Trinity effects guide

7/30/2019 Trinity effects guide

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Table of Contents

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Table of Contents

Overview .........................................................................................................1Inser t Effects.............................................................................................. 1

Effect Size ........................................................................................... 2Effect Input/ Ou tp ut .........................................................................2Grou ping ............................................................................................ 3

Master Effect s ...........................................................................................3Program .....................................................................................................4

Prog ram - Single/ Dou ble OSC m ode ............................................ 4Progr am - Dru ms OSC mod e .......................................................... 5

Com bin at ion ............................................................................................. 6Sequ encer ..................................................................................................8

Dyn am ic Mod ulat ion ................................................................................... 10

Insert Effect size100: Am p Simulation......................................................................................1301: Compressor ............................................................................................. 1402: Limiter ......................................................................................................1503: Gate ........................................................................................................... 1704: Overdrive/ Hi-Gain ................................................................................ 1905: Parametr ic 4EQ (Parametr ic 4-Band EQ) ............................................ 2006: Grap hic 7Ban d EQ..................................................................................2207: Wah/ Au to Wah ......................................................................................2308: Ran dom Filter ......................................................................................... 25

09: Dyna Exciter ............................................................................................ 2610: Sub Oscillator .......................................................................................... 2711: Decimator ................................................................................................2812: Chorus ......................................................................................................2913: Har mon ic Chorus ...................................................................................3014: Ensem ble ..................................................................................................3115: Flan ger .....................................................................................................3216: Tempo Flan ger ........................................................................................ 3317: Envelope Flan ger ....................................................................................3418: Phaser .......................................................................................................3519: Tempo Phaser ......................................................................................... 3620: Envelope Ph aser .....................................................................................37

21: Vibra to ......................................................................................................3822: Resonator .................................................................................................3923: Ring Modulator ......................................................................................4024: Tremolo ....................................................................................................4225: Rotary Speaker ........................................................................................ 4326: Delay......................................................................................................... 4427: Mu ltit ap Delay ........................................................................................ 4528: Ear ly Reflections .....................................................................................46


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Insert Effect size200: St. Am p Simu lation (Stereo Amp Simula tion) ................................... 4701: Stereo Com pressor ................................................................................. 4802: Stereo Limiter.......................................................................................... 4903: Mu ltiban d Limiter .................................................................................. 5004: Stereo Gate .............................................................................................. 5105: OD/ Hi-Gain Wah (Overd rive/ Hi-Gain Wah) .................................. 5306: St. Param etric 4EQ (Stereo Param etr ic 4-Band EQ) .......................... 5507: St. Grap hic 7EQ (Ster eo Grap hic 7-Band EQ) .................................... 5608: Grap hic 13Ban d EQ................................................................................ 5709: St. Random Filter (Ster eo Random Filter )........................................... 5810: Stereo Enh an cer ...................................................................................... 6011: Talkin g Mod ulator ................................................................................. 6112: Stereo Decimator .................................................................................... 6313: Stereo Chorus.......................................................................................... 6414: St. Harmonic Choru s (Stereo H arm onic Choru s).............................. 6615: Multitap Choru s/ Dly (Multitap Choru s/ Delay) .............................. 67

16: Ensem ble ................................................................................................. 6817: Stereo Flan ger ......................................................................................... 6918: St. Random Flanger (Stereo Random Flanger) .................................. 7019: St. Tempo Flanger (Stereo Tempo Flanger)........................................ 7220: Stereo Phaser ........................................................................................... 7321: St. Random Phaser (Stereo Random Pha ser) ..................................... 7422: St. Tempo Pha ser (Stereo Tempo Phaser) ........................................... 7523: St. Bi-ph ase Mod . (Stereo Bi-phase Modulat ion)............................... 7624: Stereo Vibrato ......................................................................................... 7825: 2-Voice Resona tor .................................................................................. 8026: Doppler .................................................................................................... 8227: Stereo Trem olo ........................................................................................ 84

28: Stereo Au to Pan ...................................................................................... 8529: St. Envelop e Pan (Stereo Envelope Pan )............................................. 8730: Stereo Dyna Pan ..................................................................................... 8931: Phaser+Trem olo ..................................................................................... 9132: Shim mer .................................................................................................. 9333: Detu ne...................................................................................................... 9534: Pitch Shifte r ............................................................................................. 9635: Pitch Shift Mod. (Pitch Shift Modulat ion) .......................................... 9836: Rotary Speaker ...................................................................................... 10037: Du al Delay ............................................................................................. 10238: Stereo Delay .......................................................................................... 10339: St. Mu ltitap Delay (Stereo Multita p Delay)...................................... 10440: L/ C/ R Delay ........................................................................................ 10541: Tempo Delay ......................................................................................... 10642: St. Mod ulat ion Delay ........................................................................... 10843: St. Dynamic Delay (Stereo Dyn am ic Delay)..................................... 11044: Rand om Panning Dly (Rand om Pa nn ing Delay) ............................ 11245: Ear ly Reflect ion s .................................................................................. 11346: Reverb-H all .......................................................................................... 11447: Reverb-SmoothHall ............................................................................ 11448: Reverb-Room ........................................................................................ 11649: Reverb-BrightRoom ............................................................................ 11650: Reverb-Wet Plat e ................................................................................. 118

51: Reverb-Dry Plate ................................................................................. 118


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Insert Effect size400: Piano Body / Dam per (Piano Body / Dam per Simu lation) ..............11901: St. Mlt.band Limiter (Stereo Multiband Limiter )............................. 12002: OD/ Hyper -Gain Wah (Overdr ive/ Hyper -Gain Wah)................... 12103: St. Graphic 13EQ (Stereo Grap hic 13-Band EQ)...............................12204: Vocod er ..................................................................................................12305: St. Harmonic Choru s (Stereo H armonic Choru s) ............................ 12406: Multitap Choru s/ Dly (Multitap Choru s/ Delay) ............................12607: Ster eo Ensem ble ....................................................................................12808: St. Tempo Flanger (Stereo Tempo Flanger) ...................................... 12909: St. Tempo Phaser (Stereo Temp o Phaser) ......................................... 13010: St. Pitch Shifter (Stereo Pitch Shifter ) ................................................ 13111: 2Ban d Pitch Shifter ............................................................................... 13212: Rotary Speaker OD (Rotary Speaker Overd rive)............................. 13313: Ear ly Reflections ...................................................................................13514: L/ C/ R Long Delay...............................................................................13615: Ster eo Long Delay ................................................................................137

16: Du al Long Delay ...................................................................................13817: St. Tempo Delay (Stereo Tempo Dela y) ............................................13918: Hold Dela y ............................................................................................ 140

M a ster EffectsModulation00: Flan ger ...................................................................................................14201: Phaser .....................................................................................................14302: Multitap Choru s/ Dly (Multitap Choru s/ Delay) ............................14403: Ensem ble ................................................................................................ 145

04: Chorus ....................................................................................................14605: L/ C/ R Delay ......................................................................................... 147

Reverb/ Delay00: L/ C/ R Long Delay...............................................................................14801: Delay/ Reverb........................................................................................ 14902: Reverb-Room ........................................................................................15103: Reverb-Bright Room ............................................................................ 15104: Reverb-H all ........................................................................................... 15305: Reverb-Smooth Hall ............................................................................. 15306: Reverb-Wet Pla te ..................................................................................15307: Reverb-Dry Pla te ..................................................................................153

Index ............................................................................................................. 154


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Overview

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Overview

The TRINITY series has tw o typ es of effects: Insert Effects an d Master Effects .

As show n in the gu re below, you can u se the Insert Effects in th e process of soun d creation after theOscillator, Filter, and Amp. Then, reverberation and other effects are applied through the Master Effects.One hundred Insert Effects and fourteen Master Effects ena ble highly exible sound prod uction.

The TRINITY series does not h ave an inp ut level meter to recognize the effect inpu t level. Please

note that if the inpu t level is not high enough, the S/ N ra tio may be reduced, and if the inpu t levelis excessive, clipping may occur.To obtain th e optimum degree of effects, rst set the inp ut level of the Insert Effect and MasterEffect to the maximum possible withou t clipp ing, then ad just th e effect outp ut level using th e Wet/ Dry param eter of the Insert Effects, and th e Outpu t Level param eter and/ or Return 1 and 2 of theMaster Effects.

The following table shows the param eters that can be used to ad just the inpu t/ outpu t levels:

* Certain effects may not utilize some of these parameters.

Insert EffectsInsert Effects are used as par t of the sound creation process.

You can select an y effects from the effect library, which conta ins 100 effects , ranging from effects thatchange t one an d d ynam ics, such as the equalizer, limiter, exciter, etc.; to effects that simu late par ticularcharacteristics of certain m usical instruments, such as am p simulation, rotary sp eaker, and piano bod y/ dam per simulation; effects that create conventional effect soun ds, such as ring m odu lator, talking mod u-lator, vocoder, and p itch shifter; completely new types of effects, such as decimator and resonator ; andclassic effects, such as reverberation, choru s, delay, and overd rive.

Insert Effects employ th e concept of size , which allows for more exible effect routing ap prop riate foryour own app lication.In Program mod e, you can use up to three e ffects in series (or up to four effe cts in series/parallel for aDrum mode Program).In the Combination and Sequencer modes, you can use up to three effects in series for each Timbre orTrack (or up to four effects in series/parallel for each Timbre or Track that u ses a Drum mod e Program ).In total, you can use up to eight effects for all Timbres/ Tracks.For more d etailed information, refer to th e block d iagrams and explanations below for each mod e.

Program Edit mode Combination Edit mode Sequencer mode

Input

OSC1/2 High, Low Level (P1)Filter1/2 A/B Gain (P3)Amp1/2 Level (P5)

Send1/2 (P5 or P7)Trim Parameter (P7, P8)*

Volume (P1)Send1/2 (P1)Trim Parameter (P7, P8)*

Volume (P1)Send1/2 (P1)

OutputWet/Dry (P7)Output Level (P8)Retrurn1, 2 (P8)

Wet/Dry (P7)OutPut Level (P8)Return1, 2 (P8)

Output Level (P8)Return1, 2 (P8)

Insert Effect

Master Effect

EQ

Send Return

Oscillator Filter Amp +


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Overview

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Effect Size

Inser t Effects u tilize effect sizes of 1, 2, and 4.

Program (Single or Double mode Program):Up to thr ee effects with a total effect size of four or less can be inserted in series.

Program (Drum mode Program):Up to four effects with a total effect size of four or less can be inserted in series/ par allel.Use P5 (DrumKit) in Global mod e to assign the DrumKit sounds to Insts 1 4 for each key.

Combination:Up to eight effects w ith a tot al effect size of eight or less can be in serted .

Sequencer:Up to eight effects w ith a tot al effect size of eight or less can be in serted .

Effect Input/ O utput

The following table shows the inpu t/ outpu t of the Dry sound (the sound without a ny effect applied) andth e Wet sound (the sound with an effect app lied) for each size.

The Size 1 effects are all mon aur al in/ mon au ral out for both d ry and wet sound s. Therefore, Size 1 effectshave monaural input as shown in the gure on th e next page. If the Effect On/ Off param eter is turnedOff, the effect is bypassed . When a size 1 effect is selected, the bypass sound becomes monau ral.

Regardless of the Effect On / Off setting, you can tu rn a ll Insert Effects Off by sending the Effect 2Control m essage (Controller #92). When th e Controller valu e is 0, all effects tur n Off. They tu rn Onwith a valu e of 1 127.

Size

1Size

2Size

1

Size

1

Size

1

Size

1

Size

1

Inst1

Inst2

Inst3

Inst4

Size

2

Size

2Inst1

Inst2

Size

4Inst1

Size

1

Size

1

Size

1Size

1

Inst3

Inst1

Inst4

Timbre2 Size1

Size

2Size

1

Size

4Timbre1Size

2Size

2Timbre1Size

4

Track2 Size1

Size

2Size

1

Size

4Track1Size

2Size

2Track1Size

4

size1Dry

Dry

Dry

Dry

Wet

Wet

Wet

Wet

size2size4

Mono In - Mono Out

Stereo In - Stereo Out

Stereo In - Stereo Out

Stereo In - Stereo OutStereo In - Stereo Out

Mono In - Mono Out

Mono In - Mono Out

Mono In - Stereo Out

EffectEffect

Effect+

Effect+

Effect

Shown on the upper left corner of the effect block diagrams.


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Overview

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When you want to p reserve the stereo image of a Doub le mode Progr am, use Insert Effects of size 2 or 4.

Grouping

You can u se the group ing function in the Combina tion and Sequencer mod es to use the Insert Effects ef -ciently. The effect grouping function p laces the Timbres/ Tracks into one group so that the same InsertEffects w ill be ap plied t o all of them.

Note the following w hen you are trying to place Timbres/ Tracks that use Single or Double mod e Pro-grams, and Timbres/ Tracks that use Drum m ode Programs into a group :

When you are add ing Timbres/ Tracks that use Single or Double mod e Programs to a grou p of Tim-bres/ Tracks that use Drum mod e Programs:The Timbres/ Tracks will be grouped (inpu t) to Insert Effect inst1 of the Timbres/ Tracks that u se Drummode Programs.

When you are ad ding Timbres/ Tracks that use Drum m ode Programs to a group of Timbres/ Tracksthat u se Single or Double mod e Programs:Only Drum Kit sound s that ha ve been assigned to inst1 in P5 of Global mode w ill be grouped (inpu t) tothe Insert Effects of the Timbres/ Tracks that u se Single or Double mod e Program s.

M a ster EffectsMaster Effects u se a send an d return routing regard less of the m odes, and consist of two types of effects :mod ulation and reverberation/ delay, both mono-in/stereo-out . These fourteen effects can be u sed to p ro-vide overa ll amb ience. It is possible to route the m odu lation effects and reverb/ delay effects in series.

Send levels are set for each oscillator, or after th e Insert Effects are app lied. In the Com bination andSequencer mod es, you can set the send levels for each Timbre/ Track, allowing you to use th e un it as amixer to create a spacious effect for entire Programs, Combina tions, or Songs.

A Low/ High-type shelv ing EQ is located before the outpu t connectors 1/ L/ MONO and 2/ R, and allowsyou to ne-tune the tone of your soun d.The Master Effect pa ram eters are set for each Program, Combination, and Song. (Use P8 in each mod e.)

The Effect 4 Control message (Controller #94) will turn t he modu lation effects on/ off, and t heEffect 5 control message (Controller #95) will turn t he reverb / delay effects on/ off. Both controlmessages a re sent on the Global MIDI Channel. With a control va lue of 0, the effect is turned off,and with a value of 1 127, the effect is tu rned on.The Effect 3 Level message (Controller #93) will ad just the sen d level of the modu lation effects, andthe Effect 1 Level message (Controller #91) will adjust the send level of the reverb/ delay effects.The control messages for Program s are sent on th e Global MIDI Chann el, and control messages forCombinations and Sequences are sent on the MIDI Channels speci ed for each Timbre an d Track.

Stereo In

Mono In

Stereo In

Size

4

Size

1Size

2Size

1

Size

2Size

2


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Overview

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ProgramYou can use th e Insert Effects as long a s the tota l of the effect size is four or less in Program mod e.The con gur ation of the Insert Effects is different wh en using a Single or Double mod e Program thanwhen u sing a Drum m ode Program.

Program - Single/ Double O SC mode

Insert EffectsYou can in sert up to three effects in series as long as the total of the effect sizes is four or less when youare using a Program w ith the Oscillator Mode pa rameter (1 1c) set to single or dou ble (shown as E1, E2,and E3 in the center of the gure above).

If you insert a size 1 effect, the input/ outp ut becomes monau ral. In this case, the oscillator s Pan parame-ter (P5 in Program Ed it mod e) becomes ineffective, and th e pan setting w ill be in the center. Ad just th estereo pan p osition using the Pan param eter that comes after the Insert Effects (P7 in Program Edit mode).

If the Insert Effect outp ut is in stereo, you can control the wid th of the effect (such as the w idth of rever-beration) using the Width param eter (P7 in Program Edit mode). If you w ish to make the oscillator s Pansetting (P5 in Program Edit mod e) effective, set the Pan sett ing tha t comes after th e Insert Effects to C064and set the Width to 127.

M a ster EffectsThe inpu t level of the Master Effects is set by Send 1 and 2.

Since the destination of the send routing changes d epend ing on w hether th e Insert Effects have beeninserted or not, the parameters will change accordingly.If you have inserted Insert Effects, the Send 1 and 2 parameter s of P7 in Progra m Edit mode w ill becomeeffective (those of P5 will be ignored). If you h ave not inserted Insert Effects, the Send 1 and 2 parameter sof P5 in Program Edit m ode w ill become effective.The Send 1 and 2 par ameters are also used to set the level of the signal app earing at outp ut connectors 3and 4.Only the Master Effect sound will be sent to outp ut connectors 3 and 4. If you w ish to outpu t dr y sound(withou t the Master Effects applied), set the Master Effect par ameters of P8 in Program Edit mod e toOff. In this case, how ever, the Master Effects will not be ap plied to th e signal at outpu ts 1 and 2.

OSC1 Filter1 Amp1

OSC2 Filter2 Amp2E1 E2 E3

Send1

Send2

PanWidth

Send1

Send2

Pan

Send1

Send2

Pan

Insert Effects LEQ HEQ

Return1Return2

Amp1/2 Mod(Program Edit P5)

Master Effects

Insert Effects(Program Edit P7)

Master Effects(Program Edit P8)

OUT1

OUT2

Insert Effect =Off *

Program - Single / Double OSC Mode

Low Gain High Gain

Pan1

Pan2

OUT3

OUT4

Modulation

Reverb/Delay

in the case ofInsert Effect =Off *

in the case ofInsert Effect =On

++

+++

+

++

++

++

+

+

++

* Insert Effect =Off: size =0

RightLeft Center

Pan=C064, Width=127Pan=C064, Width=64Pan=C064, Width=32Pan=C064, Width=0

Pan=L000 Pan=R127

Insert Effect - Pan, Width

RightLeft Center

Pan=C064, Width=127Pan=L048, Width=127Pan=L032, Width=127Pan=L016, Width=127

RightLeft Center

Pan=R096, Width=127Pan=R096, Width=64Pan=L048, Width=127Pan=L048, Width=64

Pan=L000 Pan=R127 Pan=L000 Pan=R127


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Overview

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You can also set the tota l effect size for a single Timbre to eigh t. How ever, if you are routing three In sertEffects in series, you cannot p lace an effect of size 4 on the second position. For a Timbre that u ses a Dru mmod e Program , you can set the tot al effect size to eight. How ever, if you are rou ting th ree Insert Effects inseries, you cannot place the effect of size 4 on the second position. If you are rou ting four effects in series,you cannot p lace an effect of size 4 on the second or third position.

If you insert a size 1 effect, the inpu t/ outp ut becomes mona ural. In this case, the Timbre s Pan p arameter(P1 Timb Param1 in Combination Edit m ode) becomes ineffective, and th e pan setting w ill be in the cen-ter. Adjust the stereo pan p osition using the Pan p arameter (P7 in Combination Edit mode) that comesafter th e Insert Effects.

If the Insert Effect output is in stereo, you can control the w idth of the effect (such as th e wid th of rever-beration) using the Width p aram eter (P7 in Combinat ion Ed it mode). If you wish to make the oscillator sPan setting (P5 in Program Edit m ode) effective, set the Pan setting tha t comes after the Insert Effects toC064 and set the Width to 127.Refer to th e Program - Drums OSC mode section for information regarding th e setting of Programs th atuse a Drum Kit.

When you are add ing Timbres/ Tracks that use Single or Double mod e Programs to a group of Tim-

bres/ Tracks that use Dru m m ode Program s, they will be grouped (inpu t) into Insert Effect inst1 of the Timbres/ Tracks that use Drum m ode Programs.When you a re add ing Timbres/ Tracks that use Drum mod e Programs to a group of Timbres/ Tracks that use Single or Dou ble mode Program s, only Dru mKit sounds that ha ve been assigned toinst1 in P5 of Global mod e will be group ed (input ) into th e Insert Effects of the Timbres/ Tracksthat u se Single or Double mode Program s.

M a ster EffectsYou n eed to set the Master Effects in the Com bination, since the Master Effects set in Program Edit mod eare ineffective here.

The inpu t levels of the Master Effects are set by Send 1 and 2.Since the destination of the send routing changes d epend ing on w hether Insert Effects have been insertedor not, the parameters will change accordingly.If you h ave inserted Insert Effects, the Send 1 and 2 parameter s of P7 in Combination Edit mod e willbecome effective (those of P1 Timb Pa ram 1 will be ignored ). If you have not inserted Insert Effects, theSend 1 and 2 par ameters of P1 Timb Para m1 in Combinat ion Edit mod e will become effective.

The Send 1 and 2 p arameters are also used to set the level of signal app earing at ou tpu t connectors 3 and4.Only the Master Effect sound will be sent to outp ut connectors 3 and 4. If you w ish to outpu t d ry sound(withou t the Master Effects applied), set the Master Effect par ameters of P8 in Combina tion Edit mod e toOff. In this case, how ever, the Master Effects will not be ap plied either to the ou tpu t 1 or 2 signal.If outp ut connectors 3 and 4 are used for stereo output, you can set the stereo position of Send 1 and 2using the Pan 3 and 4 par ameters (P8 in Combination Edit mode).

To set the Master Effect return level, use th e Return 1 and 2 param eters (P8 in Com bination Edit m ode).If you check the check box located between Send 1 and 2 in the up per left corner on the LCD, the serialrouting of Modu lation Reverb/ Delay will be add ed. That is, the Right mod ulation outpu t will beadd ed to the Reverb/ Delay inpu t. In this case, you can still set the Return 1 and 2 parameters indep en-dently.


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Overview

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When you are add ing Timbres/ Tracks that use Single or Double mod e Programs to a group of Tim-bres/ Tracks that use Dru m mod e Programs, they w ill be grouped (inpu t) into Insert Effect Inst1 of the Timbres/ Tracks that use Drum m ode Programs.When you a re add ing Timbres/ Tracks that use Drum mod e Programs to a group of Timbres/ Tracks that use Single or Dou ble mode Program s, only Dru mKit sounds that ha ve been assigned toInst1 in P5 of Global mod e will be group ed (input) into the Insert Effects of the Timbres/ Tracks

that u se Single or Double mode Program s.M a ster EffectsYou n eed t o set the Master Effects for each song in the Sequencer m ode, since the Master Effects set inProgram Edit mod e are ignored h ere.

The inpu t levels of the Master Effects are set by Send 1 and 2.Since the destination of the send routing changes d epend ing on w hether Insert Effects have been insertedor not, the parameters will change accordingly.If you h ave inserted Insert Effects, the Send 1 and 2 pa ram eters of P7 in Sequencer mod e will becomeeffective (those of P1 3 Mix 1 8 and P1 4 Mix 9 16 w ill be ignored ). If you have n ot inserted InsertEffects, the Send 1 and 2 parameter s of P1 3 Mix 1 8 and P1 4 Mix 9 16 in Sequencer mod e will be usedinstead.

The Send 1 and 2 par ameters are also used to set the level of the signal app earing at outp ut connectors 3and 4.

Only the Master Effect sound will be sent to outp ut connectors 3 and 4. If you w ish to outpu t d ry sound(withou t the Master Effects app lied), set the Master Effect parameter s in P8 of Sequen cer mod e to Off. In this case, how ever, you cann ot app ly the Master Effects to outp ut connectors 1 and 2.

If the outp ut connectors 3 and 4 are u sed for stereo outpu t, you can set the stereo position of Send 1 and 2using the Pan 3 and 4 param eters (P8 of Sequencer mod e).

To set the Master Effect return level, use th e Return 1 and 2 param eters (P8 of Sequen cer mod e).If you check the check box between Send 1 and 2 located in the u pp er left corner of the LCD, the serial

routing of Modu lation

Reverb/ Delay will be add ed. That is, the Right mod ulation outpu t will beadd ed to the Reverb/ Delay inpu t. In this case, you can still set the Return 1 and 2 parameters indep en-dently.


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Dynamic Modulation

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Dynamic ModulationYou can control certain effect p aram eters u sing th e joystick, ribbon controller, etc. on the y. For exam-ple, you can u se the After Touch effect to speed up the LFO of the choru s and anger, or you can use theribbon controller to activate the w ah effect. In th is way, you w ill be able to make th e most ou t of the

expression created by the effects as p art of your instrument.Most of the para meters with d ynamic modu lation consist of the parameter value, Src (source), and Am t (amou nt). The Src eld selects the modu lation source, and Am t sets the amou nt of dynam ic mod ulationeffect. When th e mod ulation sou rce is set to the maximu m va lue, the actual degree of the effect will be theparameter value plus the Amt v alue .

Dynamic mod ulation of the Program s Insert Effects and Master Effects is controlled via the GlobalMIDI Channel. Dynam ic mod ulation of the Insert Effects for Combinations and Sequences is con-trolled via the MIDI Channels speci ed for each Timbre and Track. Dynam ic mod ulation of theMaster Effects is controlled via the Global MIDI Chann el.

e.x.Wet/ Dry=10:90Src=Aftr TouchAmt=+50

In th is case, the effect balance is 10:90. As you app ly After Touch, the percentage of the effect sound willincrease. When After Touch is at its maximu m, th e effect balance w ill be 60:40.

If you a re controlling the effect par ameters using an y source other than AUTOFADE, the d ynam icmod ulation effect will not be affected if you mod ify the Am t value w hile the dyna mic modu lationis being ap plied. The m odi cation w ill become effective when you op erate the d ynamic mod ula-tion source again.

Refer to the correspond ing effect section for an explanation of other dyna mic mod ulation par ameters.is marked on the right of the effect param eter table to indicate that the p arameter h as dynam icmodulation.

Source

None Dynamic modulation is not used.

Gate1 Note On/Off P.11

Gate1+Sus Note On + Sustain pedal On/Off P.11

Gate2 Note On/Off (retrigger) P.11

Gate2+Sus Note On + Sustain pedal On/Off (retrigger) P.11

Note No. Note number.

Velocity Velocity

AftrTouch Channel After Touch

JS(+Y) Joystick - upward

Wet / Dry

MaxZero HigherD-mod

Dry

Wet

60:40

10:90

Dynamic Modulation (Example)

Wet / Dry=10:90Amt= +50

Wet / Dry=60:40Amt= 50


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Dynamic Modulation

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JS(Y) Joystick - downward

JS(X) Joystick - horizontal direction

Ribbon(X) Ribbon controller - horizontal direction

Ribbon(Z) How strongly you press the ribbon controller

SW1 Assignable Panel Switch 1 (CC#80) P.12

SW2 Assignable Panel Switch 2 (CC#81) P.12

Foot SW Assignable Foot Switch (CC#82) P.12

Foot Pedal Assignable Foot Pedal (CC#04) P.12

SustainPdl Sustain Pedal

MIDI Vol MIDI Volume (CC#07)

MIDI Pan MIDI Pan (CC#10)

MIDI Exp MIDI Expression Control (CC#11)

MIDI Cnt1 MIDI Effect Control 1(CC#12)

MIDI Cnt2 MIDI Effect Control 2(CC#13)

Slider Value Slider (CC#18)

MIDI CC#19 MIDI Control Change (CC#19)

Tempo Tempo information speci ed by the sequencer or MIDI clock P.12

AUTOFADE Auto Fade (only for some effects) P.12

Gate1Gate1+Sus

The effect amou nt is at maximu m d uring N ote-on. When you release all thekeys, the effect will stop. For Gate 1+Sus, the m aximum effect level will be ma in-tained as long as you press the sustain p edal, even after you release the keys.

Gate2Gate2+Sus

These are almost the sam e as Gate 1, and Gate 1+Sus. How ever, if you ar e usingthis a s a sou rce for, say, the EG of size 1, 17: Envelope Flanger, or th e AUTO-FADE of size 2, 13: Stereo Chorus, every N ote On message will trigger the effect.(With Gate 1, and Gate 1+Sus, only th e rst Note On data w ill trigger the effect.)

Source

Gate1,Gate1+Sus

Gate1

Note

Gate+Sus1 2 31 2 3

Sustain Pedal

Gate1+Sus

Time

OnOff

Gate2,Gate2+Sus

Gate2

Note

Gate+Sus1 2 31 2 3

Sustain Pedal

Gate2+Sus

Time

OnOff


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Dynamic Modulation

12

SW 1SW 2

If the switches on the p anel are assigned as a d ynam ic mod ulation source, setSW1 to Mod ulation (CC#80) and SW2 to (CC#81) in P1 of Progr am Edit mode, orP4 of Combination Edit mode.

Foot SW If the assignable foot switch is assigned as a dyn amic mod ulation, set FootSwitch to Mod ulation (CC#82) in P1 of Global mod e.

Then, you can control the effect from a footswitch connected to the SWITCH ter-minal.

Foot Peda l If the assignable ped al is assigned as a d ynamic mod ulation, set Foot Pedal toFoot Controller (CC#04) in P1 of Global mod e.

Then, you can control the effect from a foot ped al connected to th e PEDAL ter-minal.

AUTOFADE You can u se AUTOFADE only for some effects such as size 2, 13: Stereo Chorus .

The effect is triggered by N ote On d ata or th e assignable switch. AUTOFADEallows the m odu lation effect amou nt to fad e in au toma tically. You cann ot selectAUTOFADE as a mod ulation source for the effects/ param eters that do not havethe AutoFade function.

In th e p ar am eter table, th e m ar k ap p ear s to th e r igh t of th e effectparam eters that have the AutoFade function.

The effect is off when a value for the d ynam ic mod ulation sou rce speci-ed for the AUTOFADE Src par ameter is sma ller than 64, and the effect ison w hen th e value is 64 or higher. The AutoFade fun ction is triggeredwhen th e value changes from 63 or sma ller to 64 or higher.

Tempo The modu lation sources ranging from Note number to MIDI CC#19 listedon the table on pages 10 and 11 can be controlled v ia MIDI Control messages 0through 127. On th e other hand , Temp o information sp eci ed on the sequenceror from the MIDI clock is used as a BPM value for the Temp o. Therefore, aTemp o value of 127 (BPM) will create the sam e effect as created by the m aximumvalue (+127) of MIDI Control m essage.

On Off

Fade-In Rate

AUTOFADE

AUTOFADE

AutoFade

D-mod


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00: Amp Simulation

13

s i z e

1

0 0 : A mp Sim ula tionThis effect simu lates the frequ ency respo nse char acteristics of guitar am p liers. You can obtain a r ealisticguitar am plier sound . It is also effective for organ soun ds.

a Amplier Type SS, EL84, 6L6 Selects the type of guitar amplier.

b

Wet/Dry Dry, 1:9999:1, Wet Sets the balance between the effect and dry sounds.

Src NoneTempo Modulation source of effect balance

Amt 100+100 Modulation amount of effect balance

InWet / Dry

Mono In - Mono Out

Amp Simulation Filter


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01: Compressor

14

0 1 : CompressorThis effect compresses the inpu t signal to regulate the level and give a punchy effect. It is useful for gu i-tar, piano, and d rum sou nd s.

a Sensitivity 1 100 Sets sensitivity. P.14

b Attack 1 100 Sets attack amount. P.14

c EQ Trim 0 100 Equalizer input level

d Pre LEQ Gain [dB] 15.0 +15.0dB Low EQ gain

e Pre HEQ Gain [dB] 15.0 +15.0dB High EQ gain

f Ouput Level 0 100 Compressor output level. P.14

g

Wet/Dry Dry, 1:99 99:1, Wet Sets the balance between the effect and dry sounds.

Src None Tempo Modulation source of effect balance

Amt 100 +100 Modulation amount of effect balance

a: Sensitivityf: O utput Level

The Sensitivity par ameter sets the sensitivity of the comp ressor. If this par am-eter is set to a higher value, lower level sound s will be boosted. With a higherSensitivity, the overall volum e level is higher. To ad just the nal volum e level,use the Output Level parameter.

b: A tta ck This param eter controls the attack level.

InWet / Dry

Mono In - Mono Out

EQ Trim LEQ HEQ

CompressorOutput Level

Envelope - Control

Sensitivity=100

Sensitivity=40Dry

Wet

Time

LevelCompressor - Sensitivity

L o u

d e r

Dry

Wet

Time

Level

Attack=80

Attack=20

Compressor - Attack


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02: Limiter

15

s i z e

1

02: LimiterThe Limiter regu lates the input signal level. It is similar to the Com pressor, except tha t the Limiter com-presses only signals that exceed the speci ed level to lower unnecessary peak signa ls. The Limiter appliesa peaking-type EQ to the trigger signal (wh ich controls the d egree of the Limiter effect), allowing you toset any band w idth to be covered.

a Ratio 1.0:1 50.0:1, Inf:1 Sets the signal compression ratio. P.15

b Threshold [dB] 40 0dBSets the signal level above which compression is applied.

P.15

c Attack 1 100 Sets attack time. P.16

d Release 1 100 Sets release time. P.16

e Gain Adjust [dB] 16 +24dB Sets output gain. P.15

f Side PEQ Insert Off, On Switches the trigger signal EQ on/off. P.16

g

Side PEQ Cutoff [Hz] 20 12.00kHz Center frequency of the trigger signal EQ P.16

Q 0.5 10.0 Band width of the trigger signal EQ

Gain [dB] 18.0 +18.0dB Gain of the trigger signal EQ

h Trigger Monitor Off, OnSwitches effect output/trigger signal monitor on/off.

P.16

i




a: Ratiob: Threshold [dB]e: Ga in Ad just [dB]

This parameter sets the signal compression ratio. Compression is applied onlywh en th e signal level exceeds the Threshold v alue.

Adjust the ou tpu t level using the Gain Adjust para meter, since comp ressioncauses the entire level to be reduced.

InWet / Dry

Mono In - Mono Out

Limiter

Gain Adjust

Side PEQ

Envelope - Control Trigger Monitor


20/160

02: Limiter

16

c: Attackd: Release

These par ameters set the attack time an d release time. A higher attack time w illcause the comp ression to be ap plied m ore slowly.

f: Side PEQ Insertg: Side PEQ Cutoff [Hz]g: Qg: Gain [dB]

These param eters are used to set the EQ ap plied to the trigger signal.

The Limiter determines w hether the comp ression is app lied or not, based on thesound post-EQ. Setting the equalizer allows you to set the Limiter to respond toany frequency band.

h: Trigger M onitor Setting this parameter On will cause the tr igger signal to be outp ut, instead of theLimiter signal. Use this param eter to check the trigger signal with EQ app lied.

Usually, set this to Off.

Input Level

Output Level

Threshold

Ratio=1.0 : 1

Ratio=2.0 : 1

Ratio=4.0 : 1

Ration=Inf : 1

Louder

L o u

d e r

Time

Level

Threshold

Ratio=Inf : 1

Ratio=2.0 : 1Ratio=4.0 : 1

Dry Ratio=1.0 : 1

Limiter - Threshold / Ratio

Threshold

Ratio=Inf : 1Attack=1Release=1

Ratio=Inf : 1Attack=100Release=100

Dry

Wet

Wet

Release

Attack

Limiter - Attack / Release


21/160

03: Gate

17

s i z e

1

0 3 : Ga teThe Gate effect mu tes signals with a level lower than the speci ed threshold. You can also u se this effectto create Gated Reverb by rou ting it after the Reverb effect. The Gate can be tur ned on/ off directly byNote On/ Off.

a

Envelope Select D-mod, InputToggles between control by Modulation Source and con-trol by input signal. P.17

Src None Gate2+SusModulation Source that controls Gate when EnvelopeSelect is set to D-mod.

b Threshold 0 100Sets the signal level below which Gate is applied.

P.17

c Attack 1 100 Sets attack time. P.17

d Release 1 100 Sets release time. P.17

e Delay Time [msec] 0 100msec Delay time for gate input P.18

f




a: Envelope Selecta: Src

The Envelope Select parameter d etermines whether th e Gate is on/ off based onthe level of inpu t signal or by u sing a m odu lation source. The Src parameter isavailable only w hen you have selected D-mod for the Envelope Select p arame-ter. Selection ra nges from Non e to Gate2+Sus.

b: Thresholdc: Attackd: Release

This param eter sets the signal level below wh ich Gate is app lied w hen EnvelopeSelect is set to Inpu t.

The Attack and Release param eters set the Gate attack time and release time.

InWet / Dry

Mono In - Mono Out

Gate

Envelope Select

Envelope - Control

Delay

Gate+Sus


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03: Gate

18

e: Delay Time This param eter sets the delay time of the Gate inpu t. If the sound has a very fastattack, increase the d elay time so that the signal w ill be inpu t after the Gate isopened . This will preserve the attack par t of the sound .

Input Level

Output Level

Threshold

Louder

L o u

d e r

Threshold

Attack=1Release=1

Attack=100Release=100

Dry

Wet

Wet

Attack Release

Gate - Attack / Release

Gate - Threshold


23/160

04: Overdrive/Hi-Gain

19

s i z e

1

0 4 : O verdr ive/ Hi-Ga inThis distortion effect utilizes an Overdrive mode and a Hi-Gain mode. Controlling the 4-band EQ willallow you to create versatile distortion sounds. This effect is suitable for guitar and organ sounds.

a Mode Overdrive, Hi-Gain Switches between overdrive and hi-gain distortions.

b Drive 0 100 Sets the degree of distortion. P.19

c Output Level 0 50 Sets the output level. P.19

d Pre Low-cut 0 10Amount of cut in low range at the distortion input.

P.19

e

Band1 Cutoff [Hz] 20 1.0kHz Center frequency of EQ band 1

Q 0.5 10.0 Band 1 bandwidth P.19

Gain [dB] 18 +18dB Band 1 gain

f

Band2 Cutoff [Hz] 50 5.00kHz Band 2 center frequency



g




h




i Direct Mix 0 50 Mix amount of dry sound routed to Distortion

j




b: Drivec: Ou tput Level

The degree of distortion is determined by th e level of inpu t signal and th e set-ting of Drive. Raising the Dr ive setting will cause the ent ire volume level toincrease. Use the Ou tpu t Level param eter to ad just the volume level. The Ou t-pu t Level pa ram eter uses the signa l level inpu t to the 4-Band EQ. If clipp ingoccurs at the 4-Band EQ, adjust the Output Level parameter.

d: Pre Low -cut Cutting the signal in the low r ange before it is inpu t to the Distortion w ill createa sharp d istortion.

e: Qf: Qg: Qh: Q

These param eters set the band width of each band lter. The higher th e value,the narrower the band becomes.

InWet / Dry

Mono In - Mono Out

4 Band PEQ

Output Level

Direct Mix

Pre Low-cut

Mode: Overdrive / Hi-GainDrive

Driver


24/160

05: Parametric 4EQ (Parametric 4-Band EQ)

20

05: Parametric 4EQ(Parametric 4-Band EQ)This effect is a four-band pa ram etric equalizer. You can select either a p eaking typ e or a shelving t ype forBand 1 and 4. Band 2 allows for gain control via dynam ic mod ulation.

a Trim 0 100 Sets the input level.

b Band1 Type Peaking, Shelving-Low Selects Band 1 type. P.20

c Band4 Type Peaking, Shelving-High Selects Band 4 type. P.20

dBand2 Dynamic Gain Src None Tempo Modulation source for Band 2 gain P.21

Amt [dB] 18.0 +18.0dB Amount of Band 2 gain modulation

e

Band1 Cutoff [Hz] 20 1.0kHz Sets the Band 1 center frequency.

Q 0.5 10.0 Sets the Band 1 bandwidth. P.19

Gain [dB] 18.0 +18.0dB Sets the Band 1 gain.

f



Gain [dB] 18.0 +18.0dB Sets the Band 2 gain. P.21

g




h




i Wet/Dry Dry, 1:99 99:1, Wet Balance between the effect sound and dry sound.

b: Band1 Typec: Band4 Type

Selects a lter type for Band 1 and 4.

InWet / Dry

Mono In - Mono Out

Band1 Band2 Band3 Band4PEQ PEQ PEQ PEQ

LEQ HEQTrim

D-mod

3dB

3dB

Band1 CutoffBand4 Cutoff

0dB

+Gain

Gain Band1 Type=PeakingBand1 Type=Shelving Low

Band4 Type=PeakingBand4 Type=Shelving High

Parametric 4EQ - Band1, Band4 Type


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05: Parametric 4EQ (Para metric 4-Band EQ )

21

s i z e

1

d: Band2 Dynamic GainSrcd: Am t [dB]f: Gain [dB]

You can control the gain of Band 2 using the m odu lation source.

Band2 Cutoff

Band2 Cutoff

0dB

+6dB

+15dB

Band2 Gain[dB]= +6.0Band2 Dynamic Gain Amt[dB]= +9.0

D-mod

0dB

+6dB

9dB

Band2 Gain[dB]= +6.0Band2 Dynamic Gain Amt[dB]= 15.0

D-mod

Parametric 4EQ - Band2 Dynamic Gain Control


26/160

06: Graphic 7Band EQ

22

0 6 : G ra phic 7 Ba nd EQThis effect is a seven-band gr aph ic equa lizer. The bar gr aph of the gain setting for each band gives you aclear, visual idea of frequency respon ses. You can select a center frequency setting for each band fromtwelve types, according to th e sound .

a Type

1:Wide 12:Wide 23:Wide 34:Half Wide 15:Half Wide 26:Half Wide 37:Low8:Wide Low9:Mid10:Wide Mid11:High12:Wide High

Selects a combination of center frequencies for each band. P.22

b Trim 0 100 Sets the input level.

c Band1 [dB] 18.0 +18.0dB Sets Band 1 gain.

d Band2 [dB] 18.0 +18.0dB Sets Band 2 gain.

e Band3 [dB] 18.0 +18.0dB Sets Band 3 gain.

f Band4 [dB] 18.0 +18.0dB Sets Band 4 gain.

g Band5 [dB] 18.0 +18.0dB Sets Band 5 gain.

h Band6 [dB] 18.0 +18.0dB Sets Band 6 gain.

i Band7 [dB] 18.0 +18.0dB Sets Band 7 gain.

j




a: Type This param eter selects a combination of center frequencies for each band . Eachcenter frequency is shown on the right edge of the LCD.

You can con gure a 21-Band Grap hic EQ ran ging from 80Hz to 18kHz if yourout e th ree Graph ic 7Band EQ effects in series, w ith a setting of 7:Low, 9:Mid,and 11:High for each EQ.

InWet / Dry

Mono In - Mono Out

Band1 Band2 Band3 Band4Trim

Band5 Band6 Band7


27/160

07: Wah/Auto Wah

23

s i z e

1

0 7 : W a h/ A uto Wa hThis wah effect allows you to create sounds from vintage w ah p edal simulation to auto-wah simulation,and mu ch broad er range settings. You can select Band Pass or Low Pass for the wah lter.

a Frequency Bottom 0 100 Sets the lower limit of the wah center frequency. P.24

b Frequency Top 0 100 Sets the upper limit of the wah center frequency. P.24

c

Sweep Mode Auto, D-modSwitches between auto-wah control and modulationsource. P.24

Src None TempoModulation source used to control wah when SweepMode is set to D-mod.

Response 0 10How quickly the wah effect responds to dynamic modula-tion.

d Envelope Sens 0 100 Sets the sensitivity of auto-wah. P.24

e Envelope Shape 100 +100 Sets the sweep curve of auto-wah. P.24

f Resonance 0 100 Sets the resonance amount.

g Filter Mode Band Pass, Low Pass Selects the wah lter type.

h




InWet / Dry

Mono In - Mono Out

D-mod

Envelope Sens

Envelope Shape

Response

Wah

Sweep ModeD-mod

Auto


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07: Wah/Auto Wah

24

a: Frequency Bottomb: Freq uency Top

The sweep w idth and direction of the wah lter are determined by the Fre-quency Top an d Frequ ency Bottom settings.

c: Sweep Mode This param eter changes the wah control mode. Setting Sweep Mode to Autowill select an au to-wah that sweeps according to envelope changes in the inpu tsignal level. Auto-wah is frequently used for funk guitar p arts and clav sound s.

When Sweep Mod e is set to D-mod , you can control the lter directly via themod ulation source in the same way as a wah p edal.

d: Envelope Sens This parameter sets the sensitivity of auto-wah. Increase the value if the inputsignal is too low to sw eep. Redu ce the value if the input signal is so high that the lter is stopped tempora rily.

e: Envelope Shap e This param eter determines the sweep curve for auto-wah.

Frequency

Bottom=25

Top=75

H i g h e r

MaxZero

Higher D-mod

Frequency

Bottom=60

Top=30

H i g h e r

MaxZero

Higher D-mod

Sweep Mode=D-mod

Frequency

Bottom=25

Top=75

H i g h e r

Frequency

Bottom=75

Top=25

H i g h e r

Sweep Mode=Auto

Envelope EnvelopeTime

Wah

Woo Woo

Woo

Envelope

Wah Wah

Time

Woo

Woo

Wah

Wah

Time

Level

Envelope

value = 0... 100

value = 0...+100

Envelope Shape


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08: Random Filter

25

s i z e

1

0 8 : Ra ndom FilterThe lter frequen cy changes r and omly. You can create a special effect from lter oscillation.

a

LFO Frequency [Hz] 0.05 50.00Hz Speed of LFO that modulates the lter

Src None Tempo Modulation source of LFO speedAmt 50.00 +50.00Hz Modulation amount of LFO speed

b Cutoff 0 100 Filter center frequency

c

Depth 0 100 Modulation depth of lter center frequency

Src None Tempo Modulation source of lter modulation

Amt 100 +100 Modulation amount of lter modulation

d Resonance 0 100 Sets the resonance amount.

e

Wet/Dry Wet 1:99, Dry,1:99 Wet

Sets the balance between the effect and dry sounds.P.25



e : Wet/ Dry The effect sound s phase w ill be reversed w hen you set this param eter in therange of values from Wet to 1:99.

Filter

InWet / Dry

Mono In - Mono Out

Random LFO


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09: Dyna Exciter

26

0 9 : Dyna Ex citerThis effect gives a frame to a sound and emp hasizes the ou tline. You can control the intensity of the effectusing dynamic modulation.

a

Blend 100 +100 Sets the intensity (depth) of the Exciter effect. P.26

Src None Tempo Modulation source of the Exciter intensity

Amt 100 +100 Modulation amount of the Exciter intensity

b

Emphatic Point 0 140 Sets the frequency to be emphasized. P.26

Src None Tempo Modulation source of the frequency to be emphasized

Amt 100 +100 Modulation amount of the frequency to be emphasized

c EQ Trim 0 100 2-band EQ input level

d Pre LEQ Gain [dB] 15.0 +15.0dB Low EQ gain

e Pre HEQ Gain [dB] 15.0 +15.0dB High EQ gain

f




a: Blend This parameter sets the d epth (intensity) of the Exciter effect. Positive valu esgive a frequency pattern (to be emp hasized) different from n egative values.

b: Emphatic Point This param eter sets the frequency to be emp hasized. Higher values w ill emph a-size lower frequencies.

InWet / Dry

Mono In - Mono Out

EQ Trim

LEQ HEQ

D-mod

Exciter


31/160

10: Sub Oscillator

27

s i z e

1

1 0 : Sub O scilla torThis effect adds very low frequencies to the input signal. It is very useful when simulating a roaringdru m sound or emp hasizing p owerful low r ange har monics. You can also adjust th e oscillator frequencyto match a particular note nu mber, for u se as an octaver.

a OSC Mode Note (Key Follow), FixedDetermines whether the oscillator frequency follows thenote number or whether it is xed. P.27

bNote Interval 48 0

When OSC Mode = Note (Key Follow), this parametersets the pitch difference from the note number. P.27

Src ( xed) Note No. Note number information source ( xed to Note #).

c Note Fine 100 +100 Fine adjustment of the oscillator frequency. P.27

d

Fixed Frequency [Hz] 10.0 80.0HzWhen OSC Mode = Fixed, this parameter sets the oscilla-tor frequency. P.27

Src None TempoOscillator frequency modulation source when OSC Mode= Fixed.

Amt 80 +80HzOscillator frequency modulation amount when OSC Mode

= Fixed.

e Envelope Pre LPF 1 100The upper limit of the frequency range for which very lowharmonics are added. P.27

f Envelope Sens 0 100Sets the sensitivity with which very low harmonics areadded.

g Envelope Shape 100 +100 Sets the oscillator s volume envelope curve.

h




a: OSC M ode

b: N ote Interva lb: Srcc: N ote Fine

The OSC Mode param eter selects the oscillator operation mod e. When N ote

(Key Follow) is selected, the oscillator s frequency is determined based on thenote nu mber, allowing you to use it as an octaver. The Note Interval param etersets the pitch offset from the original note number by semitone steps. The NoteFine para meter allows you to ne-tun e in steps of cents.

The Src param eter is xed to the N ote #, and you cannot select another source.

d: Fixed Frequency [Hz] The Fixed Frequency param eter sets the frequency w hen you select Fixed forthe OSC Mode param eter.

e: Envelope Pre LPF This param eter sets the upp er limit of the frequency range to w hich very lowharm onics are added . Adjust this param eter if you do not wan t to add lowerharmon ics to the higher range. For examp le, you can create a nice effect by add-ing very low h armonics only to the bass dru m soun d, not to the snare sound .

InWet / Dry

Mono In - Mono Out

Envelope Shape

Note No.OSC Mode

Fixed

Note (Key Follow)

Pre LPF

Sine OscillatorFixed Frequency

Pitch

Note Interval, Fine


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11: Decimator

28

1 1 : Decima torThis effect creates a rough sound like a cheap samp ler by lowering the sam pling frequency. You can a lsosimulate noise unique to a sampler (aliasing).

a Pre LPF Off, OnSelects whether the harmonic noise caused by decreasein sampling frequency is generated or not. P.28

b

Sampling Freq [Hz](Sampling Frequency)

1.00k 24.00kHz Sets the sampling frequency.

Src None Tempo Sets the modulation source of the sampling frequency.

Amt 24.00k +24.00kHz Sets the modulation amount of the sampling frequency.

c High Damp [%] 0 100% Ratio of cut of the high range

d




a: Pre LPF If you inp ut a sound containing high frequencies (that cannot be sampled) to asamp ler with a low samp ling frequency, a noise with a p itch u nrelated to theoriginal sound will be generated. When Pre LPF = ON, this type of noise willnot be generated.

You can create a sou nd similar to a ring m odu lator if you set Pre LPF to OFF,with a Sampling Freq of 3kHz.

InWet / Dry

Mono In - Mono Out

Pre LPF High Damp

Decimator

Sampling Frequency


33/160

12: Chorus

29

s i z e

1

1 2 : ChorusThis effect add s thickness and w armth to the sound by mod ulating the delay time of the inpu t signal.

a LFO Waveform Triangle, Sine Selects LFO Waveform.

bLFO Frequency [Hz] 0.02 20.00Hz LFO speedSrc None Tempo Modulation source of LFO speed

Amt 20.00 +20.00Hz Modulation amount of LFO speed

c Pre Delay [msec] 0.0 50.0msec Delay from the original sound

d

Depth 0 100 Depth of LFO modulation

Src None Tempo Modulation source of the LFO modulation depth

Amt 100 +100 Modulation amount of the LFO modulation depth

e EQ Trim 0 100 EQ input level

f Pre LEQ Gain [dB] 15.0 +15.0dB Low-EQ gain

g Pre HEQ Gain [dB] 15.0 +15.0dB High-EQ gain

h

Wet/Dry Wet 1:99, Dry,1:99 Wet Sets the balance between the effect and dry sounds.P.25



Chorus

InWet / Dry

Mono In - Mono Out

EQ Trim

LEQ HEQ

LFO: Tri / Sine


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13: Harmonic Chorus

30

1 3 : Ha rmonic ChorusThis effect applies chorus on ly to higher frequ encies. This can be u sed to ap ply a choru s effect to a basssound withou t ma king the soun d thinner. You can also use this chorus block w ith feedback as a anger.

a

LFO frequency [Hz] 0.02 20.00Hz LFO speed

Src None Tempo Modulation source of LFO speed


b Pre delay [msec] 0.0 50.0msec Delay from the original sound

c




d High/Low Split Point 1 100Frequency split point between the low and high range P.30

e Feedback 100 +100 Feedback amount of the chorus block P.30

f High Damp [%] 0 100% Chorus block damping amount in the high range

g Low Level 0 100 Output level in the low range

h High Level 0 100 Output level in the high range (chorus)

i




d: High/ Low Split Point This param eter sets the frequency that splits the low and high range. Only thehigh range w ill be sent to the choru s block.

e: Feedb a ck Sets the feedback amou nt of the choru s block. Increasing th e feedback w ill allowyou t o use the effect as a anger.

In

Feedback

Wet / Dry

High Damp

Mono In - Mono Out

Low Level

High Level

High/Low Split Point

LFO: Triangle

Chorus/Flanger


35/160

14: Ensemble

31

s i z e

1

14: EnsembleThis chorus effect is created by a su btle shimm ering LFO, and add s richness and thickness to the soun d.It is most effective on the str ing soun ds.

a

Speed 1 100 LFO speed


Amt 100 +100 Modulation amount of LFO speed

b Shimmer 0 100 Amount of shimmering of the LFO waveform P.31

c




d




b: Shimmer This para meter sets the am ount of shimm ering of the LFO w aveform. Increasingthis value makes m ore shimmering, making the choru s effect more comp lex andricher.

Ensemble

InWet / Dry

Mono In - Mono Out

LFO

Shimmer

Time

Level

Ensemble LFO

Shimmer


36/160

15: Flanger

32

1 5 : Fla ngerThis effect gives a sign i cant swell and movemen t of pitch to the sound . It is more effective when app liedto a soun d with a lot of harmonics, such as cymbals or electric guitar sound s.

a Delay Time [msec] 0.0 50.0msec Delay from the original sound

b LFO Waveform Triangle, Sine Selects the LFO Waveform.

c LFO Shape 100 +100Determines how much the LFO waveform is changed.

P.32

d

LFO Frequency [Hz] 0.02 20.00Hz LFO speed



e Depth 0 100 Depth of LFO modulation

f Feedback 100 +100 Feedback amount P.32

g High Damp [%] 0 100% Feedback damping amount in the high range P.32

hWet/Dry

Wet 1:99, Dry,

1:99 Wet

Sets the balance between the effect and dry sounds.

P.25 , 32



c: LFO Shap e Changing the LFO waveform shap e controls the peak sw eep of anging effects.

f: Feedba ckh : Wet/ Dry

The peak shape of the positive and negative Feedback value is different. Theharm onics will be emph asized wh en the effect sound is mixed w ith the drysound if you set a p ositive value for both Feedback and Wet/ Dry, and if you seta negative value for both Feedback and Wet/ Dry.

g: High Damp [%] This param eter sets the amount of dam ping of the feedback in the high range.Increasing th e value will cut high-range harm onics.

Flanger

In

Feedback

LFO ShapeLFO: Tri / Sine

Wet / Dry

Mono In - Mono Out

High Damp

LFO Shape

LFO Shape = 0...+100 LFO Shape = 0... 100

LFO Waveform=Sine


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16: Tempo Flanger

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16: Tempo FlangerThis Flanger allows you to m atch the LFO cycle with a son g s tempo. For examp le, you can ap ply theFlanger synchronizing to a sequencer rhythm pattern, or you can input a temp o before a live performan ceso that the anging effect will ma tch the song t emp o. The LFO cycle can be set in step s of one note.

a Delay Time [msec] 0.0 50.0msec Delay from the original sound

b LFO Waveform Triangle, Sine Selects the LFO waveform.

c LFO Shape 100 +100Determines how much the LFO waveform is changed.

P.32

dLFO Mode Manual, D-mod

Switches between the speci ed tempo and clock sync.P.33

Src ( xed) Tempo Source when LFO Mode = D-mod ( xed to Tempo)

e Tempo [beat/min] 30 250 beat/min Tempo when LFO Mode = Manual P.33

f Length 1 16/1 16Sets the LFO cycle. LFO Cycle = Length x Whole Note. P.33

g Depth 0 100 Depth of LFO modulation

h Feedback 100 +100 Feedback amount P.32

i High Damp [%] 0 100% Feedback damping amount in the high range P.32

j


Sets the balance between the effect and dry sounds.P.25 , 32



d: LFO M oded: Src (xed)

This parameter selects the LFO operation mode. When Manual is selected, theLFO refers to the value set in e: Temp o. When D-mod is selected, the LFO willsynchron ize to the intern al MIDI clock. This is useful for per forman ce using a

sequencer.When D-m od is selected for the LFO mode, the source is xed to Tempo andcannot be changed .

e: Tempo [beat/ min] This param eter sets the tempo w hen Manu al is selected for the LFO Mode.

f: Length This parameter sets the LFO cycle. The cycle is calculated by multiplying thelength of a whole note by the va lue of Length.

For examp le, wh en Length is set to 1/ 4, the Flanger will sweep at an interval of one quarter note.

Flanger

In

Feedback


Wet / Dry

Mono In - Mono Out

High DampTempo

LFO Mode

D-mod

Manual

Length: 1/4120 [beat/min]


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17: Envelope Flanger

34

17: Envelope FlangerThis Flanger u ses an envelope generator for modu lation. You w ill obtain the same pattern of angingeach time you play. You can a lso control the Flanger d irectly using t he modu lation source.

a Delay Bottom [msec] 0.0 50.0msec Sets the lower limit of Delay Time. P.24

b Delay Top [msec] 0.0 50.0msec Sets the higher limit of Delay Time. P.24

c

Sweep Mode EG, D-modDetermines whether the anger is controled by the enve-lope generator or by the modulation source. P.34

Src None Tempo

Modulation source that triggers the EG (when EG isselected for Sweep Mode), or modulation source thatcauses the anger to sweep (when D-mod is selected forSweep Mode).

d EG Decay 1 100 Sets the EG decay speed. P.34

e Feedback 100 +100 Feedback amount P.32

f High Damp [%] 0 100% Feedback damping amount in the high range P.32

gWet/Dry

Wet 1:99, Dry,1:99 Wet




c: Sweep Modec: Src

This par ameter sw itches the anger control mode. With Sweep Mod e = EG, theanger w ill sweep u sing the envelope generator. This envelope generator isinclud ed in the envelope anger, and not related to the Oscillator EG, Filter EG,or Amp EG.

The Src param eter selects the sou rce that starts the envelope generator. If youselect, for examp le, Gate, the envelope generator w ill start w hen th e note-onmessage is received .

When Sweep Mod e = D-mod, the m odu lation source can control the angerdirectly. Select the mod ulation sou rce using the Src parameter.

d: EG Decay Decay speed is the only ad justable param eter on th is EG.

The effect is off when a value for the mod ulation sou rce speci ed for theSrc para meter is smaller than 64, and t he effect is on w hen t he valu e is 64or higher. The Envelope Generator is triggered wh en the value changesfrom 63 or smaller to 64 or higher.

In

Feedback

Wet / Dry

Mono In - Mono Out

High Damp

EG Decay EG

D-mod

Sweep ModeD-mod

Flanger


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18: Phaser

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1 8 : Pha serThis effect creates a sw ell by shifting th e ph ase. It is very effective on electric piano sou nd s.

a LFO Waveform Triangle, Sine Selects the LFO Waveform.

b LFO Shape 100 +100 Determines how much the LFO waveform shape ischanged. P.32

c




d Manual 0 100 Sets the frequency to which the effect is applied.

e Depth 0 100 Depth of LFO modulation

f Resonance 100 +100 Sets the resonance amount. P.35

g High Damp [%] 0 100% Resonance damping amount in the high range P.35

h





f: Resona nceh : Wet/ Dry

The peak shap e of the positive and negative Feedback value is different. Theharm onics will be emph asized wh en the effect sound is mixed w ith the drysound , if you set a positive value for both Resonance and Wet/ Dry, and if youset a negative value for both Resonance and Wet/ Dry.

g: High Damp [%] This param eter sets the amou nt of damp ing of the resonance in the high ran ge.Increasing th e value w ill cut high-range h armon ics.

Phaser

In

Resonance


Wet / Dry

Mono In - Mono Out

High Damp


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19: Tempo Phaser

36

1 9 : Tem po Pha serThis Phaser allows you to m atch the LFO cycle with th e song temp o. For examp le, you can syn chronizethe Phaser to a sequencer rhythm pattern, or you can inp ut a tem po before a live performance so that thepha sing effect w ill match the song temp o.

a LFO Waveform Triangle, Sine Selects the LFO waveform.

b LFO Shape 100 +100Determines how much the LFO waveform is changed.

P.32

cLFO Mode Manual, D-mod

Switches between the speci ed tempo and clock sync.P.33

Src ( xed) Tempo Source when LFO Mode = D-mod ( xed to Tempo)

d Tempo [beat/min] 30 250 beat/min Tempo when LFO Mode = Manual P.33

e Length 1 16/1 16 Sets the LFO cycle. LFO Cycle = Length x Whole Note.

f Manual 0 100 Sets the frequency to which the effect is applied.

g Depth 0 100 Depth of LFO modulation

h Resonance 100 +100 Sets the resonance amount. P.35

i High Damp [%] 0 100%Sets the resonance damping amount in the high range.

P.35

j





Phaser

In

Resonance


Wet / Dry

Mono In - Mono Out

High DampTempo

LFO Mode

D-mod

Manual

Length: 1/4120 [beat/min]


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20: Envelope Phaser

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20: Envelope PhaserThis Phaser u ses an envelope generator for mod ulation. You will obtain th e same pattern of phasing eachtime you p lay. You can also control the Phaser d irectly using the mod ulation sou rce.

aManu Bottom(Manual Bottom) 0100

Sets the lower limit of the frequency range to which theeffect is applied. P.24

bManu Top(Manual Top)

0100Sets the higher limit of the frequency range to which theeffect is applied. P.24

c

Sweep Mode EG, D-modDetermines whether the phaser is controlled by the enve-lope generator or by the modulation source. P.34

Src None Tempo

Modulation source that triggers the EG (when EG isselected for Sweep Mode), or modulation source thatcauses the phaser to sweep (when D-mod is selected forSweep Mode).

d EG Decay 1 100 Sets the EG decay speed. P.34

e Resonance 100 +100 Sets the resonance amount. P.35

f High Damp [%] 0 100% Sets the resonance damping amount in the high range.P.35

g

Wet/Dry Wet, 99 1, Dry,199, Wet




Phaser

In

Resonance

Wet / Dry

Mono In - Mono Out

High Damp

EG Decay EG

D-mod

Sweep ModeD-mod


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21: Vibrato

38

21: VibratoThis effect causes the p itch of the inpu t signal to shimm er. Using the Au toFade allows you to increase ordecrease the shimm ering speed.

a AUTOFADE Src None TempoSets the modulation source that starts AutoFade.

P.78

Fade-In Rate 1 100 Sets the rate of fade-in.

b LFO Waveform Triangle, Sine Selects the LFO Waveform.

c LFO Shape 100 +100Determines how much the LFO waveform shape ischanged. P.32

d


Src None AUTOFADE Modulation source of LFO speed. AutoFade is available.


e



Amt 100 +100 Modulation depth of the LFO modulation depth

f




Vibrato

InWet / Dry

Mono In - Mono Out

LFO: Tri / Sine LFO Shape

LFO FrequencyAutoFade
http://effectsize2.pdf/http://effectsize2.pdf/http://effectsize2.pdf/


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22: Resonator

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2 2 : Resona torThis effect resonates th e inpu t signal at a speci ed p itch. For example, the Resonator will add a u niquecharacter to a string sound by emp hasizing certain harm onics, or give a pitch to a dr um sound . You cancontrol the resonan ce intensity via an LFO.

a Contol Mode Manual, LFO Switches the control of resonance intensity. P.39

b LFO Frequency [Hz] 0.02 20.00Hz LFO speed

c LFO Depth 100 100 Amount of resonance intensity control via LFO

d Trim 0 100 Input level to the Resonator

e Pitch C0 B8 Pitch for resonance P.39

f Fine [cent] 50 +50cent Fine adjustment of pitch for resonance P.39

g Resonance 100 +100Sets the intensity of resonance when Control Mode =Manual. P.39

h High Damp [%] 0 100%Damping amount of resonant sound in the high range

P.39

iWet/Dry Dry, 1:99 99:1, Wet Sets the balance between the effect and dry sounds.Src None Tempo Modulation source of effect balance


a: Contol M odeg: Resonance

This par ameter d etermines wh ether the resonance intensity is controlled by anLFO or n ot.

With Control Mode = Manual, the Resonan ce par ameter sets the intensity of res-onance. If the Resonance parameter has a negative value, harmonics will bechanged , and resonance will occur at a p itch one octave below.

With Con trol Mode = LFO, the intensity of resonance varies accord ing to the

LFO. The LFO swa ys between positive and negative va lues, causing resonanceto occur between sp eci ed p itches an octave apart in tu rn.

e: Pitchf: Fine [cent]

The Pitch para meter speci es the pitch of resonance by note nam e. The Fineparam eter allows for ne ad justment in steps of cents.

h: High Damp [%] This param eter sets the dam ping amou nt of resonant sound in the high range.Lower values will make a m etallic sound with a higher range of harm onics.

InWet / Dry

Mono In - Mono Out

High Damp

Trim

Control ModeLFO

Manual

Resonance

Pitch, Fine [cent]

Resonator


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23: Ring Modulator

40

2 3 : Ring M odula torThis effect creates a met allic sound by rou ting the inpu t signal to an Oscillator. You w ill obtain a very rad-ical mod ulation by m odu lating or operating the Oscillator u sing an LFO or dyn amic mod ulation. Sincethe Oscillator frequen cy can m atch the note num ber, you can create a ring m odu lation effect that followsthe scale.

a Pre LPF 0 100Sets the damping amount of the sound input to the RingModulator in the high range. P.40

b OSC Mode Fixed, Note (Key Follow)Determines whether the Oscillator frequency is speci edor the note number is followed. P.40

c

Fixed Frequency [Hz] 0 12.00kHz Oscillator frequency when OSC Mode = Fixed P.41

Src None TempoModulation Source of the Oscillator frequency when OSCMode = Fixed

Amt 12.00 +12.00kHzModulation Amount of the Oscillator frequency when OSCMode = Fixed

d

Note Offset 48 +48Pitch difference from the note number when OSC Mode =Note (Key Follow) P.41

Src ( xed) Note No.Note number information source (Fixed to Note #)

P.41

e Note Fine 100 +100 Fine adjustment of the Oscillator frequency P.41

f

LFO Frequency [Hz] 0.02 20.00Hz Speed of LFO that modulates the Oscillator frequency



g

Depth 0 100Depth of LFO modulation applied to the Oscillator fre-quency

Src None Tempo Modulation source of modulation depth

Amt 100 +100 Modulation amount of modulation depth

h




a: Pre LPF This param eter sets the dam ping am ount of the sound inp ut to the Ring Modu -lator. If the inp ut signa l contains a lot of harmon ics, the effect soun d ten ds to bedirt y. In this case, cut a certain amoun t of the high range.

b: OSC M ode This par ameter d etermines wh ether the Oscillator frequency follows the n otenumber.

InWet / Dry

Mono In - Mono Out

Note No.OSC Mode

Fixed

Note (Key Follow)

Pre LPF

Fixed FrequencyPitch

Note Offset, Fine

Sine Oscillator

Ring Modulator

LFO


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23: Ring Modulator

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d: N ote Offsete: N ote Fine

These are used to set the oscillator w hen O SC Mode is set to N ote (Key Follow).The Note Offset p arameter speci es the pitch d ifference from the original notenum ber in steps of semitones. The N ote Fine pa rameter is used to ne-tune this setting in step s of cents. When th e oscillator frequency follows the notenu mber, you w ill obtain a ring m odu lation effect in the correct scale.

d: Src The Note Nu mber information source is xed to N ote #, and you cannot selectother sources.

c: Fixed Frequency [Hz] This param eter sets the oscillator frequency when OSC Mode is set to Fixed.


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24: Tremolo

42

24: TremoloThis effect mod ulates the volu me level of the inp ut signa l.

a LFO WaveformTriangle, Sine, Square, Up,Down

Selects LFO Waveform. P.42

b LFO Shape 100 +100Determines how much the shape of LFO waveform ischanged. P.32

c




d


Src None Tempo Modulation source of the depth of modulation

Amt 100 +100 Modulation amount of the depth of modulation

e




a: LFO W aveform This parameter selects the LFO waveform.

Square wave simulates the characteristics of the tremolo created on a guitarampli er. Combining this effect with th e Amp Simu lation w ill make a realistic,vintage tremolo ampli er sound .

Tremolo

InWet / Dry

Mono In - Mono Out

LFO: Tri/Sin/Sqr/Up/Down LFO Shape

Tremolo - LFO Waveform

Triangle Sine Square Up Down


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25: Rotary Speaker

43

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2 5 : Rota r y Spea kerThis effect simu lates a rotar y speaker w hich is essential to organ sounds. This size 1 Rotary Speaker effectis monau ral. You can change the speed of speaker r otation via dynam ic mod ulation. The effect also simu -lates the m icrophone settings.

a

Speed Switch Slow, FastSwitches the speaker rotation speed between slow andfast.

Src None Tempo Modulation source that toggles between slow and fast

Sw Momentary, ToggleSelects switching mode of the modulation source that tog-gles between slow and fast. P.43

b Horn Acceleration 0 100How quickly the horn rotation speed in the high range isswitched P.43

c Horn Ratio Stop, 0.5 2.0Adjusts the (high-range side) horn rotation speed. Stan-dard value is 1.0. Selecting Stop will stop the rotation.

d Mic Distance 0 100Distance between the microphone and rotary speaker.

P.43

e Rotor/Horn Balance Rotor, 1 99, Horn Sets the volume level balance between the low-rangerotor and high-range horn.

f




a: Sw This param eter sets how the rotation speed (slow and fast) is switched via themod ulation source.

When Sw = Momentar y, the speed is usu ally slow. It becomes fast only wh enyou keep the ped al depressed or h old the joystick in position.

When a value for the m odu lation source is less than 64, slow speed isselected , and w hen th e value is 64 or higher, fast is selected.

When Sw = Toggle, the speed i

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Trinity effects guide