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Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

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Page 1: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment
Page 2: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Toward the Modern Era: 1840-1914

Page 3: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

The Growing Unrest

• Belle époque: beautiful age• But also a growing frustration,

restlessness– Economic disparity, resentment– Population growth, urban alienation– Capitalism vs. Socialism– Suffrage Movement– Loss of religious security

Page 4: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Ludwig Meidner

“Ich und die Stadt” (1913)

(I and the city)

What emotion is being expressed here? How do you know?

Page 5: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Kathy Kollwitz’s realist etching, “March of the Weavers” (1897).What is being represented here?

Page 6: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Friedrich Wilhelm Nietzsche’s Philosophy

• Nihilism; argued that the idea of “God is dead”

• Critic of judeo-Christian culture, nationalism, and all other “surrogate gods”

• Asserts will to Power• Poses concept of the

Übermensch (Superman—a Caesar with Christ’s soul)

Page 7: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

New Movements in the Visual Arts

The new realism of impressionismand the turn toward abstraction

• Édouard Manet (1832-1883)– Break from classical tradition– Assumes view of the artist; shows us how

he sees his subjects

Page 8: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Look at the representation of depth here. Do you notice anything interesting or odd?

–Le Déjeuner sur l’Herbe (Luncheon on the Grass) (1863)

Page 9: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Compare and contrast the figure and bottles in the foreground with the reflection in the mirror. How are they different? A Bar at the Folies-Bergére (1882)

Page 10: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

New Movements in the Visual Arts

Impressionism• Realism of light, color

– Fidelity to visual perception, “innocent eye”– Devotion to naturalism; how things ‘really’ look in

nature– Realism of light and color– Records all colors without trying to blend them

together

• Claude Monet (1840-1926): created the style of impression with the following revolutionary, controversial painting….

Page 11: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Impression: Sunrise (1872)

Page 12: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

–Red Boats at Argenteuil (1875)

Page 13: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment
Page 14: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment
Page 15: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment
Page 16: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment
Page 17: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment
Page 18: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment
Page 19: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

New Movements in the Visual Arts

Impressionism

• Pierre Auguste Renoir (1841-1919)– Beauty of the world, happy activity– Women as symbols of life– Le Moulin de la Galette (1876)

• Edgar Degas (1834-1917)– Intimate moments as universal experience– Psychological penetration– “Keyhole visions”

Page 20: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

How does Renoir’s painting combine realism and impressionism? Le Moulin de la Galette (1876)

Page 21: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Degas’s “The Rehearsal” (1874). Again, how does this differ from classical and romantic art? What does it make ballet look like?

Page 22: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

How do Degas’s

nudes differ from the classical

nudes of the Renaissance?

Page 23: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Degas looked to represent the ordinary

in his nudes.

The artist assumes odd

angles to give the sense of his subjects

being spied-on

Page 24: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

New Movements in the Visual Arts

Post-Impressionism

• Rejection of Impressionism• Personal artistic styles that break with

both tradition of classical idealism and with impressionism; every artist is working in his own unique style with his own unique techniques– Georges Pierre Seurat (1859-1891)– Paul Gauguin (1848-1903)

Page 25: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Seurat’s pointillist technique

Page 26: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Seurat’s pointillism up close

Page 27: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Georges Seurat, A Sunday on La Grande Jatte (1884-1886); Seurat’s unique, mathematical pointillist technique produces a rather unique looking image.

Page 28: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Gauguin’s new study’s of everyday life

Page 29: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

And his interest in the exotic

Page 30: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

New Movements in the Visual Arts

Post-Impressionism• Paul Cézanne (1839-1906)

– Impose order on nature; does not represent things either as they really look or as they ideally should be

– Priority of abstract considerations; nature as fundamentally geometrical

– Mont Sainte-Victoire (1904-1906)

• van Gogh’s Starry Night (1889)– Autobiographical, pessimistic art– Social, spiritual alienation

Page 31: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

A Cezanne still life; geometry and perspective are subtly modified to suit artist’s personal sense of order.

Page 32: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

One of Cezanne’s many paintings of Mont Sainte-Victoire. What is the influence of impressionism here?

Page 33: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

What kinds of shapes does Cezanne use here to impose order on nature?

Page 34: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Van Gogh’s self portrait.

What is the first thing you notice?What is its effect?

What do you think the artist is trying to communicate about himself?

Page 35: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Starry Night. What is Van Gogh communicating about the stars and the night?

Page 36: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

New Movements in the Visual Arts

Fauvism

• “Les Fauves”: the wild beasts of france

• Loss of traditional values of color, form

• Distortion of natural relationships

• Henri Matisse, The Red Studio (1911)

Page 37: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

How is Matisse’s The Red Studio an example of Fauvism?

Page 38: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Matisse’s “The Joy of Life” (1906). What makes things look so joyful here? How is this different from classical realism and impressionsim?

Page 39: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

New Movements in the Visual Arts

Expressionism

• Alarm and hysteria

• Edvard Munch, The Scream (1893)– Autobiographical, social, psychological

• Die Brücke (The Bridge), Der Blaue Reiter (The Blue Rider)– Emotional impact, alienation and loneliness– Heckel (1883-1970), Nolde (1867-1956)

Page 40: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

What is being expressed here in Edvard Munch’sThe Scream (1893)?

Page 41: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

An Erich Heckel expressionist woodcut

What emotion is being produced here?

Page 42: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Emil Nolde’s “Die Sünderin (Christus und die Sünderin)” (1926)

Page 43: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Nolde’s “Pentecost.” How is this different from the many images of the pentecost found on medieval churches?

Page 44: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

New Subjects for LiteraturePsychological Insights in the Novel

• Anton Chekhov (1860-1904)– Irony and satire, passivity and emptiness

• Marcel Proust (1871-1922)– Remembrance of Things Past– Evocation of memory– Stream of consciousness style

Page 45: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

New Subjects for LiteraturePsychological Insights in the Novel

• Nature of individual existences– The subconscious and human behavior

• Fyodor Dostoyevsky (1821-1881)– Concern for psychological truth– Human suffering, salvation– Crime and Punishment

Page 46: Toward the Modern Era: 1840-1914 The Growing Unrest Belle époque: beautiful age But also a growing frustration, restlessness –Economic disparity, resentment

Responses to A Changing Society:The Role of Women

• Family life, society at large– Right to vote, marriage ties

• Henrik Ibsen’s A Doll’s House (1879)– Criticism of anti-feminist social conventions

• Kate Chopin’s The Awakening (1899)– Sexuality as liberation from oppression