with strong dynamic changes, 1, 2, and 4 seconds long, played withmedium mallets.

Tmp_MD_trem-cre3_1s


Tremolo, strong crescendo, tone length: 1 sec. 1 velocity layer.

Mapping V1Dynamic: pp-ffUpper vel.: 127

Tmp_MD_trem-cre3_2s




Tmp_MD_trem-cre3_4s





Tmp_MD_trem-dim3_1s


Tremolo, strong diminuendo, tone length: 1 sec. 1 velocity layer.

Mapping V1Dynamic: ff-ppUpper vel.: 127

Tmp_MD_trem-dim3_2s




Tmp_MD_trem-dim3_4s




COMBINATIONS

Tmp_MD_trem-dyn3_1s


Tremolo, strong crescendo and diminuendo, tone length: 1 sec. Use the modwheel to switchbetween variations.


Tmp_MD_trem-dyn3_2s




Tmp_MD_trem-dyn3_4s





Tmp_MD_trem-dyn3_all


Tremolo, strong crescendo and diminuendo, tone lengths: 1, 2, and 4 sec. Use key switches tochange instruments. Use the modwheel to switch between variations.


Modwheel:0 – crescendo127 – diminuendo

05 Tmp_MD_TREM-GLISS

BASIC INSTRUMENTS

This file contains tremolo glissandos with intervals from minor 2nd to 4th, 1 and 2 seconds long,played with medium mallets.

Tmp_MD_trem-gliss_up1_1s


Tremolo with glissando upwards (minor 2nd), tone length: 1 sec. Please note that for all glissandoinstruments, the actual tone range exceeds the mapping range. If e.g. the glissando goes up aminor 2nd and the last playable key is F#2, the tone will go up to G2, etc. 2 velocity layers.

Mapping V1 V2Dynamic: p fUpper vel.: 88 127



Tremolo with glissando upwards (major 2nd), tone length: 1 sec. 2 velocity layers.




Tremolo with glissando upwards (minor 3rd), tone length: 1 sec. 2 velocity layers.




Tremolo with glissando upwards (major 3rd), tone length: 1 sec. 2 velocity layers.





Tremolo with glissando upwards (4th), tone length: 1 sec. 2 velocity layers.




Tremolo with glissando upwards (minor 2nd), tone length: 2 sec. 2 velocity layers.




Tremolo with glissando upwards (major 2nd), tone length: 2 sec. 2 velocity layers.




Tremolo with glissando upwards (minor 3rd), tone length: 2 sec. 2 velocity layers.




Tremolo with glissando upwards (major 3rd), tone length: 2 sec. 2 velocity layers.




Tremolo with glissando upwards (4th), tone length: 2 sec. 2 velocity layers.



Tmp_MD_trem-gliss_do_1s

Bank/Prog: 0/11 Mapping range: F2–E3 Release: 3sec. Giga RAM: 32MB Samples: 9

Tremolo with glissando downwards, tone length: 1 sec. 2 velocity layers.


Tmp_MD_trem-gliss_do_2s

Bank/Prog: 0/12 Mapping range: F2–E3 Release: 3sec. Giga RAM: 32MB Samples: 8

Tremolo with glissando downwards, tone length: 2 sec. 2 velocity layers.


COMBINATIONS

Tmp_MD_trem-gliss_up-1-4_1s


Tremolo with glissando upwards, from minor 2nd to major 3rd, tone length: 1 sec. The instrumentsare activated by key switches.

Remarks: Key switches:C#1 – min. 2ndD1 – maj. 2ndD#1 – min. 3rdE1 – maj. 3rd

Tmp_MD_trem-gliss_up-all_1s


Tremolo with glissando upwards, from minor 2nd to 4th, tone length: 1 sec. The instruments areactivated by key switches.

Remarks: Key switches:C#1 – min. 2ndD1 – maj. 2ndD#1 – min. 3rdE1 – maj. 3rdF1 – 4th

Tmp_MD_trem-gliss_up-1-4_2s


Tremolo with glissando upwards, from minor 2nd to major 3rd, tone length: 2 sec. The instrumentsare activated by key switches.



Tmp_MD_trem-gliss_up-all_2s


Tremolo with glissando upwards, from minor 2nd to 4th, tone length: 2 sec. The instruments areactivated by key switches.


Tmp_MD_trem-gliss_up-1-4_1+2s


Tremolo with glissando upwards, from minor 2nd to major 3rd, tone lengths: 1 and 2 sec. Theinstruments are activated by key switches. Tone lengths can be changed with the modwheel.


Modwheel:0 – 1 sec.127 – 2 sec.

Tmp_MD_trem-gliss_do_1+2s

Bank/Prog: 1/6 Mapping range: F2–E3 Release: 3sec. Giga RAM: 32MB

Tremolo with glissando downwards, tone lengths: 1 and 2 sec. Tone lengths can be changed withthe modwheel.

Remarks: Modwheel:0 – 1 sec.127 – 2 sec.

06 Tmp_MD_SINGLE-HITS_GLISS

BASIC INSTRUMENTS

This file contains single hit glissandos with intervals from minor 2nd to 4th, 1 and 2 seconds long,played with medium mallets.

Tmp_MD_ES-gliss_up1_1s

Bank/Prog: 0/1 Mapping range: C2–A3 Release: 3sec. Giga RAM: 32MB Samples: 16

Single hits with glissando upwards (minor 2nd), tone length: 1 sec. Please note that for allglissando instruments, the actual tone range exceeds the mapping range. If e.g. the glissando goesup a minor 2nd and the last playable key is A2, the tone will go up to A#2, etc. 2 velocity layers.





Single hits with glissando upwards (major 2nd), tone length: 1 sec. 2 velocity layers.




Single hits with glissando upwards (minor 3rd), tone length: 1 sec. 2 velocity layers.




Single hits with glissando upwards (major 3rd), tone length: 1 sec. 2 velocity layers.




Single hits with glissando upwards (4th), tone length: 1 sec. 2 velocity layers.




Single hits with glissando upwards (minor 2nd), tone length: 2 sec. 2 velocity layers.




Single hits with glissando upwards (major 2nd), tone length: 2 sec. 2 velocity layers.




Single hits with glissando upwards (minor 3rd), tone length: 2 sec. 2 velocity layers.





Single hits with glissando upwards (major 3rd), tone length: 2 sec. 2 velocity layers.




Single hits with glissando upwards (4th), tone length: 2 sec. 2 velocity layers.


Tmp_MD_ES-gliss_do_1s

Bank/Prog: 0/11 Mapping range: E2–F3 Release: 3sec. Giga RAM: 32MB Samples: 9

Single hits with glissando downwards, tone length: 1 sec. 2 velocity layers.


Tmp_MD_ES-gliss_do_2s

Bank/Prog: 0/12 Mapping range: E2–F3 Release: 3sec. Giga RAM: 32MB Samples: 9

Single hits with glissando downwards, tone length: 2 sec. 2 velocity layers.


COMBINATIONS

Tmp_MD_ES-gliss_up1-4_1s

Bank/Prog: 1/1 Mapping range: C2–A3 Release: 3sec. Giga RAM: 32MB

Single hits with glissando upwards from minor 2nd to 4th, tone length: 1 sec. Use key switches tochange instruments.



Tmp_MD_ES-gliss_up-all_1s




Tmp_MD_ES-gliss_up1-4_2s




Tmp_MD_ES-gliss_up-all_2s




Tmp_MD_ES-gliss_up1-4_1+2s


Single hits with glissando upwards from minor 2nd to 4th, tone lengths: 1 and 2 sec. Use keyswitches to change instruments. Tone length is switched with the modwheel.


Modwheel:0 – 1 sec.127 – 2 sec.


Tmp_MD_ES-gliss_do_1+2s

Bank/Prog: 1/6 Mapping range: E2–F3 Release: 3sec. Giga RAM: 32MB

Single hits with glissando downwards, tone lengths: 1 and 2 sec. Tone length is switched with themodwheel.

Remarks: Modwheel:0 – 1 sec.127 – 2 sec.

07 Tmp_MD_UPBEATS

BASIC INSTRUMENTS

This file contains single hits with 1 to 4 upbeats, played with medium mallets.

Tmp_MD_VS1


Single hits with 1 upbeat. 3 velocity layers.


Tmp_MD_VS2


Single hits with 2 upbeats. 3 velocity layers.


Tmp_MD_VS3




Tmp_MD_VS4





RELEASE CONTROLL

Tmp_MD_VS1+RC


Single hits with 1 upbeat. Release control is activated with the sustain pedal (controller 64).

Tmp_MD_VS2+RC


Single hits with 2 upbeats. Release control is activated with the sustain pedal (controller 64).

Tmp_MD_VS3+RC


Single hits with 3 upbeats. Release control is activated with the sustain pedal (controller 64). 3velocity layers.


Tmp_MD_VS4+RC


Single hits with 4 upbeats. Release control is activated with the sustain pedal (controller 64). 3velocity layers.


COMBINATIONS

Tmp_MD_VS_all


Single hits with 1–4 upbeats. Use key switches to change instruments.

Remarks: Key switches:C1 – 1 upbeatC#1 – 2 upbeatsD1 – 3 upbeatsD#1 – 4 upbeats

Tmp_MD_VS_all+RC


Single hits with 1–4 upbeats. Release control is activated with the sustain pedal (controller 64). Usekey switches to change instruments.



08 Tmp_HA_SINGLE-HITS

BASIC INSTRUMENTS

This file contains single hits with hard mallets in 2 variations.

Tmp_HA_ES-1


Single hits with hard mallets, variation 1. 4 velocity layers.

Mapping V1 V2 V3 V4Dynamic: p mf f ffUpper vel.: 55 88 108 127

Tmp_HA_ES-2


Single hits with hard mallets, variation 2. 4 velocity layers.


Tmp_HA_ES-1+2


Single hits with hard mallets, variations 1 and 2.

Remarks: Mapping:C2–A#3: var. 1C4–A#5: var. 2

RELEASE CONTROLL

Tmp_HA_ES-1+RC


Single hits with hard mallets, variation 1. Release control is activated with the sustain pedal(controller 64). 4 velocity layers.


Tmp_HA_ES-2+RC


Single hits with hard mallets, variation 2. Release control is activated with the sustain pedal(controller 64). 4 velocity layers.



Tmp_HA_ES-1+2+RC


Single hits with hard mallets, variations 1 and 2. Release control is activated with the sustain pedal(controller 64). 4 velocity layers.



09 Tmp_HA_TREMOLO

BASIC INSTRUMENTS

This file contains tremolos with hard mallets, normal, crescendo and diminuendo, 1, 2, and 4seconds long.

Tmp_HA_trem


Tremolo with hard mallets. 3 velocity layers.

Mapping V1 V2 V3Dynamic: p mf fUpper vel.: 55 108 127

Tmp_HA_trem-cre3_1s


Strong dynamics: Tremolo with hard mallets, crescendo, tone length: 1 sec. 1 velocity layer.


Tmp_HA_trem-cre3_2s




Tmp_HA_trem-cre3_4s





Tmp_HA_trem-dim3_1s


Strong dynamics: Tremolo with hard mallets, diminuendo, tone length: 1 sec. 1 velocity layer.


Tmp_HA_trem-dim3_2s




Tmp_HA_trem-dim3_4s




RELEASE TRIGGER

Tmp_HA_trem+RS


Tremolo with hard mallets. The instrument is equipped with release samples. 3 velocity layers.


Tmp_HA_RS_trem


This instrument contains the release samples for Tmp_HA_trem+RS. 3 velocity layers.


COMBINATIONS

Tmp_HA_trem-dyn3_1s


Strong dynamics: Tremolo with hard mallets, crescendo and diminuendo, tone length: 1 sec. Themodwheel switches between crescendo and diminuendo.



Tmp_HA_trem-dyn3_2s




Tmp_HA_trem-dyn3_4s




Tmp_HA_trem-dyn3_all


Strong dynamics: Tremolo with hard mallets, crescendo and diminuendo, tone lengths: 1, 2, and 4sec. Instruments are activated with key switches. The modwheel switches between crescendo anddiminuendo.



10 Tmp_HA_UPBEATS

BASIC INSTRUMENTS

This file contains single hits with 1 to 4 upbeats, played with hard mallets.

Tmp_HA_VS1


Single hits with hard mallets, 1 upbeat. 3 velocity layers.



Tmp_HA_VS2


Single hits with hard mallets, 2 upbeats. 3 velocity layers.


Tmp_HA_VS3




Tmp_HA_VS4




RELEASE CONTROLL

Tmp_HA_VS1+RC


Single hits with hard mallets, 1 upbeat. Release control is activated with the sustain pedal (controller64). 3 velocity layers.


Tmp_HA_VS2+RC


Single hits with hard mallets, 2 upbeats. Release control is activated with the sustain pedal(controller 64). 3 velocity layers.


Tmp_HA_VS3+RC





Tmp_HA_VS4+RC




COMBINATIONS

Tmp_HA_VS-all


Single hits with hard mallets, 1 to 4 upbeats. Use key switches to change instruments.


Tmp_HA_VS-all+RC


Single hits with hard mallets, 1 to 4 upbeats. Release control is activated with the sustain pedal(controller 64). Use key switches to change instruments.


11 Tmp_HO_SINGLE-HITS

BASIC INSTRUMENTS

This file contains single hits with wooden mallets in 2 variations.

Tmp_HO_ES-1


Single hits with wooden mallets, variation 1. 4 velocity layers.


Tmp_HO_ES-2


Single hits with wooden mallets, variation 2. 4 velocity layers.



Tmp_HO_ES-1+2


Single hits with wooden mallets, variations 1 and 2. 4 velocity layers.



RELEASE CONTROLL

Tmp_HO_ES-1+RC


Single hits with wooden mallets, variation 1. Release control is activated with the sustain pedal(controller 64). 4 velocity layers.


Tmp_HO_ES-2+RC


Single hits with wooden mallets, variation 2. Release control is activated with the sustain pedal(controller 64). 4 velocity layers.


Tmp_HO_ES-1+2+RC


Single hits with wooden mallets, variations 1 and 2. Release control is activated with the sustainpedal (controller 64). 4 velocity layers.




12 Tmp_HO_TREMOLO

BASIC INSTRUMENTS

This file contains normal, crescendo and diminuendo tremolos, 1, 2, and 4 seconds long, playedwith wooden mallets.

Tmp_HO_trem


Tremolo with wooden mallets. 3 velocity layers.


Tmp_HO_trem-cres3_1s


Strong dynamics: Tremolo with wooden mallets, crescendo, tone length: 1 sec. 1 velocity layer.










Tmp_HO_trem-dim3_1s


Strong dynamics: Tremolo with wooden mallets, diminuendo, tone length: 1 sec. 1 velocity layer.


Tmp_HO_trem-dim3_2s





Tmp_HO_trem-dim3_4s




RELEASE CONTROLL

Tmp_HO_trem+RS


Tremolo with wooden mallets. The instrument is equipped with release samples. 3 velocity layers.


Tmp_HO_RS_trem


This instrument contains the release samples for Tmp_HO_trem+RS. 3 velocity layers.


COMBINATIONS

Tmp_HO_trem-dyn3_1s


Strong dynamics: Tremolo with wooden mallets, crescendo and diminuendo, tone length: 1 sec.Use the modwheel to switch between crescendo and diminuendo.


Tmp_HO_trem-dyn3_2s





Tmp_HO_trem-dyn3_4s




Tmp_HO_trem-dyn3_all


Strong dynamics: Tremolo with wooden mallets, crescendo and diminuendo, tone lengths: 1, 2,and 4 sec. Use key switches to change instruments. Use the modwheel to switch between crescendoand diminuendo.



13 Tmp_HO_UPBEATS

BASIC INSTRUMENTS

This file contains single hits with 1 to 4 upbeats, played with wooden mallets.

Tmp_HO_VS1


Single hits with wooden mallets, 1 upbeat. 3 velocity layers.


Tmp_HO_VS2


Single hits with wooden mallets, 2 upbeats. 3 velocity layers.


Tmp_HO_VS3





Tmp_HO_VS4




RELEASE CONTROLL

Tmp_HO_VS1+RC


Single hits with wooden mallets, 1 upbeat. Release control is activated with the sustain pedal(controller 64). 3 velocity layers.


Tmp_HO_VS2+RC


Single hits with wooden mallets, 2 upbeats. Release control is activated with the sustain pedal(controller 64). 3 velocity layers.


Tmp_HO_VS3+RC




Tmp_HO_VS3+RC





COMBINATIONS

Tmp_HO_VS_all


Single hits with wooden mallets, 1 to 4 upbeats. Use key switches to change instruments.


Tmp_HO_VS_all+RC


Single hits with wooden mallets, 1 to 4 upbeats. Use key switches to change instruments. Releasecontrol is activated with the sustain pedal (controller 64).


14 Tmp_FI_SINGLE-HITS

BASIC INSTRUMENTS

This file contains single hits with felt mallets in 2 variations.

Tmp_FI_ES-1


Single hits with felt mallets, variation 1. 5 velocity layers.

Mapping V1 V2 V3 V4 V5Dynamic: pp p mf f ffUpper vel.: 55 88 108 118 127

Tmp_FI_ES-2


Single hits with felt mallets, variation 2. 5 velocity layers.


Tmp_FI_ES-1+2


Single hits with felt mallets, variations 1 and 2. 5 velocity layers.




RELEASE CONTROLL

Tmp_FI_ES-1+RC


Single hits with felt mallets, variation 1. Release control ist activated with the sustain pedal(controller 64). 5 velocity layers.


Tmp_FI_ES-2+RC


Single hits with felt mallets, variation 2. Release control ist activated with the sustain pedal(controller 64). 5 velocity layers.


Tmp_FI_ES-1+2+RC


Single hits with felt mallets, variations 1 and 2. Release control ist activated with the sustain pedal(controller 64). 5 velocity layers.



15 Tmp_MH_SINGLE-HITS

BASIC INSTRUMENTS

This file contains single hits with medium hard mallets in 2 variations.

Tmp_MH_ES-1


Single hits with medium hard mallets, variation 1. 5 velocity layers.



Tmp_MH_ES-2


Single hits with medium hard mallets, variation 2. 5 velocity layers.


Tmp_MH_ES-1+2


Single hits with medium hard mallets, variations 1 and 2. 5 velocity layers.



RELEASE CONTROLL

Tmp_MH_ES-1+RC


Single hits, variation 1. Release control ist activated with the sustain pedal (controller 64). 5 velocitylayers.


Tmp_MH_ES-2+RC


Single hits, variation 2. Release control ist activated with the sustain pedal (controller 64). 5 velocitylayers.


Tmp_MH_ES-1+2+RC


Single hits, variations 1 and 2. Release control ist activated with the sustain pedal (controller 64). 5velocity layers.




16 Tmp_FINGER_SINGLE-HITS

BASIC INSTRUMENTS

This file contains single hits played with the fingers in 2 variations.

Tmp_Fing_ES-1


Single hits with the fingers, variation 1. 2 velocity layers.


Tmp_Fing_ES-2


Single hits with the fingers, variation 2. 2 velocity layers.


Tmp_Fing_ES-1+2


Single hits with the fingers, variations 1 and 2. 2 velocity layers.



RELEASE CONTROLL

Tmp_Fing_ES-1+RC


Single hits with the fingers, variation 1. Release control is activated with the sustain pedal (controller64). 2 velocity layers.



Tmp_Fing_ES-2+RC


Single hits with the fingers, variation 2. Release control is activated with the sustain pedal (controller64). 2 velocity layers.


Tmp_Fing_ES-1+2+RC


Single hits with the fingers, variations 1 and 2. Release control is activated with the sustain pedal(controller 64). 2 velocity layers.



50 Snare DrumThese files contain a snare drum, with single hits and rimshots, tremolos, upbeats, and played withbrushes.

Snare-Drum_BESEN

KTr_Bes

Bank/Prog: 0/1 Mapping range: C4–A5 Giga RAM: 32MB Samples: 10

Snare drum, played with brushes. Left and right hand hits, rim hit, and rubs of various lengths andintensities. 2 velocity layers.

Remarks: Mapping:C4–D4: single hits, left and right handF4: single hit near the rimC5: rubbed, piano, 6sec.D5: rubbed, forte, 2sec.F5–G5: rubbed, piano, 14 and 19sec.A5: rubbed, forte, 11sec.



Snare-Drum_SINGLE_HITS

KTr_ES

Bank/Prog: 0/1 Mapping range: C3–A6 Release: 1,5sec. Giga RAM: 32MB Samples: 62

Snare drum, single hits. Includes variations of left and right hand open and muted hits (4 velocitylayers), fast and slow rolls, and rimshots. 4 velocity layers.

Remarks: Mapping:C3–D3: open, left handE3–F3: open, right handC4–D4: muted, left handE4–F4: muted, right handC5–D5: slow roll, left and right handF5–G5: fast roll, left and right handA5–H5: slow and fast roll, alternatingC5–D6: rimshot with crossed sticksE6–F6: rimshot, open and muteG6–A6: rimshots, closed [rimcl] and [rimcl#]


RELEASE CONTROLL

KTr_ES+RC

Bank/Prog: 1/1 Mapping range: C3–A6 Release: 0,3sec. Giga RAM: 32MB

Snare drum, single hits. Includes variations of left and right hand open and muted hits, fast andslow rolls, and several rim hits. Release control is activated with the sustain pedal (controller 64).

Remarks: Mapping:C3–D3: open, left handE3–F3: open, right handC4–D4: muted, left handE4–F4: muted, right handC5–D5: slow roll, left and right handF5–G5: fast roll, left and right handA5–H5: slow and fast roll, alternatingC5–D6: rimshot with crossed sticksE6–F6: rimshot, open and muteG6–A6: rimshots, closed [rimcl] and [rimcl#]

Snare-Drum_TREMOLO

KTr_trem

Bank/Prog: 0/1 Mapping range: C3–B5 Release: 0,1sec. Giga RAM: 32MB Samples: 34

Tremolos of 1, 2, and 4 seconds. Normal (4 velocity layers) as well as medium and strongdynamics variations. The note marked "+RS" contains release samples. 4 velocity layers.


Remarks: Mapping:C3–E3: normal, 1, 2, and 4 sec.F3: normal, 4 sec., +RSG3: release samples for F2C4–E4: medium crescendo (p-mf, mf-ff), 1, 2, and 4 sec.G4–B4: medium diminuendo (mf-p, ff-mf), 1, 2, and 4 sec.C5–E5: strong crescendo (p-ff), 1, 2, and 4 sec.G5–B5: strong diminuendo (ff-p), 1, 2, and 4 sec.


Snare-Drum_UPBEATS

KTr_VS_1-4

Bank/Prog: 0/1 Mapping range: C4–F5 Release: 1,5sec. Giga RAM: 32MB Samples: 28

Snare drum with 1 to 4 upbeats, with a steady beat as well as accelerating. 4 velocity layers.

Remarks: Mapping:C4–F4: 1–4 upbeatsD5–F5: 2–4 upbeats, accelerando


RELEASE CONTROLL

KTr_VS_1-4+RC

Bank/Prog: 1/1 Mapping range: C4–F5 Release: 0,3sec. Giga RAM: 32MB

Snare drum with 1 to 4 upbeats, with a steady beat as well as accelerating. Release control isactivated with the sustain pedal (controller 64).


51 Piccolo DrumThis folder contains a piccolo drum, with single hits, tremolos, and upbeats.

Piccolo-Drum_SINGLE_HITS

PTr_ES


Piccolo drum, single hits. Includes variations of left and right hand open and muted hits, and fastand slow rolls. 4 velocity layers.


Remarks: Mapping:C3–D3: open, left handE3–F3: open, right handC4–D4: muted, left and right handC5–D5: slow roll, left and right handF5–G5: fast roll, left and right handA5–H5: slow and fast roll, alternating


RELEASE CONTROLL

PTr_ES+RC

Bank/Prog: 1/1 Mapping range: C3–B5 Release: 1,5sec. Giga RAM: 32MB

Piccolo drum, single hits. Includes variations of left and right hand open and muted hits, and fastand slow rolls. Release control is activated with the sustain pedal (controller 64).


Piccolo-Drum_TREMOLO

PTr_trem





Piccolo-Drum_UPBEATS

PTr_VS_1-4


Piccolo drum with 1 to 4 upbeats, with a steady beat as well as accelerating. 4 velocity layers.




RELEASE CONTROLL

PTr_VS_1-4+RC


Piccolo drum with 1 to 4 upbeats, with a steady beat as well as accelerating. Release control isactivated with the sustain pedal (controller 64). 4 velocity layers.



52 Field DrumThis is a field drum, with single hits, tremolos, and upbeats.

Field-Drum_SINGLE_HITS

RTr_ES


Field drum, single hits. Variations of left and right hand open and muted hits, and fast and slowrolls. 3 velocity layers.


Mapping V1 V2 V3Dynamic: p f ffUpper vel.: 55 108 127

RELEASE CONTROLL

RTr_ES+RC


Field drum, single hits. Variations of left and right hand open and muted hits, and fast and slowrolls. Release control is activated with the sustain pedal (controller 64).



Field-Drum_TREMOLO

RTr_trem





Field-Drum_UPBEATS

RTr_VS_1-4


Field drum with 1 to 4 upbeats, with a steady beat as well as accelerating. 3 velocity layers.


Mapping V1 V2 V3Dynamic: p f ffUpper vel.: 55 108 127

RELEASE CONTROLL

RTr_VS_1-4+RC


Field drum with 1 to 4 upbeats, with a steady beat as well as accelerating. Release control isactivated with the sustain pedal (controller 64).



53 Bass DrumThis folder contains the bass drum, with single hits, tremolo, and upbeats. The techniques appliedinclude open, muted fast and slow, and coperto (covered with a piece of felt or cloth).

Bass-Drum_SINGLE-HITS

GTr1_ES

Bank/Prog: 0/1 Mapping range: C2–D4 Release: 0,8sec. Giga RAM: 32MB Samples: 50

Single hits on the bass drum, normal, near the rim, muted slow and fast, and coperto, each with 2variations. 5 velocity layers.

Remarks: Mapping:C2–D2: openF2–G2: rim hitsC3–D3: muted, fastF3–G3: muted, slowC4–D4: coperto


GTr1_ES+RC

Bank/Prog: 1/1 Mapping range: C2–D4 Release: 0,8sec. Giga RAM: 32MB

Single hits on the bass drum, normal, near the rim, muted slow and fast, and coperto, each with 2variations. Release control is activated with the sustain pedal (controller 64).

Remarks: Mapping:C2–D2: openF2–G2: rim hitsC3–D3: muted, fastF3–G3: muted, slowC4–D4: coperto

Bass-Drum_SINGLE_HITS

RELEASE CONTROLL

Bass-Drum_TREMOLO

GTr1_trem


Bass drum tremolos, tone length: 1, 2, and 4 sec., normal (4 velocity layers) as well as with softand strong dynamics. The note marked "+RS" contains release samples. 4 velocity layers.


Remarks: Mapping:C2–E2: normal tremolo, 1, 2, and 4sec.F2: normal, 4 sec., +RSG2: release samples for F1C3–E3: soft crescendo (pp-mp, mp-f, f-ff), 1, 2, and 4sec.G3–B3: soft diminuendo (mp-mp, f-mp, ff-f), 1, 2, and 4sec.C4–E4: strong crescendo (pp-ff), 1, 2, and 4sec.G4–B4: strong diminuendo (ff-pp), 1, 2, and 4sec.

Mapping V1 V2 V3 V4Dynamic: pp mp f ffUpper vel.: 55 88 108 127

Bass-Drum_UPBEATS

GTr1_VS_1-4

Bank/Prog: 0/1 Mapping range: C2–F2 Release: 4sec. Giga RAM: 32MB Samples: 12

Bass drum with 1 to 4 upbeats. 3 velocity layers.

Remarks: Mapping:C2–F2: 1–4 upbeats

Mapping V1 V2 V3Dynamic: pp mf ffUpper vel.: 55 108 127

RELEASE CONTROLL

GTr1_VS_1-4+RC


Bass drum with 1 to 4 upbeats. Release control can be activated with the sustain pedal (controller64).

Remarks: Mapping:C2–F2: 1–4 upbeats

54 TambourineThe Gigfiles in this folder contain three tambourines, with single beats, thumb and shaken tremolosin normal, crescendo and diminuendo variations, as well as 1 to 4 upbeats. Mappings marked"+RS" are equipped with Release samples.

Tamb1

Tamb1

Bank/Prog: 0/1 Mapping range: C3–B5 Giga RAM: 32MB Samples: 24

Tambourine 1 (low): single beats, sforzato, tremolo, crescendo and diminuendo. Mappings marked"+RS" are equipped with Release samples. 4 velocity layers.


Remarks: Mapping:C3–D3: single hits, p–mp–f–ff, var. 1 and 2G3–A3: single hits, sforzato, var. 1 and 2C4–D4: thumb tremolo, short and longE4: thumb tremolo, long, +RSF4–G4: thumb tremolo, crescendo, short and longA4–B4: thumb tremolo, diminuendo, short and longC5–D5: shaken tremolo, short and longE5: shaken tremolo, long, +RSF5–G5: shaken tremolo, crescendo, short and longA5–B5: shaken tremolo, diminuendo, short and long

Mapping V1 V2 V3 V4Dynamic: p mp f ffUpper vel.: 55 88 118 127

Tamb1_UPBEATS

Tamb1_aT1–4


Tambourine 1, with 1 to 4 upbeats at 2 different speeds. 3 velocity layers.

Remarks: Mapping:C3–F3: 1–4 upbeats, 105 BPMC4–F4: 1–4 upbeats, 130 BPM


Tamb2

Tamb2


Tambourine 2 (medium): single beats, sforzato, tremolo, crescendo and diminuendo. Mappingsmarked "+RS" are equipped with Release samples. 4 velocity layers.




Tamb2_UPBEATS

Tamb2_aT1–4





Tamb3

Tamb3


Tambourine 3 (high): single beats, sforzato, tremolo, crescendo and diminuendo. Mappingsmarked "+RS" are equipped with Release samples. 4 velocity layers.



Tamb3_UPBEATS

Tamb3_aT1–4






55 Piatti (Cymbals)

Piatti

BASIC INSTRUMENTS

This set contains cymbals of various sizes from 11 to 22 inches, each played in different styles.

PI_11Z-Chi

Bank/Prog: 0/1 Mapping range: C4–E4 Release: 5sec. Giga RAM: 32MB Samples: 15

Chinese cymbal, 11" diameter, open and muted after the hit. 5 velocity layers.

Remarks: Mapping:C3 – openD3 – muted, var. 1 (shorter)E3 – muted, var. 2 (longer)

Mapping V1 V2 V3 V4 V5Dynamic: p mp mf f ffUpper vel.: 44 66 88 108 127

PI_13Z-Za


Zildijan Avedis cymbal, 13" diameter, open and muted after the hit. 5 velocity layers.



PI_15Z-Za


Zildijan Avedis cymbal, 15" diameter, open and muted after the hit. 5 velocity layers.



PI_16Z-K


Avedis K1 cymbal, 16" diameter, open and muted after the hit. 5 velocity layers.




PI_16Z-K2


Avedis K2 cymbal, 16" diameter, open and muted after the hit, and scraped. 5 velocity layers.

Remarks: Mapping:C3 – openD3 – muted, var. 1 (shorter)E3 – muted, var. 2 (longer)F3 – scraped


PI_18Z-ls


Istanbul Janissary cymbal, 18" diameter, open and muted after the hit, and scraped. 6 velocitylayers.


Mapping V1 V2 V3 V4 V5 V6Dynamic: p mp mf f ff fffUpper vel.: 44 66 88 108 120 127

PI_20Z-Za


Zildijan Avedis cymbal, 20" diameter, open and muted after the hit, and scraped. 6 velocity layers.



PI_20Z-ls


Istanbul Symphonic cymbal, 20" diameter, open and muted after the hit, and scraped. 6 velocitylayers.




PI_22Z-Za


Zildijan Avedis cymbal, 22" diameter, open and muted after the hit, and scraped. 6 velocity layers.



PI_all

Bank/Prog: 0/10 Mapping range: C1–E7 Release: 5sec. Giga RAM: 64MB

Cymbals from 11" to 22" diameter, open and muted after the hit, and scraped for 16" to 22".

Remarks: Mapping range of instruments:C1–F1: 22", Zildijan AvedisC2–F2: 20", Zildijan AvedisC3–F3: 18", Istanbul JanissaryC4–F4: 16", Avedis K2C5–E5: 15", Zildijan AvedisC6–E6: 13", Zildijan AvedisC7–E7: 11", Chinese

Mapping:C – openD – muted, var. 1 (shorter)E – muted, var. 2 (longer)F – scraped

RELEASE CONTROLL

PI_11Z-Chi+RC

Bank/Prog: 1/1 Mapping range: C4–E4 Release: 0,8sec. Giga RAM: 32MB

Chinese cymbals, 11" diameter, open and muted after the hit. Release control is activated with thesustain pedal (controller 64). 5 velocity layers.




PI_13Z-Za+RC


Zildijan Avedis cymbal, 13" diameter, open and muted after the hit. Release control is activated withthe sustain pedal (controller 64). 5 velocity layers.



PI_15Z-Za+RC


Zildijan Avedis cymbal, 15" diameter, open and muted after the hit. Release control is activated withthe sustain pedal (controller 64). 5 velocity layers.



PI_16Z-K+RC


Avedis K1 cymbal, 16" diameter, open and muted after the hit. Release control is activated with thesustain pedal (controller 64). 5 velocity layers.



PI_16Z-K2+RC


Avedis K2 cymbal, 16" diameter, open and muted after the hit, and scraped. Release control isactivated with the sustain pedal (controller 64). 5 velocity layers.




PI_18Z-ls+RC


Istanbul Janissary cymbal, 18" diameter, open and muted after the hit, and scraped. Releasecontrol is activated with the sustain pedal (controller 64). 6 velocity layers.



PI_20Z-Za+RC


Zildijan Avedis cymbal, 20" diameter, open and muted after the hit, and scraped. Release control isactivated with the sustain pedal (controller 64). 6 velocity layers.



PI_20Z-ls+RC


Istanbul Symphonic cymbal, 20" diameter, open and muted after the hit, and scraped. Releasecontrol is activated with the sustain pedal (controller 64). 6 velocity layers.



PI_22Z-Za+RC


Zildijan Avedis cymbal, 22" diameter, open and muted after the hit, and scraped. Release control isactivated with the sustain pedal (controller 64). 6 velocity layers.




PI_all+RC


Cymbals from 11" to 22" diameter, open and muted after the hit, and scraped for 16" to 22".Release control is activated with the sustain pedal (controller 64).

Remarks: Mapping range of instruments:C1–F1: 22", Zildijan AvedisC2–F2: 20", Zildijan AvedisC3–F3: 18", Istanbul JanissaryC4–F4: 16", Avedis K2C5–E5: 15", Zildijan AvedisC6–E6: 13", Zildijan AvedisC7–E7: 11", Chinese

Mapping:C – openD – muted, var. 1 (shorter)E – muted, var. 2 (longer)F – scraped

56 Cymbals single hitsThis folder contains .gig files of Chinese, Crash, Ride, and Splash Cymbals

Cymbal_China-22Z

This set contains a 22" Chinese cymbal, played with drumsticks, a timpani mallet, brushes, awooden rod, and bowed.

HBE_22Z-Chi_Tr

Bank/Prog: 0/1 Mapping range: C3–B4 Release: 6sec. Giga RAM: 32MB Samples: 70

Played with drumsticks, open and muted after the beat. The muted beats mapped to A and B havea shorter release time so that their length can be controlled. 5 velocity layers.

Remarks: Mapping:Hit on the rim:C3: normal hit, D3: hard hit, E3: soft hitF3–G3: muted, shortA3–B3: muted, longHit in the middle:C4: normal hit, D4: hard hit, E4: soft hitF4–B4: muted, shortA4–B4: muted, long



HBE_22Z-Chi_Tmp


Played with a timpani mallet, open and muted after the beat. The muted beats mapped to A and Bhave a shorter release time so that their length can be controlled. 5 velocity layers.



HBE_22Z-Chi_brush

Bank/Prog: 0/3 Mapping range: C3–C4 Release: 6sec. Giga RAM: 32MB Samples: 4

Played with a brush, open, muted, and scraped. 1 velocity layer.

Remarks: Mapping:C3: openD3–E3: muted, short and longC4: scraped

Mapping V1Dynamic: fUpper vel.: 127

HBE_22Z-Chi_rod


Played with a wooden rod, open, muted, and scraped. 1 velocity layer.



HBE_22Z-Chi_bow


Played with a bow in 5 variations. The instrument is mapped chromatically from C3 to E3. 1velocity layer.

Remarks: Mapping:C3–E3: bow variations



RELEASE CONTROLL

HBE_22Z-Chi_Tr+RC


Played with drumsticks, open and muted after the beat. The muted beats mapped to A and B havea shorter release time so that their length can be controlled. Release control is activated with thesustain pedal (controller 64). 5 velocity layers.



HBE_22Z-Chi_Tmp+RC


Played with a timpani mallet, open and muted after the beat. The beats mapped to A and B have ashorter release time so that their length can be controlled. Release control is activated with thesustain pedal (controller 64). 5 velocity layers.



HBE_22Z-Chi_brush+RC

Bank/Prog: 1/3 Mapping range: C3–C4 Release: 0,5sec. Giga RAM: 32MB

Played with a brush, open, muted, and scraped. Release control is activated with the sustain pedal(controller 64). 1 velocity layer.




HBE_22Z-Chi_rod+RC


Played with a wooden rod, open, muted, and scraped. Release control is activated with the sustainpedal (controller 64). 1 velocity layer.



HBE_22Z-Chi_bow+RC


Played with a bow in 5 variations. The instrument is mapped chromatically from C3 to E3. Releasecontrol is activated with the sustain pedal (controller 64). 1 velocity layer.



Cymbal_Crash-16Z

BASIC INSTRUMENTS

This set contains a 16" crash cymbal, played with drumsticks, a timpani mallet, brushes, a woodenrod, and bowed.

HBE_16Z-Crash_Tr



Remarks: Mapping:Hit on the rim:C3: normal hit, D3: hard hit, E3: soft hitF3–G3: muted, shortA3–B3: muted, longHit in the middle:C4: normal hit, D4: hard hit, E4: soft hitF4–G4: muted, shortA4–B4: muted, longHit on the dome:C5: normal hit, D5: hard hit, E5: soft hitF5–G5: muted, shortA5–B5: muted, long



HBE_16Z-Crash_Tmp





HBE_16Z-Crash_brush


Played with a brush, open, muted after the beat, and scraped. 1 velocity layer.

Remarks: Mapping:Hit on the rim:C3: open; D3–E3: muted, short and long;Hit in the middle:C4: open; D4–E4: muted, short and long;Hit on the dome:C5: openC6–D6: scraped


HBE_16Z-Crash_rod



Remarks: Mapping:Hit on the rim:C3: open; D3–E3: muted, short and longHit in the middle:C4: open; D4–E4: muted, short and longHit on the dome:C5: openC6: scraped



HBE_16Z-Crash_bow


Played with a bow in 4 variations. The instrument is mapped chromatically from C3 to D#3. 1velocity layer.

Remarks: Mapping:C3–D#3: bow variations


RELEASE CONTROLL

HBE_16Z-Crash_Tr+RC





HBE_16Z-Crash_Tmp+RC


Played with a timpani mallet, open and muted after the beat. The muted beats mapped to A and Bhave a shorter release time so that their length can be controlled. Release control is activated withthe sustain pedal (controller 64). 5 velocity layers.




HBE_16Z-Crash_brush+RC


Played with a brush, open, muted after the beat, and scraped. Release control is activated with thesustain pedal (controller 64). 1 velocity layer.

Remarks: Mapping:Hit on the rim:C3: open; D3–E3: muted, short and long;Hit in the middle:C4: open; D4–E4: muted, short and long;Hit on the dome:C5: openC6–D6: scraped


HBE_16Z-Crash_rod+RC



Remarks: Mapping:Hit on the rim:C3: open; D3–E3: muted, short and longHit in the middle:C4: open; D4–E4: muted, short and longHit on the dome:C5: openC6: scraped


HBE_16Z-Crash_bow+RC


Played with a bow in 4 variations. The instrument is mapped chromatically from C3 to D#3.Release control is activated with the sustain pedal (controller 64). 1 velocity layer.

Remarks: Mapping:C3–D#3: bow variations



Cymbal_Ride-22Z

BASIC INSTRUMENTS

This set contains a 22" ride cymbal, played with drumsticks, a timpani mallet, brushes, a woodenrod, and bowed.

HBE_22Z-Ride_Tr





HBE_22Z-Ride_Tmp





HBE_22Z-Ride_brush


Played with a brush, open, muted after the beat, and scraped. 1 velocity layer.


Remarks: Mapping:Hit on the rim:C3: open; D3–E3: muted, short and long;Hit in the middle:C4: open; D4–E4: muted, short and long;Hit on the dome:C5: open; D5–E5: muted, short and long;C6–D6: scraped


HBE_22Z-Ride_rod



Remarks: Mapping:Hit on the rim:C3: open; D3–E3: muted, short and longHit in the middle:C4: open; D4–E4: muted, short and longHit on the dome:C5: open; D5–E5: muted, short and longC6: scraped


HBE_22Z-Ride_bow

Bank/Prog: 0/5 Mapping range: C4–G4 Release: 2sec. Giga RAM: 32MB Samples: 8

Played with a bow in 8 variations. The instrument is mapped chromatically from C3 to G3. 1velocity layer.

Remarks: Mapping:C3–G3: bow variations


RELEASE CONTROLL

HBE_22Z-Ride_Tr+RC




Remarks: Mapping:Hit on the rim:C3: normal hit, D3: hard hit, E3: soft hitF3–G3: muted, shortA3–B3: muted, longHit in the center:C4: normal hit, D4: hard hit, E4: soft hitF4–G4: muted, shortA4–B4: muted, longHit on the dome:C5: normal hit, D5: hard hit, E5: soft hitF5–G5: muted, shortA5–B5: muted, long


HBE_22Z-Ride_Tmp+RC


Played with a timpani mallet, open and muted after the beat. The muted beats mapped to A and Bhave a shorter release time so that their length can be controlled. Release control is activated withthe sustain pedal (controller 64). 5 velocity layers.

Remarks: Mapping:Hit on the rim:C3: normal hit, D3: hard hit, E3: soft hitF3–G3: muted, shortA3–B3: muted, longHit in the center:C4: normal hit, D4: hard hit, E4: soft hitF4–G4: muted, shortA4–B4: muted, longHit on the dome:C5: normal hit, D5: hard hit, E5: soft hitF5–G5: muted, shortA5–B5: muted, long


HBE_22Z-Ride_brush+RC


Played with a brush, open, muted after the beat, and scraped. Release control is activated with thesustain pedal (controller 64). 1 velocity layer.

Remarks: Mapping:Hit on the rim:C3: open; D3–E3: muted, short and long;Hit in the middle:C4: open; D4–E4: muted, short and long;Hit on the dome:C5: open; D5–E5: muted, short and long;C6–D6: scraped



HBE_22Z-Ride_rod+RC



Remarks: Mapping:Hit on the rim:C3: open; D3–E3: muted, short and longHit in the middle:C4: open; D4–E4: muted, short and longHit on the dome:C5: open; D5–E5: muted, short and longC6: scraped


HBE_22Z-Ride_bow+RC

Bank/Prog: 1/5 Mapping range: C4–G4 Release: 0,5sec. Giga RAM: 32MB

Played with a bow in 8 variations. The instrument is mapped chromatically from C3 to G3. Releasecontrol is activated with the sustain pedal (controller 64). 1 velocity layer.

Remarks: Mapping:C3–G3: bow variations


Cymbal_Splash-12Z

BASIC INSTRUMENTS

This set contains a 12" splash cymbal, played with drumsticks, a timpani mallet, brushes, a woodenrod, and bowed.

HBE_12Z-Splash_Tr



Remarks: Mapping:Hit on the rim:C3: normal hit, D3: hard hit, E3: [sO]F3–G3: muted, shortA3–B3: muted, longHit on the dome:C4: normal hit, D4: hard hit, E4: soft hitF4–B4: muted, shortA4–B4: muted, long



HBE_12Z-Splash_Tmp



Remarks: Mapping:Hit on the rim:C3: normal hit, D3: hard hit, E3: soft hitF3–G3: muted, shortA3–B3: muted, longHit on the dome:C4: normal hit, D4: hard hit, E4: soft hitF4–B4: muted, shortA4–B4: muted, long


HBE_12Z-Splash_brush


Played with a brush, open, muted, and hit on the dome. 1 velocity layer.

Remarks: Mapping:C3: openD3–E3: muted, short and longC4: dome


HBE_12Z-Splash_rod


Played with a wooden rod, open, muted, and hit on the dome. 1 velocity layer.



HBE_12Z-Splash_bow


Played with a bow in 5 variations. The instrument is mapped chromatically from C3 to E3. 1velocity layer.




RELEASE CONTROLL

HBE_12Z-Splash_Tr+RC





HBE_12Z-Splash_Tmp+RC


Played with a timpani mallet, open and muted after the beat. The beats mapped to A and B have ashorter release time so that their length can be controlled. Release control is activated with thesustain pedal (controller 64). 5 velocity layers.



HBE_12Z-Splash_brush+RC


Played with a brush, open, muted, and hit on the dome. Release control is activated with the sustainpedal (controller 64). 1 velocity layer.




HBE_12Z-Splash_rod+RC


Played with a wooden rod, open, muted, and hit on the dome. Release control is activated with thesustain pedal (controller 64). 1 velocity layer.



HBE_12Z-Splash_bow+RC


Played with a bow in 5 variations. The instrument is mapped chromatically from C3 to E3. Releasecontrol is activated with the sustain pedal (controller 64). 1 velocity layer.



57 Cymbal rolls

HB1_trem_brush

HB1_trem_brush


Cymbal rolls with brushes, with varying lengths, crescendo and decrescendo variations. The samplemarked "RS" is equipped with release samples. 2 velocity layers.

Remarks: Mapping:C3: 2 sec.; D3: 8 sec.; E3: 8 sec, RSC4–E4: crescendo, p-f, 2, 4, and 8 sec.C5–D5: diminuendo, f-p, 2 and 8 sec.C6–D6: single hits, openE6–F6: single hits, muted



HB1_trem_Me

HB1_trem_Me


Cymbal rolls with metal mallets, with varying lengths, crescendo and decrescendo variations. Thesample marked "RS" is equipped with release samples. 3 velocity layers.

Remarks: Mapping:C3: 2 sec.; D3: 8 sec.; E3: 8 sec, RSC4–E4: crescendo, pp-ff, 2, 4, and 8 sec.G4–B4: crescendo, mf-ff, 2, 4, and 8 sec.C5–D5: diminuendo, ff-pp, 2 and 8 sec.G5–A5: diminuendo, ff-mf, 2 and 8 sec.C6–D6: single hits, openE6–F6: single hits, muted


HB1_trem_wool

HB1_trem_wool


Cymbal rolls with wool-wound mallets, with varying lengths, crescendo and decrescendo variations.The sample marked "RS" is equipped with release samples. 4 velocity layers.


Mapping V1 V2 V3 V4Dynamic: pp mp mf ffUpper vel.: 55 88 108 127

HB3_trem_brush

HB3_trem_brush


Cymbal rolls with brushes, with varying lengths, crescendo and decrescendo variations. The samplemarked "RS" is equipped with release samples. 2 velocity layers.

Remarks: Mapping:C3: 2 sec.; D3: 8 sec.; E3: 8 sec, RSC4–E4: crescendo, p-f, 2, 4, and 8 sec.C5–D5: diminuendo, f-p, 2 and 8 sec.C6–D6: single hits, openE6–F6: single hits, muted



HB3_trem_Me

HB3_trem_Me


Cymbal rolls with metal mallets, with varying lengths, crescendo and decrescendo variations. Thesample marked "RS" is equipped with release samples. 3 velocity layers.



HB3_trem_wool

HB3_trem_wool


Cymbal rolls with wool-wound mallets, with varying lengths, crescendo and decrescendo variations.The sample marked "RS" is equipped with release samples. 4 velocity layers.

Remarks: Mapping:C3: 2 sec.; D3: 8 sec.; E3: 8 sec, RSC4–E4: crescendo, pp-ff, 2, 4, and 8 sec.G4–B4: crescendo, mf-ff, 2, 4, and 8 sec.C5–D5: diminuendo, ff-pp, 2 and 8 sec.G5: diminuendo, ff-mf, 2 and 8 sec.C6–D6: single hits, openE6–F6: single hits, muted

Mapping V1 V2 V3 V4Dynamic: pp mp mf ffUpper vel.: 55 88 108 127


58 Finger Cymbals

Finger-Cymbals

BASIC INSTRUMENTS

This set contains high and low finger cymbals in three different playing techniques.

F-Cymb


Low and high finger cymbals, with striking of the cups and of the rims, and scraping. 2 velocitylayers.

Remarks: Mapping:low cymbalsC4: cups striking against each otherD4: rims strikingE4: scrapinghigh cymbalsC5: cups striking against each otherD5: rims strikingE5: scraping


RELEASE CONTROLL

F-Cymb+RC


Low and high finger cymbals, with striking of the cups and of the rims, and scraping. Releasecontrol is activated with the sustain pedal (controller 64). 2 velocity layers.

Remarks: Mapping:low cymbalsC4: cups striking against each otherD4: rims strikingE4: scrapinghigh cymbalsC5: cups striking against each otherD5: rims strikingE5: scraping



59 Glockenspiel

Gsp_METALL

BASIC INSTRUMENTS

This file contains a glockenspiel, struck with metal mallets. Instruments: Single notes, vibrato,tremolo and tremolo-crescendo.

Gsp_ME_ES_1

Bank/Prog: 0/1 Mapping range: F4–D7 Release: 4sec. Giga RAM: 32MB Samples: 102

Single notes, sustained, left hand. 3 velocity layers.


Gsp_ME_ES_2


Single notes, sustained, right hand. 3 velocity layers.


Gsp_ME_mV


Single notes, with vibrato. 2 velocity layers.

Mapping V1 V2Dynamic: mf fUpper vel.: 108 127

Gsp_ME_trem

Bank/Prog: 0/4 Mapping range: F4–D7 Release: 0,3sec. Giga RAM: 32MB Samples: 68

Tremolo. 2 velocity layers.


Gsp_ME_trem-cre


Tremolo, strong crescendo. 1 velocity layer.

Mapping V1Dynamic: p-fUpper vel.: 127


Gsp_ME_gliss-f


Fast glissandos over the full range of the instrument. The glissandos are mapped only to the whitekeys of the keyboard. 1 velocity layer.

Remarks: Mapping:C5–D5: diatonic, up and downF5–G5: chromatic, up and downC6: diatonic, up-downD6–F6: up-down variations with 1–2 turns


RELEASE TRIGGER

Gsp_ME_trem+RS

Bank/Prog: 1/1 Mapping range: F4–D7 Release: 0,05sec. Giga RAM: 64MB

Tremolo. The instrument is equipped with release samples.

RELEASE CONTROLL

Gsp_ME_ES_1+RC


Single notes, left hand. Release control is activated with the sustain pedal (controller 64).

Gsp_ME_ES_2+RC


Single notes, right hand. Release control is activated with the sustain pedal (controller 64).

Gsp_ME_mV+RC


Single notes, with vibrato. Release control is activated with the sustain pedal (controller 64).

Gsp_ME_gliss-f+RC


Glissando. The glissandos are mapped only to the white keys of the keyboard. Release control isactivated with the sustain pedal (controller 64).

Remarks: Mapping:C5–D5: diatonic, up and downF5–G5: chromatic, up and downC6: diatonic, up-downD6–F6: up-down variations with 1–2 turns


COMBINATIONS

Gsp_ME_ES_1+2

Bank/Prog: 3/1 Mapping range: F4–D7 Release: 4sec. Giga RAM: 64MB

Single notes, sustained, left and right hand. Use key switches to change instruments.

Remarks: Key switches:C1 – left handC#1 – right hand

Gsp_ME_ES_1+mV


Single notes, sustained and with vibrato. Switch between instruments with the modwheel.

Remarks: Modwheel:0 – sustained, normal127 – vibrato

Gsp_ME_ES_1+2+RC


Single notes, sustained, left and right hand hits. Use key switches to change instruments. Releasecontrol is activated with the sustain pedal (controller 64).


Gsp_ME_ES_1+mV+RC


Single notes, sustained and with vibrato. Switch between instruments with the modwheel. Releasecontrol is activated with the sustain pedal (controller 64).


Gsp_WOOD

BASIC INSTRUMENTS

This file contains a glockenspiel, struck with wooden mallets. Instruments: Single notes, vibrato, andtremolo.

Gsp_HH_ES_1


Single notes, sustained, left hand. 3 velocity layers.



Gsp_HH_ES_2


Single notes, sustained, right hand. 3 velocity layers.


Gsp_HH_mV


Single notes, vibrato. 2 velocity layers.

Mapping V1 V2Dynamic: mf fUpper vel.: 108 127

Gsp_HH_trem


Single notes, tremolo. 2 velocity layers.


RELEASE TRIGGER

Gsp_HH_trem+RS


Single notes, tremolo. The instrument is equipped with release samples. 2 velocity layers.


RELEASE CONTROLL

Gsp_HH_ES_1+RC


Single notes, sustained, left hand. Release control is activated with the sustain pedal (controller 64).

Gsp_HH_ES_2+RC


Single notes, sustained, right hand. Release control is activated with the sustain pedal (controller64).

Gsp_HH_mV+RC


Single notes, vibrato. Release control is activated with the sustain pedal (controller 64).


COMBINATIONS

Gsp_HH_ES_1+2


Single notes, sustained, left and right. Change instruments with key switches.


Gsp_HH_ES_1+mV


Single notes, sustained and with vibrato. Use the modwheel to switch between instruments.


Gsp_HH_ES_1+2+RC


Single notes, sustained, left and right. Change instruments with key switches. Release control isactivated with the sustain pedal (controller 64).


Gsp_HH_ES_1+mV+RC


Single notes, sustained and with vibrato. Use the modwheel to switch between instruments. Releasecontrol is activated with the sustain pedal (controller 64).


60 Xylophone

Xylophon_CLUSTER

BASIC INSTRUMENTS

This folder contains a xylophone, with single notes, tremolos, glissandos, and a separate file ofsingle-note and tremolo clusters.


Xyl_cluster_ES


This instrument contains single-note clusters, in diatonic, chromatic, and pentatonic variations, withmallets in the same position or beside each other.Please note that xylophone clusters are rarely notated exactly. The cluster mallets cover about 4–5keys. It is best to listen to the sounds here to decide how to use them.The notes are mapped to the white keys only. 1 velocity layer.

Remarks: Mapping:C2–B2: diatonic, var. 1C3–A3: diatonic, var. 2C4–B4: chromaticC5–A5: pentatonic, var. 1C6–A6: pentatonic, var. 2


Xyl_cluster_trem

Bank/Prog: 0/2 Mapping range: C2–G6 Release: 0,1sec. Giga RAM: 32MB Samples: 27

Tremolo clusters, in diatonic, chromatic, and pentatonic variations, with mallets in the sameposition or beside each other. The notes are mapped to the white keys only. 1 velocity layer.

Remarks: Mapping:C2–G2: diatonic, var. 1C3–A3: diatonic, var. 2C4–A4: chromaticC5–G5: pentatonic, var. 1C6–G6: pentatonic, var. 2


RELEASE CONTROLL

Xyl_cluster_ES+RC


This instrument contains single-note clusters, in diatonic, chromatic, and pentatonic variations, withmallets in the same position or beside each other. The notes are mapped to the white keys only.Release control is activated with the sustain pedal (controller 64).

Remarks: Mapping:C2–B2: diatonic, var. 1C3–A3: diatonic, var. 2C4–B4: chromaticC5–A5: pentatonic, var. 1C6–A6: pentatonic, var. 2


RELEASE TRIGGER

Xyl_cluster_trem+RS


Tremolo clusters, in diatonic, chromatic, and pentatonic variations, with mallets in the sameposition or beside each other. The notes are mapped to the white keys only. The instrumentcontains release samples.

Remarks: Mapping:C2–G2: diatonic, var. 1C3–A3: diatonic, var. 2C4–A4: chromaticC5–G5: pentatonic, var. 1C6–G6: pentatonic, var. 2

Xylophon_WOOD

BASIC INSTRUMENTS

This set contains a xylophone played with wooden mallets, with single hits, tremolo, glissando, andalternating tremolo instruments.

Xyl_HO_ES_1

Bank/Prog: 0/1 Mapping range: F3–C7 Release: 1sec. Giga RAM: 32MB Samples: 132

Single notes, left hand. 3 velocity layers.


Xyl_HO_ES_2

Bank/Prog: 0/2 Mapping range: F3–C7 Release: 1sec. Giga RAM: 32MB Samples: 132

Single notes, right hand. 3 velocity layers.


Xyl_HO_trem

Bank/Prog: 0/3 Mapping range: F3–C7 Release: 0,1sec. Giga RAM: 32MB Samples: 132



Xyl_HO_gl-full

Bank/Prog: 0/4 Mapping range: C3–D6 Release: 1sec. Giga RAM: 32MB Samples: 12

Full up and down as well as alternating glissandos, piano and forte, with medium speed and fast,in diatonic and chromatic variations. The notes are mapped to white keys only. 2 velocity layers.


Remarks: Mapping:medium speed:C3–D3: diatonic, up and downF3–G3: chromatic, up and downC4: diatonic, up-downD4: diatonic, 2 turnsfast:C5–D5: diatonic, up and downF5–G5: chromatic, up and downC6: diatonic, up-downD6: diatonic, 2 turns


Xyl_2er_trem

Bank/Prog: 0/5 Mapping range: F3–C7 Release: 0,1sec. Giga RAM: 32MB Samples: 43

Alternating tremolos on a medium beat. 1 velocity layer.


RELEASE CONTROLL

Xyl_HO_ES_1+RC

Bank/Prog: 1/1 Mapping range: F3–C7 Release: 0,3sec. Giga RAM: 32MB

Single notes, left hand. Release control can be activated with the sustain pedal (controller 64).

Xyl_HO_ES_2+RC


Single notes, right hand. Release control can be activated with the sustain pedal (controller 64).

RELEASE TRIGGER

Xyl_HO_trem+RS


Tremolo. The instrument contains release samples.

COMBINATIONS

Xyl_HO_ES_1+2

Bank/Prog: 3/1 Mapping range: F3–C7 Release: 1sec. Giga RAM: 64MB

Single notes, left and right hand. Instruments can be changed with key switch.



Xyl_HO_ES_1+2+RC


Single notes, left and right hand. Release control can be activated with the sustain pedal (controller64). Instruments can be changed with key switch.


Xyl_2er_trem+ES_1

Bank/Prog: 3/3 Mapping range: F3–C7 Giga RAM: 32MB

Alternating tremolo and single notes (left hand). Use the modwheel to change instruments.

Remarks: Modwheel:0 – alternating tremolo127 – single notes

61 Crotales (Antique Cymbals)

Crotales

BASIC INSTRUMENTS

This set contains crotales or antique cymbals, played with a triangle rod, a metal mallet, and with aviolin bow.

CHRO-Tri


Crotales, hit with a triangle rod. 2 velocity layers.


CHRO-me


Crotales, hit with a metal mallet. 2 velocity layers.


CHRO-bow


Crotales, bowed. 1 velocity layer.



A#4–G7

RELEASE CONTROLL

CHRO-Tri+RC


Crotales, hit with a triangle rod. Release control is activated with the sustain pedal (controller 64). 2velocity layers.


CHRO-me+RC


Crotales, hit with a metal mallet. Release control is activated with the sustain pedal (controller 64).2 velocity layers.


CHRO-bow+RC


Crotales, bowed. Release control is activated with the sustain pedal (controller 64). 1 velocity layer.


COMBINATIONS

CHRO-Tri+ME


Crotales, hit with a triangle rod and with a metal mallet. Use the modwheel to switch betweeninstruments.

Remarks: Modwheel:0 – triangle rod127 – metal mallet

CHRO-Tri+ME+RC


Crotales, hit with a triangle rod and with a metal mallet. Use the modwheel to switch betweeninstruments. Release control is activated with the sustain pedal (controller 64).



62 Lithophone

Lithophon

BASIC INSTRUMENTS

The lithophone consists of stone slabs of different sizes. In this set, it is played with different mallets(single hits and tremolo), and rubbed. It also contains variations with 1 to 4 upbeats. Theinstruments are mapped chromatically.

Lit_ES

Bank/Prog: 0/1 Mapping range: G3–D7 Release: 1,5sec. Giga RAM: 32MB Samples: 96

Single hits with different mallets, in two variations. Velocity determines the mallet used. 3 velocitylayers.

Remarks: Mapping:G3–D5: var. 1G5–D7: var. 2

Velocity:p (0–55): plastic malletsmf (56–108): wood malletsf (109–127): stone mallets


Lit_trem




Lit_reibe

Bank/Prog: 0/3 Mapping range: G5–D7 Release: 1sec. Giga RAM: 32MB Samples: 16

The lithophone is treated with a rubbing stick, giving a sustained tone. 1 velocity layer.

Mapping V1Dynamic: mfUpper vel.: 127

Lit_VS1


1 upbeat. 2 velocity layers.



Lit_VS2


2 upbeats. 2 velocity layers.


Lit_VS3




Lit_VS4




RELEASE CONTROLL

COMBINATIONS

Lit_ES+RC

Bank/Prog: 1/1 Mapping range: G3–D7 Release: 0,35sec. Giga RAM: 32MB

Single hits with different mallets, in two variations. Velocity determines the mallet used. Releasecontrol is activated with the sustain pedal (controller 64).

Remarks: Mapping:G3–D5: var. 1G5–D7: var. 2

Velocity:p (0–55): plastic malletsmf (56–108): wood malletsf (109–127): stone mallets

Lit_VS1+RC


1 upbeat. Release control is activated with the sustain pedal (controller 64).

Lit_VS2+RC


2 upbeats. Release control is activated with the sustain pedal (controller 64).


Lit_VS3+RC



Lit_VS4+RC



RELEASE TRIGGER

Lit_trem+RS


Tremolo. The instrument is equipped with release samples.

Lit_VS1-4


1 to 4 upbeats. Use key switches to change the number of upbeats.


Lit_VS1-4+RC


1 to 4 upbeats. Release control is activated with the sustain pedal (controller 64). Use key switchesto change the number of upbeats.


63 Church Bells

Church_Bells

BASIC INSTRUMENTS

The file contains church bells, struck with metal and wooden mallets.


Church_Bells-ME

Bank/Prog: 0/1 Mapping range: E4–E5 Release: 8sec. Giga RAM: 32MB Samples: 2

Church bells, hit with a metal mallet. 1 velocity layer.


Church_Bells-HO

Bank/Prog: 0/2 Mapping range: E4–E5 Release: 8sec. Giga RAM: 32MB Samples: 2

Church bells, hit with a wooden mallet. 1 velocity layer.


RELEASE CONTROLL

Church_Bells-ME+RC

Bank/Prog: 1/1 Mapping range: E4–E5 Release: 0,8sec. Giga RAM: 32MB

Church bells, hit with a metal mallet. Release control is activated with the sustain pedal (controller64). 1 velocity layer.


Church_Bells-HO+RC


Church bells, hit with a wooden mallet. Release control is activated with the sustain pedal(controller 64). 1 velocity layer.


COMBINATIONS

Church_Bells-ME+HO

Bank/Prog: 2/1 Mapping range: E4–E5 Release: 8sec. Giga RAM: 32MB

Church bells, hit with metal and wooden mallets. Use the modwheel to switch between instruments.

Remarks: Modwheel:0 – metal mallet127 – wooden mallet

Church_Bells-ME+HO+RC


Church bells, hit with metal and wooden mallets. Release control is activated with the sustain pedal(controller 64). Use the modwheel to switch between instruments.


Remarks: Modwheel:0 – metal mallet127 – wooden mallet

64 Tubular Bells

Tubular Bells-Deagen

BASIC INSTRUMENTS

This set contains Deagen tubular bells, played with leather and plastic mallets, and tremolo withhard string-wound mallets and brushes. The instruments are mapped chromatically. There is alsoan instrument with slow and fast glissandos.

RGL_Le

Bank/Prog: 0/1 Mapping range: E3–D5 Release: 4sec. Giga RAM: 32MB Samples: 75

Single notes, played with leather mallets. 3 velocity layers.


RGL_PL

Bank/Prog: 0/2 Mapping range: E3–D5 Release: 4sec. Giga RAM: 32MB Samples: 75

Single notes, played with plastic mallets. 3 velocity layers.


RGL_trem_HAGA

Bank/Prog: 0/3 Mapping range: E3–D5 Release: 0,3sec. Giga RAM: 32MB Samples: 25

Tremolo, played with hard string-wound mallets. 1 velocity layer.


RGL_trem_brush

Bank/Prog: 0/4 Mapping range: E3–D5 Release: 0,3sec. Giga RAM: 32MB Samples: 25

Tremolo, played with brushes. 1 velocity layer.



RGL_cluster+gliss


Glissando, up and down in slow and fast variations, and a cluster hit. 2 velocity layers.

Remarks: Mapping:C3: upF3: clusterC4: down

Velocity:0–88: slow89–127: fast

Mapping V1 V2Dynamic: sl faUpper vel.: 88 127

RELEASE CONTROLL

RGL_Le+RC

Bank/Prog: 1/1 Mapping range: E3–D5 Release: 1,5sec. Giga RAM: 32MB

Single notes, played with leather mallets. Release control is activated with the sustain pedal(controller 64).

RGL_PL+RC


Single notes, played with plastic mallets. Release control is activated with the sustain pedal(controller 64).

RELEASE TRIGGER

RGL_trem_HAGA+RS


Tremolo, played with hard string-wound mallets. The instrument is equipped with release samples.

RGL_trem_brush+RS


Tremolo, played with brushes. The instrument is equipped with release samples.

COMBINATIONS

RGL_Le+PL

Bank/Prog: 3/1 Mapping range: E3–D5 Release: 4sec. Giga RAM: 64MB

Single notes, played with leather and plastic mallets. Use the modwheel to switch betweeninstruments.

Remarks: Modwheel:0 – leather mallets127 – plastic mallets


Tubular Bells-Philharm

This file contains Philharmonic tubular bells, played with leather and hard plastic mallets. Theinstruments are mapped chromatically.

RGL-PH_Le


Single notes, played with leather mallets. 1 velocity layer.


RGL-PH_PL


Single notes, played with hard plastic mallets. 3 velocity layers.


RELEASE CONTROLL

RGL-PH_Le+RC


Single notes, played with leather mallets. Release control is activated with the sustain pedal(controller 64).

RGL-PH_PL+RC


Single notes, played with hard plastic mallets. Release control is activated with the sustain pedal(controller 64).

COMBINATIONS

RGL-PH_Le+PL


Single notes, played with leather and hard plastic mallets. Use the modwheel to switch betweeninstruments.


RGL-PH_Le+PL+RC


Single notes, played with leather and hard plastic mallets. Release control is activated with thesustain pedal (controller 64). Use the modwheel to switch between instruments.



65 Small Bells

Small Bells

BASIC INSTRUMENTS

This set contains small bells, played with triangle rod, metal mallet, and bowed. The instrumentsare mapped chromatically.

KIGL_Tria

Bank/Prog: 0/1 Mapping range: D4–F6 Release: 4sec. Giga RAM: 32MB Samples: 74

Small bells, played with a triangle rod. 3 velocity layers.


KIGL_ME


Small bells, played with a metal mallet. 3 velocity layers.


KIGL_bow


Small bells, bowed. 1 velocity layer.


RELEASE CONTROLL

KIGL_Tria+RC

Bank/Prog: 1/1 Mapping range: D4–F6 Release: 0,8sec. Giga RAM: 32MB

Small bells, played with a triangle rod. Release control can be activated with the sustain pedal(controller 64). 3 velocity layers.



KIGL_ME+RC


Small bells, played with a metal mallet. Release control can be activated with the sustain pedal(controller 64). 3 velocity layers.


KIGL_bow+RC


Small bells, bowed. Release control can be activated with the sustain pedal (controller 64). 1velocity layer.


COMBINATIONS

KIGL_Tria+ME

Bank/Prog: 2/1 Mapping range: D4–F6 Release: 4sec. Giga RAM: 64MB

Small bells, played with triangle rod and metal mallet. Use the modwheel to switch betweeninstruments.


KIGL_Tria+ME+RC


Small bells, played with triangle rod and metal mallet. Release control can be activated with thesustain pedal (controller 64). Use the modwheel to switch between instruments.


66 Plate Bells

Plate-Bells

BASIC INSTRUMENTS

The set contains plate bells with and without release control. The instrument is mappedchromatically.


PLGL


Plate bells, single hits. 3 velocity layers.


RELEASE CONTROLL

PLGL+RC


Plate bells, single hits. Release control is activated with the sustain pedal (controller 64).

A#2–D5

67 Cencerros (Cowbells)

Cencerros

BASIC INSTRUMENTS

This set contains cencerros or cowbells, played with hard string-wound mallets, metal mallets, arubbing stick, and bowed. The instruments are mapped chromatically

Kuhgl_haGa

Bank/Prog: 0/1 Mapping range: D3–D7 Release: 4sec. Giga RAM: 64MB Samples: 137

Cencerros hit with hard string-wound mallets. 3 velocity layers.


Kuhgl_ME


Cencerros hit with metal mallets. 3 velocity layers.


Kuhgl_Reib-sl


Cencerros played with a rubbing stick, slow. 1 velocity layer.



Kuhgl_Reib-fa


Cencerros played with a rubbing stick, fast. 1 velocity layer.


Kuhgl_bow


Cencerros played with a violin bow. 1 velocity layer.


RELEASE CONTROLL

Kuhgl_haGa+RC

Bank/Prog: 1/1 Mapping range: D3–D7 Release: 0,8sec. Giga RAM: 64MB

Cencerros hit with hard string-wound mallets. Release control is activated with the sustain pedal(controller 64). 3 velocity layers.


Kuhgl_ME+RC


Cencerros hit with metal mallets. Release control is activated with the sustain pedal (controller 64).3 velocity layers.


Kuhgl_Reib-sl+RC


Cencerros played with a rubbing stick, slow. Release control is activated with the sustain pedal(controller 64). 1 velocity layer.



Kuhgl_Reib-fa+RC


Cencerros played with a rubbing stick, fast. Release control is activated with the sustain pedal(controller 64). 1 velocity layer.


Kuhgl_bow+RC


Cencerros played with a violin bow. Release control is activated with the sustain pedal (controller64). 1 velocity layer.


COMBINATIONS

Kuhgl_haGa+ME

Bank/Prog: 2/1 Mapping range: D3–D7 Release: 4sec. Giga RAM: 64MB

Cencerros hit with hard string-wound and metal mallets. Use the modwheel to switch betweeninstruments.

Remarks: Modwheel:0 – string-wound mallets127 – metal mallets

Kuhgl_Reib-sl+fa

Bank/Prog: 2/2 Mapping range: D3–D7 Release: 3sec. Giga RAM: 32MB

Cencerros played with a rubbing stick, slow and fast variations. Use the modwheel to switchbetween instruments.

Remarks: Modwheel:0 – slow127 – fast

Kuhgl_haGa+ME+RC


Cencerros hit with hard string-wound and metal mallets. Release control is activated with thesustain pedal (controller 64). Use the modwheel to switch between instruments.

Remarks: Modwheel:0 – string-wound mallets127 – metal mallets

Kuhgl_Reib-sl+fa+RC


Cencerros played with a rubbing stick, slow and fast variations. Release control is activated with thesustain pedal (controller 64). Use the modwheel to switch between instruments.


Remarks: Modwheel:0 – slow127 – fast

68 Gong

Gong

BASIC INSTRUMENTS

This file contains a set of gongs, played with a soft felt mallet. There is an instrument with only thelower gongs, and one that includes the higher ones.

Gong_low


Low gongs. 3 velocity layers.

Mapping V1 V2 V3Dynamic: mp f ffUpper vel.: 66 108 127

Gong_all


Low and high gongs. 3 velocity layers.


RELEASE CONTROLL

Gong_low+RC

Bank/Prog: 1/1 Mapping range: C2–G3 Release: 1sec. Giga RAM: 32MB

Low gongs. Release control is activated with the sustain pedal (controller 64). 3 velocity layers.


Gong_all+RC


Low and high gongs. Release control is activated with the sustain pedal (controller 64). 3 velocitylayers.



69 Tamtam

Tamtam

BASIC INSTRUMENTS

This Gigfile contains a set of tamtams (oriental gongs of indefinite pitch) of different sizes, playedwith soft felt and metal mallets, rubbed, and rubbed with a Superball.

Tam_130


Tamtam with 130cm diameter.

Remarks: Mapping:C2: soft felt mallet, pp–mf–f–ffC3: Metal mallet, var. 1, p–fD3: Metal mallet, var. 2, pE3: rubbed, sforzatoF3: rubbed, longG3: rubbed with a metal rodC4: Superball, pD4: Superball, crescendo

Tam_110




Tam_100





Tam_85




Tam_60



Remarks: Mapping:C2: soft felt mallet, pp–mf–f–ffC3: Metal mallet, p–fE3: rubbed, sforzato

Tam_52




RELEASE CONTROLL

Tam_130+RC

Bank/Prog: 1/1 Mapping range: C2–D4 Release: 1sec. Giga RAM: 32MB

Tamtam with 130cm diameter. Release control is activated with the sustain pedal (controller 64).


Tam_110+RC





Tam_100+RC




Tam_85+RC




Tam_60+RC




Tam_52+RC





COMBINATIONS

Tam_85-130


A combination of tamtams from 130cm down to 85cm diameter. Use key switches to changeinstruments.

Remarks: Key switches:C1 – 130cmC#1 – 110cmD1 – 100cmD#1 – 85cm

Mapping:C2: soft felt mallet, pp–mf–f–ffC3: Metal mallet, var. 1, p–fD3: Metal mallet, var. 2, pE3: rubbed, sforzatoF3: rubbed, longG3: rubbed with a metal rodC4: Superball, pD4: Superball, crescendo

Tam_85-130+RC


A combination of tamtams from 130cm down to 85cm diameter. Release control is activated withthe sustain pedal (controller 64). Use key switches to change instruments.

Remarks: Key switches:C1 – 130cmC#1 – 110cmD1 – 100cmD#1 – 85cm

Mapping:C2: soft felt mallet, pp–mf–f–ffC3: Metal mallet, var. 1, p–fD3: Metal mallet, var. 2, pE3: rubbed, sforzatoF3: rubbed, longG3: rubbed with a metal rodC4: Superball, pD4: Superball, crescendo

70 TriangleThe files in this folder contain 2 triangles, with single hits, tremolos, and upbeats, open and muted,and hit with thick and thin metal, plastic and wooden beaters.


Triangel-1_SINGLE_HITS

BASIC INSTRUMENTS

TG1_ES_di


Triangle 1, single hits with a thick metal beater, open with and without vibrato, muted, and hit fromabove. 4 velocity layers.

Remarks: Mapping:C3–D3: open, hit from the sideF3–G3: mutedC4–D4: vibratoF4–G4: hit from above


TG1_ES_dn


Triangle 1, single hits with a thin metal beater, open with and without vibrato, muted, dampened,and hit from above. 4 velocity layers.

Remarks: Mapping:C3–D3: open, hit from the sideF3–G3: mutedA3: dampened (p and f)C4–D4: vibratoF4–G4: hit from above


TG1_ES_Pla


Triangle 1, single hits with a plastic beater, open with and without vibrato, and muted. 4 velocitylayers.

Remarks: Mapping:C3–D3: open, hit from the sideF3–G3: mutedC4–D4: vibrato


TG1_ES_Wood


Triangle 1, single hits with a wooden beater, open with and without vibrato, and muted. 4 velocitylayers.




RELEASE CONTROLL

TG1_ES_di+RC


Triangle 1, single hits with a thick metal beater, open with and without vibrato, muted, and hit fromabove. Release control is activated with the sustain pedal (controller 64).


TG1_ES_dn+RC


Triangle 1, single hits with a thin metal beater, open with and without vibrato, muted, dampened,and hit from above. Release control is activated with the sustain pedal (controller 64).

Remarks: Mapping:C3–D3: open, hit from the sideF3–G3: mutedA3: dampened (p and f)C4–D4: vibratoF4–G4: hit from above

TG1_ES_Pla+RC


Triangle 1, single hits with a plastic beater, open with and without vibrato, and muted. Releasecontrol is activated with the sustain pedal (controller 64).


TG1_ES_Wood+RC


Triangle 1, single hits with a wooden beater, open with and without vibrato, and muted. Releasecontrol is activated with the sustain pedal (controller 64).



COMBINATIONS

TG1_ES_all


Triangle 1, a combination of the four basic instruments, which can be changed with key switches.

Remarks: Key switches:C1 – thick metal beaterC#1 – thin metal beaterD1 – plastic beaterD#1 – wooden beater

Mapping:C3–D3: open, hit from the sideF3–G3: mutedA3: dampened, p and f (thin metal beater)C4–D4: vibratoF4–G4: hit from above (only for thick and thin metal beaters)

TG1_ES_all+RC


Triangle 1, a combination of the four basic instruments, which can be changed with key switches.Release control can be activated with the sustain pedal (controller 64).


Mapping:C3–D3: open, hit from the sideF3–G3: mutedA3: dampened, p and f (thin metal beater)C4–D4: vibratoF4–G4: hit from above (only for thick and thin metal beaters)

Triangel-1_TREMOLO

TG1_trem


Triangle 1, tremolos, tone lengths: 1, 2, and 4 sec., normal and with medium and strongdynamics. Tones marked "+RS" are equipped with release samples. 3 velocity layers.

Remarks: Mapping:C3–E3: 1, 2, and 4 sec.F3: 4 sec. +RSG3: Release sampleC4–E4: crescendo, pp-mf and mf-ff, 1, 2, and 4 sec.G4–B4: diminuendo, pp-mf and mf-ff, 1, 2, and 4 sec.C5–E5: strong crescendo, pp-ff, 1, 2, and 4 sec.G4–B4: strong diminuendo, ff-pp, 1, 2, and 4 sec.



Triangel-1_UPBEATS

TG1_VS


Triangle 1, 1 to 4 upbeats, played slow and fast. 2 velocity layers.

Remarks: Mapping:C3–F3: 1–4 upbeats, slowC4–F4: 1–4 upbeats, fast

Mapping V1 V2Dynamic: pp fUpper vel.: 88 127

RELEASE CONTROLL

TG1_VS+RC


Triangle 1, 1 to 4 upbeats, played slow and fast. Release control can be activated with the sustainpedal (controller 64).


Triangel-2_SINGLE_HITS

BASIC INSTRUMENTS

TG2_ES_di


Triangle 2, single hits with a thick metal beater, open with and without vibrato, muted, and hit fromabove. 3 velocity layers.


Mapping V1 V2 V3Dynamic: pp mp fUpper vel.: 55 108 127


TG2_ES_dn


Triangle 2, single hits with a thin metal beater, open with and without vibrato, muted, and hit fromabove. 3 velocity layers.



TG2_ES_Pla


Triangle 2, single hits with a plastic beater, open with and without vibrato, muted, and hit fromabove. 3 velocity layers.



TG2_ES_Wood


Triangle 2, single hits with a wooden beater, open with and without vibrato, muted, and hit fromabove. 3 velocity layers.



RELEASE CONTROLL

TG2_ES_di+RC


Triangle 2, single hits with a thick metal beater, open with and without vibrato, muted, and hit fromabove. Release control is activated with the sustain pedal (controller 64).



TG2_ES_dn+RC


Triangle 2, single hits with a thin metal beater, open with and without vibrato, muted, and hit fromabove. Release control is activated with the sustain pedal (controller 64).


TG2_ES_Pla+RC


Triangle 2, single hits with a plastic beater, open with and without vibrato, muted, and hit fromabove. Release control is activated with the sustain pedal (controller 64).


TG2_ES_Wood+RC


Triangle 2, single hits with a wooden beater, open with and without vibrato, muted, and hit fromabove. Release control is activated with the sustain pedal (controller 64).


COMBINATIONS

TG2_ES_all


Triangle 2, a combination of the four basic instruments, which can be changed with key switches.



Mapping:C3–D3: open, hit from the sideF3–G3: mutedC4–D4: vibratoF4–G4: hit from above

TG2_ES_all+RC


Triangle 2, a combination of the four basic instruments, which can be changed with key switches.Release control can be activated with the sustain pedal (controller 64).


Mapping:C3–D3: open, hit from the sideF3–G3: mutedC4–D4: vibratoF4–G4: hit from above

Triangel-2_TREMOLO

TG2_trem


Triangle 2, tremolos, tone lengths: 1, 2, and 4 sec., normal and with medium and strongdynamics. Tones marked "+RS" are equipped with release samples. 3 velocity layers.

Remarks: Mapping:C3–E3: 1, 2, and 4 sec.F3: 4 sec. +RSG3: Release sampleC4–E4: crescendo, pp-mf and mf-ff, 1, 2, and 4 sec.G4–B4: diminuendo, pp-mf and mf-ff, 1, 2, and 4 sec.C5–E5: strong crescendo, pp-ff, 1, 2, and 4 sec.G4–B4: strong diminuendo, ff-pp, 1, 2, and 4 sec.



Triangel-2_UPBEATS

TG2_VS+RC


Triangle 2, 1 to 4 upbeats, played slow and fast. 2 velocity layers.


Mapping V1 V2Dynamic: pp fUpper vel.: 88 127

RELEASE CONTROLL

TG2_VS+RC


Triangle 2, 1 to 4 upbeats, played slow and fast. Release control can be activated with the sustainpedal (controller 64).


71 Woodblock

Woodblock

BASIC INSTRUMENTS

5 different sizes of woodblocks, hit with hard string-wound mallets, with single beats, 1 to 4upbeats, tremolo, crescendo and diminuendo, accelerando and ritardando.

HBL1_GaHa

Bank/Prog: 0/1 Mapping range: C3–E6 Giga RAM: 32MB Samples: 29

Woodblock 1 (lowest). 3 velocity layers.

Remarks: Mapping:C3–D3: single hitsF3–B3: 1 to 4 upbeatsC4: tremoloC5–D5: tremolo crescendo, 1, 2, and 4 sec.G5: tremolo accelerando, crescendoA5: tremolo ritardando, diminuendoC6–D6: tremolo diminuendo, 1, 2, and 4 sec.



HBL2_GaHa


Woodblock 2. 3 velocity layers.



HBL3_GaHa





HBL4_GaHa





HBL5_GaHa


Woodblock 5 (highest). 3 velocity layers.




HBL_GaHa_ES_1-5

Bank/Prog: 0/6 Mapping range: C3–G4 Giga RAM: 32MB

Woodblocks 1–5, single beats in both variations. 3 velocity layers.

Remarks: Mapping:C3–G3: woodblocks 1–5, var. 1C4–G4: woodblocks 1–5, var. 2


COMBINATIONS

HBL_GaHa_1-4

Bank/Prog: 1/1 Mapping range: C3–E6 Giga RAM: 32MB

A combination of woodblocks 1–4. Use key switches to change instruments. 3 velocity layers.

Remarks: Key switches:C1–D#1: woodblocks 1 to 4

Mapping:C3–D3: single hitsF3–B3: 1 to 4 upbeatsC4: tremoloC5–D5: tremolo crescendo, 1, 2, and 4 sec.G5: tremolo accelerando, crescendoA5: tremolo ritardando, diminuendoC6–D6: tremolo diminuendo, 1, 2, and 4 sec.



72 Honks

Honks

BASIC INSTRUMENTS

A collection of car and bicycle honks, with normal, open, and mute variations. The car honks aremapped chromatically.

Car-Honk_normal


Car honks, normal, with 2 variations for each note. 1 velocity layer.

Remarks: Mapping:A#1–E3: var. 1A#3–E5: var. 2


Car-Honk_open


Car honks, open, with 2 variations for each note. 1 velocity layer.



Car-Honk_mute


Car honks, muted, with 2 variations for each note. 1 velocity layer.



A#1–E5

Bike-Honk_normal


Low, high, and changing-note bicycle honks, normal, with 2 variations for each note. 1 velocitylayer.


Remarks: Mapping:C3–D3: low honkC4–D4: high honkG4–A4: low-hi honk


Bike-Honk_open


Low and high open bicycle honks, with 2 variations for each note. 1 velocity layer.

Remarks: Mapping:C3–D3: low honkC4–D4: high honk


Bike-Honk_mute


Low and high muted bicycle honks, with 2 variations for each note. 1 velocity layer.

Remarks: Mapping:C3–D3: low honkC4–D4: high honk


COMBINATIONS

Car-Honk_norm+open


Car honks, normal and open, with 2 variations for each note. Use the modwheel to switch betweeninstruments. 1 velocity layer.

Remarks: Modwheel:0 – normal honks127 – open honks

Mapping:A#1–E3: var. 1A#3–E5: var. 2


Car-Honk_norm+mute


Car honks, normal and muted, with 2 variations for each note. Use the modwheel to switchbetween instruments. 1 velocity layer.


Remarks: Modwheel:0 – normal honks127 – muted honks

Mapping:A#1–E3: var. 1A#3–E5: var. 2


Bike-Honk_norm+open


Normal and open bicycle honks, with 2 variations for each note. Use the modwheel to switchbetween instruments. 1 velocity layer.

Remarks: Modwheel:0 – normal honks127 – open honks

Mapping:C3–D3: low honkC4–D4: high honkG4–A4: low-hi honk (normal only)


Bike-Honk_norm+mute


Normal and muted bicycle honks, with 2 variations for each note. Use the modwheel to switchbetween instruments. 1 velocity layer.

Remarks: Modwheel:0 – normal honks127 – muted honks

Mapping:C3–D3: low honkC4–D4: high honkG4–A4: low-hi honk (normal only)



73 Japanese Singing Bowls

Japanese Singing Bowls

BASIC INSTRUMENTS

Japanese singing bowls, played with rubber and wood mallets, open and muted after the beat. Theinstruments are mapped chromatically.

KLSc_ES_Gum

Bank/Prog: 0/1 Mapping range: B4–D6 Release: 4sec. Giga RAM: 32MB Samples: 13

Single notes, played with a rubber mallet. 1 velocity layer.


KLSc_ES_HO

Bank/Prog: 0/2 Mapping range: B4–D6 Release: 4sec. Giga RAM: 32MB Samples: 13

Single notes, played with a wooden mallet. 1 velocity layer.


KLSc_ES_mute

Bank/Prog: 0/3 Mapping range: B4–D6 Release: 1,5sec. Giga RAM: 32MB Samples: 13

Single notes, muted after the beat. 1 velocity layer.


RELEASE CONTROLL

KLSc_ES_Gum+RC

Bank/Prog: 1/1 Mapping range: B4–D6 Release: 0,8sec. Giga RAM: 32MB

Single notes, played with a rubber mallet. Release control is activated with the sustain pedal(controller 64). 1 velocity layer.


KLSc_ES_HO+RC


Single notes, played with a wood mallet. Release control is activated with the sustain pedal(controller 64). 1 velocity layer.



COMBINATIONS

KLSc_ES_Gum+HO

Bank/Prog: 2/1 Mapping range: B4–D6 Release: 4sec. Giga RAM: 32MB

Single notes, played with rubber and wood mallets. Use the modwheel to switch betweeninstruments.

Remarks: Modwheel:0 – rubber mallet127 – wood mallet

KLSc_ES_HO+mute


Single notes, played with a wood mallet, and muted after the beat. Use the modwheel to switchbetween instruments.

Remarks: Modwheel:0 – wood mallet127 – muted

KLSc_ES_Gum+HO+RC


Single notes, played with rubber and wood mallets. Release control is activated with the sustainpedal (controller 64). Use the modwheel to switch between instruments.

Remarks: Modwheel:0 – rubber mallet127 – wood mallet

KLSc_ES_HO+mute+RC


Single notes, played with a wood mallet, and muted after the beat. Release control for the normalbeats is activated with the sustain pedal (controller 64). Use the modwheel to switch betweeninstruments.

Remarks: Modwheel:0 – wood mallet127 – muted


74 Thundersheets

Thundersheets

BASIC INSTRUMENTS

This file contains a set of 5 different thundersheets, struck in different ways, shaken, and playedwith a bow.

Thundersheet 1


Thundersheet 1, played in various styles. Please note that not all the notes within the mappingrange will produce a sound. In general, percussion instruments are only mapped to the white keysof the keyboard.

Remarks: Mapping:C2: tremoloE2–A2: rubbed with the handC3–E3: bowedC4–F4: single hitsG4–B4: hits with a metal chainC5–D5: shaken (forte)E5: shaken (piano)

Thundersheet 2


Thundersheet 2, played in various styles.

Remarks: Mapping:C2–D2: tremoloE2–G2: rubbed with the handC3–E3: bowedC4–F4: single hitsG4–B4: hits with a metal chainC5: shaken (forte)E5: shaken (piano)

Thundersheet 3



Remarks: Mapping:C2: tremoloE2–G2: rubbed with the handC3–D3: bowedC4–F4: single hitsG4–B4: hits with a metal chainC5–D5: shaken (forte)E5: shaken (piano)


Thundersheet 4



Remarks: Mapping:C2–D2: tremoloE2–G2: rubbed with the handC3–G3: bowedC4–F4: single hitsG4–B4: hits with a metal chain

Thundersheet 5



Remarks: Mapping:C4–E4: single hitsG4: multi-hitC5–D5: shaken

RELEASE CONTROLL

Thundersheet 1+RC


Thundersheet 1, played in various styles. Release control is activated with the sustain pedal(controller 64).

Remarks: Mapping:C2: tremoloE2–A2: rubbed with the handC3–E3: bowedC4–F4: single hitsG4–B4: hits with a metal chainC5–D5: shaken (forte)E5: shaken (piano)

Thundersheet 2+RC



Remarks: Mapping:C2–D2: tremoloE2–G2: rubbed with the handC3–E3: bowedC4–F4: single hitsG4–B4: hits with a metal chainC5: shaken (forte)E5: shaken (piano)


Thundersheet 3+RC



Remarks: Mapping:C2: tremoloE2–G2: rubbed with the handC3–D3: bowedC4–F4: single hitsG4–B4: hits with a metal chainC5–D5: shaken (forte)E5: shaken (piano)

Thundersheet 4+RC

Bank/Prog: 1/4 Mapping range: C2–B4 Release: 3sec. Giga RAM: 32MB


Remarks: Mapping:C2–D2: tremoloE2–G2: rubbed with the handC3–G3: bowedC4–F4: single hitsG4–B4: hits with a metal chain

Thundersheet 5+RC



Remarks: Mapping:C4–E4: single hitsG4: multi-hitC5–D5: shaken

75 Spring Drum

Spring Drum

Spr-Drum


This set contains 2 spring drums, played with several techniques. The instrument is mapped to whiteand black keys.


Remarks: Mapping:Spring Drum 1:C2–D2: pizzicato, p–mf–fD#2: finger snipE2–F2: finger slide, slow and fastA2–B2: rotation, p, f, and stereoE3–F3: pulse, single hitsF#3–A3: pulse, slow, medium, and fast 1–2

Spring Drum 3:C4–D#4: pizzicato, p–mf–f–ffC5–D5: finger snipsD#5–F#5: finger slide, slow 1–2 and fast 1–2A5–A#5: rotation, p and fB5–D6: stereo rotationE6–F6: pulse, single hitsF#6: slow pulse

RELEASE CONTROLL

Spr-Drum+RC


2 spring drums, played with several techniques. Release control is activated with the sustain pedal(controller 64).

Remarks: Mapping:Spring Drum 1:C2–D2: pizzicato, p–mf–fD#2: finger snipE2–F2: finger slide, slow and fastA2–B2: rotation, p, f, and stereoE3–F3: pulse, single hitsF#3–A3: pulse, slow, medium, and fast 1–2

Spring Drum 3:C4–D#4: pizzicato, p–mf–f–ffC5–D5: finger snipsD#5–F#5: finger slide, slow 1–2 and fast 1–2A5–A#5: rotation, p and fB5–D6: stereo rotationE6–F6: pulse, single hitsF#6: slow pulse

80 Hammer

Hammer

Hammer


Hammer beats on various surfaces: blocks of different materials, wood boards, and wood crates.The variations are mapped chromatically. 1 velocity layer.


Remarks: Mapping:C3–G#3: blocksC4–F4: wood boardsC5–E5: wood crates


81 Shots

Shots

Shots


This file contains shots from a 6mm pistol and 6mm and 9mm revolvers, in several variations. Theinstrument is mapped only to the white keys of the keyboard. 1 velocity layer.

Remarks: Mapping:Pistol, 6mmC2–F2: single shots, wet (with reverb)G2: double shot, wetRevolver, 6mmC3–E3: single shots, wetG3: double shot, wetRevolver, 9mmC3–E4: single shots, dry (no reverb)G4: double shot, dryC5: single shot, wet


82 Whip

Whip

Whip


This instrument contains 2 whips, with two variations for each sound. 2 velocity layers.

Remarks: Mapping:C3: Whip 1, var. 1D3: Whip 1, var. 2C4: Whip 2, var. 1D4: Whip 2, var. 2



90 Percussion Basic Set

Percussion Basic-Set

Percussion Basic-Set

This set contains a collection of basic percussion instruments. It is mapped to white and black keys.

Remarks: Mapping:E1–F1: Tamtam, soft felt mallet, 130 and 110 cm, pp-mf-f-ffC2, D2: Bass drum, single beats, left and right hand

C#2, D#2: Bass drum, tremoloF2, G2: Bass drum, muted fastC2, D2: Snare drum, single beats, left and right hand

C#3, D#3: Snare drum, tremoloF3, G3: Snare drum, muted, left and right handF#3, G#3: slow and fast [PrTr]

C4, C#4: 22" Zildijan Avedis cymbal, open and mutedD4, D#4: 18" Istanbul Janissary cymbal, open and muted

G4, A4: Cymbal single hits, wool mallets, open and mutedG#4, A#4: Cymbal rolls, wool mallets

C5, D5: Tambourine, single hits, var. 1 and 2C#5, D#5: Tambourine, shaken

G5, A5: Triangle, single hits, var. 1 and 2G#5, A#5: Triangle, tremoloC6, D6: Triangle, muted, var. 1 and 2

Documents

Vienna Symphonic Library Percussion