TRAINING DVD - Welcome to Hot Press · Tel: 0845 0700660 or +44 (0)117 958 6500 1 TRAINING DVDS JETMOUNTER 26/34 This instructional DVD helps you to set up and operate desk top

www.hotpress.co.uk Tel: 0845 0700660 or +44 (0)117 958 6500

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TRAINING DVDS

JETMOUNTER 26/34This instructional DVD helps you to set up and operate desk top laminators, specifi cally the JM26 and JM34.

Subjects covered include:

• Mounting to various board types • Mounting of various art types • Various methods of over-lamination • Face mounting to Perspex • Creating fl oater frames and image wraps on MDF • Mounting images within wedding albums

This is an essential for anyone wanting to maximize their work and revenue fl ow.

JETMOUNTER 44/55This instructional DVD covers the set up and operation of larger laminators, with roll feed and take up bars, specifi cally the JM44 and JM55.

Subjects covered include:

• Setting up a laminator for continuous feed mounting • Setting up a laminator for continuous feed laminating • Using removable fi lms for creating temporary displays • Mounting to various board types • Mounting to various art types • Various methods of over-laminating • Face mounting to Perspex

This is an invaluable guide for anyone who is new to large laminator operations.

HOT PRESS GLASS TOP VACUUM PRESSESThis unique DVD covers the set up and operation of heated vacuum presses, specifi cally the HGP260/HGP360 and HGP560.

Subjects covered include: • Setting up a press and control feature explanation • Overview of essential accessories and tools needed for successful operation • Mounting techniques for various board and artwork combinations • Various over-laminating techniques • Canvas bonding of photographs and paper prints • Protection of inkjet canvases by the application of ultra thin laminates

HOT OFF THE PRESS

For nearly 20 years, we at Hot Press have served the framing and photographic markets with a wide range of premium laminating fi lms, mounting adhesives and substrates. While our greatest claim to fame is undoubtedly the Hot Press brand of heated glass top vacuum presses, we think our hands-on technical support and legendary customer service is what truly sets us apart.


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CONTENTS

12. CANVAS .................................................................... 32ADHESIVE COATED CANVAS ..................................................32SUPER WHITE ADHESIVE CANVAS.........................................32

13. TOOLS OF THE TRADE ........................................... 34TACKING IRON ...........................................................................34PIERCING TOOL ........................................................................34ZIPPY CUTTER ...........................................................................35CUTTING MATS ..........................................................................35 TAC CLOTHS™ ..........................................................................36MULE™ .......................................................................................36

1. JETMOUNTERTM MANUAL LAMINATORS .................. 3ML13..............................................................................................3ML25..............................................................................................3

2. JETMOUNTERTM MOTORISED LAMINATORS ............ 4JM26, JM34 ..................................................................................5JM44SHA, JM55SHA ...................................................................5

3. PRESSURE SENSITIVE MOUNTING FILMS ............... 7DOUBLE-SIDED MOUNT FILM ....................................................7SYNART™ ....................................................................................8 FYNART™ .....................................................................................8WINDOW-ART MOUNT FILM .......................................................8SELF-WOUND MOUNT FILM, STANDARD .................................9SELF-WOUND MOUNT FILM, ULTRA ........................................9SELF-WOUND MOUNT FILM, PERM/PEEL ................................9TRANSFER MOUNT FILM, ULTRA ..............................................9

4. PRESSURE SENSITIVE LAMINATES........................ 10PHOTO UV SATIN MATTE .........................................................10PHOTO UV FULL MATTE ...........................................................10PHOTO UV STANDARD GLOSS ...............................................11PHOTO UV ULTRA GLOSS........................................................11PHOTO UV SAND TEXTURE .....................................................12PHOTO UV FINE LINEN .............................................................12PHOTO UV COARSE LINEN ......................................................12PHOTO UV CANVASTEX ...........................................................13PHOTO UV NATURAL LEATHER ..............................................13PHOTO UV STEEL .....................................................................13PHOTO UV SHEENTEX .............................................................13PHOTO UV CRYSTALTEX .........................................................13ECO UV SATIN MATTE ..............................................................14ECO UV FULL MATTE ................................................................14 5. SPECIALITY SELF-ADHESIVE FILMS ....................... 15CHALKBOARD LAMINATE .........................................................15

6. HOT PRESS GLASS TOP VACUUM PRESSES ........ 16

7. DRY MOUNTING TISSUES ........................................ 20UNIMOUNT CLASSIC™ .............................................................20VISTAMOUNT™ .........................................................................21ARTSAFE 200™ .........................................................................21

8. HEAT ACTIVATED MOUNTING FILMS ...................... 22DRY MOUNT FILM - CLEAR ......................................................22ACID-FREE MOUNT FILM ..........................................................23HEAT TRANSFER FILM .............................................................23

9. HEATSEAL LAMINATES ............................................ 26ARTSHIELD™ UV GLOSS LUSTRE ..........................................26ARTSHIELD™ UV SATIN MATTE ..............................................26ARTSHIELD™ UV FULL MATTE ................................................27ARTSHIELD™ UV SAND TEXTURE ..........................................27ARTSHIELD™ UV FINE LINEN ..................................................27ARTSHIELD™ UV COARSE LINEN ...........................................27ARTSHIELD™ UV CANVASTEX ................................................27

10. NON-PERFORATED HEATSET LAMINATES .......... 30MEDIASHIELD UV SATINEX ......................................................30MEDIASHIELD UV MATTEX .......................................................30MEDIASHIELD UV MATTE .........................................................30MEDIASHIELD UV EMERYTEX .................................................30

11. ANCILLARIES .......................................................... 31SILICONE RELEASE PAPER .....................................................31CLEAR SILICONE RELEASE FILM ............................................31FOAM PLASTIC ..........................................................................31VACUFOAM ................................................................................31


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Here at Hot Press we have always been known for supplying the best in quality equipment for professional print presentation. As new markets emerge we aim to deliver machinery that is perfect for the job. The home workshop and limited space retail sector has been growing in recent years and though many people would like a JetMounterTM or a Hot Glass Press – they simply do not have the room. With this in mind we are pleased to off er two new machines that will help users in this market.

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ML13 ML25

ML13 MANUAL LAMINATORThis new manual laminator is perfect for the home user or for those who only need to laminate smaller items. Though built as a table top unit it is still capable of doing a wide variety of jobs. With its opening height of an impressive 20mm (0.78”), it is perfect for people wanting to produce acrylic blocks and MDF block mounts. The maximum working width of this model is 335mm (13.2”) which means that work up to the popular Super A3+ size can be accommodated. The height is set with twin adjusters and work is transported through the laminator by a hand crank handle. Due to its light weight construction, when not in use the laminator can be easily stored away. Please note this laminator requires some self assembly which will require a screwdriver.

ML25 MANUAL LAMINATORThough the JetMounterTM 26 is the most popular machine in our laminator range, it may be a little over specifi ed for the occasional or home user. With our huge range of 650mm (25.5”) wide materials we have been asked for a laminator that will handle this size, but is lighter in weight and with a more basic specifi cation. The ML25 has a working width of 650mm (25.5”) and opens to 20mm (0.78”) high. Work is transported through the laminator by a hand crank handle. Due to its light weight construction and fold up feed tables, the laminator can be easily stored away when not in use.


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JetMountersTM are designed to be easy to operate whilst producing work to the highest professional standards. They can handle all types of fl at artwork, from photographs and paper posters to delicate plastics and vinyls. They are also ideal for processing most board stock, from simple card to MDF and Masonite.

VARIABLE SPEED CONTROLFor new laminator users the variable speed control is a great feature which allows you to build your confi dence by using the machine at slower speeds. As your expertise grows you can move to faster speeds and the top speed will save you time and money.

FORWARD AND REVERSE OPERATIONThough JetMounters™ are designed to feed your work through from the front to the back, they have a useful reverse operation switch that allows for accurate positioning of precision jobs.

BOARD THICKNESS AND ADJUSTMENTFor maximum versatility the JetMountersTM are fi tted with variable height adjusters. From the thinnest graphic to the thickest panel it is simple to set up your JetMounter™ to use the right amount of pressure across your work. Please see the specifi cation panel for further details.

AUTO OR FOOT OPERATIONJetMountersTM can be set to run automatically for the continuous feed of boards or can be set for foot switch operation.

SAFETY FEATURESSafety in the workshop is vital and the JetMounter™ range of laminators use ‘magic eye’ technology to stop the laminator when a possible obstruction enters the rollers. Additionally, emergency stop buttons and reset procedures ensure safe working conditions for operators.

MACHINE POSITIONING Smaller JetMounters™ are designed to be operated on any desk or work bench and are light-weight for easy storing. Larger laminators can be bench mounted or fi tted to a custom designed stand with wheels for easy manoeuvring. The largest JetMounter™ is built on a permanent stand that off ers safe and rigid support but allows the operator access to the underside of the machine.

OPERATING WIDTHSJetMounters™ come in a variety of sizes with maximum operating widths from 457mm (18”) to 1630mm (64.2”). Small jobs can be processed on larger machines with ease, so it is important to consider the maximum width you will require.

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JM26

JM44SHA

INTRODUCING THE JM34

By popular demand the new-size JM34 has been created to fulfi l a gap in the market. The JM34 is the ideal width for processing full sheets of mountboard, off ering more versatility on commonly used board sizes.

JetMounter™ JM26 and JM34These smaller, motorised tabletop laminators are operated by foot switch, leaving both hands free to handle the work being processed.

The JM26 and JM34 are designed for mounting and laminating inkjet output but are equally capable of handling photographic or printed media. All models include a supply shaft and self-checking photocells for fi nger protection. Note: there are no rewind shafts on these models.

JetMounter™ JM44SHA and JM55SHAIn addition to the standard features off ered by all JetMounter™ electric models, including variable speed electric drive, silicone rollers, steel construction, foot pedal and photo-electric safety stop, the JM44SHA and JM55SHA also off er:

• single height adjustment controls • an LCD pressure gauge display to allow more

precision control of mounting and laminating operations

• unwind and rewind shafts • bigger diameter rollers• digital height readout • front-mounted media unwind tray with supply shaft

which can be used for feeding media, mounting adhesive or kraft paper

Both models also come complete with stand with roll storage feature.

Exclusive to the JetMounter range:

• Siliconised rollers• New higher 25mm

(1”) opening height

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Model JM26 JM34 JM44SHA JM55SHAMax working width

670mm (26”) 890mm (34”) 1120mm (44”) 1400mm (55”)

Width 845mm (33.3”) 1050mm (41.3”) 1540mm (60.6”) 1790mm (70.5”)Depth 310mm (12.2”) 300mm (11.8”) 480mm (18.9”) 480mm (18.9”)

Height 340mm (13.4”) 340mm (13.4”) 480mm (18.9”) 480mm (18.9”)

Weight 24kg (53lbs) 32kg (70.5lbs) 110kg (242lbs) 150kg (330lbs)Roller diameter

63.5mm (2.5”) 63.5mm (2.5”) 102mm (4”) 127mm (5”)

Max opening 25mm (1”) 25mm (1”) 25mm (1”) 25mm (1”)

Speed range76-305cm/min (2.5-10fpm)

76-305cm/min (2.5-10fpm)

91-550cm/min (3-18fpm)

61-550cm/min (2-18fpm)

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DOUBLE-SIDED MOUNT FILMThis is our most popular pressure sensitive mounting fi lm. It works well with all kinds of laminators and can even be applied by hand for specialist jobs. The product itself is formed from a clear central carrier fi lm, which is coated on both sides with a very strong adhesive. Each adhesive layer is then protected by a grid-marked carrier paper. The two separate release liners mean that this adhesive can be rolled out on the work bench and simply cut to the correct size for each mounting job. Off -cuts of material need not be wasted, but used for smaller jobs later. This product is suitable for all kinds of artwork from plain paper and posters to inkjet and photographic media. Due to its strength and fl exibility it also works well with plastic based media and textured art papers. Double-sided mount fi lm works well with all kinds of mounting substrates, from white display board and foam centred boards to MDF and rigid plastic boards.

Code SizePMDS25082 650mm x 25m (25.5” x 82’)PMDS25328 650mm x 100m (25.5” x 328’)PMDS33082 840mm x 25m (33” x 82’)PMDS41082 1040mm x 25m (41” x 82’)PMDS41328 1040mm x 100m (41” x 328’)PMDS51082 1300mm x 25m (51” x 82’)PMDS51328 1300mm x 100m (51” x 328’)

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Our comprehensive range of pressure sensitive mounting fi lms are ideal for all standard mounting projects and a wide variety of applications, such as face mounting on acrylic and interchangeable graphics. As you would expect, all of our fi lms use only the highest quality adhesives, carriers and release liners so you can always be assured of the best results.

*Other sizes available upon request. Minimum volumes may apply.


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TRANSPARENCY MOUNT FILMSYNARTTM

Mounting images to clear acrylic panels, originally practised in the sign making industry, has always been popular. Creating large, illuminated signs for shopping centres, airports and other public areas, where the work is viewed from a distance, only requires a basic, optically clear fi lm. Polypropylene is used as the central core of this fi lm and the product is fi ne for those looking for an economy product. Synart, as its name suggests, is primarily used for the production of acrylic signage; for artwork that is to be viewed in the home we would suggest looking at our superior Fynart product.

Code SizePMTS25082 650mm x 25m (25.5” x 82’)PMTS41164 1040mm x 50m (41” x 164’)PMTS51164 1300mm x 50m (51” x 164’)


TRANSPARENCY MOUNT FILMFYNARTTM

This is our more established and superior quality optically clear mounting fi lm. For wall art and acrylic blocks this fi lm off ers much better colour rendition and is truly invisible even when viewed close up. Fynart is the choice of photographers, framers, digital artists and photo labs who want to produce the highest quality products and charge a premium for their work. If you require more information on how to produce acrylic blocks please contact us.

Code Size PMTF12016 325mm x 5m (12.5” x 16’)PMTF25016 650mm x 5m (25.5” x 16’)PMTF25082 650mm x 25m (25.5” x 82’)PMTF41164 1040mm x 50m (41” x 164’)PMTF51164 1300mm x 50m (51” x 164’)


ALTERNATIVE USES

A popular use of Window-art is application to the back of photographs, so that they can be stuck to wedding album pages and will still peel off if adjustment is required. When an album is completed to your satisfaction the prints can then be made permanent by pressing the images, which ‘pops’ the micro-pyramids and gives a full adhesive coverage. Window-art is also ideal for making temporary signage for walls, doors, counter tops and even vehicles. When making signs the Window-art is applied to the back of the graphic and the graphic is usually laminated with a top fi lm for durability. This method requires that the surface stuck to is clean and smooth.

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WINDOW-ART MOUNT FILMThis mounting fi lm has a number of uses. Its primary function is as an adhesive for applying artwork and signage to windows and other clear surfaces. The fi rst side of the mount fi lm has a conventional permanent adhesive and this is intended to be stuck to the front or back of the artwork itself, depending on the application. The second side of the fi lm has a special release liner that, when peeled back, exposes a micro-pyramid pattern adhesive. The texture of the adhesive means that when the artwork or graphic is hand-applied to the window, the image rests with only the points of the micro-pyramids touching the glass. This has two benefi ts: air can easily be pushed out, leaving no bubbles and the image can easily be re-positioned as required.

Code Size PMWA25082 650mm x 25m (25.5” x 82’)PMWA41164 1040mm x 50m (41” x 164’)PMWA51164 1300mm x 50m (51” x 164’)



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SELF-WOUND MOUNT FILMPERM/PEELThis product is an unusual twist on the normal self-wound recipe. PERM/PEEL has two diff erent kinds of adhesive built into one fi lm. As the roll unwinds it exposes a permanent adhesive, which can be coated to the back of your artwork or onto a board. When the second layer is exposed it is a lower tack adhesive. This fi lm is suitable for coating graphics that can be stuck to rigid plastic or expanded foam PVC boards. The graphic can be removed later, allowing the board to be re-used, thus saving money. When coated onto the board itself, it creates a repositionable surface for the application of complex artwork that may need to be applied by hand and re-arranged.

Code Size PMPP25164 650mm x 50m (25.5” x 164’)PMPP41164 1040mm x 50m (41” x 164’)PMPP51164 1300mm x 50m (51” x 164’)


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SELF-WOUND MOUNT FILMSTANDARDWe off er various self-wound mounting fi lms, for use with laminators that feature an unwind shaft on the top. Self-wound mounting fi lms have only one release liner, which is non-stick on both sides. As the roll is unwound the adhesive layer is exposed, so these fi lms cannot be used for cut sheet applications. Additionally the full width of the roll will always be used as the fi lm passes through the laminator, making self-wound fi lms more suited to volume jobs, where a large number of boards or images are to be processed at the same time. Our STANDARD fi lm is a general purpose fi lm that is suitable for most kinds of artwork, from plain paper and posters to inkjet and photographic media. Standard self-wound fi lm works well with all kinds of mounting substrates, from white display board and foam centred boards to MDF and rigid plastic boards.

Code SizePMSW25082 650mm x 25m (25.5” x 82’)PMSW25164 650mm x 50m (25.5” x 164’)PMSW41082 1040mm x 25m (41” x 82’)PMSW41164 1040mm x 50m (41” x 164’)PMSW41328 1040mm x 100m (41” x 328’)PMSW51082 1300mm x 25m (51” x 82’)PMSW51164 1300mm x 50m (51” x 164’)PMSW51328 1300mm x 100m (51” x 328’)PMSW55164 1400mm x 50m (55” x 164’)PMSW61164 1550mm x 50m (61” x 164’)


TRANSFER MOUNT FILMULTRAThe ULTRA version of our transfer fi lm features a more aggressive adhesive and, due to its carrierless construction, it is very good for wrapping images around edges, like thick MDF. This product is also recommended for fl exible or roll works, such as pull up banners.

Code SizePMTU25328 650mm x 100m (25.5” x 328’)PMTU41328 1040mm x 100m (41” x 328’)PMTU51328 1300mm x 100m (51” x 328’)


SELF-WOUND MOUNT FILM ULTRAOur ULTRA option of self-wound mount fi lm has been developed for more challenging applications, where the standard product may struggle. Mounting substrates such as corex or aluminium are notoriously diffi cult to get a strong bond to and this fi lm will provide a better result. Similarly, when trying to wrap graphics around the edge of thicker substrates, such as MDF, the extra adhesion that this fi lm provides will do the job.

Code SizePMSU25164 650mm x 50m (25.5” x 164’)PMSU41164 1040mm x 50m (41” x 164’)PMSU41328 1040mm x 100m (41” x 328’)PMSU51164 1300mm x 50m (51” x 164’)PMSU51328 1300mm x 100m (51” x 328’)



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PHOTO UV SATIN MATTE 70µThe overall fi nish of this fi lm is a soft and smooth sheen eff ect. This fi lm is often used to laminate paper posters and prints, as its subtle fi nish closely mimics that of the printed piece. The satin fi nish reduces glare but doesn’t reduce contrast. Another popular use for Photo UV Satin Matte is as a protective laminate for images in wedding albums; as the fi lm is relatively thin it doesn’t add too much bulk to the album.

Code SizePSSM25082 650mm x 25m (25.5” x 82’)PSSM25328 650mm x 100m (25.5” x 328’)PSSM33082 840mm x 25m (33” x 82’)PSSM41082 1040mm x 25m (41” x 82’)PSSM41328 1040mm x 100m (41” x 328’)PSSM51328 1300mm x 100m (51” x 328’)


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PHOTO UV FULL MATTE 75µThe purpose of the complete matte fi nish of this fi lm is to eliminate refl ections. Photo UV Full Matte fi lm is most often used where lighting is unpredictable and uncontrollable, such as exhibition halls and other public places. This fi lm is very useful for creating a protective surface that doesn’t actually look laminated, as it is virtually undetectable to the naked eye. It also off ers additional UV protection when used behind plain glass, yet is almost invisible.

Code SizePSFM25082 650mm x 25m (25.5” x 82’)PSFM33082 840mm x 25m (33” x 82’)PSFM41082 1040mm x 25m (41” x 82’)PSFM41328 1040mm x 100m (41” x 328’)PSFM51328 1300mm x 100m (51” x 328’)


The Hot Press range of pressure-sensitive, or cold, laminates are designed for use with the JetMounterTM and other quality roller laminators. The fi lms work well at room temperature and provide superior protection from abrasion, moisture and pollutants. All contain UV stabilisers and absorbers to inhibit fading and discolouration from sunlight.


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PHOTO UV ULTRA GLOSS 50µThis fi lm off ers the highest level of gloss available and the fi nish is often compared to Cibachrome prints. With its incredibly smooth surface it delivers an almost mirror-like fi nish. The fi lm is recommended for artwork where impact and vibrant colours are required. When mounting Photo UV Ultra Gloss images, a very high quality adhesive fi lm and board type are highly recommended.

Code SizePSUG25082 650mm x 25m (25.5” x 82’)PSUG41164 1040mm x 50m (41” x 164’)PSUG51164 1300mm x 50m (51” x 164’)


PHOTO UV STANDARD GLOSS 40µThis long-established fi lm, with its simple gloss fi nish, closely resembles the gloss surface of conventional photographic and inkjet media. It can be used to impart a glossy fi nish to any fl at artwork, regardless of its original fi nish.

Code SizePSSG25082 650mm x 25m (25.5” x 82’)PSSG33082 840mm x 25m (33” x 82’)PSSG41082 1040mm x 25m (41” x 82’)PSSG41164 1040mm x 50m (41” x 164’)PSSG51164 1300mm x 50m (51” x 164’)PSSG51082 1300mm x 25m (51” x 82’)


GOT A PICTURE FRAMING QUESTION?

Hot Press is proud to support The Framers Forum. This is a forum site for picture framers and image makers worldwide. It is free to join and is a great place to share ideas, tips and recommendations on all things related to art presentation. The forum is run by picture framers – for picture framers. To get involved with this global community, simply point your browser at www.theframersforum.com and join in the fun!

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PHOTO UV FINE LINEN 100µThis delicate, linen-textured laminate is the fi nest of the three fabric textures in our range. It is often specifi ed by photographers wishing to impart a subtle yet decorative fi nish to their work. It is non-refl ective and quite scuff resistant making it ideal for wall prints in the home or for display. It is also useful for disguising minor creases and cracks in prints and posters.

Code Size PSFL25082 650mm x 25m (25.5” x 82’)PSFL51082 1300mm x 25m (51” x 82’)PSFL51164 1300mm x 50m (51” x 164’)


PHOTO UV COARSE LINEN 100µThis fi lm displays a mid-gauge fabric texture resembling rough cotton or hessian. It is commonly used on larger format artwork where a fi ner fi nish may be lost. The rougher gauge of this fi lm is capable of hiding larger imperfections in prints and posters. Like most textured laminates it is quite scuff resistant.

Code SizePSCL25082 650mm x 25m (25.5” x 82’)PSCL51082 1300mm x 25m (51” x 82’)PSCL51164 1300mm x 50m (51” x 164’)


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PHOTO UV SAND TEXTURE 100µA long standing favourite in our cold range, this non- refl ective fi lm is ideal for artwork and graphics that will be subjected to prolonged exposure in public places, such as restaurants, cafes, pubs and hotels. It displays a pleasing sandy texture that is also very scuff -resistant. When used in conjunction with the correct base fi lms, it forms a great top surface for fl oor graphics, as it has attained slip rating safety test standards. Information on this is available on request.

Code Size PSST25082 650mm x 25m (25.5” x 82’)PSST33082 840mm x 25m (33” x 82’)PSST41082 1040mm x 25m (41” x 82’)PSST41328 1040mm x 100m (41” x 328’)PSST51164 1300mm x 50m (51” x 164’)PSST51328 1300mm x 100m (51” x 328’)


CAN’T FIND WHAT YOU’RE LOOKING FOR?

We are constantly striving to improve and increase our very diverse range or materials. If you have a product in mind, but can’t fi nd it in our catalogue, please do not hesitate to contact us. We are here to help and always keen to chat with users of our products.


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PHOTO UV CANVASTEX 190µA very heavy-gauge fabric-texture fi lm that is reminiscent of real canvas. This brand new addition to our range has already proved a massive hit with pre-launch test volunteers. Photo UV Canvastex is a good alternative to either printing to, or indeed mounting on, real canvas. The use of less expensive media and less ink make this product a cost eff ective alternative to more expensive printable canvases. The protection of inkjet canvas by lamination is highly recommended, as it is very susceptible to damage. But this is usually only possible using a heat-vacuum method. Photo UV Canvastex opens up many new opportunities for cold laminator users to capitalise on the trend for canvas-look prints. Photo UV Canvastex is very durable and, like all laminates, easy to clean, making it ideal for work that is on show in public areas, such as hotels, restaurants, cafes and clubs. Photo UV Canvastex creates the illusion that the image has been printed onto canvas but is much tougher and easier to maintain. Photo UV Canvastex is well suited to photographic portraiture, landscapes and many kinds of artwork that simulate paintings, both traditional and modern.

Code SizePSCN25082 650mm x 25m (25.5” x 82’)PSCN51082 1300mm x 25m (51” x 82’)


PHOTO UV NATURAL LEATHER 150µIn previous years we have off ered a complete range of leather-look laminates, but sadly the fi nish of the base fi lms went down in quality and we felt that they refl ected badly on our reputation for only off ering the very best. After extensive product development and testing we have been able to source a superior grade plastic and we are now able to re-introduce a leather fi nish to our range. The new PHOTO UV NATURAL LEATHER is a medium grain texture and suits a wide variety of artwork. It can also be used to cover coloured papers to create a leather-look covering for books and albums. When coated onto coloured mount boards it makes great leather mounts for picture surrounds. As leather is currently very popular for household furniture this is a great time to return a leather fi nish to our comprehensive list of fi nishes.

Code Size PSLT25082 650mm x 25m (25.5” x 82’)PSLT51082 1300mm x 25m (51” x 82’)


PHOTO UV SHEENTEX 100µPhoto UV Sheentex is a variant of our popular Sand Texture fi nish, with a satin rather than a matte base. This gives the same sandy texture, but with a little more sheen to the fi nal result. As with sand texture, the built-in grain gives added protection from abrasion and helps reduce glare.

Code SizePSSN41164 1040mm x 50m (41” x 164’)PSSN51164 1300mm x 50m (51” x 164’)


PHOTO UV CRYSTALTEX 140µThis fi lm has a tiny diamond faceted surface texture that scatters light to give a deep lustrous fi nish to print surfaces. It is reminicient of our very popular GLOSS LUSTRE heatseal fi nish. It is especially well suited to photographic style work.

Code SizePSCR25082 650mm x 25m (25.5” x 82’)PSCR41164 1040mm x 50m (41” x 164’)PSCR41328 1040mm x 100m (41” x 328’)PSCR51164 1300mm x 50m (51” x 164’)PSCR51328 1300mm x 100m (51” x 328’)


PHOTO UV STEEL 80µThis fi lm was introduced in our last catalogue and is winning a very strong following. Its unique brushed steel fi nish looks good on both modern and traditional styles of artwork. The eff ect is technically known as a ‘fl orentine’ pattern. This pattern is common on gold and silver picture frame mouldings and when used together with our steel fi nish has a very harmonising eff ect. Photo UV Steel can be used with modern images to create a contemporary feel, or traditional images to create a brush stroke eff ect.

Code SizePSSF25082 650mm x 25m (25.5” x 82’)PSSF51082 1300mm x 25m (51” x 82’)


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ECO UV FULL MATTE 80µThis is a new addition to the Hot Press pressure-sensitive or ‘cold’ range of laminates. The purpose of this fi lm is to eliminate refl ections and allow your image to be viewed at any angle. Unlike Photo UV fi lms, it is made with a water-based adhesive.

Code Size ECFM25082 650mm x 25m (25.5” x 82’)ECFM41082 1040mm x 25m (41” x 82’)ECFM41164 1040mm x 50m (41” x 164’)ECFM51082 1300mm x 25m (51” x 82’)ECFM51164 1300mm x 50m (51” x 164’)


ECO UV SATIN MATTE 80µThis is a new addition to the Hot Press pressure-sensitive or ‘cold’ range of laminates. The overall eff ect of this fi lm is a soft and smooth sheen eff ect. This fi lm is suitable for paper posters and prints. Unlike Photo UV fi lms, it is made with a water-based adhesive.

Code Size ECSM25082 650mm x 25m (25.5” x 82’)ECSM41082 1040mm x 25m (41” x 82’)ECSM41164 1040mm x 50m (41” x 164’)ECSM51082 1300mm x 25m (51” x 82’)ECSM51164 1300mm x 50m (51” x 164’)



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ALTERNATIVE USE

Black chalkboard fi lm can be used as a backing for block mounted work on MDF. Not only does it look far superior to bare MDF but it eliminates the possibility of the block warping or bowing. When one side of thick MDF is sealed with adhesive and a print, the other side is left open to absorb moisture in the atmosphere. In extreme conditions this can cause the MDF to expand at the back giving a ‘banana eff ect’ to the board.

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Hot Press is part of a large group of companies that specialise in diff erent business sectors. We are pleased to be able to off er a collection of our sister companies’ product ranges - new products with very useful applications that diff er from our normal materials.

CHALKBOARD LAMINATEThese two products are primarily designed for the production of chalkboards. The self-adhesive backing can be hand rubbed onto your chosen substrate or processed through a laminator. The fi lm itself is tough, thick and opaque. It comes in a choice of traditional green or black. The specially prepared top surface has a grainy texture and allows chalk to be applied and later removed with a wet cloth or sponge. Chalkboards are popular not only in the class room, but are very useful in kitchens, workshops, offi ces, children’s rooms and anywhere that constantly changing information needs to be seen. Small chalkboards as ornaments or wall decoration in the home are a great way to use up short lengths of moulding in the picture framing workshop.

Code SizePSCBB39082 1000mm x 25m (39.5” x 82’) BlackPSCBG39082 1000mm x 25m (39.5” x 82’) Green


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Based on our unique and proven technology, the Hot Press Glass Top Vacuum Press, or quite simply ‘The Hot Press’ as it is fondly and almost universally known, sets the standard for excellence in all areas of heat mounting and lamination. Regarded by many as the ‘industry standard’ machine for picture framers, these machines are also commonly used by restorers and professional print fi nishers worldwide.

HEATING SYSTEMThe unique Hot Press heating system is widely acknowledged as the best press heating system in the world. By passing electricity across a special conductive coating on a sheet of strengthened glass, a very even heat is created. This heat is monitored several times every second by a special sensor and can be controlled to within 2ºC. The use of a glass platen, rather than a metal one, leads to fast warm-up times, from room temperature to working temperature and a very even distribution of heat across its surface. This eliminates the need for ‘press watching’ and increases productivity in the workshop. The adjustable temperature control allows all kinds of artwork to be dry mounted, even those that may be damaged by heat. The versatile temperature controller allows temperatures from 0ºC to 115ºC to be set on the machine. Cold operation of the Hot Press, by turning the temperature down, also means the machine can be used with wet adhesives for low-value jobs.

The HOT PRESS has been constantly evolving over the past twenty years and represents the most convenient and effi cient way of hot mounting in the modern framing workshop. The Hot Press is capable of handling a wide range of presentation materials, from white display board, foam centred board and MDF to photographs, art prints, inkjet canvases and delicate fabrics. No great physical strength is required to operate the machine and all types of work can be processed with ease. Additionally the Hot Press can be fi lled with multiple projects, thus saving time and energy. The Hot Press will effi ciently process 25mm (1”) thick MDF on one side of the bed, whilst simultaneously processing 1mm (0.04”) card on the other. The transparent top panel of the Hot Press allows work to be viewed throughout most standard dry mounting procedures.

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TIMING SYSTEMThe Hot Press comes with a built-in programmable process timer, so a time can be set and the timer started, leaving the operator free to prepare the next job. When the timing cycle is completed the vacuum pump will switch off , the atmospheric pressure is returned to the press and the timer resets for the next project. This again saves time. When processing large volumes of work, the programmable timer can be set to the minimum time required for each batch of work, again maximising productivity. The timer has two diff erent and distinct modes of operation. The AUTO setting allows for timed operation on repetitive jobs, whilst the MANUAL setting allows the fl exibility to set the machine running whilst you do other work. In this mode it will keep running until you are free to return to the job.

PRESSURE SYSTEMThe Hot Press typically deliver 6.35kg (14lbs) of pressure per square inch and this is enough to process any kind of project. In fact, the pressure may even need reducing for certain jobs. This can be done by use of our pressure control valve, which fi ne-tunes the pressure to your exact needs. Hot Presses are supplied with their own dedicated vacuum pump. These units require no oiling, but they will collect moisture from damp artwork and boards. This moisture is collected in a moisture trap bowl, which should be emptied periodically. The variable pressure control ensures the right pressure is set for each individual job and minimises even heavy creases and wrinkles, whilst ensuring that delicate items such as foam board and embossed prints are not crushed.

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OTHER KEY FEATURESThe Hot Press comes in a choice of three sizes, to suit all business types and these are based around common board and graphics sizes. The rugged construction of the Hot Press off ers both strength and durability. Its glass, steel and aluminium construction stop the press twisting for consistently good levels of vacuum. This rigidity means that you only need the simple set of rubber feet to support the machine stably. There is no need to adjust these feet or to balance the press with a spirit level, unlike other fl imsier machines. We off er custom made press stands for each Hot Press model and these support the machine safely. Power for the dedicated vacuum pump is supplied directly from the press itself, which means there is no need for extra wiring and is fast to set up. The airline connections between the press and pump are simple push/pull fi ttings. Connecting the air line requires no tools and no specialist skills.

IS A PRESS RIGHT FOR ME?

Hot Presses can be found in many diff erent working environments such as:

• Picture Framers• Photographers• Digital canvas printers• Photo Laboratories• Museums• Art Restorers• Graphic departments• Educational Institutions

When it comes to safety the Hot Press is CE approved and features safety cut outs, which protect the machine and user from both power surges and short circuits. The lid of the Hot Press is supported by gas struts which means the opening and closing operation requires very little eff ort. The generous opening height of the lid also ensures good access to the working area so that work maybe accurately positioned. The bed of the Hot Press is a heavy duty rubber diaphragm. This creates the pressure against the heated glass platen to sandwich the work in progress. The uniquely textured surface of our diaphragm allows air to move easily towards the air suction port, which removes the air from machine, so a vacuum may be formed. The easy to read vacuum gauge shows how much pressure is being applied and how long it takes to achieve the desired level of vacuum. Finally the Hot Press comes with a comprehensive training DVD, which is a great constant resource when learning new skills and all the capabilities of these very versatile machines.

PRESS STANDS

Our custom built press stands are constructed of heavy gauge steel and designed to hold your press safely and securely. Whilst some people choose to build their own press bench, our press stands can be modifi ed, with a little ingenuity. By adding a thick MDF or similar sheet to the bracing cross members, a very handy shelf can be constructed. By attaching steel cups to the side bars, rolls can be supported on cross poles too.

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3

HOT PRESS GLASS TOP VACUUM PRESSES

Model HGP260 HGP360 HGP560Weight 72kg 111kg 210kgWidth 975mm 1194mm 1422mmDepth 1300mm 1800mm 2615mmHeight 160mm 160mm 950mm inc. stand

Time to vacuum (secs) 20 30 30Time to Temperature (mins) 12 12 15

Working dimension 890 x 1195mm 1095 x 1705mm 1276 x 2496mmPacked Weights and Dimensions

Weight 90kg 145kg 447kgWidth 1400mm 1920mm 2800mmDepth 1150mm 1360mm 1620mmHeight 320mm 320mm 620mmVoltage 230V 50/60Hz 230V 50/60Hz 230V 50/60HzWattage 2500W 4200W 5750W

Current (amps) 11 18 25

Vacuum Press Stands HGP260 HGP360 HGP560Code STA260 STA360 Stand included

HGP260

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UNIMOUNT CLASSICTM DRY MOUNTING TISSUEThis premium grade dry mounting tissue is widely regarded as the industry standard for the permanent mounting of all types of fl at artwork. It is especially popular among bespoke framers and photo processors due to its superb lay fl at properties. Unimount Classic™ is a high grade adhesive on a porous, pH neutral tissue. The tissue itself has excellent breathability, which allows air to escape from the various layers of your work. Unimount Classic™ is suitable for mounting posters, prints, photographs, inkjets, pastels, charcoals, colour copies, maps, charts, blue prints and plans. Unimount Classic™ is compatible with a wide variety of substrates, including mount board, pulp boards and grey boards, foam centred boards, hardboard, and MDF. Unlike some lesser tissues, Unimount Classic™ has a very wide activation temperature range, from around 70ºC to 115ºC, making it ideal for a huge range of jobs.

Code SizeHMUT20082 520mm x 25m (20.5” x 82’)HMUT25082 650mm x 25m (25.5” x 82’)HMUT25164 650mm x 50m (25.5” x 164’)HMUT25328 650mm x 100m (25.5” x 328’)HMUT41082 1040mm x 25m (41” x 82’)HMUT41164 1040mm x 50m (41” x 164’)HMUT41328 1040mm x 100m (41” x 328’)HMUT51082 1300mm x 25m (51” x 82’)HMUT51164 1300mm x 50m (51” x 164’)HMUT51328 1300mm x 100m (51” x 328’)


Dry mounting, using heat and pressure to bond artwork to boards, is hardly new technology. In fact it has a pedigree that goes back well over 100 years. Dry mounting tissues are the simplest of products to use, but we continue to make sure that ours set the highest standards in the print fi nishing industry.


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VISTAMOUNTTM DRY MOUNTING TISSUEVistamount™ is an economy grade dry mounting tissue and as such is not of the same quality as Unimount Classic™. Vistamount™ is made with cost in mind and is most often used by contract framers, who may need to work within very tight budgets. This cost eff ective tissue off ers a permanent bond for posters and prints and it is suitable for mounting artwork to MDF and most types of mounting board.

Code SizeHMVM24082 622mm x 25m (24.5” x 82’)HMVM24328 622mm x 100m (24.5” x 328’)HMVM41082 1040mm x 25m (41” x 82’)HMVM41328 1040mm x 100m (41” x 328’)HMVM49082 1245mm x 25m (49” x 82’)HMVM49328 1245mm x100m (49” x 328’)


ARTSAFE 200TM DRY MOUNTING TISSUEThis high-quality, buff ered, acid free, stable and safe adhesive tissue is made for mounting your most treasured giclee prints, posters, photographs, fi ne art, prints or clippings. It was fi rst developed in conjunction with the British Library for paper restoration work, as tissue tape.

It has undergone simulated age testing showing it to withstand 200 years ageing without degradation. Artsafe 200TM activation temperatures are purposefully very low, for extra safety on fragile items, with 70ºC to 75ºC being set as a standard working temperature. Further testing has shown that the tissue will activate as low as 60ºC if required. Artsafe 200TM tissue is much thinner than other tissues and is supplied on a special carrier release paper. To use Artsafe 200TM simply cut a piece of tissue to your chosen size and place it face down on your mounting board (archival recommended). Then Hot Press the assembly at full pressure and at the desired temperature for approximately 1 minute, before removing the board from the press and allowing it to thoroughly cool down. The carrier release paper can now be removed to expose the heat sensitive tissue. The second stage is to carefully place the artwork on the tissue and cover with clear silicone release fi lm. Then re-press the assembly under heat and pressure for between 1 to 4 minutes, dependant on artwork size and board type.

Code Size HMAS39082 985mm x 25m (39” x 82’)


BASIC DRY MOUNTING PROCEDURE

Dry mounting is the process of bonding an image to a mounting substrate. The process is simple and takes only a few minutes, but there are a number of issues to be considered.

Firstly, consider the artwork you wish to mount. How will it react to heat? Does it require pre–drying to remove excess moisture? Does it require pre–pressing to remove any creases? Is the artwork clean and free from dust / dirt / stickers or tape? Is the artwork porous? Does it have an image that may shift (as in the case of pastels)? All these points should be considered before proceeding. With a little experience they will become second nature.Secondly, determine what type of substrate is compatible with your artwork. What is the optimum thickness? Is quality or price your primary objective? Will the substrate need to be pre–dried? Would a smooth substrate benefi t the artwork? Does the substrate need to be coloured or textured? Is it porous?

Based on these conclusions, identify the best adhesive for this combination of artwork and substrate. Please consult individual product descriptions, recommendations and charts to arrive at the best match - or call us for more technical help.* See pages 23 - 24 for more information

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DRY MOUNT FILM - CLEARThis is the most aggressive hot adhesive in our range and is the perfect partner to Unimount Classic™ tissue. Where Unimount Classic™ is good for most jobs, Dry Mount Film Clear steps in when tougher challenges arise. The product itself is formed from a clear central carrier fi lm, which is coated on both sides with a very strong, heat activated adhesive. Each adhesive layer is then protected by a grid-marked carrier paper. The two separate release liners mean that this adhesive can be rolled out on the work bench and simply cut to the correct size for each mounting job. When the adhesive is exposed at room temperature it has a low level of tackiness. This allows the fi lm to be positioned or tacked onto either your artwork or mounting board as desired. Dry Mount Film Clear is especially recommended for woods, MDF, plastics, textured art papers, canvases and other fabrics. This adhesive will bond well to both highly textured and very smooth surfaces. The main diff erence between dry mount tissues and heat activated fi lms is that fi lms do not ‘breathe’. Therefore we recommend that this fi lm is pierced with a piercing tool prior to use.

Code SizeHMFC25082 650mm x 25m (25.5” x 82’)HMFC41082 1040mm x 25m (41” x 82’)HMFC41328 1040mm x 100m (41” x 328’)HMFC51082 1300mm x 25m (51” x 82’)HMFC51328 1300mm x 100m (51” x 328’)


As well as our superb range of dry mounting tissues, Hot Press off er a complete range of heat activated mounting fi lms for your more challenging or specialist jobs. By choosing the right combination of adhesive and mounting board the possibilities are virtually unlimted.

HOW TO PIERCE DRY MOUNT FILMSWe are unable to pre pierce dry mount fi lms during the manufacturing process, as they have a peel off liner on both sides. Piercing through either of the liner papers would lead to tiny specks of paper being embedded in the fi lm itself and create a poor fi nish. To pierce dry mount fi lms yourself we recommend that you cut a piece to the desired size and place it on a cutting mat. Then peel off one release paper, to expose the bare adhesive layer. Now pierce with a piercing tool, making sure to cover the whole area with holes at a minimum of less than 1cm apart. You cannot really pierce too much and more holes are better than fewer. Now apply the pierced fi lm to your artwork or board as required. The tiny pieces of plastic that are punched out will embed in the bottom paper layer, which is discarded later.

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ACID FREE MOUNT FILMAcid Free Mount Film is a pure fi lm adhesive. The acid free adhesive melts as it is heated up and bonds as it cools and solidifi es. It is widely believed that in most instances, this bond can be reversed by re-heating the adhesive, though we would caution against this and off er no guarantee of success. Acid Free Mount Film also conforms well to uneven surfaces such as watercolour paper and fabrics, making it a versatile adhesive for most types of artwork and substrates.

Code SizeHMAF25082 620mm x 25m (24.5” x 82’)HMAF41082 1040mm x 25m (40.5” x 82’)HMAF48082 1220mm x 25m (48.5” x 82’)


HEAT TRANSFER FILMThis new fi lm is something a little diff erent and is actually based on our pressure-sensitive transfer fi lms. Transfer mount fi lms have no central carrier layer. Without the central layer the fi lm simply transfers to what it touches. Transfer fi lms are less expensive, as they only contain one layer of adhesive and no carrier. For those who see cost savings as the highest factor on their priority list, transfer fi lms are an ideal solution. Heat transfer fi lm is really designed to be passed through a heated roller laminator and works well with all kinds of mounting substrates, from white display board and foam centred boards to MDF and hardboard. Once coated to a board it off ers a low tack surface for artwork to be applied and then re-processed.

Code SizeHMHT25328 650mm x 100m (25.5” x 328’)HMHT38328 965mm x 100m (38” x 328’)HMHT41328 1040mm x 100m (41” x 328’)HMHT51328 1300mm x 100m (51” x 328’)


GOT A TECHNICAL QUESTION?

Email us at [email protected]

Silicone Release Film or Paper

Artwork

Adhesive

Substrate

The assembly should be set up as shown here, from top to bottom.

HOW TO USE HEAT ACTIVATED MOUNTING TISSUES AND FILMS

• Set your press for the correct temperature (usually 90ºC) and allow it to warm up• Once the press has warmed up, pre-press your substrate or artwork if required. This process requires placing

the material in the press and pressing it for two or three minutes. Remember to let it cool down again after the drying process has been completed

• Cut the adhesive to size (normally 5mm (1/4”) bigger than the artwork)• Cut the substrate to size (normally 25mm (1”) bigger than the artwork)• Make sure you have silicone release fi lm or paper available to cover any exposed adhesive areas• If you are going to use the timer, now is the time to set it. Don’t set it when your project is already in the press.• Now you can assemble your project!• Remember to check the front and back of all components for dust and dirt and make sure all the components

are cool.

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USING A TACKING IRONAll the methods mentioned previously are ‘make do’ ideas that do work. However, anyone tacking on a regular basis should really consider the use of a tacking iron. A tacking iron is a small spot heater and is used as shown below.

First, tack the tissue to the back of the artwork. Place a small piece of silicone release paper in between the tissue and the iron head to prevent the iron from becoming covered in glue. Tack the tissue onto the top third of the artwork as shown in Step 1.You can then trim away any excess tissue around the print before tacking the print into position on the board.

Step 1.

Step 2.

Step 3.

ASK THE EXPERTS...DRY MOUNTING

Trimming the excess tissue away is common when (1) a project is to be displayed without a frame, or (2) when a picture will sit in the middle of a board with other information on it or (3) any other situation that would expose the tissue to the viewer. Having tacked your tissue onto the top third of the artwork, the tissue should next be tacked onto the bottom third of the board as shown in Step 2.

Only one tack should be used on each surface, so that all the components, though secured to each other, are still free to fl oat across each other. This method of tacking is often referred to as an “S” or “Z “ tack, because when viewed from the side the tissue forms an “S” or “Z” between the artwork and board. See Step 3.NOTE: Tacking in more than one place on the artwork or substrate will lead to tension in the tissue and cause creasing.

If you are working with a hard or soft bed press, or if the project needs to be very precisely positioned, it may be necessary to tack the assembly together.

Tacking is used to keep the components of an assembled project together and stop them from moving around in relation to each other. Tacking may be performed in a variety of ways.

SPRAYS – If you must use spray adhesive for tacking, spray a fi ne short burst onto the substrate and position the tissue on top. Remember, your objective is to position the tissue, not actually bond it, so go easy on the spray. Then spray the top of the tissue and position the artwork.NOTE: We do not recommend spray adhesives for mounting artwork.

GLUE STICKS – The same procedure may be performed with glue sticks, but remember, only use a dab! TAPE – Assuming the board is the largest component and the artwork is the smallest, you can place a piece of masking tape at the edge of the print so it also covers the tissue and board.

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When the time and temperature have been determined, you should place the assembled job in the press. After checking that everything is clean and lined up properly, processing should be started straight away. When using a Hot Glass Press it is possible to view the work as it is processed. When processing has been completed, remove the fi nished job from the press and leave it to cool on a fl at surface. Your dry mount is now complete!

PROCESSINGThe graph above provides suggested processing times for basic dry mounting procedures. Times shown are in minutes. The graph should only be used as a guide, as processing times will vary from press to press and are dependant on the specifi c project. If in doubt, always ask for advice or run a test.

SPECIAL NOTES – This time guide assumes that you are working with artwork that is porous and that you are using Unimount Classic™ Dry Mounting Tissue. For non-porous artwork such as R.C. photographs, add 25% more time. The guide assumes that when working with Foam Centred Board, you will be using a reduced pressure; again the time recommendations are based on this assumption.

Size 1mm

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203 x 254mm 1 1 2 2 2 2 1 2 3 4

254 x 305mm 1 1 2 2 2 2 1 2 3 4

305 x 406mm 2 2 3 3 3 3 2 3 4 5

406 x 508mm 2 2 3 3 3 3 2 3 4 5

508 x 762mm 2 2 3 3 3 3 2 3 4 5

762 x 1016mm 3 3 4 4 N/A N/A 3 4 5 6

1016 x 1524mm N/A 3 4 4 N/A N/A 3 4 5 6

1219 x 2438mm N/A N/A 4 4 N/A N/A 3 4 5 6

* 25.4mm = 1 inchTimings based on working temperature of 90oC

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ARTSHIELDTM UV GLOSS (LUSTRE) 50µThis is our most popular heatseal laminate. This fi lm off ers a unique fi nish that conforms to the surface it is pressed against (under heat and vacuum). The normal result is a very rich lustre fi nish, which is achieved by pressing the fi lm against the surface of the foam blanket in the Hot Press. This normal fi nish is very reminiscent of the lustre texture found on photographic paper. To change the fi nished texture, the artwork can be re-pressed against other textured or smooth surfaces to give an almost limitless choice of textures, from a single roll of fi lm. This fi lm can also used as a glossy top coating when prints are bonded to canvas, or printed inkjet canvases are laminated.

Code SizeHSGL25082PP 650mm x 25m (25.5” x 82’)HSGL25328PP 650mm x 100m (25.5” x 328’)HSGL41082PP 1040mm x 25m (41” x 82’)HSGL41328PP 1040mm x 100m (41” x 328’)HSGL51082PP 1300mm x 25m (51” x 82’)HSGL51328PP 1300mm x 100m (51” x 328’)


Our range of heat activated lamination fi lms, or heatseals as they are commonly known, are widely regarded as the industry standard for heated press print fi nishing. All our heatseal fi lms are made in our own factory in Bristol, UK and contain UV inhibitors in both the fi lm and adhesive. This stops the fi lms from turning yellow or becoming brittle over time. This attention to detail has the benefi cial side eff ect of increasing the fade resistance of the artwork underneath. Heatseal fi lms are incredibly durable, easy to keep clean and come in a variety of popular fi nishes.

NEW SIZE

ARTSHIELDTM UV SATIN MATTE 50µThe overall fi nish of this fi lm, once processed, is a stippled sheen eff ect. This fi lm is often used to laminate posters and prints, as its subtle fi nish closely mimics that of the printed piece. The satin sheen fi nish reduces glare, but does not reduce contrast, as the fi lm is relatively thin. This fi lm can also used as a satin top coating when prints are bonded to canvas, or printed inkjet canvases are laminated.

Code SizeHSSM25082PP 650mm x 25m (25.5” x 82’)HSSM25328PP 650mm x 100m (25.5” x 328’)HSSM41082PP 1040mm x 25m (41” x 82’)HSSM41328PP 1040mm x 100m (41” x 328’)HSSM51082PP 1300mm x 25m (51” x 82’)HSSM51328PP 1300mm x 100m (51” x 328’)


NEED A SAMPLE?

If you need a sample of a particular material to try before you buy, just drop an email to:[email protected]

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ARTSHIELDTM UV FINE LINEN 100µThis delicate, linen-textured laminate is the fi nest of the three fabric textures in our heatseal range. It is often preferred by photographers wishing to off er a subtle yet decorative fi nish to their work. ArtShield™ UV Fine Linen is non-refl ective and quite scuff resistant making it ideal for wall prints in the home or offi ce. It is also useful for disguising minor creases and cracks in prints and posters.

Code SizeHSFL25082PP 650mm x 25m (25.5” x 82’)HSFL51082PP 1300mm x 25m (51” x 82’)HSFL51328PP 1300mm x 100m (51” x 328’)


ARTSHIELDTM UV COARSE LINEN 100µThis fi lm displays a mid-gauge fabric texture resembling rough cotton or hessian. It is often used on larger format artwork where a fi ner fi nish may be lost. The rougher gauge of this fi lm is capable of hiding large imperfections in prints and posters. Like most textured heatseals it is quite scuff resistant.

Code SizeHSCL25082PP 650mm x 25m (25.5” x 82’)HSCL51082PP 1300mm x 25m (51” x 82’)


ARTSHIELDTM UV CANVASTEX 190µThis is a very heavy gauge fabric textured fi lm that is reminiscent of real canvas. ArtShield™ UV Canvastex is often used as an economical alternative to canvas printing or canvas bonding. DUE TO ITS THICKNESS THIS FILM IS SUPPLIED UNPIERCED, BUT SHOULD BE PIERCED BEFORE USE.

Code SizeHSCN25082 650mm x 25m (25.5” x 82’)HSCN51082 1300mm x 25m (51” x 82’)HSCN51328 1300mm x 100m (51” x 328’)

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ARTSHIELDTM UV FULL MATTE 75µThis fi lm is characterised by a full matte fi nish that completely eliminates refl ections. It off ers additional UV protection when used behind glass, but is almost invisible. Full matte fi lm is most often used where lighting is unpredictable and uncontrollable, such as exhibition halls and other public areas. Additional heat applied during processing will give the matte fi lm a heavily textured and very scuff resistant surface. This fi lm can also used as a matte top coating when prints are bonded to canvas, or printed inkjet canvases are laminated.

Code SizeHSFM25082PP 650mm x 25m (25.5” x 82’)HSFM25328PP 650mm x 100m (25.5” x 328’)HSFM41082PP 1040mm x 25m (41” x 82’)HSFM41328PP 1040mm x 100m (41” x 328’)HSFM51082PP 1300mm x 25m (51” x 82’)HSFM51328PP 1300mm x 100m (51” x 328’)


ARTSHIELDTM UV SAND TEXTURE 100µThis non-refl ective fi lm is ideal for graphics that will be subjected to prolonged exposure in public places, such as restaurants, cafes, pubs and hotels. It displays a pleasing sandy texture that is also very scuff resistant. Due to its tough nature, sand texture is an ideal surface coating for decorative place mats and coasters.

Code Size HSST25082PP 650mm x 25m (25.5” x 82’)HSST41082PP 1040mm x 25m (41” x 82’)HSST51082PP 1300mm x 25m (51” x 82’)HSST51328PP 1300mm x 100m (51” x 328’)


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HOW TO LAMINATE USING HEATSEAL LAMINATES

Step 1 – Switch on your press and set it to 90°C. While the press warms up, set your timer. More information on processing times for diff erent fi lms is shown in the table on the opposite page. Make sure you have a sheet of silicone release fi lm in the base of the press and a sheet of vacufoam or foam plastic (dependant on machine type) over the silicone release fi lm.

Step 2 – Measure the image to be laminated and cut a piece of heatseal fi lm that is 15mm (1/2”) larger than the image all the way round. For a 406mm x 508mm (16” x 20”) image, the fi lm should be cut to 432mm x 533mm (17” x 21”).

Step 3 – Peel back the release liner of the heatseal fi lm to expose about 25mm (1”) of adhesive and fi rmly crease back the release liner. Place your artwork (face up) on a clean, fl at and cool surface and position the fi lm at the edge of the artwork. Move the fi lm around until it completely covers the artwork. The creased release liner will hold the exposed adhesive away from the artwork while you position it. When you are satisfi ed with the positioning, press the leading edge of exposed fi lm down onto the artwork using very light pressure. Then slowly peel back the release paper, until the entire image is covered by the fi lm. Smooth out any wrinkles, lifting and repositioning the fi lm from the corners if necessary.

Step 4 – Now trim off most of the waste fi lm. Be careful not to trim too close to the image, as the fi lm may shift. Take the heatseal assembly and place it in your press, under a sheet of vacufoam or foam plastic and process it according to the table on the opposite page.

Step 5 – When all the air has escaped from your heatseal assembly and the adhesive has been activated, remove the artwork from the press and allow it to cool thoroughly.

Step 6 – Any remaining fi lm around the edge of the image should now be trimmed away with a straight edge and craft knife or scalpel.

Foam Blanket

Laminating Film

Print

Silicone Release

From top to bottom the assemblyshould be set up as shown here

ASK THE EXPERTS...

WHY LAMINATE?

Lamination guards artwork against fi nger marks, moisture, UV light, smudging, abrasion, ozone exposure, cigarette smoke and other airborne pollutants. Laminates also protect artwork from damage due to handling by rolling or in shipping. Lamination can also deepen and brighten the colours of your artwork as well as reduce glare under challenging lighting conditions. Laminated images are less prone to showing dirt, but are also easier to clean, with most non-abrasive household cleaning products.

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SUGGESTED PROCESSING TIMES FOR HEATSEAL LAMINATION FILMS

*25.4mm = 1 inchTimings based on working temperature of 90oC

The times shown above are in minutes and are based on artwork that is porous i.e. posters and prints. If your artwork is non-porous then it is advisable to increase these times. The operating temperature is another key variable. As more heat is used, processing times decrease. Processing times increase with lower temperature settings. It is common for Fine and Coarse linen to be processed at lower temperatures (80°C) to maintain the texture of the weave pattern; the same applies to Satin Matte and Matte, where a smooth fi nish is required.

Due to its thickness and strong weave pattern, Canvastex is often processed at 110°C to decrease the processing time. Similarly Gloss (Lustre), Satin Matte and Matte are often processed at 100°C to obtain a heavy texture to their surface.

If you are laminating artwork that has already been mounted to a board, the thickness, moisture content and porosity of the board will have an eff ect on processing times.

LAMINATE OR GLAZE?

Laminating fi lms are more economical when compared to speciality (or even plain) glass, yet add a perceived value to the fi nished artwork that means more profi t for the image maker. Due to the innate qualities of laminating fi lm, unlike glass, it cannot be broken. Therefore where safety is a factor, especially in shopping centres, airports, schools, retirement homes, children’s rooms, hospitals and other public places, lamination is superior to glass. Internet galleries are booming and it is no coincidence that artwork without glass, such as canvases, block mounts and acrylic images are very popular. This is because they can be shipped without the fear of broken glass.

254 x 305mm 305 x 406mm 406 x 508mm 508 x 762mm 762 x 1016mm 1016 x 1524mmGloss Lustre 5 5 6 7 8 10H/D Gloss Lustre 9 9 10 11 12 14Satin Matte 5 5 6 7 8 10Matte 8 8 9 10 11 13Sand Texture 9 9 10 11 12 14Fine Linen 9 9 10 11 12 14Coarse Linen 9 9 10 11 12 14Canvas Texture 15 15 18 19 20 22Polyester Gloss 4 4 5 6 7 8

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MEDIASHIELD UV SATINEXTM

This is a versatile laminating fi lm with a semi-gloss fi nish that enhances colour saturation and contrast. It bonds to inkjet output with high ink coverage and can be fl ush trimmed without danger of delamination. Excellent for textured images, digital photo laser output, laminating a collage, or images that are to be die-cut.

Code SizeHPSX25082 650mm x 25m (25.5” x 82”)HPSX25328 650mm x 100m (25.5” x 328’)HPSX41328 1040mm x 100m (41” x 328’)HPSX51328 1300mm x 100m (51” x 328’)HPSX55328 1400mm x 100m (55” x 328’)

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MEDIASHIELD UV MATTEXTM

The satin-matte fi nish of this fi lm makes it an ideal choice for directly lit graphics. It will cut glare on inkjet images used in trade show or POP displays and can also be used to laminate inkjet output printed on canvas. Since this fi lm is thin and pliable, it conforms well to the canvas weave, maintaining the canvas texture while still off ering excellent protection.

Code SizeHPMX25328 650mm x 100m (25.5” x 328’)HPMX41328 1040mm x 100m (41” x 328’)HPMX51328 1300mm x 100m (51” x 328’)HPMX55328 1400mm x 100m (55” x 328’)

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Heatset® or heat-assist laminating fi lms are often described as a hybrid between thermal and pressure sensitive fi lms. MediaShield fi lms bond well to inkjet output with high ink coverage. MediaShield laminated graphics can be handled, rolled or trimmed immediately after processing.

MEDIASHIELD UV MATTETM

This fi lm off ers a non-glare, matte fi nish without sacrifi cing colour defi nition. It is coated with a solvent acrylic adhesive. Recommended for situations where a non-glare fi nish is required or specifi c lighting conditions cannot be controlled. Ideal for trade show or POP display images that can be viewed under direct lighting from many angles.

Code SizeHPMT25328 650mm x 100m (25.5” x 328’)HPMT41328 1040mm x 100m (41” x 328’)HPMT51328 1300mm x 100m (51” x 328’)HPMT55328 1400mm x 100m (55” x 328’)

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MEDIASHIELD UV EMERYTEXTM

A scuff -resistant laminating fi lm with a pebble-textured matte fi nish. Coated with a solvent acrylic adhesive, this fi lm is accompanied by a single moisture-stable paper release liner. Ideal for laminating prints for high-traffi c, indoor display areas such as POP display, trade show and fl oor graphics.

Code SizeHPET25328 650mm x 100m (25.5” x 328’)HPET41328 1040mm x 100m (41” x 328’)HPET51328 1300mm x 100m (51” x 328’)HPET55328 1400mm x 100m (55” x 328’)

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SILICONE RELEASE PAPERA grid patterned paper, coated on one side with a standard quality silicone release agent. This economy grade product is used to cover exposed adhesives during pressing and can be used in all kinds of mounting and laminating presses.

Code SizeHASP25033 650mm x 10m (25.5” x 33’)

HASP25082 650mm x 25m (25.5” x 82’)HASP41033 1040mm x 10m (41” x 33’)HASP41082 1040mm x 25m (41” x 82’)HASP51033 1300mm x 10m (51” x 33’)HASP51082 1300mm x 25m (51” x 82’)

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FOAM PLASTICA 13mm (1/2”) thick foam used to cover heatseal laminates during pressing. This foam may be used with all heated press types and is extremely durable.

Code Size

HAFPF Full sheet 2700mm x 1600mm x 13mm (106” x 63” x 1/2”)

VACUFOAMA 5mm (1/5”) thick foam used to cover heatseal laminates during pressing. This foam is only suitable for use in vacuum presses.

Code Size

HAVFF Full sheet 2700mm x 1600mm x 5mm (106” x 63” x 1/5”)

To ensure that your mounting and laminating experience is profi table and problem-free, Hot Press off ers a complete range of ancillaries to complement our products and further improve performance.

NEW SIZE


CLEAR SILICONE RELEASE FILMA transparent fi lm coated on both sides with a superior quality silicone release agent. This product is used to cover exposed adhesives during processing. Though primarily designed for use with glass-topped presses, this fi lm can be used in any heated press. Its life expectancy is over ten times that of silicone release paper.

Code SizeHASF25033 622mm x 10m (24.5” x 33’)HASF25082 622mm x 25m (24.5” x 82’)HASF41033 1040mm x 10m (41” x 33’)HASF41082 1040mm x 25m (41” x 82’)HASF50033 1270mm x 10m (50” x 33’)HASF50082 1270mm x 25m (50” x 82’)

NEW SIZE

PLEASE NOTE

It is always advisable to pre-treat a new sheet of foam before using it on any work. All foam contains fi re retardants and these activate when the foam is initially heated. New foam needs to be heat conditioned in the press under pressure for a period of time to cook it into a fl at shape. Failure to condition your foam can lead to invisible memory marks being embedded into the foam’s surface. These can then show up on subsequent jobs as ghost marks. If you would like more information on preventing this please feel free to contact us.

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SUPER WHITE ADHESIVE CANVASThese canvases are the same as the beige adhesive coated canvases, but they have been bleached and starched to produce a brilliant white base for canvas bonded work. Super white canvases are preferred by photographers and image makers producing high key or bridal work. Super white canvases are only available in COARSE and MODERN weave patterns.

Code Size

HWCC50033 1270mm x 10m (50” x 33’) (Coarse)

HWCM50033 1270mm x 10m (50” x 33’) (Modern)


Though inkjet canvas media has become very popular in the last few years for producing artwork that resembles paintings, many people still prefer the look and feel of an image that has been bonded to real canvas. These canvases are much heavier and have much bigger weave patterns than inkjet canvas media, leading to images with lots of impact. Canvas bonding is a heat process and requires a Hot Press.

ADHESIVE COATED CANVASThese canvases have been pre-coated with a very strong, heat activated, clear adhesive. The addition of this coating means that you do not need to buy a separate roll of dry mount fi lm.

Code Size

HCCC50033 1270mm x 10m (50” x 33’) (Coarse)

HCCM50033 1270mm x 10m (50” x 33’) (Modern)

HCCT50033 1270mm x 10m (50” x 33’) (Traditional)


FIND US ON YOUTUBE

You can watch our videos on YouTube. They show you how to canvas bond and so much more. Simply point your browser to:http://www.youtube.com/user/HOTPRESS999

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ASK THE EXPERTS...THE CANVAS BONDING PROCESS FOR PAPER PRINTS

Here is a simple step by step guide to using our canvases to make a canvas bonded print from a simple paper poster.

STEP 1 – Set the press temperature to 90°C. While it warms up, set the timer for 5 to 10 minutes. Make sure you place a sheet of silicone release fi lm in the base of the press and a sheet of vacufoam over the silicone release fi lm.

STEP 2 – Measure the image to be bonded and cut a piece of heatseal fi lm that is 76mm (3”) larger than the image all the way round. For example, with a 406 x 508mm (16” x 20”) image, the fi lm should be cut to 559 x 660mm (22” x 26”). Our Gloss Lustre, Satin Matte or Full Matte heatseal fi lms may be used for this process.

STEP 3 – Cut a piece of coated canvas to the same dimensions as the heatseal fi lm.

STEP 4 – Peel back the release liner of the fi lm to expose about 102mm (4”) of adhesive. The fi lm should be face down with the adhesive face up. Line up your image so it is centred within the fi lm (image faced down), then lightly tack down the leading edge of the image to the adhesive. Peel back more release fi lm until the entire image is in contact with the adhesive. This should leave you with 76mm (3”) of fi lm still attached to the release paper. Allow the free release paper to fall back and cover the back of the image and exposed edges of adhesive, smoothing as you go.

STEP 5 – You now have a ‘heatseal envelope’ with the image trapped between the fi lm and its release liner. Place the envelope into your press, with the fi lm side facing up and under a sheet of vacufoam. Process this under vacuum for 5 to 10 minutes at 90°C.

STEP 6 – When all the air has escaped and the adhesive has activated, remove the envelope from the press. Allow the envelope to cool, then remove the silicone release paper from the back.

STEP 7 – Completely immerse the heatsealed image in a bath of room-temperature water and soak it until the back of the image turns a uniform grey.

This will happen when the water has completely soaked into the image. Generally speaking, thicker prints and larger prints take longer to process. The whole procedure will require anywhere from around 3 minutes (for small thin images) up to an hour (for large thick prints that have been lightly crumpled). NOTE: Lightly crumpling the print before soaking will break the paper fi bres and speed up the process, but do not overdo this.

STEP 8 – While your print is soaking, prepare a work area with a smooth shiny surface. The area should be larger than your whole assembly. Glass, Perspex, Melamine and Acrylic are all good working surfaces to use.

STEP 9 – When your print is completely soaked, lay it on the smooth work area, picture face up, wet paper side down. Smooth the image onto the surface to remove any air, then lift a corner of the fi lm. As the back side of the wet print grips the smooth surface, you should fi nd the picture is now starting to delaminate. Place your thumb on the delaminated corner and peel the image and fi lm back until it has completely delaminated from the paper backing.

STEP 10 – Before proceeding further, allow your delaminated image to dry naturally. Do not force dry it with heat. When the image has dried, peel back 100mm (4”) of the release paper on your coated canvas and line up your image squarely. Remove more release paper about 50mm (2”) at a time. As you do this, smooth your image onto the exposed adhesive of the canvas, avoiding air bubbles and wrinkles as you go. When this process is complete, trim off 6mm (1/4”) to 13mm (1/2”) all around the edge of the assembly and place it back in your press for 2 to 5 minutes. The assembly should be placed on top of the foam, with the image face down and the back of the canvas facing up. Process this under vacuum for 5 to 10 minutes at 90°C. This completes the process and if desired the fi nished canvas can be stretched on to a frame.

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TACKING IRONAn electrically heated hand iron with a small precision tip. The tacking iron is a very useful tool for fi xing drymount tissue to the back of a print and or board, prior to activation in a press. The tacking iron allows precision trimming and positioning of tissue and artwork on complex jobs.

Code DescriptionTIRON Tacking Iron

TSTAND Tacking Iron Stand

PIERCING TOOLThese precision engineered rollers are specially designed to perforate heat activated mount fi lms and PVC heatseal fi lms, to allow air to pass through them during processing in a Hot Press. Though most of our fi lms now come pre-pierced as standard, dry mount fi lm requires hand perforation, as does our very thick canvastex heatseal. The piercing tool comes in two widths and has hundreds of very sharp spikes that are used to create the pin sized holes required for air to escape during the mounting and laminating process.

Code DescriptionPT5 Piercing Tool 5 Wheels

They say a craftsman is only as good as his tools. So here at Hot Press we have put together a comprehensive range of fi nishing tools and accessories that are designed to help you achieve a professional fi nish for all your mounting and laminating work.

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NEW!

ZIPPY CUTTERTM

A very handy tool that is perfect for quickly cutting tissues, lamination fi lms and other roll materials. Simply place the Zippy at the edge of the material and slide the cutter across the roll. The blade on this safety knife is fully enclosed by the moulded plastic handle, to protect fi ngers, and can be used on laminators without fear of cutting the rollers. Replacement blades are quick and easy to install.

Code DescriptionZIPPYK Zippy CutterZIPPYB Spare Blades (pkt of 12)

CUTTING MATSUnlike many ‘hobby grade’ cutting mats, our industrial grade mats feature a tri-layered, self-healing surface, which is designed to off er a clean, smooth and fl at cutting space. They come in a range of sizes and are ideal for covering all of your work benches. They feature an anti-slip surface and help keep cutting tools and piercing tools sharp. They are also double-sided, for extra longevity. Only our smallest cutting mat has any gridlines, as most professionals prefer to work without them.

Code SizeCM2435 620mm x 900mm (24” x 35.5”)CM3959 1000mm x 1500mm (39” x 59”)CM3978 1000mm x 2000mm (39” x 78”)

THE IDEAL WORKSHOP

We don’t live in a perfect world, but if we did then our print fi nishing workshops would conform to these basic rules. Dust and dirt would be easy to spot and easy to clean away, by having working surfaces covered with good quality cutting mats. We would have good lighting to help us align and inspect our work more thoroughly. We would have a still atmosphere that stops airborne dirt infecting our work. And fi nally, we would have a warm and dry environment to store our materials and keep them in good condition.

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TAC CLOTHSTM

These soft and slightly tacky cloths are great for cleaning work surfaces, machinery, boards and your artwork, prior to mounting or laminating. Please do not confuse them with other inferior ‘tack rags’ which can leave a nasty residue on your important work. Tac ClothsTM work by removing dirt, rather than just moving it around. They are also great for removing dust from glass, MDF, Perspex and mountboard, prior to assembling picture frames. Each individual cloth is good for hundreds of wipes and its special coating is suitable for cleaning dust and debris from most kinds of print media.

Code Size

TAC25 241mm x 457mm (9.5” x 18”) Pkt of 25

MULETM

The best way to store our fi lms is in an upright position. The Mule™ is a safe and convenient mobile storage trolley, which can hold up to 12 rolls of Hot Press laminating fi lms, mounting adhesives, canvases and print media. It fi ts through standard commercial doors (914mm, 36”) and holds up to 363kg (800lbs). The Mule™ will accommodate both 51mm and 76mm (2” and 3”) roll core sizes.

Code Size

MULE MuleTM Storage Trolley (32” x 38” x 14”)

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NOTES:

HOT PRESSFilwood RoadFishpondsBristolBS16 3RYTel: 0117 958 6500Fax: 0117 965 [email protected]

Documents

TRAINING DVD - Welcome to Hot Press · Tel: 0845 0700660 or +44 (0)117 958 6500 1 TRAINING DVDS JETMOUNTER 26/34 This instructional DVD helps you to set up and operate desk top