Venning Intro Syllabus Spring 2010 (1)

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    Thea 101: Introduction to Theatre

    Department of Theatre, Hunter College Spring 2010Tuesdays and Thursdays, 5:35 :50pm

    !oom: H" 50#

    $nstru%tor: Dan &enning 'ffi%e: H( 520)

    )mail: d*enning+hunter%unyedu 'ffi%e Hours: -ri 2:15.3:15pm, or /y appt

    Course Description and Objectives: $n $ntrodu%tion to Theatre e ill eplore the hys and

    the hos of theatri%al produ%tion, paying parti%ular attention to the glo/al nature of theatre andits status as an art form that %rosses multiple %ultures /oth past and present '*er the semester

    e ill ta%4le a num/er of uestions, in%luding the folloing: "hy do artists produ%e theatre,and hy do spe%tators attend theatri%al produ%tions6 Ho do the produ%ers of theatre go a/outtheir or4, and ho do e thin4 a/out the relationship /eteen artisti% pro%ess and final

    produ%t6 'f parti%ular interest is the ay that theatre plays a %ru%ial role in shaping and

    transforming identities and %ultures7 e ill eamine this topi%, through *arious lenses,throughout the %ourse of the semester

    8y main goal as an instru%tor is to sho you my lo*e of theatre, and to foster your on

    en9oyment, %riti%al appre%iation, and understanding of this %omple art form eter ;roo4 rites:

    To play needs much work !ut when we e"perience the work as play# then it is not work

    any more $ play is play%This fully arti%ulates my philosophy a/out this %lass ;ut that doesnainor, >arner, and u%ner, eds, The Norton Anthology of Drama?2 *ols@

    $ndi*idual lays for ur%hase:

    A Henri4 $/sen,A Dolls House

    A ;ertolt ;re%ht, The Threepenny Opera

    $ndi*idual lays on ;la%4/oard:

    A ;ertolt ;re%ht, The Measures TaenA Bnna De*eare Smith,!ires in the Mirror

    1

    mailto:[email protected]:[email protected]
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    Course &e'uirements:

    A !egular, prompt attendan%e:ou are epe%ted to /e in attendan%e for e*ery %lass and /e on time and ready to start $f

    you must /e a/sent or late for medi%al or personal reasons, please spea4 to me and

    pro*ide appropriate do%umentation )a%h student is epe%ted to parti%ipate in dis%ussion)*ery une%used a/sen%e after the third ill redu%e your final grade /y 2 Bny lateness

    %ounts as half of an a/sen%e

    A )ngaged and a%ti*e parti%ipation:

    Theatre is a hands.on, %olla/orati*e art form, and $ epe%t that you ill %ome to %lass

    ha*ing %arefully prepared the assigned materials, ready to parti%ipate ith uestions and

    %omments a/out the readings lease note that $ ill e*aluate parti%ipation on /othuantity and uality >ood parti%ipation entails thoughtful and %ourteous responses to

    your %olleagues, as ell as engaged listening arti%ipation ill %ount for 5 of your

    grade

    A !eading:

    Bll readings should /e %ompleted /efore the %lass meeting for hi%h they are indi%ated

    A "riting and EuiFFes:

    During the semester, $ ill post four /rief uestions related to the reading on ;la%4/oardou ill /e responsi/le for riting a response to ea%h uestion of at least G50.1000

    ords ?roughly one.and.a.half to to dou/le.spa%ed page@ and ;'TH e.mailing your

    response to me B(D /ringing a hard %opy to me in %lass These responses are designed to

    %hallenge your thin4ing a/out the material %o*ered in %lass and in the reading, %reating aforum for dis%ussion and de/ate and a 9umping.off point for our net %lass There are no

    right or rong ansers to these uestions They should offer you an opportunity to

    de*elop your %riti%al thin4ing s4ills, hone your opinions into %ogent arguments andformulate your thoughts into stru%tured riting I will count the best three o* your *our

    responses

    I will not accept late readin) responses$f you ha*e not e.mailed your response to me

    /efore the /eginning of se%tion time hen it is due, and fail to /ring in a hard %opy, you

    ill re%ei*e a Fero on that response 'nly illness ith a do%tor

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    A erforman%e !e*ies:

    ou are reuired to attend the Theatre Department produ%tion of ;re%ht

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    in the tet and prepare a 3.5 minute demonstration, rite and perform a s%ene of your

    on, produ%e a puppet play, dire%t other students in a s%ene, or %reate a dire%torial

    %on%ept and partiture, or many other pro9e%ts of your %hoi%e=

    The pro9e%t does not reuire that you a%t or perform in front of the group, although you

    ill li4ely ha*e to present $deally, ea%h pro9e%t should /e 4ept to 3.K minutes per personin the group, includin) set.up and clean.up time

    A )aminations

    There ill /e a midterm eam in %lass on Tuesday# ,arch 1>and a final eam on

    D$T6 $4D TI,6, in the same room in hi%h %lass meets )ams ill %onsist of

    multiple %hoi%e, short ansers, and essay uestions There ill /e %lass time set aside tore*ie for ea%h eam

    9rade !reakdown:

    A Class parti%ipation: 5

    A Creati*e ro9e%t: 10A !eading !esponses and EuiFFes: 20

    A Theatri%al !e*ies: 20 total ?10 ea%h@

    A 8idterm )amination: 20A -inal )amination: 25

    Course 8olicies:

    A )le%troni%s, ets, and >uests: lease turn off all %ell phones /efore %lass Do not

    anser them, do not lea*e the %lassroom to anser them, and do not tet hile in %lass

    Similarly, please donuests ?other than infants or small

    %hildren@ are alays el%ome in %lass, /ut please %onta%t me /eforehand to let me 4no

    you ha*e a guest %oming

    A ).mail and 'ffi%e Hours: $ strongly en%ourage you to send me any uestions a/out the

    reading, assignments, or dis%ussion, or to *isit me during my offi%e hours This ill help

    me to get to 4no you, and you ill get more out of the %lass Bdditionally, %he%4 your

    (unter Colle)e e.mail dailyand %he%4 ;la%4/oard often $ ill send any

    %ommuni%ation to your Hunter College e.mail Hoe*er, it ill usually ta4e me at least

    2K hours to respond to your e.mails $ ill respond as promptly as possi/le, /ut please tryto send important e.mails ell in ad*an%e $ am happy to meet ith you /y appointment

    if my offi%e hours do not or4 for you Students may also lea*e messages in my mail/o

    in the Theatre Department offi%e, H( 522 or /y %alling the department at 212GG251K#lease do not slip assignments under the door of H( 520)7 use my department mail/o

    K

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    8la)iarism:

    (unter Colle)e re)ards acts o* academic dishonesty ?e) pla)iarism# cheatin) on

    e"aminations# obtainin) un*air advanta)e and *alsi*ication o* records and o**icial

    documents@ as serious o**enses a)ainst the values o* intellectual honesty The colle)e

    is committed to en*orcin) the C24 policy on $cademic Inte)rity and will pursuecases o* academic dishonesty accordin) to the (unter Colle)e $cademic Inte)rity

    8rocedures

    8lease be aware that the o**icial de*inition o* pla)iarism is the unacknowled)ed use

    o* three ?=@ or more words *rom another personAs writin)# or o* any o* their ideas

    without proper attribution ou must cite your sources 8la)iarism is a serious

    academic o**ense and can result in e"pulsion andBor a permanent record on your

    colle)e transcript I* you have any 'uestions about how to cite a source# or i* you are

    unsure about any material that you have included in an assi)nment# please contact

    me I will be )lad to help you sort it out

    I* you want help with citations or writin)# you may also contact the (unter Colle)e

    &eadin) and ritin) Center *or any advice ?rwchuntercunyedu@ I would also

    recommend that you purchase The Chicago Manual of Style, 15 th Edition hile

    lar)e# it will prove invaluable in your academic career

    I; O2 85$9I$&I6# O2 I55 !6 C$29(T $4D I55 ;$I5 T(6

    CO2&36# $4D IT I55 9O O4 O2& 86&,$464T &6CO&D ItAs not worth

    it ItAs also antithetical to the purpose and meanin) o* a colle)e education I* youAre

    desperate and a written assi)nment is comin) due# talk to me# or turn it in late

    instead

    8lease note that $4 copyin) or 'uotation without citation is pla)iarismeven

    *rom the te"tbook or plays we readE I* you 'uote# make sure to use 'uotation marks

    and cite your sourceE $lso# please note that the assi)nments this semester do not

    re'uire the use o* secondary sources

    $ccessibility:

    $n %omplian%e ith the Bmeri%an Disa/ility B%t of 1##0 ?BDB@ and ith Se%tion 50K of

    the !eha/ilitation B%t of 1#G3, Hunter College is %ommitted to ensuring edu%ational

    parity and a%%ommodations for all students ith do%umented disa/ilities andNor medi%al%onditions $t is re%ommended that all students ith do%umented disa/ilities ?emotional,

    medi%al, physi%al, andNor learning@ %onsult the Hunter College 'ffi%e of B%%essB;$L$T

    lo%ated in !oom )112K to se%ure ne%essary a%ademi% a%%ommodations -or furtherinformation and assistan%e please %all 212GG2KO5G

    5

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    3chedule:

    eek: Date: TopicsB&eadin):

    1 Th 1N2O $ntrodu%tion to Course, "hat is Theatre6!)BD World of Theatre, Chapter 1 ?after %lass@=

    2 Tu 2N2 Theatre and the Budien%e

    !)BD: World of Theatre, Chapter 27 ;ertolt ;re%ht,

    The Measures Taen?;la%4/oard@

    ou should start arran)in) to see a theatrical

    production *or your *irst theatre reviewE

    Th 2NK The Theatre Criti%

    !)BD: World of Theatre, Chapter 159uest 3peaker: $llison 5yman

    3 Tu 2N# erforman%e Traditions

    !)BD: World of Theatre, Chapter 57 Da*id Henry Hang,M. "utterfly?(orton@ &eadin) &esponse 1 Due

    Th 2N11 B%ting and the B%torThe Stanisla*s4i Te%hniue

    !)BD: World of Theatre, Chapter G7 Henri4 $/sen,A DollsHouse

    9uest 3peaker: Fenni*er Foan Thompson

    K Tu 2N1 B%ting and the B%torTraditional -orms

    !)&$)": World of Theatre, Chapter 5

    Th 2N1O 4O C5$33 G (24T6& ;O55O3 ,O4D$

    3C(6D256

    5 Tu 2N23 B%ting and the B%tor-rom the 'utside $n

    !)BD: World of Theatre, Chapter 7 Bnna De*eare Smith,

    !ires in the Mirror?;la%4/oard@

    Creative 8roject 8roposals due

    Th 2N25 Theatri%al Spa%es

    !)BD: World of Theatre, Chapters #

    Tu 3N2 Designing in Theatre and erforman%e Traditions!)BD: World of Theatre, Chapter 10

    ;irst production review due

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    Th 3NK 4O C5$33

    G Tu 3N# The Dire%tor

    !)BD: World of Theatre, Chapter O7 ;re%ht, Threepenny

    Opera

    Th 3N11 8idterm !e*ie, Creati*e ro9e%ts

    &eadin) &esponse - Due

    O Tu 3N1: ,idterm e"am in class

    Th 3N1O: The Dire%tor, %ontinued

    9uest 3peaker: 8ro* Foel !assin

    # Tu 3N23: Set and Costume Design

    !)BD: World of Theatre, Chapters 11 and 12

    Th 3N25: Lighting Design and Sound Design!)BD: World of Theatre, Chapter 13

    38&I49 !&6$7# ,O4 ,$&C( -H G ,O4 $8& /

    10 Tu KN: Design "rap.Pp, Cat%h up from Spring ;rea4

    9roup 8roject 8resentations due

    Th KNO Dramati% Stru%ture

    !)BD: World of Theatre, Chapter 3

    11 Tu KN13 Tragedy and Bn%ient >ree%e

    !)BD: World of Theatre, Chapter K7

    Th KN15 Tragedy

    !)BD: Sopho%les, Oedipus the #ing?(orton@

    The Theatre Department production o* !rechtAs Threepenny Operadirected by 8ro*essor

    Foel !assin will play in the 7aye 8layhouse *rom $pril -0.-/ ?B-0 G B- at Jpm and B-/

    at =pm@ $ll students in Introduction to Theatre are re'uired to see this production The

    tickets are *ree with your (unter Colle)e ID# available the day o* the per*ormance The

    theatre is small so DO 4OT $IT *or the last *ew days to see the show I* you can only see

    the production on a speci*ic day# buy your tickets in advance

    12 Tu KN20 Tragedy, %ontinued!)BD: "ole Soyin4a,Death and the #ings Horseman

    ?(orton@

    G

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    Th KN22 Comedy

    !)BD: "illiam Sha4espeare, T$elfth Night?(orton@

    &eadin) &esponse = Due

    13 Tu KN2G Comedy %ontinued

    !)BD: 8oliQre, Tartuffe?(orton@Theatrical review o* Threepenny Operadue

    Th KN2# Theatre of the B/surd!)BD: Samuel ;e%4ett, Waiting for %odot?(orton@

    1K T 5NK 8a4ing Theatre Happen

    !)BD: World of Theatre, Chapters 1K and 1

    Th 5N Creati*e ro9e%ts

    Creative 8roject 8resentationE

    15 Tu 5N11 Cat%h.up and "rap.up, &eadin) &esponse Due

    Th 5N13 -inal )am !e*ie

    ;I4$5 Tu 5N25, 5:20.G:20pm ;I4$5 6K$,# I4 4O&,$5 C5$33&OO,

    This syllabus and schedule is subject to chan)e durin) the semester

    O