57
11/25/2017 1 Unit 3: Composition & Arrangement Artists utilize their knowledge of composition to create aesthetically- pleasing artworks. Composition The placement / arrangement of elements in an artwork. A strong composition is crucial to a successful artwork; it attracts a viewer and will hold their attention as they take a closer look at the piece. There are some simple tricks, or “rules”, that artists have been using for centuries to create dynamic compositions.

Unit 3: Composition & Arrangement

  • Upload
    others

  • View
    1

  • Download
    0

Embed Size (px)

Citation preview

Page 1: Unit 3: Composition & Arrangement

11/25/2017

1

Unit 3: Composition & Arrangement

Artists utilize their knowledge of composition to create aesthetically-

pleasing artworks.

Composition• The placement / arrangement of elements

in an artwork.• A strong composition is crucial to a

successful artwork; it attracts a viewer and will hold their attention as they take a closer look at the piece.

• There are some simple tricks, or “rules”, that artists have been using for centuries to create dynamic compositions.

Page 2: Unit 3: Composition & Arrangement

11/25/2017

2

Understanding Composition

Composition in Art Part 1

Page 3: Unit 3: Composition & Arrangement

11/25/2017

3

Composition in Art Part 2

The Rule of Thirds• Divide your composition into thirds (horizontally and

vertically).• Place key elements along the lines and/or where

the lines intersect.

Page 4: Unit 3: Composition & Arrangement

11/25/2017

4

Rule of Thirds

Edmund Dulac, The Little Mermaid: The Prince Asked Who She Was

Rule of Thirds

If Edmund Dulac did not utilize the Rule of Thirds, the composition would be less successful.

Page 5: Unit 3: Composition & Arrangement

11/25/2017

5

Rule of Thirds

Rule of Thirds

Page 6: Unit 3: Composition & Arrangement

11/25/2017

6

Rule of Thirds: Compare

Composition in Art Part 3

Page 7: Unit 3: Composition & Arrangement

11/25/2017

7

The Golden Ratio & Fibonacci Spiral

• Configured by the ancient Greeks

• Occurs in nature• Simply add last 2 numbers: 1, 1, 2, 3, 5, 8, 13, 21…• Symbol called phi

The Golden Ratio & Fibonacci Spiral

Page 8: Unit 3: Composition & Arrangement

11/25/2017

8

The Golden Ratio & Fibonacci Spiral

The Golden Ratio & Fibonacci Spiral

Page 9: Unit 3: Composition & Arrangement

11/25/2017

9

The Golden Ratio & Fibonacci Spiral

Salvador Dali, 1955, The Sacrament of the Last Supper

The Golden Ratio & Fibonacci Spiral

Katsushika Hokusai, 1830-32, The Great Wave

Page 10: Unit 3: Composition & Arrangement

11/25/2017

10

The Golden Rectangle & Rule of Thirds

The Golden Rectangle & Rule of Thirds

Page 11: Unit 3: Composition & Arrangement

11/25/2017

11

Golden Ratio vs. Rule of Thirds

Overlapping ShapesProject 11: pages 30 & 31

Page 12: Unit 3: Composition & Arrangement

11/25/2017

12

Overlapping Shapes• When one shape appears to be on

top of another.• Will give illusion of space.

312” Overlapping

Project 11 (pgs. 30/31):• Create 3 layers of shapes that overlap• Make 6 sets of those (18 shapes total)Rules:1. One layer of each must be geometric2. COLOR-IN each shape3. Do NOT use any letters4. It must be clear which is the top, middle, &

bottom shape

Page 13: Unit 3: Composition & Arrangement

11/25/2017

13

Student Examples

Student Examples

Page 14: Unit 3: Composition & Arrangement

11/25/2017

14

Student Examples

Intersecting ShapesProject 12: pages 32 & 33

Page 15: Unit 3: Composition & Arrangement

11/25/2017

15

Intersecting Shapes• Shapes that share common areas.

Intersecting Shapes• Shapes that share common areas.

332” Intersecting Shapes

1 2

3

4 5

67

SECTIONS

Page 16: Unit 3: Composition & Arrangement

11/25/2017

16

Project 12 (page 33):• Create 5 sets of intersecting shapes.• Each set should have 2 geometric shapes

and 1 organic shape (10 geometric and 5 organic shapes total).

• Decorate or color each section differently.

Ex: 3 shapes,6 sections

Student Examples

Page 17: Unit 3: Composition & Arrangement

11/25/2017

17

Student Examples

Student Examples

Page 18: Unit 3: Composition & Arrangement

11/25/2017

18

Student Examples

Student Examples

Page 19: Unit 3: Composition & Arrangement

11/25/2017

19

Interlocking ShapesProject 13: pages 34 & 35

Interlocking Shapes• When a part of a shape appears to

be on top and another appears to be on the bottom.

• Under/Over

Page 20: Unit 3: Composition & Arrangement

11/25/2017

20

Celtic Interlocking Patterns

Project 13 (pages 34 & 35):

• Create 5 pairs of interlocking bubble letters.• Color-in each letter.• Do NOT use the letters A, B, D, O, P, Q, & R.

Page 21: Unit 3: Composition & Arrangement

11/25/2017

21

35

2” Interlocking Shapes

Student Examples: Do’s & Don’ts

Page 22: Unit 3: Composition & Arrangement

11/25/2017

22

Student Examples

Student Examples

Page 23: Unit 3: Composition & Arrangement

11/25/2017

23

Student Examples

Review (Pages 36 & 37)Overlapping, Intersecting, & Interlocking

Page 24: Unit 3: Composition & Arrangement

11/25/2017

24

Overlap• When one shape appears to be on top of another.

Intersect• Shapes that share common areas.

Page 25: Unit 3: Composition & Arrangement

11/25/2017

25

Interlock• When a part of a shape appears to be on top and

another appears to be on the bottom.

Project 14: Page 37• Draw a 1 ½” border on the top & bottom of

page 37.• Divide the page into three 3.0” columns with

the headings: Overlap, Intersect, & Interlock• Divide the remaining portion of the page into

three 3.0” rows.• Create 3 pairs of bubble letters for each row

that show overlapping, intersecting, & interlocking. You must use the SAME 2 letters in each row.

• Color each letter/section differently.

Page 26: Unit 3: Composition & Arrangement

11/25/2017

26

1 ½”

1 ½” 37

3” 3”

3”

Overlap Intersect Interlock

3”

Page 27: Unit 3: Composition & Arrangement

11/25/2017

27

• Create a work of art that incorporates overlapping and intersecting.

• Advanced: You may also include interlocking.

• LAYOUT: You MUST have a 2.0” border on the bottom of your page. Entitle: Project 15. Your page may be vertical or horizontal.

• You MUST submit your planning/ intentions for this artwork on pg. 38

Project 15: Pages 38 & 39

Student Examples

Page 28: Unit 3: Composition & Arrangement

11/25/2017

28

Student Examples

Student Examples

Page 29: Unit 3: Composition & Arrangement

11/25/2017

29

Student Examples

Project 16: Symmetry

Pages 40 & 41

Page 30: Unit 3: Composition & Arrangement

11/25/2017

30

Symmetry• When a space is balanced by having mirror-images

in both halves.

F

Funerary mask of Tutankhamun,Eygptian18th Dynasty

Page 31: Unit 3: Composition & Arrangement

11/25/2017

31

Project 16: Symmetrypages 40 & 41

• Create a work of art that exhibits left-right symmetry.

• Images MUST be equidistant from the center line.• Color is essential.• Use of a ruler/compass for geometric shapes is

required. • 2.0” border on the bottom of your page; 6.0”

dividing line; entitle “Left-Right Symmetry”

2.0”Left – Right Symmetry

6.0”

Page 32: Unit 3: Composition & Arrangement

11/25/2017

32

Page 33: Unit 3: Composition & Arrangement

11/25/2017

33

Page 34: Unit 3: Composition & Arrangement

11/25/2017

34

Page 35: Unit 3: Composition & Arrangement

11/25/2017

35

TessellationsProject 17: pages 42 & 43

Page 36: Unit 3: Composition & Arrangement

11/25/2017

36

Tessellations• Repetition of identical geometric shapes placed

next to each other (with no spaces)

Page 37: Unit 3: Composition & Arrangement

11/25/2017

37

Cycle (1938): Tessellation Art by M. C. Escher

Escher’s works continue to inspire artists through today. Movies such asInception, Tomb Raider, Night at the Museum: Secret of the Tomb, and Labyrinth all include Escher-inspired scenes. Video games also use Escher’s images as a framework for many of their worlds.

Page 38: Unit 3: Composition & Arrangement

11/25/2017

38

Dogs (1938): Tessellation Art by M. C. Escher

Day and Night (1938): Tessellation Art by M. C. Escher

Page 39: Unit 3: Composition & Arrangement

11/25/2017

39

Relativity (1953) by M. C. Escher

Project 17: Tessellation• Plan on page 42; Final project page 43 • Design a 4 box tessellation; Each box will be an

EXACT COPY of the first box.• Rules:• In each of the 4 boxes, you may draw up to 4 lines

only (with a ruler)• None may go from corner to corner• They all must be diagonal (no vertical or horizontal)• All color – NO white space within the boxes• Every box MUST be the same as the first box.

Page 40: Unit 3: Composition & Arrangement

11/25/2017

40

Layout

2.0”

2.0” border on bottom

4.0” square in center

Split the square into 2.0” squares

Page 41: Unit 3: Composition & Arrangement

11/25/2017

41

Page 42: Unit 3: Composition & Arrangement

11/25/2017

42

Page 43: Unit 3: Composition & Arrangement

11/25/2017

43

Page 44: Unit 3: Composition & Arrangement

11/25/2017

44

Project 18: Concentric

ShapesPages 44 & 45

Page 45: Unit 3: Composition & Arrangement

11/25/2017

45

Concentric Shapes• Shapes of the same type that share a common

center; one shape inside the others.

Two sets of overlapping concentric shapes

Two sets of intersecting concentric shapes

• Two sets of interlocking concentric shapes

Page 46: Unit 3: Composition & Arrangement

11/25/2017

46

Frank Stella

• Squares with Concentric Circles by WassilyKandinsky, 1913

Page 47: Unit 3: Composition & Arrangement

11/25/2017

47

Project 18: Concentric ShapesPlan page 44; Final Project page 45• Create a work of art with at least 3 sets of

concentric shapes that fills the artist’s space.• Each set must have at least three shapes. You

must use a ruler/compass. • The sets must intersect, overlap and/or

interlock.• Color creatively. • 2.0” border on bottom; entitled “Concentric

Shapes”

Page 48: Unit 3: Composition & Arrangement

11/25/2017

48

Page 49: Unit 3: Composition & Arrangement

11/25/2017

49

Page 50: Unit 3: Composition & Arrangement

11/25/2017

50

Page 51: Unit 3: Composition & Arrangement

11/25/2017

51

Project 19: Inside-Out

Pages 46 & 47

Page 52: Unit 3: Composition & Arrangement

11/25/2017

52

How To Create The Inside-Out Technique

• 1- Create a word in bubble letters.

• 2- Draw a shape of any kind through it.

• 3- Color-in or decorate the NEGATIVE space INSIDE the shape & the POSITIVE space OUTSIDE the shape.

Project 19: Inside-Out• Plan/practice on 46; Final on pg. 47• Create an inside-out technique that uses at least six

letters. • It must have color.• You may use more than one word.• You may use numbers as well.• 2.0” border on bottom; entitle “Inside-Out”• It must cover at least 2/3 of the page.

Page 53: Unit 3: Composition & Arrangement

11/25/2017

53

Page 54: Unit 3: Composition & Arrangement

11/25/2017

54

Page 55: Unit 3: Composition & Arrangement

11/25/2017

55

Page 56: Unit 3: Composition & Arrangement

11/25/2017

56

Page 57: Unit 3: Composition & Arrangement

11/25/2017

57