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 TRANSITION SPACE(Re-design fne art & ceramic museum)

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Period

Persagi & fne art in japanese occupationperiod

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paintingPersagi

 apanese occupation period

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PERSA!ISite " room # & $

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• Persagi %as esta'ised ac in *$+# attempted to rea'ie te ne% Indonesian arto. painting/

 Tere are !/A suirno0 Adu' Sa'am Sudiio0 Suromo0 Surono0 Ottodja1a0 Emiria

Sunassa %it Agus djaja as a 'eader and S/ Sudjojono as secretar1 and

spoeperson / Persagi memers %anted te art o. te Indonesian painting to

remind us to e a%are o. te socia' rea'it1 .aced 1 te peop'e during teoccupations/ 2esides0 te1 %anted to introduce te ne% %a1 to create te art o.

painting in te onest %a1 and deep empat1 on te rea'it1 o. 'i.e troug tee3pressionism/ Te1 tried to reject te aestetics o. te art painting o. Mooi Indie0tat on'1 e3pressed te eaut10 carm0 and e3ocitism/

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•

4ooi indie criticism• Persona' caracter

• Indi5idua' .reedom

• painter

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• Painting in.ormation

 To ring out teir identit1 as a painter0 %e use pane' 'ie painter usecan5as and use rus stroe detai' as a time'ine

Introduction

 T%o dimensiona' in.o grapic to e3p'ain te transition .rom mooi indie topersagi period

Interacti5e fgure

Introducing persagi memer prof'e 1 using 'cd to gi5e interacti5ein.ormation and ring out 5isitor6s e3citement

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7ine art in japaneseoccupation perioda''%a1

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8e1%ords

 apaneseoccupation

 Transition

att'e

Struggle toFreedom

9inear

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:ndergrounduner

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;iagram

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Section ;etai's %a''

painti

ng

Pane'9a1er

9C;

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Section ;etai's

Pane'Insta''a

tion

9C;

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