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. -- .... lIEWSIl:.I'l'ER TOL I,Ko 1 JI'all 1m

TOBISTS .. UNIVERSAL

, - BROTHERHOOD ASSOCIATIOlf

" . ~ ' ..

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lOS"S( ~r.r. 'anlMllOOD ~~tszeATUn qoa~ uua~

!i"i!O!i" xog:

North Allertcan Reg10n

TOBISTS UNIVERSAL BROTHERHOOD ASSOCIATION is a world wlde tmte:m1ty of llU8ic1ana whose pur­poee 111 to -.1nta1n a 11&18on between those who take a s1p1ficant interest in the 1nstruaenta of the tubatudly - their _dneloPl8Dt, literature, pec!agog;r, aDd perfor.nce.

T.U.B.A. MEMBERSHIP DUES. P.rotessiOnal - $10.00 Studa.t:, *.5~00- !asocate - $10.00 SE!i'D DUIS TOI Dartd Kuelm - T.U.B.A", School of Musio, If.T.S.U., Dentcn,' T8D8 76203

PUBLIClTIOI AND MATERIALS DEADLINE! Fall (S.pt. 1) - Winter (Jan. 1) - Sprlng (May 1) \

'lb. T.U.B.A. N_letter 18 ailed tree of charge to duee p&11ng T.U.B.A •• _1iere. Institu­UorI8l 8ubecr1ptiOl18 ere aft1lable tar $3.00 per year. ID41rtduala outside of the N.A.Reg1on of T.U.B.A. ay8ubscribe to the n_letter tar $3.00 per year. Pera1uion to quote 18 not necllllllC'y but kindly note source when using. Address 1nqu1ree aDd send ater1alB to! R. W1aetoD JltaT1a, Editar - T.U.B.A. N_letter, Box S04.S, Tenn .... T.chno1ogical Uniftrllity~ O.-h,1lle, 'l'!l 38501

NationalP.residentl DI.n1.1 Peranton1 School of Jlluaio Univ. of Ill. Urbana, Ill. 61801

1're&eurer 1

Dartd Kuelm Sobool of Music K.T.S.U. Dental, Texu 76203

J:nterDaticmal P.ree1dent! Robert El1uOft Ouratar at Musical III8~te Haury PCIt'd Museua Deubam, Mich1.gan 48128

T. U • B.A. EXECtl'1'IVi:

Put NaUcmal P.reeident! Harvey Pb1111ps School of Music Indiana University BlOOll1ngtcn, Ind. 471Mn.

Publ1caticne Coard1natarl R. lI1n8tcn MCIl'Z'1II Dept. of Music Tenn Tech Univ. Oookev1l.le, TIf 38501

Secretary 1 -

Barton On .... ngs School of MUSic Indiana University B100UDgt0n, Ind. 47401

Ilulilon1ua OOClll."d1natar I RaYJIODd Young Dspt. of Music Lou1eana Tech Un! v. Rustan, 1.\ 71270

Put InterDat. President! Robert Ryker 3601 Sainta-Fudlle SUite 703 MCItltreal 130, Canada

THE TUBA IN EUROPE

Rob«rt Tucci Munich State Opera OrchNtra, Munich, West GerMny

Lite in Europe today 1s generally not too d1fferent froII that in the U.S. The arta (1111810 1n p.rt1cul&r), however, has been one 8Z'8& in which people of the various countr1es have lI&1ntained their pecullar identities. Hues like "Bolshoi Ballet", "Concertgebouw", "Bayreuth". or "Ia Sce.la M1lano" 1111!1ed1&tely br1ng thoughts or aea<D:1es of stunning per­:ror:mances 1n a strong nat1C1C18l1stlc flavor. In eutern Europe where other ma.tters oould and perhaps should have priority, gOVerlUll8nts subs1d1lle their cultural institut10ns 1n an unprecedented _er, the C&eok l'h1l.hlmlcln1c Orchestra in Prague and the "KOII1sche Oper" in East Berlln are cmly two eD.IIples.

The biggest d1t.f'erences in playing and tonal CMlIlcepta between orchestras f'rolII such places as Bergen, ~b, or BarcelCll1&, can be heaJ.'d in the lI1nde. Th1a is :particularly Uue as it appliea to the oboe, the horn, or the tuba. The tuba vartes frail. the single Bb or C tenar :round in French orchestras to the giant .BBb contrabass "Ia1aer" tu. used 1n German orches­tras for per.fcraances of Wagner's "Rlng" operas. '!'he choice of 1Ih1ch tuba to use is usually a result of adapting to the nceds of a particular 1lUB1cs1 en~t.

hGerman orchestras a oOlllbinatlon of hlstorioal tactara, tonal. CGlllcepts, type of lltera.­ture, and practical cOnslderations haTe ma.de the basatuba in F the '-aic InstruJDent. When the tuba _ into general use in the 1840's and 1850'a, orchestras 1ftI1'e amall and t,he em­Jlbaa1ll lIM then, as It 111 now, on theatre aM. opera. The taaous nenna l'h1l.ha:naon1c Orohes­tra, for eD.IIple, gives only nine pairs of subecr1ption concerts each year, the IIII.!n lIUI!Iical &Cth1t::r 111 to prarlde llU8ic far: nightly pertor:mances at the nenna State Opera. One can easll::r aee wh::r lII18ic!ans prefer an instrulllent such as the F tuba 1I1th a c'*l*C'f; tone that is rich on lI1d.dle and high overtones to one that aOlUl4a TC:7 la:oe4 and we1ghty when one oonsiders that the .ajOrlty of theatris a.re relatively small (aTIIt'8g1ng arGIUId 1,000 seats), haTe "live" acoustics to favor singers, and that the reJ;letoire includes much operetta and opera requir1.~ a light brass sound (e.g" the popular works of Verdi and Pi1oc1n1, or Strauss' RcsenIra.val1el.").

What about the musio of Riclw:d Wagner, the syJIphon1es of Anton Bzouokner, ar the operas and concert works of Richard SU'auss which require huge orchestras? In the Ger.n concept, the tuba is a brass instrument-not espec1&lly a bass 1nstrument. Excluding the "Ringn

operas, which ldll be treated separately, the app!I'Ciition of the tuba 1n the six other popular Wagner operas (Lohengrin, Tannhaus.., Meisters1nger, The Fl~Dutchman, Tristan and Isolde, and Pa:rBif&l) aesumes the role of a :rourth voice tc the trOll", the bottOlll voice in a horn choir (quite otten in unison with double basses and cellos to add color to a :pISsage), or in sBTeral. instances a solo Toice on a significant ar: exposed part. TbiIJ concept of archestration cont1nues 1n the works of BzoucImer. Although the score invartabl::r calls for a "contrabassn

tuba, the instrument chcsen is usually the F tuba.{ letting the string 'beas section (always excellent· and heavY 1n sound in Gernan orchestras) produce the f'lmdamental necessary for orchestral balance.

Another factar: tc be oonsidered oonoern1ng the chcice of the F tuba in the German orchest.""l!. is the ooncept at hOllogene1ty and tonal richness 111th1n the brass section. The rotary-valve truMpets, with their widely-tapered bells, have a Ilellower IIOUl'Id in comll8r1son to AIIer1can inst:r:1ulents. The trOllbones, though generally not capable of the iDense volume or ca:rry1ng power of their American oounter:parts, are much darker in quality. With mare tonal density 1n the upper voia., a more com:pact, pointed, and pregnant tone is necessary 1n the bass far the brass section to sound vibrant and exciting.

The operas of Wagner's R1z!g of the Nibelung c::rcle pose a va:t'1ation on the classic German concept of tuba. orchcstration. nang with very large string sectiona, Wagner cOlllplel1lented the usual wind sections 1I1th (among other instruments) the bass t:rwapet, the contrabass trOl8-bone, and an entirely new section of instruments called Wagner tubas. These instruments, pitched in Bb and F like French harns and played by horn players, are true tubas in lII1niaturel ~ w1.de tapers and a Bound very powertul and dark in oba1:actar. 'lbe tuba used in these operas 18 the BBb contrabass which plays a dual role I aotirIs as the baaa Toice to the hornB

,~--~-~~====--= .. =--.".-~--..--,.------.. =--= ... -=--=-=--=-=--=--=-=--=~"' .. .,,;-~.,.----==-====~------------ --2

The Tuba in Europe - continued

and Wagner tubes a great part of the tie, and as the bass to the troJabones and trumpets at other times. It is interesting that the composer's prescribed seating arrangeent at Bayreuth has the contrabass tuba in the II1ddle of the row of low brass inatruJients I the Wagner tubas are on the right with the French horns ilBllledia.tely in front of thea, and th6 trombones are on the left with the trumpets in tront of the.. The sound can be overwhelming I

Contrary to German lIusical training which places great emphasis on orchestral work, the French cultivate a highly sophisticated school of solo playing. Considering the nature of the French tuba, this is not too Surprising. Their instruaent is a -tenar" tuba which is very similar in size and sound to the euphonium but incOlporatell the necessary nuaber of 'I8.l.ves to enable production of the low notes. An extensiTe literature ill available in the Paris Consenatory style with difficult technical JlUsages and ranges of 0T8r three octaves being quite COlllllon. The French archestral brass sound is invariably bright with a light, scintilla­ting sound. Again, the ohoice of instrument 111 adjusted to the preferred literature and other nationalistic considerations. Conoerts of French llU8ic ean be quite thrilling though other works inyolving different contexts tend to sufier sOlll81lhat.

Musical act1rtty in Italy, on the other hand, has suffered. 0T8r the years trOll lack of - organized financial.llUppart. Outside of the few professIonal opera and radIo symphony orches­tras found in Italy, )lost other situations are of an 8.111ateur nature. Even the popular lIUllioi­pal bands a,re dilll1nIsh1ng In size and number. '!'here are few good IlUSlc schools left to choose trom. The general IStandard of tuba playing is low, and a single school or approach to the instrullent would be difficult to define. There are competent players, but the future of the instrument lies in the bands of the few young people who are talented and inspired enough to dnelop professional sItuationa. On the positive sids, the top professional orchestras pla.y at a very, high -standard.. -This is dUe to a COlibinaticm of a great national aff1nity with !lUsic, good basic JllUSlcal training, and an open-lBinded attitude tcnr&rd positlTe outsIde influences. Brass playing is brilliant and clear with technical and llUBical precision always strived for. Saall bore BBb tubas are preferred with a shallow IIOUthpiece being used to produce a gutty sound aellowed by a bit of bass quality. Occasionally a player will use a tenor tub!. for the execution of a difficult high passage.

In contrast to continental trends, English orchestral brass playing has gone through grest changes in recent years under an undeniable American influence. With the &host complete integration of Aaer1can lIIIde trumpets and troabcmes into tbe solil1st1cated English style, tuba players have progressed trom F tubas of various sizes to large Eb tubas and aore recently to large CC tubas of domestic and foreign mnuf'acture. The applicatIon of these big sounding instruaents is augmented 111 th smaller ones for solo and small enaeable work ar for the per­formance of high parts. The great variety of literature peft'oraed by English CIl'Chestras is quite deaanding. A new generation of players is active and thr1rtng and very mob 1ri cOlBlllun­ication with the progressive players of other countries. One OlIn count on solid brass playing starting trom the bottOll up anyt1llle an English archestra 111 heard. The English MOW how to handle the tub!.1

Music in other countritls, on the other hand, tend not to haTe a dist1ngu1shed tradition of their own but adapt to patterns and influences troa other ueaa. SpUn and the Benelux countries exhibit a strong French influencs in their orchestras.- GerJall and French influences can be heard in the orchestras of Switzerland. After decades of Austrian and lIIore recently Russ1ai1 influences, it is not surprising to hear fine ausic1an8h1p 1n the orchestras of the Balkan countries. There 115 a pe.ttern of cOJllP8tent tub!. players and an occasional proficient soloist found throughout all of these areas.

European JllUSicians have great Malration and respect for the h1Ih standards cODlllm in Aaer­iean brass playing. They are intensely interested in our teaching and peft'orIIIUlce techniques which the old IIIIIBters who are still active atteapt to abeorb into their own traditional concepts. The European sooiety of tuba players is a sMll one, but there is reaarlaLble cOl\lllUn1cation and a. feel.1ng of brotherhood among thell. I anticipe.te a great future for the tuba in Europel

3

FROM THE l'RE~mENT

The First InternaUon&l Tuba. S,..posiu.-Workshop 1I8S truly the IlIljar beg1nni!'.g of 'l'.U,1l,", The a.ccomplishments '~1.11 be f.elt for years. Wh&t 8. grea.t occasiClll it 'lIas fer Il\{'dt 00: UB t.) :",t together. Now I run able to pl.a.ce a face and a personality on theee lI&'y gl:1!I!!.t :people thl!\'t I met, and those that I have hOOl.'d and followed over the yeus. !lttt 1II.Cll"9 illlport8.IlUy, -.;'<) tlIUl.", believers out of those who attended that the tuba. can be used effectively in &1.1 types o:f l1"::"'\(" Our image has llIproved, but th«re is much to do. A ded1ca.ted organ1u.tion sueh n.s T,U.ll.A, can and will serve all of us for a better understand1Dg and cOlllllUnicaUon or 001: mu.i.n 1.tlte:l""·",T-,,. the tu'lla.

One of our pr1ma:ry tuks 1a to be able to OOIIDIU1l1oate with each .. 00 aVr!!rY m6mb<l~. Cr~,,-' efforts will be incomplete without the suggeatiOllS, coaents, and contributions '£'rem all. Therefore, we have dt'dded the North AIIer1can Region into districts far farmat1,c'l1, 017 Dtst:rtd Chapters. I have oontacted members to serve &8 District OrganiIlers. They will. tben d.~vj.d.~ theee districts into areas far the formation of looaJ. chapters. The Distriot Organ!.zen, ~'in receive the names of allllembers in their distriots. We will be able to inolude the ditl'tdch", organisers, and local chaptr!!rB in our next newsletter.

We have decided that the serpent would be the perfect eablell far T.U.B.A.ill;"'''U",:""""',, the problem or a tuba. design that could prove offensift to those who favar another desiGC1 '..if

',' tuba. Besides, thtnk of the value of antiquity! This able. w1ll appear on all offieid:!. oert1f1ce.t88 of T.U.,B.A.

One of MY goals is to collabar&te with the other brass societies, which I 1ii.1 sure f.l~w.:t'''' lI&IIY of our own goals. T. U.n.A. has officially beoollle a. lIIember of the Intarnati,onal 'l'roliibor,,, Association (I. T.A.) and will join the trumpet and harn societies.

We have rented a. T.U • .B.A. booth next to the I.T.A. booth at the Mid West Band .:wd Orch".,d)'". Cl1:a1o, December 18-22, 1973, at the Conrad HUton Hotel in Chioego. We w1ll have an of'fle1 n.l meeting on Thursday, Dec. 20 at 5115 p.m. At this tlme we will begin pla.nn1ng the F1,r:>t N .. tional Tuba Symposium-Workshop to take ple.oe in 1975.

I have a.ppointed Robert Palla.nsch to be CoCXJ:dine.tar of Tuba. Design, which w111 oome und,,',: the heading of T.U.B.A. Resea.roh Coordinatar. Therefore, Mr. PalJansch can spea.k .. ':1th f.h .. official backing of T.U.B.A. Send design ideas to Mr. Palla.nsch at 2808 Woodlawn Ave •• Fal.IJ~ Churoh, VA 22042.

I have also initiated the fama.tion of an Advisory BOIIXd. to serYe T.U.B.A. 1\'1 all ca.r"'''''.''" with the Past President Serving as Chairman. This will be .. standing board made up ot: tb(l ;,. ,;; prominent and respected people in our profession. '

At the close of our First 1ntll'l:'llll.t1onal Tuba SymposlU1l-Workahop, lI\IlI1y of you }lere COil .. c«med a.bout the deficit that ll&'rYey Fhillipe would be facing. Mr. FhUl1ps had accepted full responsibility far any funds lost. We had. no we.y of knowing what the income WQulil. be untU after the close of registration. However, th1a lll:lCerta1nty of receipts could not drut,' '. ar l1m1t the sucoess, effeotiveness, ar purpose or our goals. We bad a.pplied fer :f'\mdiGof $6,500.00 £'rOll the National Arts Council, but were turned down. They were leary of 'bej:ng seduoed by such an erganization! Frankly, -;;hey were not convina.d af' our concerro:l dJ'Ki tIl'" seriousness of our goals. If we oould have charged $25 aare far tultion ar had 1S n,O".ce ~ registrants, we would have broken even. ItJJ a 1'4I8ult, ~ Phillips is out OV<:'1:r

w,1>OO.OO! Man,. concerned :People contributed SOlIe lIOI1ey at the end of our MetHI€,. SOIDtl

composers like Barney Childs, We.ltr!!r Hartley, Frederick Mueller, and a few others H'ould not a.ecept their honorariuJII ieee. I pledge to you that I 1dll do eflf.t)th1ng passib1.e to 6011.olt :funds to make up this deficit. Irrega.rdleas of whether you attended the Symposium at' not, we will all benefit fi'om the results! We have already received ten new works a.nd m:}1(Ict at l8Mt another fifteen ar so f'r0lll the coaposers who attended the F.r.T.S.W. At till", th~'''< I ce.ll on our I18mbershlp to contribute what they can to T.U~B.A. to help allevjli.to th:l.s deficit. Push new membership as IllUch as you can and sd &117' contributions to lls.vid Kuehn" T.U.B.A. Treasurer. Let us all share in the eX:PeMe.

Daniel P6'l:lIJltoni National P.r~ident

O'IOS VIUloL HO.i HOLL:r.t:iIiIWOD HOLLISOcIWOD ImDHIlOHHV L:UIDYH

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T ,U.B.A. BUSINESS MDTIHG .. A SlJIIDWty

The T.U.B.A. businel!ls meeting of May 26, .1913 which tOok pl.l.Ce in Bloolll1ngton, Indiana at the conclusion of the F.r.T.S.W. dealt ldth the important .ttm of the International Consti­tution and the· By-l&ws ot the lfarth American Region. In lieu of a aare cOJllplete report at th1.s tiM, suffice it .to say that these III&ttera were settled JIOIIt ~bly by the 150-200 _bers present. It 11&8 ini tia11J intended to include the adopted dOOUlleD.ts ln their entirety ln thls lAue ot the newsletter. However, in order to oonserve· space (th. documents require about five Pll«es) it 11&8 decided to present a I!IUJIIIIIIry at this tiM •. Any ... ber who would like to recelve a copy of .thea. doeuaenta lII&y do 80 through the PublicatiOl1ll Cocxz:d1nator. Asl!lulll1ng that WOI!It everyone has seen the "special organillatiOllal "newsletter that 11&8 released lest spring, it lII&y be reported that the tinal dOOUllflntli are .. sent1al.l)- .the 19 .... u presented at that tillle. To the ext.nt pcllaible, everything baa been stre·,.,1ned·W ad. u flexible &8 conl!lidered proper. A t .. details were changed 1n the N.A.RegiOl1 By-Lawa. Tenor Tu~ Ooordlnator lIaB officlally cbaDced to EuphOl11ua Cocxz:d1nator, Asl!lociate M.mbers an .no 10!lg1ir "non-voting" MeJllbers but have th .... .,otlng rights u everyone 19115., w the ott1oe fit Put P.reaident .m.s estabUshed.

Tb. International Constitution 18 conaiderecl a 4_t that Clan be lived '·,ith throughout the w .. ld. Th. relati.-hip of InternatlO11al to Regional shoul4 be cOllSidtrro>d for a moment, At this time there is only one international officer, and that is the offie ... '"" Internatlone.l . President. Until the international upecta of T.U.:B.A. 08.11. becoM self suppo:rUng (which lII&y be yeare)~ this offic. will be supported by the B.A. Region. bentually, perhaps other regional cl1Y1elO1111 of T.U.B.A. will· join us in this support (th. Japaries. Region, the Australian Region, etc.) and at that tiM other international· o1'ticera will be .leated. In the aeantiae, the o1't1oe of International President will ooncern itself nth the .. tabl1ehllflnt ot T.U.B.A. chapters tbrcraghout the world. All internationalccmtaota shoul4 be ..,entually cl1rected to thiB c1'tice. An intll1'll&tiOllal file will be Mlntained ud the sp1r1t of T.U.B.A. encouraged II'Itlt)lIh.ere. Intenatianal ~.lI8 ldll be reported to the extent poulble thrCllllh the II.A.Region Newsl.tter.

, .... ~. - ~- -. ,

otticera were elected and all o1'ticera and th.ir ~s .. an listed elsewh~ in this luu.. Do not hesitate to contaot any member of the exeouti.,. 'liith suggestions, advice or (Plirhapa aare bportantly) COIIPlaints. Initial p'snn'", ftll: the Second Internatlanal Tu~ Syapoei11lll-Vorkehop If&II 1natltuted and the· meeting _ to a _luien.

_----T.U.B.A; FINANCIAL STATEMENT - J~uary 1, 1m,,: Auguet 31, 1973

I -

REClCIPrS . . Prot_1onal &: Associate lIemberships ........... .; ................... $2,050.25 Student M.b-.r:ah1~ .•••• ~ •••••••••• 1-•••••••••••••••• ., •••••••••••••••••• 7.50,00 Returned eltpenae lIIOIl&y (Publications Com:dinator) ....................... 7.40 Cba.pter fees ............................... ,.,' .............................. :3,; 00 r.I.T.S.W. -'bI;mper sticker sal •• ·~-~~ ••••• ~·: .... ~· ••••••• ~ ••••••••••••••••• 12.00

I totalreoeipta - $2,822.65 DISBURSEIImrl'S I, .

F.I.T.S.W. pt'oject OOIIIIt1tte. tza .... l ................................. $ :347 • .58 T.ra'Y81 re1mbursement (d.-calleDd.er) •••••••••••• ~'~'. 11 ••• e •••• II •••••••••• 18.00 Secretary-Treasurer eXJ+nuses ••••.•••••••••••• II ••••••••••••• I" I' I •••••• 30.06 Meabersh1p card print1~ •• 1 ....... I ••••••.••• , ••• t ...... , •••••••••••••••••• 12.60 T.U.B.A. ·letterhead (printing" ailing) ............................ , ••• :32.85 Newsletter (print1Jlg & ,.ailing). 1 ••••• , ••.••••••••••• I .......... I •••••••• 249.00 Dues (International Toro.bone Asaociatiam) •••••••••••••••••••••••••••••• 10.00 COllP1ter1mad aembersh1p file ............................................ 114.44 T.U.B.A. Booth (1973 .M1d West Orchestra. C11n1.} ....................... or .. 15().OO

. . . , \ . ~ cl1ebursellflntli - , ~. ~ Balance brought tGr1lll%d froa pec8lll'ber ::n, 1m .•.••.••...•.. •. : .••...•.•... $ 000.00 Receipts •••••••• I ••••••••••• t •• I •••••••••• i ••••• ... ~ ••••••• ," ............... 2,822.65 Total cred1w .•••••.•••••••••••.•••••••••••• ~ ••••••.••• I •••• I ••• ~ •. : •••••••• , •• 2,822.65 .Lees diaburaeJDente ••• I' •••• ". I •••••••••••••• ' ••. J' •••••• I •• II ••• I. ~ ~ .••••••••• , .964 • .5) BALANCE aa of Septeaber 1, ·197.3 •••••••••••• ~~· ................... ~.·· ••••••••• $1,858.12

\. • -';0:.".

Respectfully 8ubaitted., DavU L. Kuehn, ··s.o:ret&tt-Treuur«t', T.U.B.A., Sep.i, 1973

IHYWWl1S , - .11............ ..--_ .. - · I /1

l--~_~ __ ~ __ ~~~u----------------~I NACWPI ANNOUNCES COMPOSITION COMPETITION FOR TUBA SOLO

The 1973-74 Nat1onal. Assoc1atiOl1 of College Wind &lid. Percu .. ion InIItructara Composition I

COIIpetition will offer an award of $200 far a work far tuba solo, with ar without acCOllp&ni­.. nt.

The winning composition, which will be selected b1 a cOllll1ttee of NACWPI "libera, will be given its first perforll8.Dce at the liACWPI nat10nal aeet1118 in Anabei., Ca.l.1forn1a in March, 1974.

Rules and regulations for the competition ere. 1. Th1s yea.r·s competition 1s tor a work far tuba. solo, with ar without acoompanilllent (not

to exceed five perts). . 2. A :prize of $200 w1ll be a.warded to the cOIIposer of the w1nn1118 cOllposition. 3. NACWPI has rights to first performanoe at 1ts next "eting. 4. The winning composer w111 provide pertorance _ter1a.l.a on "tn.nsperencies". 5. After the f1rst performance, the composer ~ cla1a the tranaparenc1es far the purpose

of publishing the piece through a publisher of his choice. NACWPI 18 under no obligat10n to asSist in publication. If the cOlllposer does not have a publisher, NACWPI will retain the transparencies and lIIIke copies available to perlSOIlII 011 a deJllDd ba.sis at coet.

6. The winning composition will bear the following iJIIIa:r1ptiGll' "Winn .. of the 1973-74 COIIpos1tion Competition of NACWPI." '1'b1s insa:r1ption aut be retained it the cOllposer publishes the piece.

-. t. -lion-winning c~itions will be returned to the cOIIposer. 8. A list of non-1d,nning compositions w1U be made available to nCW},I ... bers on request. 9. liACWPI reserves the right to select no winner if it detera1nM that no cOIIIposition

qua.l.1fi.. tar the a1l&'t'd. 10. Coapositions entered in the Collpetition IIUIIt not have been prev1ousl.)" perfaraed. 11. The a1l&'t'd acne,. will be :presented to the w1nn1:ng coaposer at_ traMparenc1es of the

perfor..nce aater1a.l.s have been received by NACVn. 12. A- Bcare and tape recarding of a read'JIg perfo.r.ance of the wart IIUIIt be submitted between

Noveablrr 1, 1973 and Janll8r7 1, 1974. 13. Entries should be sent tOI Gearge K. Mellott

NACWn Coaposit1on Projeot Cba1rIIan Depert .. nt of MusiC Southern Illinois Uni vezai t,. Edwa:r:dsrllle, Illino1s 62025

14. A dec18ion will be reached b1 Februu-;r 1, 1974.

T.U.B.A. _bers should do all the,- can to encourage their ooaposer tr1eDda to enter this coapetitiOl1. This presents a terrific oppartunit)" to expNId. our literature and NACWPI deserves our cOllPlete suppart and congratulations tar sponscxr1Jlg this projeot. It 18 only fitting that T.U.B.A ... mbers should offer their servic" to any coaposer wish1ll8 to enter the COllpetition b1 prorld1.ng a reeding tape ar their work and COJllJult1Dg serv10es if requested. Undoubtedly a cOIIplete list of allwarks entered will eventuall)" reach the pq .. of the T.U ••• A. Newsletter.

~-----------------------COO~~C~I~--------------------__ ~-,

The dA7 of official. T.U.B.A. cOllll1ssion1ng projecta IM/ar OOIIpos1tion co.petitions is ~ close. In the aeant1Jle, consider the follodng situation. Ten of our I118mbers (ll&IIes IIJ'liJ. further details at a later date) have faraed what II1.ght be ca.l.led a "cooperative CCIIIIIdssion" and have collllissioned a Concerto far Tuba. and Band b1 Barney Childs. The nature of the colllDis­siGll is perhaps unique and the lIlUB1c WUl undoubt8dJ.;r be unique. The solo pert will be of a prof .. s1onal nature and the accoapanying band parts will be baaed. 011 the capab1lit1es of the "average grade III band." If ;rou have ideas tar further posaib1liUes let your Publications COQrd1natar know your thoughts.

The fourth annual Tennessee Technological University Tuba/Eu.lIhon1ulI Syapoaiulll will take pl.aoe on the Tech caapua in Cookeville, Tem., on Janll8r7 19th, 1974. Special. guests this :rear w1ll be Herold Brasch (ret1red solo eullhon1ua U.S.liay)" Band) and Haney Phillips (Prof. of Tuba at Indiana University). Intended for students til high school age, the Symposium is open to any "student" of the tuba or sullhon1l1l1. Far IIdd1tioaal iDfaraation contact R. Winston Mcxr.r1s at Tenn Tech.

Ward has been rece1'fed of the deaths of t1l0 good :t.r1ends of the tube. world. Paul. <=. -=-..

StrOllgl'en, .52, Pres1dent of KMS D1stributorll of 'l'aaJII., nartda, 4+ed on July 5 follOll1ng &

SeYere coronary during the NAMM Show in Chicago. Strollgren attended the FITSW in BloOldngton to display SOll8 of the new euphoniUIIIS and tubas 1aported 'bJ hils cOll]llUlY. He was a former I Ai:r Force b&Dd director, had ta.ught in the pabl1c sohoola and l1ated flute, string bess and ~ .. bis instruments. .

AlY1n D. Etler, 60, died on June 1, of pneuJlC!l!1& in Narthu.ptoIl, JIIua. A highly recog­n1sed Amer1can coaposer, he g&1ned the respect of tubill'ta pr1aIrl.l.y through his tuba pert to hils Quintet for Brass. HiB Y1brant and 11vely contribtrt.1011S to the oomposer panels during the FITSY lI&S an insp1rat1on to &ll and the performance of his "Quintet" by the New York Brass Quintet on the nening of May 25 rece1Ted its WI1l&l stancUng ovation. His next Dl&jor work, as he stated to Harvey l'hill1:ps before leav1Jlg BlooIIington on Ms.y 26, was going to be a. Concerto for Tuba and Orchesu-a.

_----- FIRST INTERNATIONAL TUBA SIMl'OSIUM WORKSHOP - HARVEY HiILLIl'S------~

'ftle Budget Report far the First International TIla S,.apoIIiua Warbhop, ltellised in this issue. illustrates in financial ter.s the neJas act1'f1ti.. It alao l11ustrates the risks lIhich had to be asllUllld as a _tter of course, lt suob a coaterence were to take place. It cannot show or rellOtely reflect. the hours of planning, nesot1&t1ng, orga1s1ng, and iJtPleaen-

_t1.):IgJ nor can lt be considered any kind. of g&\I8e as to the suo_ or aobieveaent of announced .«o&Iis lIhich 1Iere/~, siaply stated. "To gain .ore P£far.nce oppartunity tor the tuba 'player in &ll areas of the Jllll8ic profession."

'lbe .. ntal and }ilyaical energies of .uy 1n41"'-duals Mde the Firat International Tuba S~i1lJl Workshop 8. reality. I extend. my personal thanTra and. appreciation to &ll and I a.a sf1ft7 space does not a.ll0lJ for a 11sting of 1IIIM8. In IID7 ..... t. I a.a sure II08t of you know who they are •

•.. '\-

For any years, 8. lot of t&lk and peMlDllhip has bHn eTident relative to the state of the tuba in the profesSion of Jllll810. lfh1le these 1n41Y14ual etfOll:ta ha.,e been sinoere and well directed, their effectiTeness has been curtailed 'bJ the lack of 1D:oad support and follow through. The a.obievelllents of a few tub1ata aaeng their ooapGIIer-a:ranger Mends are quite nident and need no fUrther ooaent here.

Gratefully a.omowledg1ng the 8ignificant oontributlO118 to eur 11terature by such COllI­

posers as Benson, :Beversdorf, Hartley, l'ersiohetti, Schuller, Vaughan W''''.IIII, Wilder, and others, it is no less than tragio that the tuba player today bas no sonata, conoerto. or other _jar solo repertoire fro-. such twentieth oent:w:) ooapGIIC'1I .. Babbitt, Barber, Bartok, l!er«, Britten, Copland, Dahl. PrOkoflecl', Raftl, Schoenberg, S_l_, ShOStakoY1tch, Sibe11us, Stra'f1nsJcy,. Vebern. etc., eto.

Even thOlle COllposers who have chosen to offer 1'ragMJIta of 1apartant solo exposure to the tuba in band and orchestra pa:rta have ignored utiliBb« this well deaonstrated 8010 capacity in an extended _jar solo coaposition. lfha.t le«&OY will we tua players of todayle8.ve trn: tuba players of the future? Another ]!eels.bub. S9lc Poapoao, I1!!Ig Myda!? I hope notl

Far years it has been my purpose to plead, coerce, and ctwrlasion _jar COIIlp08ers to lIrite solo 1Iorks for the tuba. others have shared this purpoae and. we have had varying degrees at success in our indiYidual effOll:ta. ~ 18 the tiM far grOUP effort and 8elected cOJa1Bsion.s frOll specific composers. Such group effort should, of course, supplement - not replace - continued and intensified 1n4ividual effort.

'lb1a then lI&S the purpoee of the l1rst Interna.tiClll&l 1Uba S1IQlOIIiua Workshop - to call international attention to our repertoire and above &ll, to gain ..x1aua support £rOIl those whQ oreate the atmoophere in which Jllll8ic &lid 1lUB1c1.ans aurYiT8, _ly the composer. Our lot will only be illprOT8d through an equal Jdxture of great llUBic, great perforJ1l&l'lce, and in­creased oppo;tI;unity to be heard. 'lbe entinulwtic reBpoue, attendance, and. pertic1patim of cClllpo881'8 at the FI'l'SW is ind.eed gratifying and. thus far s.e thirty cOIIpositions ~ ex­pected to result f'roln th1a cOllJlllnion. Ve cannot pat a price on the inat'e&lSed oppcn:tunities theae new compOllitions proTide. We have iDdeed co_oed a group effort of purpose. We _t follow thr h.

Baftt, J. Edouaxd. Introductlon aDd Dance. l!l41ted far tuba aDd piano 1r1 Glenn SlI1th. Southern Mualc Company, $2.15. Techn1cal French tuba work edited far CC ar Db tuba.

Cod)", Robert O. Theatre Piece far Tuba aDd P1ano. (Be 804, iharlcn. Texaa 77488). $10.00. Three mOTe_nts I I-'l'rad1 tlon&1, II-TeChiiICA1 aDd III-Conve:r:ll&tiGlial.

Gurett, Jues. Sonata. far Tuba aDd Piano. (R01LL O&b Dr., Coluab1a, TN )8401). One 1l0Ye­M21t sonata c1rca 10 lII1nutes.

Jane, Gerard. Cantone lIuffoConcertants. Southern Muslc CoapaDy, $2.75. One IIIOVell8nt trad1tlG11&l work Of lIIOde:r:ate demands far 'bass tuba aDd p1ano. Buphoniua ed1t1cm. available.

SlI1th. Henry C. (transarlber). First Soloe far the 'rrGII'bone (ar Baritone) Player. G. Sch1l'1ler. $2.50. Sixteen easy transcriptlons 1I1th p1ano.

SJIOlanoff, Michael. Set of Three. Southern Musl0 Coa~, $2.00. 'ftJree ahart Contellporary IIOftIIents far tuba and piano.

White. Donald H. Loosuite. G. SchirMer, $3.00. Far IIIIpheu1U11aDd piano (treble and bass clef parts avai e).

ICn1ght, I'ICII.T1s. Concerto far Tuba and 'l'IIo (Wocd)Wind G1'GIll!. (School of Mual0, Ball State . Universlty, Muncle. Ind. 47j(6).

Frueur, Theodore C. Suite far Tuba and orchestra. (Dept. fit KuBio, Fredonia State Univ •• Fredonia, NY 1406:3). Four _ments I I-Introduc101G1l, II-Fuga, III-OantUena and IV­Joyous Dance. Conteaporary work 1I1th :ran orohMtra. 20 II1nutes.

Bakfto. Claude. Canl!lonet. Southern Muslc C~, $1.00. One JIOt_t h18hlY rhythII10 work .' _ fflll: unaocOllpU11ed tuba. Bali_t, Katth1u." InCOll8eg.uenza. G. Sch1rIIer, $1 • .50. Hew !usio far 11010 tuba. Blank, Allan. Tbree far 'Barton. AI1er1can eoap.era ""enee (17,0 W. 74th St •• H .• Y., Jr.Y.

10(23). Three Iloveaents of new 1lUS1c 1I1th d1f1'1cult apec1al. teohn1qUetl ~ub:ed. Hartley, Walter S. Muslc far Tuba: Solo. (50 Kaple An., Fredcm1&, N.Y. 1406:3). Four delll&Ild-

1JIg JIO'I8M21tsl I-Andante. II-Allegro, III-I.:rgo aDd IV-Presto. Muos,naJd, Robert. IIlPl'p,US' G. Sch1rIIer, $2.00. Far 11010 tuba. Tuthill . :Btamet. A SetT1iiY Tunes far a Big Tuba. (295 Buena Villta Plaoe. 1'Iemph1a. TN ~1{z). Six mov.,.:. f.OSlOll', II-illersro. III_A7IIIInte, IV-Viw.ce. V-AJ.legretto and

VI-Xcxlerato oantible. Shart UJlACCOIlpanied trad1ti-:L. Z1ffr1n, Kartl:yn. Fcu:i::' Pleces far Tuba. (P.O.Box 179. Bradfar:d, IH 0:3221). New IlU8l0 far

UJlACCOJI1III.n1ed tuba of a de"lnd~ng nature. . ott. JOIIe}lb. BIrl's Piece. ClaUde Benny P.I:'esII (1002 Exobarlge, EIlpcxrla, Ianaas 66601). $9.00.

Far solo tuba and electronic tape of s:ynthealslld aOllJl4B. ihree JIO.e .. ta. 10 lI1nutes. W1lIBar, PhU1p. - (1431 W. Hutob1Jlaon st., Chicago, Ill.

6061:3) • Tape Ra4a nOlI' aft1l&ble through the cOIIIPOIIer. Concme-Shouaker. ~ studies. C£l $2.00. Mueller, Frederick A~ contell~ Studies fe Tuba. (Dept. fit Muslc, Moreheed State

UniT., Marehead. ICY 40351). Vo. I of contempc:'lrUJ' atud1.ea fe bus tuba. Lockwood, Harry. Lg£c Plece. (59 SCIilth St •• COI1C141t'd, lIH'). One ~t piece far nolin,

cello, alto saxo one and tuba. Circa 41:30 1I1n. OU .... Harold. The Kraken. (Dept. of Musio, Qu_ College at ClINY, Flushing, NY 11367).

A sound piece far tu'lli\ and perCU88lon (GIle player). Stewart, Robert. Heart Attack far Tuba aDd Two PerCU88ion. (wuh1llgton and Lee Universlty,

Lexington. VA 24450). Bach, J.S. Cmcerto No.3 in D Minor. 'l'.ranIIc.ribed far twe 'bua tubaS 1r1 .1_ Self (Dept.

at IlUsiO, UniT. of Tenn., Knoxville, TN 37919). Jones, Rogar. 21 D1Btinot1ve Duets. Universltyof M1aII1, $3.00. Far base tubas. St.rGud, Richard. Tu'llaliUlXlon. (1)1 Huntoon, Eureka, Callf. 95501). Ant1phcmal duet for

baas tubas of moderate demands. Uber, Dand. Duo Concertante t«r Two Tubas. (Dept. fit illuaio, Trenton State College, Trenton,

N.J. 0862,5). 'i'hree movements. I-Poco '''egretto, II-Anifante and m-Alleero moderato. B&ch. J.S. Duets aDd Tr:I.cs. Tr. by Daniel S. Augustue. Soath.:m Music Coapany, $3.50.

Sixteen lIarks far bass tubes - JIOStly two part • .lato, Bruno. Peeetto' far Three Tubas. (School fit MuaiO, Tnif'ana Uniy., Bl.oom1ngtm, Ind.

47401) • One movement fairly leng:tbY new JlU8io. Butterfield, Don. Them llaces. (Nydam lane, W1ok~t..J.r (7481) Far three part tuba ensemble. LiDdenteld, Harris. Ii1f1&tlon far three 'l'ubas. (l.5'1'f Ind'an Creek Rd., Ithaca, N.Y. 14850).

$3.50. Cont8lftPCl,t'll.ry lIork far three 'bull tubas.

~_ ..• ~~.~6~ 8

mw lU.'l'ERIAIB - CGDt1Due4

!lneller. Frederick A. Tuba Tr1o. (Dept. of Xuale, K~ State UniT., Honhee.d, KY 4(351), $12.00. F~ ten~ and two bu. tubas. riTe IIO\'nent.. I-Adagio, II-Allegro.. Staccato, III-lament, IV-Oadenma and V-Pe:tpetUUJI Me'bUe.

I!UI!!eccone, Anthon,. J. 'l'bree My:th1ceJ. Sketehea, Tenut4I PubllOl.tiCll8, .... 00. Two eu]iil.an11lJ1S aDd two bus tubes.

JIlhnaOll, Allen. "'.l'1ng". (Dept. of ble, UniT, of 'l'eml., KnOllt'rl.lle, 'l'I :37919). T!relTe l*rl bess tubs. enseable.

BIBLIOGRAFHY

Mcmu:s. R. wrnSTOH. Tubs. Muslc Guide. 'l'he Inatruaental1.t C~, 1418 lake StTeet, EftnSton, Ill. 60204. $4.00. CompreheJUlllTe annotated l1st1ng of all JlU8ie available f~ tubs..

Jl(7iJWi. BRIAN. "You PJ.&y a What?", Brua and Percussi_, I, Ho. 2 (~, 1m), p. 12. Ru]iil.OIl1UJ1 u-t1Cle.

COHBliIt, REX A •• "Ben Goel!J1ck - Musloan DIg1neer,· '!'he ~tal1at, XXVII, No. 10 (Ma,., 197,3), p.~. New tuba III1te deaign. .

STANIBY, DOl,AI.ll A., "Articulation on Low Brass Ina Ia:UJ06Ute , " Gstaen Guette, I, No. , ... '(A~t, 1m), p. 4. GEIl'AKD, HOWARD 1'1., "Tuba Players Decide Now is 'l'1IIIe to Blw Their OlIn HCIt'IIS," 'lbe Wall

StTeri Journal, CLXXXI, No. 100 (Eastern Ed1t1C1l)(!1&7 2;3, 1m), p. 1. .. :BOURliE, MIKE, "Hie First Internatlonal Tulia S,.apoeiUJI G&l& CCIloert.," DCIIIIl Beat (August,

.197,3), P.". A review and coaents. "F1rst International. Tuba SympoeiUII-Warkahop,· Getcen Gantte, X, Ifo. :3 (A~t, 1m),

p. ,. A brief re~. , -

Appreciation is extended to Mr. To. Hancock of Morocco, Inciiana, fC1l: his cartOOll COI1-trtbatim to this issue at the nfl1ll5letter. Although T.U.B.A. is VerT serious busineas, we III1St not loee s18ht of our sense of huaar. At ~ rate, we rescye the right to l.&ugh at ourselves and will depelld on the talents of people l1ke Mr. Hancock (a tub1at at llal1 State Univ.) to keep U8 in our place.

Pan,. schools are requiring that all ot their tuba and eupilon1ua students 'beCOllle Jtem'bers at T.U.B.A. Due to the ben1fits that T.U.B.A. ofi'ers, this 1dea III1St be endorsed. In C1l:der to ultlma.tely ~pl1ah the high 1deals at T.U.B.A., as aIlch support as possible is needed. Extra ... 'berah1p i'atWI are available through DaTid Kuehn.

CHAKGE OF ADDBE5S - MEfllBERSHIP FOmIS MEHBERSHIP FEES - Sl'ECIAL CONTRIBUTIONS notU'y1 DaTid Kuehn, Treaaurer - T.U.B.A. School or Musio, N.T.S.U., Denton, Texas 7620:3

.

e

IllJIIedlately following the Ma,y 26 bueine .. meeting of T.U.B;'. at the F.I.'r.tl.W. perhaps the .ingleaoet beautiful event" of the week took pl&c-e,. The n1ght ~fare, Eddie Sauter agreed to do a transcription of Come, S'lleet Deathl in aelllQry of the lata y1tllu t. Bell. Bloomington, Ind1ana is not noted far be&uUful 'lleather (as any I.U. ired 1d.1ltell you), 'but on May 26 r""'an& came through 'IIith the. perfect day. SOlIe 60..80 _bImI who had their instrullents handy follOll1ng the meeting gathered on the lawn in front of the new I.U.Musical Arts Center and per­forll8d this beautiful arrangement of one ot Mr.B'a taY'or1te .. lod1es (Air and Bourree) far the CBS cueraa •. Don Butterfield conducted M he baa ne'nll' oonduoted, and if tube. playing hM never Bounded exalted befare, you can bet your favC!t'1te Helleberg that they did on May 26,' 19731 Mr. Sauter has generously .. signed the rights. to th1a trauC!t'1ption to T.U.B.A. and wt'!

offer it in this issue and recoaMnd its use at eVff1:1 gathering of til.bl8ts hencefarth.

_-----------T.U.ll.A. TO MEET AT JIID;.psT-------------,

There will be a T.U.B.A •• eeting during the Mid-Welt BanI and Orchestra Clinio (Dec. 18-22) at the Conrad Hilton Hotel in Chicago. The Meting ia loheduled fm: Thursday, nee. 20, at SI15 p... Further details can be obtained at the M14-V .. t T.U.B.A. Booth.

ESTABLISH YOUR LOCAL 0HAP'l'I!I ~ II

_ (1) The ohapter "ill secure the aervices of a coard1Datar who ia an active mellber of T.U.B.A.

(~) All llltlllbers of the chapter will becoae .eablml of the pa:rent m:gani!lation. (.,) An official oertlficate of the chapter will be 1.aued by the regional executive

upon paY1llent of three dollars annually to the T.U.B.A. Treuurer. : (4) Local chapters -.y establish their own du .. and ;prooedures as de.ired.

. . . An lmportant ;projeot far tub1Bts has been UDdertaken' by :t.e.ley Varner (Sohool of Muaio,

Ballstite Uliiversity, Munole, Indlana 47305) and yourhtlilp i. requested. This project in­Tolna.a cOIIplete listing (with all pertinent 1nf~tica) of all 0OllJlO8it101lIJ for brass quIn­tet. Of special interest to Mr. Varner i_ the large nUlllber· of unpllbli_hed aariusoripts for quintet. If you have any informt1on that could contr1buteto & lucce.sful cOllpilation please contact Lea Varner. .

The HID-SOUTH EUPHONIUM/TUBA WORKSHOP will take "p:J.aft on the UniTersity of Tennessee Knort1.11e 0B.II}lU8' on April 12-13, 1974. Co-aponsared 'Ir1 the Dept. of Musl0 at UTK and local chapters of T.U.B.A., the Workshop '11111 bring together partic1p.ntafrCIIII throughout the states of Tenneasee and Kentucky. Addlt1cnal infOl'lll!.t1on about tM.s Tj'arkshopunder the dinetie of JUles M. Self will be included lnths winter newsletter •.

Relative to the above notice, all other areas a:r:e strongly encoUraged to arga.nillle district (local) T.U.B.A. 'IIoxksho:pe. Pick a relativelj free weekend, & central location with i'ac11Hles and utllir;e the talents in your area. It i8 really quite siapl.el The 1i1nter issue of the T.O.B.A. Newsletter will look forwanl to announcing warkBho:pe tbroughO':lt the country.

r_--------------NElfSLETTER SURVEY -'--~i"';: ----.-----··--1 Appreciation ls extended to all of those who took t1ae W fl11 out .the N81ISletter Survey

sheet during the F.I.T.S.W. All Ideas and auggestlC1lB relative to the newsletter are moat appreciated and helpful ln establishing SOllB aense of. dh:Bction. There 1!IIB' virtually a 'letac. positlve response to SOlIe 20 areas of questloning and rether tbali take up s:pa.ce with specific ite., sufflce lt to MY that anything and eVe1il:h1.ng that has uyth1ng to do with the tubr. famUy ia deeMd appropriate by the IHmbershlp far inclusion In the newsletter. 'J'here was s_ concern volced a.bout trying to inolude C9p1es of recital 1IrGgZ- In toto in the nel/8-letter at thls tiae (due to space), therefll1'8, pleae s_ all recital iiilensemble prograJAB inTolrlng tube. or euphonium in signiflcant roles to the Publioatl0l18 CocrdillAtor. These will 'be kept on file and froa tl .. to ti.e reparta on treDda, etc., will be lIIde.

Arrangements have been aade with iGolden Crest Reocmla, Inc~, to ate available cassette "oardlngs of all FITSW sessions. Cost. contents,· and "leue date. to be announoed.

,

··-------~--Io- ---- .-~----

_---------FIRST INTERNATIONAL' TUBA SYMPOSIUM WORKSHOP --------, ---t

BUDGET REPORT

DISBURSEMENTS I. Expense advanced by Harvey Phillipe

Secretarial services (Aug. 1. 1972 - Nov. 30, 1972) ••••••••••••••••••••• $ Supplies and equipment ••••••••••••••••••••••••••••••••••••••••••••••••• " Printing and duplication ••••••••••••••••••••••••••••••••••••••••••••• '.'1

II.

INCOME

611t.75 414.92

1.187.11 Telephone ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 1,066.53 Postage................................................................. 74.8) Cash advances (Participant expense not otherwise cOYered) ............... 1.003.76

(IDdianapoli./Bloomington)..... 313.10 - $4.67.5. 00

Transportation alleagel 3131 miles @ 10¢ total expense advanced by Harvey Phillips

Expense advanced by Conference Bureau (Indiana University) Secretarial (Aug. 1972 - June 1973) •••••••••••••••••••••••••••••••••••• $ Supplies and equ1pment ••••••••••••••••••••••••••••••••••••••••••••••••• Printing ~,d dupl1catlon •••••••••••••••••••••••••••••••••••••••••••• w ••

Postage ••••••••••••••••••••••••••••••••••••••• ,'" •••••••••••••••••••••• Conference Bureau SerTie. Charg •••••••••••••••••••••••••••••••••••••••• Student fees •••••••••• " •••••••••••••••••••• ~ ••••••••••••••••••••••••••• Physical plant •••••••••••••••••••••••••••••••••••••••••••••••••••••••.•• ~The Instrumentalist (Tuba Music Guide) ••••••••••••••••••••••••••••••••• Housing I

, Picnic I

Aocomodatlon$ •••••••••••••••••••••••••••••••••••••••••••••• Meals •••••••••••••••••••••••••••••••••••••••••••••••••••••• Tel.phone •••••••••••••••••••••••••••••••••••••••••••••••••• Medical •••••••••••••••••••••••••••••••• " ••••••• ~ ~ •••••••••••

2.417.50 396.83

1.640,26 1,016.88

786.20 391.00 43.50

733.39

2.399.40 4,092.65

26.99 117.50

Culver P1o-a-Ch1c ••••••••••••• ~............................ 504.00 Transportation............................................. 40,00

Honar.ar1& (Fart1clpanta)............................................... 9.323.65 total expense advanced by I.U.Conference Bureau • $23.929.75

total expense of FITSV • $28,604.75

III. Includesl Reg1lltration fees, housing. Tuba Music Guide sales, picnic, etc ••••••••••••••••••••••••••••• $21.378.85

Total expense ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• $28,6~~.75 Total income •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• $21,378.85 NET LOSS •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• $ 7,225.90

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" " . TUBISTS UNIVERSAL BROTHERHOOD ASSOCIATION

a 0 M I, S V BIT D I .l or H:

J.S.lIACH - EDDIE SAumR Arranged May 26, 1973 at the conclusion of the First International Tuba. Symposium-Workshop

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