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I lii .,.,,, , mm"'°" I UNITED MEXICAN DESIGN THE MAGAZINE OF INTERIORS ANO CONTEMPORARY DESIGN 10 OTTOBRE OCTOBER 2016 MENSILE rTAUA/MONTHLY rTALY€ 10 AT Cl9,50 ! ! Cl8,SO CA_,30 :ll ct#Ul,80 DE Cll DK kr165 [ Cl7 · Cl8 M C18 , !:l".SO PT Cl7 kr170 5' 30 -• Italiane SpA Spod U1 A.PD 1. 353/03 an I comma! DC8 Verona GRUPPO .. ,~ UO:.\D.\.DORI

UNITED MEXICAN DESIGN I - marazzi.de · i lii .,.,,, , mm"'°" i united mexican design the magazine of interiors ano contemporary design n °10 ottobre october 2016 mensile rtaua/monthly

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I lii .,.,,, , mm"'°" I

UNITED MEXICAN

DESIGN

THE MAGAZINE OF INTERIORS ANO CONTEMPORARY DESIGN

N °10 OTTOBRE OCTOBER 2016

MENSILE rTAUA/MONTHLY rTALY€ 10 AT Cl9,50 ! ! Cl8,SO CA_,30 :llct#Ul,80

DE Cll DK kr165 [ Cl7 · Cl8 M C18 , !:l".SO PT Cl7 kr170 5' 30

-• Italiane SpA Spod U1 A.PD 1. 353/03 an I comma! DC8 Verona

GRUPPO .. ,~ UO:.\D.\.DORI

Apotema, tappeto 240x170 o 200X300 cm realizzato in tessiturajacquard, con filat, misti ciniglia e cotone lavorati a felpo con motivo a rete, in due varianti colore. Design di Michele Menescardl per Calligoris

JC-7 Isola, tappeto della Joe Colomba collection realizzato in misto lana neozelandese e ta~ato a mono, nelle varianti colore green, or-onge. purple, multi. Disegnato nel 1970 da Joe Colombo ed elaborato graficamente da Daniele Lo Scalzo Mascheri perAmini

Pareti In Supercolor di Oikos, tinteggiatura lavabile resistente, traspirante e durevole nel tempo. A basso impatto ambientale, disponibile In ampia gommo cromatico, adotto per ambienti privati e pubblici. XLstreet Grefge, piastrelle 120x120cm in gres fine porcellanato colorato in massa in tre varianti con superficie satinata, prodotte da Marazzi.

Appia, sedia impilabile in pressofusione di alluminio

verniciato con e senza bracciolf, schienale e seduto in legno

multistrato di noce, cllfegio, rovere naturale grigio o nero o verniciato in vari colori. Design di Christoph

Jennl per Mcvu1esign..

and by the 'school' of the arttst V1cente RoJo in the workshops of lmprenta Madero Ve1y t1ed to h1s roots. Salas collects obJects he defines as "1nsp1rauonal metales (old stone gnndmg m1lls), mili wheels. sc1ssors and s1lver utens!ls, whose aesthet1c essence 1s translated mto graphlc proiects that become true V!sual metaphors Ali h1s work 1s marked by th1s cntenon, as the wnter Alberto Ruy Sanchez clanfies ihrough the will of style, a work eth1c 1s transformed mto a part1cular pass1on for one's JOb Techn1cal expertise can be an art, and m fact that art 1tself of orgarnzation 1s one of h1s pass1ons Constant research and perseverance m the studyof pubhsh­mg design have brought h1m many nat1onal and 1ntemat1onal pnzes and honors, ass1gned as a tr1bute to a production of over 600 pubhcat1ons, includmg books, art and corporate catalogues, coordinate images, magazmes and more. makmg h1m one of the most outstandmg fìgures of H1spano-Amenr.an culture Recently the Museo de la Canc1lleria of Mexico City orgamzed a retrospect1ve of h1s pubhshmg work from 1983 to the present entitled Como un libro ab1erto. The show w111 be seen m October In Madrid. lhen in Milan In January 2017, with the support of the Secretarfa de Relac1ones Extenores de Méxlco (SRE) and the European Design Jn­st1tute (!ED) Smce the start of h1s teachmg career, Salas has offered h1s students a concrete approach, as In a profess1onal studio, where they create real proJects based on analys1s of the needs of the chent and the end user. applymg d1scuss1on and scoutmg to reach a final proposal with an 1mpeccable prese11tat1on Appointed director of the Escuela de 01sei"lo de la umvers1dad Am\huac m 2004, Rlcardo Salas has expanded the honzons of the institute towards the mternat1onal fìeld H1s ef­forts focus on the creat1on of crossover workshops thal bu1ld a bndge between academ1a, famous Mexican compames and profess1onals, g1V1ng rise to the brand D1seno Anahuac

CAPTION: pag. 95 Above, from top 1dent1ty pro1ecc for Galerla Mex1cana de D1seno, 1990, graph,c design for the book La v1s16n de un ont1cuono. Rodngo Rivero Lake, Conaculta, 1997 To the s,de 1dentity pro1ect (or MIDE, Museo Interoct1vo de Economia, 2006 Below, (rom left 1dent1ty pro1ect for Museo Federico S1lva, 2003, and for Museo del Polacio de Be/las Artes, 1998, groph1c design (or the book Rufino Tamayo, Smurfit Koppo, 2011

Desi2nIN2 SHOOTING

1,nn. SIES'l1i\ 'J1I)IE by Carolina Trabattoni - photos by Paolo Riolzi

IN A GAME OF L!GHT ANO SHADOWS, THE NEW ARMCHAJRS TAKE THE STAGE, EVOKING MOOERNIST ARCHITECTIJRE ANO TROPICAL GREENHOUSES. FOR PURE, UNADULTERATED RELAXATION

CAPTIONS: pag. 96 L1lo armcha1r w1th wooden structure and paddmg of variable 1h1clmess dependrng on the zone m contaci w1th the body Seen here w1th covers in Nord1c hues Des1gned by Patricio Urqu1olo for Moroso pag. 97 Corno by cho1r w1th shaped plywood struccure, covered in whtte and black wool blend, by Studio Balutto Assoc1ot1 (or Twils Souls a Minds corpet in handcufted \1/Scose, des,gned by Marco Piva for Jab pag. 99 Citronnier ou Launer,

maxi-ob1ect w1th m1rrors, stools and rugs, In o l1mrted ed1t1on, ali from M/ Ma1son by MM Pans for Plusdesign Cec1le upholstered ormcho,r w1th gray ond blue geometrie pattern for the cover, des1gned by Andrea Ponsro for Meridiani K1/11 armchaw w1th yellow ond black stripes, des19ned m 1960 by llmart Tapiovoara far Artek, w1th Reflex fabnc by Raf S1mons for Kvadrat pag. 100 Auro armcho1r w1th·smoked oak base, covered 1n peorl gray /eather, desrgned by Claudio Be/1,n, for Natuzzi Nebula He1c corpet by Schoenstoub, Plusdesign In the background, the pointing R1{1ess1one (2016/, by the arClst Fabm:10 Modesti, mode on Che wo/1 of o bu1ld111g in I.ambrate (Ml/ Pro1ect by Made in Lambro te and V1vo10 w1th Airlite and Ikea pag. 101 Sk1d cha,r ond ottoman by This Weber for Very Wood, w1th padded seot and bock, here feotunng klllm fabr(c by Kinnasand, made for the Nomad Hotel 1n Base/

pag. 102 Mad Cho,r; des1gned by Marce/ Wanders foe Pollform, w1th legs in soltd wood. removable cover m wh1te ond black p1ed-de-poule fabnc pag. 103 Crono armchmr in sol1d Canaletto wolnut wtth coffee sto111, armrests m curved wood, back in handwoven cowh1de cord Des1gned by Antonio Crtterlo for Flexform Roma cha,r in cose and pollshed alum1rnum, w1th so(t leother cushion, by Paolo Navone {or Baxter

by Nadia Lionello - photos by Simone Barberis

INTENSE HUES, GAMES OF L!GHT, SHADOWS ANO FORMS CITATIONS TAKEN FROM MEXICAN FOLK ARCHITECTIJRE FOR POSSIBLE DOMESTIC SEITJNGS

CAPTIONS: pag. 104 A Wolk m the City, 1l/Ox250 cm pone/ of Evemng wollpaper Pare of o tnptych composed of three panels Mornmg, A(ternoon and Evernng Des,gned by N1gel Peoke for Hermés Metropohton, o two-seater sofo wuh steel frame structure, cold-process polyurethane foam poddmg, covered m removoble fobr,c or leather, w1th base ,n shiny brushed alum1rnurn, mcke/­bronze pomt fimsh or black chrome Part of 1he Pro1ect Collect1on (or contract appl1cotwns Des,gned by Jeffrey Bernett for B&B Italia V1s1orn B'carpet, 180x300 cm, made by hand m H1moloyon wool and stlk, custom1zed upan request Des1gned by Potr1c10 Urqurola for cc-tapis pag. 105 S1dewall RGB, bookcose on sw1vel base in MDFveneered with raw wood stained in the new colors v,olet, orange, Ught blue, blue, yellow or green, for free comb111at1ons Des1gned by Piero L1ssom for Porro Acc1a10 Stool, o stackoble stool w1th structure in cornea/ fX)mted metal tubing, tnangu/ar seol rn cowh1de bonded w1th polyester fabnc Des1gned by Max L1psey {or Cappellini pag. JO 6 Tombolo armchmr wrth structure in steel tubing w1th chrome, satin or pomi fi111sh, bock covered ,n bobbtn /ace w1th polypropylene strands, polyurethane cush1ons w1th removable fobrtc or leather covers Also ovarlab/e 1n on outdoor vers1on Des1gned by Ptero L1sson1 w1th covenng by studio UN pizzo of Bewno Colombo and Agnese Selva for Livin9 Divani Hoop LED lob/e lamp ,n pointed alumin1um w,th wh1te opaline methacrylate d1ffuser Des1gned by Adol1n1,S1mon,m Assoc1011 for Martinelli luce Frame cupboord w1th painted metal structure m vonous colors, brass or morte copper fimsh, v1s1ble through the beve/ed corners o{ the ponels, doors and cops m veneered wood w1th so/1d wood border ,n natural, groy or thermotreoted ook, or Canaletto wo/nut Ava1lable in three s1zes Designed by Alo,n Gr/les {or Bonaldo pag. 107 Clover tables w1th d1e-cost alum1mum legs Wlth pomt, chrome or black nickel {,rush, tops 1n MDF' w1th new Terra d1 Galestro finish w1th v1treous ceram1c effect, glossy paint or marble Des1gned by Giuseppe Bavuso for Alivar SOftwing, on armcha,r wilh high or !ow back, structure m Baydur• and molded nex1ble polyurethane, padded seac ond back. outer she/1111 curved beech plywood wllh glossy or.moire lorch, motte ebony or Canaletto walnut (m two tones) finish Removable covers In fabric, Dollaro eco-leother or leather Des1gned by Carlo Colombo for Flou Apotema carpet, 21/0x 170 or 200x300 cm, made w1th Jocquord weavmg usmg chen1 Ile and cotton blend yorns, neeced w1th gr1d rnot1f m two colors Des1gned by Michele Menescard1 (or Calligaris pag. 108 Creed Wood, armcha,r w1th structure m metal embedded 1n nameproof polyurethane foom. seat and back in polyurethone foam, supported w,ch rubber belting Optional cush1on filler completely m channeled goose down Removable fobnc or leother cover, legs in sta1ned solid sucup1ra Designed by Rodolfo Dordorn for Minotti XLstreet Gre1ge, 120x120cm t1les ,n fine porcelam stonewore, batch-colored 1n three vanants with sann finish. produced by Marazzi JC-7 Isola corpet (rom the Joe Colombo collecc1on. m New

INTERNI ottobre 2016 / 133