Two Dicks and a Pussy

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    TWO DICKS AND A PUSSY.

    by

    Eric Shepherd.

    Eric Shepherd,

    26 Beach Rd,

    Oamaru 9400.

    (03) 434-0911

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    INT. TELEVISION STUDIO. DAY.

    In a poorly equipped low budget television studio, LOUISE

    DAY, a fashionably dressed woman in her twenties issitting at a presenters desk. Various STUDIO CREW are

    setting about their tasks of adjusting lighting and

    cameras in preparation for a show.

    INT. STUDIO PRODUCTION BOOTH. DAY.

    In a small production booth lined with a few monitors and

    mixing desks THREE TECHNICIANS are sitting at the

    controls making minor adjustments. YANNICK SERVOLE the

    Producer, an overweight man in his late forties and

    casually dressed is pacing behind the men, he looks at

    the clock on the wall, it reads 9.55am. Yannick reaches

    over to a switch on a mixing desk and switches it on.

    YANNICK.

    In five Janis.

    He looks at one of the monitors and sees a view of Louise

    in the studio.

    LOUISE.

    Okay Yannick.

    INT. PHYSICS LABORATORY. DAY.

    In a modern physics laboratory filled with expensive

    scientific apparatus stands MICHELLE GREEN, an attractive

    and smartly dressed thirty year old female reporter.

    MIKE, a casually dressed, tall, well built cameraman in

    his late twenties and SUSAN, a casually dressed plain

    looking sound recordist in her early thirties. They are

    both standing off to one side adjusting their equipment.

    At the front of the room standing beside a desk with alarge stack of heavy bound books is PROF LEON LIMP, a

    tall gangly man in his fifties wearing a white coat and

    PROF TIFFANY DILLY, a very short stocky woman in her

    forties with frizzy hair also wearing a white coat.

    MICHELLE.

    Mike, Susan, you ready?

    Mike and Susan give the thumbs up signal to Michelle, she

    then turns to the two Professors.

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    MICHELLE.

    Okay now there's no need to worry,

    we'll be live but just keep your eyes

    on me, you'll feel more relaxed if

    you just try and ignore Mike and

    Susan.

    Susan turns to Mike.

    SUSAN.

    (sounding depressed)

    Doesn't everyone?

    MIKE.

    (laughing)

    Hey not me, chicks dig a bloke with a

    big lens.

    Susan points her mic boom at Mike, it has a large fluffy

    wind sock on it covering the microphone.

    SUSAN.

    Lucky you, blokes don't dig a chickwith a big fluffy.

    MIKE.

    I dunno, a trim here, a shave there,

    a Rycote with a Brazilian might be

    just the ticket.

    SUSAN.

    (sarcastically)

    Oh aren't we so bloody clever this

    morning.

    Michelle turns and walks briskly over to Mike and Susan.

    MICHELLE.

    Hey you two, please. Can we get

    serious.

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    MIKE.

    Serious? Have you forgotten what

    outfit we're working for, since when

    did we do anything anyone could

    consider serious.

    MICHELLE.

    (slightly pleading)

    Come on, Yannick says this could be

    my big break.

    MIKE.

    (overtly serious)

    Ah I see, he's seen the real

    potential in you and has offered to

    give you a pointer. (Pauses) Or two.

    Michelle gives Mike a look of disgust, turns and walks

    back to the two Prof's. Mike looks at Susan.

    MIKE.

    (quietly)

    Looks like Yannick has his beady eyes

    on someone. (Pauses) There you go,

    you ever considered flashing your

    fluffy at him?

    SUSAN.

    Get bent!

    Michelle gently adjusts and straightens her jacket and

    collar.

    MICHELLE.

    Like I say, ignore them, everything

    will be fine, unlike some I consider

    myself a professional.

    Mike turns to Susan.

    MIKE.

    I know what Yannick considers her.

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    SUSAN.

    He's always just ignored me, but then

    I'm just the sound chick, everyone

    ignores me.

    MIKE.

    You girl are in dire need of a hot

    night with a big lens.

    SUSAN.

    Get bent!

    INT. TELEVISION STUDIO. DAY.

    Louise looks at the clock on the wall, the sweep hand is

    passing 9.59.30am.

    YANNICK. (O.S)

    Okay Louise here we go, remember

    you're on camera two.

    Louise turns towards the camera and a green light on it

    flashes.

    LOUISE.

    Welcome everyone to Science Live, I'm

    your host Louise Day and today we'll

    be speaking to two Professors who,

    after many years of research, believe

    they have discovered the answer to

    what many believed was the unsolvable

    riddle of Schrdinger's Cat. We'll

    now go over to our reporter Michelle

    Green at the University of Auckland

    who'll be speaking to the Professors

    involved. Over to you Michelle.

    INT. PHYSICS LABORATORY. DAY.

    Michelle is standing beside the two Professors, all are

    facing the camera.

    MICHELLE.

    Thank you Louise, I'm here with Prof

    Leon limp and Prof Tiffany Dilly who

    indeed believe they have discovered

    the answer to the riddle of

    Schrdinger's Cat.

    Michelle turns and faces the two Professors.

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    MICHELLE.

    If I could start with you Prof Dilly,

    if for our viewers, you could give a

    quick overview of just what the

    riddle of Schrdinger's Cat is.

    TIFFANY.

    Yes Michelle, well you grab a cat,

    bung it in a box, chuck in a grenade

    then try and figure out if it's alive

    or dead, and you can call me Tiffany.

    MICHELLE.

    Eloquently and concisely put Tiffany,

    however perhaps for the viewers wecould have just a little more detail

    from you Leon.

    PROF LIMP.

    That's Professor Limp Miss Green. In

    short Dr Schrdinger proposed if you

    placed a cat in a box that was

    completely sealed and armed the door

    with a uranium capsule set to explode

    if the door was touched then the

    metaphysical argument remains, once

    the door is shut is the cat alive or

    dead? Only by opening the door of the

    box to see would you find out but in

    finding out you'd kill the cat.

    Untill now it was the ultimate

    unsolvable riddle of life and death.

    MICHELLE.

    Fascinating, so Tiffany, what induced

    you to be part of this.

    Tiffany blushes, slightly looks down and shuffles one

    foot.

    TIFFANY.

    Well, I mean to say, who wouldn't

    want to work with Prof Limp.

    Mike and Susan slowly turn to each other and roll theireyes slightly.

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    MICHELLE.

    Well , hmm yes indeed. (pauses) No

    doubt a joy. So Professor, what

    induced you to begin this research?

    PROF LIMP.

    The name is Professor Limp Miss

    Green, not Leon, not Professor but

    Professor Limp. However in answer to

    your extremely inept question, pure

    research into the dichotomies of the

    metaphysical and the speculative

    reasoning of unexamined assumptions

    that have not yet been logically

    examined or confirmed by observation

    would have been self explanatory and

    my interest in such, as a research

    scientist, is an obvious conclusion

    any rational party or half way

    intelligent reporter would arrive at.

    Tiffany blushes again.

    TIFFANY. (V.O)

    Gosh I love it when he talks dirty.

    MICHELLE.

    Well, yes indeed, but I'm sure some

    of our viewers would have been

    interested. (pauses). I think.

    MICHELLE. (V.O)

    Was I just insulted?

    Michelle indicates with a hand gesture to a huge white

    board covered with physics symbols behind the Professors.

    MICHELLE.

    So, do we take it that this is the

    resulting answer?

    PROF LIMP.

    No, that's quite obviously the

    statistical chances of my chicken

    dinner being thawed by the time of my

    return home.

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    TIFFANY (V.O)

    (singing)

    Leon drumstick, yummy yummy

    drumstick.

    MICHELLE.

    So Professor Limp, what was your

    primary role?

    PROF LIMP.

    My role was the design of the box.

    Prof Limp picks a single sheet of A4 paper from the desk

    and holds it in front of himself and toward the camera.

    It has a crude drawing of a box on it plus a few lines of

    math's. He then places the paper back down on the desk.

    Tiffany looks down at the piece of paper.

    PROF LIMP.

    (cont)

    I consider it a masterpiece of..

    TIFFANY.

    (cutting across him)

    Um Leon,(pauses)you forgot to carry

    the one. (pauses) And the decimal

    point is in the wrong place and

    XY+7X5-3RX doesn't equal 23 it equals

    72 and a box has 6 sides not 5.

    PROF LIMP.

    What?

    Tiffany points at the piece of paper.

    PROF LIMP.

    Ah, that could explain it.

    MICHELLE.

    (excitedly)

    Explain what?

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    PROF LIMP.

    The radiation leak that shriveled my

    testicles.

    TIFFANY.

    You mean?

    PROF LIMP.

    Alas, mere raisons.

    TIFFANY.

    So, (pauses) no more..

    PROF LIMP.

    Nope, completely buggered, been using

    a strap on test tube for the last

    three months. (pauses) So much for

    your powers of observation.

    TIFFANY. (V.O)

    Explains your increased staying

    powers though.

    PROF LIMP.

    Let's face it Tiff, Pyrex can only

    take so much abuse, being castrated

    by radiation is one thing, being

    shredded by a broken test tube is

    something else entirely. Considering

    the fact that this work has now come

    to a satisfactory conclusion it's

    probably for the best we put our

    intellectual and physical

    intercourses to rest. Besides next

    week Dr Whither and I are beginning astudy into the genetics of producing

    a unicorn.

    Tiffany looks dejected then stares down at the floor.

    TIFFANY.

    (quietly)

    Looks like she'll struggle getting a

    horn out of you.

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    MICHELLE.

    Perhaps we could get back to your

    research.

    PROF LIMP.

    Quite.

    MICHELLE.

    So the cat, did you encounter any

    problems from activist groups with

    the ethics of animal welfare?

    Tiffany looks up and sees Mike, she blushes and gives him

    a little flirtatious wave with her fingertips.

    TIFFANY (V.O)

    (sexily)

    Hello big boy.

    PROF LIMP.

    Well obviously, isn't there always.

    Ministry of Woman's Affairs demanded

    we not use a female cat, Race

    Relations people told us not to use a

    black cat and the Celtic Association

    said the IRA would bomb the facility

    if we used a ginger cat. Thusly we

    acquired a tabby of no fixed abode.

    MICHELLE.

    So are the results to be published?

    TIFFANY.

    Already have.

    Tiffany taps on the large stack of volumes on the desk.

    MICHELLE.

    Very impressive, so you've been

    working on this for fifteen years

    now, any idea of the cost.

    PROF LIMP.

    Yes Miss Green, eighty two million,

    certainly money well spent

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    furthering our understanding into the

    nature of the human condition.

    MICHELLE.

    Eighty two million and fifteen years

    to find out if a cat is alive or

    dead, a bit excessive?

    TIFFANY.

    Ah but wait till you see the results.

    INT. STUDIO PRODUCTION BOOTH. DAY.

    Yannick is looking at a monitor of the interview taking

    place. He flips on a switch and speaks into a microphone.

    YANNICK.

    Going to a break Michelle.

    INT. PHYSICS LABORATORY. DAY.

    Michelle places her fingertip to her ear, gives a small

    signal to Mike and then turns toward him.

    MICHELLE.

    Thank you professors, we'll leave it

    there for a moment and be right back

    after this break to see the final

    results of this fascinating work.

    INT. STUDIO PRODUCTION BOOTH. DAY.

    Yannick flips a switch on the control desk. He looks at a

    monitor showing Louise sitting at the presenters desk.

    YANNICK.

    Louise, what the fuck?

    LOUISE.

    Don't look at me Yannick, this is not

    one of my stories. (Pauses)Perhaps if

    you bothered to turn up to the

    occasional production meeting and had

    some input instead of leaving it up

    to the juniors to try and pick the

    best of the most pathetic that comes

    our way this show might not be so

    much of a joke.

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    YANNICK.

    It's days like this that make me

    wonder why I'm still working here.

    LOUISE.

    Perhaps the need to pay off the new

    BMW along with your uncontrollable

    urge to take a deeply personal and

    intense interest in the education of

    all the new female reporters.

    YANNICK.

    Well you didn't seem too unwilling.

    LOUISE.

    No Gordon, a leg up and a leg over

    are two different things entirely.

    The Three Technicians in the production booth all lean

    back in their chairs, turn towards Yannick and smirk

    openly.

    Yannick looks at the Three Technicians.

    YANNICK.

    And you lot can shut the fuck up too.

    FIRST TECHNICIAN.

    Didn't say a word Yannick.

    Yannick looks at the monitor showing Louise in the

    studio.

    YANNICK.

    Don't 'spose after the show Louise,

    (pauses) for old time's sake.

    LOUISE.

    Yannick that's so pathetic it's

    almost charming.

    YANNICK.

    Charming eh?

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    LOUISE.

    (sarcastically)

    A day has dawned on a whole new era

    of obliviousness.

    THE THREE TECHNICIANS.

    (singing in unison)

    Sun arise, she come every morning,

    sun arise, each and every day, sun

    arise, she come every morning..

    YANNICK.

    Can it dipshits.

    INT. PHYSICS LABORATORY. DAY.

    Michelle is looking at Prof Limp, Tiffany is walking

    coyly around Mike and the camera gear occasionally

    stroking the leg of the tripod with her fingertip. Susan

    is sitting on a chair with an extremely bored expression.

    MICHELLE.

    Now we seem to have wavered just a

    little off topic from time to time,

    when we go back on air if you andTiffany. (pauses) Where's Tiffany?

    Michelle quickly turns around and sees Tiffany attempting

    to flirt with Mike.

    MICHELLE.

    Tiffany, please.

    Michelle gestures to Tiffany to rejoin her, Tiffany gives

    Mike a wink and a little fingertip wave and walks over to

    Michelle and Prof Limp.Susan looks at Mike.

    SUSAN.

    There's nothing like a university

    education to prepare you for life.

    MIKE.

    Lord if this is life I shudder to

    think what the afterlife is like.

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    MICHELLE.

    Now in this second segment if we

    could please stay just a little more

    on the subject. Remember we are live.

    INT. STUDIO PRODUCTION BOOTH. DAY.

    One of the Technicians holds up his hand to Yannick with

    his fingers splayed wide, Yannick nods acknowledgement.

    YANNICK.

    Okay Louise. (pauses) Back on in

    three, two, one and stuff it all.

    INT. TELEVISION STUDIO. DAY.

    Louise turns toward the camera, the green light flashes.

    LOUISE.

    Welcome back everyone to Science

    Live, let's return now to our

    reporter Michelle Green at the

    University of Auckland, over to you

    Michelle.

    INT. PHYSICS LABORATORY. DAY.

    Michelle and the two professors have resumed their

    positions beside the desk.

    MICHELLE.

    Thank you Louise, now Professors on

    to the results, you say you have

    cracked the answer, the important

    question is, was the cat alive or

    dead?

    PROF LIMP.

    Well dead of course, just like my

    testicles, the uranium booby-trap saw

    to that. However thanks to the

    painstaking research of Professor

    Dilly the cat was also alive.

    MICHELLE.

    (confused)

    It was dead and alive?

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    PROF LIMP.

    Precisely, once Prof Dilly worked out

    the theorem BTB=FU it all fell into

    place. The cat was of course indeed

    dead but also very much alive.

    MICHELLE.

    BTB=FU?

    TIFFANY.

    Bashing the box equals feline urine.

    MICHELLE.

    I'm still confused, you're saying by

    scaring the cat enough for it to pee

    itself meant the cat was alive?

    TIFFANY.

    Yes, I'm ever so proud of my theorem,

    you see once the cat urinated we then

    had a sample of DNA from which to

    work with. Once extracting that

    sample meant we were then able to

    clone the dead cat, and here he is.

    Tiffany reaches under the desk and produces a small tabby

    cat kitten.

    PROF LIMP.

    You see Miss Green, we've now proved

    cat urine is the most indestructible

    compound in the universe, not even

    being blasted by uranium can destroy

    it. As the essence of the cat is in

    the DNA and the DNA in the urine

    survived then the cat is alive but

    also of course dead.

    Tiffany gives the kitten a big cuddle, looks at Mike and

    winks.

    TIFFANY.

    I think I'll call him Mike.

    Susan leans over toward Mike.

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    SUSAN.

    (quietly)

    I think someone has her eye on your

    lens.

    MIKE.

    (quietly)

    At least it looks like your fluffy is

    safe by the sounds of it.

    INT. STUDIO PRODUCTION BOOTH. DAY.

    Yannick is watching a monitor, on it is seen the

    interview with the Professors taking place.

    YANNICK.

    Is this the best we could do?

    FIRST TECHNICIAN.

    Well it was either that or an

    Entomologist that reckons ants are

    solid proof for the existence of God

    or that Biologist who says the same

    thing about bananas. (pauses) Oh, and

    that Neurologist that says he is God.

    YANNICK.

    You're kidding that's it, nothing

    else?

    SECOND TECHNICIAN.

    Well there was that Anthropologist

    who reckons he's solved some weird

    shit about human evolution using

    those dumb symbols no one understandsin those DVD set up manuals, well

    something like that anyway.

    YANNICK.

    (sighing)

    Whatever happened to the days when

    science was so unintelligible people

    immediately believed it.

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    FIRST TECHNICIAN.

    Gone like Sonic The Hedgehog Yannick,

    fondly remembered but like this show

    no one wants it anymore.

    YANNICK.

    You know I had dreams once of making

    a mark in television, how the hell

    did I end up in this death time slot.

    FIRST TECHNICIAN.

    Getting stoned at the Xmas party then

    shoving your head into the punch bowl

    and pretending to be a goldfish

    probably didn't help your careerYannick.

    INT. PHYSICS LABORATORY. DAY.

    Tiffany reaches under the desk and brings up an open top

    box and places the kitten in it.

    MICHELLE.

    So Prof Limp, you say you are now

    going to work in the field of

    genetics.

    PROF LIMP.

    Well it is an obvious move on from

    this, surely that is patent. Cloning

    cats to cloning unicorns. (Pauses)

    Have you never had any education

    into following the train of a simple

    conversation?

    MICHELLE. (V.O)

    He did just bloody insult me.

    MICHELLE.

    I just thought...

    PROF LIMP.

    (cutting cross)

    And there lay the difference Miss

    Green, scientists don't think.

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    MICHELLE.

    Actually Leon, that is something that

    truly is patently obvious!

    Prof Limp goes to speak, before he can Michelle turns to

    Tiffany.

    MICHELLE.

    (cont)

    So Tiffany, where will you be moving

    on to next?

    Tiffany undoes the top button on her white coat and

    begins to run her index finger slowly up and down the

    lapel. She looks at Mike and winks.

    TIFFANY.

    Well there just might be an nice

    opening in optics, hopefully one that

    will really stretch my imagination.

    (Pauses) I'll be needing a lab

    assistant of course, Id pay very

    good money for the right tripod.

    Susan looks at Mike.

    SUSAN.

    (quietly)

    I am never ever going to let you

    forget this.

    MIKE.

    (quietly)

    Get bent!

    INT. TELEVISION STUDIO. DAY.

    Yannick flips a switch on the mixing desk and looks at

    the monitor showing Louise in the studio.

    YANNICK.

    Hey Louise, this is doing my fucking

    head in, if I cut it do you think you

    could vamp for five minutes till theend?

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    LOUISE.

    Get real, with what, my own research

    into the lack of intelligent males on

    internet dating sites?

    YANNICK.

    Cool, what's your user name?

    LOUISE.

    Fuck off Yannick.

    YANNICK.

    If only Louise, if only.

    Gordon turns to the First Technician.

    YANNICK.

    I'm cutting this, cue up a lost

    transmission signal on my mark. Just

    don't tell Michelle, let her think

    she run it all the way through.

    Gordon looks at the monitor showing the interview taking

    place, he flips a switch on the mixing desk.

    YANNICK.

    Okay Michelle wrap it up there.

    INT. PHYSICS LABORATORY. DAY.

    Michelle turns toward Mike and faces the camera.

    MICHELLE.

    Well thank you both for sharing your

    fascinating research with ourviewers, now back to you Louise.

    INT. TELEVISION STUDIO. DAY.

    Louise turns toward the camera, the green light on it

    flashes.

    LOUISE.

    Thank you Michelle, well that wraps

    up our show for today, be sure to

    tune in next week when Michelle will

    be talking to a Proctologist who

    believes he's discovered a link

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    between Hemorrhoids and The Big Bang.

    So from all of us here at Science

    Live have a pleasant week.

    INT. STUDIO PRODUCTION BOOTH. DAY.

    Yannick turns to the First Technician.

    YANNICK.

    Okay hit the signal now, run it for

    five then roll the ads.

    Yannick flicks a switch on the mixing desk then looks at

    the monitor showing Louise in the studio.

    YANNICK.

    (cont)

    That's it Louise, another riveting

    week over and done with. (pauses) As

    amazing as it might sound Louise I

    actually think we've managed to hit

    rock bottom, how you kept a straight

    face with that one is beyond me.

    LOUISE.

    Cheers, but have you any idea just

    how much I wanted to wrap that one upby saying "are they taking the piss?"

    YANNICK.

    That Louise, is probably the most

    intelligent thing that has been said

    today.

    FADE OUT.

    THE END.