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Total Tattoo 201305
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5/25/2018 Total Tattoo 201305
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Tattoo ShowsBrighton Tattoo
Convention
Tattoo Tea
PartyMugshot
Ade fromNine
Private ViewFingers Dtt
Gallery PlusFanning the flames
of inspiration
Artist Feature
StewartRobsonfrom Frith Street Tattoo
JessieKnightBritainslegendarylady oftattooing
Artist Feature
Jun ChaLowriders rising starBrittanLondonReeseBest Ink Winner
NowherelandTattoo ProjectAn artistic revolution in Egypt
4.20TTM103
May 2013
WINHoodiesandothergoodies
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4 T&+a# Ta++&& Maga0%e
REGULARS
07
edi%!#ial
08 e($fla$h
12 c!'e%i! caleda#
49 galle#* "l&$
81 $&b$c#ibe
82 "#i'a%e 'ie(
95 %!%al %a%%!!me#chadi$e
97 e)% m!%h+$ i$$&e
98 m&g$h!%
INTERVIEWS14 j& cha
38 $%e(a#% #!b$!
88 b#i%%a l!d! #ee$e
FEATURES32 c!'e# m!del "#!file
34 !(he#elad "#!jec%
46 mel !i#
76 je$$ie kigh%
CONVENTIONS
22 b#igh%! %a%%!!c!'e%i!
69 %a%%!! %ea "a#%*ON THE COVERM&de#: Ve+e/e*Ta++&&*: Va)&,* a)+*+*Ph&+&: T%a K&)h&%e%
722
38
88
14
76
34
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T&*a# Ta**&& Maga%e 7
Ac&+'#e &f ed*&(a#) ag& I $e%*&%ed
*ha* &%e &f *he *h%g) I5d #"e *&
achee % 2013 &+#d be *& ge* a*
#ea)* ha#f &f $ b&d)+* f%)hed. Wha* I fa#ed
*& $e%*&% ) *he fac* I5$ ha%g a )&(* &f
*a**&& e()&% &f (*e(5) b#&c". I !+)* ca%5*
)ee$ *& ge* %)'(ed. Y&+ $gh* $ag%e *ha*
he% &+ #&&" a* a) $a% *a**&&) a) I d&
ee( $&%*h, %)'(a*&% &+#d be *he #a)* &f
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)& #&%g ag& I $e%*&%ed *h) *& a f(e%d &f
$%e, h& ) *h&+* d&+b* de( a%d fa()e( *ha% I a$, a%d )he !+)* #a+ghed )&f*#,
)h(+gged he( )h&+#de() a%d )ad, I* ha''e%)
*& a## &f +) &% &+( *a**&& !&+(%e). I* ##
c&$e bac" *& &+4. I %)*a%*# fe#* a g(ea*
)e%)e &f (e#ef. I had bec&$e )& &b)e))ed
*h *he de)(e *& c&$'#e*e $ b&d)+* *ha*
I had #&)* $ c&%%ec*&% *h * *&*a##. I*5)
)*(a%ge; I had %ee( a%*c'a*ed *h) be%g 'a(*
&f $ !&+(%e.
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a(*)*) &e( *he ea() b&*h *he( &%!&+(%e) a%d *he !&+(%e) *he g& &% *h
*he( c#e%*). I hae a#)& *a#"ed *h %+$e(&+)
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a%&%e )ad Oh I d&%5* "%& (ea##,
ha*ee(4. N&b&d ha) ee( c&$'#a%ed &f a
#ac" &f %)'(a*&%. B+* I &%de( h&
c&$$&% * )?
I hae a#a) bee% a $a))e fa% &f *he dea
*ha* ge**%g a *a**&& )h&+#d be a !&+(%e. I
#&e *he (e)ea(ch, *he f()* c&$$+%ca*&%
*h a% a(*)*, *he e)*ab#)h%g &f *ha* #%"
be*ee% *he *& &f &+. The c&%e()a*&%)
a%d )"e*che), ee% *he *(ae##%g *& *he )h&'
*& ge* *he &(" d&%e. N&* *& $e%*&% be%g
'a(* &f *ha* c(ea*e e%(&%$e%* a%d, f&( a
)h&(* *$e, be%g *he )*a( &f *he )h&. S& h
had I %&* (ec&g%)ed *ha* I a) !+)* %&*
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g+%) b#a%g: *he )h *he had *a"e% a b*
$&(e *$e, !+)* *& *a"e a #&&" a* *he bgge(
'c*+(e.
S& f&( %& I5$ g&%g *& c&%*%+e e%!&%g
#&&"%g a* *he fa%*a)*c a(e* &f $age) e
ge* )e%* ee( $&%*h. I5$ g&%g *& c&%*%+e
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&%# dffe(e%ce ), I5$ a## ab&+* *he *&(*&)e
%& *he ha( ) #&%g g&%e.
U%*# %e* $&%*h
James [email protected]
.*&*a#*a**&&.c&.+"
.faceb&&".c&$/*&*a#*a**&&$aga%e
J&h% S*e%bec"
A journey is likemarriage. The
certain way to be
wrong is to think
you control it.
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8 T2a* Ta22 Ma%a8 '#
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5/25/2018 Total Tattoo 201305
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UK CONVENTIONSA/)+ 7
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please mention total tattoo when replying to adverts please mention total tattoo when replying to adverts
5/25/2018 Total Tattoo 201305
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14 T"&al Ta&&"" Magai!e
I!&e$(ie): Jae% Sa!de$c"ck Pic&'$e%: J'! Cha
AKorean boy grows up in Los Angeles surely one
of Americas most culturally amplified, media
orientated cities and, during his childhood,
discovers the art of the Renaissance. He is probably too
young to realise what he is absorbing, but these images
weave their way into his subconscious and embed
themselves in the fabric of his mind
J'! Cha i% #a%%i"!a&e ab"'& a$&, #a%%i"!a&e
ab"'& de%ig!, #a%%i"!a&e ab"'& li(i!g &he
c$ea&i(e life. He i% d$i(e!, i!&e!%e, a!d
a$&ic'la&e. A!d he ha% a (e$+ clea$
'!de$%&a!di!g "f hi% ")! a$&i%&ic ide!&i&+.
/Whe! I %&a$&ed &a&&""i!g, I )a% a %i*&ee!
+ea$ "ld kid )i&h !" $eal idea )ha& I )a!&ed
&" d". I did!1& e(e! $eall+ k!") h") &"
&a&&"". I )"'ld &$a(el &h$"'gh LA ki!d "f
h'!&i!g d")! + fi$%& clie!&%. I did &ha& f"$
ab"'& a +ea$, )i&h !"& 'ch %'cce%%, &he! I
e& Bab+ Ra+ a!d J"%e L"#e a!d d""$%
fi!all+ bega! &" "#e! f"$ e.0
The %&$ee& a$& "f LA &he a$& &ha& )a% all
a$"'!d hi )a% &he fi$%& &hi!g &ha& had
a!ife%&ed i&%elf i! hi% )"$k, b'& i& did!1&
&ake l"!g f"$ &a&&""i!g &" b'ild &he e!&al
b$idge &ha& all")ed hi &" acce%% ea$lie$
e"$ie% a!d d$a) "! dee#e$ i!%#i$a&i"!%.
J'! a&&e!ded c"!(e!&i"!% a!d bega! &"
e*#l"$e &he )ide$ c'l&'$e "f &a&&""i!g.
/Tha&1% )he! I %&a$&ed &" fi!d + $h+&h,
a!d b'ild a! ide!&i&+ i! &e$% "f + )"$k
a!d )he$e I )a!&ed i& &" g".0 Hi% childh""d
#a%%i"! f"$ &he Re!ai%%a!ce a%&e$% Le"!a$d" da Vi!ci, Michela!gel" a!d "&he$%
)a% $e-ig!i&ed a& &ha& #"i!& a!d &he
f"'!da&i"!% )e$e laid f"$ &he )"$k &ha& he
ha% bec"e k!")! f"$ &"da+.
J'! ac&'all+ feel% &ha!kf'l f"$ all &h"%e cl"%ed
d""$% he1d #$e(i"'%l+ e!c"'!&e$ed, beca'%e
hi% life cha!ged c"#le&el+ )he! J"%e L"#e
)elc"ed hi i!. He1d fi!all+ f"'!d
%"eb"d+ )h" c"'ld %ee )ha& he )a%
&$+i!g &" achie(e. /I $eebe$ he )a% i! &he
iddle "f a %e%%i"!. I )alked i!&" &he %h"#
a!d he j'%& %&"##ed a!d &alked &" e f"$
h"'$%. I& $eall+ )a% a "e!& )he! &he
%&a$% alig!ed. N"& "!l+ ha% he bee! a big
i!%#i$a&i"! &" e, he1% al%" bec"e "!e "f
+ be%& f$ie!d% a!d he1% &a'gh& e a l"&
ab"'& )ha& i& i% &" be a a!. M+ #$i"$i&+ i%
&" be a %&$"!g #e$%"!, a!d !"& '%e &a&&""i!g
a% a f"$ "f ide!&i&+. I &hi!k &hi!g% ca! ge&
di%&"$&ed )he! #e"#le '%e &a&&""i!g a%
%"e ki!d "f al&e$ eg". J"%e ha% $eall+ hel#ed
e %ee &h$"'gh all "f &ha&. A!d f$" Bab+
Ra+ I lea$!ed &he di%ci#li!e a!d &he e&hic% "f
&a&&""i!g &he #hil"%"#h+ "f &a&&""i!g
a!d )ha& i& $eall+ ea!% &" ha(e &he
$e%#"!%ibili&+ "f #'&&i!g iage% "!&"
#e"#le1% b"die%. I had !" c"!ce#& "f a!+ "f
&h"%e &hi!g% bef"$e I e& hi.0
I& )"'ld ha(e bee! %" ea%+ f"$ J'! Cha &"
ge& ca'gh& '# i! &he )hi$l)i!d &ha& &heedia ha% c$ea&ed a$"'!d &he )"$ld "f
&a&&"". We1$e li(i!g &h$"'gh a &ie )he! &he
$e%#"!%ibili&+ "f a &a&&""i%& &" &hei$ clie!&% i%
#e$ha#% !"& %" clea$l+ defi!ed a% i& "!ce
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as. %I(m not comfortable ith the a"
tattooing is treated like a commodit" or
an object $ rather than a creative process.
What(s helped me push past that is putting
all I can into ever" piece I do. I ala"s sit
don ith m" clients and e!plain to them
ho I ork; the" see the effort I put in,
and hat it takes to achieve a qualit"
tattoo. It(s important that the" understand
that it(s a journe" $ something e go
through together. This is not a liquor store
environment here the" alk in, point at
the all and sa", 'I ant that(&.
Whether it(s religious iconograph" or a
design in the Lorider aesthetic, it(s
incredibl" important to Jun that the tattoo
makes sense. What he puts on to his
client(s skin has to have the right meaning
for that person. %It(s crucial to m" creative
process that I understand the narrative of
each individual client. I need to listen to a
person(s stor" in order get m" juices
floing.&
Total Tattoo Maga#ine 15
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16 Total Tattoo Maga$ine
In this era of tattoo st#les and specialisations,
it(s ineitable that an artist like Jun !ill be
pigeonholed !ith a conenient label, but that
is not something that he is happ# about.
&When people use that !ord style, the# seem
to just casuall# thro! it around. I realise that
people are simpl# tr#ing to categorise a isual
representation, but !hen I(m !orking that(s
the last thing I(m thinking about. I(m not
creating a st#le and I(m not consciousl#
deciding to !ork in a certain !a#. I(m just
tr#ing to do the best job I can. Of course, oer
time, m# touch has emerged as something
recognisable. People tr# to slap on a label, but
I !ant to end up in a place !ere there is no
st#le. With preconceied notions, #ou(e
alread# bo"ed #ourself in.' Like most artists,
Jun feels that #ou can end up thinking too
much.
Whilst learning to tattoo, Jun decided that he
needed to go to back to school to formall#
stud# art and design. This, ho!eer, led to an
interesting epiphan#. &It !as onl# b# goingthrough all that stud#ing % fine art, product
design, adertising % that I realised I needed to
let go of eer#thing, so that m# !ork could
come from a place that !as reall# the ra!
source of creatiit#. Education is a structured
!a# for #our mind to learn and gro!, but at
the same time it is being conditioned. I had to
go through that to discoer the ne"t step.'
Jun finds creatie freedom in e"ploring
different artistic disciplines and tr#ing to find
the right balance bet!een them. &When #ou
are tattooing, there are so man# realities in
pla#. Its not just art, it(s also a surgical process,and of course it(s collaboratie too. I !ork
er# differentl# !hen I(m alone !ith just a
canas in front of me. With painting, it(s all #ou
and this gu# up here [he taps his head]. It(s
more personal, but the source of the creatie
drie is still the same. The painting, the
tattooing, the design !ork % the# all feed each
other.'
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Total Tattoo Magazine 17
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18 Total Tattoo Maga"ine
There%s a calmness about Jun that I%m sure his customers find ver!
reassuring. I ask him about his emotional state hen he is
tattooing. He tells me, #I%m starting to recognise more of a Zen
approach to m! creative ork. There is a sense of selflessnesshen !ou%re engaging in an activit! such as this. The more I let go
hen I%m tattooing or painting, the better the results. I%m in the
moment; I%m not thinking about the tent! million things that
don%t matter. Once I have begun to tattoo or paint, I am free. I
think being in a neutral state is reall! important hen !ou are
orking. You can%t have !our emotions contaminating hat !ou
are doing.$
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Toal Taoo Maga&ine 19
A he ender age of 24, J!n is e$periencing a
le"el of s!ccess ha man% #o!ld find en"iable.
I #o!ld be oh-so-eas% for he s!perficial
rappings of ha lifes%le o ad"ersel% affec
his f!!re de"elopmen as an aris, b! his
menors ha"e ens!red ha #on) happen. 'The
more s!ccess I see, he more responsibili%
I)m going o ha"e o accep. I belong o ha
gro!p of ne# kids coming ino aooing, b!,
ama&ingl%, I)"e been e$posed o boh he old
school, hro!gh Bab% Ra%, and he ne#er
approach hro!gh Jose Lope&. Tha)s creaed a
harmon% and a balance #hich a lo of he ne#
kids are j!s no geing. The media are
infl!encing #ha he% percei"e aooing o be.
And his is a big problem, beca!se #e are
going o end !p #ih a generaion of aooiss
#ho j!s don) ha"e heir fee on he gro!nd,
and are in i for he #rong reasons. Tha)s
going o affec he c!l!re a he core of
aooing.(
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20 Total Tattoo Maga"ine
Thankfull!, there ill ala!s be ne blood coming
into tattooing that ill look to the lessons of the
past to provide a stable foundation for the future
# lessons that can onl! be learned through
discpline, and through focusing on activit! not
results. Talking ith Jun has reaffirmed this for me.
And, even though hat e&ve been able to includehere is onl! a fraction of our conversation, I hope
hat comes across is Jun&s love for this great
artform and his desire for it to be recognised as
just that. $I see tattooing as a beautiful jeel. It
needs to be seen in the same light as other
creative forms # painting, design, architecture. As
an art, and as a discipline, it needs to be taken
seriousl!.% I don&t think !ou can sa! it an! more
clearl! than that.
.juncha.net
.facebook.com/junCha
.instagram.com/jun_cha
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Total Tattoo Magazine 21
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22 Ta% Ta Maa3"'e
2013brightontattoo convention
Re+ b2 Jae Sa'de+cc$ 4 P b2 D+a%ba P"ce+' & Oca+ Seed
Ab%$ a )ea" ag, n$ lng af$e" $he 2012 B"igh$n #h', a "a$he"
in$"ig%ing e-mail a""i&ed in m) inb(. I$ 'a# f"m Wd), $he
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f%$%"e de&elmen$ f hi# e&en$. M) fi"#$ "eac$in 'a# gd gd man, )%&e
nl) j%#$ %lled ff ne #h', cme % f" ai"! B%$ I "ead n. The ba#ic d"if$
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fi( i$? B%$ i$# j%#$ a# 'ell Wd) didn$ li#$en $ me, beca%#e h m)
gdne## B"igh$n 2013 'a# a bi$ f a game change"+
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bee' ea2 %e e *a%"2 d+ # a %"%e,
b a 0a 'e/e+ "' ae'.
1.
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1. stephano b# ale" reinke,
2. rich b# kein le blanc, !hite lotus (usa)
3. the brighton hilton metropole hotel
4. johnn# bree$e, inka tattoo
5. b# adam ha#s, lost te"an (usa)
6. graham b# pino cafaro,
elektrik reoler (german#)
7. brian b# endre s$abo, tattoo end
2. 3.
4.
5. 6. 7.
Total Tattoo Magazine 23
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24 T+ T M&9$
T' '6 6'$$ /%+ /$* 5+$. W#$& & '$ ' #
%+"*& '&' '$ * $++8 6 '$ +8 68 +$ ++ * . O$ $ 8#
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W#8 * '&$ * 6' B&' 2013, /# %% '#$+8. A # %
+*$ 6$$ +6 68 8 ' 5$+8 '6 # $5$8$ I +*$# 6 &&
/$. I 6 &$ "5$, 6 &$ $5$. I &' / '$$ 6'
'$ & 8. C 6 % 2014!
8. 9.
10. 11.
12.
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Total Tattoo Magazine 25
13. 14.
15.
16. 17.
8. roma b& deni i#ak,
lo#e machine (r"ia)
9. k"mani b& mohan g"r"ng,
mohan' !a!!oo inn (nepal)
10. b& !im child, !ebori c"!om !a!!oo11. la"ren b& ian parkin,
inklinger !a!!oo
12. jondi%, hol& !ra"ma (pain)
13. !in !in, !in !in !a!o"age (france)
14. and& b& !e#e ho$ard moran!e,
f"dohin !a!!oo
15. mohan from nepal
16. !he old !imer eminar
17. rachel b& !"!!i erra,
black garden
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26 Total Tattoo Magaz ine
18.
20. 21.
22.
19.
18. aram b% leah mo"le,
pear !a!!oo
19. arr"n b% nickla $e!in (pain)
20. j"!in b% man"el #alen&"ela,
inkfa!"a!ion
21. dan b% da#id corden, ri!"al ar!
22. b% dan inne
23. co!! b% ma! lapping,
crea!i#e #andal
24. holl% b% jacob $ell, diamond ink
25. le$i b% mi arianna,kin$ear (i!al%)
26. !homa b% co!! m"!apic,
oddfello$ !a!!oo collec!i#e
27. hollie b% bob !%rell,
nigh! galler% ("a)
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Total Tattoo Magazine 27
23. 24. 25.
26. 27.
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28 Total Tattoo Magaz ine
28.
29. 30.
28. !rophie b% pa"la con#ere,
in!o %o"
29. ron b% ka!e macka%-gill,
!a!!oo $orkhop
30. oli#ia b% marc" mag"ire,
c"!om inc !a!!oo
31. denni b% john !il!,
bod% ar! !"dio
32. !im b% am bo$%er,
il#er needle
33. d"ncan b% alan gra#e,
ha"n!ed !a!!oo
34. !im b% pri&eman, e!ernal ar!
35. !om b% %ani,
%ani !a!!oo (h"ngar%)
36. !he colo"ring $all
37. cherr% bloom cre$
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Toal Taoo Maga%ine 29
31. 32. 33.
34. 35.
36.
37.
WINNERS
Be#$ !f Da' Sa$%"da': Sam Bo#$er, Sil"er Needles
Be#$ Small C!l!%": Tim Childs, Tebori C!som Taoo
Be#$ La"ge C!l!%": Ma Lapping, Creai"e VandalsBe#$ Small Black ad G"e': Lenn$ Parro, Skin Cand$
Be#$ La"ge Black ad G"e':Jonn$ Bree%e, Inka Taoo
Be#$ Black&!"k:J!lie Clarke, Flaming G!n Taoo
Be#$ !f Da' S%da': Piorek, Good Times Taoo
Be#$ Fla#h: Adam Machin, The Taoo Compan$
5/25/2018 Total Tattoo 201305
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GUILDED CAGE
NEW AD COMING
5/25/2018 Total Tattoo 201305
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please mention total tattoo when replying to adverts please mention total tattoo when replying to adverts
5/25/2018 Total Tattoo 201305
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Where does the name Violeteyescome from?
I= (& H+$ %, # V(+$2 ( $ % 7 ++
2($ %3(2$ &. I + $ (2 %
$( (2 2$ +3 # I 3$# 2
$ (+$2 22 +$$ ++ 2$ 2($ $
I 2 ++$&$. S$$ $ 32$#
(+$2 $7$ 2 $ # 2$ $ 23*... I2=
(/+$ 22. W$ I 22$# #$++(&
# I 2$# +( (2 2$ %(2 2(&
22 /3& 2 (#.
How did you get started withmodelling
I 23++7 #(# %3 % %($#
23#7(& /2&/7. S$ 2$# $$
(2
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Oce I ad a e-&a"% " a "c*e
f*& a ea*" e f & -+"*+
" f* f a a%% f%% f & *"+ ad
"c*e+ f*& &aa2"e+. I #+
" a+ +ee ad I a+ a
a +&ee a+ a*ec"a" a
I d. A fe f*"ed+
d"ffe*e% e I +ed "
e&.
How would you react if you
saw someone with a tattoo
of you?
I have +ee a fe a+ f &e!
Ada& Sa*ea f Tc f E"%
Ta +ee&+ be e &a
. I'e +ee a fe **a"+ a
e'+ de 3 e"e* f &e * ba+ed
&e 3 ad e'e b% &
&"d!
How did you get started
with tattoos? What
interested you in them?We I a+ *" , e
ee*a% c+e++ " &
+e%d a+ a %
+a"%*+, d*$+ ad c*"&"a%+
ad a+. Ad f c*+e a+ a
c"%d, " a+ "+ 4a5
e%e&e a fa+c"aed &e
ad d*e &e e&. I
+a*ed +ed" a % f &
c$e &e Teeae
Ma N"#a T*%e *a+fe*
a+ ad I a+ ab+%e%
ce*ed. M a*e+ +%dae +ee " c&" *ea%%.
How does the process
of getting a tattoo
work for you?
Lc$"%, I ae fd a
a"+ e+ &
+%e: R++ Wa+ a S$" Faa+ "
C%ee*e+. He a+ *ec&&eded &e.
We I e " ca " "& ee*"
#+ fe% *". I a+ cf"de a e
de*+d &e. He'+ a fa f "-+ ad,
a*"+"ca%%, I *+ "& 100 e*ce. I ca' d*a
+ae & %"fe, + I5%% +$ec a "dea ada$e " ". Oce e a+ dec"e*ed a I5e
d*a, ad *bab% +ed %a", e'%%
+$ec " f* &e ad e a$e e *ce++
f*& e*e. Rad& "+ "+"*e &e e
a+. A" f*& +ee" a "c*e a
aea%+ &e, +&e" I ae dd%ed
ad %"$ed.
Do you have a favourite tattoo?
M a*&" - #+ beca+e I %d' ee* d "
aa". Te a" "+e%f a+' bad, b "
a+ a c&%ee b"c ea%! I5+ e e
a a I c*"ed " d*" e ea%".W" a eae*a", & a*&" +e%%ed
%"$e a a%e ad I c%d' & a*&
d. Ta$-+ ad a" e%+e +%eee%e++
a+ f* a "%e.
Is there anything you
would never get tattooed on you?
Na&e+. I "%% ee* ee* ae a a*e*+/
fa&"%/f*"ed+/e+ a&e+ aed &e! I
ae #+ ee* bee a fa f a&e a+ "
ee*a%. F* &e, "f I %e +&ee e I5d
*ae* e a f%%- "ece *e*e+e e&
*ae* a a a&e. L"$e e ac* &
f " &e&* f & *adfae*. I #+
+ee&+ &*e e*+a% ad f% a
a" 4R5 (a a+ "+ a&e). I5%% ee*
f*e "+ name3 e a+ & e*! He
de+e*ed &*e f & +$" a #+ +e
*ee %ee*+.
You have pets. Have you considered
getting them tattooed on you?
I ae a%a+ ad e+. F*& e da I &ed
f & a*e+5 +e I a+ a%a+ "c$" +*a+ ff e +*ee+. A e &&e I ae
e b"e+ "e +$ "&a"ab%e a I
*e+ced ab f"e ea*+ a. He'+ ca%%ed F*a$
ad e "+ e %e f & %"fe. I5& ba%" "
e ae**$
*e+ce a F*ec b%%d *" , ad I'&
+*e e*e "%% be %e &*e " e
f*e. A+ fa* a+ e" e& aed
&e, I %d def""e% ae +&e"
*e*e+ea"e f F*a$ 3 &abe a
**a", b +&e" e+ec"a%% f* "&.
Do you dare to give any advice
about having tattoos to our
readers?
I5e aca%% #+ *"e a % b% "ece
a+ e* a & eb+"e
."%eee+.c.$ I5+ ab I
e e%e a*e5 e" "$ed f* e
* *ea++ 3 * e" ce*ed #+
beca+e "5+ e fa+"ab%e " d. I
*+ e e& *e&ed, + &a$e +*eaee* 5*e a" de "+ *" f*
!
www.violeteyes.co.uk
Ta% Ta Maa2"e 33
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34 Total Tattoo Magazine
NowherelandTattoo Project
Arevolution is taking place in Eg!pt " not onl! a political
revolution, but also an artistic one. This is a countr! that is
struggling for its political stabilit!. Folloing the election of
president Mohammed Morsi, the Muslim Brotherhood and its
supporters are dominating the political and economic scene and
imposing their religious moralit! on the hole of societ!. But there is
also a vibrant underground culture that doesn#t ant to give in or
give up. And at the forefront of this artistic revolution is the
Nohereland Tattoo Project.
O"ne Gil and Lo"ena Mo"a a"e $'o o%ng
Vene*%elan $a$$oo a"$i#$# 'ho decided $o
challenge $he status quo and e#$abli#h $hei"
o'n #$%dio in Cai"o. No'he"eland i# no$ onl
a $a$$oo #$%dio, b%$ al#o a b"oade" c%l$%"al
"ojec$. The#e a"$i#$# 'an$ $o b"eak $aboo# and
hel "ai#e a'a"ene## in Eg$ and o$he"
Middle Ea#$e"n co%n$"ie# (and in a"$# of
So%$h Ame"ica $oo) + lace# 'he"e $he a"$ of
$a$$ooing i# "ac$icall nonei#$en$ beca%#e of
c%l$%"al, #ocial and "eligio%# a$$i$%de# and
"e#$"ic$ion#.
In mo#$ in$e""e$a$ion# of I#lam, $a$$oo# a"efo"bidden. Tho#e 'ho $a$$oo, and $ho#e 'ho
a"e $a$$ooed, a"e "ega"ded b man M%#lim# a#
c%"#ed + $he oin$ being $ha$ one #ho%ld no$
modif $he c"ea$ion of God b e"manen$l
ma"king $he bod. In #ome !%a"$e"# $he mo"e
mode"a$e &ie' ha# been e"e##ed $ha$ 'omen
can be allo'ed $o ha&e a #mall deco"a$i&e
$a$$oo if $he kee i$ hidden and onl "e&eal i$
$o $hei" h%#band#, b%$ fo" mo#$ Eg$ian# +
Text and photos by Ines Della Valle
Orne Gil and Lorena Mora working in their old studio
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Total Tattoo Magazine 35
+c$a''4 #* 2#* a c*1a$1 $ #$
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6 a** a a *a''4 ad *c$a''4
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*+'4 '*0 *c$49 $c *a' c*d 0
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'$1 acc*d$" * a * 0daa'$
$+a$* * I'a$c 'a2. Ma4 4*0"
+*+' 2a * d* * c#** #$ *2'$4', b0 '-3+$* 6 1 #*0"#
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ca b da"*0. T# $, * 3a+', #
*4 * # 4*0" a 2#* +a$d a 14 #$"#
+$c $dd * "$" $&d: #$ a# #2 Lorena (left) and Orne (right)
Tattoo of poem by Egyptian poet Gamila Alaily
5/25/2018 Total Tattoo 201305
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36 Total Tattoo Magazine
c""#i&e acid &e" him 'hen he f%nd %$
'ha$ he had dne. And % cann$ becme a#ldie" in $he Eg!$ian a"med f"ce# if %
ha&e a $a$$ ($h%gh f" #me %ng men,
$hi# i# a cn&enien$ 'a $ a&id mili$a"
#e"&ice).
S O"ne and L"ena ha&e $ '"k in $he
#had'#. The $each %ng Eg!$ian# ab%$
$a$$ing; $he #h' $hem diffe"en$ $a$$ing
#$le# and $he e!lain $he hi#$" f $hi#
ancien$ a"$; $he ad&i#e $hem n$ $ $"%#$
ama$e%" $a$$i#$# 'h %#e !e"manen$ make-%!
!en#, nn-#$e"ili#ed needle# and $he" ha"mf%l
!"d%c$# and $l#. The c%""en$l '"k in $heback f a bea%$ !a"l%" $ha$ a Lebane#e
'man ha# "en$ed %$ $ $hem beca%#e, in
Eg!$, i$ i# n$ !##ible $ !en a +"eal $a$$
#$%di. N$ man Cai" "e#iden$# " b%#ine##
!e!le '%ld 'an$ $hi# $!e f e#$abli#hmen$
ne$ d". B%$ 'hen !e!le began $ find %$
ab%$ $he N'he"eland P"jec$, #me &e"
in$e"e#$ing and lcall "ele&an$ '"k# f a"$
began $ $ake #ha!e, #me f $hem
inc"!"a$ing elemen$# f $"adi$inal A"ab
c%l$%"e (Q%"anic &e"#e#, !e$" and
callig"a!h) a# 'ell a# +"e&l%$ina" $a$$#
and, O"ne# #!eciali$, ld #chl $a$$
de#ign#.
O"ne and L"ena #ee $hi# a# a !"jec$ $ha$ ha#
$ be $aken #$e! b #$e!. Thei" a"$ #eem# $
embd $he $"%e #!i"i$ f "e&l%$in in $hi#
ama*ing c%n$" 'hich, de#!i$e i$# c%""en$
!li$ical $%"mil, i# $"ing n$ $ cl#e i$#elf ff
f"m achie&ing i$# f%ll !$en$ial.
facebook.com/NowherelandTattooStudioCairo
Orne Gil making the Nefertiti mask tattoo
5/25/2018 Total Tattoo 201305
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5/25/2018 Total Tattoo 201305
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38 Total Tattoo Magaz ine
STEWARTROBSON
De)&i*e hi) ea("/ i$*e(e)*, S*ea(* did$4*ac*+a""/ bec%#e a *a**%%i)* +$*i" he a) 27.
Af*e( c%#&"e*i$g a g(a&hic de)ig$ c%+()e a*
+$ie()i*/, he %(igi$a""/ d(if*ed i$*%
e#&"%/#e$* i$ #a(!e*i$g a$d ade(*i)i$g.
I* a) a a/ %f #a!i$g #%$e/ f(%# hi)
c(ea*ii*/, b+* he beca#e di)i""+)i%$ed i*h *he
%(!. C%$i$ci$g &e%&"e *% b+/ &(%d+c*) *he/
did$4* $eed f(%# "a(ge #+"*i$a*i%$a"
c%(&%(a*i%$) a) $%* ha* he a$*ed *% d%.
I (ea""/ %$"/ g%* i$*% i* beca+)e, a* *he *i#e,
I did$4* hae *he ba"") *% be a *a**%%i)*3,
S*ea(* ad#i*). B+* *he e&e(ie$ce &aid %ff.
A) a &(%fe))i%$a" de)ig$e(, S*ea(* "ea($ed
a"+ab"e "e))%$) ab%+* dea"i$g i*h c"ie$*),
)+ch a) h% *% (ead be*ee$ *he "i$e) %f ha*
*he/ a&&ea( *% be a)!i$g f%( )% *ha* /%+ ca$
gie *he# ha* *he/ (ea""/ a$*. A) he )a/),
A "%* %f &e%&"e d% *hei( g(%i$g +& af*e(
*he/4e bec%#e a *a**%%i)*. I a) a"(ead/
g(%$ +& bef%(e I ee$ "ea($* *% *a**%%, )% I
*hi$! i$ *ha* (e)&ec* I a%ided #a$/ %f *he
&i*fa"") *ha* ca*ch %+* *he /%+$ge( g+/).3
U$de()*a$di$g *he $eed) %f hi) di)ce($i$g
c"ie$*e"e i) %f &a(a#%+$* i#&%(*a$ce *%
S*ea(*; hi) c+)*%#e() c%#e *% hi# f%( a
(ea)%$. He #a!e) *he i$*e(e)*i$g %b)e(a*i%$*ha*, ac(%)) *he *a**%% i$d+)*(/ a) a h%"e,
*he(e a(e &(%bab"/ %$"/ ab%+* fie &e(ce$* %f
c+)*%#e() h% ca(e, a(e ed+ca*ed a$d (ea""/
!$% ha* *he/ a$* f(%# *hei( *a**%%i)*.
A$d *h%+gh *he $+#be( %f &e%&"e ge**i$g*a**%%ed ha) g%$e +& d(a#a*ica""/ %e( *he
/ea(), S*ea(* *hi$!) *hi) &(%&%(*i%$ ha)
)*a/ed (%+gh"/ *he )a#e. He be"iee) *he )a#e
a&&"ie) *% *a**%%i)*). S*ea(* '+%*e) ha* Pa+"
R%ge() %$ce )aid *% Ed Ha(d/: Ta**%%i$g i)
"i!e a &/(a#id. A* *he *%&, /%+ hae *he &e%&"e
h% a(e (ea""/ &+)hi$g i* a$d d(ii$g *he a(*
f%(a(d; +)* be"% *ha*, /%+ hae *he &e%&"e
d%i$g ece""e$*, *h%+gh #a/be $%*
g(%+$db(ea!i$g, %(!; +$de($ea*h *ha*, /%+
hae *he c%#&e*e$* c(af*)#e$; a$d *he$,
+$de($ea*h a"" %f *ha*, /%+ hae a h%"e hea&
%f b+#).3
Ee( )i$ce *h%)e ea("/ da/) "%%!i$g *h(%+gh
*he b%%!) hi) fa*he( b(%+gh* h%#e f%( hi#,
S*ea(* ha) bee$ a**(ac*ed *% "a(ge-)ca"e
Ja&a$e)e %(!. H%ee(, he a")% "%e) g(ea*
*(iba". A) he e&"ai$), B%*h )*/"e) )ha(e a
)i#i"a( )*(+c*+(e, f"%i$g i*h *he )ha&e) %f
*he b%d/. The/ hae a )i#i"a( (a*i% %f b"ac! *%
)!i$, a$d *he/4(e b%*h b%"d a$d *%+gh "%%!i$g.
B%*h a(e e(/ diffic+"* *% d% e"". T(iba" "%%!)
ea)ie(, b+* i*4) $%*.3 S*ea(* )*a(*ed b+/i$g "%*)
%f *a**%% #aga0i$e) a$d beca#e aa(e %f *he
a#a0i$g b"ac! a$d g(e/ %(! *ha* a(*i)*) )+ch
a) Fi"i& Le+ a$d Pa+" B%%*h e(e d%i$g. Jac!R+d/ a")% beca#e a fa%+(i*e %f hi). B+* a) hi)
*a**%%i$g dee"%&ed, hi) &a))i%$ f%( Ja&a$e)e
ca#e *% *he f%(e a$d g(e ee$ )*(%$ge(.
It "as the rock bands of the earl# 70s that first sparked Ste"art&s
interest in tattoos. From the age of ele!en, he kne" he "anted to be a
tattooist. Srprisingl#, "hen his father fond ot, rather than
discoraging him he acti!el# spported him. He e!en broght tattoo
books home from the local librar# for Ste"art to look at. From the
moment Ste"art first sa" those pictres of Japanese bod#sits, he
kne" tattooing "as going to be his life. $I "as jst dri!en%, he told
me. $It "as like a calling.% And no" he&s part of the team at
London&s Frith Street Tattoo.
st
even
i$*e(ie b/ &e((/ 1 &h%*%) b/ )*ea(*
5/25/2018 Total Tattoo 201305
39/100
Aro"nd !he ame !ime, S!e$ar! ' in hi o$n
$ord ' (learned !o like) !radi!ional We!ern!a!!ooing. He realied !ha! a Sailor Jerr& pin-"p
$a almo! like a !&pe of C"bim ' no!
necearil& in i! con!r"c!ion, b"! more in i!
principle of refining !he real in!o imple
graphic hape. (If &o" add !"ff !o a Sailor
Jerr& deign), he e%plain, (i!* like adding
icing !o a cake. B"! if &o" !ake o"! j"! one
line, i! f"ck i! comple!el&.) Thi inigh! led
S!e$ar! !o a deeper ae!he!ic "nder!anding of
!he !&le.
(I didn*! apprecia!e !radi!ional !a!!oo a! fir!.
The& al$a& looked a$k$ard and cl"m&, a
if done b& people $ho co"ldn*! dra$. Beca"eI had been !o ar! chool, I $a !a"gh! !o !hink
m& #ie$ $a omeho$ "perior. Wha!
!a!!ooing ha done i !each me !he impor!ance
of !hecraft. E#en a! !he highe! le#el, all !he
grea! !a!!ooi! $ill admi! !ha! !a!!ooing i no!
all abo"! !alen! ' b"! $ha! !he& all do i $ork
reall& f"cking hard. The !alen! i in being able
!o dri#e &o"relf like !ha!, foc" on $ha! &o"
do, and impro#e i! !ep b& !ep. I!* a long
proce. For me, i!* !aken abo"! !en &ear.
I*#e moo!hed off mo! of !he ro"gh edge
no$, b"! I !ill keep polihing !he !one. A an
ar!i! &o" need !o $ork on each indi#id"alelemen!, con!an!l& fi%ing !hing da& af!er da&,
"n!il i! look effor!le.)
alex
matt
alessand
ro
Total Tattoo Magazine 39
5/25/2018 Total Tattoo 201305
40/100
40 Total Tattoo Magaz ine
W a $$e e$ f*'% + f*e&d+ Aa*'& He/ (C$ C$a++c) a&d See B1*&e
(R'c# 'f Age+, USA) 2 /' + &a%e f'*/a*d ' F* S*ee5+ '/&e*, Da&e 2
Se/a* %ade e %'e ' L'&d'& (f*'% Seffe$d) a fe/ 1ea*+ ag'. I /a+ e
ca&ce 'f a $fe%e. 3Te*e /e*e %a1be fe +'+ & e /'*$d a I /'$d ae
d*ea%ed 'f /'*#&g a 2 a&d F* S*ee /a+ *g e*e & a ' fe. N'/,
a&g /'*#ed e*e f'* a /$e, e*e + nowhere e$+e I /'$d /a& ' be. I "+
$'e L'&d'& a&d, a+ fa* a+ I5% c'&ce*&ed, e*e + &' 'e* +'. I5% +e$ed. A&d
L'&d'& + +c a g*ea de+&a'& f'* e'$e ' c'%e a&d +. I ae c+'%e*+
c'%&g ' %e f*'% a$$ 'e* e /'*$d.4
W F* S*ee be&g a +%a$$ ba+e%e& +', fa%'+ f'* a&g +'%e 'f e
/'*$d5+ e$e a''++ d*'&g b1, e*e /a+ &'/e*e f'* Se/a* ' de a&d e
ad ' *a+e + ga%e - c#$1! 3I5e ea*d e +' de+c*bed a+ a *e++*e
c''#e*4, e +a1+, 3a&d *ea$$1 + $#e a. I ca& be e*1 +*e++f$, &' "+ &
e*%+ 'f e /'*# b a$+' / +' %a&1 e*+'&a$e+ & +c a *e+*ced +ace.
Eg e'$e *1&g ' ag*ee '& e c'ce 'f %+c ' be $a1ed, f'* &+a&ce...4
Se/a* *eca$$+ a a*c$a*$1 ca$$e&g&g e0e*e&ce d*&g + f*+ 1ea* a e
+'. 3I /a+ a''&g a Jaa&e+e d*ag'& / c*1+a&e%%+ '& a g15+ $eg.
I /a+ *1&g ' /'*# ' +'%e +ad&g a&d & /a$#ed A$e0 Ree (H'*1'+
fa%$1) a&d Wd' de Ma*a$ (f'*%e*$1 'f e Le Fa%$1 I*'&). Te1 "+ ca%e
'e* a&d +''d /ac&g! S0 %'&+ ea*$e* I5d ad e +a%e &g / Cad
K'e$&ge* /ac&g %e +ade e +a$+ 'f a *ad'&a$ c$e* +.4
adam
james
p
hil
matt
5/25/2018 Total Tattoo 201305
41/100
Total Tattoo Magazine 41
N"b"d had e)e% %eall c%i'ici&ed *"%k
bef"%e. B(' Chad K"e#li!ge% i& &" g""d a'
a!al&i!g a 'a''"" a!d #(lli!g i' '" #iece&.
I ha)e lea%!' &" (ch f%" hi, a!d al&" f%"
Ia! Fl"*e%. I! fac' I ha)e lea%!' "%e f%" Ia!
'ha! f%" a!"!e el&e j(&' b *a'chi!g hi
'a''"". He *"(ld %eg(la%l &lag "ff
d%a*i!g, &ai!g 0I'1& OK, b(' i'1& !"' %igh'.
Whe! i'1& %igh', i' l""k& g""d; *he! i'1&
*%"!g, i' l""k& &hi'.1 Whe! "(1)e lea%!' h"*'" d" i' c"%%ec'l, 'ha'1& *he! "( ca! de)el"#
a &'le "f "(% "*!./
A!d &", i! a! e!)i%"!e!' %e&ebli!g a b""'
ca#, li'e%all %(bbi!g &h"(lde%& *i'h 'he like&
"f Ti He!d%ik& a!d Th"a& H""#e%, S'e*a%'
h"!ed hi& &kill& (!de% 'he *a'chf(l ee& "f
&"e "f 'he be&' 'a''""i&'& i! 'he *"%ld. He
%eali&ed 'he&e g(& did!1' j(&' *ake (# "!e
"%!i!g a& g%ea' 'a''""i&'& 'he ade a
c"!&ci"(& eff"%' '" become g%ea' b c"!&'a!'l
g"i!g back '" ba&ic& a!d #%ac'ici!g ")e% a!d
")e% agai! (!'il 'hei% 'ech!i$(e *a& #e%fec'ed
a!d 'hei% a%'i&'% becae eff"%'le&&.
I a&ked S'e*a%' h"* he *"(ld de&c%ibe hi&
"*! &'le "f Ja#a!e&e 'a''""i!g. La(ghi!g,
he '"ld e i'1& &'"le! f%" e)e%*he%e el&e/.
B(' he elab"%a'e& "! 'hi& &eei!gl fli##a!'
c"e!'. H"%i"&hi e+ec('e& '%adi'i"!al
Ja#a!e&e 'hee& i! 'he &'le "f H"%i"&hi;
Shige e+ec('e& '%adi'i"!al Ja#a!e&e 'hee& i!
'he &'le "f Shige. Ra'he% 'ha! e(la'e a!
"'he% a%'i&'1& &'le, I %eali&ed 'ha' I !eeded '"
l""k back be"!d 'he *"%k "f 'he&e "de%!
a&'e%& '" 'he &"(%ce "f 'hei% i!i%a'i"!./
Whil&' i'1& "!l !a'(%al 'ha' '%adi'i"!all-ba&edde&ig!& *ill ha)e c""! 'hee&, e)e% "!e
"f S'e*a%'1& 'a''""& *ill bea% hi& i!di)id(al
halla%k. The de&ig! elee!'& 'ha' hi& ee&
!"'ice a!d 'ha' hi& ha!d& e#ha&i&e *ill be
(!i$(e '" hi.
adam
steve
danny
5/25/2018 Total Tattoo 201305
42/100
42 Total Tattoo Magaz ine
Ste!art has recentl# finished a stunning Fudo M#oo bod# front. I !as interested to kno! ho!
it felt to !ork on, and eentuall# complete, a large piece such as this. When Ste!art tells me
it(s &a string of small ictories leading to eentual disappointment' !e both erupt into
laughter. &Seriousl# though', he continues, &as a tattooist I see each section in stages. First I
plan the si$e. Then I find the appropriate design reference and I make small adjustments to getit to fit perfectl#. That(s one small ictor#. Then I place it on to the bod# and put the line in,
making more adjustments if I need to. That(s another small ictor#. Then I moe on to the
ne"t stage. And so it goes. It(s neer going to feel perfect to me % because it !as started so
long ago and during that time I hae gro!n as a person and as a craftsman. But, because it(s
required so much attention, the feeling is about as close as I can get to being satisfied.'
pascale
andy
p
ascale
5/25/2018 Total Tattoo 201305
43/100
Total Tattoo Magazine 43
La#ge-$cale Ja!ane$e !iece$ %ake a lng %ime %
cm!le%e. F# eam!le, %he F&d M* bd*
f#n% and a#m$ #e!#e$en%$ %h#ee *ea#$ f
#eg&la# $i%%ing$ (and %he back i$ *e% % be
$%a#%ed). Thi$ !lace$ e%#a#dina#* demand$ n
%he %a%%i$%, and i%h $ man* a#%i$%$ n
$&ffe#ing f#m %he ache$ and !ain$ a$$cia%ed
i%h %hei# !#fe$$in + $me f %hem af%e# nl*
a fe *ea#$ + Ja!ane$e bd*$&i%$ a#e #a#e.
S%ea#% ha$ an in%e#e$%ing %ake n %hi$.
Mde#n da* %a%%i$%$ a#e #king fi'e, $i,
$e'en da*$ a eek + lng h$, i%h %hei#
bdie$ in &nheal%h* !$%e$. Old $chl g&*$
#a#el* #ked f&ll-%ime and &ld ce#%ainl*
ha'e had "&ie% !e#id$ %h#&gh %he in%e#.
Nada*$ af%e# %en *ea#$ f %a%%ing *&
ha'e !#babl* dne %he e"&i'alen% f %en%*
*ea#$ in %he 70$, 80$ # 90$. If *& an% % $%a*
in %hi$ game ding #e!e%i%i'e la#ge-$cale #k,
i%h c&$%me#$ h $eem !#e!a#ed % $i% f#
lnge# $e$$in$ % ge% %h$e bigge# !iece$, *&
#eall* d need % lk af%e# *$elf b%h
!h*$icall* and men%all*.
mark
alessandro
david
5/25/2018 Total Tattoo 201305
44/100
44 Total Tattoo Magaz ine
Se$ar* progre demonrae $ha can be achie#ed $ih hard
$ork and dedicaion, forgoing pre& m"ch an& ocial aci#i&
o"ide of aooing. He hare hi life $ih fello$ Frih Sree
aooi Valerie Varga, and admi ha a ime hi can be q"ie
hard a he& are conanl& p"hing each oher o ne$ le#el in
heir aooing. The& criiq"e each oher* $ork, and recognie
each oher* rengh and $eaknee. (We complemen each
oher $ell), a& Se$ar. (Valerie i grea a he finer deail,
$herea I am good a he o#erall deign and la&o" of a aoo.
So o#er he &ear $e ha#e learn a lo from each oher. We ha#e a
grea and f"lfilling life ' b" a he e%pene of an& kind of
normali&! B" I $o"ldn* ha#e i an& oher $a&.)
When I ak Se$ar if he $an o add an& concl"ding commen
o o"r iner#ie$, in hi &picall& gracio" &le he ell me he
$o"ld like o ackno$ledge he imporance of all of hi c"omer,
pa and preen. Wiho" hem, he $o"ld no be doing he job he
lo#e. He alo e%pree paric"lar hank o Valerie and o hi
paren. And here* a nod o all he people he* e#er $orked $ih
' good and bad! ' $ih a pecial menion for Dane, beca"e
(Frih Sree $o"ld no be he hop i i $iho" hi dedicaion and
lo#e for aooing).
Frih Sree Taoo, London, W1D 4RQ
Tel: 0207 734 8180!!!.se!arrobson.com
matt
nicholas
steven
andy
cameron
5/25/2018 Total Tattoo 201305
45/100
please mention total tattoo when replying to adverts please mention total tattoo when replying to adverts
5/25/2018 Total Tattoo 201305
46/100
46 Total Tattoo Magaz ine
I d$#4 'ea c$#ide' "ef a 3a$$ed
%e'$#4, a#d I d$*b "a# $he' $*d,eihe'. I4" j* a 'eg*a' %e'$# h$ ha%%e#
$ ha+e $"e a$$. H$e+e', i# he ee $f
$"e, I4" he 3a$$ gi'4 h$ $b+i$* $#
a# $ a ab$* a$$ a#d #$hi#g ee. I
d$#4 "i#d 'ea. I #$ $"e %e$%e h$4+e
bee# 'eaed i# '* af* a beca*e $f
hei' a$$, a#d I4" g'aef* ha4 #e+e'
ha%%e#ed $ "e. I "igh ge he i# ee f'$"
i"e $ i"e f'$" he $d dea' a he b* $%,
b* ha4 ab$* i. S$ he# %e$%e c$"e *% $
"e a#d a' ai#g "e *%id &*ei$# ab$*
a$$i#g, I ca#4 he% b* a*gh.
1D$e ha h*'?2 i a %e'$#a fa+$*'ie. Ofc$*'e I a" i# e-c'*ciai#g %ai# e+e' da. I
d$#4 'ea #$ ha hi i a ab$*, b* I
a" aed i a $, a#d I ee %e$%e ai#g
$he' ih a$$ he a"e &*ei$#. I
%'e*"e ha he "ea# i 1Did i h*' a he
i"e?2, b* "$ $f he %e$%e h$ a hi
ee" $ be a fe ch'$"$$"e h$', $ I4"
#$ $ *'e. I a$ $+e i he# dee% 'eigi$*
%e$%e a%%'$ach "e $ e "e I4" g$i#g $
he f$' ha+i#g a$$. If I e-%ai#ed $ he"
h I hi# he4'e "$'$# I4d be he'e a
da, b* $ ha+e $"e$#e e "e I4" g$i#g $
he f$' " a$$ a#d he# 'aigh afe'a'de "e ha G$d ha he #a"e $f a $f hi
chid'e# a$$ed $# hi ha#d i i#d $f ei'd,
'igh? I j* b'*h i $ff a#d "ie.
A "*ch a I ie $ ha+e a a*gh, he'e4
Stop Stroking My ArmMel Noir on tattooing as a social art form
aa 3ha g*4 h$ e% $+e' he i#e,
hich ca# be a##$i#g. F$' e-a"%e, he#$"e$#e I d$#4 #$ c$"e $+e' $ "e a#d
'$e " a'" hie ei#g "e he $+e "
a$$ i 'ea g'i#d " gea', a#d I d$#4
hi# I4" a$#e $# ha $#e! The a'e a$$,
#$ B'aie b$$; $* *e $*' ee $ ee
he". If $* $+e he" $ "*ch, h a'e $*
c$+e'i#g he" *% ih $*' ha#d ie ha,
a#a? The'e i j* #$ e-c*e f$' ai#g
*% $ a 'a#ge' i# he 'ee a#d '$i#g he".
S'$i#g 'a#ge' i $"ehi#g $# c'ee%
%e$%e d$! O# he a"e *bjec, I $#ce had a
"a# g'ab " f$$ while I was crossing the
road$ ha he c$*d ge a bee' $$ a he
a$$. I c$*d ha+e bee# '*# $+e'! I "ae"e $#de' h$ "a# $f $* 'eadi#g hi ha+e
had i"ia' e-%e'ie#ce.
A#$he' hi#g ha $ccai$#a i''iae "e i
$"ehi#g I4+e $*ched $# a'ead: h$e
%e$%e h$ a%%'$ach $* $ a a e#gh
ab$* a$$i#g e+e# he# $*4'e b*, a#d
e+e# if $* d$#4 #$ he" a a. I d$#4
hi# +e' "a# %e$%e, a$$ed $' #$, $*d
"i#d if $* $d he" ha $* a# a
%a'ic*a' a$$, $' $d he" h$ $*4d ie
$ d$ i. H$e+e', j* beca*e I ha+e a$$,
a*"i#g ha I4 be i#e'eed i# he 90 'ibaa$$ ha $*' "ae Da+e d$e f$' a fi+e'
"a #$ e#d a e. Th$e $f $* h$ ha+e
hi "aga/i#e i# $*' ha#d i #$ ha a
g$$d a$$ i, a#d $* cea' ha+e e-cee#
ae $he'ie $* $*d#4 be 'eadi#g hi.
H$e+e', he'e a'e $ad $f %e$%e $* he'e
h$ ha+e e''ibe a$$ idea! The i a$ $* f$' age ab$* he", a#d i #$ $%
*#i he hea' he $'d, 1We, if ha4 ha
$* a#, g$ f$' i2. I4 e-'e"e i'e$"e
he# $*4'e $* $"ehe'e a#d $* j* a#
$ ha+e a bee', a %ie, a#d a #ice i d$#.
If I ca''ied $# ai#g ab$* a he hi#g ha
i''iae "e, I c$*d fi *% hi i*e $f T$a
Ta$$. B* i#ead $f %e#di#g a " i"e
ih $* hi "$#h "$a#i#g, I4" $$i#g a
a h$e hi#g ab$+e a#d I ca#4 he% b*
hi# e d$#4 'ea ha+e i $$ bad! I hi#
i4 c$$ ha he a$$ $# $*' i# ca# "ae
%e$%e 'eac i# *ch a! Ta$$i#g i a +e'$cia a' f$'", a#d i beed $*a'd e+e# $
h$e h$ d$#4 a$$. A#d ah$*gh i d$e#4
aa fee g'ea, ha+i#g $"e$#e c$"e *% $
"e $ ha'e hei' +ie $f he $'d $' e "e
hei' ife $' j* beca*e he4+e ee# a
%a'ic*a' a$$ $# " i# ($"ehi#g ha I
e#d $ f$'ge i e+e# he'e)... e, I hi#
ha4 e-'a$'di#a'. A#d I hi# i4 $"ehi#g
%e$%e e#d $ f$'ge ab$*. S$ d$ I i $#g
f$' he 3g$$d $4 da4 he# #$b$d $*d
ha+e b$he'ed "e? S$"ei"e, b* a he a"e
i"e, e4 #$ f$'ge h$ g$$d i i $ be
a'$*#d #$, $$!
OPINION
Whenever I"m sitting listening to my older
friends in tattooing talk about the good ol"
days" the old times, when tattooing was
underground, and had a little more mystery about it
I can"t help wishing that I"d been there. And this is
partly due to the changing attitudes and behaviours of
people outside tattooing. Years ago, people tried not to
get in the way of someone who was heavily tattooed;now, they"ll come up to you and tell you all about their
next idea for a tattoo, in memory of their grandma"s
friend"s next door neighbour"s dog. I"m obviously
talking about my own experiences here, but I"ll bet
they mirror some of yours!
5/25/2018 Total Tattoo 201305
47/100
please mention total tattoo when replying to adverts please mention total tattoo when replying to adverts
5/25/2018 Total Tattoo 201305
48/100
48 Total Tattoo Magaz ine
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Showcasingsomeoftheworld'sbesttattoos
GALLERYPLUS
BLACKWORKJAPANESE
BEYONDTHEGRAVESKULLS
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50/100
blackwork
boff konkers, road maps for the soul
nico,noirtattoo(switzerland)
orge, saketattoo(greece)
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51/100
otto, ontheroad
marc,littleswastika(germa
ny)
manuelwinkler,clockworktattoos(italy)
sasha aleksandar,
orca sun tattoo (croatia)
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52/100
aliz,privatetattoo
pavelangel,angeltattoo(russia)beyond the grave
daniel acosta, la duquesa colectivo (columbia)
andrewmcnally,northsidetattoos
fabien langes, clockwork tattoos (italy)joeyortega,triplecrown(usa)
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53/100
lasse sjroos, individual ink (finland)
kirtsilver,silvercitytattoos(canada)
bugs,tattoolounge(usa)
blaolh,painarttattoo(hungary)
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54/100
marcin sonski, zulu tattoo (ireland)
liorcifer,infernumtattoos(usa)
kirksheppard,raincitytattoo(canad
a)
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55/100
mark cummings,tnttattoo(australia)
dominicpiccirillo,brasscitytattoo(u
sa)
micahcichowicz,pioneertattoo(usa)
5/25/2018 Total Tattoo 201305
56/100
richardbarclay,michaelrosevisualart
joe myler, jmds body art (ireland)
ueo, ueo tattoo (italy)
japanese
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57/100
raymond johnson, the kings road tattoo
shannonrichard,strbodymodifications(australia)
mattdeverson,progressiontattoo(australia)
mulieaddlecoat,thinkingtreetattoo
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58/100
richard dean, alans tattoo studio
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59/100
kian forreal, authentink
(australia)
brendanoconnor,seventhcircle(australia)
joewang,8voltstattoo(singapore)
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60/100
joaobosco,thefamilybusiness
markgibson,monkido
joshlindley,aoutattoo(usa)
rachelbaldwin,modernbodyart
skulls
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61/100
bulletbg,b_szarretattoos(portugal)
tychoveldhoen,
electricalprofessionaltattoo(holland)
dmitriysamohin,sdvtattoo(ukraine)
riccardobottino,rickytattoo(italy)
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62/100
paulsmith,markedforlifemiss arianna, skinwear (italy)
alan aldred, cosmic tattoo
meganhoogland,meccatattoo(usa)
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63/100
dmitriychikai(russia)
nickbaldwin,gungho!
pedro santos, vintage daggers (portugal)
jedharwood,tattooworkshop
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64/100
cesardecesaro,bodygardentattoo
roeypentagram,
pentagramtattoo(israel)tyeharris, black13(usa)
jackribeiro,byjack(luxemburg)
flo, vicious circle (germany)
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65/100
darrinwhite,offthemaptattoo(usa)
dawnii,paintedladytattoopalour
jens,blueharvesttattoo(germany)
markduhan,skindeepinc(usa)
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66/100
scottellis,triplecrown(usa)
emilpettersson,porkyroyaletattoo
(sweden)
richsmith,fivemagicstattoo
slicknick,25tolife(holland)
joecarpenter,indigotattoo
5/25/2018 Total Tattoo 201305
67/100
please mention total tattoo when replying to adverts please mention total tattoo when replying to adverts
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68/100
please mention total tattoo when replying to adverts please mention total tattoo when replying to adverts
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tattoo tea party
8 5% 7 6%. # 5 %'/
%7 E7 C7
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4. 5.
6. 7. 8.
9. 10.
70 Total Tattoo Magaz ine
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Total Tattoo Magazine 71
11. 12. 13.
14.
15.
4. genlemen%s deah mach fren$#
5. ness b# nigel k!r,
f!nho!se aoo
6. da"e b# oddbo#, real ar
7. piorek b# om s!gar,
om s!gar aoo (poland)
8. beck# b# omm# cra$#,
middleon aoo
9. and# b# diego, m"l aoo
10. b# leah, spear s!dio
11. harrie b# sonn# michell,
black lo!s aoo
12. shane b# ollie #e,
c!som colo!r aoo
13. mark b# pa!l na#lor, on he road
14. elio b# dan sone,
elecric b!ddha
15. richard b# chanale coad#,
elecric "inage aoo
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72 Total Tattoo Magaz ine
16. b# john anderson, nemesis tattoo
17. $ac b# dre" romero, ghosthose collecti!e
18. robb# b# jordan croke, second skin
19. jdging the tattoo competition
20. lke b# terr# fller, fll on ink
21. tomm# cra$#%s talented sister
22. pal b# joe bristo", fleck#s tattoo stdio
23. momami b# anrijs, portside tattoo24. ronnie b# mark bester, marked for life
25. b# g# tinsle#, "iseg#s ink
26. rachel b# jordan, hope and glor#
27. b# emma kier$ek, arora tattoo
16. 17. 18.
19. 20.
21.
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Total Tattoo Magazine 73
22. 23.
24. 25.
26.
27.
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74 To#al Ta##oo Maga&ine
28. +' b (e+e ',
*e-e *+a) +a++''g
29. b b$$ a, c*+'% c
30. *+e-e b *a% b'e),
*$-e) eed$e*
31. *a% b +% c)'#e, *ec'd *#
32. da ca*e, )+a$ a)+
33. b c)* "'e*, (*ca$ g)af++
34. f)ee b%(e) ca)*!
We)*
Sa+)da:Be*+ S%a$$ B$ac# & G)e
Emma Kie!&ek, A$!o!a Ta##oo
Be*+ La)ge C'$')
Pe#e! O&, 7 "#a! Ta##ooing
Be*+ Ne Sc''$/O$d Sc''$
Bill% Ha%, C$"#om Inc
Be*+ Of Da
John Ande!#on, Neme"i" Ta##oo
Sda:
Be*+ S%a$$ C'$')
Leah Mo$le, Sea! S#$dio
Be*+ P')+)a+ Rea$*%
Emma Kie!&ek, A$!o!a Ta##oo
Be*+ La)ge B$ac# ad G)eTon% Boo#h, Dab" Ta##oo
Be*+ Of Da
Leah Mo$le, Sea! S#$dio
Be*+ Of S'
John Ande!#on, Neme"i" Ta##oo
28. 29.
30.
31. 32.
34.33.
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75/100
INSURANCE
WORLD
5/25/2018 Total Tattoo 201305
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76 T+a( Ta++ Ma#a6%*!
B Ma#+ M%""(%*
T%+$% /%" %&/+3 +# W"/"* +"* /a//++&/ b"$&*&/% /%" %"a&3 &*'"! Ma! (*4" S/""*) Wa$*", a*A"&a* & "#+" /a$%/ b3 %" %ba*!-/+-b"
G &* 1907, /%" #&/ # /&" +#"&+*a a B&/+-b+*J"&" K*&$%/. J"&" /a/"! /a//++&*$ &* 1921, %"* %" a17, a*! +'"! &* /%" /a!" */& /%" 1980. F+ +" /%a*%a# %" a"" %" a /%" +*3 #"a" /a//++ a/&/ &* /%"UK, **&*$ %+ &* Ba3, A!"%+/ a*! P+/+/%. S%"a+ /a//++"! %" a&! K&*$ E!a! VIII b"#+" %" a"/+ /%" /%+*". I*1955 %" /++' "+*! a" &* L+*!+*6C%a&+* Ta//++ A/&/ +# A E*$a*! +"/&/&+*, a/ a/&" %"* /%"" "" a/ b"/ #&" # /&" +"*/a//++&/ a/ +' &* /%" US a*! E+" +b&*"!.
J!//%! K*%#$ (!a*! $! a! "+) $!
"a$!, a /a%(+, $!* $! !! (%%*# %*
Ba, S+$ Wa(!/, a* c+*%*! +* $!
+* $!* $! !*! + /!a. H! /!a"a%*#
c(%!*/ '*! $! a/ G%/!%*a, a *%c'*a)!
c+*"!! b Ia(%a* "%!*/. 8L%"! a/ $a %*
$+/! a/, /$! +( The Aldershot News.
8B b/%*!// /!!)! + %c' a"! I ++'
+!. Ta++%*# $a a(a/ %*!!/! )! a*
) "a$! a#$ )!. M%* +, c(%!*/ !!
a'!* abac' a "%/ + /!! /+)!+*! /+
+*#. B $! #+ /! + %.
T$+#$ /$! a/ a (+*! +)a* %* a )a*/
+"!//%+*, J!//%! $a (!* +" "!)a(!
c(%!*/. Ac$%a( $++/ /$+ $! %*'%*# a(a#! !ac+c' +* a +)a*/ bac', a b!"(
+* a*+$!/ $%#$ a* a "(+! a+* a
b!a/. A 1952 B%%/$ Pa$7 "%() ca((!
Woman Tattooistac'/ "%! +)!* %*
*%"+) !*!%*# K*%#$/ A(!/$+ /$+ +*
a F%a *%#$. W!a%*# a $%! (!*!c'
a* #(a//!/, $! c( a' $a% ((! bac'
%* a ba!!, J!//%! a++/ a b!a /+ +*
+*! +)a*/ "ac!, $!* "!!$a*/ a b%
b!a%*# a :)+$! ba**! +* $! a) +"
a*+$! . 8W$a will$! #%(/ $%*' +" *!4?
$! *aa+ )a!(/.
T$! #a*a#$! +" $! &+*a(%/ a*
+! E.A. L!)%!! K*%#$, J!//%! +! $!
L!)%!! K*%#$ "a)%( c!/ +* $! bac',
a++! b $! "a$!. S$! a(/+ $a a C!(%c
c+// +* $! /$+(! a* a /%! +* $!
$%#$. S$! #! %* a c%c/ "a)%(, +'%*#
%* b+$ !!/%a* a* /$a-/$++%*# ac/.
T%c! $! "a$! acc%!*a(( /$+ $!;
)%ac(+/(, /$! a/* /!%+/( %*&!.
S$! a/ c(+/! + $! b+$!, V%c+, a (a//+
a%/ $+ a%*! "+) $! a#! +" !%#$, a*
+! %$ $%) a/ a /%! ac %* $! 1930/.
I* 1933, /$! a* $! /%/! a!a! %* $!
"%/ c%c/ !"+)a*c! + b! /$+* +* $!
*!( (a*c$! BBC. W!a%*# !(!#a*
F!*c$ %// %* $!% $a% a* /%)/%/,
$! /!! a/ a#!/ %* a '*%"!-$+%*#
+%*! !"+)! b $! b+$!-%*-(a.
5/25/2018 Total Tattoo 201305
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T*/a' Ta//** Ma"a4$) 77
D$)" J$5 (a) dcad a /# *)'
*(a) /a//**$/ $) /# UK, a )(b *!
A($ca) *() b"$))$)" /* (a&
/#$ (a& $) /# US. M$'dd H'', K)$"#/5*)' c*)/(+*a $) /# 1920, *&d
$) a bab#*+ *) T# B* $) N
Y*& C$/, b/ /# /* (a$c& )
(/. R/# W'a)d / + #*+ $) Sa)
Fa)c$c* $) /# 530 a)d **) #ad
c*(+/$/$*) !*( a//ac/$*)-/)d-
/a//**$/ B*bb L$ba. A) a/$/ &)*)
a Pa$)' N'' #'d a )a-(*)*+*' *)
Sa) D$"* /a//**$)" d$)" a)d a!/ /#
Sc*)d W*'d Wa, ))$)" a (a) a !$
#*+ a/ *)c. J$ K)$"#/ *'d )*/ !$)d
a !''* B$/$# +$*) )/$' /# 1960,
#) # c$d a '// !*( W$))$
A $)$$)" ab*/ a %*b. T# /**&d /*"/# $) J$5 #*+ !* a !
a, )/$' A *+)d # *) +'ac $)
A'd#*/.
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78 T+/a Ta//++ Ma#a%*!
B3 /$!*, B%/%$ +!* ! b!"+!
A!%ca* !! /a/%*# /+ $+ /$!%
/a//++ %* b%c . I* 1956, UPI (U*%/! P!
I*/!*a/%+*a) $a !+/! /$a/ a /a//++
ca! a 7/$!a/!*%*# /+ a'! B%/a%* a
*a/%+* +" /a//++! +!*.8 T$!3 !!
"a$%*# /$!% a/ !ac+c', /%#!, +%!
/a a* +%ac %#* +* b!ac$! a* a/
%%*# ++ a* !+/. Ja*!/ R/3
(*! F%!) S'! b!ca! /$! +/ +%*!*/
c+!c/+ %* B%/a%*, a* /%a/!3 ca%! a
G%**! W+ R!c+. S'! a! a !%aa$ %* 1964 a a 20 3!a-+ a3 %a/!
$!* $! a "+b%!* "+ $+%*# a*3 +"
$! 62 /a//++ %* *%"+, a* +b&!c/!. S$!
a/! /++' /a//++%*#, !a*%*# "+ $!
"%a*c, B% S'!. L%'! $! "%!* J!%!, $! a
a !b! +" /$! !#!*a3 B%/+ Ta//++
Cb.
"+ !"/ /+ %#$/: %c$ %*#%*, ! '!, &!%! '*%#$/, a c$%!"!3
5/25/2018 Total Tattoo 201305
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T!&al Ta&&!! Magaie 79
I 1968, Je%%ie $e&'$ed &! Ba$$+ &! maage
he$ b$!&he$/% h!'%e )hile he )a% a& %ea a% a
%hi"/% c!!k, ad &a&&!!ed &he$e '&il &he
1980%. He$ )!$k i% m'ch be&&e$ d!c'me&ed
&ha &ha& !f he$ Ame$ica c!&em"!$a$ie%.
He$ g$ea& e"he), Neil H!"ki-Th!ma%, !)%
"h!&!% !f he$ &a&&!!% ad l!&% !f he$ !$igialfla%h, al!g )i&h he$ machie% ad he$ dia$ie%.
Hi% a$chi(e% icl'de %h!&% !f he$ hea(il+
%haded eagle%, )$i&hig %e$"e&%, Sc!&&i%h
dace$%, a dai&+ #'ee, ad l!!%el+ de%iged
fl!$al m!&if%. He$ "ecil d$a)ig% e*"l!$e
c!l!'$ )i&h a %'b&le&+ %he c!'ld/& achie(e !
%ki, ad he$ ligh&e$ &!'ch ! "a"e$ "$!d'ced
%"$igh&l+ female "i$a&e% %&$addlig $!"e% ad
ach!$%, gei%ha%, ad &$agic, &$a#'il Ch$i%&%.
Je%%ie/% lie )a% fl'id ad g$acef'l, b'& he$
fig'$e% )e$e %&iff ad &hei$ "$!"!$&i!% )e$e
%!me&ime% a li&&le !ff. He$ #'i$k+ me&h!d !f
!'&liig de%ig% '%ig a ma&ch%&ick di""ed i
ik &! d$a) image$+ di$ec&l+ !&! clie&% ma+
e*"lai )h+ he$ &a&&!!% a$e hea(ie$ &ha he$
delica&e fla%h. She )a% e(e$ &he i!(a&!$ ad
%he de%iged machie% made f$!m d!!$bell
mechai%m%. A clie& &a&&!!ed b+ Je%%ie )he
%he )a% 65 $emembe$% he$ ligh&ig a ma&ch
ad h!ldig !'& &he flame bef!$e %he %&a$&ed.
I d! &hi% &! %h!) +!' &ha& I ha(e a %&ead+
had e(e a& m+ age, %he e*"laied.
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80 T'+a$ Ta++'' Maga!&e
P'+'* 'f Je**!e *' e *+$!*$ de**ed !&
''$ *#!+*, *ea+e* 'e c!* c'$$aed
*!+*, +a!$'ed de**e* !+ b++'& de+a!$ a&d
!!&g, a&d *'%e+!%e* *!+*, ea* +'
c'&+e +e *+ee'+!&g *e e&c'&+eed a*
a +a++''!*+, !c *e de*c!bed !& a 'e%
+a+ *!e* !& e d!a:
I am a tattoo artist, as such I !on m# fame,
And I%e certainl# coered a lot of groundIn the old skin diggin% game.
I%e tattooed here, I%e tattooed there, I%e
tattooed nearl# eer#!here
The# call me this, the# call me that, the# call
me a ampire and a nast# cat.
but a Tattoo Artist I%ll al!a#s be,
if it%s good enough for others then it%s good
enough for me.
That ole skin diggin% gets m# bread,
So I%ll go on diggin% till I%m dead.
Se acce+ed +ade* f' +a++''* f'%
c$!e&+* ' c'$d&5+ a. O&e *c
e/ca&ge 'dced +e g& *e *ed +'
*''+ a&d !&"e e ab*!e *ba&d,
Mac', af+e a+c!&g !% #!c# e
be$'ed d'g d'& +e *+a!*. Se ad
*ffeed *!/ %!*ca!age* d!&g a* %a&
ea* 'f %a!age, a&d $a+e $ea&ed Mac'
ad %a!ed e &de a fa$*e &a%e. (Se
ad, f'+&a+e$, #e+ e 'fe**!'&a$&a%e.) Ne!$ H'#!&-T'%a*, ' #&e
Je**!e &+!$ e dea+ !& 1994 a+ &ea$ 90,
*a* +e *''+!&g 2a&+ed3 e f' $!fe; !+
a$*' $a&ded e b!ef$ !& a *c!a+!c
'*!+a$. K&!g+ efee&ce* +e !&c!de&+ !&
'e% ca$$ed A& Age 'f K&'$edge5, !c
*e '+e '& +e 'cca*!'& 'f e 60+
b!+da:
Si"t# summers and si"t# !inters
I hae seen
And no! I !onder !here the#%e gone and
!here I%e been
For suddenl#, I feel someho!,
I%e jumped the blood# lot.
In spite of all the incident,
the hell, !hat hae I got?
Si"t# summers and si"t# !inters
and memor# lane,
To !ander do!n and lie the $dreams%
all oer again
And tear m# hair and rant about
the pott# things I%e done
And !onder about [!hat] might
hae been if I hadn%t bought that gun
What a pit# for someho!,
I think that !as m# lot.
H'#!&-T'%a* e%e%be* Je**!e K&!g+
a* 2a $'e$, ca!&g e*'& ' a$a* +
'+e* bef'e e*e$f, '*e '&$ ege+
a* +a+ *e d!d&5+ ae c!$de&.3 Se +'$d
!% *+'!e* 'f e '+f$ ade&+e* &'+
"*+ !& +a++''!&g, b+ a$*' !& %*!c a$$* a&d
c!c* ac+*. 2I *ed +' $'e $!*+e&!&g +' e,3
e *a*. 2Se a* a '%a& a aead 'f
e +!%e. Ee& e& *e a* '$d, *e ad
a e f'ad-$''#!&g a&d '+f$
'+$''#.3
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82 Total Tattoo Magaz ine
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Total Tattoo Maga#ine 83
Our shocase for paintings, draings and design ork b" the most creative tattooists on the planet.This month Fingers D$tt, Sahili Bob%s, SedenIf "ou ould like us to consider "our ork, please send e!amples to :Pri!ate Vie", Total Tattoo Maga%ine, PO Bo# 10038, Sdbr$, Sffolk, CO10 7WL, UK
5/25/2018 Total Tattoo 201305
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84 Total Tattoo Magaz ine
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Total Tattoo Magazine 85
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86 Total Tattoo Magaz ine
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please mention total tattoo when replying to adverts please mention total tattoo when replying to adverts
5/25/2018 Total Tattoo 201305
88/100
88 $/ $ M$*$6 :%.
H!( (!&ld *!& de$c#ibe *! $%*le?
O+ $, I (9( +$9( $ 6/(? I' 65(. I $ 6 635( % $// *(5(6 ) $5 $ $// 6/(6 )
$* = $ I ( $* $// 656 ) 35(6. M /5 :5 6((6 %( 6(+*
+$ $+(6 3(3/('6 (( % I 5($// > : :+$ I :/ $// "6/(". +( *6 I / 3
$5( +( (6 :+ 5 $ % ) (9(5+* $ 3 +(5 : :6 = *6 /( C5 N556
$ J()) G*(. I $635( %( $ 65*, :(//-5(, 9(56$/( $56.
Wh! iked *!& f!# %he fi#$% %ime ad (h! ga'e *!& *! m!$% #ece% %a%%!!?
M )56 $ :$6 $ /( ) $ 6$5( +($5 +$ I +$ ( % $ * $ S'6 $ O5$*(
C, C$/)5$, :+( I :$6 18. M 6 5(( $ :$6 ( % +( $$
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Total Tattoo Magazine 89
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90 Total Tattoo Magaz ine
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91To"al Ta""oo Maga(ine
Has winning Best Ink changed your
life?
Ye, i" ha been o$e%helming ) b#" I'm "ing
"o adj#" [laughs]. Being on "he ho% %a a
poi"i$e e&peience o$eall. I me" and
befiended lo" of a"i" and i" alo bo#gh"
me an infl#& of ne% clien", %hich i ac"#all
%h I did "he ho% in "he fi" place. I am $e
"hankf#l fo "ha". I didn'" "o"all change m
life"le o pend all "he pi(e mone onome"hing idic#lo#. I in$e"ed i" and #ed i"
"o b# a bea#"if#l beach ho#e. I feel bleed
"ha" %inning "he ho% enabled me "o do "ha".
I am alo fo"#na"e "o ha$e made lifelong
fiendhip %i"h ome of "he ca" membe.
Roman Abego, Ale&i Ko$ac and Jon Mea
ae all no% ome of m deae" fiend. We
con"in#e "o hang o#" and do con$en"ion
"oge"he. Vatos locos fo life!
Do you go to a lot of conventions?
Do you like to travel?
I do "a$el q#i"e a bi". I lea$e home a" lea"
once a mon"h fo a con$en"ion o on mall
$aca"ion "ip %i"h m %ife, famil, o fiend.
I like an ad$en"#e, o an chance I ge" "o
j#mp on a plane "o ome%hee cool... I'm in.
I lo$e "o "a$el!
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92 Total Tattoo Maga#ine
Have you seen any changes in the tattoo industry that concern you?
I guess the main thing that bugs me is that there are so man" tattooers out there no, doing bad
tattoos out of their homes or garages. The" are destro"ing skin and the" are also destro"ing the
integrit" of this industr" that I love so much. That's a shame. I kno I am "oung and part of the
neer ave of tattoo artists, but I feel like there are just too man" people out there doing it for
the rong reasons.
Do you have any advice for young tattooers?
Get into a shop and learn the right a" to tattoo. A traditional apprenticeship is the best a" to
learn ho to tattoo ell and in a safe, sterile a". Dra ever" da", take some art classes to
e!pand "our artistic abilities, and sta" open minded. Be illing to learn and ork reall", reall"
hard.
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94 Tal Ta Maga-i!e
Whats the weirdest thing anyone has asked you to tattoo?
I ge hi& $(e&i! a l a!d, be h!e&, he a i&!' ha *ei%d. I *a& he lcai!
f i ha *a& (!(&(al. I *a& j(& a! dd e+#e%ie!ce f% e. I had a clie! ce i! a
&h# I *%ked a ea%& ag. She &h*ed e a bi%h a%k ! he% b(. I lked %e like
a ligh b%(i&e ha! a!hi!g el&e a!d &he &aid &he *a& eba%%a&&ed b i & &he *a!ed
c)e% i *ih a %ed hea%. I *a& i! a! dd ! ce!e%ed, a!d ! i!. We e!ded (#
#(i!g a gd &i-ed hea% ! !e f he% /cheek&" a!d i *%ked *ell. I *a& j(& diffe%e!
a!d, a& fa% a& ai!g ge&, i *a& #laced ! he bd )e% &%a!gel. I *a& ha## *ih i,
h(gh. J(& %i#& e (.
And one final question: What kind of music do you listen to while
tattooing? Have you inked a lot of musicians?
I li&e! all &%& f (&ic. I' a !e%d a!d I like li&e!i!g e)e%hi!g f% deah eal
ja--, cla&&ical e+#e%ie!al. I c!&ide% &elf a %ck 0!1 %ll kid, h(gh. I l)e i all.
I ha)e bee! able a a b(!ch f cl (&icia!& )e% he ea%&. M&l g(& f%
)a%i(& eal a!d %ck ba!d& like Ha&e The Da, The W%d Ali)e, Slee#i!g Wih Si%e!&,
Black Veil B%ide&, A Saic L(llab, L*e% Defi!ii!, Da&hell, a!d Chid&. I like ai!g
ba!d d(de& beca(&e I #laed (&ic f% ea%& a!d I e!j alki!g &h# *ih he. Pl(&, he
al*a& ha)e cl &%ie& f% he %ad.
London, where can we find you?
I %eg(la%l #& !e*& a!d %a)el i!f%ai! ! *eb&ie a!d &cial edia acc(!&.
M *eb&ie i&: www.theartoflondon.com
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please mention total tattoo when replying to adverts please mention total tattoo when replying to adverts
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T%*a" Ta**%% Maga/$e 97
T% f$d %+( $ea(e)* )*%c!)*, )#&" e-#a" %+(
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A"" de*a") c%((ec* a* *#e %f g%$g *% &(e))
4.20TTM103
Ma 2013
Artist Feature
IvanaTattoo Art
A unique creative talent
The ae(a" a(* %f
SageC&$ha!
OliverJerroldThe tattoo traveller
Artist Feature
Domantas
ParvainisPushing the boundaries of realism
Tattoo Shows
The Sc%**)hC%$e$*%$
M%$da" d+Ta*%+age
B+da&e)*C%$e$*%$
M&g$h"%Ma(*$ f(%#F"a#$g G+$
Private ViewDarren Wright
Gallery PlusTa**%%) *% #a!e%+( #%+*h a*e(
B+da&e)* C%$e$*%$
Da((e$ W(gh*
D%#a$*a) Pa(a$)
Ia$a Ta**%% A(*
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Wha" %o#ld 'o# ea" fo 'o# la"
meal on ea"h?
H$g $a. M !$+e $f %$ i e!! #$# i#
he h$%.
If 'o# %on "he lo""e' %ha" i "he
fi" "hing 'o# %o#ld b#'?Fi c!a ice $ Ja%a#, " %ii*a!
h$"e!a#d. E+e# ih he !a#g*age baie I
i""ediae! fe! a h$"e i# T$$. Ja%a# i a
c*!*e $f c$#a ha ha e% "e
e#ha!!ed f$ "a# ea.
Who %o#ld pla' 'o# in "he mo$ie of
'o# life?
If e*eci$# a %$ib!e, I2d !ie i $ be
T$hi$ Mif*#e 0 b* i' "$e !ie! $ be
Bia# he d$g f$" Fa"i! G*.
Wha" ong %o#ld be "he o#nd"ack
"o 'o# life?
M*ic f$ Eighee# M*icia# b Se+e Reich.
Diffic*! a#d c$"%!e, ih "a# !ae, i
iiae he b*gge $* $f "$ %e$%!e.
A#d, a h$e h$ #$ "e ca# ae,
I ha+e a i"i!a effec.
Wha" %o#ld 'o# #pe po%e be?
Thi#i#g bef$e I %ea (a hec*!ea# a f$
"e). Th$*gh, ha+i#g aid ha, a#ei#g hi
&*ei$##aie ha ae# "$e h$*gh ha# I
i"agi#ed i $*!d.
Wha" achie$emen" ae 'o# mo"po#d of?
I# " %e$#a! !ife i2 " $#. He i a $#g-
i!!ed a b$h "e a#d " ife. I' a j$ $ ee
hi" dic$+ei#g he $!d a$*#d hi". I# "
%$fei$#a! !ife i $*!d be ecei+i#g
c$"%!i"e# f$" Ja%a#ee Ie/*"i "ae
ab$* " $.
Wha" i 'o# bigge" ege"?
I ge#ea!! d$#2 d$ ege; !ife i $$ h$ a#d
I a!a $ f$c* $# he "$"e#. If e
%e# "$e i"e c$#ce#ai#g $# he hee
a#d #$, ahe ha# ihi#g f$ a e*# $he 1g$$d $!d da2 "abe e $*!d !i+e i# a
bee $!d?
Wha" i 'o# fa$o#i"e "a""oo "ha"
'o# ha$e done and %h'?
The fi b$d*i I fi#ihed !a ea. I a
he %iece ha ea!! he!%ed "e gai# a dee%e
*#dea#di#g $f Ie/*"i. I a he a$$
ha a " $ c$"e $f age a#d e#ab!ed
"e $ de+e!$% " feeha#d ech#i&*e. I $e agea dea! $ " c*$"e f$ %*i#g $
"*ch faih i# "e.
Wha" keep 'o# a%ake a" nigh"?
I ca# !ee% %e "*ch a#hee, $ #$hi#g
ea!!. A!h$*gh $"ei"e idea f$ a$$ $
%ai#i#g i!! d$ i.
Wha" i "he be" leon life ha
"a#gh" 'o#?
If $* d$#2 a, $* d$#2 ge. Mae hi#g
ha%%e#. Sii#g a$*#d aii#g f$ 1$* hi%2
$ c$"e i# i $"eha %$i#!e. Gab !ife
a#d i#e i f$ a!! i' $h ih$* d$i#g
ha" $ $he.
Ho% %o#ld 'o# like "o be
emembeed?I'd !ie $ be e"e"beed a e!iab!e a#d
bei#g a aigh a!e. A!h$*gh bei#g
e"e"beed i!! be e#$*gh.
Finih "hi en"ence:
Ade i... a!a eachi#g $* +ai$* a
$f "ai#g hi#g c$"%!icaed f$ hi"e!f, b*
h$ a# a# ea !ife?
mugshotWe ak "a""ooi" ome pobing q#e"ion and enco#age
"hem "o e$eal a diffeen" ide of "hemel$e!
Thi mon"h
AdeNine Ta""oo S"#dio
Ne&" Mon"hMa"in Co"h%ai"eFlaming G#n
Ge $* $# T$a! Ta$$ M*g f$"%%%."o"al"a""oo.co.#k
98 T$a! Ta$$ Maga/i#e
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