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Volume 26 November • December 2017 Number 6
w w w . A r t A c c e s s . c o m
TM
FALL/WINTER EXHIBITIONSOCT. 14 THROUGH FEB. 4
Featuring:
ROBERT McCAULEY:AMERICAN FICTION
Robert McCauley, Meanwhile in Another Part of the Forest, 2011, oil on canvas on panel. Sears-Buxton Collection, Promised Gift to BIMA.
2 ArtAccess.com © November • December 2017
Writ
e of
Way
There Goes the NeighborhoodI was remembering something I heard the other day. Two women were sitting on the bus discussing how much Seattle has changed. “When they tore down the Lusty Lady,” one of them said, “I thought to myself, now there goes the neighborhood.”
I whipped out my pen. This probably crosses all kinds of old-school lines for some, but when I see or hear something that affects me, I don’t reach for my phone. I’m a writer. I don’t see the point of not writing. There’s still something to be said for letting emotional reactions fill the pages of a notebook.
Then I overheard: “No, I’m not doing eyelash extensions. I have a lot of self-doubt. But not about my eyelashes.”
I was all ears. Excessively-long eyelashes are everywhere lately, so I love it when someone has the guts to push back against the latest trend that makes us feel like our faces are a problem to be fixed.
My friends and I talk a lot about this, how sometimes we just have to push back against popular trends, beauty and otherwise, when we know things have gone too far.
Take this morning. At two in the morning I pushed back. I pounded on my neighbor’s door.
Wait, did I say “neighbor?” Because I don’t have a neighbor. I used to have a neighbor. His name was Dean. We shared a wall for a six years. We looked out for each other. I was surprised, outraged, when his landlord served him notice in order to turn his apartment into a vacation-rental.
Apartment by apartment, my Belltown building has become less of a vertical neighborhood and more of a hotel.
I was working in San Francisco when vacation rental regulations were a city-wide debate. In the Mission, I went to listen to a group of Latinos talk about losing their hotel jobs. Not to work in hotels, not to have hotel jobs, is an incomprehensible way to live for these working people. VRBO/Airbnb is affecting their livelihood in ways — many ways — that I hadn’t thought about.
Talk about coincidence. On my way home, I stopped at a bar in Noe Valley where a man argued, “No one’s going to tell me I can’t rent my place in the city by the week while I’m at my ranch in Wyoming.”
Now, there were at least three other things this man said that made me see how his argument summed up perfectly all the contradictions and inequities of contemporary life. How those with less charmed lives, without a spare house, or even a spare room, still need to work in exchange for a paycheck.
Still, I doubt the man who is buying up condos in our building in order to turn them into short-term rentals would consider himself someone who is contributing to the lack of affordable housing, but, in a less talked-about way, he is. And it’s funny, because the Airbnb promotional materials like to boast how you get to live “in a real neighborhood.”
The trend is everywhere.
When my friend and her infant son needed to find an apartment in Port Townsend, there were only four long-term rentals available. Yet, on the same town’s vacation-rental websites, there are hundreds of listings.
And, try as I might, I cannot see a real neighborhood in that.Marylou SanelliSanelli, author and speaker, lives in Belltown. Visit www.marylousanelli.com
3ArtAccess.com © November • December 2017
“I think one’s art goes as far and as deep as one’s love goes.”
~ Andrew Wyeth (1917-2009)American Painter
ListingsM
aps
P u b l i s h e rDebbi Lester
Helen Johanson, Greg Miller, Reed Aitken, Karen Stanton, Gregory Hischak, Gwen Wilson, Alec Clayton, Sean Carman, Deloris Tarzan Ament, Tom McDonald, Elizabeth Bryant, Susan Platt, Molly Norris, Cheryl H. Hahn, Ron Glowen,
Adriana Grant, Kathy Cain, Clare McLean, Molly Rhodes, Milton Freewater, Erica Applewhite, Meg McHutchison,
David John Anderson, Rachella Anderson, Lauren Gallow,Kim Hendrickson, Christine Waresak, Eleanor Pigman,
Edie Everette, Katie Kurtz, Tammy Spears, Shauna Fraizer, Chris Mitchell, Ron Turner, Mitchell Weitzman,
Steve Freeborn & Tia Matthies, Bill Frisell & Carole d’Inverno, Bainbridge Island Museum of Art, Schack Art Center,
Frye Art Museum, Henry Art Gallery, Bellevue Arts Museum, Museum of Northwest Art, Portland Art Museum,
Allied Arts of Whatcom, Alliance for Pioneer Square, Doris Lester, Teresa Cassady, Joey Lester (Happy Birthday),
Danny Lester, Debbie & Richard Vancil, Ryan, Corbin & Georgie, Madeline (Happy Birthday), James, & Cayden
S p e c i a l T h a n k s
C O N T E N T STHE MONTHLY GUIDE TO THE ARTS
FEATURESWrite of Way…Mary Lou Sanelli 2
Andrew Wyeth: In Retrospect…Lauren Gallow 6
Editoon…Edie Everette 8
Poetry…Mike Dillon 10
VISUAL ARTAnacortes, WA 11Bainbridge Island, WA 11Bellevue, WA 14Bellingham, WA 14Edison, WA 16 Edmonds, WA 17Ellensburg, WA 17 Everett, WA 18Friday Harbor, WA 18Issaquah, WA 19Kingston, WA 19Kirkland, WA 19 La Conner, WA 20Mercer Island, WA 21Port Orchard, WA 21Port Townsend, WA 21Poulsbo, WA 22Seattle, WA • Ballard 23• Columbia City 23• Downtown 24• First Hill 25• International District 26• Mount Baker 26• Pioneer Square 26• SODO 30• University District 30Tacoma, WA 31
MAPSBainbridge Island, WA 11Kirkland, WA 19Poulsbo, WA 22Seattle, WA • Downtown Seattle, WA 25• Pioneer Square 27• Tacoma, WA 31
Features
Bainbridge Island Museum of Artexhibits through February 4:
“American Fiction”Paintings and assemblage by Robert McCauley
“The Hammer and the Peony”Jewelry and objects by Nadine Kariya
“Smile”Paintings and drawings by Frank Renlie
“Out Here” & “Strata”Paintings by Paul Polson
“Serve”Sculpture by Lucy Congdon Hanson
“Artist’s Books - Chapter 12: Taking Issue” (Collection of Cynthia Sears)
A R T A C C E S SVolume 26 Number 6
Art Access(888) 970-9991
[email protected] 4163 • Seattle, WA 98194
Listing in Art Access is a paid service. The charge for 60 word listing per month is $39 or $45 with map placement, if available.
The Initial map placement fee is $35. Image(s) with the listing: $110 each. Limit 3.Submission and payment are done online: www.artaccess.com/submitprintad
Jan/Feb info & payment due December 10
Nadine Kariya • “Moonflower Bracelet”Argentium sterling silver, fine silver, shakudo,
18k gold, 14 k gold, diamondsCourtesy of Facèré Jewelry Art Gallery
Bainbridge Island Museum of Art • Bainbridge Island, WA
Bainbridge Island Museum of Art550 Winslow Way • (206) 842-4451
Daily: 10 A.M.-6 P.M.Free Admiss ion
www.biartmuseum.org
4 ArtAccess.com © November • December 2017
artist John Smither with his art installationCore Gallery • Seattle, WA
artist Dawn EndeanShift Gallery
artist Susan GansGallery 110 •
artist Nadine Kariya with her art jewelryBainbridge Island Museum of Art
(L-R) artists/beloveds Kathryn and Ron Glowen with Kathryn’s “Mr Moisture” prints
Perry/Carlson Gallery • Mt Vernon, WA
(L-R) artists Suzanne Tidwell and Paul D. McKee with their installaion
METHOD Gallery , WA
Robert McCauley with his paintingBainbridge island Museum of Art
artist Žanetka K. Gawronski with her paintingCore Gallery • Seattle, WA
artist Adrian Arleo with her sculptureAbmeyer + Wood Fine Art
Seattle, WA
artist Tracy Lang with her artBainbridge Arts & CraftsBainbridge Island, WA
artist ChelseaZinc Contemporary
artist Krista LutzCore Gallery
Sabrina Knowles and Jenny Pohlmanwith their art • photo: Amy Roberts
Schack Art Center • Everett, WA
artist Kevin Wilson with his artworksNorthwest Encaustics • West Seattle, WA
artist Renee Jameson with her artIsland Gallery
Bainbridge Island, WA
Lucy Congdonwith her 14-foot
Bainbridge Island
artist Fernando Sanchostands with his photograph
Good Arts Building • Seattle, WA
5ArtAccess.com © November • December 2017
artist Tomiyuki Sakuta stands among his printsDavidson Galleries • Seattle, WA
artist Lynn Brofsky with her artworkRoby King Galleries • Bainbridge Island, WA
with her artwork• Seattle, WA
with her artwork• Seattle, WA
curator Pam Junker with a Wyeth paintingSeattle Art Museum • Seattle, WA
artist James Arzente with his photographsGallery 110 • Seattle, WA
artist Shawn Huckins with his painting Foster/White Gallery • Seattle, WA
artist Reid Ozaki with his ceramicsBainbridge Arts & CraftsBainbridge Island, WA
artist Z.Z. Wei stands next to his paintingPatricia Rovzar Gallery • Seattle, WA
Wong• Seattle, WA
artist Ed Kamuda with his paintingHarris/Harvey Gallery • Seattle, WA
artist Lillian PittStonington Gallery • Seattle, WA
with her photographSeattle, WA
artist Raven Skyriver holds his glass sculpture
Stonington Gallery • Seattle, WA
HansonsculptureMuseum of Art
(L-R) artists Tom Small and Kappy Trigg
Waterworks GalleryFriday Harbor, WA
(L-R) arts writer Katie Kurtz and artist Gary Faigin
Andrew Wyeth: In RetrospectSeattle Art Museum
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Seat
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In August 1949, LIFE Magazine published a four-page spread on Jackson Pollock with the headline, “Is he the greatest living painter in the United States?” This was virtually unheard of – never before had a magazine l ike LIFE g iven over so much real estate to a visual a r t i s t . L e t a l o n e t o s o m e o n e a s provocative as Pollock, nicknamed “Jack the Dripper” for his novel style of drip painting.
T h a t s a m e y e a r, t h e M u s e u m o f Modern Art (MoMA) in New York purchased a paint ing by Andrew Wyeth, a contemporary of Pollock’s. In a unanimous decision, the museum’s board purchased Wyeth’s modest-s ized pa int ing f rom a New York gallery for $1,800 – then considered a major sum for a painting. That work, “Christina’s World,” still hangs in the permanent collection at MoMA.
However, not long after buying it, MoMA seemed to cast the painting aside. Today, “Christina’s World” hangs on a wall in a back hallway leading to the bathrooms. If MoMA’s t rea tment o f the pa int ing i s any indication, Wyeth has become an outcast, a figure on the periphery of American modernism.
How did this happen? How did Pollock become the star of modern art history while Wyeth was relegated to the sidelines? In an exhibition of over 100 paintings and sketches, “Andrew Wyeth: In Retrospect” at the Seattle Art Museum seeks to bring Wyeth back to the forefront. Though for many, he never really left.
Over the course of his 75-year career, Wyeth was by all accounts a very successful painter – his works were hugely popular with the American p u b l i c , w h o c r a m m e d i n t o h i s
exhibitions at museums and galleries throughout the late 20th century. “Christina’s World” has become one of the most recognized images in American art, as much an American icon as Grant Wood’s “American Gothic.” Wyeth’s portrait of Helga Testorf entitled “Braids” from 1977 has even been nicknamed “The American Mona Lisa.” In fact, a case could be made that Andrew Wyeth was the greatest living painter in the United States during the mid-20th century, not Pollock.
Many critics certainly felt this way. As one critic wrote in 1963, “In today’s scrambled-egg school of art, Wyeth stands out as a wide-eyed
Andrew Wyeth: In RetrospectSeattle Art Museum
Andrew Wyeth • “Winter,” 1946, tempera, 31.38 × 48 inches© Andrew Wyeth / Artist Rights Society, North Carolina Museum of Art, Raleigh
Seattle Art Museum • Seattle, WA
Andrew Wyeth • “The Drifter,” 1964drybrush watercolor, 22.5 × 28.5 inches
© Andrew Wyeth / Artist Rights Society, Private CollectionSeattle Art Museum • Seattle, WA
7ArtAccess.com © November • December 2017
radical. For the people he paints wear their noses in the usual place, and the weathered barns and bare-limbed trees in his starkly simple l a n d s c a p e s a r e m o r e r e a l t h a n reality.” For those who felt alienated and confused by the increasingly abstract nature of American modern art, Wyeth represented a breath of fresh air. His paintings begged – and still beg – to be read like books. Their stories and characters spill out beyond the frame, traveling between canvases in a twisting, turning, ever-evolving narrative. His evocative scenes of spooky farmhouses, empty fields, and mysteriously shored boats read like scenes from a movie – one where the dramatic tension has been cranked all the way up.
The SAM exhibition sets the stage for this eerily epic, sometimes salacious narrative to unfold. Opening with an introduction to Wyeth’s characters and scenes, the exhibit’s first room features a portrait of Wyeth’s wife Betsy next to a second portrait of his longtime neighbor Karl Kuerner. T h e r o l l i n g h i l l s a n d Vi c t o r i a n farmhouses of Wyeth’s hometown of Chadds Ford, Pennsylvania are also introduced – a place that looms large throughout his work, standing almost as a character itself.
Explaining these people and places and lay ing bare h is sources , the exhibit offers a new depth to Wyeth’s work. For many viewers, Wyeth’s characters may come to life here for the first time. When viewed alongside the preliminary sketches and wealth of expository material unearthed by curators Patricia Junker of SAM and Audrey Lewis of the Brandywine River Museum of Art, the people and places in Wyeth’s paintings become multilayered and complex. The exhibit ion also explores oft-overlooked aspects of Wyeth’s work, such as his fascination with film and the stories of his many African-American subjects.
Ultimately, what the exhibition makes clear is that this narrative aspect of Wyeth’s work is what continues to draw people into his strange world. It is a narrative dripping with drama – mysterious deaths, secret mistresses, and dark familial tragedies. It is the narrative of Andrew Wyeth the person. It is the story of his life and the people and places he saw along the way – carefully and painstakingly observed in his meticulously crafted paintings.
More than that , though, i t is the story of Wyeth’s inner world. The exhibition reveals that far from thedispassionate illustrator he is often accused of being, Wyeth was in factfiltering his world through a very opaque lens. A lens of desire and grief, longing and confusion, ownership and helplessness. To look closely at his paintings is to distinguish this lens, to see how it shaped Wyeth’s own perceptions of his world. I t reminds us that we, in turn, bring our own distinct lens to the people and places we encounter. Like Wyeth, we are each crafting stories about the experiences of our lives. This is what makes us human.
This reminder of our shared humanity helps explain Wyeth’s continued relevance today, 100 years after his birth and despite continual shunning from the art world. While the high modernists of MoMA ultimately put the i r money on abs t rac t ion and artists like Pollock, it doesn’t make Wyeth’s realist style any less valid or meaningful. “Christina’s World” may still be hanging next to a bathroom – MoMA wouldn’t even lend it to be included in this show – but the painting remains one of the most captivating images in the canon of American art, and Wyeth one of its greatest artists.
Lauren GallowLauren Gallow is an arts writer, critic, and editor. You can read more of her work at www.desert-jewels.com/writing.
“Andrew Wyeth: In Retrospect” is on view through January 15 at the Seattle Art Museum, located at 1300 First Avenue in Seattle, Washington. Hours are Wednesday, Friday through Sunday 10 A.M. to 5 P.M.; Thursday from 10 A.M. to 9 P.M.; and closed Monday & Tuesday. For more information, call (206) 748-9287 or visit www.seattleartmuseum.org.
Andrew Wyeth • “Braids,” 1977, tempera, 16.5 × 20.5 inches © Pacific Sun Trading Company / Artist Rights Society,
Courtesty of Frank E. Fowler and Warren Adelson.Seattle Art Museum • Seattle, WA
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Poet
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Paul HoriuchiNorthwest Master – 1906-1999
In his new country, after long struggle,after enough money finally trickled in,the artist built a home on a Seattle hilllooking over Lake Washingtonto the erect snows of Mount Rainier.
Mount Fuji, in his childhood world, rose beyond Lake Kawaguchi. He’d come full circle.The Japanese have a word, natsukashii,for a longing that runs deeper than mere nostalgia.Immigrants and exiles of all times understand.
And so he made his life among natural affinities:the intricacies of saltwater, rocky shores, misted pines. Salmon as sacred to the Puget Sound tribes as to the Ainu.Kuroshio, the Japanese current, brushes the West Coastwhere Basho is also at home.
Every year the now honored artist returned to Japan.Near the end, in Seattle, he wondered aloud if he dreamed in Japanese. The boy who left home at fourteen had arrived at a borderless countrywhere there was only one lake. One mountain. .Mike DillonIndianola, Washington
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VISUA
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nacortes • Bainbridge Island, W
ashingtonW A S H I N G T O N
A N A C O R T E SACME CREATIVECOFFEE BAR & GALLERY705 Commercial Avenue • (360) 399-6333 • Tues-Sat: 8 A.M.-4 P.M., Sun: 12-4 P.M. • [email protected] • www.acmecreative.co Entrances, Exits and Entropy In November, ACME Creative Gallery presents an exhibit of etchings by Skagit Valley artist Brian Cypher. The suite is an exploration of abstract forms culled from his practice of automatic drawing. The etchings reveal a world of various states of being; matter becoming, objects decaying, and energy transformation. Through November. Luminous Holiday Pop-Up Shop ACME Creative shows an exhibit of functional crafts by curator Evie Opp of The Business in Anacortes. The show features Nikki McClure, P.W. Elverum & Sun, 112 James Street, Afterword, Barnacle Bags, Isador, M. Bueno Pottery, Satterwhite Quilts, Randy Walker, Faith Coloccia, Evie Opp, and more. Through December.
SCOTT MILO GALLERY420 Commercial Avenue (across from the Majestic Hotel) • (360) 293-6938 • Mon-Sat: 10:30 A.M.-4:30 P.M. and by appointment • [email protected] • www.scottmilo.com Come view new nautical oils by Jane Wallis. Also showing are oils by Matt Dollahite, Jan Jewell, and Joanne Shellan and pastels by Amanda Houston. Also on view is a new selection
of sculptures, glass, jewelry, and custom wood pieces. Reception: Friday, November 3, 6-9 P.M. November 3-28. Featuring vibrant acrylics by Jennifer Bowman, still life photos by Randy Dana, photos on canvas by Lewis Jones, encaustic paintings by Marilee Holm, pastels by Christine Troyer, and photo encaustic on panels by Kathy Hastings. Also available is a great selection of artistic gift items. Reception: Friday, December 1, 6-9 P.M. December 1-January 30.
BAINBRIDGE ISLAND
Nancy Reithaar • “Great Blue Heron No. 7”monotype and collage, 30 x 22 inches
Bainbridge Arts & Crafts • Bainbridge Island, WA
BAINBRIDGE ARTS & CRAFTS151 Winslow Way E. • (206) 842-3132 • Mon-Sat: 10 A.M.-6 P.M., Sun: 11 A.M.-5 P.M. • [email protected] • www.bacart.org An avant-garde Seattle printmaker, Nancy Reithaar, and innovative Port Townsend wood turner, Helga Winter, featured mixed media depictions of shorebirds and other wildlife in vivid colors and textures, and freestanding bowls. Through November.
Bainbridge Island Map
Winslow Way East
Madison Ave. N
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Ferry to Seattle
B A I N B R I D G E I S L A N D
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Ferncliff Ave.
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21. BARN (Bainbridge Artisan Resource Network)2. Bainbridge Arts & Crafts3. Bainbridge Island Museum of Art4. Blackbird Bakery5. The Island Gallery6. Roby King Gallery Information
KiDiMu
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Wyatt Way
City Hall
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The BPATheatre Bainbridge
IslandHistorical Museum
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Madison Ave. N
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New BrooklynMadison Ave. N
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Three Tree Lane NE
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BARN@BAC: Print + Glass Bainbridge Art isan Resource Network presents work in the mediums of glass and printmaking for the annual juried “BARN@ BAC” exhibit. Through November. All that Glitters Must be Sold BAC is filled with a plethora of giftable artworks representing a wide range of size, mediums, and price points. Cover every art and jewelry lover on your list! Featuring Brooke Borcherding, Morgan Brig, Jennifer Caldwell, Garrison Coverdale, Katy Gilmore, Gretchen Hancock, Pascale Judet, Merilee Moore, Kim Murton, Janusz Pozniak, and Selene Santucci. Through December.
Robert McCauley • “Origin of the Species”oil on canvas, Private CollectionBainbridge Island Museum of Art
Bainbridge Island, WA
BAINBRIDGE ISLAND MUSEUM OF ART550 Winslow Way • (206) 842-4451 • Daily: 10 A.M.-6 P.M. • Bistro: 9 A.M.-3 P.M. • Free Admiss ion • [email protected] • www.biartmuseum.org Bainbridge Island Museum of Art exhibits through February 4: Robert McCauley: American Fiction A major solo exhibition featuring over thirty-five paintings and assemblage works from the 1990s to the present by Robert McCauley. McCauley (Mount Vernon) returned from the Midwest in 2008 after a distinguished teaching career.
Nadine Kariya • “Kingfisher, Caught Between
Man’s God & Mother Nature (narrative necklace),” mixed media, Collection of the Artist
Bainbridge Island Museum of ArtBainbridge Island, WA
The Hammer and the Peony Seattle metalsmith Nadine Kariya presents elegant designs and stories in jewelry and small functional objects. Smile Frank Renlie (Lake Forest Park) paints what is in his head, and one cannot he lp but smi le . Inc ludes over twenty-five paintings from his studio and regional collectors. Artist’s Books: Chapter 12 - Taking Issues (Sherry Grover Gallery) From the Cynthia Sears collection, book artists address issues important to them across the spectrum of social and political ideas. Out Here & Strata Paul Polson (Poulsbo) presents regional landscape paintings in oil, plus sedimentary layer paintings which can be viewed as either stacked histories or alternate dimensions. Serve Lucy Congdon Hanson (Por t Townsend) reveals her 14-foot fork of fabricated stainless steel, plus other sculptures from two series.
BLACKBIRD BAKERY210 Winslow Way East • (206) 780-1322 • Mon-Fri: 6 A.M.-6 P.M., Sat: 6:30 A.M.-6 P.M., Sun 7 A.M.-6 P.M. • [email protected] • www.blackbirdbakery.com Seeing Skiing Differently P h o t o g r a p h e r C h r i s t o p h e r Wingfield shows images of skiing shot in film. No massive cliff hucks or half pipes. No grinding walls or helicopter shots. Using old school film, shooting without the luxury of digital display and then developing
List your art exhibitin Art Access
for a mere $39 per monthand reach 11,000 readers
13ArtAccess.com © November • December 2017
the rolls of film in his kitchen sink all make up a different kind of skiing photography. Through November. Brooke Borcherding features her a l ternat ive whi te ser ies of acrylic paint ings that s t r ip away, c o v e r, replace and dance with the absence of color. As quite the deviation from her representational landscape paintings, these works yie ld an explorat ion i n t o t h e c a l m a n d contemporary abstract. Through December.
BLOEDEL RESERVE7571 NE Dolphin Drive • (206) 842-7631 • Tues-Sun: 10 A.M.-4 P.M. • Recalibration Bloedel’s “Art in the Dining Room” Series presents “Recalibration” by Local Bainbridge Island artist Fatima Young’s wonderful art work. Young’s work captures the still moments such as when light catches a leaf or when the water in the pond lies as still as glass. Through December 3. For more information, visit http://bloedelreserve.org/ http://bloedelreserve.org/event/fatima-young-recalibration.
Samuel Ortiz Alvarez • “Girl with Parrot”photograph on paper, 14 x 12 inches
Gallery at Grace • Bainbridge Island, WA
GALLERY AT GRACE8595 Day Road East • (206) 842-9997• Tues -Fr i : 9 A .M. -4 P.M. , Sun: 8 -11 A .M. , and by appo in tmen t • www.gracehere.org Our Silent World This photography project for deaf children on Ometepe, Nicaragua is jointly sponsored by the Bainbridge Ometepe Sister Islands Association (BOSIA) and the Bainbridge Island Photo Club. The purpose of the project is to give these children the opportunity to express themselves creatively to the
deaf and hearing communities on both islands. Through December.
Begona Rentero • “Bainbridge Island,” paper, mixed media
The Island Gallery • Bainbridge Island, WA
THE ISLAND GALLERY400 Winslow Way East, #120 • (206) 780-9500 • Tues-Fri: 11 A.M.-6 P.M., Sat: 10 A.M.-5 P.M., Sun: 12-5 P.M., Closed Mondays • [email protected] • www.theislandgallery.net Art for the Home Fifteen gallery artists exhibit new work—ceramics, furniture, prints, and fiber—that inspires and provides functionality for daily living. Reception: First Friday Artwalk, November 3, 6-8 P.M. with Jenny Davis Jazz Duo. 15! Island Gallery celebrates 15 years of collaborating with unique and talented artists from near and far. One of the special artistic creations to commemorate the occasion is “Bainbridge Island” by Begona Rentero, noted jewelry artist from Spain. Reception: First Friday Artwalk, December 1, 6-8 P.M. with performance by Ranger and the Re-Arrangers playing Gypsy Jazz.
Brian Fisher • “Kodama”monotype with gold leaf, 12 x 12 inches
Roby King Galleries • Bainbridge Island, WA
ROBY KING GALLERIES176 Winslow Way East • (206) 842-2063 • Tues-Sat: 10 A.M.-5:30 P.M.
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Roby King Galleries…
• [email protected] • www.robykinggalleries.com
Denise Kester • “Journey Boat”monotype, 27 x 21 inches
Roby King Galleries • Bainbridge Island, WA
Two printmakers, Brian Fisher and Denise Kester, explore mythological themes and dreams of or relating to the human spirit. Known for imagery based on Greek mythology, Fisher’s body of work also depicts imagery of the “Green Man,” symbol of growth and rebirth. Kester’s monotypes are expressions of dreams, “stories that I dream and that dream me.” November 3-25. Reflections This invitational exhibit explores “Reflections.” Interior compositions may examine reflection in glass or metallic surfaces while an exterior scene may study the reflection of water, ice. Capturing reflective surfaces is a challenge and always adds a dimension which is most exciting. Artists featured include: Cheri Christensen, Max Hayslette, Pam Ingalls, and more.Opening Reception: First Friday, December 1, 6-8 P.M. December 1-30.
BELLEVUE
BELLEVUE ARTS MUSEUM510 Bellevue Way NE • (425) 519-0770• Weds-Sun: 11 A.M.-5 P.M., Free First Friday: 11 A.M.-8 P.M. • $12 Adults, $10 Seniors/Students/Military, $30 Family, $5 Teen Tix, Children Free under 6 • www.bellevuearts.org Itinerant Edens: A Measure of Disorder An ambitious new installation by Walter McConnell presents a series of elliptical vitrines bearing nude male figures set in landscapes of moist red clay. Sealed in terrarium-like enclosures, his work addresses
the relationship between nature and culture. Through February 11. Searching for Home Humaira Abid’s first solo museum exhibit offers an intimate look at the humanitarian consequences of the worldwide refugee crisis. Drawn from personal accounts documented by the artist, the exhibition tells the story of the collateral victims of naturaldisasters, persecution, or politicalconflicts—a disproportionate number of whom are women and girls. ThroughMarch 25. Making our Mark: Art by Pratt Teaching Artists One of BAM’s most ambitious group shows to date, “Making our Mark” is a commemorative exhibition celebrating the 40th anniversary of the Pratt Fine Arts Center with work from over 250 Pratt teaching artists throughout the organization’s influential history. November 10-April 08.
B E L L I N G H A M
Frank Frazee • “Night Eyes”acrylic painting
Allied Arts of Whatcom County • Bellingham, WA
ALLIED ARTS OF WHATCOM CO1418 Cornwall Avenue • (360) 676-8548 • Mon-Fri : 10 A.M.-5 P.M., Sat: 12-5 P.M. • [email protected] •www.alliedarts.org Who’s There? Allied Arts of Whatcom County’s 2017 Gallery Series is continuing with “Who’s There?” An exciting show that features figurative work by painters Frank Frazee and Shawna Morris as well as stone sculptures by Ruth Mueseler. This exhibit also features small works in cases by Bellingham Metal Arts Guild members. November 3-25. Holiday Festival Showcase This annual Holiday Festival of the Arts has been a Whatcom County
tradition for 38 years and this year, in addition to the festival taking place at 4145 Meridian Street, there is also a showcase of fine art and craft by select Holiday Festival vendors at Allied Arts downtown gallery. December 1-20. 38th Annual Allied Arts Holiday Festival of the Arts 4145 Meridian Street, Bellingham Allied Arts of Whatcom County invites you to celebrate the season with the 38th Annual Holiday Festival of the Arts—a five week long festival featuring the work of over 100 local artisans and craftspeople. November 17-December 24.
WHATCOM MUSEUM Old City Hall Building, 121 Prospect S t r e e t , T h u r s - S u n : 1 2 - 5 P. M . • Lightcatcher Building, 250 Flora Street, Weds-Sun: 12-5 P.M. • (360) 778-8930 • Admission: $10 general, $8 student/senior/military, $4.50 children under 5 • [email protected] • www.whatcommuseum.org Lightcatcher Building: Art of the American West Highlights of the Haub Family Collection on loan from the Tacoma Art Museum contains 75 artworks by prominent artists who influenced views of the American West. Artists
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include: Maynard Dixon, Georgia O’Keeffe, Thomas Moran, Frederic Remington, and more. Art spans from 1790 to today. Through January 7. People of the Sea & Cedar: The Story of the Coast Salish Tribes A jou rney th rough the t r i ba l cultures and history of the Northwest C o a s t s h a r e s t h e h i s t o r y a n d art of Northwest Coast native people, b l e n d i n g b o t h h i s t o r i c a l a n d contemporary perspec t ives . See historic photographs and artifacts from the collection, watch video clips of local native artists, listen to Lummi language audio recordings, and more. Ongoing.
E D I S O Ni.e.5800 Cains Court • (360) 488-3458 • Fri-Sun: 11 A.M.-5 P.M. and by appointment • [email protected] • www.ieedison.com
Jane Alynn • “Old Chief Joseph Gravesite”zone plate photograph, gelatin silver print
9.75 x 9.75 inchesSmith & Vallee Gallery • Edison, WA
SMITH & VALLEE GALLERY5742 Gilkey Avenue • (360) 766-6 2 3 0 • D a i l y : 11 A . M . - 5 P. M . • i n f o @ s m i t h a n d v a l l e e . c o m • www.smithandvalleegallery.com Otherwise In this exhibit, Smith & Vallee Gallery
features three Skagit Valley artists. Jane Alynn is a fine art photographer whose haunting black and white, silver gelatin prints escape the literal and evoke a sense of the fragile, fleeting, ephemeral.
Natalie Niblack • “Funnel Cloud”graphite on paper, 50 x 41 inches
Smith & Vallee Gallery • Edison, WA
Natalie Niblack’s current work reflects a pervading sense in accelerated c h a n g e i n o u r c u l t u r e , c l i m a t e , environment, politics, and war, which she expresses in a variety of media.
Margaret Davidson • “Birch III”pen/Ink on rag paper, 19.75 x 14 inches
Smith & Vallee Gallery • Edison, WA
Margaret Davidson is an artist and illustrator. Davidson’s focus in her drawings is on the subtle and reciprocal relationship between the mark, surface, illusion and reality. She works on various art papers, and also draws on found materials such as wooden sticks, desiccated leaves, and wooden
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bowls. Artist Reception: Sunday, November 4, 5-8 P.M. Artist Talk: Sunday, November 18, 4-5:30 P.M. November 3-26.
Lucy Mae Martin • “Stone Cold (Snowman), stone, epoxy,tree branches, found objects, 7 x 3.5 x3.5 inches
Andrew Vallee • “Portraits of a Stone” variety of wood species, sizes varySmith & Vallee Gallery • Edison, WA
10th Annual Arts Invitational: Objectification10 It’s that time of year again! Join Smith & Vallee Gallery for its “10th Annual Arts Invitational: Objectification 10,” which focuses on functional and 3-dimensional artwork. This unique exhibit, showcasing over 40 artists, is curated as a revolving show, designed for holiday gift giving that supports the arts! Artist Reception: Sunday, December 2, 5-8 P.M. December 1-31.
E D M O N D S
CASCADIA ART MUSEUM190 Sunset Avenue, Suite E • (425) 336-4809 • Weds-Sun: 11 A.M.-6 P.M. • [email protected] •www.cascadiaartmuseum.org Territorial Hues: The Color Print and Washington State, 1920-1960 Now featuring the culmination of 30 years of work from curator David Martin, “Territorial Hues” delves into the development of the color print and its relation to Washington state through many well known print artists such as Glen Alps, Elizabeth Warhanik, and the Chase Brothers.
FRANCES ANDERSON CENTER700 Main Street • (425) 771-0230 • Mon-Fri: 9 A.M.-7 P.M., Sat: 9 A.M.-2 P.M. • [email protected] o m • w w w. e a f f o u n d a t i o n . o r g • www.edmondsartscommission.org EAFF Gallery/EAC Display Case: Modern abstracts by Jan Tervonen. November 6-December 14.
Sno-Isle Library Art Exhibit Area: Presenting the art of d’Elaine Johnson. November 1-December 15. EAFF Gallery/EAC Display Case: Selected works from Edmonds Arts Festival Foundation Collection. December 20-January 30. Sno-Isle Library Art Exhibit Area: Representational paintings by Angela Bandurka. December 18-January 31. For information about exhibits, even t s , and c l a s se s , v i s i t www.artworks-edmonds.org. For further information about the organizations visit www.eaffoundation.org and edmondsartscommission.org
E L L E N S B U R G
GALLERY ONE 408 N Pearl Street • (509) 925-2670 • Mon-Fri: 11 A.M.-5 P.M., Sat: 11 A.M.-4 P.M., Sun: 12-4 P.M. • [email protected] • www.gallery-one.org Main Gallery & Mezzanine: Annual Holiday Exhibit Featuring hand-crafted goods by regional artisans in wood, ceramics, jewelry, textiles, and more. Eveleth Green Gallery: N.I.C.E Art Show Highlighting art ists who have suffered from head trauma. Hallway Gallery: State of the Art - Jason Clifton Showing new works in aerosol paint and acrylics. Reception: Friday, November 3, 5-8 P.M. November 3-25. December continues the Annual Holiday Exhibit with new works in the Eveleth & Hallway Galleries. Main Gallery & Mezzanine: Annual Holiday Exhibit Featuring hand-crafted goods by regional artisans in wood, ceramics, jewelry, textiles, and more. Eveleth Green Gallery: Eveleth Blue New works by resident artists of Gallery One. Hallway Gallery: Kindess Project A collaboration with the Ellensburg School District. Reception: Friday, December 1, 5-8 P.M. December 1-30.
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Heidi Lambert • watercolorSchack Art Center • Everett, WA
SCHACK ART CENTER2921 Hoyt Avenue • (425) 259-5050• Mon-Fri: 10 A.M.-6 P.M., Sat: 10 A.M.-5 P.M., Sun: 12-5 P.M.• [email protected] • www.schack.org • Admission: General $10, Students/Seniors, Members, Ages 7-18, and Military $5, Children under 6 Free, Free Most Mondays except Labor Day Holiday Art Show Showing new works by Signature Members of Northwest Watercolor Society, as well as ceramics and glass by regional artists. Opening Reception: Thursday, November 16, 5-8 P.M.Sponsored by Rubatino Refuse Removal, Inc. November 16-December 31.
F R I D AY H A R B O RWATERWORKS GALLERY315 Argyle Avenue • (360) 378-3060 • Mon, Thurs, & Fri: 10 A.M.-5.30 P.M., Sat: 10 A.M.-4 P.M. • [email protected] • www.waterworksgallery.com
Tis the Season This 32nd Annual Holiday Show features new work by gallery artists, fabulous jewelry, and objects for the holiday gift giving season. November 17-January 6.
Michael Peterson • “Coastal Stack XV”wood sculpture
San Juan Islands Museum of Art • Friday Harbor, WA
SAN JUAN ISLANDS MUSEUM OF ART540 Spring Street • (360) 370-5050• Fri-Mon: 11 A.M.-5 P.M. • admin@s j i m a . o r g • w w w. s j i m a . o r g • Admission: $10 for 19 years+ Dialogs from the Forest From Rocky Outcroppings The final exhibit of the “Dialogues from the Forest” series explores and honors the natural resources of the Northwest landscape. Printmaker Jean Behnke, sculptor Michael Peterson, and photographer Peter de Lory transform their explorations into personal statements of celebration and genuine concern. Through November 6.
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Arboreal Beauty Gore Fuss says of her art, “Every character in the forest is connected to the whole. We form a complex, integrated organism…I try to capture some of that feeling, beauty, and energy.” Through November 6. Burnt Lee Imonen on his art, “This puts into visual form our dependence on natural materials, and our need to balance our consumption of these resources.” Through November 6.
I S S A Q U A HARTEAST ART CENTER95 Front Street North • (425) 392-3191 • Mon: 11 A.M.-3 P.M., Tues-Thurs: 11 A.M.-7 P.M., Fri-Sat: 11 A.M.-8 P.M., Sun: 12-5 P.M. • [email protected] • www.arteast.org Have a Cup of Creativity An exhibition of functional, ceramic cups in partnership with Pottery Northwest. Featuring work by Pottery Northwest’s resident artists and a juried selection from artEAST members. The collective result is an impressive array of cups, from whimsical and humorous to industrial and modern. Reception: Thursday, November 2, 7-9 P.M. Through November 15. artEAST Members Show Blakely Hall, Issaquah Highlands This curated annual exhibit presents the talented artEAST membership. Subject matter is wide open to attract a broad range of work and mediums from some of the best established and emerging artists. Reception: Wednesday, November 15, 6-7:30 P.M. at Blakely Hall, 2550 NE Park Drive, Issaquah, Washington. November 8-January 16. artEAST Opens the Vault The gallery artists are filling the classroom and exhibit walls with quality a r t a t $ 5 0 , $ 1 0 0 , a n d $150 regardless of size. Opening Reception: Friday, November 17, 7 - 9 P . M . T h r o u g h December 31.
K I N G S T O N
CRESCENDA GALLERY9321 NE Highway 104 • (360) 297-4223 • First Sundays: May-October 1-5 P.M. or by occasion and appointment • [email protected] • www.crescendagallery.com Selected Annual collective exhibition of a variety of unique, original art selections from the amazing artists Crescenda Gallery gratefully represents. Opening: Saturday-Sunday, November 11-12 1-5 P.M. Join in for great art, pastries, snacks and beverages. Give the gift of art from the heART during this season of giving. Free shuttle from Kingston Ferry dock. For more information, visit www.crescendagallery.com
K I R K L A N D
Jean Burnett • “Night on the Mountain”digital art, 10 x 8 inches
Parklane Gallery • Kirkland, WA
PARKLANE GALLERY130 Park Lane • (425) 827-1462 • Tues-Sun: 11 A.M.-7 P.M., Fri: 12-8 P.M.,
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Second Friday Art Walk 5-8 P.M. •[email protected] • www.parklanegallery.com November featured art ists are Henk Dawson, Kimberly Adams, and Carole Weaks. Artists’ Reception and Kirkland Art Walk: Friday, November 10, 5-8 P.M. November 6-December 3. This is Now Created by Henk Dawson using the latest painting media to image references of what is happening now. Dawson takes the viewer to experience meaning, hope and joy. Color Me Happy Finger painting artist, Kimberly Adams , employs thick swir ls of textured paint in her collection of vibrant landscapes taking viewers on an adventure through impressionistic interpretations of nature. Nature Alive in Metal and Stone Jewelry artist and metalsmith, Carole Weaks, creates with fossils and stones. Her cuff bracelets in copper and silver feature images from nature. National Juried Winter Show of Small Works Big things come in small packages. That’s certainly true of the art in Parklane Gallery’s National Juried Winter Show of Small Works in December. Surprise yourself or someone else with a gift of art with wonderful works from far and near. Reception, Awards, & Kirkland Art Walk: Friday, December 8, 5-8 P.M. December 5-January 7.
LA CONNER
ART’S ALIVE! 2017Maple Hall, 104 Commercial Street • (360) 466-3125 • Friday, November 3, 5-9 P.M.; Saturday, November 4, 10 A.M.-6 P.M.; Sunday, November 5, 10 A.M.-4 P.M. • [email protected] www.artsalivelaconner.com A r t ’ s A l i v e ! i s presented by La Conner Arts Commission celebrates its 33rd year on Friday-Sunday, November 3, 4 & 5 with regional, local, and featured artist Ann Chadwick Reid. Reception: Friday, November 3, 5-9 P.M. at Maple Hall, located at 104 Commercial Street, La Conner,
WA. Invitational exhibit, open show, and live music continue on Saturday, November 4, 10 A.M.-6 P.M. and Sunday, November 5, 10 A.M.-4 P.M.
Mel Katz • “Ribbons 1”oil on wood, 48 x 94 x 3/4 inches
Museum of Northwest Art • La Conner, WA
MUSEUM OF NORTHWEST ART 121 South First Street, P.O. Box 969, La Conner, WA 98257 • Sun & Mon: 12-5 P.M., Tues-Sat: 10 A.M.-5 P.M. • (360) 466-4446 • Free admission • [email protected] • www.monamuseum.org Choices Mel Katz p r e sen t s pa in t ings and sculptures born out of Abstract Expressionism. His rectangular canvases refuse to hold their subjects as curves expand beyond the picture frame. Katz also presents sculptures that remain modern not only for the time to their making but also today. Through January 7. Submerge Standwood-based glass ar t is t Raven Skyriver presents marine animals inspired by his Puget Sound surroundings, Skyriver continuously pushes the boundaries of glass blowing in shape, size, and color to present his viewers life-like representations of salmon, whales, and other aquatic creatures. Through January 7. Panel Discussion: Saturday, November 4, 2 P.M. Hidden Narrative Featuring permanent collection artworks, that true to the title, have a meaning that might be unknown at first glance. Viewers are encouraged to use Visual Thinking Strategies and fact-based observat ion to f ind out more. Observations are shared via engagement panels. Through January 7. Tours: November 17 and December 15, 3:30-4:30 P.M.
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MERCER ISLAND
Owen Hall • “Cannon Beach”watercolor, 11 x 15 inches
MIVAL Gallery • Mercer Island, WA
MIVAL GALLERY 2836 78th Avenue SE • (206) 619-6276 • Weds-Sat: 12-6 P.M., Sun: 12-4 P.M. • [email protected] • www.mival.org Mercer Island Visual Arts League’s Annual Holiday Show Mercer Island Community & Event Center, 8236 SE 24th Street This traditional event presents over 40 local artists’ paintings, photographs,ceramics, jewelry, and many fine holiday gift items. Opening Reception: Thursday, November 2, 6-8 P.M. Through December 15. Dream States M I VA L G a l l e r y i s a t h r i v i n g community of local artists offering original artwork at affordable prices. Celebrate “Dream States” by viewing w o r k s b y 3 6 a r t i s t s : p a i n t i n g s , photographs, fiber arts, ceramics, jewelry, prints, glass, and artsy holiday items. Reception: Thursday, December 7, 5-8 P.M. December 7-23.
PORT ORCHARD
Sidney Museum and Art AssociationPort Orchard, WA
SIDNEY GALLERY & MUSEUM202 Sidney Avenue • (360) 876-3693 • Tues-Sat: 10 A.M.-4 P.M., Sun: 1-4 P.M., closed Mondays • [email protected] • www.sidneymuseumandarts.com Frames Down! Here is an opportunity to admire and
purchase unframed original artwork. The feature show for November is a mix of artists and media—something that everyone should enjoy. Reception: Sunday, November 12, 1-4 P.M. Come meet talented artists. November 1-18. Happy Holidays! This holiday show brings both art and crafts for review. Many of the gallery’s talented artists and volunteers bring fun, small items that you did not know you needed, in all media. Find the perfect holiday gift. November 21-December 24. Annual Member Meeting/Holiday Party: Saturday, November 25, 6-8 P.M.
PORT TOWNSEND
Krista Lutz • “Banded Together”
ceramic and wood, 12 x 12 x 4 inchesNorthwind Arts Center • Port Townsend, WA
NORTHWIND ARTS CENTER 701 Water Street • (360) 379-1086 • Thurs-Mon: 11:30 A.M.-5:30 P.M. • [email protected] • www.northwindarts.org
Jeff Olson • “Drift”
oil on canvasNorthwind Arts Center • Port Townsend, WA
Environmental Variations Ceramic and wood sculptures from Seattle artist Krista Lutz, contemporary landscapes from Seattle artist Jeff Olson, and panoramic photos from Whidbey Island artist Paul Shapiro.
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Art Talk: Sunday, November 5, 1 P.M.November 2-26. Small Expressions 16th Annual Juried Exhibit A juried exhibit of small format artworks showcasing a range of diverse media of jewelry, painting, sculpture ceramics, fiber, photography, and printmaking. Art Talk by juror Marie Weichman: Sunday, December 3, 1 P.M. November 30-December 30.
POULSBO
HISTORIC DOWNTOWN POULSBO’S ARTS DISTRICT SECOND SATURDAY ART WALKArt Galleries open daily and every 2nd Saturday until 8 P.M. year-round, for Art Walks! Come Gallery hop, shop, wine, and dine in charming historic downtown Poulsbo’s Arts District on beautiful Liberty Bay. You’ll find create-it-yourself studios, museums, a community theater, and the SEA Discovery Center. Come mingle with artists, eat great food, and enjoy. For information, visit www.HistoricDowntownPoulsbo.com, and www.FindPoulsbo.com.
FRONT STREET GALLERY 18881 Front St reet • (36 0) 598-6133 • Da i ly: 10 A.M.- 6 P.M. • [email protected] • frontstreetgallerypoulsbo.com Front Street Gallery Artists Holiday Show Front Street Gallery is a cooperative fine arts and crafts gallery showcasing original works by local artists. “Artists Holiday Show” highlights a distinctive collection of art featuring painting from traditional to contemporary,
f i ne woodwork ing, blown g lass, stunning jewelry, local photography, fiber, handmade folk art, sculptures and ceramics. November through December.
CARRIE GOLLER GALLERY 18801 Front Street • (360) 779-2388 • Weds-Sun: 11 A.M.-5 :30 P.M. • in fo@Carr ieGol le r.com • www.CarrieGoller.com Featuring a wide range of regional contemporary fine art, in all sizes, including paintings, mobiles, bronze/wood sculpture, and jewelry. From realism to impressionism, including sea/landscape, still life, figurative, nature, wildlife, plein air, and abstract. All mediums, including oil, encaustic, egg tempera, watercolor, and mixed media. Home of world renowned modernist, Max Hayslette. Visit us in Poulsbo, or shop online: www.CarrieGollerGallery.com.
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VERKSTED GALLERY18937 Front Street • (360) 697-4470 • Open Daily: 10 A.M.-5:30 P.M. • [email protected] • www.verkstedgallery.com This 30-year-old co-op art gallery has a lot to offer, with fine hand-crafted art from local artists. Look for beautiful pottery, stunning photography, mixed media jewelry, watercolors, and more. Over 35 artists and reasonable prices, the local gallery for you, since 1987.
S E AT T L E• Ballard •.
Alice Dubiel • “The Book of Shadows: Cosmic Egg 1”acrylic mixed media on canvas board, 6 x 4 inches
Planet Art • Ballard / Seattle, WA
PLANET ART2811 NW 93rd Street • (206) 782-7455 • classes, studio, and by appointment • a l i c e d u b i e l @ p l a n e t a r t . u s • www.planetart.us Planet Art is the studio of Alice Dubiel. Thunder and Lightning Press is a low toxicity studio; Barbara Bruch and Dubiel create print editions and offer workshops in collagraph and other printmaking techniques. For information and registration, see Planet Art Blog: http://planetart-alicedubiel.ghost.io/. Coming soon for Press business: www.thunderandlightningpress.info. Follow on Twitter @odaraia Course offerings in the new year appear via blog. About the artists: Barbara Bruch, MFA, studied with the late Glen Alps at UW. For over 45 years, she has offered courses and workshops in collagraph and other printmaking techniques. Alice Dubiel, visual artist and educator, is interested in critical theory, natural history and music, working over 35 years.
• Columbia City •COLUMBIA CITY GALLERY4864 Rainier Avenue South • (206) 760-9843 • Weds-Sun: 11 A.M.-7 P.M. • [email protected] • www.columbiacitygallery.com Guest Gallery: Dukkha and Liberation Co-curated by Kamla Kakaria and Romson Regared Bust i l lo . Through November 12. Main Gallery: Dreams of Being Showcasing artworks by Annie Moorehouse, Tara McDermott, Di Faria, and Juliette Ripley-Dunkelberger.Through November 12. Members’ Gallery: Featuring Carol Hershman, Karen Dedrickson, Olivia Zapata, Kate Harkins, Elinor Maroney, Bill Booze, Kathryn Booze. Artists’ Reception: Saturday, November 18, 5-7 P.M. November 15-January 7. Community Gallery: Eileen Fisher’s 5th Annual Chop Challenge In collaboration with the Columbia City Gal lery, this show features unique works of over 40 regional artists, including featured works by Janice Arnold, Marita Dingus, Anna Mahar, Elizabeth Jameson, Junko Yamamoto , Mary Coss , and Patti King. The community of artists have been called to transform damaged EILEEN FISHER textiles into something entirely new. The Chop Challenge embodies EILEEN FISHER RENEW’s commitment to be ing circular by design by addressing the wastefulness in the fashion industry. Where others see waste , we see possibility and look to a future in which the clothes we wear today become tomorrow’s raw materials. Reception: Saturday, November 18, 5-7 P.M. November 15-January 7. WineTastingandArtsBenefit Thursday, November 30, 6-8P.M. Join SEEDArts for this annual wine tasting and arts benefit! Savor six classic varietals, from bubbly to sauterne. Sommelier Kate Bond (former owner of Verve Wine Bar) enlightens us about their origins, flavor profiles, and how best to pair them
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Columbia City Gallery…with food. Yummy treats, live music! Get 10% off purchases on art and gifts during this event. A portion of sales supports SEEDArts.
• Downtown Seattle •
Sally Rawlings • “Autumn Color”watercolor, 9.5 x 6.55 inchesArt Stall Gallery • Seattle, WA
ART STALL GALLERY97 Pike Street • (206) 623-7538• M o n - S a t : 1 0 A . M . - 6 P. M . • www.artstallgallery.com Located in Pike Place Market: Seattle’s own since 1907, Art Stall Gallery has been a landmark gallery destination for 53 years. Local artists working in oil, acrylic, watercolor, and collage create fine art for collectors worldwide. Autumn’s True Colors Fourteen local artists celebrate the bountiful beauty, grace and glitter of the season! November 27-December 30.
Arlene Mraz • “Say What” pen and ink, 7 x 5 inches
Art Stall Gallery • Seattle, WA
All Mixed Up Local artist Arlene Mraz’s show features a variety of her mixed media art. Using hand-painted paper, paint, and some stitchwork she creates mixed up, mixed media collages that express her “no mistakes in art” attitude. December 1-28.
Christopher Mathie • “Intuition”mixed media, 24 x 36 inches
Gallery Mack’s Art Connection • Seattle, WA
GALLERY MACK’S ART CONNECTION2100 Western Avenue • (206) 448-1616 • Mon-Sat: 10 A.M.-5:30 P.M., Sun: 11 A.M.-5 P.M. • www.gallerymack.com Gallery Mack, an active leader in Seattle’s vibrant art scene since 1977, shows the finest in contemporary art—a variety of media: paintings, unique glass art, and an exceptional collection of stone and bronze sculptures suitable for both indoor and outdoor environments. Regionally, nationally, and in te rna t iona l ly recognizedartists are exhibited at all times. 43rd Annual Holiday Group Show Sunday, December 9, 3-7 P.M.
PATRICIA ROVZAR GALLERY1111 Fi rs t Avenue • (206) 223-0 2 7 3 • D a i l y : 11 A . M . - 5 P. M . • ma i l@rovza rga l l e ry. com • www.rovzargallery.com A Place to Dream Ivy Jacobsen shows new works in oil and resin on panel. With an admiration of nature at i ts heart , Jacobsen’s new works invite the viewer into imagined landscapes where dream-like compositions reveal natures healing properties and its possibilities know no bounds. Opening Reception: Thursday, November 2, 6-8 P.M. Through November 26. Celebrate Art 25 Year Anniversary Exhibition A group show featuring work that reflects the gallery’s silver anniversary. W h i l e t h e m e d i a d i v e r s e a n d their interpretation of twenty-five varied, all of the work exhibited is a reminder of the love and friendships that have been built and nurtured over this significant milestone. Reception: Thursday, December 7, 6-8 P.M. December 7-31.
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FRYE ART MUSEUM 704 Terry Avenue • (206) 622-9250 • Tues-Sun: 11 A.M.-5 P.M., Thurs: 11-7 P.M., Closed Monday • Admission always free • [email protected] • fryemuseum.org One Gray Hair Alison Marks creates contemporarymultimedia works using customary Tlingit forms, unexpected materials, and a wry sense of humor. In her first solo exhibition, she rejects the demand that Native artists produce only spiritual works, demonstrating that Indigenous identity is based as much on available materials as it is on tradition. November 11-February 4. Day Is Done Mike Kelley (American, 1954-2012)made his mark as one of the most significant artists of our time through his observations of American pop culture. “Day Is Done,” a feature-lengthmusical-film hybrid, is one of Kelley’ssignature constructions and exemplifies h i s d e s i r e t o e x p o s e t h e s o c i a l unconscious of American society. Through December 31.
Jenny Tucker • “Intersections in Kent”
Washington State Convention Center • Seattle, WA
WASHINGTON STATE CONVENTION CENTER705 Pike Street • (206) 694-5000 • Mon-Sun: 7 A.M.-10 P.M. • [email protected] • www.wscc.com Level 2 Galleria: Walking the Neighborhood: Images from Favorite WA Places A juried exhibition of fine art photography that highlights both the creativity of our state’s residents and those special Washington places, things,and people that inspire us to get on the move. Through March 2018
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• International District •
Gary Faigin • “The Water Cycle”acrylic on canvas, 40 x 30 inches
BONFIRE Gallery • Seattle, WA
BONFIRE GALLERY 603 South Main Street, Panama Hotel • (206) 790-1073 • Wed-Sat: 12-5 P.M. • www.thisisbonfire.com Inside Out Presenting new paintings by Gary Faigin. The studio of noted Seattle artist, teacher and writer Gary Faigin is brought to the gallery through new paintings, studies, and sketches revolvingaround the tension between the domesticand the urban, the organic and the artificial, those aspects of quotidian life that represent the cutting edge of change in our modern world. First Thursday Reception: November 2, 6-8 P.M. Through December 2. For more information, visit www.thisisbonfire.com.
• Mount Baker •
Maria Logan • “Egrets”ceramic tile mosaic, 8 x 8 inches
Mount Baker Community Club • Seattle, WA
MOUNT BAKER COMMUNITY CLUB2811 Mount Rainier Drive South • (206) 722-7209 • Sat: 10 A.M.-5 P.M., Sun: 11 A.M.-3 P.M. • http://artisantilenw.org
Artisan Tile Northwest presents their 12th annual show and sale of handmade t i le by 20+ Northwest artists featuring a wide variety of tile styles and techniques from classic to contemporary. Garden art and other ceramic work by these artists are also on display.
• Pioneer Square •
CAFE PALOMA 93 Yesler Way • (206) 405-1920 • M o n - S a t : 9 A . M . - 5 : 3 0 P. M . , Dinner: Thurs-Sat: 6-9:30 P.M. Open for First Thursday Art Walk • www.cafepaloma.com Cafe Paloma offers lunches and light dinners with a Mediterranean authenticity for over 20 years. Owner Sedat Uysal has hosted local fine art photography shows since he opened Cafe Paloma’s doors.
Jeff Olson • “Emerge”acrylic on canvas, 30 x 30 inches
Core Gallery • Seattle, WA
CORE GALLERY117 Prefontaine Place South • (206) 467-4444 • Weds-Sat: 12-6 P.M. • [email protected] • www.coregallery.org Spending Time Beneath the Surface Of his art, Steve Gawronski says, “The loneliness of a foundation or a hull is sobering. They thanklessly mitigate the dynamic transfer of forces every day.” Reception: Thursday, November 2, 6-9 P.M. November 1-25.
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“Beguiling Gambol” by Jeff Olson
Reception: Thursday, Nov 2, 6-8 P.M. Nov 1-25117 Prefontaine Place S. • Weds-Sat: 12-6 P.M.
Beguiling Gambol Featuring art by Jeff Olson. The beguiling dance of light and color on the surface of water reimagined as a painterly gambol of color. Reception: Thursday, November 2, 6-9 P.M. November 1-25. CORE Holiday Extravaganza Exhibiting painting, sculpture, works on paper, installation, and mixed media by CORE artists! Celebrate with CORE during this annual group show! Reception: December 7, 6-9 P.M. November 29-December 16.
Robert Marx • “Le Fleuron”oil-on-linen, 40 x 34 inches, photo: Timothy J. Fuss.
Davidson Galleries • Seattle, WA
DAVIDSON GALLERIES313 Occidental Avenue South • (206) 624-7684 • Tues-Sat: 10 A.M.-5:30 P.M., Davidson Galleries is closed and by appointment only from December 26-30 • [email protected] • www.davidsongalleries.com Another Place, Another Time Robert Marx has been a part of Davidson Galleries since 1973 and over the decades has produced remarkably empathetic and beautiful paintings, drawings, and etchings for the Davidson Galleries. This exhibition contains eleven new paintings with some his most haunting and moving imagery yet. November 3-December 2.
International Wood Engraving Invitational II December 7-23. By appointment only: December 26-30.
FOSTER/WHITE GALLERY220 Third Avenue South, #100 • (206) 622-2833 • Tues-Sat : 10 A.M.-6 P.M. • [email protected] • www.fosterwhite.com Wings Rooted in a profound admiration and understanding of avian life in the region, Tony Angell’s work patiently captures the dynamism of birds in motion while seeking his subject’s indescribable spirit. Angell does not strive solely for scientific accuracy, but rather for a depiction of the subject’s true self. Opens: Thursday, November 2, 6-8 P.M. November 2-25. Look Through My Things, Figure Me Out Casey McGlynn’s paintings are an invitation. With a title inspired by Kurt Cobain’s diaries, McGlynn’s newest body of work draws viewers into deeply personal scenes from his own autobiography. His paintings gesture toward a disjointed narrative concurrently familiar and strange, real and imagined. Opens: Thursday, December 7, 6-8 P.M. December 7-23.
David Haughton • “Kennedy Lake Short Winter Afternoon”acrylic on multimedia artboard, 11 x 30 inches
Gallery 110 • Seattle, WA
GALLERY 110110 Third Avenue South • (206) 624-9336 • Thu r s -Sa t : 12 -5 P.M. o r by appointment • [email protected] • www.gallery110.com West Gallery: Things In My Pockets A series of watercolor paintings by Stacy Milrany inspired by the deliberate choice to slow down and pay closer attention to the everyday, the ordinary and the often overlooked. November 2-December 2. East Gallery: George Brandt – Self Portraits November 2-December 2. Tell Your Own Story Yael Zahavy-Mittelman explores folk stories as a base for understanding
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the wor ld around us . November 2-December 2. “All the Best”—Gallery 110 artists and affiliates. December 8-30.
GALLERY4CULTURE101 Prefontaine Place South • (206) 263-1 5 8 9 • M o n - F r i : 9 - 5 P. M . , F i r s t Thursdays: 6-8 P.M. Closed weekends and holidays • www.4culture.org Production Valued Satpreet Kahlon challenges notions of what labor looks like and how value is created. Her immersive, interactive installation explores the racialized and gendered thinking that dictates our definition of the handmade. Opening: Thursday, November 2, 6-8 P.M. Closing: Thursday, December 7, 6-8 P.M. November 2-December 7.
GLASSHOUSE STUDIO311 Occidental S. • (206) 682-9939 • Mon-Sat: 10 A.M.-5 P.M., Sun: 11 A.M.-4 P.M., First Thursday: 10 A.M.-8 P.M. • [email protected]• www.glasshouse-studio.com Glasshouse Studio is Seattle’s oldest glassblowing studio showcasing a wide range of glass and custom lights with an emphasis on Northwest artists. Open daily and providing the unique opportunity to watch the glassblowing process from start to finish.
Guy Anderson • “Winter Dormant”mixed media, 96 x 72 inches
Christian Grevstad Gallery Space • Seattle, WA
CHRISTIAN GREVSTAD GALLERY SPACE312 Occidental Avenue South • (206) 938-4360 • Mon-Fri: 9 A.M.-4 p.m., or by appointment • [email protected] • http://christiangrevstad.com/occidental-gallery/ With the estate of Guy Anderson, the Gallery exhibits a number of works by Guy Anderson on an ongoing basis,
many of them not previously shown. Highly respected for his increasingly large, symbolic, mythic paintings, in later years he remains one of the legendary painters of the 20th Century.
PATH WITH ART312 - 2nd Avenue South • Mon-Fri: 9 A.M.-5 P.M. • [email protected] • www.pathwithart.org Fall Voices Showcase Seattle Art Museum, 1300 1st Ave Wednesday, November 1, 6-8 P.M. “Fall Voices Showcase” highlights the recent work of Path with Art students, including poetry, prose, performance, and song. This event is free and all are welcome! Winter Visions Please join Path with Art to celebrate the opening of its newest exhibit of student artwork. The exhibit includes work in a variety of media. This event is free and open to all! Thursday, December 7, 5-7 P.M.
SHIFT GALLERYTashiro-Kaplan Building, 312 South Washington Street • Fri-Sat: 12-5 P.M., First Thursday: 5-8 P.M., or by appointment • [email protected] • www.shiftgallery.org Groundswell Cynthia Hibbard probes the cryptic,intimate, and evocative messaging in multi-media, common ground imagery. Reception: Thursday, November 2, 5-8 P.M. November 2-25. The Art of Barbering Susan Tureck appropriated photos from a 1931 barbering textbook are recast in gouache and pencil drawings with vellum overlays. Reception: Thursday, November 2, 5-8 P.M. November 2-25. Ken Barnes continues exploring interesting forms in interesting stones. Reception: Thursday, December 7, 5-8 P.M. December 7-23. Anti Self-Help In her debut show at Shift, Robin Walker explores painting through traditional techniques and digital interactive media while questioning Western society’s strive for perfection. Reception: Thursday, December 7, 5-8 P.M. December 7-23.
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Janet Hamilton • “Night-time Connections”pastel, 11 x 10 inches
Women Painters of WA Gallery • Seattle, WA
WOMEN PAINTERS OF WASHINGTON GALLERYColumbia Center, 701 - 5th Avenue, S u i t e 3 1 0 • ( 2 0 6 ) 6 2 4 - 0 5 4 3 • Mon-Fri: 11 A.M.-4 P.M. • www.womenpainters.com Small and Powerful Size in the art world doesn’t matter, when it comes to quality. This exhibit of over 200 exquisite, small works by members of the Women Painters of Washington (originating in 1930) is a must see. View the work of this diverse, talented group and bring home a smalltreasure! Also see Women Painters of Washington paintings in Macy’s Skybridge Gallery.
Sunny Arms Artists Cooperative • Seattle, WA
• SODO •
SUNNY ARMS ARTISTS COOPERATIVE707 S. Snoqualmie Street • (206) 632-3207 • Sat, December 9 Only: 1-8 P.M. [email protected] • www.sunnyarmsartists.com Studios at Sunny Arms Artists Cooperative, live/work loft spaces in a historical building in SODO Industrial District, north of Georgetown, welcome the public for one-day-only event: Saturday, December 9, 1-8 P.M. See finished art works or works in progress in a var ie ty of media—pain t ing , printmaking, photography, drawing, mixed-media, sculpture, and fabric design. Chat with artists, visit with friends over light refreshments, buy art, and enjoy!
• University District •
JACK STRAW NEW MEDIA GALLERY4261 Roosevelt Way NE • (206) 634-0919• Mon-Fr i : 9 A.M.-5 P.M. • j [email protected] • www.jackstraw.org Mikawa Inspired by the haunting world of the ancient Japanese epic Tales of Ise, aritsts Garrett Fisher and Tori Ellison have created, “Mikawa,” which combines fiberoptic sculpture, sound, technology, and dance in an immersive exploration of longing, beauty, and the ephemeral. Choreographer Christy Fisher performs a dance inspired by the installation at Mikawa events. Closing Reception: Friday, December 8, 7 P.M. The Great Basin: Two Views This collaborative photographic exhibit by Ellen Sollod and Daniel Hawkins investigates the landscape
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of the Great Basin stretching from SE Oregon and Nevada to Southern Cal i forn ia . Us ing anachronis t ic technology and analog methods of processing, the artists endeavor to reveal the changing geology, the effects of climate change, and man’s impact on this landscape. November-February 28.
HENRY ART GALLERY15th Avenue NE & NE 41st Street • (206) 543-2280 • Weds, Fri, Sat, & Sun: 11 A.M.-4 P.M., Thurs: 11 A.M.-9 P.M., Closed: Monday & Tuesday • $10 general admission, $6 Seniors, Free to Henry Art Gallery Members, U.W. students, faculty, and staff with ID, children age 13 and younger • [email protected] • www.henryart.org The Time. The Place. Henry Ar t Ga l l e ry ce lebra tes its ninetieth anniversary with the first museum-wide exhibition of its contemporary collection, featuring artworks by an international roster of artists. These artworks address personal memories, collective histories, and the political forces that shape them. They evoke place as a physical site and as a condition of being—a psychological interior marked by qualities of belonging, longing, or displacement. November 4-March 25/April 22. The lower level galleries close on March 25. The upper level galleries remain open until April 22.
TA C O M ATHE ART STOP 940 Broadway • (253) 274-1630 • Tues-Fri: 9:30 A.M.-5:30 P.M., Sat: 9:30 A.M.-4:30 P.M. • [email protected] • w w w .ArtStopTacoma.com • www.ljewelers.com Showing fine, hand-made American craft in a variety of media and showcases artists from Pacific Northwest and across the U.S. The gallery shares space with LeRoy Jewelers, a family-owned and independent jewelry store specializing in custom design. The Art Stop often
features the work ofTacoma ceramist ReidOzaki, as well as exquisite sterling silver work of two Washington jewelers and metalsmiths, Julia Lowther from Seattle and Shirley Moss from Port Townsend, along with rich, functional wooden serving pieces hand-crafted by John Taylor from Bellingham. The Art Stop also celebrates Tacoma with its exclusive line of flour-sack dishtowels featuring original screen-printed images of Tacoma’s historic theaters and bridges. In addition, the gallery showcases the work of a variety of artists and artisans from across the country. All in the friendly elegance of LeRoy Jewelers, designers and manufacturers of fine jewelry for over seventy-five years.
GATHERING SPACE ART GALLERYB e l l a r m i n e P r e p , 2 3 0 0 S o u t h Washington • Mon-Fri: 2:30-5 P.M. • m e e k e r b @ b e l l a r m i n e p r e p . o rg•http://bellarmineprep.org/artgallery The first ever Middle school art invitational exhibit. Featuring young artists from middle and Jr. High art programs around the greater Tacoma area. Over 100 works by 7th and 8th grade artists are on display. Opening Reception: Thursday, November 2, 5-7 P.M. November 2-18. Showing sculpted wood and mixed media books by Pasco artist Morse Clary. “Words,” “pages,” and “books” themselves become sculptural objects in Clary’s elegant wall mounted sculptures.Reception: Friday, December 7, 5-7
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