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VENUE AND TECHNICAL INFORMATION MUTEMATH, Photo by Max Roper OLYMPIC AND FIGUEROA DOWNTOWN LOS ANGELES September 2015 Version 17

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VENUE AND TECHNICAL

INFORMATION

MUTEMATH, Photo by Max Roper

OLYMPIC AND FIGUEROA

DOWNTOWN LOS ANGELES September 2015

Version 17

DIRECTOR OF SALES STACY HUSZCZO

PRODUCTION MANAGER

LIZZ JAMES

213‐765‐7014

[email protected]

[email protected]

[email protected]

ASSISTANT TO TALENT BUYER DOMINICK PRIETO

(323) 930‐5786

[email protected]

WOLFGANG PUCK JAMIE KORTH

213‐765‐7008GENERAL MANAGER

[email protected]

SPECIAL EVENTS 213‐763‐4669

[email protected]

VIP SALES MANAGER BERENICE PALACIOS

213‐765‐7004

BOX OFFICE MANAGER ALEXIS ROMMEL

323‐930‐3830

[email protected]

DIRECTOR OF OPERATIONS

MARKETING MANAGER

323‐930‐5748

[email protected]

YESENNIA DE LA TORRE

CHIP SCHULTZ

213‐765‐7002

[email protected]

[email protected]

213‐765‐7010

TALENT BUYER JEFF SHUMAN

(323) 930‐7122

SPECIAL EVENTS COORDINATOR

MERCHANDISE CONTACT

CLUB NOKIA CONTACT INFORMATION800 WEST OLYMPIC BLVD SUITE A335

LOS ANGELES, CA 90015

MAIN PHONE: 213‐765‐7000

MAIN FAX 213‐765‐7001

JENNIE PERKINS

213‐765‐7013

[email protected]

LENISE STRONG

GENERAL MANAGER MARK GIRTON

ASSISTANT GENERAL MANAGER

213‐765‐7005

[email protected]

 PRODUCTION & OPERATIONS

STAGE DIMENSIONS, VENUE MEASUREMENTS, AND WEIGHT RESTRICTIONS  Stage:

Width: 38 feet Depth: 30 feet to back wall- approx. 27 feet to upstage curtain Height: 4 feet from dancefloor Downstage edge is in-line with proscenium edge

Wings: SR Width: 22 feet SR Depth: 26 feet SL Width: 28 feet SL Depth: 26 feet

Proscenium opening: Width: 38 feet Height: 27 feet to curtain swag Depth 3 feet

Front of house booth: Width: 17 feet Depth: 10 feet Height of wall: 4 feet

Distances: From downstage edge to Front of House: 40 feet From downstage edge to spot booth catwalk 101 ft

Various Measurements:

Height from stage to I beams: 44 feet Height from stage to truss at standard trim: 23-26 feet (adjustable) Height from floor to steel in main house: 55’10” Height from floor to ceiling in house: 61’ 7”

Load in door from back hallway to stage (upstage left):

6’10” wide 7’10” tall

Freight Elevator Dimensions: Door Width: 9’ 11” Door Height: 10’ 0” Elevator Diagonal Width: 14’ 2” Interior Height 9’8” Elevator Depth: 10’ 11”

Door Frame in loading dock leading to freight elevator:

Door Width 5’ 11” Door Height 7’ 11” 9’ 10” Diagonal

Loading dock load in distances:

Measurement from load in bay to freight elevator: 222.10 ft Measurement from turnaround space to freight elevator: 322.5 ft Measurement from freight elevator stage level to stage left door: 115.9 Ft 

 

Main floor measurements: Height from back of house to ceiling: 10.5 feet Height from middle section to ceiling: 11 feet Height from front pit to balcony edge: 11.5 feet

Weight Restrictions:

Stage floor: 100lbs psf live load Main venue floor: 50lbs psf live load I beams- 8,500 lbs TOTAL per beam uniformly loaded

Marquee Dimensions:

(2) sides, each is 4.2ft wide x 12.6ft tall Resolution: 10mm 128 pixels wide x 384 pixels tall

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Stage Dimensions

October 8, 2008

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1:12RAM

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38'-0"

30'-0

"

22'-9"

9'-8"

3'-2

"

28'-0"

22'-3

"

33'-9"

4'-0

"

6'-0" 3'-0" 3'-0" 6'-0"

STAGE POWER  USR: (2) 400A services- (1) open and available for guest lighting (1) 200A service (house motors are on this service) USL: (1) 100A guest service isolated for audio DSL: (1) 100A service isolated for audio (house audio)

CLUB NOKIA RIGGING AND SOFTGOODS 

TrussandRigging (4) 45’ Lighting Trusses ((1)-DS of proscenium, (3) On Stage) (1) 54’ Curved FOH Truss (2) 24’ Leg Trusses (1) 14’ Cable Bridge (2) 45’ Traveller Trusses Chain Hoists on All Trusses All Truss Except Upper Bowl Reduction is 20.5” Spigoted Box Truss

All truss hang from I Beams that run upstage/downstage 45 feet apart. THERE ARE NO CENTER RIGGING POINTS ON STAGE

Softgoods (1) 45’w X 34’h motorized red downstage traveler, variable speed, bi-parted (1) 45’w X 34’h manual black drawn upstage traveler, bi-parted (10) 8’w X 21’5”’h Legs upper bowl reduction curtain on truss and chain hoists

*Any soft goods brought into the building MUST carry a California seal of approval certificate indicating that they have been treated in California and are fireproof.

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Rigging Plot

October 13, 2008

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Steel Cantilever 24" Steel Cantilever 24"

Exposed Beam for Audio RiggingEL: 71'10" (approx)

Exposed Beam for Audio RiggingEL: 71'10" (approx)

1500Lbs (EL 71'10")

1500Lbs (EL 86'10")

2000Lbs (EL 86'10") 2000Lbs (EL 86'10")

1500Lbs (EL 86'10")

2000LB (EL 91')

2000Lbs (EL 86'10")

2000Lbs (EL 86'10")

2000Lbs (EL 86'10")

2000LB (EL 91') 2000LB (EL 91')

2000LB (EL 91')

2000LB (EL 91')

2000Lbs (EL 86'10")

2000Lbs (EL 86'10")

2000Lbs (EL 86'10")

2000Lbs (EL 71'10")

2000Lbs (EL 71'10")

2000Lbs (EL 71'10")

2000Lbs (EL 71'10")

2000Lbs (EL 71'10")

1500Lbs (EL 71'10")2000Lbs (EL 71'10")

1000LB (EL 91')

1000LB (EL 91')

1000LB (EL 91')

1000LB (EL 91')1250LB (EL 91')

1250LB (EL 91')

1250LB (EL 91')

1250LB (EL 91')

1250LB (EL 91')

1250LB (EL 91')

Legend

Motor Point

20'-6"

11'-8"

31'-3"

45'-8"

All Dimensions +/-1'

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Truss Locations

October 8, 2008

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3'-6

"7'

-0"

7'-0

"3'

-0"

5'-0

"

50'-0"

25'-6

"

7'-0

"

16'-0

"

S

S

S

S

S

S

S

521

ST 11

509

515

520

522

516

12" Curved Truss, 49'Radius, 138 Degrees

20.5" Curved Truss, 25'Radius, 120 Degrees

24'-0

"

45'-0"

14'-0"

All Truss 20.5" Box Except Where Noted

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Truss Overview

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40'-0

"

32'-0

"

50'-0

"

27'-0

"

46'-0

"

26'-1

0"

24'-0

"

27'-6

"

33'-0

"

PA FOR ILLUSTRATIONONLY

CABLE BRIDGE

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Centerline Section

October 8, 2008

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LIGHTING  Lighting Fixtures

(24) Varilite VL3000 Spots (12) Varilite VL3500 Washes (84) ETC Source 4 Pars on Racks of Six (21) ETC Source 4 Ellipsoidals (6-14°, 9-19°, 9-26°, Spare Barrels: 6-36°, 6-50°) (22) Martin Atomic 3000 Strobes (3) four light molefays (4) Lycian 2500W Medium Throw M2 Followspots with Electronic Ballasts

Control (2) High End Systems Hog IPC Lighting Consoles (1-Active, 1-Spare) with Full Size Expansion

Wing (3) 96 Channel Combined Dimmer and Moving Light Distribution Racks (108-Dimmers, 108 Circuits

208V Total) (1) House Light Controller at FOH

Miscellaneous (1) DF50 and Fan All Necessary Cable Spare Lamps House Gel Package

 

*Please advance any hazing/fogging/smoke with the production manager. Club Nokia is within a larger 

building complex and fire alarm must be disabled prior to any smoke effects. Fire Marshal is required to 

be onsite for duration of hazing and additional costs may apply.  

26°

26°

26°

26°

26°

26°

26°

26°

26°

36°

36°

36°

36°

36°

36°

Motorized Main Traveller

Manually Drawn Upstage Traveller

Leg Truss c/w 5 Repositionable Legs

Cable Bridge

4 Light Blinder

ETC Source 4 Par Bod

ETC CE Source 4 26°

ETC Source-4 36°

Atomic 3000 Hung

Varilite VL 3500 Wash

Varilite VL 3000 Spot 20

12

20

36° 6

26° 9

84

3

CLUB NOKIA L.A. LIVEFULL PLOT

Date: 2/12/15File name: Club Nokia Plot.vwx

AUDIO AND VIDEO  Front of house position is 17.1 feet wide x 10 feet deep, and located 40 feet from the downstage edge. House Sound System: The house system is a JBL Vertec line array system consisting of (2) flown arrays, (4) under stage subs, (6) subs ground stacked underneath line array, (4) front fill speakers, and (6) delay speakers on the main level. Consoles: Both front of house and monitor consoles are Soundcraft Vi6. Upper Line Array:

(6) JBL Vertec 4888DPAN per side Flown Subs:

(4) JBL Vertec 4882DPAN per side Lower Line Array:

(4) JBL Vertec 4888DPAN per side Understage Subs:

(4) JBL ASB6128V total powered dual 18s Additional Subs: (6) JBL SRX728S Dual 18 subs (3 per side ground stacked underneath line array) Front Fills:

(2) JBL AE6212-64 non-powered Outfills:

(2) JBL AE6212-64 non-powered Rear Delay Speakers:

(6) JBL VRX-932LA

Stage Monitor System: The stage monitor system is a Clair Brothers rig with 12 wedges, a drum fill and 2 side fills- 8 total mixes. Stage:

(12)Claire 12AM wedge (7)Crown IT-4000

Drum Monitors:

(1)ML-18 subs (1) 12AM wedges

(3) Crown IT-4000

Side Fills: (2) Clair R4 III 3-way speakers (1 per side) (2) Crown IT-4000

(2) Crown IT-6000 (2) M18 Clair Brothers sub woofers Mic Split: The venue is equipped with a 60-channel 3-way mic split system. 60 direct lines are fed via the built-in snake to the FOH position. The first and second mic splits appear on the stage left media panel for use of the monitor position and any auxiliary recording position desired.

Stage Audio Power: 100 Amps upstage left (guest service) 100 Amps downstage left (house power) Microphones, stands, and cabling: (12) Shure SM57lc (6) Shure Beta 98d/s (4 ) Shure KSM32/sl (1) Shure Beta 91 (2) Shure Beta 52 (2) E609s Sennheiser silver series (3) Sennheiser 604 dynamic mics (8) Shure Beta 58a (5) KSM109sl (2) 421 dynamic mics (2) Shure Beta 57a (8) J48 active direct boxes (8) J48 passive direct boxes (4) Beta 58 wireless mics (2) KSM9 capsules available (4) short mic stands, tripod w/ boom (10) straight mic stands (9) tall boom stands tripod base (20) medium tripod boom stands (6) telescoping boom arm black (25) 10' 20 gauge mic cable with neutrik (25) 15' 20 gauge mic cable with neutrik (25) 25' 20 gauge mic cable with neutrik (3) 50' 20 gauge mic cable with neutrik

Sound Snake Pull: There are (2) 6” conduits from front of house to stage left for audio use. One of the conduits has the house permanent snake, the 2nd conduit is available for guests. Snake run is approximately 150ft long. Recording:

(1) Tascam DV-RA1000HD high definition CD recorder Clear-Com Intercom: Club Nokia is powered by a 4-channel Clear com intercom system. Every Media Panel has all 4 channels present on xlr pins for easy assignment of belt packs.

(1) Base station MS-704 (10) Single Channel belt packs RS-601 (10) Clear-Com headsets

Media Panels: There are 5 media panels in the club as follows: MP-901 Stage Left

(24) audio lines to the patch room (8) video lines to patch room (4) cat5 lines to patch room (2) DMX lines to patch room (6) single mode fiber lines to patch room (6) multi mode fiber lines to patch room (12) audio tie lines to stage right media panel (4) video tie lines to stage right media panel (60) mic splits on XLRS (60) Mic splits on DT-12 connectors (4) channels of intercom

MP-902 Stage right (12) mic line inputs on DT12s and XLRS (mic inputs 49-60)

(4)cat5s to patch room (2) DMX lines to patch room (8) audio lines to patch room (8) video lines to patch room (4) channels of intercom (6) single mode fiber to patch room (6) multi-mode fiber to patch room (1) 25-pair cat3 to patch room

MP-903 Upstage Center media Panel (48) mic lines 1-48 on DT 12 connectors

(12) mic lines 37-48 on XLR connectors (6)cat5s to patch room (2) DMX lines to patch room (8) audio lines to patch room (8) video lines to patch room (4) channels of intercom (6) single mode fiber to patch room (6) multi-mode fiber to patch room (1) 25-pair cat3 to patch room

MP-904 FOH Media Panel (4) cat5s to patch room (2) DMX lines to patch room (14) audio lines to patch room (8) video lines to patch room (4) channels of intercom (6) single mode fiber to patch room (6) multi-mode fiber to patch room

MP-906 Catwalk

(8)cat5s to patch room (2) DMX lines to patch room (8) audio lines to patch room (10) video lines to patch room (4) channels of intercom (6) single mode fiber to patch room (6) multi-mode fiber to patch room (1) cat3 25-pair

Video Production: The Club Nokia is prewired for a 3 camera image-magnification system as well as capabilities for broadcast cameras from all major areas. The stage right patch room has a video switcher to allow choosing between in-house cameras, Blu Ray player, in-house digital signage system or other auxiliary feeds from any media panel. Every dressing room has a 42” plasma TV with individual Direct TV receiver, and the ability to watch the house program show feed. The entire system is 1080i HD system, 16x9 aspect ratio. There is some conversion ability from other formats but the main distribution system is all HD-SDI. Cameras:

(3) Sony BRC-H700 robotic HD cameras Switcher:

(1) Datavideo SE-1000A switcher Playback options:

(1) Sony Blu Ray player, can play standard DVDs Venue Televisions: Ground Floor Screens:

(2) 65” Panasonic Plasma right and left of the proscenium (4) 42” plasma TVs

Balcony Screens: (3) 65” Panasonic Plasmas

VIP Room Screens (8) 42” plasma TVs 5th Floor (3rd floor of venue, behind the balcony) (1) 42” plasma TV Content can easily be displayed either by DVD or Blu Ray loop or JPEG images sized 1364x768 can be uploaded onto our media server for display.

DRESSING ROOMS  Club Nokia has (4) large dressing rooms, each with their own, private, ADA accessible bathroom and shower. Each room can comfortably hold 6-8 people. Each room has a full length mirror, a long vanity station, a refrigerator, couches and armchairs. Each room has a closet with a garment bar to hang clothing. There are (2) dressing rooms stage level and (2) dressing rooms one level above stage. The upstairs dressing rooms can be accessed either by stairs or elevator. Direct TV, show feed, and Wi-Fi are available in each room. There is a green room/catering area one level above stage which holds up to 30 people. This room does not have any restroom facilities.

LOADING DOCK DIRECTIONS 1015 Chick Hearn Court  Los,Angeles, CA 90015 

*PLEASE NOTE* Please advance arrival times and any pre-load in parking needs with the production manager. Access to the loading dock is by pre-approved appointment only. Any unscheduled truck or vehicle may be subject to refusal or extended wait times.

Club Nokia is located on Figueroa Boulevard between Olympic and 11th street, across the plaza from the Nokia Theatre. The loading dock has levelers and space for up to 2 semis. Semis cannot live in the dock, and parking must be coordinated in advance for any vehicles staying on site. There is a push from the loading dock to a freight elevator, up to the 3rd floor, and a push from the elevator to stage left. The loading dock entrance is marked as GATE D at the corner of Chick Hearn and LA Live Way.

Driving Directions to Club Nokia Loading Dock: 101 Fwy southbound from San Fernando/Santa Clarita Valleys to

110 Fwy southbound (Harbor Fwy/San Pedro) from Burbank, Glendale, Pasadena 110 Fwy southbound exit Olympic Blvd. and turn left at end of ramp at 11th Street turn left continue on 11th Street just past LA LiveWay turn left into the first driveway after LA LiveWay and check in with guard follow the tunnel to the end

10 Fwy westbound from San Bernardino, Riverside, Pomona, Ontario, etc. 10 Fwy westbound (towards Los Angeles) 110 Fwy northbound exit then take the Pico Blvd. off ramp continue north past Pico Blvd. (on Cherry St.) to 11th Street at 11th Street turn right turn left into the first driveway after LA LiveWay and check in with guard follow the tunnel to the end

405 Fwy southbound from Thousand Oaks, Simi Valley, etc. to

10 Fwy eastbound from Westside 10 Fwy eastbound exit Hoover St., turn left and continue to Alvarado St. turn right at Pico Blvd. continue on Pico Blvd. to Cherry Street at Cherry Street turn left to 11th Street at 11th Street/Chick Hearn Ct. turn right turn left into the first driveway after LA Live Way Street and check in with guard follow the tunnel to the end

405 Fwy northbound from San Diego, Orange County, Anaheim, etc. 405 Fwy north to 110 Fwy north (Harbor Fwy/Los Angeles) take 110 Fwy north and transition to the 10 Fwy West take the Pico Blvd. off ramp continue north past Pico Blvd. (on Cherry St.) to 11th Street at 11th Street/Chick Hearn Ct turn right turn left into the first driveway after LA Live Way and check in with guard follow the tunnel to the end

 

PARKING INFORMATION 

Bus and truck parking are per advance and assignments are typically given out one week prior to show. There is no ‘onsite’ parking. The various assigned lots are typically across or down the street from the venue and are dictated by LA Live parking based upon availability. Detailed instructions are sent prior to load in with corresponding maps and directions. While we make every effort to arrange for free parking that is nearby, there is often a charge associate with parking large vehicles. At times, available parking may be a couple of blocks away. As is the case in most large cities, parking is extremely limited around L.A. Live. Artists in individual cars can be accommodated in the East Parking Garage. There are 6 reserved spaces per event. Additional car parking above the 6 spaces may result in additional charges. All parking directions are per advance and are subject to change.

110

10

L.A. LIVEL.A. LIVE

Lot 8

Lot 4

Lot 5

Lot 13

Lot 10

Wood Bl.

James M.

Lot 12Garage

Lot 9

9th St.

Olympic Bl.

Venice Bl.

Gilbert Lindsay

Plaza

PEDESTRIAN WALKWAY

11th St.

Chick Hearn Ct.

12th St.

Blue &Expo Line

(Pico Station)Convention Center

West Hall Parking

Convention CenterSouth Hall Parking

Santa Monica Freeway

Figu

eroa

St.

BondLot

Lot E(underground lot)

Lot WWest Garage

Lot W

Lot 1 Garage

Lot C South

Venice Garage

SWVIP

Red, Purple, Blue & Expo Line(7th St/Metro Center Station)8th Pl.

Fran

cisco

St.

Geor

gia S

t.

Blain

e St.

Gate BGate D

Gate C

Gate E

Gate G

Gate F

Gate HWest Rd.

11th St.

12th St.

9th St.

11th Pl.

12th Pl.

NNHa

rbor

Free

way

Pico Bl.

Flow

er S

t.

Hope

St.

Lot C North L.

A. L

ive W

ay

Parking Lot Entrances

Timed Parking LotsL.A. LIVE / STAPLES Center Lots - Flat rate, Pass lots

Convention Center Lots - Flat rate

Restricted Access

Private Lots - Flat rate

Pick-up / Drop-off for Taxi, Bus, LimoElectric Vehicle Charging Stations

CLUB NOKIA VIP LOUNGE   Club Nokia has a large VIP lounge that can accommodate up to 300 people. This room is typically open to venue, industry, and artist’s guests before, during, and after the event (*subject to change at any time). It has a cash bar and private cabanas that may be reserved upon advance request. If you would like to arrange an after-show party in the VIP room, please contact the production manager to coordinate hospitality and secure space.