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URBAN INTERPRETATION 34FineArt, South Africa and Graffik Gallery, London are pleased to announce a collaborative exhibition at Graffik Gallery opening on 11th July 2013. Urban Interpretation is a group exhibition which brings together works from South African and British artists. South African artists participating in the exhibition include Esther Mahlangu, Asha Zero, Motel7, Jade Doreen Waller and Warren Petersen; and from the UK, Dotmasters, Trust.iCON and Robin Coleman.
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IN
TERPRET
ATIO
NGraffik� Gallery and 34FineArt are pleased to announce a collaborative exhibition in Notting Hill, London, scheduled to open on 11th� July� 2013. Urban� Interpretation is a group exhibition which brings together works from South African and British artists. South African artists participating in the exhibition include Esther Mahlangu, Asha Zero, Motel7, Jade Doreen Waller and Warren Petersen; and from the UK, Dotmasters, Trust.iCON, Robin Coleman, Mesh137 and Chiara Rogazzo. Though not all Street artists, all provide a reflection� on� urban� art� and� art-making� in� disparate cultural and political locations.Between� them,� these� works� reflect� engagements� with� specifically� local,� as� well� as� broader� contemporary� global� influences� and concerns. Do not miss this unique opportunity� between� 11th� July� -� 25th� July to experience this exciting exhibition.
Asha� Zero
Asha� Zero� is� a� pseudonym,� intended� to� draw� attention� to� identity� as� a�
shifting,� unstable� concept,� while� deflecting� attention� from� the� so-called� person� behind�
the name. In keeping with this notion, Zero’s work� deals� with� issues� of� fragmented� identity� in�
contemporary� society,� distressed� and� atomized� by� information overload, virtual and authentic, false and
true.
Exploiting� the� disrupted,� often� politically� inclined� visual� language� of� collage,� Zero� transposes� abrasions� and� fractures� into� obsessively�
painted� surfaces.� Torn,� scarred� and� disjointed� images� remain� figurative,� suggesting� a� desperate,� contradictory� impulse� towards� collapse� and� wholeness at the same time.
Asha� Zero’s� work� has� been� linked� to� Trompe-l’œil,� a� painting� style� that� employs� illusion� to� deceive� the� eye� into� believing� that� the� depicted� object� exists� in� three� dimensions,� thereby� effecting� a� moment� of� wonder� when the viewer discovers the deception. The artist has show in London before� and� has� a� strong� secondary� market� at� auction.
Asha ZeroUntitled
201281 cm
Serigraph on maple deckEdition of 100
Asha ZeroMini Decoy # 7 200827.5 x 17.5 cmAcrylic on board
Esther� Mahlangu
Esther� Mahlangu� is� part� of� the� Ndebele� community� in� Mpumalanga, located north of Pretoria. The Ndebele,
unlike� many� other� tribes� in� South� Africa,� have� managed� to preserve their centuries old ancestral traditions. Despite
being� a� patriarchal� society,� artistic� heritage� is� handed� down� from� mother� to� daughter;� as� a� young� woman� reaches� puberty�
she� withdraws� from� male� society� for� three� months� and� is� taught� the� ceremonial� patterns� of� Ndebele� beadwork� -� in the nineteenth century� this� tradition� was� extended� to� decorative� wall� paintings,� also� executed� exclusively� by� the� Ndebele� women.�
She� has� exhibited� extensively� in� museums� worldwide� and� is� the� only� African female artist to have decorated a BMW Art car alongside artists� like� Warhol,� Hockney� and� Lichtenstein.
Esther MahlanguAbstract 1201280 cmAcrylic on canvas
Esther MahlanguAbstract 2
201060 x 80 cm
Acrylic on canvas
Jade� Doreen� Waller
The� artwork� of� Jade� Doreen� Waller� is� characterized� by� an� ethereal� punctuation� of� symbols,� whispering� of�
a� magical� momentary� fusion� of� the� past,� the� present� and� the future. Waller’s allegories, a glimpse into her world, are
superbly� realized� with� meticulous� detail,� reminiscent� of� Dutch� and� Flemish� styles.�
Her� works� are� inescapably� alluring,� enticing� one� into� a� deep� oceanic� subconscious,� aesthetically� aided� by� the� classical� yet� uncluttered� compositions, the smooth sumptuousness of paint, cold pearlescent colour, tangible and accessible detail, and the radiance of dark contrasts.� Like� a� jellyfish� entering� into� Waller’s� world,� one� easily� surrenders� to� this� current� of� infinite� wonder.�
Jade Doreen WallerPudding Face201381 cmOil on skate deck
Jade Doreen WallerBlood Flow
201381 cm
Oil on skate deck
Jade Doreen WallerFocus for Fantasy201380 x 60 cm Oil on canvas
Jade Doreen WallerHalt
201370 x 90 cm
Oil on canvas
Warren� Petersen
Warren� Petersen� has� always� had� a� passion� for painting and drawing. He graduated with a
qualification� in� Fine� Art� /� Illustration,� majoring� in� painting.� Being� a� societal� misfit� from� a� small� industrial� town� in� South�
Africa,� he� found� � shelter� in� the� underground� hip-hop,� graffiti� and� tattooing� subcultures.� Growing� increasingly� frustrated�
with the corporate environment and the economic conditions in South Africa he became more aggressive venting his disillusionment through� graffiti� art.� After� leaving� that� environment,� he� found� security� and� sustainability� as� a� tattoo� artist.
Petersen’s� work� focuses� primarily� on� painting,� documenting,� capturing� and commenting on various moments, moods and situations. He balances� loose� energy,� explosive� colour� and� meticulous� brush� strokes� with� layers� of� influences� and� styles� in� a� figurative� manner.� His� tattooing� style� is� distinctly� noticeable� in� his� portraits.
Motel7
After working in traditional mediums� from� an� early� age,� Motel7�
has� moved� through� the� ranks� of� graffiti� to� street� art� and� like� many� international�
artists,� such� as� Banksy,� Mr.� Brainwash,� Miss� Van, Blek le Rat, D*Face and Nick Walker, she
has secured her position as an acclaimed urban contemporary� artist.� Since� then� her� work� has� been�
featured in numerous international exhibitions, including the Basel Art Fairs, as well as galleries in Amsterdam and
Los� Angeles.� Motel7� continues� to� hone� her� skills� in� urban� spaces� whenever� and� wherever� the� opportunity� presents� itself.
Increasingly� street� artists� occupy� both� urban� and� fine� art� environments. In cities like Cape Town, where street art is still illegal, artworks seldom remain on the walls for long enough to� be� fully� appreciated� before� being� cleaned� off� or� defaced.� Ironically,� while� the� value� of� works� in� urban� spaces� is� often� overlooked,� within� the� gallery� environment� these� same� works� are� approached� with� a� more� appreciative� eye.
34FineArt is a custom designed fine� art� gallery� located� in� the� heart�
of the new art district in Woodstock, Cape Town. With more than twenty
years experience; trading as one of South� Africa’s� first� online� galleries� since� 1997;�
and with a loyal worldwide client base, 34FineArt firmly� established� its� reputation� as� a� leader� in�
bringing the best of International Contemporary Fine Art to South African audiences and providing selected
South African artists with special international exposure.
A few of the Gallery’s highlights include hosting several solo exhibitions of limited editions by international phenomenon Takashi Murakami; introducing work by distinguished Chinese artists like Feng Zhengjie and Zhang Xiaogang to South African collectors; regularly featuring work by artists like Damien Hirst and Mr. Brainwash in exhibitions and promoting the careers of talented emerging artists like, Jade Doreen Waller, Warren Petersen, Lionel Smit and Asha Zero.
Contact:� www.34fineart.com� -� [email protected]
Dotmasters
Born and raised in London, The Dotmasters is� the� offspring� of� C6.org,� a� new-media�
based� collective� of� art-pranksters.� Active� throughout� the� 1990’s,� they� bridged� the� gap�
between art and activism with attention snatching events that pulled no punches. Hitting the headlines
worldwide� in� 1997� with� «Man� in� a� box»� they� incarcerated� and starved one of their members in a surveillance cube in
a� gallery� in� Brighton.� Their� work� was� eclectic,� merging� graffiti,� new media and performance from the street, night clubs and
galleries� generating� a� steady� stream� of� irreverent� broadcasts.
Founding� member� Leon� Seesix,� bored� of� the� new-media� world� and� the� group� dynamic,� started� working� under� the� alias� ‘The� Dotmasters’,� with� a�
sideways� look� at� the� populist� medium,� says� the� East� London� based� artist.� The� Dotmasters� possesses� a� typically� English� sense� of� humor,� throwing� two� fingers� up�
at� the� passer-by� with� his� impeccably� detailed� stencil� work.
Treating� the� ghetto� as� his� paradisal� home,� The� Dotmasters� work� can� be� found� anywhere� from� a� pikey� trailer� park� to� the� penthouses� of� Europe� and� have� featured� in� both� Banksy’s�
Cans� Festival� in� Waterloo� and� his� Oscar� nominated� feature� film� ‘Exit� Through� The� Gift� Shop’.
Trust.iCON
iCON (TRUST. iCON global street art movement) originates from Thamesmead in South East London. A pioneer of a new movement in street art, he started his carer in 2009 and continues to produce new thought provoking and sometimes controversial work on walls in London.
His aim is to inspire a generation of artists true to the culture of street art.
Robin� Coleman
He started painting to relieve stress from a debilitating� spinal� injury� and� accompanying�
depression.� His� early� experimental� pieces� involved� images� of� Marilyn� Monroe,� The� Krays� and Jimi Hendrix.
Moving forward his expression was found in the use of mixed media such as newsprint, comic books and� magazine� cuttings.� He� finds� the� cutting� and� pasting process therapeutic and relaxing.
Mesh� 137
His� instantly� recognizable� style� of� work,� draws inspiration from various counter culture
movements and genres, such as skateboarding, graffiti,� tattoo,� street� art,� old� records,� pulp� comics,�
movies and the art of ancient tribes and societies.
While� growing� up� Mesh� 137� was� lucky� enough� to� visit� some� amazing� destinations� like� Mexico,� Japan,� Canada,�
Europe and New York. These destinations have impacted his work� greatly,� especially� the� modern� and� historical� visual� cultures�
of Mexico and Japan.
Another� great� influence� for� him� is� the� hip-hop� scene� of� New� York.His work can be seen on unique surfaces like old records and covers, 80’s� rap� lyrics/clothes,� trashy� novels,� skateboarding� videos� and� magazines� in� wich� he� utilizes� an� Anime� and� Manga� style.
Chiara� Rogazzo
Chiara� Rogazzo� studied� Visual� Arts� at� the� Passaglia� High� School� of� Arts� (Italy)� and�
obtained a degree in comics at the International School of Comics in Florence. Her preferred
mediums� are� oil,� acrylic,� watercolor� and� pencil.
Chiara� is� also� highly� skilled� in� illustrations,� logo� and� tattoo� design.� Her� first� job� was� working� as� a� tattoo� designer� under� a� famous� tattoo� artist.� Chiara� shows� amazing� promise� with� her� unique� style� which� has� matured� and� developed� since� showing� at� The� West� London� Arts� Factory.
Graffik� Gallery� is� a� contemporary� urban/graffiti� art� gallery in the heart of Notting Hill’s vibrant art scene,
located on the famous Portobello Road. Known for its high level and leading edge artists, they are at
the forefront of street art culture.
Regular exhibitions and urban art workshops facilitate the nurture and development of undiscovered and up and coming talent.
A� stunning� creative� space� owned� by� self-confessed� devotees� of� street� art,� Graffik� Gallery� can� provide� expert� advice� to� new� and� established� collectors.�
Contact:� www.graffikgallery.com� -� [email protected]