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As compared to the neighbouring Muslim states of Central Asia, Turkmenistan slightly differs in terms of its cultural traditions. While modern Tajikistan and Uzbekistan were populated by settled tribes, Turkmenistan’s tribes were nomadic. Even today after the fall of the USSR attempts to urbanize the Turkmen have not succeeded, they never had formed an ethnic group until they were forged by Joseph Stalin in 1930’s. Instead, they are divided into different groups or
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As compared to the
neighbouring Muslim
states of Central
Asia, Turkmenistan
slightly differs in
terms of its cultural
traditions. While
modern Tajikistan
and Uzbekistan were
populated by settled
tribes,
Turkmenistan’s
tribes were nomadic.
Even today after the
fall of the USSR
attempts to urbanize
the Turkmen have
not succeeded, they
never had formed an
ethnic group until
they were forged by
Joseph Stalin in
1930’s. Instead, they
are divided into
different groups or
clans that each has
its own way of
dressing and dialect.
For the nomadic
Turkmen, the only
piece of furniture
worth having was a
carpet. Turkmen are
famous for their
Bukhara rugs and
these rugs that were
sold (and not made)
in Bukhara are
colourful rugs that
help distinguish one
clan from another.
Turkmenistan is also
a Sunni Muslim
country. Although
they are holy and
spiritual, they are not
exactly militantly
forced to be
religious. Of all the
Central Asian
countries,
Turkmenistan had
also been the one to
sustain its traditional
way of dressing.
Most men wore
baggy blue
pantaloons tucked
into clumping knee-
high bots, a white
shirt under a cherry-
red and gold-striped
heavy silk jacket,
and topped by a
shaggy wool hat
while women are
less showy and wear
heavy, ankle-length
silk dresses of wine
red and maroon
hiding spangled,
striped trousers
beneath.
Turkmen’s spoken
language developed
on the dialects of
Turkic tongues,
western oguz
dialects in particular.
It was also
influenced by
kipchak and old
Uzbek (chagatai)
languages.
One of the greatest
poets, Fragi
Makhtumkuli, who is
also the father of
Turkmen Literature
is known to be a
tragic figure. Having
to live a life that
revolved around a
loveless marriage
and the loss of his
two sons,
Makhtumkuli wrote
classical forms of
writing for home-
spun wisdom and a
simplicity of
language that
contributed greatly to
his popularity.
Seitnazar Seyidi and
Kurbandurdy Zelili
are considered
Makhtumkuli's
successors.