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architectural portfolio
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CITY HISTORY MUSEUMMEMORABLE-VIEW PERCEPTION
Instructor: Ahenk Yılmaz, Nur YavuzYear: Fall, 2012Site: Konak, Izmir
The conceptual idea is creating more memorable, impres-sive, effective spaces in order to create effect like ‘Bilbao Effect’. Bilbao effect is the changing of the city perception after the Guggeinheim Museum by Frank Gehry in Bilbao. Therefore, spaces are well-remembered and drawn eas-ily by the observers as an experince output and additionally allowing the people to think and remember. The levels and layers of the inside and outside of the building is the main parameter to create the spatial relation. The building functions as a city history museum for finding the ruins of memory with artistic tools from the history of the city. Mainly, it includes a time tunnel which the whole exhibition and workshop spaces are placed in. For the future of fair area, there are slopes (like waves) ,which have view references around the fair, represents unclear layers of history of the city, in the building, the layers of the history are more pre-cise. The urban aim is creating integration between build-ing and the fair for most preferred place, the museum, inside the city and most activity locations, the fair, without borders.
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TOP VIEW
Entrance
Entrance
Entrance
Entrance
Entrance
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lozan gate
26 agustos gate
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FIRST FLOOR PLAN
Social Art Galleryplaces for public
Instructor: Michael Young, Fusün Babaoglu, Tuba DoguYear: Spring, 2012Site: Bayraklı, Izmir
The aim is to make places for the usage of the public. After the analysis of Bayraklı, the ab-sence of social places is noticed. In order to create social spaces, the direction of building is arranged according to the pathways that the public uses more. Mainly, the separation be-tween the buildings were designed regarding the functions. Those are social places like res-taurants and cafes, displaying places like exhibi-tion halls, and management places like offices.
sectıon cc - sectıon dd
sectıon aa - sectıon bb
elevatıon sw - elevatıon Se
elevatıon n - elevatıon Ne
Instructor: Selma Goker WilsonYear: Spring, 2010Site: Birgi, Izmir
The design for the retreat is based on the environment of the town of the Birgi. The building is designed as a part of Birgi. It was shaped according to the view and the relation of inside and outside. In order to be a part of Birgi , exact borders are not demanded to seperate buildig from its environment. In terms of out-side and inside borders, a transition between them are tried to be created. Although, you are inside of the building, you can feel that you are outside with the amazing view of the town. You can catch the view from different places almost inside vantage point. Ac-tually this point of the view is conditioned by motion and circulation. Catching the view with your motion, the view is framed suddenly and the sight amazes you.
boutıque hotelnatural vıew
plan-shadow analysıs
framıng the vıew
model
SPACE ANALY
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exploded axonometrıc
FRONT VIEW
SHADOW-P
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Instructor: Selma Goker WilsonYear: Spring, 2010Site: Balçova, Izmir
The aim is to examine the working princi-ples of different structural systems. These systems are wall, frame, and pilate systems. Each structural systems were adapted to the same design. While the process of three lev-els, there were some changes due to the dif-ferent features of these structure systems. In other words, the structure changes the design of the building. To express those dif-ferent features, different presentation formats and techniques were used. There were mod-els of the building and drawings of analysis.
art Museumstructural practices
FRAME STRUCTURE
WALL STRUCTURE
models
PILATE STRUCTURE
Folding-contınuousfacadeS
volume of cırculatıon
ground floor plan
axonometrıc frame- volume analysıs
fırst floor plan
second floor plan
maın cırculatıon lınes
Instructor: Tim MacfarlaneYear: Spring, 2011Site: Balçova, Izmir
cloud bridgeglass workshop
The aim is to explore the usage and detail of the material, glass. The bridge has visual at-traction to cacth the interst of the users. It con-nects the library and the building of the faculty of fine arts in the University of Izmir Ekonom-ics. Therefore, it was designed as an exhibi-tion corridor. Around the main core, there are proper places to display the work of fine arts.
plan dıagram
sectıon
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detaıls
Modellıng on rhıno
Instructor: Burkay PasinYear: Fall, 2010Site: Asansör, Izmir
The aim is to design a house which has as much as relation with its environment for a couple, a musician and a chef. There-fore, the clustered spaces around a main vertical circulation part were arranged properly. The main design idea based on the seperation of the moduls (clustered spaces) inside a cube which has dimen-sions 12x12x12 m. Studios were designed in a proper relation. A garden is the con-nection of these creative spaces. Vegetables are for chef grow with a fascinating music by musician. Additionally , there is a cantiliver,near the musician studio, for both obser-vation the view and listening the music.
studıo-househouse for artists
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LIVING ROOM
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GROUND FLOOR PLAN21
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BEDROOM 2
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SECOND FLOOR PLAN
THIRD FLOOR PLAN
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AXONOMETRIC SHAPE ANALYSIS
FRONT VIEW SHADOW
ANALYSIS
LIVING ROOM
BEDROOM 2
STUDIO 2
STUDIO 1
GARDEN
TERRACE
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SECTION S
HADOW A
NALYSIS
Instructor: Michael Young, Omer CapartiYear: Fall, 2011Site: Urla, Izmir
The aim is to create spaces for the usage of the public. The public building serves as a medi-tation center. The function of the building have similarities with Japanese tea houses. during the site investigation, the casting helps to no-tice the environment and the spirit of the area. The main axis of the building comes from this casting. The lines of the site directs to the lines of the building. Slopes that were directs to T-House were designed in the building site to have references of the slopes of the building.
t-housespaces for rıtuels
sıte model
sıte drawıng
cırculatıon analysıs
dıagram of the form sıte castıng
sectıon aa
fırst floor plan
elevatıon n
second floor plan