Velvet Revolver - Contraband

8/21/2019 Velvet Revolver - Contraband

http://slidepdf.com/reader/full/velvet-revolver-contraband 1/159

Intro Fast Rock q = 172

Suckertrain BluesWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner

from Velvet Revolver - Contraband

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash PublishingAll Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music

All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203All Rights Reserved Used by Permission

Gtr. 2 (clean)

**E5Riff B

w/ chorus

mf

type 213 4

G5

21 3

E711

E5

5fr

11333

D/A

5fr

134211

A

11333

C/G134211

G

11

E5

7fr

134211

B

8fr

134211

C56fr

21 4

G7sus4

6fr

21 3

G7

*Gtr. 1

mf

Riff AGtr. 3 (dist.)

Gtr. 1divisi

*** mf

End Riff A

*Elec. bass arr. for gtr.

**Chord symbols reflect basic harmony. ***1/2 vol.

Gtr. 2

Gtr. 1: w/ Riff A (2 1/2 times)

End Riff B

Gtr. 3

‡Harm.

‡Harmonic located approximately 2/3 thedistance between the 2nd & 3rd frets.

Pitch: D

2.6

Gtr. 3

‡Harm. Harm.

Pitch: B

‡Harmonic located just past the 3rd fret.

3.1D

2.6

Gtr. 2 Riff C

8 97 6

8 9 8 97 6

8 9

7 7 7 7 5 7 7 7 7 7 7 7 5 75

7 7 7 7 5 7 7 7 7 7 7 7 75 7

X

5 7

9 8 97 6

8 9 8 97 6

89

X

XXX

XXX

XXX

XXX

98 9

7 68 9 8 9

7 68

9

Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

1



Gtr. 4(dist.)

f

G5

fdbk. f

*Vol. swell

*

Pitch: G

Gtr. 2

Gtr. 1divisi

**

End Riff C

**Gtr. 2 to leftof slash in tab.

Gtrs. 1 & 2 tacet

P.M.

E5

(cont. in notation)P.M.

G5

Gtr. 3

Riff D End Riff D

E5

Hands1.

Gtr. 4

P.M. let ring P.M. let ring 1 1 1 1

Gtr. 3 Riff E

End Riff E

1/4

020100

020100

020100

355

98 9

7 68 9 8

7 7 7 795 7 7 7

7 6

7 7 7 58 5

7

9

5

355

355

43

53 3

83

7 3 4 56 0 0

10

20 0

50

40

1 22 3

355

35

35

35

35

35

35

5 533 33 33 33

02

02

02

02

02

02

02

2 200 00

2 00

02

3 34

35

3 38

37 3 4 5

6 0 01

02

0 05

04

01 2

3 02

Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

2



Verse

2nd time, Gtr. 5 tacet

E5

are

are

shak

fry

in’,

in’

-

-

got

while

µ

your

the

fin

kings

ger

and

- on

queens

the

are

trig

dy

ger.

in’,

-

-

Je

Sa

E5

sus

tan

-

-

ain’t

won

com

the

plain

race

- in’,- gon

and

µ

na

the

- fig

mir

ure

a

-

-

it

cle-

out.

mile. Some

E5

-

*Gtrs. 3 & 4

Harm.

8v a

loco

Harm.

8v a

loco

*Composite arrangement Pitch: D

2.6D

2.6

- bod y- raped my

µ

tape worm- a bor- tion.- Come

E5

on,moth er- fuck - ers,- and de liv

2nd time, Gtr. 4: w/ Fill 1

- er- the cow.

Gtr. 3

Harm.

8v a

loco

Pitch: D

2.6

1/4

Gtr. 4

P.S.

Gtr. 4

Fill 1

02

01

02

02

02

01

02

02

02

02

01

02

02

02

01

02

0 05

04

01 2

3

24

02

01

02

02

02

01

02

02

XX

17 0

7 22 0


3



Brain

and bod y- melt ing- while there’s

E5(add#4)

roach

es- mul ti- ply- in’.- It’s the

E5

al

i- en- in fec- tion,- it’s the

E5(add#4)

com ing- of Christ. All these

E5

P.M. P.M.

sen

ti- men- tal- ha los,- and these

E5(add#4)

con

se- quen- tial- an gels,- when I’m

E5

run

nin’- with the dev il,- don’t de

E5(add#4)

liv- er- the fight.

A

(cont. in slashes)

P.M. P.M.

24

23

24

2 2300

2300

2300

2300

2300

2300

24

23

24

2 2300

2300

2300

2300

2300

2300

24

0 01

02

0 02

02

02

02

02

02

02

02

02

0 01

02

0 02

02

02

02

02

02

02

02

02

0

24

23

24

2 2300

2300

2300

0

2300

2300

2300

24

23

24

2 2300

2300

2300

2300

2300

2300

0 577655

0 01

02

0 02

02

02

02

02

02

02

02

02

0 01

02

0 02

02

02

02

02

02

02

02

02

577655


4



C oT oda

Gtr. 3

Pre-Chorus

(A) open

E G open

E B

(cont. in notation)

open

E A

Don’t look at me now, fell

too fast, your wings

won’t hold.

Gtr. 4

1 1

Don’t look at me now,

G

fell

B

too fast, your wings

won’t hold.

Bb5 A 5 E 5

Yeah,

G5

Gtrs. 3 & 4

Chorus

Gtr. 3: w/ Riff D

and when I want

E5

to, yeah,

G5

Gtr. 4Rhy. Fig. 1 End Rhy. Fig. 1

P.M.

577655

577655

577655

577655

577655

577655

0 355433

355433

355433

355433

355433

355433

0 799877

799877

799877

799877

9 977

777

77

XXXXXX

XXXXXX

577655

577655

577655

577655

577655

577655

577655

0 355433

355433

355433

355433

355433

355433

0 799877

799877

799877

799877

799877

799877

799877

799877

799877

799877

799877

799877

688

577

0 355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

022

022

02

02

02

02

02

02

02

02

02

02

02

02

02

355


5



D.S. al Coda

E5

Gtr. 5(dist.)

G7

mp

I will find

you. Yeah,

Gtr. 3 Riff F End Riff F

Gtr. 4

Rhy. Fig. 3

Gtr. 3: w/ Riff FE7 G7

and when I want

to, yeah,

Gtr. 4 Rhy. Fig. 2 End Rhy. Fig. 2

Gtr. 3: w/ Riff E

E7End Rhy. Fig. 3

I will blind

you.

Brains2.

Gtr. 4

3 34

35

3 38

37 3 4 0 1

0 01

02

0 05

04

01 2

2 3

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

022

022

022

022

022

022

022

022

022

022

022

022

022

1 2 355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

022

022

022

022

022

022

022

022

022

022

022

022

022

022

022

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

022

022

022

022

022

022

022

022

022

022

022

022

1 23 0

2


6



Coda

Chorus

Gtr. 4: w/ Rhy. Fig. 1

G5

and when I want

E5

to, yeah,

G5

Gtr. 3

Gtr. 3: w/ Riff F (2 times)

G#5 E5

Gtr. 5

G7

I will find

you. Yeah,

Gtr. 4

slight P.M. slight P.M.

Gtr. 4: w/ Rhy. Fig. 2Gtr. 5: w/ Rhy. Fig. 3

and when I want

E7

to, yeah,

G7

Gtr. 4

(G5) E5

I will blind

you.

Gtr. 3

355

34

35

3 38

37 3 4 0 1

0 01

02

0 05

04

01 2

2 3

355

355

35

35

355

355

355

355

355

355

355

355

355

466

0 022

022

02

02

02

02

02

02

02

02

02

02

02

1 2 355

3 34

35

3 38

37 3 4 0 1

0 01

02

0 0


7



D/ABridge

Rhy. Fig. 4AC/G E5 type 2

It’s all o ver- me now. Let me

go, let me

Gtr. 5

let ring 1

11

1

1

Gtr. 3 Rhy. Fig. 4

P.M.

P.M.

1/2

End Rhy. Fig. 4A

D/AGtr. 3: w/ Rhy. Fig. 4 (2 times)

C/G

(cont. in notation)

E5

go, let me

go.

And what’s come o ver- me now? Let me

go, let me

1 1 11 1

1

End Rhy. Fig. 4

Gtr. 4

434

434

434

434

121010

434

434

XXX

1010

121010

12 108

XXX

1088

88

88

141212

XXX

1212

141212

14 141212

50

40

1 20 5 5 0 3 3 3 0 0

22

022

022

022

022

022

XXX

022

1210 1210 108XX

X

1088

8

108 1412XX

X

1214 1214 1214

022

022

022

022

022

022

XXX

5 022 2

X00

022

022X00

XXX

022X00


8



go, let me

go.

Gtr. 4: w/ Rhy. Fig. 4A

It’s all o ver- me now.

C/G E5

Let me

go, let me

Gtr. 5 let ring

11 1

1 1 11 1

1 1

Gtr. 4

D/A

Gtr. 4 C/G

open

(cont. in notation)

A

go, let me

go.

What’s come o ver- me now?

Gtr. 5

let ring let ring *fdbk.

15ma

1 1 1 1

*Microphonic fdbk., notcaused by string vibration.

1 1

Gtr. 3

P.M.

1214

1214

1214 12

101210

1210

10 108 88

888

1412

1412

1412

1412

022

00

022X00

022X00

5X7

7

9

XXX

55777

1412 12

141214 12

10121010

101010

108

1088

888 X

5 5 5 0 3 3 333

00


9



Gtrs.3 & 4

E5

Guitar Solo

Gtr. 5 tacet

Ah.

Gtr. 5

Gtr. 5

Gtr. 6(dist.)divisi

15ma

*w/ harmonizer

f

Gtr. 6 1_ 1_ 1_ 1_ 1_ 1_

w/ bar

*Set for Perfect 4th below with equal amountsof processed (wet) and original (dry) signal.

1_ 1_ 1_ 1_ 1_ 1_1

Gtr. 3

(cont. in slashes)

Gtr. 4

P.M. (cont. in slashes)

G5

P.M. P.M. P.M.

P.M.

open

E E5

1_Gtr. 6 1_ 1_

w/ bar

harmonizer off

1_ 1_ 1_

-2 1/2

1 1 1 1 1 1

X

5 5 5 5 5 5 5

244

244

244

244

244

244

244

244

244

244

244

244

1 03 0

22

224

224

224

224

224

224

224

224

224

224

224

224

1 03 0

22

5 5 5 0 0 1213 13 13

1401512

1215 12

121515 12


10





Gtr. 4

InterludeGtrs. 4 & 6 tacet

µ

JohnSpoken: ny- sat down be side- the old oak tree, cut off his hand, what did he see? All the an i- mals- are dead. The

Gtr. 6

8v a

Gtr. 3

rats have crawled through his house and out through their head. One of them ate a hole in the

Gtr. 4

fdbk.

8v a

*

*Vol. swell

Gtr. 3

17 17

81010988

81010988

XXXX

XXXX

XXX

XXX

XXX

9

XXX

XXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX


12



sky. To be lieve- this would be a fate worse than dy ing.- Yeah,

G5

8v a

loco

steady gliss.

Harm. Harm. Harm. Harm. steady gliss.

Chorus

Gtr. 3: w/ Riff D

and when I want

E5

to,

F#5

yeah,

G5

Gtr. 4 Rhy. Fig. 5

P.M. P.M.

End Rhy. Fig. 5


I will find

E5

you.

F#5

Yeah,

G5

Gtr. 3Riff G End Riff G

9

18 8 355

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

9 XXXX

9 XXXX

9 XXXX

9 20 19 8 355

355

355

35

35

35

35

35

35

35

35

35

35

35

35

35

022

022

02

02

02

02

02

02

02

02

02

02

02

02

244

355

3 34

35

3 38

37 3 4 5

6 0 01

02

0 05

04

01 2

2 3


13



Gtr. 3: w/ Riff G

and when I want

E5

P.M. 1 1

to, yeah,

G5

P.M. P.M. let ring1 1 1

Gtr. 3

I will blind

E5

you.

G7

let ring

P.M. let ring 1 1 1 1

(cont. in slashes)

355

355

35

35

5

355

355

355

533

33

33

022

022

022

02

02

14

02

02

0

141212

1212

1214 12

14

355

355

35

35

5

35

35

35

3 34

35

3 3

5533 33 33 33

022

022

02

02

2

02

02

0

2 200 00

15 355

83

7 3 4 0 10 0

10

20 0

50

4 5 1 20

767


14



Gtr. 3

(G7) E7

(Yeah.)

I will find you.

Gtr. 4

G7 G7sus4 G7 E7

I will blind

you.

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

022

022

022

022

022

022

022

022

022

022

022

022

022

022

022

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

022

022

022

022

022

022

022

022

022

022

022

022

022

022

022

022

022


15



Begin fade Fade out

E7Gtr. 2: w/ Riff B

Gtr. 7 (clean) w/ chorus

Riff H

mp

P.M.

Gtr. 4

Gtrs. 3 & 4 tacet

E5

P.M. P.M.

Gtr. 7 End Riff H

P.M.

Gtr. 2: w/ Riff C (till fade)Gtr. 7: w/ Riff H (till fade)

(15 sec.)

7 7 7 7 7 7 7 7

022

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 75

7 7 7 7 7 7 7

022

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7


16



Intro

Moderate Rock q = 145

Do It for the KidsWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner




WentSpoken:

Voc. Fig. 1

µ

too fast, I’m out

III

ta-

I

luck and

5fr

13 4

A5

13 4

C5

13 4

G5

13 4

Bb5

4fr

13 4

G#5

134211

F

6fr

13 4

Bb5

1333

C

8fr

13 4

C5

1333

Bb

5fr

13 4

D5

5fr

134211

A

8fr

13 4

F5

I don’t e ven- give a fuck.

End Voc. Fig. 1

Gtr. 1(dist.)

f

A5 G5 G#5 A5 G5 G#5 A5 open

E Bb5 C5 Bb5 A5 G5 G#5 A5 G5 G#5

Gtr. 2 (dist.)

Rhy. Fig. 1

f

A5 Bb5 C5 Bb5


Rhy. Fig. 2


E Bb5 C5 Bb5

End Rhy. Fig. 1

Gtr. 3 (dist.)

f rake

22

22

00

11

22

22

00

11

22

22

33

55

33

22

22

00

11

22

22

00

11

22

22

33

55

XX

X33 2


1




E Bb5 C5 Bb5

(cont. in notation)

End Rhy. Fig. 2

3

1 1 1

Verse

A5 G5 G#5 A5

I1. wan

G5

na

G#5

- be

A5

your

G5

man

Bb C

child,-

BbGtr. 3 tacet

A5 G5 G#5 A5

let’s all

G5 G#5

Gtr. 3

Gtr. 2 Rhy. Fig. 3A

P.M. P.M.

Gtr. 1 Rhy. Fig. 3

P.M. P.M.

6 6 6 6 5 3 5 3 5 35

35 3 5 3

2

22

22

00

11

22

22

00

11

22

22

00

33

55

33

22

22

00

11

22

22

00

11

57

57

35

46

57

57

35

46

57

57

35

65

87

65

57

57

35

46

57

57

35

46


2



go

A5

it

G5

hog

Bb C

wild.-

Bb

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (3 times)

A5 G5 G#5 A5

She said,

G5

“I’ll

G#5

see

A5

you

G5

lat

Bb

er.”

C

-

Bb

Gtr. 2

P.M.

End Rhy. Fig. 3A

Gtr. 1

P.M.

End Rhy. Fig. 3

A5 G5 G#5 A5

I al

G5

ways

G#5

- grav

A5

i-

G5

tate

Bb

- to

C

her.

Bb A5 G5 G#5 A5

Let’s all

G5

meet

G#5

at

A5

the

G5

sta

Bb

tion,

C

-

Bb A5 G5 G#5 A5

no heav

G5

y

G#5

- con

A5

cen-

G5

tra

Bb

-

C

tion.-

Bb A5 G5 G#5 A5

We

G5

could

G#5

Gtr. 3

1 1

all

Gtr. 3 tacet

A5

hook

G5

up

Bb

there,

C Bb A5 G5 G#5 A5

the kids

G5

are

G#5

all

A5

al

G5

right

Bb

- there.

C Bb

22

22

00

33

55

33

57

57

35

65

87

65

7 9 9 6 4 6 63

4 4 4


3



Gtr. 2

Chorus

Rhy. Fig. 4

D5 A5

Should we go

out lat er?-

Gtr. 4 (dist.)

Riff A

mf

End Riff A

1/2 1/2 1/2 1/2

Gtr. 1

F5 A5End Rhy. Fig. 4

Show

time-

for stran gers.-

1/2 1/2 1/2 1/2 1/2

slight P.M.

1010

10

1010

10 7 109 9 9 9 9

5776

5776

5555

5776

XXXX

XXXX

5776

5555

5776

5776

5555

5776

55555

5776

55555

000

577

577

577

577

57

X7

55

57

X7

55

57

X7

55

57

X7

55

57

X7

55

57

X7

55

57

X7

55

10 1010

10 1010 7 10

9 9 9 9 9

756

756

555

756

XXX

XXX

756

555

756

XXX

XXX

756

555

756

XXX

XXX

756

756

000

577

57

57

57

57

X7

55


4



Interlude

Rhy. Fig. 5A

D5 C5 III

End Rhy. Fig. 5A

Bb5 I


A5 G5 G#5 A5 G5 G#5 A5 G5 Bb5 C5 Bb5

1/2 1/2 1/2 1/2 1/2 1/2 1/2

Rhy. Fig. 5 End Rhy. Fig. 5

A5

G5 G#5 G#5 G5 G#5 A5

G5 Bb5 C5 Bb5

Verse


A5

Don’t2.

G5

cha

G#5

- give

A5

a fuck

G5

an

G#5 A5

y-

G5

more

Bb

- now?

C Bb

Gtr. 3 Gtr. 3

Gtr. 5 (dist.)divisi

3 3

mp 1

Gtr. 3 tacet

A5 G5 G#5 A5

She’s giv

G5

in’

G#5

- up

A5

on

G5

you

Bb

now.

C Bb A5 G5 G#5 A5

“Do

G5

it

G#5

Gtr. 5

9 9 9 9 9 9 9 9

X10

12X10

12X10

12X10

12X10

12

101212

101212

101212

101212

101212

81010

81010

688

7 7 7 6 7 7 7 7 6 7

0

00

0

0

0

0


5



for

A5

the

G5

kids,”

Bb

they

C

say,

Bb A5 G5 G#5 A5

“It ain’t

G5

a

G#5

bout

A5

- you

G5

an

Bb

y- way.”

C

-

Bb

A5 G5 G#5 A5

I say

G5

we’re

G#5

all

A5

grown

G5

up

Bb

now,

C Bb A5 G5 G#5 A5

and sex

G5 G#5

Gtr. 3

1 1

Gtr. 5

ain’t

A5

so

G5

safe

Bb C

now.

Bb A5 G5 G#5 A5

“It’s all

G5 G#5

in

A5

the

G5

groove,”

Bb

they

C

say.

Bb

P.M.

1

1

0

0

0

0

15 15 15 15 15 150

14 12

2 0

0

0

14 14 15 12 12 12

0

0

0

0

0


6



Gtr. 3 tacet

A5 G5 G#5 A5

It does’n

G5

t

G#5

- mat

A5

ter-

G5

an

Bb

y- way.

C

-

Bb *

Chorus

Gtr. 2: w/ Rhy. Fig. 4 (2 times)Gtr. 4: w/ Riff A (4 times)Gtr. 5 tacet

Dm7

Should we go

out

Gtr. 5 Gtr. 1

Rhy. Fig. 6

*Chord symbols reflect overall harmony.

lat

A5

er?-

Fmaj7

Show

time-

for

stran

A5

gers.-

Dm7

Should we go

out

slight P.M.

End Rhy. Fig. 6

lat

A5

er?-

Fmaj7

Show

time-

for

slight P.M.

0

5776

5776

5555

5776

XXXX

XXXX

5776

5555

5776

XXXX

XXXX

5776

5555

5776

55555

5776

5555

000

577

577

577

577

57

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55

57

X7

55

57

X7

55

57

X7

55

57

X7

55

57

X7

55

57

X7

55

756

756

555

756

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XXX

756

555

756

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756

555

756

XXX

XXX

756

756

000

577

57

57

57

57

X7

55

5776

5776

5555

5776

XXXX

XXXX

5776

5555

5776

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5776

5555

5776

5555

5555

5776

5776

000

577

57

57

57

57

X7

55

578

756

756

555

756

XXX

XXX

756

555

756

XXX

XXX

756

555

756

XXX

XXX

756

756

000


7



C oT oda A5

*Gtrs.1 & 2

Bridge

F

stran gers.- Keep me run nin’- like a deer in the head lights,-

Voc. Fig. 2

(Oh,

Gtr. 1

(cont. in slashes)

Gtr. 6 (dist.)

mp

*Composite arrangement

C Bb

all for noth in’- I thought, just the ran som- I had bought.

oh,

F A FBkgd. Voc.: w/ Voc. Fig. 2

A bout- the day I tried to tame her,

oh.)

End Voc. Fig. 2

577

577

577

577

57

X7

55

XXX

XXX

8X10

X8

10

10

12

8

10X8

10

7

9

8X10

7

9

8X10

X8

10

10

12

8

107X9

5X7

7X9

8X10

5X7

3X5

4X6

4X6

4X6

4X6

4X6

4X6

4X6

12X14

X12

14X12

14X13

15X12

14X14 12

12 10


8



C Bb

nev er- tried to blame her, just a game that I had bought.

F A

Guitar Solo

Gtrs. 1 & 2: w/ Rhy. Figs. 5 & 5AGtr. 6 tacet

D5 C5 Bb5

Gtr. 3

Gtr. 1

Rhy. Fig. 7

A5 G5 G#5 A5 G5 G#5 A5 G5 G#5 A5 Bb5End Rhy. Fig. 7


A G G# A G G#

Gtr. 3

semi-harm.

3 3

33

1/21 1 1

Gtr. 2

Rhy. Fig. 7A End Rhy. Fig. 7A

X14 12

7X9

X8

10

7X9

8X10

10

12

12 10X8

10

8X10

10X12

10X12

12X14

12X14

13X15

X13

15

X12

14

12

14X

16X18

X16

18X16

18X16

18X16

18X16

18X16

18

8 7 7 5X10 9

X9 7

5 3 3 1X7 5

X5 3

1 0X3 2

0X2

3X5

1X3

2 2 2 2 32 00

3 33 3 2 3 2 3 2 0 2 02 1 2

222

222

000

111

222

222

000

111

222

222

000

111

222

333

333

333


9



A G G#

*

A Bb A G G# A G G# A G G# A

3

Bb

3 3

3 3 3

*Lower pitch of open string by pushing on back of headstock while

stabilizing body of guitar with right hand.

-1/2

1 11

Gtr. 1

A5 G5 G#5 A5 G5 G#5 A5 3 fr

G

P.M.

Bb5 C5 Bb5

Gtr. 3

3 33 3 3 3 3

3

11/2

Gtr. 2 Gtr. 2

Gtr. 5divisi

P.M.

P.M.

Verse

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (1 1/2 times)

A5 G5 G#5 A5

Let’s3. all

G5

meet

G#5

at

A5

the

G5

sta

Bb

tion,

C

-

Bb

Gtr. 3 tacet

A5 G5 G#5 A5

no heav

G5

y

G#5

- con

A5

cen-

G5

tra

Bb

- tion,

C

-

Bb

Gtr. 5

Gtr. 3

1 2 1 03

03 1 0 0 0

75

7

55 8 5

585

58

5

8 7 6 5 6 5 6 58

58 7 8 7 5

77

77 55 7 5

222

222

000

111

222

222

000

111

222

222

0333

555

333

0

0

0

2 0

0

5 2 5


10



D.S. al Coda

Coda

A5 G5 G#5 A5

the kids

G5

are

G#5

all

A5

al

G5

right

Bb

- there.

C

WentSpoken:

Bb A

too

µ

fast, I’m out ta- luck and I

Gtr. 5 tacet

A5

don’t e ven- give a fuck.

Gtr. 5Gtr. 5

Gtr. 1divisi

Gtr. 1

1/2

Gtr. 2

* P.M.

*Gradually lift P.M.

Gtr. 1: w/ Rhy. Fig. 6 (2 times)Gtr. 2: w/ Rhy. Fig. 4 (2 times)Gtr. 4: w/ Riff A (4 times)

Dm7

Should we go

Voc. Fig. 3**

(Should we go,

out

Gtr. 6

**Applies to upstemmed notes only.

lat

Bkgd. Voc.: w/ Voc. Fig. 1

A5

er?-

F,7

Show

time

-

show

time.)-

End Voc. Fig. 3

for

0

054

0

16 16

22

02

02

02

02

02

02

02

02

5X7

5X7

5X7

5X7

5X7

5X7

7X9

7X9

7X9

X7X9

7X9

7X9

8

10X8

10X8

10

8X8

10X8

10X10

11X13

X11

13X11

13X11

13X11

13X11

13

12X14

12

14

7X9

X8

10

7X9

7

9

3X5

3X5

3X5

3X5

XXX

XXX

3X5

5X7

5X7

12X14

X12

14X12

14X12

14

XXX

XXX

5X7

5X7

5X7


11



stran


A

gers.-

Dm7

Should we

mf

go


out lat


A5

er?-

Fmaj7

Show

-

Gtr. 6

Gtr. 4

4X6

5X7

7X9

8 8 8

XXX

10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12

13 13 13 13 13 13 13 13 16 16 16 16 16 16 16 17 17 17 17 17 17 17 17 17 17 15 15 15 15 13 13

12 12 12 12 12 12 12 12 12 12 13 13 13 13 13 8 8 8 8 8 8 8 8 8 8 8 8 10 10 10 10

1010

10


12



poco rit.

poco rit.

poco rit.

Free time

time

for stran


A

gers.-

1/21/2

Gtr. 2

Outro

D5

Gtr. 6

3 6 6 5

1 1/2

Gtr. 4

Gtr. 1

5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 9 9 9 9 9 9 9 9 10 10 10 10 10 10 10 10 12 13 13 10

1010

10

5X7

7X9

7

9

7

9

10 1013 13

10 13 1011 13 11 10 11

1211 13 11 10 11

12 1210 11 10

1210

12 10 12 1012 10 12

5X7

0076


13



Intro

Moderately fast q = 145

Big MachineWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner




Gtr. 1 (dist.)

(Drums & bass) µ

V

*

V

mp w/ Leslie

13 2

D

12 3

A5fr

134211

A5fr

1333

D

11

E5

134211

G

2 1

E7

13 4

C5

23 1

E

13 4

G5

11

A5

*1/2 vol.

Verse

** E5

I1. don’t know

Gtr. 1 tacet

be cause- she says so. He’s a fag got- boy,


Gtr. 1

***

Gtr. 2

mp

**Chord symbols reflect overall harmony.

***Vol. swell to 1/2 vol.

the T V- says so. He’s a junk ie- piece of shit be cause- he says so.

0

0

0

3

3


1



Pre-Chorus

E5

Gtr. 1

mf Leslie off

D A

(cont. in notation)

All that first class- jet set brings me down, down, down.

mf

(cont. in slashes)

Gtr. 2

A open

E E5

V

All that first class- drug shit brings me

Gtr. 1

let ring

1/2

A open

E

*

G

down, down, down.

V

Ah.

*

P.M.

*Vol. swell to full vol.

3 35777

5777

5777

577655

577655

0222

0 022

2

00

2 0 20232

0232

0232

0222

0222

0222

0 0 35

35

35

35

35

355433

355433

355433


2



open

E

(cont. in notation)

VA

f

Chorus

E5

It’s a big ma chine,- it’s a big ma chine.-

Gtr. 2

Gtr. 1

f

Rhy. Fig. 1

We’re

Eb5

all

D5

slaves to a big

A Ab

ma

G

chine.-

A5Gtr. 1: w/ Rhy. Fig. 1

E5

It’s a big ma chine,-

Gtr. 2 Rhy. Fig. 2

1 1

Gtr. 1 End Rhy. Fig. 1

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

0799

0799

355433

355433

355433

355433

355433

0 577655

022

022

XXX

022

022

022

XXX

022

022

022

XXX

022

022

022

022

022

7 6 5

7 7 0

54

43

32

7 7 0

07

07

XXX

0799

0799

0799

XXX

0799

7 6 5 55 4 3 5


3



it’s a big ma chine.-

We’re

Eb5

all

D5

slaves to a big

A Ab

ma

G

chine.-

A5


1 1

All

E5

tied up to a big ma chine,- I got hous es,

Eb5

- got

D5

cars, I got a

Gtr. 2 Rhy. Fig. 3A

1

Gtr. 1Rhy. Fig. 3

wife,

A

I

Ab

got

G

kids, got

A5

mon

E5

ey- in the

bank.

End Rhy. Fig. 3A Rhy. Fig. 4A End Rhy. Fig. 4A

1

End Rhy. Fig. 3 Rhy. Fig. 4 End Rhy. Fig. 4

0799

0799

XXX

0799

0799

0799

XXX

07 6 5

7 7 0

54

43

32

5 5 0

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

0799

0799

7 6 5

12 12 0

022

022

XXX

022

022

022

XXX

022

022

022

XXX

022

022

022

022

022

7 6 5

54

43

32

12

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX

0799

7 6 5 7

022

022

XXX

022

022

022

XXX

022

022

022

XXX

022

022

022

XXX

022


4



Verse

E5

Get2. a way

- with out- bor

ders.-

Gtr. 1: w/ Rhy. Fig. 5 (2 times)

I’m a slave,

a New

fdbk.


P.M.

World Or

der.- I guess I chose

to be,

Gtr. 2 tacet

I

guess I chose to be,

Gtr. 2

Gtr. 2

VDPre-Chorus

Rhy. Fig. 6AAV

I guess I chose to be, I guess I chose to be.

All that first class-

Gtr. 1

P.M.

Rhy. Fig. 6

99

99

99

02

02

02

02

02

02

02

02

02

02

02

02

99

02

02

02

02

02

02

02

02

02

02

02 7 0

0232

0222

0222


5



E7 D V VA

jet set brings me down, down, down. All that first class-

1/2

G 3 fr

G

End Rhy. Fig. 6A

A

drug shit brings me down, down, down.

(Ah.)

P.M.

End Rhy. Fig. 6

Chorus

Gtr. 1: w/ Rhy. Fig. 1 (3 times)Gtr. 2: w/ Rhy. Fig. 2 (2 times)

E5


We’re

Eb5

all

D5

slaves to a big

A Ab

ma

G

chine.-

A5

E5


We’re

Eb5

all

D5

slaves to a big

A Ab

ma

G

chine.-

A5

All

Gtr. 2: w/ Rhy. Fig. 3A

E5


Eb5

- got

D5

cars, I got a

0222

022

022

022100

2

00

2 0 20232

0222

0222

0222

0 0 35

35

35

35

35

35

35

35

355433

355433

355433

355433

355433

355433

577655


6



A Ab G A5

Gtr. 1

E5

wife, I got kids, got mon ey- in the

bank.

Gtr. 2

Bridge

Rhy. Fig. 7

C5 E D

Hope I teach my son how to be a man...

...now be fore- he

Rhy. Fig. 7A

let ring let ring let ring

E C5 G5

hits thir ty- five.-Com ic- book lives don’t real ly- have an y-


0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX 0

000

32010

3

01

0

0221

0

00

1023

0

2 0

0221

0

00

1

32010

3

01

0

3X00

3

30

0

3


7



A5End Rhy. Fig. 7

Gtrs. 1 & 2: w/ Rhy. Figs. 7 & 7A

C

real life, do they now?

Hope I teach my

End Rhy. Fig. 7A

son

E

how to be a man...

D

...now be fore- he hits

E

thir ty- five.

C

Com ic- book lives

don’t

G

real ly- have an y- real

A5

life, do they now?

Interlude


E5

Gtr. 3 (dist.)

f

3 2 2 0

4 2 2 05 4 2 0

5 3 2 0

911

911

911

911

911

911

911

911

12 129 9 9 9 9

11911

911

911

911

911

911

911 12 12

9 9 12 13 1312


8



Verse


E5

I3. don’t know be cause- she says so. He’s a fag got- boy,

Gtr. 3

Gtr. 2

fdbk.

the T V- says so.

Gtr. 2 tacet

He’s a junk ie- piece of shit be cause- he says so.

*

15ma loco8v a

33

33

3

3

*Starting over the pickups, simultaneously slide down and tap with edge of pick in rhythm indicated.

All

Pre-Chorus


E5

that first class- jet set brings me down,

Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6AGtr. 3 tacet

D

down, down.

A

1215 15

14

99

99

99

1415 X

XXX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

99

XX

XX

XX

XX

XX

XX

XX


9



E7

All that first class- drug shit brings me

D

down, down, down.

A

Ah.

G

A

ChorusGtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2: w/ Rhy. Fig. 2 (2 times)

E5


We’re

Eb5

all

D5

slaves to a big

A Ab

ma

G

chine.-

A5 E5

It’s a big ma chine,-

it’s a big ma chine.-

We’re

Eb5

all

D5

slaves to a big

A Ab

ma

G

chine.-

A5

All

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A

E5


Eb

- got

D5

cars, I got a

A Ab G A5

Gtr. 1

E5

wife, I got kids, got mon ey- in the

bank.

Gtr. 2

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799


10



Gtrs. 1 & 2 tacet

Bridge

E5

We’re all slaves to a big ma chine.-

We’re all slaves to a

Gtr. 4 (dist.)

w/ Leslie

mp

Harm. Harm.

Pitch: G#

big ma chine.-


Harm.

Gtr. 1

Gtr. 4divisi

f

fdbk.

Gtr. 1

InterludeGtr. 4 tacet

E5


Gtr. 1

Gtr. 4

fdbk.

P.M.

(cont. in slashes)

Gtr. 3

1 1/2

2

Gtr. 3

Gtr. 2divisi

f

Gtr. 2

7 7 7 7 7 7 7 9 9 9 9 9 9 0 0 0 0 0 0 7 7 7 7 7

7 7 7 7 7 7 7 7 77

77

70

911

911

911

911

911

911

911

911

9

17 07

07

XXX

0799

0799

0799

XXX

0799


11



(cont. in notation)

12 fr

E

let ring

G5 A5 C5

Gtr. 2

D V

Gtr. 3

let ring let ring let ring let ring

*Gtrs. 1 & 2

(Gtr. 2, cont. in slashes)

Gtr. 1


1

Outro-ChorusGtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Rhy. Fig. 3A

E5


We’re

Eb5

all

D5

slaves to a

Gtr. 3

1 1 1 1 1 1 1 1 1

big

Gtr. 3 tacet

A Ab

ma

G

chine.-

A5

Gtr. 1: w/ Rhy. Fig. 4 (3 times)Gtr. 2: w. Rhy. Fig. 4A (2 times)

E5


We’re

all slaves to a

12 129 9 9 9 9

11911

911

911

911

911

911

911 12 12 12

9 98

9

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX

0799

0799

0799

XXX

0

10

9

10

9

10

9

98

9

98

98

88

9

8

98

88

11

10

11

10

11

10

111512

355

355

355

355

355

355

355

577

577

577

577

577

577

577

355

355

355

355

355

355

355

5777

5777

5777

5777

5777

15

1512 1512 1512 1512 1512 1512 1512 1512 1512


12



E7sus4 E5 E7sus4 E5

Gtr. 1

big ma chine.-

All tied up to a big ma chine,- I got hous es,- got cars, I got a

Gtr. 2

(cont. in notation)

Eb5 D5 A Ab G E5

wife, I got kids, got mon ey- in the bank.

Gtr. 2 1 1

Gtr. 1

E

*

-1/2

*Lower pitch by stabilizing body of guitar with right hand while pushing forward on back of guitar neck with left hand.

*

-1/2

0799

0799

XXX

0777

0777

XXX

0799

0799

0799

XXX

0777

0777

XXX

0799

0799

0799

XXX

0777

0777

XXX

0799

0799

0799

XXX

0777

0777

XXX

XXX

7 6 5

7 7

54

43

32

5 5

0799

0799

0799

0799

7 6 5 55 4 3 5 0

22

022

022

022

0

799

0

799

0

799

0

799

0

22100

0

22100

0

22100

0

22100

0

22100

022

022

022

022

022

022

022


13



Intro

Moderately q = 100

Illegal i SongWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner




(Snare drum) µ

Gtr. 1 (dist.)Riff A

*F#5

f

5fr

21 4

Bb5fr

11 4

D5/A

13 4

G5

13 4

F5

A5 G5

Gtr. 2 (dist.)

Riff A1

f

*Chord symbols reflect implied harmony.

F#5 C5 G5 F#5 A5 G5

F#5

End Riff AGtr. 3 (dist.)

Gtr. 2: w/ Riff A1

f

A5 G5

End Riff A1

Gtr. 1

9 9 9 7 9 10 9 9 9 12 10

2 2 2 2 0 2 3 2 2 2 5 5 3 3

9 9 9 7 9 10 9 9 9 15 10 9 9 9 7 9 10 9 9 9 12 10

2 2 2 2 0 2 3 2 2 2

3 33 3 2 2 2 2 0 2 3 2 2 2 5 5 3 3

9 9 9 7 9 10 9

11 9 9

2 2 2 2 0 2 3 29 9 9 7 9 10 9 9 9 12 10


1



F#5 C5 G5 F#5 A5 G5 F#5

Verse

Gtr. 3 tacet

F#5

An

One

oth

1.

2. -

fine

er-

day

way,

µ F#5

I’ll

a

set

bat

tle

tle

-

-

down,

ground,

µ

-

Gtr. 2: w/ Riff B1 (3 times)

F#5

a

when

read

you

y-

blood

tell

µ

y

er

-

-

me.

whore

Gtr. 1

Riff B

P.M. P.M. P.M. P.M.

End Riff B Riff C

P.M. P.M.

Gtr. 2 Riff B1

P.M.

P.M.

End Riff B1

F#5

I

who

ran

makes

a

no

ground

sound.

µ

-

F#5

with

Keep

my

the

bro

mon

ken

ey,

-

-

face

bitch,

and fist

keep

i

the

- cuff.

stuff.

-

Gtr. 1

P.M. P.M.

End Riff CGtr. 1


P.M. P.M. mf P.M. P.M. 1

11 9 11 9 9 11 9 9

9 9 9 7 9 10 9 9 9 15 10 9 9 9 7 9 10 9 9 9 12 10 9 9 9 7 9 10 98

2 2

4

0 2 2 3 2 2 2

4

0 2 2 3 2 2 2

4

0 2 2 3 2

2 2 2 2 0 2 3 2 2 2 2 2 0 2 3 2

2 2

4

0 2 2 3 2 12 2 2

4

0 2 2 3 2 2 2 2 2 2 2 0 2 2

4

0 2 2 3 2 2 2 2 2 2 2 2


2



C oT oda

2nd time, Gtr. 1: w/ Riff B

Fuck

Fly

the

a

rest

round-

and

the world, and

all

keep

their

it

stuff.

up.

Pre-ChorusGtrs. 1 & 2: w/ Riffs A & A1Gtr. 4 tacet

F#5

I

don’t

A5 G5

P.M. P.M. P.M. P.M.

1

F#5

an y- more.-

C5

G5 F#5

I

don’t

A5 G 5 F#5

an y- more.-

*Gtrs.1 & 2

Chorus

Rhy. Fig. 1

Bb D5/A

Just look and you’ll see me

Gtr. 5 (dist.)

mf


G5 F5End Rhy. Fig. 1

ly ing- there, ly ing- there.

2 2

4

0 2 2 3 2 2 2 2 2 2 2 2 2 2

4

0 2 2 3 2 2 2 212 12

2 2 2 2

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

55X7

5X7

5X7

X7

3

5

3X5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8

10

8X10

8X10

8 5X10 7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5 3X7 5

3X5

3X5

3 5X5 7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5 3X7 5

3X5

3X5


3



D.S. al Coda

Rhy. Fig. 2

Bb D5/A

Just look and you’ll see me

G5End Rhy. Fig. 2

ly ing- there, ly ing.-

*w/ DigiTech Whammy Pedal

**

**Pick sixteenth notes while gradually depressing Whammy Pedal.

*Set for Perfect 4th above when fully depressed.

+1+1 1/2

+2

+2 1/2

Gtr. 3

Interlude

Gtrs. 1 & 2: w/ Riffs A & A1Gtr. 5 tacet

Riff D

F#5 A5 G5 F#5 C5 G5 F#5 A5 G5 F#5End Riff D

3X5

5

7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8

10

8X10

8X10

8 5X10 7

5X7

5X7

5X7

5X7

5X7

5X7

5 5XX

7 7

5X7

5

7X

3

5

3X5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X

7

5X7

11 9 9 11 9 11 9 9 11 9


4



Coda

Chorus

Gtrs. 1 & 2: w/ Rhy Fig. 1

Bb

Just look and you’ll

D5/A

see me

Gtr. 5

G5


F5

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Bb


D5/A

see me

G5


w/ DigiTech Whammy Pedal

+1+2

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

55X7

5X7

5X7

X7

3

5

3X5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8

10

8X10

8X10

8 5X10 7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5 3X7 5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

12

14

12X14

12X14

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

15

17

15X17

15X17

15 12X17 14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

15

17

15X17

15X17

15 10X17 12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10 8X12 10

8X10

8X10

8 5X10 7

5X7

5X7

5X7

5X7

5X7


5



Gtr. 6 (dist.)

Interlude

*w/ harmonizer

Gtr. 1: w/ Riff BGtr. 2: w/ Riff B1 (2 times)

F#5

f

Gtr. 5 tacet

Gtr. 1: w/ Riff C

3

*Set for one octave above.

2 1 1 1 1/2 1 1/2

Gtr. 5

+2

Gtr. 6

harmonizer off

Gtrs. 1 & 2: w/ Riffs A & A1 (1st 3 meas.)

A5 G5 F#5 C5 G5 3

1 2 1 1

F#5

A5 G5

Gtr. 1

Gtr. 2divisi

F#5

Gtr. 6 1_ 1_

w/ bar 1 1/2 1_ 1_

11

11 11 11 9 11 11 9 11 9 9

11

9

11 11 11 11 9 10 9

5X7

999

9 9 7 9 9 77 9XX

2 2 2 29 9 9 7

0 2 3 29 10 9

2 2 29 9 9 9 9 9 9

2 2 2 2

79

79 9 9 79 7 9 7


6



(KillSpoken:

Interlude

*Voc. Fig. 1

F#5

ing- time on the

(All

streets.

Spoken: hate Sun day.

It’s

-

kill ing- time on the

All

streets.

hate Sun

End Voc. Fig. 1

day.)

It’s)

-

Bkgd. Voc.: w/ Voc. Fig. 1 (8 times)Gtrs. 1 & 2 tacet

**Gtr. 7

mp

Riff E8v a

**Synth. arr. for gtr.

1 1 1 2 1

Gtr. 1

Gtr. 2

Gtr. 6

*Applies to both voices.

Gtr. 7

Gtr. 6 tacet

End Riff E

8v a

Gtr. 7: w/ Riff E (7 1/2 times)

1 1 2 1

Gtr. 8 (dist.)

mf

1/2

17 17 17 17 17 17 17 17

29

2

17 17 17 17 17 17

9 11 11 11 9 11 11 9 11 911

9 9 9 9 9 9 9 9 9 9 99 11 11 11 11 11 11 9 8


7



1

Gtr. 8 A5 G5

1/2

Gtrs. 1 & 2

slight P.M.

F#5

C5 G5

(Kill

F#5

ing- time on the

(All

streets.)

hate Sun

A5

day.)

G5

-

F#5 µ

Gtr. 7

Gtr. 8divisi

8v a

1/2 1/2 1

Gtrs. 1 & 2

slight P.M.

9 89 9 9

97 7

9 11 11 11 9 11 11 9 11 911

9 9 9 9 9 9 9 9 9 9 9 9 9

9 11 11 11 11 11 11 11 11 11 11 9 8 9 8 9 8 9 8 9 8 9 8 9 8 9 8 97 9 9 9 7 9 9 9 9 7 9 7

9

2 2 2 2 0 2 3 2 2 2 5 5 3 3

7 9 9 9 7 9 9 9 9 7 9 7 9 7 9 9 9 7 9 9 9 9 97 9 7

17

7 9 7 10 9 7 9 10 9

2 2 2 2 0 2 3 2 2 23

3 2 2 2 2 0 2 3 2 2 2 5 5 3 3 3 2 0 3 2 0 2 3 2


8



ChorusGtrs. 1 & 2: w/ Rhy Fig. 1 (3 times)Gtrs. 7 & 8 tacet

Bb


D5/A

see me

Gtr. 5

G5


F5

Bb


D5/A

see me

G5


F5

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

55X7

5X7

5X7

X7

3

5

3X5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8

10

8X10

8X10

8 5X10 7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5 3X7 5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8

10

8X10

8X10

8 5X10 7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5 3X7 5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8

10

8X10

8X10

8 5X10 7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5 3X7 5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

12

14

12X14

12X14


9



Bb


D5/A

see me

G5


F5


Bb


D5

see me

G5


w/ DigiTech Whammy Pedal

+1+1 1/2

+2

+2 1/2

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

15

17

15X17

15X17

15 12X17 14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

15

17

15X17

15X17

15 10X17 12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10 8X12 10

8X10

8X10

8 5X10 7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

12

14

12X14

12X14

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

13X15

15

17

15X17

15X17

15X17

17

19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

20

22

20X22

20X22

20 17X22 19

X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19

X17

19

X17

19

X17

19

X17

19

17X19

X17

19


10



OutroGtrs. 1 & 2: w/ Riffs A & A1 (2 times)Gtr. 5 tacet

F#5

JustScreamed: look and

A5

you’ll,

G5 F#5

just look and

C5

you’ll,

G5 F#5

just look and

A5

you’ll,

G5

Gtr. 6

1

F#5

just look and you’ll,

just look and

A5

you’ll,

G5 F#5

just look and

C5

you’ll,

G5

1 1 1/2 1/2 1

F#5

just look and

A5

you’ll...

G5 F#5

µ

1

Gtr. 1

Gtr. 2divisi

9 9 9 9 9 9

9 119 911 9 9 9 9

9 912 12 11 11

29


11



Intro

Fast Rock q = 170

SpectacleWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner




µ

Gtr. 2(dist.)

f

A5

III

11

A5

2314

E7

1333

C

134211

F

23 1

E

5fr

1333

D

5fr

1111

C/D

134211

G

7fr

1333

E

32 1

C

7fr

1111

D/E

32 4

Cadd9

5fr

13 4

A5

23 1

Dm

7fr

13 4

E5

23 4

Dsus4

VII V

Gtr. 1 (dist.)

grad. bend

f rake

Riff A

1 1/4 1/4 1/4 1/4 1/4 1/4

(cont. in notation)

*

Gtr. 1 w/ Riff A

Am7

End Riff A

Gtr. 2


*Chord symbols reflect overall harmony.

1/4 1/4 1/4 1/4 1/4 1/4

Take1.

sim.

XX

33 0 0 3 0

55

3 0 3 0

55

3 0

55

3 0

3 0

55

3 0

55

3 0 3 0

55

3 0

55

3 0 055

22

022

055

22

022

055

22

055

22

022

055

22

022

055

22

055

22

022

055

22

022

055

22

055

22

022

055

22

022

55


1



two

Verse

A5

to break and three to go.

G

F

Gtr. 1

Rhy. Fig. 1

End Rhy. Fig. 1

1/4 1/4 1/4 1/4 1/4 1/4

Gtr. 2 Rhy. Fig. 1A

End Rhy. Fig. 1A

1/4 1/4 1/4 1/4 1/4 1/4

Hold

Gtr. 1: w/ Rhy. Fig. 1 (3 times)Gtr. 2: w/ Rhy. Fig. 1A (2 times)

A5

me back, you spec ta- cle.-

G

(Moth er- fuck

er,

F

- yeah.)

Kick

A5

me down with bro ken- bones.

G F

You

picked

A5

a fight, now stand your ground.

G

Gtr. 2

1 1/4 1/4 1/4 1/4 1/4 1/4

3 0

55

3 0

55

3 0 3 0

55

3 0

55

3 0 03554

3554

3554

3554

3554

3554

3554

1332

1332

1332

1332

1332

1332

0000

3 0 0 3 0 0 3 0 3 0 0 3 0 0 3 0

0 3

55

3

55

3

55

3

55

3

55

3

55

3

55

1

33

1

33

1

33

1

33

1

33

1

33

0

3 0 0 3 0 0 3 0 3 0 0 3 0 3 0 0

108

0


2



F

Chorus

Dm

You talk a bout- it,

(You

Gtr. 1

Rhy. Fig. 2

let ring

Gtr. 2

let ring

1

A5

don’t know what you want

F

in the back

talk a bout- it, what you want.)

let ring let ring

let ring

P.M. P.M.

02

3 31

233

231

230

231 0

23

000

8

888

0577

577

555

77

XXX

577

XXX

577

577

577

577

577

577

0

022

022

55 55

022

55 55

022

55 55

022

000

332

3

02

3

3

022

022

32

0 022

022

XXX

022

XXX

022

022

022

022

022

0 0 133

133

13

13

13

133


3



of some one- els

C

e’s- car.

End Rhy. Fig. 2

let ring let ring

P.M. P.M. P.M.

InterludeGtr. 1: w/ Riff A

Am7

You2.

Gtr. 2

let ring let ring let ring sim.

write

VerseGtr. 1: w/ Rhy. Fig. 1 (4 times)Gtr. 2: w/ Rhy. Fig. 1A (3 times)

A5

the list, well, write me off.

G

F

Rock

A5

et- bitch is blast ing- off.

G

(Right on tar

get,

F

- yeah.)

3

23

0

23 0

3201

3201

01

03 1

0

0 0

0

0

13

133

133

13

133

133

13 3

55

355

355

355

355

355

XXX

355

XXX

355

355

355

355

10

055

22

022

055

22

022

055

22

055

22

022

055

22

022

055

22

055

22

022

055

22

022

055

22 9

0000


4



Boots

A5

laced up, I’m here to go.

G

F

In

A5

the end I’ll stand a lone.-

G

Gtr. 2

Rhy. Fig. 3

1 1/4 1/4 1/4 1/4 1/4 1/4

F

ChorusGtr. 1: w/ Rhy. Fig. 2

Dm

You talk a bout- it,

Voc. Fig. 1

(You

End Rhy. Fig. 3 Rhy. Fig. 4

1

1

A5


F

in the back

talk a bout- it, what you want.)

3

1/21/2

3 0 0 3 0 0 3 0 3 0 0 3 0 0 3 0

108

108

86

7

08 8

7

0

577

577

555

77

XXX

577

XXX

577

577

577

555

77

XXX

XXX

577

577

577

577

XXX

577

XXX

577

577

77

77

55

7

000

133

133

133

133

133

133


5



of some one- els

C

e’s- car.

Gtr. 1

Rhy. Fig. 5

Gtr. 2

Dm

You lied a bout- it,

A5

bled an oth- -

(You lied a bout- it,

let ring

P.M.

32010

32010

32010

32010

32010

32010

0 2 30 2 3

0 2

133

133

133

133

133

133

133

133

355

355

355

333

355

XXX

355

XXX

355

355

355

333

355

355

577

023

0231

0231

0233

0231

233

231

230

231 0

23

000

022

022

55

55

022

55

577

577

555

577

555

577

XXX

577

577

577

555

77

0 0577

577

577

577

XXX

577


6



C oT oda

er- heart,

F

then be gan- to fall a part.-

an oth- er- heart,

End Voc. Fig. 1

fall a part.)-

let ring let ring

End Rhy. Fig. 4

3

1/21/2

E E7 E

Gtr. 1

Bridge

F

It

End Rhy. Fig. 5

(cont in slashes)

let ring

(2nd time, cont in slashes)

55

55

022

55

55

022

000

332

3

0

23

3

23

0

23 0

77

XXX

577

XXX

XXX

77

55

7

000

1332

1332

1332

1332

1332

1332

1332

1332

1332

1332

1332

1332

022

02210

02210

02210

02210

02210

02213 0

1 100

022

022

022

0221

0221

0221

0221

0221

0221

0221

0221

0221

0221

0221

0221

0221

8X10

8X10

8X10

8X10

8X10

8X10

8X10


7



E

rains and you fall back down a gain.-

(Fall back down a gain.-

Gtr. 2

F G F E

It be gins-

to rain and I’ll knock

you right back

F

Knock

down

you

a gain.-

right back down a gain.-

You in ces

- sant- bitch, you

8X10

8X10

8X10

8X10

8X10

8X10

8X10

7X9

7X9

7X9

7X9

7X

5 5 7 7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X99

X7

X7

X9

7X9

8

10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

10

12

8X10

7X9

7X9

7X9

7X

5 5 7

9X7

X7

X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10


8



C Cadd9 C Dm Dsus4

lied

in wait for the last

Lied

time

in wait

now.

for the last time now.

I’m

Dm E E7 E

(cont. in notation)

stand ing- now,

I’m stand ing- now.)

I'm stand ing- now.

w/ wah-wah

Gtr. 3 (dist.)

Guitar Solo

f

A5

*Gtrs. 1 & 2

Rhy. Fig. 6

*Gtr. 2, wah-wah off. Composite arrangement

15X17

15X17

15X17

15X17

15X17

15X17

15X17

15X17

15X17

15X17

15X17

15X17

15X17

15X17

17

19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

17X19

19X21

19X21

19X21

19X21

19X21

19X21

19X21

19X21

19X21

19X21

19X21

19X21

19X21

19X21

1717 19 19 1717 19 19 1717 19 1717 19 19 1717 19 19 17

15 17 17 15 17 17 17 17 15 17 17 17

555

77

577

555

77

577

555

77

555

77

577

555

77

577

555

77

555

77

577

555

77

577

555

77


9




let ring 8v a

loco

3

11/2

End Rhy. Fig. 6

Gtr. 2

F

Gtr. 3 8v a

loco Gtr. 3

8v a

1 1/2 1 21/2

Gtr. 1

P.M. P.M.

IIIC D

8v a

loco. 3

3

1

1

P.M. P.M. P.M. P.M. P.M.

15 17 17 17 17 17 15 17 17 17 17 1715

1920

1720

19

1720

19 17 19 1719

1719 17

19

555

77

577

555

77

577

555

77

17

1717

20 19 1917 19 19 1718

1919

1717 18 18

133

133

13

13

133

13

17 18 20 18 20 18 17 18 1 7 1817

1719

1719 17 17 16

191917 19 19 19 17

1919

19

13

13

133

13

13

133

133

355

355

35

35

35

355

35

35

355

35

35

355

355


10



C/D D C/D D VIIE D/E VIIE

w/ wah-wah

let ring

8v a

1 1/2 1 1


Verse

steady gliss.

A5 V

wah-wah off

17fr

A

Take3. two to break and three to go.

8v a

fdbk.

loco

1

Pitch: E

1/2

P.M. P.M.

steady gliss.

19 19 19 17 19 17 1920

17

17

17

20 17

20 19 20 19 20 19 17 1 9 17

20 20

17 17

577

577

57

57

57

577

57

57

57

577

57

57

57

577

0799

799

79

79

79

799

79

20 17 20 1719

19

17

19

17

19 17

20

19 17 19 17

20

79

79

799

79

79

79

799

0 577

0 17


11



D.S. al Coda

Coda

Gtr. 1: w/ Rhy. Fig. 1 (4 times)Gtr. 2: w/ Rhy. Fig. 1A (3 times)Gtr. 3 tacet

A5

(Yeah,

yeah.

G

F

Hold

A5

me back, you spec

ta- cle.-

G

Uh huh,

F

yeah.

Kick

A5

me down with

bro

ken- bones.

G

Moth er- fuck er,

F

- yeah.)

You

picked


A5

a fight, now stand

your

ground.

G

F

E5


Dm

You

Gtr. 1 Gtr. 4 (dist.)

f

02213 0

1 100

022

022

022 0 2 3 2 0 2 3 2


12



talk


a bout- it,

A5


F

in the back of some one- els


C

e’s- car.

Dm

You lied a bout- it,

A5

bled an oth- er- heart,

F

then be gan-

32 3 2

32 3 2 1 2 3 2 1 2 3 2 1 2 3 2 1 2 3 2

32 3 2

32 3 2

32 3 2 0 2 0 2

32 3 2

32 3 2

0 2 30 2 3

0 20 2 3 2 0 2 3 2

32 3 2 0 2 3 2

1 2 3 2 1 2 3 2 1 2 3 2 1 2 3 23

2 3 23

2 3 2


13



to fall a part.-

E E7 E

Moth er- fuck -

fall a part.)-

Gtr. 4

Gtr. 2

steady gliss.

Outro

Gtr. 4 tacet

A5

er,- yeah.

µ

Gtr. 1

Gtr. 4

Gtr. 1divisi

1 1/4 1/4 1/4 1/4 1/4 1/4 1/4 1/4 1/4

Gtr. 2

1/4 1/4 1/4 1/4 1/4 1/4 1/4 1/4 1/4

32 3 2

32 3 2 0 2 3 2

12 3 2 0 2 3 2

12 3 2

1332

1332

1332

1332

1332

1332

022

0221

0221

0221

0221

0221

0221

0221

0221

0221

19

3 0

55

3 0

55

3 0 3 0

55

3 0

55

3 0 3 0

55

3

8

570

55

3 057

8

3 0 0 3 0 0 3 0 3 0 0 3 0 0 3 0 3 0 0 3 0 0 3 0 022


14



Fall To Pieces

© Copyright 2004 Ready Set Go Publishing/Pimp Music/Dracsorum Music/D T K Music.

Chrysalis Music Limited (77.5%)/Copyright Control (22.5%).

Words & Music by Matt Sorum, Duff 'Rose' McKagan, Scott Weiland, David Kushner & Saul Hudson

q = 133

Recorded key Db - tune gtrs. down a semitone

D C G 5 F A C'9 B m( '1 1) E 5

7fr

mf w/clean glassy tone

Intro

Gtr. 1 (elec.)

D

C G 5 Gtr.2 (elec.)

9fr

C#

w/dist.

6

4fr

4F

4fr

G5

Verse D

It’s

I

been

keep

a

a

long

jour

year

nal-

C

since

of

you’ve

me

been

mo

G 5

- -

233 2

32 0

4233 2

32 0

4 00

2

0

3

01

02

0

3X003

03

200

3 200

320 2

33 2

32 0

4233 2

32 0

4 00

2

03211 0

12

30

3X003

03

200

3 200

320

233 2

32 0

4233 2

32 0

4 00

2

0

3

01

02

0

3X003



9fr

C#6

gone,

ries,-

I’ve

I’m

been

feel

a

ing-

lone

lone

- here,

ly,-

9fr

C#6

F

I’ve

I

grown

can’t

old.

breathe.

G 5

I

Harmony 2º only

fall to piec es,-

3fr

C5

3fr

G6

D

I’m fall ing,- fell to

3fr

F4

5fr

G4

piec es- and I’m still fall ing.-

03

200

3 200

320 2

33 2

32 0

4233 2

32 0

4 00

2

0

3211 0

12

30

3X003

03

200

3 200

320 2

33 2

32 0

4233 2

32 0

4 00

2

0

3

01

02

0

3X003

03

200

3 200

320 2

33 2

32 0

4233 2

32 0

4 00

2

03211 0

12

30

3X003

03

200

3 200

320

2



1.

Pre chorusA G 5 D 3fr

G6

Ev ’ry- time I’m fall ing- down,

ff w/distortion

1/4

A G 5 A 3fr

G6

all a lone- I fall to piec es.-

D Cad d 9 G 5 fr2

B

fr3

C

fr2

B

fr3

C

Gtr.3 (elec)

Gtr. 3 w/distortionGtr. 1 w/Fig. 1 (x2)Fig. 2...

1/2

D C ad d 9 G 5

...Fig. 2 ends1/2

0223 2

22 0

4 0223 2

22 0

4 02 4 0

3 3X003

023

023

023

3

0223 2

22 0

4 0223 2

22 0

4 02 4 0

3X003

3X003

0222

0222

0222

3X003

1 5 1 415

14 12 11

14 1415

14 12 1112

1 3 1 213

12 10 9

10 109 10 12

15 1415

14 12 11

14 1415

14 12 1112

13 1213

12 10 9

10

3



2.Chorus

D C ad d 9 G5

Ev ’ry- time I’m fall -

Gtr. 1

Fig.1...

2fr

B

3fr

C

2fr

B

3fr

C D

ing- down, all a lone- I fall

...Fig. 1 ends

C ad d 9 G5 2fr

B

3fr

C

2fr

B

3fr

C D

to piec es.- Ev ’ry-

Ca d d 9 G5

2fr

B

3fr

C

2fr

B

3fr

C

time I’m fall ing- down,

5 7 777

777

777

00

5 7 777

777

777

00

5 7 777

00

3 5 555

555

555

00

3X003

3X003

3X003

3X003

3X003

000

5 7 777

777

777

00

5 7 777

777

777

00

5 7 777

00

3 5 555

555

555

00

3X003

3X003

3X003

3X003

3X003

000

5 7 777

777

777

00

5 7

777

777

777

00

5 7 777

00

3 5 555

555

555

00

3X003

3X003

3X003

3X003

3X003

000

4



D Ca d d 9 G5


Bridge

Bm'1 1 G 5

All the years I’ve tried with more to

mf w/cleaner tone

Bm'11

go, when will the mem ’ries- die?

G 5 Bm'1 1

I’m wait ing.- And will I

5 7 777

777

777 00

5 7 777

777

777 00

5 7 777 00

3 5 555

555

555 00

3X003

2

43

4

03

43

2

43

4

03

43

3

03

0

03

03

3

03

0

03

03

2

43

4

03

43

2

43

4

03

43

3

03

0

03

03

3

03

0

03

03

2

43

4

03

43

5



A G 5

find you, and can I find you? We’re fall -

ing- down, I’m fall ing.-

SoloD C ad d 9 G 5 cont. sim.

f Gtr.1 w/fig. 1 (x4)

3

full full full full full full full

D

3 Ca d d 9 G5

3

ful l ful l 1/4 1/4full

2

43

4

0

34

3

0

22

23 2

22

0

22

23 2

2 0 53

0

43

0

53

0

43

0

5 4 00

53

0

43

0

53

0

43

0

5 4 00

17 17 17 15 1 716

15 17 17

15 15 14 15 13 1315 13 15 13 12 13 12 13 12 10 12 10 1012 10

6



D

3 3 3

full full

full full

C ad d 9 G5

Gtrs. 1+2

E5

3

3 3

full full 1/2full

G5 A5 G5

3

1/2 full fullfull

1/2

Chorus

Gtr.2

D C ad d 9 G 5 2fr

B

3fr

C

2fr

B

3fr

C

2º


Gtr.1 w/Fig. 12º Gtr. 3 w/Fig2 (x2)

g l i s s .

3

1/2 full

g l i s s .

10

1010

10 1010 10 12

121012

12 10 1212

10 15

1210

15 1414 15 1415

1415 171 5 1 2 15

1212

15

1212

1215

14 14 15 15 14 15

14 12 10 1212

10

7



1.

2.

D Cad d 9 G5

2fr

B

3fr

C

2fr

B

3fr

C


Gtr. 1

D Ca d d 9 G 5 2fr

B

3fr

C

2fr

B

3fr

C


D Ca d d 9 G 5


C ad d 9 G 5

to piec es.-

5 7 777

777

777

00

5 7 777

777

777

00

5 7 777

00

3 5 555

555

555

00

3X003

3X003

3X003

3X003

3X003

000

5 7 777

777

777

00

5 7 777

777

777

00

5 7 777

00

3 5 555

555

555

00

3X003

3X003

3X003

3X003

3X003

000

5 7 777

777

777

00

5 7 777

777

777

00

5 7 777

00

3 5 555

555

555

00

3X003

3X003

3X003

3X003

3X003

000

3 5 555

555

555

00

3X003

8



Intro

Moderately q = 95

HeadspaceWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner




Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 1 (dist.)Rhy. Fig. 1

C5

f

B5

5fr

32 1

A

8fr

11 1

Bb5

6fr

32

Aadd9

8fr

11 3

Bbsus2

6fr

32 1

A(b6)

8fr

41 1

Fsus2

10fr

11 1

C5

5fr

11 1

G5

13

D5

7fr

33 3

A5

11 1

F5

C5 B5

C5 B5 C5

End Rhy. Fig. 1

6 3

**Gtrs. 1 & 2 (dist.)

*

Rhy. Fig. 2

f

C5 F5 E5 C5 F5End Rhy. Fig. 2

E5Rhy. Fig. 3

C5 F5 E5

*Chord symbols reflect overall harmony.**Composite arrangement

C5 F5 µ End Rhy. Fig. 3

Gtr. 3 (dist.)

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

Riff AC5

mf

F5 E5

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

999

999

999

999

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

999

999

999

999

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

999

999

999

999

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

10 12 10 0 333

0 333

0 333

0 222

0 10 12 10 0 333

0 333

0 333

0 222

0 10 12 10 0 333

0 333

0 333

0 222

0

10 12 10 0 333

0 333

0 333

0 XXX

XXX

XXX

XXX

3X5

5

7

3

5

0X8

10

XXX

X10

12

XXX

X11

13

XXX

X7

9

7

9


1



C5 F5 E5 C5 F5 E5 C5 F5

End Riff A

E5

Gtr. 4(slight dist.)

VerseGtr. 3 tacet

Rhy. Fig. 4

w/ chorus

mf

A Aadd9

Me,1. I’m a man who is

Gtr. 1

Harm. Harm.

A A(b6)End Rhy. Fig. 4

trudg ing- best I can through a

Harm. Harm.

mine


A

field- built to blast.

Aadd9

Can I

Harm.

3X5

5

7

3

5

0X8

10

XXX

X10

12

XXX

X11

13

XXX

X7

9

7

9

3X5

5

7

3

5

0X8

10

XXX

X10

12

XXX

X11

13

XXX

X7

9

7

9

3X5

5

7

3

5

0X8

10

XXX

X10

12

XXX

X11

13

XXX

X7

9

7

9

555

777

777

777

777

777

555

777 7

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777 7

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777 7

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777 7

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777 7

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777

XXX

XXX

XXX

777

555

555

555


2



A

Gtr. 2

C5

make it, will I last? Free my

mind,

ChorusGtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

C5 F5

lev i

E5

- tate.

C5

-

F5

Don’t let

E5

an

C5

y- of

F5

those fuck ers- in my

E5

head -

space.

C5 F5 E5

Verse

Please,2.


A

let me be.

Aadd9

No more

Gtr. 1

ques

A

tions,- no more needs.

A(b6)

You’re the

Harm.

8v a loco

Pitch: G

555

777

777

777

777

777

555

777

XXX

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777

101010

101010

101010

101010

101010

101010

101010

555

777

777

777

777

777

555

777

XXX

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777

XXX

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777

X

5X

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777

777

555

555

555


3



can

A

cer,- you’re the leech,

Aadd9

sent to

A

Gtr. 2

C5

3

bleed me of dis ease.- Free my

3

mind,

Chorus



C5 F5

lev i

E5

- tate.

C5

-

F5

Don’t let

E5

an


2nd time, Gtr. 2: w/ Rhy. Fig. 3

C5

y- of

F5

those fuck ers- in my

E5

head -

space.

C5 F5

Let me

E5

go

1st time, Gtr. 1: w/ Rhy. Fig. 2 (2 times)2nd time, Gtrs. 1 & 2: w/ Rhy. Fig. 6

C5 F5

my own

E5

way.

C5 F5

Burn the

E5

rest

2nd time, Gtrs. 1 & 2: w/ Rhy. Fig. 2

C5

of them

F5

that try to keep me

E5

en chained.

C5

-

F5 E5

555

777

777

777

777

777

555

777

XXX

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777

XXX

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777

XXX

XXX

XXX

777

555

555

555

555

777

777

777

777

777

555

777

101010

101010

101010

101010

101010

101010


4



Gtr. 2

Bridge

Rhy. Fig. 5

D5 F5

Liv ing,...-

...tak ing- chanc es- is n’t-

Gtr. 1

C5 Bb5


Bbsus2End Rhy. Fig. 5

all that it’s meant to be.

(Meant to be.)

Dy


D5

ing...-

...with your face

F5

on, a

Fill 1

Gtr. 1

3 0 03

03

0 0 03

03

0 0 03

3 0 03

03

0 0 03

03

0 0 03

3 0 0

30

30 0 0

30

30 0 0

33 0 0

30

30 0 0 0

3 30

33 0

3 0 03

03

0 0 03

03

0 0 03

3 0 03

03

0 0 03

03

0 0 03

3 0 03

03

0 0 03

03

03

3 0


5



C oT oda

tee

C5

shirt is n’t-

Bb5

all that

Bsus2

o rig- i- nal.-

Gtr. 2

Bbsus2 Fsus2

Guitar Solo


C5 F5 E5

(All that o rig- i- nal.)-

Gtr. 5 (dist.)

f

1

Gtr. 1

Gtr. 5

C5 F5

E5


C5 F5 E5 3

3

1 grad. release

2 1/2 1

3 0 03

03

0 0 03

03

0 0 03

3 0 03

03

0 2 03

03

0 0 03

55X7

5X7

5X7

X7

7X

7 8X

9X7

9X9 10

8 10XX

8

10X10 12

X10

12X 5

10

12

12

14

12

14 5

0

17

5 5 5 5 5 3 0

13

3 0

13 10 13 1313 1310

10


6



C5 F5 µ

* Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

C5 F5 E5

6 3 3 6

*Played behind the beat.

11/2 1

C5

P.M.

F5 E5 C5 F5 E5

3

1

C5 F5 E5

Verse

Gtr. 1

G5 A5 G5 A5

Me,3. I’m a

3 3

11 1/2

1210

13 10 12 1012

1212

10 1012 12 10

1212

12

5

10 10

5 3 5 3 0

3 5 05 3 5 0 3 5 3 0 3 3

119 1 0 9

129 10 12

9 1 0 912

9 10 1210

88 10

1013

1013 12 10 13 10 12 13

1010 12

1312

1410

12 1310 13 10 12

1310 12 13 10

131310 10

1312 12

1012 10 12 10


7



D.S. al Coda

G5 A5 G5 A5 G5 A5 G5 A5 G5 A5 G5 A5

(cont. in notation)

C5

man. Will I make it, will I last? Free my

Gtr. 5

fdbk.

15ma

Gtr. 2

mind,

Chorus

Gtr. 5 tacet

C5 F5

lev i

E5

- tate.

C5

-

F5

Don’t let

E5

Gtrs. 1 & 2


12

777

101010

10 12 10 0 333

0 333

0 333

0 222

0 10 12 10 0 333

0 333

0 333

0 222


8



Coda

Gtr. 2

Bbsus2

Chorus

Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtr. 3: w/ Riff AGtr. 5 tacet

C5 F5 E5 C5 F5 E5

(All

that o rig- i- nal.)-

My head space.- My head -

Gtr. 5

mp

Gtr. 1

space.


C5 F5

My head

E5

space.

C5

-

F5 E5

Outro


C5

F5 E5

Gtrs. 1 & 2

55X7

5X7

5X7

X7

7X

7 8X

9X7

9X9 10

8 10XX

8

10X10 12

X10

12X10

12

12

14

12

14

133

133

133

133

133

133

133

133

133

133

133

133

133

133

10 12 10 0 333

0 333

0 333

0 222


9



Intro

Moderately q = 122

SuperhumanWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner





Gtr. 1 (dist.)*

**D7

f

*Key signature denotes D Mixolydian.

**Chord symbols reflect implied harmony.

D5

I’m a su per- man.-

F5

Gtr. 1

Riff A

Gtr. 2 (dist.)

f

Riff B

Gtr. 3 (dist.)

mf

Rhy. Fig. 1

12

13

12

15

12

15 13

12

13

12

15 13

12

14

12

13

12

15

12

15 13

12

13

12

15 13

12

14

12

13

12

15

12

15 13

12

13

12

15 13

12

14

15 00

03

05

05 3

03 5

05 3 0

33

00

00

00

00

00

00

00

00

00

00

33


1



I

D5

wan na- be your su per- man.-

F#5Gtr. 1: w/ Riff A

D5

I’m a su per- man.-

End Riff A

F5

I

D5

wan na- be your su per- man.-

F#5

Gtr. 2End Riff B


14

12

13

12

15

12

15 13

12

13

12

15 13

12

14

33

03

05

05 3

03 5

05 3 0

44

03

05

05 3

33

00

00

00

00

00

00

00

00

00

44

00

00

00

00

00

03 5

05 3 0

33

03

05

05 3

03 5

05 3 0

44

00

00

00

00

33

00

00

00

00

00

00

00

00

00

44


2



Verse

D7[no3rd]

What1. you get is a crash

Gtr. 1 tacet

course to be a man, but a man is a des ti- na- tion- nev er- known.

Gtr. 1

Gtr. 2 Riff C


P.M. P.M. P.M. P.M. P.M. P.M.

1/4

Gtr. 3 Riff D

End Riff D

1/4

Some times- dressed up like a red hot la dy- in pumps. Don’t think she can get e nough.-

Gtr. 2



slightP.H.

1/4 1/4

Gtr. 3 Riff E

End Riff E

1/4 1/4

14

44

05

07

07 5

0 05

07 5

0 3 3 05

07

07 5

0 05

07 5

0 3

44

03 5 5

03 5

03 5 5 3

0

3 3

03 5 5

03 5

03 5 5 3

0 3

3 05

07

07 5

0 05

07 5

0 3 3 05

07

07 5

0 05

07 5

0

7

3 03 5 5

03 5

03 5 5 3

0

3 3

03 5 5

03 5

03 5 5 3

0 3


3



Gtr. 3: w/ Riff E

Al ways- feel like she’s run nin’- on a ham ster- wheel. Get tin’- high, crash in’- cars and mak in’- mis takes.-

Gtr. 2

P.M.



1/4

Keep in’- her face packed with co caine.- Her face is numb, your faith is

I’m

gone.

Ab5

Gtr. 2



End Riff C

1/4 1/4

Gtr. 3 Riff F

End Riff F

1/4 1/4

Pre-Chorus

G5 Ab5 G5 Ab5

trav

G5 F5 G5 F5

’lin’

G5

- on

Ab5 G5 Ab5 G5 Ab5

now.

G5 F5 G5 F5 Bb5 A5

I’m

Ab5

*Gtrs. 2 & 3Rhy. Fig. 2


7

05

07

07 5

0 05

07 5

0 3 3 05

07

07 5

0 05

07 5

0 3

3 05

07

07 5

0 05

07 5

0 3 3 05

07

07 5

0 05

07 5

66

3 03 5 5

03 5

03 5 5 3

0

3 3

03 5 5

03 5

03 5 5 3

0 66

66

55

66

55

66

55

33

55

33

55

66

55

66

55

66

55

33

55

33

88

77

66


4



C oT oda

D.S. al Coda

G5 Ab5 G5 Ab5

mak

G5 F5 G5 F5

ing

G5

- plans

Ab5 G5 Ab5 G5 Ab5

now.

A5 Bb5 A5 Bb5 A5 Bb5 A5 D5

End Rhy. Fig. 2

Chorus

Gtr. 2: w/ Riff BGtr. 3: w/ Rhy. Fig. 1

D5

Co caine,- al co- hol,-

F5

la

D5

dy- lay,- with drawal.-

F#5

Co

D5

caine,- al co- hol,-

F5

la

D5


F#5

VerseGtr. 2: w/ Riff CGtr. 3: w/ Riff D

D7[no3rd]

Keep2. it com in’- in a world that’s blown up wild. Keep

it com in’- in a world that’s bred her style.

Gtr. 3: w/ Riff E (2 times)

We’re

all run nin’- from the goose, she’s high on co caine.- There’s

a noose swim min’- right be tween- her legs to her brain.

We’re

all in need of a su per- hu- man- wom an- now. We’re

all in need of a su per- hu- man- wom an- now.

Gtr. 3: w/ Riff F

So ro

de- o,- ro de- o,- ro de- o,- ro de- o.- Throw

the rope a round- her neck and get the show on the road.

I’m

Ab5

66

55

66

55

66

55

33

55

33

55

66

55

66

55

66

77

77

88

77

88

77

88

77

00


5



Coda

la

D5


F#5

Guitar SoloGtr. 2: w/ Riff B (last 4 meas., 2 times)Gtr. 3: w/ Rhy. Fig. 1 (last 4 meas., 2 times)

D5

Gtr. 1

Gtr. 4 (dist.)

w/ flanger

f

F5 D5 F#5

D5 F5 D5 F#5

X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14

7

X14

14X14

14X14

14X14

14X14

14X14

14X14

14X13

13X13

13X13

13X13

13X13

13X13

13X13

13X13

13X13

13X13

13X13

13X13

13X13

13X13

13X13

13X14

14

7 11 10 11

14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X17

17X17

17X17

17X16

16X16

16X16

16X16

16X16

16X16

16X16

16X16

16X16

16X16

16X16

16X16

16X16

16X16

161514

1110 9 9 9 13


6



D5

I’m

Ab5

Pre-Chorus

Gtr. 1 tacetGtrs. 2 & 3: w/ Rhy. Fig. 2

Ab5 G5 Ab5 G5 Ab5

trav

G5

Gtr. 4 tacet

F5 G5 F5

’lin’

G5

- on

Ab5

Gtr. 1

Gtr. 4

1

Gtr. 2

Gtr. 3

G5 Ab5 G5 Ab5

now.

G5 F5 G5 F5 Bb5 A5

I’m

Ab5 G5 Ab5 G5 Ab5

mak

G5 F5 G5 F5

ing

G5

- plans

Ab5

1514

161514

1413

1514

1514

161514

1514

161514

161514

1615 15

13 13 13

44

00

00

00

00

00

00

00 5

77

577

577

577

577

577

66

44

00

00

00

00 5

77

577

577

577

577

577

66


7



G5 Ab5 G5 Ab5

now.

G5 F5 G5 F5 E5 D5

Bridge

What’sSpoken: she think in’?- She’ll

Gtrs. 2 & 3 Gtr. 3

*w/ delay

*Set for eighth-note regeneration w/ 6 repeats.

Gtr. 2

nev

Gtr. 3 tacet

er- get e nough.-

What’s she think in’?- She’ll nev er- get e nough.-

Gtr. 4

mf

Gtr. 23 7 3 3 3 3 3 3

**Using a guitar with Les Paul-style electronics, set lead volume to 0 and rhythm volume to 10. Strike the strings whilethe pickup selector switch is in the lead position, then flip the switch in the rhythm indicated to simulate the re-attack.

**

66

55

66

55

66

55

33

55

33

33

22

00

5 17

00

5X7

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00


8



Gtr. 2 tacet

What’s she think in’?- She’ll nev er- get e nough.-

What’s she think in’?- She’ll

Gtr. 4

nev er- get e nough.-

(I’m

What’s she think in’?-

trav

She’ll nev er- get e nough.-

’lin’- on

Gtr. 1

Gtr. 4


now.

She’ll nev er- get e nough.-

I’m


mak

She’ll

-

5

7

5

7

8X10

X7

9X6

8

12 12

13

12

15

12

15 13

12

13

12

15 13

12

14

6

8X

5

7

5

7

8

X10

X

7

9

14

12

13

12

15

12

15 13

12

13

12

15 13

12

14

12

13

12

15

12

15 13

7

9X6

8X5

7

5

7

8X10


9



nev er

-

- get e nough.-

in’ plans


now.

She’llShouted: nev er- get e nough,- ah!

Gtr. 1

Gtr. 4

Gtrs. 2 & 3

delay off

*Gtr. 3 w/ auto-wah, next 8 meas.

*

Gtr. 2: w/ Riff B (1st 6 meas.)Gtr. 3: w/ Rhy. Fig. 1 (1st 6 meas.)Gtr. 4 tacet

F5

D5

F#5

Gtr. 1

12

13

12

15 13

12

14

12

13

12

15 13

12

15 13

12

13

12

15 13

12 16

8

10

X7

9

X6

8

00

16 12

13

12

15

12

15 13

12

13

12

15 13

12

14

12

13

12

15

12

15 13

12

13

12

15 13

12

14


10



Gtr. 5 (dist.)

Gtr. 1: w/ Riff A

D5

F5

D5

mf

Gtr. 2

Gtr. 3

auto-wah off

Outro-Chorus

Gtr. 2: w/ Riff BGtr. 3: w/ Rhy. Fig. 1

D5

Co caine,- al co- hol,-

F5

la

D5


F#5

Gtr. 5

Gtr. 1

X14

14

33

03 0 5

05 3 0 3 5

05 3 0

00

33

00

00

00

00

00

00

00

00

00

00

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

14

14X

15

15X

15

15X

15

15X

14

14

14 14


11



Co

D5

caine,- al co- hol,-

F5

la

D5


F#5

Gtr. 5 tacet

D7

µ

Gtr. 1

Gtrs. 2 & 3

14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X14

14X13

13X14

14X13

13X13

13

12

12 12

13

12

15

12

15 13

12

13

12

15 13

12

14 14

44


12



Intro


Set Me FreeWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner




Gtr. 1 (dist.)

µ

f

Riff A

1

D5

13

Bb5

13

C5

13

G58fr

13 4

F5

13

F5 I

Gtr. 1

End Riff A

*A5Gtr. 1: w/ Riff A (1 1/2 times)

Gtr. 2 (dist.)

f

Gtr. 3 (dist.)

f

*Chord symbols reflect basic harmony.

**Gtrs. 2 & 3

**Composite arrangement

XXX

XXX

XXX

XXX

XXX

8 7X11 10

5X8

5X8

5X8

6X9

5X8

6X9

7X10

8 7X11 10

XX

5X8

5

8

5X8

5X8

6X9

5X8

6X9

7X10

8 7X11 10

5X8

1402

02

02

02

02

02

02


1



Gtr. 1

Riff B End Riff B

Gtr. 1 tacet

C C# G5 G#5

A5

Gtr. 3

Rhy. Fig. 1

Gtr. 2

Riff C

Gtr. 3

C C# G5 G#5 A5End Rhy. Fig. 1 Rhy. Fig. 2

C C# G5

Gtr. 2End Riff C

G#5 A5 C C# G5 G#5 A5

End Rhy. Fig. 2

5

8

5X8

5X8

6X9

5X8

6X9

7X10 X

11 10

8 7

02

0 0

55

55

66

66

55

55

77

66

66

77

77

88

77

55

0

02

15 5 53 3 4 4

3 35

4 4 5 56 5 3

5

0 0

55

55

66

66

55

55

77

66

66

77

77

88

77

55

0 0

55

55

66

66

55

55

5 53 3 4 4

3 35

4 4 5 56 5 3

5 53 3 4 4

3 3

77

66

66

77

77

88

77

55

0 0

55

55

66

66

55

55

66

66

77

77

88

77

55

77

5

4 4 5 56 5 3

5 53 3 4 4

3 3 4 4 56 5 3

5


2



Verse

A5

You1. op er- ate

µ

- and mo ti- vate- on syn thet- ic- fuel. You’re Moth er- Na ture- and an at om- bomb.

As long as you’re kept full of pret ty- bod ies,- your lit tle- se cret- will be safe with me.

A5

Gtr. 1

Gtr. 3

Gtr. 2divisi

(Ah.)

Pre-Chorus

Gtr. 1: w/ Riff A (1 1/2 times)Gtr. 2: w/ Riff C (1 1/2 times)Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times)

C C# G5 G#5

A5

C C# G5 G#5

A5

77

5 5

XX

XX

8 7X11 10

5X8

1505


3



C oT oda

A

C

round

C#

- a

G5

gain,-

G#5

in

A5

sane- a gain,-

Gtr. 1: w/ Riff B

it

she

C

comes

C#

a

G5

gain-

G#5

and

A5

sets me free.

D

Gtr. 3

Gtr. 2

Chorus

D

So set me free,

Bb

set me free

C

’cause I think

G5

you need my soul.

D

Gtrs. 2 & 3


Set me free,

Bb

set me free.

F5 E5 A5

*

*Gtr. 2 plays A on 6th string, Gtr. 3 plays

A on 6th string.

0 0

55

55

66

66

55

55

66

66

77

77

88

77

0232

5 53 3 4 4

3 3 4 4 5 56 5 0

0232

0232

0232

0232

0232

0232

1333

1333

1333

1333

1333

3555

3555

3555

3555

3X0033

3X0

3X0033

320033

0232

0232

0232

0232

0232

00

1333

1333

1333

1333

1333

08

1010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

799

799

799

05


4



D.S. al Coda

Interlude

Gtr. 2: w/ Riff CGtr. 3: w/ Rhy. Fig. 2

A5 C C# G5

G#5 A5

C C# G5

G#5 A5

Verse

A5

You’re2. kept

µ

a live- and po lar- ized- with one thing in mind. Me tab- o- liz- in’- ev ’ry- thing- that you see.

Gtr. 3

Gtr. 2

But

now and then or a

lit tle- lat er,- now I’m

gon na- take you down with me.

A5

Gtr. 1

Gtr. 3

8v a

loco

Gtr. 2

77

5

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

8 7X11 10

5X8

20 20 20

170

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

5


5



Coda

ChorusGtr. 2: w/ Rhy. Fig. 2

D

So set me free,

Bb

set me free

C

’cause I think

G5

you need my soul.

D

Gtr. 3

Rhy. Fig. 4

Set me free,

Bb

set me free.

G C D

Gtr. 3

End Rhy. Fig. 4

Gtr. 2



So set me free,

Bb

set me free

C

’cause I think

G5

you need my soul.

D

Gtr. 3

0232

0232

0232

0232

766

766

766

766

766

766

766

988

988

988

988

988

988

787

787

787

787

775

775

775

775

775

775

766

766

766

766

766

0

787

787

787

0787

0787

0787

988

988

988

988

988

988

00

0232

0232

0232

0232

0232

1333

1333

1333

1333

1333

0 3X0033

3X0033

3X0033

3X0033

03555

3555

3555

3555

3555

3555

00

0232

0232

0232

32

0232

02 7 7

66

766

766

766

988

988

988

988

988

0787

0787

0787

0787

0232

66


6



Set me free,

Bb

set me free.

F5 F

Gtr. 3

Gtr. 2

Bridge

F

So take me down,

E

take me

G5

down, down, down, down.

F

let ring let ring

let ring

0232

0 0 07

07

0766

766

766

766

766

0

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

15 13

02

32

02 02 02

3

02

3

133

3

133

3

133

3

133

3

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

1332

11

1

3

1

3

11

1

3

1

3

0

2

0

2

00

0

00

0 3

X0033

3

X0033

3

X0033

3

X0033

3

X0033

3

X0033

3

X0033

3

X0033

3

X0033

3

X0033

0 1

332

133211

11

13

13

022X00

00

0221

00

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

133211


7



Take me down,

E

take me down.

A5 A F

Gtr. 1

3 3

3

1 1/2

Gtr. 3


Gtr. 2

let ring

Gtr. 1 tacet

So take me down,

E5

take me

G5

down,

D/F#

down, down, down.

F

Gtr. 3

Gtr. 2

let ring

8

7

58 5

7 5 7 57 5

7 5 3 5 35

1332

332

11

1332

1332

0221

0

00

0221

2210

02

02

3 22

02 3

133211

133211

133211

022100

0221 1

00

02

133211

35

3 35

3 25

2 25

2 5 57

5 57

5 4 47

4 47

4 3

133211

022X00

0 0 0 3X0033

3X0

3 3 2X023

2X02

133211


8



Take me down,

E5

take me down.

A5

G5 A5

Gtr. 1

Gtr. 3

Gtr. 2

1

Gtr. 3

Interlude

Gtr. 1: w/ Riff A (2 times)

A5 µ

A5

Gtr. 2

XXX

XXX

8 7X11 10

5X8

3 35

3 35

3 2 25

2 25

7 7 75

7 75

7 75

7 7 7 5X8

5X8

5X8

X7

10

133211

022X00

2

0

2

0 0 0 0 035

35

35

57

7

10

02

57

1502


9



Gtrs. 2 & 3

Gtr. 1

Guitar Solo

*w/ octaver

A5 C5 A5

*Set for one octave below.

Gtrs. 2 & 3


1/21/2

Gtr. 1

Gtrs. 2 & 3: w/ Rhy. Fig. 6 (2 1/2 times)C5

A5

** 1

**Change octaver setting to 2 octaves below.

1/21/2 1/21/2 1 1 1

C5 A5 8v a

1/2 1

02

02

17022

5

8

5X8

5X8

XX 5

X8

5X8

5X8

5X8

7

10X7

10X7

10X7

105X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

255

77

022

022

0 0 022

0 0 022

022

022

0 355

355

355

022

022

0 0 022

0 0 022 7

7

0 0

77

00

022

77

55

77

777

55

77

555

77

755

108

55

97

86

75

11

11 12 11 1213 10

12

11 12 11 1213 10

1210 16 13 15 15 13 10 15 13

19


10



Gtr. 1

C5

A5 Bm

C5/A D

8v a

1 11 1

1/2 1

Gtrs. 2 & 3

let ring 1/21/2 1/21/2

Chorus


D

So set me free,

Bb

Gtr. 1 tacet

set

me free,

C

’cause I think

G5

you need my soul.

D

Gtr. 18v a


Set me free,

Bb

set

me free.

G C D

Gtr. 3

19 19 191920 20 20

1917

1717 20 20

19

2020 22

022

0 022

055

0 0 0

77

77

77

77

77

55

00

0232

22

787

787

0787

787

988

988

988

988

0 05X7


11




So set me free,

Bb

set

me free,

C

’cause I think

G5

you need my soul.

D

Set me free,

Bb5

set me free.

F5 D5

Gtr. 2

1 1 1 1/2

Gtr. 1

1

Gtr. 3

5

7

5X7

5X7

5X7

5X7

X8

10X8

10X8

10X8

10X8

10X8

10X10

12X10

12X10

12X10

12

10X10

12X12 7

5X7

5X7

5X7

5X7

5X7

5X7

577

5X

0232

02

02

02

13

13

13

13

13

81010 12 12

1313

13

12 1213

1313

12 10023

1310

577

5X7

5X7

5X7

5X7

X8

10X8

10X8

10X8

10X8

10X8

10X10

12

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

3 0023


12



So set me free,

Bb5

set

me free,

C5

’cause I think

G5

Gtr. 1

1 11 1 1 1

Gtrs. 2 & 3

you need

C5

my soul.

D5

Set me free,

Bb5

(Set

set

me

me

free.)

free

G5

1

1310

1310

1310 10

13 1310

1310 10

13 1310

1310

1310 10

13 1310

023

023

023

023

023

00

13

13

13

13

13

035

35

35

35

0 35

1310

1310

1310

13 13 13 1310 10 10 10

13 1310 10

13 13 13 1310 10 10 10

1310

1310 10

13 1310

35

35 3

55

355

00 0

202

02

023

023

00 1

313

13

13

035


13



C5

Gtr. 2

D5

D5 Bb5

’cause I think you need my soul. So set me free,

Gtr. 1 1 1 1 1 1

Gtr. 4 (dist.)

mf

11

Gtrs. 2 & 3

(Gtr. 2, cont. in slashes)

Gtr. 3

C5 G5 D5

set

me free, ’cause I think

you need my soul.

1 1 1

1310

1310

1310 10

13 1310

1310 10

1310 10 10

12

101010

1010 10 10 1010

1210

1311

35

35

35

35

35

35

35 3

555

35

35

35

35

00 0

2

5X7

5X7

5X7

8X10

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

1311

1513

1412

1412

1210

8

10X8

10X8

10X8

10X10

12X10

12

10X10

12X12 7

5X7

5X7

5X7

5X7

5X7

5X7

5X


14



Bb5 F5 Bb5

(cont. in notation)

F5 I

Set me free,

set me free.

My cre do,-

1

Outro

Gtrs. 1 & 4 tacet

F5

my

Bb5

cre do,

F5

-

Gtrs. 2 & 3


10 10 10 10 10 10 10 10 10 10 13 13

1210

12 1311 13

12 1211

5

7

5X

7

5X

7

5X

7

5X

7

5X

7

X8

10

X8

10

X8

10

X8

10

X8

10

X10

12

810

10

810

10

810

10

810

10

810

10

810

10

810

10

810

10

810

10

810

10

810

10

0 13

13

13

13

13

13

13

03

1 13

13

03

1 13 1

313

13

13

13

13

13

03

1 13

13


15



my

Bb5

cre do,

F5

-

my

Bb5

cre do,

F5

-


my

Bb5

cre do.

A5

-

let ring let ring

Gtr. 3

pp

Gtr. 2

pp 1

03

1 13

13 1

313

13

13

13

13

03

1 13

13

03

1 13

13 1

313

13

13

13

13

13

13

03

1 13

13

03

1 13

13 1

313

13

02

02

02

3 3


16



Intro

Moderately q = 97

You Got No RightWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner




Gtr. 1 (acous.)

Rhy. Fig. 1

let ring throughout

D/A

mp

1333

Bb

1333

C5fr

1333

D

Bb6 C/GEnd Rhy. Fig. 1

VerseGtr. 1: w/ Rhy. Fig. 1 (2 times)

D/A

I1. fell through the ice. She

Bb6

won’t be com

C/G

ing- back a gain.-

D/A

It nev er- wins to lie. She

Bb6

said you’ll nev

C/G

er- have no rights.

(She

Bb/F

said you nev

C/G

er- have no rights,

D/A

no rights.)

Gtr. 1


55

554

554

55

55

55

554

55

554

55

554

55

554

5 554

5 6 6 655

6 6 6 655

6 3 3 332

3 33

3 332

33

11

1 110

1 1 1 110

1 332

3 332

3 332

3 332

3 55

55

554

55

55

55

554

55

55

55

554

55

55

55

554

0


1



*Bb6

I’ve took it far

G6/B

ther- on the out

D

side.-

Dsus2 D

Gtr. 2 (elec.)

let ring throughout

w/ clean tone & heavy reverb

mp

Gtr. 1

Riff A End Riff A

*Chord symbols reflect basic harmony.

Gtr. 1: w/ Riff A (2 times)

Bb6

I took it near

G6/B

ly- to the brink.

D Dsus2 D

Gtr. 2

Bb6

And if you’ve seen

G6/B

me on the out

D

side,-

Dsus2 D

75

55

1

30

3

03

03

2

30

0

003

00

23

20

23

20

003

20

23

20

67

55

57

77

57

55

67

55

5


2



Bb6

you would have bare

C

ly- seen me breathe.

Dsus2 D

Gtr. 2

Gtr. 1

VerseGtr. 2 tacet

Bb6

Fun2. ny,- right here I find

C/G

my self - in side- a pa

D/A

per- cup.

Gtr. 3 (elec.)

w/ slight dist. and Rotovibe

let ring throughout

mp

Gtr. 1

Rhy. Fig. 3

67

57

55 55 7

1

30

3

03

03 0

3

20

1

00

2

1

0

03

0

2

0

23

2

13

3

35

5

57

7

6 6 655

6 6 655

6 3 33

332

3 33

33

332

33

554

5 554

55

55

55

554

554


3



With out- a warn


Bb6

ing- or a rea son,- it’s trea

C/G

son- with no an -

End Rhy. Fig. 3

D/A

swer.- You got no right

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)

Bb/F

to keep me wait -

Gtr. 3

C/G

in’- here. You got no right


Bb/F

to keep the pain

C/G

in here that holds the crown.

7

57

7

13

3

35

5

554

55

554

55

55

55

55

55

54

0

54

3

13

3

35

5

13

33

35

55


4



D/A

Gtr. 4(elec.)

(cont. in notation)w/ dist.

mf

Gtr. 3 tacet2nd time, Gtr. 2 tacet

Chorus

Bb5/F

Gtr. 2 tacet

G

And if I fall a part- on the out -

Gtr. 2

H.H. 8v a

33 2 0

3

Gtr. 3

Gtr. 4

Rhy. Fig. 4

Gtr. 5 (elec.)

w/ dist.

Rhy. Fig. 4A

f

D

side,-

(You real

ly- don’t be lieve- me.)

1st time, Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A (3 times)2nd time, Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A (2 times)

Bb5/F

and if I take


let ring

Gtr. 5 End Rhy. Fig. 4A

1515 14 12

15

57

77

5 57

7

113

13

00

320033

033

0

113 0

000

320033

00

00

0232

00

23

23

003

23

23

2

0

00232

232

232

0232

00


5



C oT oda

G

it to the brink,

D Bb5/F

and if I fall

G

a part- on the out

D

side,-

(You real ly- don’t be lieve- me.)

Bb5/F

you would have bare

G


D

Bridge*E7

And if I meet

G7

you out to night,-

D

Gtr. 6 (elec.)

w/ slight dist. & slide

mf

Gtr. 4

Riff B


End Riff B

Gtr. 5

Rhy. Fig. 5

let ring

End Rhy. Fig. 5

*Chord symbols reflect combined harmony.

15 15 10 15 15

13

0

13

0

13

03

1

03

1

03

23

2

20232

0232

0232

0232

0232

0232

0232

0232

0232

022100

02

02

02

02

0 3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

0232

0232

0232

0232

0232

0232

0232

0232

0232

0232

0232

0232

00


6



Gtr. 4: w/ Riff BGtr. 5: w Rhy. Fig. 5

E7

will you be lov

G7

ing- me for ev-

D

er?-

Gtr. 6

Riff C End Riff C

Gtr. 6: w/ Riff C

E7

It’s al ways- o

G7

- ver af ter- the night.

D B

Gtr. 4

let ring let ring let ring let ring

Gtr. 5

let ring let ring

12 15 15 10 15 15

13

0

13

0

13

03

1

03

1

03

23

2

23

2

2 44

45

45

022100

022100

0

2100

0 3X0033

3X0033

3X0033

3X0033

033

00

00232

0232

0232

0232

0232

0232

00

244

244

2444

2444

2444

0


7



F

It’s

al ways- cold

E7

- er af ter- the night.

D5

Gtr. 7 (elec.)

w/ dist.

f

6 6

3 3

Gtr. 6

mp

Gtr. 4

let ring let ring

Gtr. 5

let ring

Gtr. 6 tacet

Guitar Solo

Bb5

Gtr. 7

7

3 6

*Gtrs. 4 & 5 Rhy. Fig. 6


12 2 3 5 2 3 52 3

52 3 5 2 3

52 3 5

2 4 5 4 5 7

10 10 9 9 7

21

1

21

1

1

03

1

03

1023

023

023

023

023

023

023

023

1

332

1

332

1

332

1

332

1

332

1

332

1

332

0

221

0

221

0

221

0

0

2

0

2

0

2023

023

023

023

023

023

023

023

4 5 7 4 57

4 5 74 5

74 5 7

5 6 58

5 7 85 7 8 5 7 8

1513 12 12 10 10

10

023

023

023

023

023

023

023

00

13

13

13

13

13

13

13

00


8



G5 D

let ring

1 11

let ring

Bb5 C5 D

1 1 1

P.H.


Bb5 G5

8v a

Pitch: G A

111

End Rhy. Fig. 6

13 13 13 12 1210

12 14

14 12 12 10 12 1013

1015 1115

0

3X00

3X00

3X0033

3X00

3X00

3X00

00 0

232

0232

0232

0232

0232

0232

0232

0232

00232

0232

0232

0232

0232

0232

00

11 11 11 1112 12 12 12 12 12 12 9 11

8 10 10 10 8 10 10 10 10 1210

12

133

133

133

133

133

133

3 355

355

3555

3555

00 0

232

0232

0232

0232

0232

0232

0232

12 12 10 12 1013 13

1015 15

18 17 17 1817 15 1515

18 18 17 17 15

0232

0232

0232

0232

0232

0


9





D.S. al Coda

Coda

She

Bb6

won’t be com

C/G

in’- back a gain.-

D/A

It’s

been a year and a night.

Gtr. 2

Gtr. 5

*

fdbk.

p

8v a

f

*Vol. swell

Gtr. 4

**

fdbk. p f

Pitch: F#**Vol. swell

Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A (1st 2 meas.)

Bb5/F

you would have

bare

G


D/A D5

Gtrs. 4 & 5

D5/A

Outro-ChorusGtrs. 4 & 5: w/ Rhy. Fig. 6 (last 4 meas., 3 times)

Bb5

And if I fall

C5

a part- on the out -

Gtr. 7

mf

03

0

03

2

0

0XXX

XXX

XXX

XXX

00232

023

023

023

023

023

023

0023

0023

0023

0023

0023

0023

0023

0X8

10X12

14

10

12X10

12


11



D

side,-

Bb5

and if I fall

C5

a part- on the out -

(She said you nev er- had no rights.

Gtr. 6

w/ slide

Gtr. 7

DGtr. 8(elec.)

w/ dist., wah-wah & slow flanger

Bb

mf

C

side,- and if I fall a part- on the out -

She said you nev er- had no rights.

10 7 10 6 6

X9

11

10

12

12

14X10

12X9

11X7

9

5

7X8

10X12

14

10

12X10

12

10 7 10 10 810 12 10 10

X9

11

10

12

12

14 X10

13

7

10X10

13

7

10X7

10

10

13

10X13

12

15X10

13

12

15

10

13


12



rit.

Free time

D Bb C

side,- and if I fall a part- on the out -

She said you nev er- had no rights.)

rit.

Gtr. 6

rit.

Gtr. 7

rit.

Gtrs. 4 & 5

rit.

DGtr. 8 tacet

side.-

steady gliss.

mp

pp

pp

10 7 10 6 6 8 8

X12

14X12

14X12

14X10

12X12

14X10

12X9

11X7

9

5

7X8

10X12

14X10

12X10

12

113

13

13

13

13

13

11

332

332

332

332

332

332

7 7 5 3

X9

11

10

12

12

14

10 9 10 9 5 0 3 3 2 0 5 5

0023


13



Intro


Half-time feel

SlitherWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner





Gtr. 2 (dist.)

D5

**w/ wah-wah & delay

mf

P.S.

***C5/D

P.S.

3 3

P.S.

**Delay set at quarter-note regeneration w/ 3 repeats.

Gtr. 1 (slight dist.)

* p mf

*Vol. swell ***Bass plays D next 12 meas.

G/D

D

P.S.

X X X X X X X X X X X X X X

00023

355

X X X X X X X X X X X X X X X X

5433

423


1



End half-time feel

Gtr. 2

wah-wah off w/ flanger

Gtr. 1 tacet

* D5

f

C5/D

1/41/4

Gtr. 3 (dist.)

f P.M. P.M.


G/D

P.M. P.M. P.M. P.M.

D

**

delay & flanger off

Rhy. Fig. 1

D5 F5 F#5 D5 Ab5 A5 D5 C5

**Dampen strings w/ pick hand.

5X7

5X7

8X10

X10

12X10

12

10

12

5X7 7

5

7X10

8

10

5X7

00023

0 0 0 0 0 0 0 0 0 0355

0 0 0 0

5

7

3X5

5X7

5

7

8X10

X10

12

10

12

0 0 05

0 0 0 0 0

543

0 0 0 0 00

00

00

00

00

00

00

5X7

5X7

8X10

X8

10

5X7

X X X 000

333

444

000

666

777

000

101010

000232

0

0

0

1414

000

333

444

000

666

777

000

101010


2



Play 3 times

D5 Ab5 A5 D5 G5 D5

Ay.

F5 F#5


D5

F5 F#5 D5 Ab5 A5 D5 C5 D5

Ab5 A5 D5 G5 D5 F5 F#5

*Gtrs. 2 & 3

End Rhy. Fig. 1

Gtr. 4 (dist.)

Riff A

f

End Riff A


When

When

Verse

1.

2.

D5 F5

you

you

F#5 D5

look,

seek

Ab5 A5

you

me,

D5

see

you’ll

C5 D5

right

de

Ab5 A5

through

stroy

D5

-

G5

me.

me,

D5 F5 F#5

Cut

rape

D5 F5

the

my

F#5 D5

rope,

mind

Ab5 A5

I

and

D5

fell

smell

C5

Gtr. 4

Gtrs. 2 & 3 Riff B

P.M. P.M.

D5

to

the

Ab5 A5

my

pop

D5 G5

knees.

pies.

D5

-

F5 F#5

Born

D5 F5

and

F#5 D5

bro

blood

Ab5

A5

ken

ied

D5

-

-ev

C5 D5

’ry

Ab5

-

A5

sin

D5 G5

gle

D5

-

F5

time.

F#5

Gtrs. 2 & 3

P.M. P.M.

End Riff B

000

666

777

000

555

000

333

444 12

10 1112

9 10

12

13

12

9 10

1212

1210

10

0 3 4 0 6 7 0 10 0 6 7 0 5 0 3 4 0 3 4 0 6 7 0 10

0 6 7 0 5 0 3 4 0 3 4 0 6 7 0 10 0 6 7 0 5 0 3 4


3




D5 F5 F#5 D5 Ab5 A5 D5 C5 D5

Ab5 A5 D5 G5 D5 F5 F#5

Al

Gtrs. 2 & 3: w/ Riff BGtr. 4 tacet

D5 F5

ways

F#5

-

D5

keep

Ab5 A5

me

D5

un

C5

-

Gtr. 4

1/4 1/4 1/4 1/4 1

Gtrs. 2 & 3

D5

- der

Ab5 A5

fin

D5 G5

ger.

D5

-

F5 F#5

That’s

D5 F5

the

F#5 D5

spot

Ab5 A5

where

D5

you

C5 D5

run

might

Ab5 A5

to

lin

D5 G5

me.

ger.

D5

- Might

F5 F#5

see

D5 F5

some

F#5 D5

type

Ab5 A5

of

D5

pleas

C5 D5

ure

Ab5

-

A5

in

D5 G5

my

D5 F5

mind.

F#5

(Ah.)

D5 F5 F#5 D5 Ab5 A5 D5 C5 D5

Ab5 A5 D5 G5 D5 F5

Gtrs. 2 & 3

Fill 1

Gtr. 4

1/4 1/4 1/4 1

0 3 4 0 6 7 0 10 300

6 7 0 0 3

00

33

44

00

66

77

00

1010

00

66

77

00

55

00

33

44

000

333

444

000

666

777

000

101010

000

666

777

000

555

000

333

0 3 4 0 6 7 0 10 30 6 7 0 0 3


4



1.

Yeah,

Chorus

Half-time feel

D5

here comes the wa

Cadd9

ter.- It comes to

Gtr. 4 Riff C

Gtrs. 2 & 3

Rhy. Fig. 2

wash

G/B

a way- the sins of you and I.

D5

This time you

End half-time feel

will

End Riff C

End Rhy. Fig. 2

see.

InterludeGtrs. 2 & 3: w/ Rhy. Fig. 1 (4 times)Gtr. 4 tacet

D5 F5 F#5 D5 Ab5 A5 D5 C5 D5 Ab5 A5 D5 G5 D5

Ay,

F5 F#5 D5

F5 F#5 D5 Ab5 A5 D5 C5 D5 Ab5 A5 D5 G5 D5

ay,

F5 F#5

0 3 4 0 6 7 0 10 0 6 7 0 5 0 3 4 0 4 5 0 5 7 0 10 0 5 7 0 5 0 4 5

00023

00023

000

000

3203

03

03

0 4 5 0 7 9 0 10 0 7 9 0 5 0 5 4 0 3 4 0 6 7 0 10 0 6 7 0 5 0 3 4

20033

00

00

3X6

3X6

3X6

3X6

000

000

12


5



2.

C oT oda

D5 F5 F#5 D5 Ab5 A5 D5 C5 D5 Ab5 A5 D5 G5 D5

ay.

F5 F#5

Gtr. 4: w/ Riff A

D5 F5 F#5 D5 Ab5 A5 D5 C5

D5 Ab5 A5 D5 G5 D5 F5 F#5


D5

This time you see.

1st time, Gtrs. 2 & 3: w/ Rhy. Fig. 2Gtr. 4: w/ Riff C2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 4 meas.)

Like ho ly-

Gtr. 4

Gtr. 2

Gtr. 3

1/2

wa

Cadd9

ter,- it on ly- burns

G/B

you fast er- than you’ll ev er- dry.

Gtr. 5

Fill 2 3

3

1 1/2 1 1 1

0 3 4 0 6 7 0 10 0 6 7 0 5 0 3 4

000

00023

7 5

5X

3 3X5

5

7

000

3

15 15 15 131312

1013 10

12 1013

12 10


6



D5

This time with

Interlude

me.

D

Gtr. 1

* p mf

*Vol. swell

Gtr. 2

Gtr. 4

Gtr. 2divisi

p

Gtr. 3

pp

Gtr. 2: w/ misc. pick scrapes & fdbk. (next 6 meas.)Gtrs. 3 & 4 tacet

C5 G

Oo. hoo.

D

End half-time feel

µ

Gtr. 1 tacet

Gtr. 1

000232

000

00023

577

355

355

577

0

0

00023

3555

543

05777


7



Gtr. 5 (dist.)

Guitar Solo

w/ wah-wah

f

D5

C5

1 1 1 1 1 1

Gtrs. 2 & 3

Rhy. Fig. 3


G/B

3

Cadd9

33

8v a

1 1/2 1 1 11

1 1/2

1 1 /2 1 1 /21

P.M.

P.M.

End Rhy. Fig. 3

D5

8v a loco

3 3 31/2 1 1

P.M. P.M. P.M. let ring

13 1310

1010

1310 1310

10 1510

10 15 15

577

577

5 555

577

5 577

5 577

5 5 555

577

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0 355

355

3 333

355

3 355

15 15 15 15 15 15 1314

13 1515

1315 15 15 15 14 15 14

355

355

355

3 3 333

355

355

0 2003

2003

2 2 2003

2 2003

2003

2003

0 0 3203

3203

3203

000

14 14 12 14 12 15 12 13 15 12 1 3 1214

1213 14

1214 12 10 12

1212

1210

1310 10 13 10 13 10

057

5 555

577

0577

577

577

5 5 555

77

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00


8



Gtr. 5


5 5 5

11/2

11 1 1 1 1 1 1 1 1

Gtr. 2

C5

53 3 3 3

1 1 1 1/2 1 1/2

G/B Cadd9

3 3 3 3

1 1 1 1 11 1

12 12 1210 13

12 1210 13

12 1210 13 10 13

1210 13

12 1210 13 10 13

1210 13 10

05777

5777

5778

5777

5777

5777

5777

X8

10X8

10X8

10

0

12 1213 10 13

1210 13 10 13 10 13

1210 13 10 1 3 10

121210 13 10 13

1013 10

12

1013 10

1013 10

355

355

33

3555

3555

3555

3555

8 8X8

10X8

10X8

10

0

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10 13 10 10 13 13 10 13 1012

10 13 10 13 10 13 1012

1310 13 1013 13

2003

2003

2003

2003

2003

2003

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8X8

10X8

10X8

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10


9



Gtr. 5

D5 F5 G5 A5

33 3 3

1/21 1/2

Gtr. 2 & 3

When3.

VerseGtrs. 2 & 3: w/ Rhy. Fig. 1 (3 times)

D5 F5

you

F#5 D5

look,

Ab5 A5

you

D5

see

C5 D5

right

Ab5 A5

through

D5 G5

me.

D5 F5 F#5

Cut

D5 F5

the

F#5 D5

rope,

Ab5 A5

I

D5

fell

C5

Gtr. 5

D5

to

Ab5 A5

my

D5 G5

knees.

D5 F5 F#5 D5

Born

F5 F#5

and

D5

blood

Ab5

ied

A5

-

D5

ev

C5 D5

’ry

Ab5

-

A5

sin

D5 G5

gle

D5

-

F5 F#5

1313

1013 10

10

1213 12

12 10 12 1012 10

10 8 8 10 8

577

577

577

577

00

00

00

00

00

33

33

33

55

55

77

77

12

12


10



D.S. al Coda(take 2nd ending)

Coda

time.

D5 C5 D5 B5 C5 D5 A5 D5 Ab5 A5 D5 G5 D5 F5 F#5

Gtr. 5

1/2

Gtr. 4

1/2

Gtrs. 2 & 3

burns

G/B

you fast er- than you’ll ev er- dry.

D5

This time with

End half-time feel

Gtr. 5

8v a

33

3 3

1 1/2

Gtr. 2

Gtr. 3

12

1310

12

12 13

12

10

12

9 10

1212

1210

0 10 12 0 9 10 0 7 0 6 7 0 5 0 3

000

101010

121212

000

999

101010

000

777

000

666

777

000

555

00

333

444

17

15 1517 16 15 13

1515

1513

15 1314 13 12 10

1212 10

20033

00

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3X6

3X6

3X6

3X6

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023

023

023

023

023

023

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023

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00

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11



me.

Outro

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (3 times)

D5 F5 F#5 D5 Ab5 A5 D5 C5

Gtr. 5 tacet

D5 Ab5 A5 D5 G5 D5

Ay.

F5 F#5

Gtr. 4 Riff D End Riff D

Gtr. 5

loco

Gtr. 4: w/ Riff D (2 times)

D5

F5 F#5 D5 Ab5 A5 D5 C5 D5 Ab5 A5 D5 G5 D5

Ay.

F5 F#5

Gtr. 4

D5 C5 D5 B5 C5 D5 A5 D5 Ab5 A5 D5 G5 D5 F5 F#5 D5 µ

Gtrs. 2 & 3

1210 11

12

9 10

12

13

12

9 10

1212

1210 11

12

12

1310

12

12 13

12

10

12

9 10

12 12 12 10 11 12 12

000

101010

121212

000

999

101010

000

777

000

666

777

000

555

000

333

444

000


12



Intro


Dirty Little ThingWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Keith Nelson


Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music,Slash And Cash Publishing, Famous Music Corporation and Lick The Star Music

All Rights for Ready Set Go Publishing, Pimp Music and DracSorum Music Administered by Chrysalis MusicAll Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203

All Rights for Lick The Star Music Administered by Famous Music CorporationAll Rights Reserved Used by Permission

Gtr. 1 (dist.)

(Bass) *

Rhy. Fig. 1

E5

mf

13

F#5

1

E5

G5 A Bb


A5 G AEnd Rhy. Fig. 1G

Gtr. 2 (dist.)

fdbk.


p

E5 G5 A

mf

Bb

8v a

A5

fdbk.

loco

G A G

**Vol. swell

**

Pitch: E

Gtr. 2

Rhy. Fig. 2A

E5

f

G5 A Bb A5 G A G E5 G5 A Bb A5 E[b5]End Rhy. Fig. 2A

3

Gtr. 1

Rhy. Fig. 2

f

End Rhy. Fig. 2

P.M.

3

0 355

0 5776

0 6887

6887

0 577

0 3554

5776

3554

9

9

0 35

0 57

0 68

0 57

0 35

57

35

0 35

0 57

0 68

0 57

0789

789

789

0 35

0 57

0 68

0 57

0 35

57

35

0 35

0 57

0 68

0 57

0 02

02

02


1



Half-time feel

Can’t

Can’t

Verse

1.

2.

1st time, Gtr. 1: w/ Rhy. Fig. 1 (4 times)2nd time, Gtr. 1: w/ Rhy. Fill 1 (4 times)

E5 G5

stop

stop

think

drink

A

in’,

in’,

-

- I’m

must

Bb

a been

cold,

A5

trip

kick

G

pin’

in’

A

-

-

this

and

G

eve

bleed

E5

nin’.

in’.

G5

-

-

A

Bb A5 G A G

My

The

Gtr. 2


mindwine


E5

isis

G5

racnumb

in’in’

--

defeel

A

mons,in’s

-- and

allall

Bb

of of

mymy

A5

feelmem

G

in’s’ries

A

--

areare

G

numb.gone.

E5 G5 A Bb

A5 G A G

Yeah,

A5

when I roll

A[#4]

with my head

Asus4

in

the

Gtr. 3 (dist.)

Riff A

f

End Riff A

1 1 11 1

1

*Gtrs. 1 & 2 Rhy. Fig. 4

P.M.

End Rhy. Fig. 4


1/2

Gtr. 1

Rhy. Fill 1

0 35

0 57

0 68

0 57

0 35

57

35

0 35

0 57

0 68

0 57

0 35

57

35

42

4 4 4 2 64

6 53

6 4 53

75

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XXX

567

567

567

567

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567

567

557

4

557

5 54

0 3 0 5 0 6 0 5 0 3 5 3


2



End half-time feel

Play 7 times

Gtrs. 1 & 2: w/ Rhy. Fig. 4Gtr. 3: w/ Riff A

A5

wind and I feel

A[#4]

like a king

Asus4

of

the...

Dead

Gtr. 1: w/ Rhy. Fig. 1 (4 times)Gtr. 2: w/ Rhy. Fig. 3 (2 times)2nd time, Gtr. 3: w/ Fill 1

E5 G5

men wish

A

in’- they

Bb

had got

A5

ten- to geth

G

- er

A

- with

G

you,

E5

girl.

G5 A

Bb A5 G

But

A

you’re

G

a

dirt

E5

y

G5

- lit tle- li

A

ar- with a

Bb

mes sage- of

A5

ob ses

G

- sion

A

- to

G

come.

E5 G5 A Bb

You

A5

got

G A

your

G

head

Pre-Chorus

C5

in the clouds and your

A5

world’s up side- down.

Gtr. 1

let ring let ring 1/2

1

Gtr. 2

Fill 1

Gtr. 3

mp *T

8v a

*Tap w/ edge of pick.

355

355

335

5355

355

355

355

335

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5 7 777

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355

355

355

355

355

355

355

355

355

3 2 1 02

0 02

0225

0225

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5

2 22

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2424

2424

2424

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2424

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2424

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2020

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3



Half-time feel

Chorus

E

Get a way

C5add#11

- from the life you’re liv

E5

ing.-

D5/A

Rhy. Fig. 5

Rhy. Fig. 5A

P.M. P.M. let ring

E5

Get a way

C5add#11

- from the man that’s steal

G5

ing- your life.

Bb

A

End Rhy. Fig. 5

P.M. P.M.

P.M.

End Rhy. Fig. 5A

P.M. P.M.

Gtrs. 1 & 2: w/ Rhy. Figs. 5 & 5A

E5

Get a way

C5add#11

- from the drugs you’re tak

E5

ing.-

D5/A

022100

022

335

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02

02 0

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0023

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7 7 7 7 7 7

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101011

7 7 7 7 7 7

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4



C oT oda End half-time feel

1.

2.

End half-time feel

E5

Get a way

C5add#11

- from the film of sex

G5

in your life.

Bb

F

Gtr. 1

Rhy. Fig. 6

P.M.

End Rhy. Fig. 6

Gtr. 2

Rhy. Fig. 6A

P.M. P.M.

End Rhy. Fig. 6A

Interlude

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2: w/ Rhy. Fig. 3

E5

G5 A Bb

A5 G A G E5

G5 A Bb

A5 G A G

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

E5

G5 A Bb

A5 G A G

E5

G5 A Bb

A5 E(b5)

sex

Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A

G5

in your life.

Bb

F

Gtr. 3

3X0033

01333

13

3X00

01333

333

0 13321

15


5



Gtr. 2

Guitar Solo

F#5

P.M.

Gtr. 3

33 3

Gtr. 1

P.M.

P.M.

let ring let ring

1 1

P.M.

1

2 3 4 2 3 4 2 3 4

2 4 2

4

2 3 4 2 3 42 4 2

42 3 4 2 3 2

42 3 4

2

24

24

24

24

24

24

24

24

24

24

24

24

24

22

52

24

22

52

24

522

52

5 24 4

22

5 24 2

44

42 44 2 6

24

24

24

24

24

24

22

24

22

24

24

24

65

67 7

9 910 10

11 1112 12

14 1414 14

16 1617 17 14

161717

12

24

24

24

24

24

24

24

24

24

24

24

24

24


6



P.M.

3

* 3

5

*Played behind the beat.

1/4

Gtr. 2


E5

P.M.

Gtr. 3

3

3 3

P.M.

3

3 3

P.M.

3 3 3 3

1 1 1

14 17 1417

1416

1417 16 14 16 14 16 14

16 1614

1616 14 16 14

16 1614 16 14

24

24

24

24

24

24

24

24

24

24 14 16

15 14 12 14 1215

1215 14 15 14 12 14 12

1512

15 14 15 14 12 14 12 14 12 1114

1214

11 12 11

1411

12 14 11 1 2 1114

11 910

910 9 7 10 7 9 10 9 7 9

9 11 12 9 77

14 141212

1212

141212

1212

1212

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1414

1212

1414

1215

1212

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15

12 1515

1414

1212


7



D.S. al Coda

Coda

P.M.

You got your

1/2 1

1/21/2

sex

Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A

G5

in your life.

Bb F

OutroGtr. 1: w/ Rhy. Fig. 5

E

Get a way,

C5

-

(’Way,

Gtr. 3

1

1 11

Gtr. 2

P.M.

E5

get a way,

D5/A

-

’way,

E5

get a way.

C5

-

’way.)

1 1 1 1 1 11 1

P.M. P.M.

1414

1414

12 1414

1414

1212

1414

1212

1414

1414

1215

1414

1212 15

1512

15 1714

15 1512

1714

7 7 7 7 7

55

1512

1714

15 1512

1714

1512

1714

1512

1714

7 7 7 7 7 75577

7 7 7 755


8



1.

2.

Free time

G5

Bb A

Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A

G5 Bb F5

Gtr. 3

3 3 3

1 1

Gtrs. 1 & 2

P.M. P.M.

E

Gtr. 3

fdbk.

Gtr. 1

Gtr. 2

*grad. dive

*Lower pitch w/ tuning peg. -2-4

1412

1412

1412

1412

1412

1412

1412

1412

14 1412

14 14

3X0033

01333

00222

14 14 14

022100

022100

022100

022100

02

0

0


9



Intro

Slowly q = 62

Loving the AlienWords and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner




Gtr. 11: Drop D tuning:(low to high) D-A-D-G-B-E

** C

†Gtr. 3(acous.)

Verse

let ring throughout

mp

Gtrs. 1 & 2 tacet

Rhy. Fig. 1

C Cadd9

Some1. times- I think I’m scared,

*Gtr. 1 (elec.)

*** p mp

32 1

C

13 2

D

32 4

Cadd9

13 4

Dsus4

23 1

Am

2 34

Csus2

12

Em

1 34

G/B

21 34

G

3211

F/A

134211

F

Gtr. 4 (elec.)

let ring throughout

w/ clean tone

mp

Riff A

***Vol. swell

*Gtr. 2 (elec.)

mp

*Bkwds. gtr. arr. for r egular gtr.

**Chord symbols reflect implied harmony.

†Two gtrs. arr. for one.

Am Em GEnd Rhy. Fig. 1

some times- I know.

I feel like mak in’- love,

some times- I don’t.

Gtr. 4 End Riff A

1310

1312

13 1310

1312

12

109

88

5 45

4 5 5 5 45

4 5 4

75

55

99

87

97

87


1



Gtr. 3: w/ Rhy. Fig. 1Gtr. 4: w/ Riff A

C

I feel like let tin’- go,

Cadd9 Am

may be- not.

Em

I feel like giv in’- up

G

is all we got.

Gtr. 3

Pre-Chorus

Rhy. Fig. 2

F GEnd Rhy. Fig. 2

Gtr. 3: w/ Rhy. Fig. 2 (2 times)Gtrs. 5, 6 & 7: w/ Riffs B, B1 & B2 (2 times)

F

Some times- is all the time,

and nev er- means

Gtr. 6 (elec.)

w/ slight dist.

Riff B1

mf

End Riff B1

Gtr. 5 (elec.)

*w/ slight dist. & wah-wah

Riff B

let ring throughout

mp

End Riff B

*Wah-wah used as filter throughout.

Gtr. 4

Rhy. Fig. 3

Gtr. 7 (acous.)

Riff B2

mp

End Riff B2

68 8 7 5

8 6 55 7

64

64

64

64

3

4

3

4

3

4

3

4

756

355433

433

5 543

756

7565 65

756

3 2 03 2 0

3


2



may

G

be.- Some

F

times- is all

G

the time.

Gtr. 8 (elec.)

Fill 1

w/ slight dist.

End Fill 1

mf

Gtr. 4

End Rhy. Fig. 3

Gtr. 3

Chorus

Rhy. Fig. 4

C

mf

Em

May be,- and I’m mov in’- on,

Gtr. 8

Riff C

Gtr. 4

w/ slight dist.

Rhy. Fig. 5

Gtr. 9 (elec.)

mp w/ dist.

Rhy. Fig. 5A

13

554

54 4

33

554

54

33

756

0

56

756

56

55

433

5554

1513

1313

1513

1213

1513

1313

12 13 1512

1512

1312

1512

1212

1512

1312

12 13 15

14

32010

32010

022000

35

02


3



F G

and I’m mov in’- on.

(Some times- I feel a lone.)-

C Cadd9 EmEnd Rhy. Fig. 4

And I’m mov in’- on,

End Riff C

15

14

13

14

15

14

12

14

15

14

13

14

12 13 15

12

15

12

13

12

15

12

12

12

15

12

13

12

12 13 1513

133211

355433

13

13

35

1513

1313

1513

1213

1513

1313

12 13 1512

1512

1312

1512

1212

1512

1312

12 13 15

14

32010

022000

35

02


4



Gtr. 3

FC G


Gtr. 8

1

Gtr. 10 (elec.)

*

w/ dist.

p mp

*Vol. swell

1

Gtr. 4

let ring

End Rhy. Fig. 5

(dist. off)

Gtr. 9 End Rhy. Fig. 5A

Verse

Gtr. 3: w/ Rhy. Fig. 1 (2 times)Gtr. 4: w/ Riff AGtrs. 8 & 9 tacet

C

Some2. times- I make be lieve-

Cadd9 Am

when we’re a lone.-

Em

Ma chines- have tak en- hold.

Can you

Gtr. 10

11

15

14

13

14

15

14

12

14

15

14

13

14

12 13 15

12

15

12

13

1215

15

1215

13

133211

10

2

3X000

13 3

55

355

3554

1314 14 14

13


5



get

G

me to a tel e- phone?-

C

It’s just the lit tle- things

Cadd9 Am

you used to see.

Gtr. 10

1 1 1

Gtr. 4

3

Em

Am I still that man who makes

G

you who you want to be?

1 1 1 1

1313 13

14 14 14

109 8

8

109 8

8 7

75 5

5 7

1413 13 13 13 13

99

87

97

87


6



Some

Pre-ChorusGtr. 3: w/ Rhy. Fig. 2 (3 times)Gtr. 4: w/ Rhy. Fig. 3AGtrs. 5, 6 & 7: w/ Riffs B, B1 & B2 (3 times)

F

times- is all

Gtr. 10 tacet

G

the time,

and nev

F

er- means

Gtr. 10

pp

may

G

be.- Some

F

times- is all

Gtr. 8: w/ Fill 1

G

the time.

May

ChorusGtr. 3: w/ Rhy. Fig. 4Gtrs. 4 & 9: w/ Rhy. Figs 5 & 5AGtr. 8: w/ Riff C

C

be,- and I’m mov in’- on,

Em F


G


C

And I’m mov in’-

Cadd9

on,

Em

F C G

Gtr. 3


Gtr. 8

1

13

15

14

13

14

15

14

12

14

15

14

13

14

12 13 15

12

15

12

13

1215

15

1215


7



Gtr. 3

Bridge

D Dsus4 D

Gtr. 8 tacet

Csus2

I nev er- no ticed- how

Gtr. 8

pp

Gtr. 11 (elec.)

w/ slight dist.

mf

let ring let ring

G/B D Dsus4

love ly- were the al i- ens,- love ly- were the al i- ens.-

Gtr. 11

3

D Dsus4 D Csus2 G/B

I nev er- no ticed- how love ly- were the al i- ens,-

let ring let ring 3

15

07 9

77 7 9 7

7 9 7

9 7

5 5 7 55 7 5

55

2003

4 5 4 2 42 4 2 0

7 97 9

7 9 79

0077 7 9 7

0X7 9 7

7 9 7

0X7 9 7

755

85

6 6 57 5 5 7 7

87

8 87

8 10 8 7


8



D

Guitar Solo

D

love ly- were the al i- ens.-

Gtr. 10

f

3

8v a

1 1 1

Gtr. 11

Csus2 G/B

8v a

loco

3

1 1

10 1210

15 17 17 17 17 1516

8 7

7 7 9 77 9

77

78 9

77

77

00

77

00

00

00

00

15 17 17 17 17 15 17 15 12 15 12 12 12 10 10 10 8 8 8 10

355

3

55

254

2 254

54

54

2 2 2

0


9



D

*1

*Flip toggle switch, simulating re-attack.

hold bend1

Csus2 G/B

3 3 6

hold bend 11 1/2

1 1 1 1

10 10 8 10 8 7 8 7 5 7 57 5 4 5 4

7 5 7

8

7

00

88

88

00

00

00

77

77

00

00

00

77

00

00

00

777

7

007

00

00

7

8 88

85

88

88

87 7

6 87 5 7

7 7 7 5 7 97 9

89

108 8

3 355

55

55

3 355

3 2 254

254

254

54

2 254

254

2


10



Gtr. 8: w/ Fill 1

G

ChorusGtr. 3: w/ Rhy. Fig. 4 (1st 4 meas., 3 times)Gtr. 8: w/ Riff C (1st 4 meas., 3 times)Gtr. 9: w/ Rhy. Fig. 5A (1st 4 meas., 3 times)

C

And I’m mov in’- on

6 5 6

3

8v a

1/21 1/2

Rhy. Fig. 6

Em

Gtr. 10 tacet

F


G


Gtr. 10

8v a

Gtr. 11

End Rhy. Fig. 6

8 12 1 0 13 1 210

1312 10 13 12 2015

1817 15 19 17 20 1919 20 19

5X00

5X00

5X00

5X00

5X00

5X00

5X00

5X00

5X00

5X00

5X00

5X0 0

00

5

00

3201

19 19 19 19

2X200

3X32

5X54


11




C


Em F


G


C


Em F


G

Gtr. 7

Outro-ChorusGtr. 8: w/ Riff C (1st 4 meas., 2 times)

Rhy. Fig. 7

C

Gtrs. 3 & 11 tacet

Em

And I’m mov ing- on,

Gtr. 3

pp

Gtr. 11

pp

32010

3X01


12



F/A GEnd Rhy. Fig. 7


C

and I’m mov in’- on. And I’m mov in’- on,

Em

oh,

F/A

and I’m mov in’-

G

on.

Gtr. 8

C

1513

1313

1513

1213

1513

1313

12 13 1513

1513

1313

1513

1213

1513

1313

12 13 1513

Documents

Velvet Revolver - Contraband